subject:(1980s)

Ohio University

1. Rossi, Samuel E. Reagan, Rambo, and the Red Dawn: The Impact of Reagan’s Presidency on Hollywood of the 1980s.

Degree: MA, Political Science (Arts and Sciences), 2007, Ohio University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1180975486

► This thesis explores the impact of Ronald Reagan’s presidency on Hollywood films of the 1980s. As America entered the 1980s, a shift was seen in… (more)

Subjects/Keywords: Political Science, General; Reagan; Presidential Rhetoric; Politics and Film; Hollywood; 1980s

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APA (6^th Edition):

Rossi, S. E. (2007). Reagan, Rambo, and the Red Dawn: The Impact of Reagan’s Presidency on Hollywood of the 1980s. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1180975486

Chicago Manual of Style (16^th Edition):

Rossi, Samuel E. “Reagan, Rambo, and the Red Dawn: The Impact of Reagan’s Presidency on Hollywood of the 1980s.” 2007. Masters Thesis, Ohio University. Accessed December 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1180975486.

MLA Handbook (7^th Edition):

Rossi, Samuel E. “Reagan, Rambo, and the Red Dawn: The Impact of Reagan’s Presidency on Hollywood of the 1980s.” 2007. Web. 15 Dec 2019.

Vancouver:

Rossi SE. Reagan, Rambo, and the Red Dawn: The Impact of Reagan’s Presidency on Hollywood of the 1980s. [Internet] [Masters thesis]. Ohio University; 2007. [cited 2019 Dec 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1180975486.

Council of Science Editors:

Rossi SE. Reagan, Rambo, and the Red Dawn: The Impact of Reagan’s Presidency on Hollywood of the 1980s. [Masters Thesis]. Ohio University; 2007. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1180975486

Kent State University

2. Stewart, Joseph W. The Appropriation of Abraham Lincoln by Ronald Reagan and Conservative Notions of Lincoln's Legacy, 1980-1989.

Degree: MA, College of Arts and Sciences / Department of History, 2017, Kent State University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=kent149192778845793

► This M.A. thesis examines the public rhetoric of American president Ronald Reagan and focuses specifically on the different ways he appropriated the legacy and memory… (more)

Subjects/Keywords: History; Abraham Lincoln; Ronald Reagan; 1980s; American Presidency; Historical Memory; Anti-intellectualism

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APA (6^th Edition):

Stewart, J. W. (2017). The Appropriation of Abraham Lincoln by Ronald Reagan and Conservative Notions of Lincoln's Legacy, 1980-1989. (Masters Thesis). Kent State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=kent149192778845793

Chicago Manual of Style (16^th Edition):

Stewart, Joseph W. “The Appropriation of Abraham Lincoln by Ronald Reagan and Conservative Notions of Lincoln's Legacy, 1980-1989.” 2017. Masters Thesis, Kent State University. Accessed December 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent149192778845793.

MLA Handbook (7^th Edition):

Stewart, Joseph W. “The Appropriation of Abraham Lincoln by Ronald Reagan and Conservative Notions of Lincoln's Legacy, 1980-1989.” 2017. Web. 15 Dec 2019.

Vancouver:

Stewart JW. The Appropriation of Abraham Lincoln by Ronald Reagan and Conservative Notions of Lincoln's Legacy, 1980-1989. [Internet] [Masters thesis]. Kent State University; 2017. [cited 2019 Dec 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent149192778845793.

Council of Science Editors:

Stewart JW. The Appropriation of Abraham Lincoln by Ronald Reagan and Conservative Notions of Lincoln's Legacy, 1980-1989. [Masters Thesis]. Kent State University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent149192778845793

Georgia Southern University

3. Rehder, David C. Who Says Man Wasn't Meant to Fly: History of Air Jordan Advertising, Portrayal and Race from 1984-2003.

