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You searched for subject:(1970s Photography). Showing records 1 – 8 of 8 total matches.

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University of Lund

1. Goysdotter, Moa. Impure vision : American staged art photography of the 1970s.

Degree: 2013, University of Lund

 The aim of this study is to explore how American staged art photographers in the 1970s problematized a traditional, visualist approach to the photograph as… (more)

Subjects/Keywords: Cultural Studies; vision; phenomenology; postphenomenology; visuality; Lucas Samaras; Arthur Tress; Duane Michals; Les Krims; staged photography; art photography; history of photography; 20th century photography; photography from the 1970s; American photography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goysdotter, M. (2013). Impure vision : American staged art photography of the 1970s. (Doctoral Dissertation). University of Lund. Retrieved from https://lup.lub.lu.se/record/3410014 ; https://portal.research.lu.se/ws/files/5698386/3410521.pdf

Chicago Manual of Style (16th Edition):

Goysdotter, Moa. “Impure vision : American staged art photography of the 1970s.” 2013. Doctoral Dissertation, University of Lund. Accessed October 20, 2020. https://lup.lub.lu.se/record/3410014 ; https://portal.research.lu.se/ws/files/5698386/3410521.pdf.

MLA Handbook (7th Edition):

Goysdotter, Moa. “Impure vision : American staged art photography of the 1970s.” 2013. Web. 20 Oct 2020.

Vancouver:

Goysdotter M. Impure vision : American staged art photography of the 1970s. [Internet] [Doctoral dissertation]. University of Lund; 2013. [cited 2020 Oct 20]. Available from: https://lup.lub.lu.se/record/3410014 ; https://portal.research.lu.se/ws/files/5698386/3410521.pdf.

Council of Science Editors:

Goysdotter M. Impure vision : American staged art photography of the 1970s. [Doctoral Dissertation]. University of Lund; 2013. Available from: https://lup.lub.lu.se/record/3410014 ; https://portal.research.lu.se/ws/files/5698386/3410521.pdf


University of California – Riverside

2. Williams, Sarah Bay. A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s.

Degree: Art History, 2012, University of California – Riverside

A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s explores the artist's development from sculptor to photographer, his move to Southern California, and the elements of the area that inspired his fabricated tableaux and imaginary scenarios that engage plays on perception, absurdity, and humor.

Subjects/Keywords: Art history; 1970s; Conceptual Art; Contemporary Art; Los Angeles; Photography; Robert Cumming

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APA (6th Edition):

Williams, S. B. (2012). A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/39c3413r

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Williams, Sarah Bay. “A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s.” 2012. Thesis, University of California – Riverside. Accessed October 20, 2020. http://www.escholarship.org/uc/item/39c3413r.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Williams, Sarah Bay. “A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s.” 2012. Web. 20 Oct 2020.

Vancouver:

Williams SB. A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s. [Internet] [Thesis]. University of California – Riverside; 2012. [cited 2020 Oct 20]. Available from: http://www.escholarship.org/uc/item/39c3413r.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Williams SB. A Language of Rebuilt Reality: The Photography of Robert Cumming in the 1970s. [Thesis]. University of California – Riverside; 2012. Available from: http://www.escholarship.org/uc/item/39c3413r

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

3. Cerejido, Elizabeth. Grey Area: Contextualizing Cuban Photography of the 1970s.

Degree: MA, Latin American Studies (Arts and Sciences), 2009, University of Miami

  This study examines the photographic production of the 1970s in Cuba through print media and aims to situate its role and function within the… (more)

Subjects/Keywords: Cuban Photography; Cuba 1970s; Cuban Photography And Cultural Politics

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APA (6th Edition):

Cerejido, E. (2009). Grey Area: Contextualizing Cuban Photography of the 1970s. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/222

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cerejido, Elizabeth. “Grey Area: Contextualizing Cuban Photography of the 1970s.” 2009. Thesis, University of Miami. Accessed October 20, 2020. https://scholarlyrepository.miami.edu/oa_theses/222.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cerejido, Elizabeth. “Grey Area: Contextualizing Cuban Photography of the 1970s.” 2009. Web. 20 Oct 2020.

Vancouver:

Cerejido E. Grey Area: Contextualizing Cuban Photography of the 1970s. [Internet] [Thesis]. University of Miami; 2009. [cited 2020 Oct 20]. Available from: https://scholarlyrepository.miami.edu/oa_theses/222.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cerejido E. Grey Area: Contextualizing Cuban Photography of the 1970s. [Thesis]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_theses/222

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

4. Statzer, Mary Kathryn. "Photography into Sculpture": Peter Bunnell, Robert Heinecken and Experimental Forms of Photography Circa 1970 .

