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Brno University of Technology

1. Domorád, Petr. Elektrické housle .

Degree: 2014, Brno University of Technology

Bakalářská práce se zabývá návrhem nového designu elektrických houslí. Cílem práce je, odpoutat se od zažitých a tradičních tvarů barokních akustických houslí, které se v designu elektrických houslí často objevují. Elektrické housle se proto stávají jakousi náhražkou klasických houslí, přitom mohou být specifickým nástrojem, díky kterému lze experimentovat s houslovými tóny podstatně bohatěji. Nový návrh tvaru elektrických houslí, by měl být ergonomicky vyhovující pro pohodlnou hru na housle, ale zároveň zajímavý, nový a netypický. Při navrhování i výrobě musí být některé části klasických houslí ponechány (např. tvar krku nástroje nebo hmatník). Tyto části se mohou jen mírně měnit, jelikož každá zmiňovaná část má svou specifickou roli při hře na housle. Návrh houslí vychází ze základních ergonomických prvků houslí. Z klasických houslí jsou ponechány pouze části, u kterých se kvůli zachování funkčnosti nesmí změnit tvar. Tři do prostoru vyčnívající části těla podporují pohodlné držení nástroje a mechanika, která je na jejích koncích umístěná, umožňuje nastavitelnost držení nástroje dle houslistovy postavy. Housle dodržují osovou souměrnost, což je výhoda, jelikož nástroj mohou používat praváci i leváci. Návrh řeší i to, aby různé komponenty nepřekážely při hře na housle (např. potenciometry na ovládání hlasitosti a tónů nástroje nebo vstup pro kabel připojující nástroj k aparatuře). Jelikož tyto detaily při ovládání nemusí houslista vidět, ale ovládá je většinou pomocí sluchu, jsou umístěny do spodní části trupu houslí, kde při hře na housle nebudou ničemu vadit a překážet. Materiál použitý pro prototyp houslí je dřevo (možné kombinování různých dřevin pro lepší vizuální efekt a pro podpoření křivek těla nástroje), které se po vyfrézování povrchově upraví a nalakuje několika vrstvami laku. Komponenty k uchycení strun a nastavitelné mechaniky budou z kovu. Elektronika, která je uložená uvnitř v dutině těla nástroje, je kupovaný, doplňující komponent.; The bachelor thesis deals with the design of the new design of electric violins. The aim of the work is to break away from the stereotypes and traditional forms of baroque acoustic violins, which are in the design of electric violins often occur . Electric Violin therefore become a kind of substitute for classical violin , this may include a specific instrument , which allows to experiment with violin tones considerably richer . The new design of the shape electric violin should be ergonomically correct for easy violin , but interesting , new and unusual . When designing and manufacturing must be some part of classical violin left ( eg the shape of the neck or fingerboard ) . These parts may slightly vary because each said portion has a specific role to play violin . Proposal for violin based on the basic ergonomic features violin. From classical violin are left only parts which are to preserve functionality may change shape. Three into the protruding part of the body support a comfortable grip of instrument and mechanics, which is located at its ends , allows… Advisors/Committee Members: Zdařil, Zdeněk (advisor).

Subjects/Keywords: elektrické housle; hudební nástroj; hudba; smyčcový nástroj; hra na housle; design houslí; houslový snímač; electric violin; musical instrument; music; string instrument; play the violin; design of violin; violin sensor

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Domorád, P. (2014). Elektrické housle . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/34408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Domorád, Petr. “Elektrické housle .” 2014. Thesis, Brno University of Technology. Accessed October 17, 2019. http://hdl.handle.net/11012/34408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Domorád, Petr. “Elektrické housle .” 2014. Web. 17 Oct 2019.

Vancouver:

Domorád P. Elektrické housle . [Internet] [Thesis]. Brno University of Technology; 2014. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11012/34408.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Domorád P. Elektrické housle . [Thesis]. Brno University of Technology; 2014. Available from: http://hdl.handle.net/11012/34408

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Plymouth

2. Visi, Federico. Methods and technologies for the analysis and interactive use of body movements in instrumental music performance.

Degree: PhD, 2017, University of Plymouth

A constantly growing corpus of interdisciplinary studies support the idea that music is a complex multimodal medium that is experienced not only by means of sounds but also through body movement. From this perspective, musical instruments can be seen as technological objects coupled with a repertoire of performance gestures. This repertoire is part of an ecological knowledge shared by musicians and listeners alike. It is part of the engine that guides musical experience and has a considerable expressive potential. This thesis explores technical and conceptual issues related to the analysis and creative use of music-related body movements in instrumental music performance. The complexity of this subject required an interdisciplinary approach, which includes the review of multiple theoretical accounts, quantitative and qualitative analysis of data collected in motion capture laboratories, the development and implementation of technologies for the interpretation and interactive use of motion data, and the creation of short musical pieces that actively employ the movement of the performers as an expressive musical feature. The theoretical framework is informed by embodied and enactive accounts of music cognition as well as by systematic studies of music-related movement and expressive music performance. The assumption that the movements of a musician are part of a shared knowledge is empirically explored through an experiment aimed at analysing the motion capture data of a violinist performing a selection of short musical excerpts. A group of subjects with no prior experience playing the violin is then asked to mime a performance following the audio excerpts recorded by the violinist. Motion data is recorded, analysed, and compared with the expert’s data. This is done both quantitatively through data analysis xii as well as qualitatively by relating the motion data to other high-level features and structures of the musical excerpts. Solutions to issues regarding capturing and storing movement data and its use in real-time scenarios are proposed. For the interactive use of motion-sensing technologies in music performance, various wearable sensors have been employed, along with different approaches for mapping control data to sound synthesis and signal processing parameters. In particular, novel approaches for the extraction of meaningful features from raw sensor data and the use of machine learning techniques for mapping movement to live electronics are described. To complete the framework, an essential element of this research project is the com- position and performance of études that explore the creative use of body movement in instrumental music from a Practice-as-Research perspective. This works as a test bed for the proposed concepts and techniques. Mapping concepts and technologies are challenged in a scenario constrained by the use of musical instruments, and different mapping ap- proaches are implemented and compared. In addition, techniques for notating movement in the score, and the impact of interactive…

Subjects/Keywords: 784; music; body movement; body motion; performance; motion analysis; interaction design; gesture; motion capture; motion sensor; IMU; inertial measurement unit; wearable sensors; EMG; electromyogram; periodic quantity of motion; PQOM; musical instrument; embodiment; movement; embodied cognition; violin; viola; guitar; composition; mapping; topology; machine learning; music notation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Visi, F. (2017). Methods and technologies for the analysis and interactive use of body movements in instrumental music performance. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/8805

Chicago Manual of Style (16th Edition):

Visi, Federico. “Methods and technologies for the analysis and interactive use of body movements in instrumental music performance.” 2017. Doctoral Dissertation, University of Plymouth. Accessed October 17, 2019. http://hdl.handle.net/10026.1/8805.

MLA Handbook (7th Edition):

Visi, Federico. “Methods and technologies for the analysis and interactive use of body movements in instrumental music performance.” 2017. Web. 17 Oct 2019.

Vancouver:

Visi F. Methods and technologies for the analysis and interactive use of body movements in instrumental music performance. [Internet] [Doctoral dissertation]. University of Plymouth; 2017. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10026.1/8805.

Council of Science Editors:

Visi F. Methods and technologies for the analysis and interactive use of body movements in instrumental music performance. [Doctoral Dissertation]. University of Plymouth; 2017. Available from: http://hdl.handle.net/10026.1/8805

.