Degree: MA, Department of History, 2018, Georgia Southern University

URL: https://digitalcommons.georgiasouthern.edu/etd/1750

► WHO SAYS MAN WASN’T MEANT TO FLY: HISTORY OF AIR JORDAN ADVERTSING, PORTRAYAL AND RACE FROM 1984-2003 by DAVID C. REHDER Under the Direction… (more)

Subjects/Keywords: Air Jordan; Michael Jordan; Nike; Race; Advertisements; Commercials; Spike Lee; 1980s; 1990s; Shoes; Cultural History

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APA (6^th Edition):

Rehder, D. C. (2018). Who Says Man Wasn't Meant to Fly: History of Air Jordan Advertising, Portrayal and Race from 1984-2003. (Masters Thesis). Georgia Southern University. Retrieved from https://digitalcommons.georgiasouthern.edu/etd/1750

Chicago Manual of Style (16^th Edition):

Rehder, David C. “Who Says Man Wasn't Meant to Fly: History of Air Jordan Advertising, Portrayal and Race from 1984-2003.” 2018. Masters Thesis, Georgia Southern University. Accessed December 15, 2019. https://digitalcommons.georgiasouthern.edu/etd/1750.

MLA Handbook (7^th Edition):

Rehder, David C. “Who Says Man Wasn't Meant to Fly: History of Air Jordan Advertising, Portrayal and Race from 1984-2003.” 2018. Web. 15 Dec 2019.

Vancouver:

Rehder DC. Who Says Man Wasn't Meant to Fly: History of Air Jordan Advertising, Portrayal and Race from 1984-2003. [Internet] [Masters thesis]. Georgia Southern University; 2018. [cited 2019 Dec 15]. Available from: https://digitalcommons.georgiasouthern.edu/etd/1750.

Council of Science Editors:

Rehder DC. Who Says Man Wasn't Meant to Fly: History of Air Jordan Advertising, Portrayal and Race from 1984-2003. [Masters Thesis]. Georgia Southern University; 2018. Available from: https://digitalcommons.georgiasouthern.edu/etd/1750

University of Texas – Austin

4. Montes, Christopher Daniel. Selling the beat, visualizing the rhythm : MTV, propaganda films, and convergent media in the 1980s.

Degree: MA, Radio-Television-Film, 2015, University of Texas – Austin

URL: http://hdl.handle.net/2152/32095

► In the early 1980s, American media industries were changing at a rapid pace. New technologies and corporate structures influenced a new crop of media content… (more)

▼ In the early 1980s, American media industries were changing at a rapid pace. New technologies and corporate structures influenced a new crop of media content indicative of an ever-diversifying mediascape. Influenced by this continuing evolution, the Warner-Amex corporation developed a platform to showcase a new kind of content form, music videos, that sought to mix the flow of radio broadcast with filmed popular music entertainment: MTV, music television. MTV stood as the go-to source for music videos in the United States and became a cultural touchstone in itself. The cable, recording, and advertising industries all had a hand in the channel's development and had to overcome the industrial tensions such an initiative would bring. How would profits be earned? Who produces what? And where will the money come from? Despite its successful premiere on August 1 1981, MTV still underwent a number of transformations, both industrially and culturally, to become the media giant it still is today. One result of this platform's rise in prominence was a need to produce content that would fit well on this new-look channel. Seeing this opportunity, a group of filmmakers formed Propaganda Films in 1986 in order to produce music videos and television advertisements for MTV and other broadcast platforms. These filmmakers, including Hollywood auteurs Steve Golin, Nigel Dick, Dominic Sena, and David Fincher, would have a profound influence on music videos and television advertisements, bringing a distinctive style and authorial vision to non-feature film Hollywood productions. My research details the formation of MTV, the founding of Propaganda Films, and the formal components of Propaganda’s music videos and television advertisements as a means to engage the convergent trends of American media industries during this period. Propaganda Films, a prolific and repeatedly well-regarded organization in the entertainment industry, has yet to have a comprehensive scholarly analysis of its involvement in American media history. My aim is to simultaneously detail a previously underrepresented historical case while providing an interdisciplinary means in which to engage various content forms that are an important component of our media-making cultures and traditions. Advisors/Committee Members: Schatz, Thomas, 1948- (advisor), Scott, Suzanne (committee member).