Degree: 2015, University of Arizona

 Despite present day attitudes and practices in which combinations of photography and other mediums of art are readily accepted, this was rarely the case during… (more)

Subjects/Keywords: Museum of Modern Art; Peter Bunnell; photography; Photography into Sculpture; Robert Heinecken; Art; 1960s and 1970s

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APA (6th Edition):

Statzer, M. K. (2015). "Photography into Sculpture": Peter Bunnell, Robert Heinecken and Experimental Forms of Photography Circa 1970 . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/556851

Chicago Manual of Style (16th Edition):

Statzer, Mary Kathryn. “"Photography into Sculpture": Peter Bunnell, Robert Heinecken and Experimental Forms of Photography Circa 1970 .” 2015. Doctoral Dissertation, University of Arizona. Accessed October 20, 2020. http://hdl.handle.net/10150/556851.

MLA Handbook (7th Edition):

Statzer, Mary Kathryn. “"Photography into Sculpture": Peter Bunnell, Robert Heinecken and Experimental Forms of Photography Circa 1970 .” 2015. Web. 20 Oct 2020.

Vancouver:

Statzer MK. "Photography into Sculpture": Peter Bunnell, Robert Heinecken and Experimental Forms of Photography Circa 1970 . [Internet] [Doctoral dissertation]. University of Arizona; 2015. [cited 2020 Oct 20]. Available from: http://hdl.handle.net/10150/556851.

Council of Science Editors:

Statzer MK. "Photography into Sculpture": Peter Bunnell, Robert Heinecken and Experimental Forms of Photography Circa 1970 . [Doctoral Dissertation]. University of Arizona; 2015. Available from: http://hdl.handle.net/10150/556851


University of Arizona

5. Swensen, James R. The Rephotographic Survey Project (19770-1979) and the Landscape of Photography .

Degree: 2009, University of Arizona

 In 1976 two young photographers, Mark Klett and JoAnn Verburg, and a photo-historian named Ellen Manchester came together with an idea to rephotograph sites in… (more)

Subjects/Keywords: 1970s Photography; American West; History of Photography; Landscape Photography; New Western History; Rephotography

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APA (6th Edition):

Swensen, J. R. (2009). The Rephotographic Survey Project (19770-1979) and the Landscape of Photography . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/194916

Chicago Manual of Style (16th Edition):

Swensen, James R. “The Rephotographic Survey Project (19770-1979) and the Landscape of Photography .” 2009. Doctoral Dissertation, University of Arizona. Accessed October 20, 2020. http://hdl.handle.net/10150/194916.

MLA Handbook (7th Edition):

Swensen, James R. “The Rephotographic Survey Project (19770-1979) and the Landscape of Photography .” 2009. Web. 20 Oct 2020.

Vancouver:

Swensen JR. The Rephotographic Survey Project (19770-1979) and the Landscape of Photography . [Internet] [Doctoral dissertation]. University of Arizona; 2009. [cited 2020 Oct 20]. Available from: http://hdl.handle.net/10150/194916.

Council of Science Editors:

Swensen JR. The Rephotographic Survey Project (19770-1979) and the Landscape of Photography . [Doctoral Dissertation]. University of Arizona; 2009. Available from: http://hdl.handle.net/10150/194916


Universidade do Rio Grande do Sul

6. Almeida, Juliana Gisi Martins de. Fotografia e práticas artísticas : os discursos dos artistas nos anos 1960 e 1970.

Degree: 2013, Universidade do Rio Grande do Sul

 Este trabalho apresenta uma investigação sobre a fotografia produzida por artistas nos anos 1960 e 1970, a partir de uma análise discursiva dos textos que… (more)

Subjects/Keywords: Visual arts; Fotografia artística : anos 1960-70; Photography; Artes visuais; Análise discursiva; 1960s and 1970s; Artists writings; Discursive analysis

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Almeida, J. G. M. d. (2013). Fotografia e práticas artísticas : os discursos dos artistas nos anos 1960 e 1970. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/72686

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Almeida, Juliana Gisi Martins de. “Fotografia e práticas artísticas : os discursos dos artistas nos anos 1960 e 1970.” 2013. Thesis, Universidade do Rio Grande do Sul. Accessed October 20, 2020. http://hdl.handle.net/10183/72686.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Almeida, Juliana Gisi Martins de. “Fotografia e práticas artísticas : os discursos dos artistas nos anos 1960 e 1970.” 2013. Web. 20 Oct 2020.