Subjects/Keywords: MTV; Propaganda films; Media convergence; Music videos; 1980s; Television advertising; Popular music

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APA (6^th Edition):

Montes, C. D. (2015). Selling the beat, visualizing the rhythm : MTV, propaganda films, and convergent media in the 1980s. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/32095

Chicago Manual of Style (16^th Edition):

Montes, Christopher Daniel. “Selling the beat, visualizing the rhythm : MTV, propaganda films, and convergent media in the 1980s.” 2015. Masters Thesis, University of Texas – Austin. Accessed December 15, 2019. http://hdl.handle.net/2152/32095.

MLA Handbook (7^th Edition):

Montes, Christopher Daniel. “Selling the beat, visualizing the rhythm : MTV, propaganda films, and convergent media in the 1980s.” 2015. Web. 15 Dec 2019.

Vancouver:

Montes CD. Selling the beat, visualizing the rhythm : MTV, propaganda films, and convergent media in the 1980s. [Internet] [Masters thesis]. University of Texas – Austin; 2015. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/2152/32095.

Council of Science Editors:

Montes CD. Selling the beat, visualizing the rhythm : MTV, propaganda films, and convergent media in the 1980s. [Masters Thesis]. University of Texas – Austin; 2015. Available from: http://hdl.handle.net/2152/32095

University of Colorado

5. Mehls, Robert. In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996.

Degree: MA, Art & Art History, 2015, University of Colorado

URL: http://scholar.colorado.edu/arth_gradetds/28

► Horror films, like any cultural product, are a result of their time and place in the world. The traditional reading of horror films focuses… (more)

Subjects/Keywords: 1970s; 1980s; 1990s; Feminism; Film; Horror; Other Feminist, Gender, and Sexuality Studies; Theory and Criticism; Visual Studies

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APA (6^th Edition):

Mehls, R. (2015). In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996. (Masters Thesis). University of Colorado. Retrieved from http://scholar.colorado.edu/arth_gradetds/28

Chicago Manual of Style (16^th Edition):

Mehls, Robert. “In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996.” 2015. Masters Thesis, University of Colorado. Accessed December 15, 2019. http://scholar.colorado.edu/arth_gradetds/28.

MLA Handbook (7^th Edition):

Mehls, Robert. “In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996.” 2015. Web. 15 Dec 2019.

Vancouver:

Mehls R. In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996. [Internet] [Masters thesis]. University of Colorado; 2015. [cited 2019 Dec 15]. Available from: http://scholar.colorado.edu/arth_gradetds/28.

Council of Science Editors:

Mehls R. In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996. [Masters Thesis]. University of Colorado; 2015. Available from: http://scholar.colorado.edu/arth_gradetds/28

Leiden University

6. Papazoglou, Chrysanthi. Heavy Metal under Scrutiny: The Controversial Battle for the Protection of America’s Youth.

Degree: 2017, Leiden University

URL: http://hdl.handle.net/1887/54371

► Since its emergence, heavy metal music met with serious opposition. Accused of promoting violence, suicide, drug abuse and distorted images of sex, heavy metal artists… (more)

Subjects/Keywords: American studies; North American studies; heavy metal; 1985 Labeling Hearing; music; counterculture; satanic scare; lyrics; 1980s; conservatives; PMRC

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APA (6^th Edition):

Papazoglou, C. (2017). Heavy Metal under Scrutiny: The Controversial Battle for the Protection of America’s Youth. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/54371

Chicago Manual of Style (16^th Edition):

Papazoglou, Chrysanthi. “Heavy Metal under Scrutiny: The Controversial Battle for the Protection of America’s Youth.” 2017. Masters Thesis, Leiden University. Accessed December 15, 2019. http://hdl.handle.net/1887/54371.

MLA Handbook (7^th Edition):

Papazoglou, Chrysanthi. “Heavy Metal under Scrutiny: The Controversial Battle for the Protection of America’s Youth.” 2017. Web. 15 Dec 2019.

Vancouver:

Papazoglou C. Heavy Metal under Scrutiny: The Controversial Battle for the Protection of America’s Youth. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/1887/54371.

Council of Science Editors:

Papazoglou C. Heavy Metal under Scrutiny: The Controversial Battle for the Protection of America’s Youth. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/54371

University of Georgia

7. Carter, Charles. A pipeline to arms: Osthandel and the rise of Soviet arms sales to the non-communist third world.

Degree: MA, History, 2007, University of Georgia

URL: http://purl.galileo.usg.edu/uga_etd/carter_charles_w_200705_ma

► While West German trade to the Soviet Union (Osthandel) enabled Moscow to achieve a favorable balance of trade with West Germany by the mid-1980s, it… (more)

Subjects/Keywords: While West German trade to the Soviet Union (Osthandel) enabled Moscow to achieve a favorable balance of trade with West Germany by the mid-1980s

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APA (6^th Edition):

Carter, C. (2007). A pipeline to arms: Osthandel and the rise of Soviet arms sales to the non-communist third world. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/carter_charles_w_200705_ma

Chicago Manual of Style (16^th Edition):

Carter, Charles. “A pipeline to arms: Osthandel and the rise of Soviet arms sales to the non-communist third world.” 2007. Masters Thesis, University of Georgia. Accessed December 15, 2019. http://purl.galileo.usg.edu/uga_etd/carter_charles_w_200705_ma.

MLA Handbook (7^th Edition):

Carter, Charles. “A pipeline to arms: Osthandel and the rise of Soviet arms sales to the non-communist third world.” 2007. Web. 15 Dec 2019.

Vancouver:

Carter C. A pipeline to arms: Osthandel and the rise of Soviet arms sales to the non-communist third world. [Internet] [Masters thesis]. University of Georgia; 2007. [cited 2019 Dec 15]. Available from: http://purl.galileo.usg.edu/uga_etd/carter_charles_w_200705_ma.

Council of Science Editors:

Carter C. A pipeline to arms: Osthandel and the rise of Soviet arms sales to the non-communist third world. [Masters Thesis]. University of Georgia; 2007. Available from: http://purl.galileo.usg.edu/uga_etd/carter_charles_w_200705_ma

Leiden University

8. Grand, Ramon le. How did the Neoliberal Ideas behind the Government Policies of the Reagan and Thatcher Administrations have an Impact on Inequality in the United States and the United Kingdom during the 1980s?.

Degree: 2017, Leiden University

URL: http://hdl.handle.net/1887/53160

Subjects/Keywords: Reagan Thatcher Neoliberalism United States United Kingdom 1980s Income Inequality

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APA (6^th Edition):

Grand, R. l. (2017). How did the Neoliberal Ideas behind the Government Policies of the Reagan and Thatcher Administrations have an Impact on Inequality in the United States and the United Kingdom during the 1980s?. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/53160

Chicago Manual of Style (16^th Edition):

Grand, Ramon le. “How did the Neoliberal Ideas behind the Government Policies of the Reagan and Thatcher Administrations have an Impact on Inequality in the United States and the United Kingdom during the 1980s?.” 2017. Masters Thesis, Leiden University. Accessed December 15, 2019. http://hdl.handle.net/1887/53160.

MLA Handbook (7^th Edition):

Grand, Ramon le. “How did the Neoliberal Ideas behind the Government Policies of the Reagan and Thatcher Administrations have an Impact on Inequality in the United States and the United Kingdom during the 1980s?.” 2017. Web. 15 Dec 2019.