Vancouver:

Almeida JGMd. Fotografia e práticas artísticas : os discursos dos artistas nos anos 1960 e 1970. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2013. [cited 2020 Oct 20]. Available from: http://hdl.handle.net/10183/72686.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Almeida JGMd. Fotografia e práticas artísticas : os discursos dos artistas nos anos 1960 e 1970. [Thesis]. Universidade do Rio Grande do Sul; 2013. Available from: http://hdl.handle.net/10183/72686

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Main, Reva Leigh. Eggleston, Christenberry, Divola: Color Photography Beyond the New York Reception.

Degree: Art History, 2016, University of California – Riverside

 This thesis will examine the history of color photography in America, with specific attention to the exhibition and review of color photography across the country… (more)

Subjects/Keywords: Art history; Art criticism; 1970s; color; exhibition; museum; photography; review

…to his road trips across America in the 1970s. Digital photography made it possible to… …1970s, beginning with Sally Eauclaire’s The New Color Photography, and moving forward to more… …project became: How could I write a history of color photography in the 1970s that acknowledged… …the use of color. Up until now, color photography in the art scene of America in the 1970s… …show” of color photography in the 1970s, Eauclaire’s intentions were to provide “critical… 

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APA (6th Edition):

Main, R. L. (2016). Eggleston, Christenberry, Divola: Color Photography Beyond the New York Reception. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/3cb1w5rx

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Main, Reva Leigh. “Eggleston, Christenberry, Divola: Color Photography Beyond the New York Reception.” 2016. Thesis, University of California – Riverside. Accessed October 20, 2020. http://www.escholarship.org/uc/item/3cb1w5rx.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Main, Reva Leigh. “Eggleston, Christenberry, Divola: Color Photography Beyond the New York Reception.” 2016. Web. 20 Oct 2020.

Vancouver:

Main RL. Eggleston, Christenberry, Divola: Color Photography Beyond the New York Reception. [Internet] [Thesis]. University of California – Riverside; 2016. [cited 2020 Oct 20]. Available from: http://www.escholarship.org/uc/item/3cb1w5rx.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Main RL. Eggleston, Christenberry, Divola: Color Photography Beyond the New York Reception. [Thesis]. University of California – Riverside; 2016. Available from: http://www.escholarship.org/uc/item/3cb1w5rx

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Campaneli, Juliana Okuda. A fotografia documental no museu de arte: dissonâncias e consonâncias.

Degree: Mestrado, Estética e História da Arte, 2012, University of São Paulo

Essa dissertação tem como objetivo principal identificar os mecanismos envolvidos na inserção da fotografia documental em museus de arte, durante a década de 1970, na… (more)

Subjects/Keywords: Anos 1970; Art museums; Bienal de São Paulo; Bienal de São Paulo; Brazilian photography; Documentary photography; Ensaio fotográfico; Exposições de fotografia; Fotografia brasileira; Fotografia documental; Fotorreportagem; Museu de Arte de São Paulo; Museu de Arte de São Paulo; Museus de arte; Photo report; Photo-essay; Photography exhibitions; Pinacoteca do Estado de São Paulo; Pinacoteca do Estado de São Paulo; The 1970s

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Campaneli, J. O. (2012). A fotografia documental no museu de arte: dissonâncias e consonâncias. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/93/93131/tde-04042013-092536/ ;

Chicago Manual of Style (16th Edition):

Campaneli, Juliana Okuda. “A fotografia documental no museu de arte: dissonâncias e consonâncias.” 2012. Masters Thesis, University of São Paulo. Accessed October 20, 2020. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-04042013-092536/ ;.

MLA Handbook (7th Edition):

Campaneli, Juliana Okuda. “A fotografia documental no museu de arte: dissonâncias e consonâncias.” 2012. Web. 20 Oct 2020.

Vancouver:

Campaneli JO. A fotografia documental no museu de arte: dissonâncias e consonâncias. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2020 Oct 20]. Available from: http://www.teses.usp.br/teses/disponiveis/93/93131/tde-04042013-092536/ ;.

Council of Science Editors:

Campaneli JO. A fotografia documental no museu de arte: dissonâncias e consonâncias. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/93/93131/tde-04042013-092536/ ;

.