Vancouver:

Grand Rl. How did the Neoliberal Ideas behind the Government Policies of the Reagan and Thatcher Administrations have an Impact on Inequality in the United States and the United Kingdom during the 1980s?. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/1887/53160.

Council of Science Editors:

Grand Rl. How did the Neoliberal Ideas behind the Government Policies of the Reagan and Thatcher Administrations have an Impact on Inequality in the United States and the United Kingdom during the 1980s?. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/53160

University of Central Florida

9. Crimmins, Brian. Stories I Told Myself: A Memoir.

Degree: 2014, University of Central Florida

URL: https://stars.library.ucf.edu/etd/4841

► Stories I Told Myself: A Memoir explores the experience of growing up gay in the 1980s. It is one boy's journey toward self-acceptance set… (more)

Subjects/Keywords: Creative nonfiction; memoir; queer; lgbt; gay; coming of age; 1980s; self acceptance; Creative Writing; <; p>; Arts and Humanities – Dissertations, Academic; Dissertations, Academic – Arts and Humanities<; /p>

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APA (6^th Edition):

Crimmins, B. (2014). Stories I Told Myself: A Memoir. (Masters Thesis). University of Central Florida. Retrieved from https://stars.library.ucf.edu/etd/4841

Chicago Manual of Style (16^th Edition):

Crimmins, Brian. “Stories I Told Myself: A Memoir.” 2014. Masters Thesis, University of Central Florida. Accessed December 15, 2019. https://stars.library.ucf.edu/etd/4841.

MLA Handbook (7^th Edition):

Crimmins, Brian. “Stories I Told Myself: A Memoir.” 2014. Web. 15 Dec 2019.

Vancouver:

Crimmins B. Stories I Told Myself: A Memoir. [Internet] [Masters thesis]. University of Central Florida; 2014. [cited 2019 Dec 15]. Available from: https://stars.library.ucf.edu/etd/4841.

Council of Science Editors:

Crimmins B. Stories I Told Myself: A Memoir. [Masters Thesis]. University of Central Florida; 2014. Available from: https://stars.library.ucf.edu/etd/4841

10. Geske, K. Shaping Politics: The Place of Computing in the Netherlands of the 1980s.

Degree: 2013, Universiteit Utrecht

URL: http://dspace.library.uu.nl:8080/handle/1874/282477

► This thesis investigates the role of computing technology in the Dutch public administration of the 1980s by analyzing two case studies and the media responses… (more)

Subjects/Keywords: History of computing; Dutch politics; INSP; studiefinanciering; Rathenau; Pannenborg; perception; 1980s; automation

…linguistic turn that took place in the 1980s, many scholars began looking for alternative ways to… …few studies conducted on computing in the 1980s that after the euphoric 1960s and the… …instance, were often used in the 1980s. 23 17 Computing technology had made quite a… …1980s (Wentink,Zanders 1980), including the incentive plan, which is the topic of… …Report. Yet, as the upcoming chapters will show, in the 1980s, computing systems were still…

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APA (6^th Edition):

Geske, K. (2013). Shaping Politics: The Place of Computing in the Netherlands of the 1980s. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/282477

Chicago Manual of Style (16^th Edition):

Geske, K. “Shaping Politics: The Place of Computing in the Netherlands of the 1980s.” 2013. Masters Thesis, Universiteit Utrecht. Accessed December 15, 2019. http://dspace.library.uu.nl:8080/handle/1874/282477.

MLA Handbook (7^th Edition):

Geske, K. “Shaping Politics: The Place of Computing in the Netherlands of the 1980s.” 2013. Web. 15 Dec 2019.

Vancouver:

Geske K. Shaping Politics: The Place of Computing in the Netherlands of the 1980s. [Internet] [Masters thesis]. Universiteit Utrecht; 2013. [cited 2019 Dec 15]. Available from: http://dspace.library.uu.nl:8080/handle/1874/282477.

Council of Science Editors:

Geske K. Shaping Politics: The Place of Computing in the Netherlands of the 1980s. [Masters Thesis]. Universiteit Utrecht; 2013. Available from: http://dspace.library.uu.nl:8080/handle/1874/282477

Ohio University

11. Gadsden, Cynthia A. Artforum, Basquiat, and the 1980s.

Degree: MA, Art History (Fine Arts), 2008, Ohio University

URL: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1217965257

► Jean Michel Basquiat's move from unknown street artist to internationally known gallery star was solidified with a seminal review in Artforum in late 1981.… (more)

▼ Jean Michel Basquiat's move from unknown street artist to internationally known gallery star was solidified with a seminal review in Artforum in late 1981. His distinctive style merged cave-like drawings, the scrawl of the "untrained" artist, and astute observations of culture. His packaging of ethnicity, street background, and artistic style matched seamlessly with Ingrid Sischy's Artforum agenda of art, culture, and race eclecticism. Sischy sought to remodel the magazine to reflect the 1980s fascination with product and image. Basquiat embodied both for Artforum, who shaped his image as an 80s style primitive for 20th century Western art imperialists. Since the early 1960s, Artforum has held the influential position of art world kingmaker. The magazine's primary focus was the traditional art world centered in New York until 1980, when Sischy took the helm of editor. She guided Artforum through a decade of blurring boundaries between money, fine art, and popular culture. Sischy's changes reverberated throughout the art publishing industry. She introduced non-traditional art writers to the magazine, implemented cultural commentary with columns on advertising, television, and music, and added artist projects created specifically for Artforum. The lower East Side of New York was a haven for a different style of artist. Alongside the homeless, prostitutes, and pawnshops grew a subculture of graffiti artists, galleries, and music and dance clubs. A young, African American of Haitian and Puerto Rican descent, Basquiat, was a product of this street culture. Although not a traditional graffiti artist, his early work as part of the duo SAMO tagged walls, buildings, and doors with insightful aphorisms. Though he brought a needed boost to the art market, Basquiat was not inoculated from art world prejudice. In this paper I will contrast the presentation of Basquiat with that of black British artists and filmmakers who directly challenged art racist practices. Through the magazine, Third Text, and film cooperatives like Black Audio Film Collective, they discussed race from the perspective of the non-western Other, something that was lacking in the coverage of Basquiat. The 1980s art market composed of artists, art magazines, gallery owners, dealers, museums, auction houses, and corporate and individual art collectors was not immune to the effects of a culture pre-occupied with money and image. Young, brash business executives saw art as simply an investment vehicle. With thousands rather than millions to spend, auction houses and gallery owners nurtured these new collectors through art education, and appropriated business tactics, such as mortgage style loans and bank financing packages. I selected Artforum because of its influence in the 80s and even today in establishing the career of an artist. Art writing contributes significantly to the success of specific artists, and particular artistic styles and movements. Since the bulk of art writing appears in art journals, these magazines are key in championing… Advisors/Committee Members: Klein, Jeannette (Committee Chair).

Subjects/Keywords: African Americans; Art History; Black History; Economic History; Fine Arts; Journalism; Artforum; Jean Michel Basquiat; the 1980s; the art market; art writing; Third Text; Black Audio Film Collective; the lower East Side; Ingrid Sischy; Rene Ricard

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APA (6^th Edition):

Gadsden, C. A. (2008). Artforum, Basquiat, and the 1980s. (Masters Thesis). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1217965257

Chicago Manual of Style (16^th Edition):

Gadsden, Cynthia A. “Artforum, Basquiat, and the 1980s.” 2008. Masters Thesis, Ohio University. Accessed December 15, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1217965257.

MLA Handbook (7^th Edition):

Gadsden, Cynthia A. “Artforum, Basquiat, and the 1980s.” 2008. Web. 15 Dec 2019.

Vancouver:

Gadsden CA. Artforum, Basquiat, and the 1980s. [Internet] [Masters thesis]. Ohio University; 2008. [cited 2019 Dec 15]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1217965257.

Council of Science Editors:

Gadsden CA. Artforum, Basquiat, and the 1980s. [Masters Thesis]. Ohio University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1217965257

University of Southern California

12. Kaplan, Zachary N. I might end up a right-winger: writing counterpublics for the eighties.

Degree: Master of Public Art Studies, Public Art Studies, 2012, University of Southern California

URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/24627/rec/3303

► This thesis reframes the history of the politicized artworld of the 1980s by centering on the writing of artists and critics and the way this… (more)

Subjects/Keywords: art criticism; 1980s; wedge; New Criterion; Hilton Kramer; Political Art Documentation Distribution; Lucy Lippard; October; Benjamin Buchloh; art writing; Kathy Acker; Reaganism; New York artworld; This Will Have Been; Clement Greenberg; Craig Owens

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APA (6^th Edition):

Kaplan, Z. N. (2012). I might end up a right-winger: writing counterpublics for the eighties. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/24627/rec/3303

Chicago Manual of Style (16^th Edition):

Kaplan, Zachary N. “I might end up a right-winger: writing counterpublics for the eighties.” 2012. Masters Thesis, University of Southern California. Accessed December 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/24627/rec/3303.

MLA Handbook (7^th Edition):

Kaplan, Zachary N. “I might end up a right-winger: writing counterpublics for the eighties.” 2012. Web. 15 Dec 2019.

Vancouver:

Kaplan ZN. I might end up a right-winger: writing counterpublics for the eighties. [Internet] [Masters thesis]. University of Southern California; 2012. [cited 2019 Dec 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/24627/rec/3303.

Council of Science Editors:

Kaplan ZN. I might end up a right-winger: writing counterpublics for the eighties. [Masters Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/24627/rec/3303

University of Southern California

13. Hernando, Gladys-Katherina. Fragmented memory: William Olander and the exhibition as criticism.

Degree: Master of Public Art Studies, Public Art Studies, 2012, University of Southern California

URL: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/15441/rec/2885

► This thesis examines the curatorial practice of William Olander (1950–1989), a prolific curator, writer, and scholar, over a short but full period of ten years… (more)

Subjects/Keywords: William Olander; The new museum in the 1980s; postmodern art; The art of memory/The loss of history; AIDS activism; gender politics; Let the record show...; Homovideo: Where we are now; curatorial studies; exhibition histories

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Hernando, G. (2012). Fragmented memory: William Olander and the exhibition as criticism. (Masters Thesis). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/15441/rec/2885

Chicago Manual of Style (16^th Edition):

Hernando, Gladys-Katherina. “Fragmented memory: William Olander and the exhibition as criticism.” 2012. Masters Thesis, University of Southern California. Accessed December 15, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/15441/rec/2885.

MLA Handbook (7^th Edition):

Hernando, Gladys-Katherina. “Fragmented memory: William Olander and the exhibition as criticism.” 2012. Web. 15 Dec 2019.

Vancouver:

Hernando G. Fragmented memory: William Olander and the exhibition as criticism. [Internet] [Masters thesis]. University of Southern California; 2012. [cited 2019 Dec 15]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/15441/rec/2885.

Council of Science Editors:

Hernando G. Fragmented memory: William Olander and the exhibition as criticism. [Masters Thesis]. University of Southern California; 2012. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/15441/rec/2885

14. Gosney, Adam Taylor. Economic floundering of California's capitol: how Propositions 13 and 4 affected Sacramento's growth.

Degree: MA, History, 2015, California State University – Sacramento

URL: http://hdl.handle.net/10211.3/139368

► At the end of the 1970s Californians passed Propositions 13 and 4, essentially changing how their state functioned. This thesis investigates how the city of… (more)

Subjects/Keywords: 1980s; Crocker Art Museum; North Natomas; Central City; Phillip Isenberg; Anne Rudin; Sacramento Housing and Redevelopment Agency; Grantland Johnson; Joe Serna; Howard Jarvis; Paul Gann; Prop. 13; Urban development in California; Urban history; Tax revolt

…Appendix D (Crocker Art Museum’s Budget During 1970s & 1980s. ��….. ��..................106… …76 18. FIGURE 18: Sacramento City Council During Most of the 1980s …... �� …......81 19… …jurisdiction, Sacramento, employed redevelopment during the 1980s to rezone agricultural and urban… …complete restructuring of California’s growth economy. During the 1980s, local government came to… …alternative methods in the 1980s to obtain new revenue. Because of the decreased revenue generation…

10 more images…

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Gosney, A. T. (2015). Economic floundering of California's capitol: how Propositions 13 and 4 affected Sacramento's growth. (Masters Thesis). California State University – Sacramento. Retrieved from http://hdl.handle.net/10211.3/139368

Chicago Manual of Style (16^th Edition):

Gosney, Adam Taylor. “Economic floundering of California's capitol: how Propositions 13 and 4 affected Sacramento's growth.” 2015. Masters Thesis, California State University – Sacramento. Accessed December 15, 2019. http://hdl.handle.net/10211.3/139368.

MLA Handbook (7^th Edition):

Gosney, Adam Taylor. “Economic floundering of California's capitol: how Propositions 13 and 4 affected Sacramento's growth.” 2015. Web. 15 Dec 2019.

Vancouver:

Gosney AT. Economic floundering of California's capitol: how Propositions 13 and 4 affected Sacramento's growth. [Internet] [Masters thesis]. California State University – Sacramento; 2015. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10211.3/139368.

Council of Science Editors:

Gosney AT. Economic floundering of California's capitol: how Propositions 13 and 4 affected Sacramento's growth. [Masters Thesis]. California State University – Sacramento; 2015. Available from: http://hdl.handle.net/10211.3/139368

University of Otago

15. Paterson, Sarah. “Dirt, And Spit, And Poetry”: The Changing Shape Of Kathleen Jamie’s Writing .

Degree: University of Otago

URL: http://hdl.handle.net/10523/5843

► Scottish poet, Kathleen Jamie, published her first collection of poetry in 1982 and over the past three decades her work has observed and explored a… (more)

Subjects/Keywords: Scotland; Scottish; Scottish Literature; Scottish poetry; feminism; ecopoetry; ecopoetics; Kathleen Jamie; Jamie; prose; nature; writing; findings; sightlines; devolution; tree; house; overhaul; queen; Sheba; travel; Pakistan; among muslims; black spiders; referendum; 1990s; 1980s; millenium; childbirth; jizzen; birth; poetry; 2000s; 2010s

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Paterson, S. (n.d.). “Dirt, And Spit, And Poetry”: The Changing Shape Of Kathleen Jamie’s Writing . (Masters Thesis). University of Otago. Retrieved from http://hdl.handle.net/10523/5843

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Chicago Manual of Style (16^th Edition):

Paterson, Sarah. ““Dirt, And Spit, And Poetry”: The Changing Shape Of Kathleen Jamie’s Writing .” Masters Thesis, University of Otago. Accessed December 15, 2019. http://hdl.handle.net/10523/5843.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

MLA Handbook (7^th Edition):

Paterson, Sarah. ““Dirt, And Spit, And Poetry”: The Changing Shape Of Kathleen Jamie’s Writing .” Web. 15 Dec 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Paterson S. “Dirt, And Spit, And Poetry”: The Changing Shape Of Kathleen Jamie’s Writing . [Internet] [Masters thesis]. University of Otago; [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10523/5843.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Council of Science Editors:

Paterson S. “Dirt, And Spit, And Poetry”: The Changing Shape Of Kathleen Jamie’s Writing . [Masters Thesis]. University of Otago; Available from: http://hdl.handle.net/10523/5843

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Open Access Theses and Dissertations