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You searched for subject:( pt MARCEL DUCHAMP). Showing records 31 – 60 of 12159 total matches.

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Michigan State University

31. Villa, Theodore F. Marcel Duchamp and the utopian philosophies of Peter Kropotkin and Henri Bergson.

Degree: MA, Department of Art, 1998, Michigan State University

Subjects/Keywords: Duchamp; Marcel; 1887-1968 – Criticism and interpretation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Villa, T. F. (1998). Marcel Duchamp and the utopian philosophies of Peter Kropotkin and Henri Bergson. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:27075

Chicago Manual of Style (16th Edition):

Villa, Theodore F. “Marcel Duchamp and the utopian philosophies of Peter Kropotkin and Henri Bergson.” 1998. Masters Thesis, Michigan State University. Accessed December 12, 2019. http://etd.lib.msu.edu/islandora/object/etd:27075.

MLA Handbook (7th Edition):

Villa, Theodore F. “Marcel Duchamp and the utopian philosophies of Peter Kropotkin and Henri Bergson.” 1998. Web. 12 Dec 2019.

Vancouver:

Villa TF. Marcel Duchamp and the utopian philosophies of Peter Kropotkin and Henri Bergson. [Internet] [Masters thesis]. Michigan State University; 1998. [cited 2019 Dec 12]. Available from: http://etd.lib.msu.edu/islandora/object/etd:27075.

Council of Science Editors:

Villa TF. Marcel Duchamp and the utopian philosophies of Peter Kropotkin and Henri Bergson. [Masters Thesis]. Michigan State University; 1998. Available from: http://etd.lib.msu.edu/islandora/object/etd:27075


Michigan State University

32. Henthorn, Cynthia Lee. Responses to Marcel Duchamp : an examination of shifting interpretations in the critical approaches to art.

Degree: MA, Department of Art History, 1989, Michigan State University

Subjects/Keywords: Duchamp; Marcel; 1887-1968 – Criticism and interpretation

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APA (6th Edition):

Henthorn, C. L. (1989). Responses to Marcel Duchamp : an examination of shifting interpretations in the critical approaches to art. (Masters Thesis). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:20726

Chicago Manual of Style (16th Edition):

Henthorn, Cynthia Lee. “Responses to Marcel Duchamp : an examination of shifting interpretations in the critical approaches to art.” 1989. Masters Thesis, Michigan State University. Accessed December 12, 2019. http://etd.lib.msu.edu/islandora/object/etd:20726.

MLA Handbook (7th Edition):

Henthorn, Cynthia Lee. “Responses to Marcel Duchamp : an examination of shifting interpretations in the critical approaches to art.” 1989. Web. 12 Dec 2019.

Vancouver:

Henthorn CL. Responses to Marcel Duchamp : an examination of shifting interpretations in the critical approaches to art. [Internet] [Masters thesis]. Michigan State University; 1989. [cited 2019 Dec 12]. Available from: http://etd.lib.msu.edu/islandora/object/etd:20726.

Council of Science Editors:

Henthorn CL. Responses to Marcel Duchamp : an examination of shifting interpretations in the critical approaches to art. [Masters Thesis]. Michigan State University; 1989. Available from: http://etd.lib.msu.edu/islandora/object/etd:20726

33. Jansen, Hubert Marie Lambert (Bert). “Chacun son Marcel”? Meerduidigheid in het werk van Marcel Duchamp.

Degree: 2015, Leiden University Centre for the Arts in Society (LUCAS), Faculty of Humanities, Leiden University

 In my overview of the reception of Duchamp I examine the plurality of possible approaches. I demonstrate that the cause of this diversity is primarily… (more)

Subjects/Keywords: Marcel Duchamp; Readymade; Potential image; Wordplay; Educated guesswork; Marcel Duchamp; Readymade; Potential image; Wordplay; Educated guesswork

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APA (6th Edition):

Jansen, H. M. L. (. (2015). “Chacun son Marcel”? Meerduidigheid in het werk van Marcel Duchamp. (Doctoral Dissertation). Leiden University Centre for the Arts in Society (LUCAS), Faculty of Humanities, Leiden University. Retrieved from http://hdl.handle.net/1887/32657

Chicago Manual of Style (16th Edition):

Jansen, Hubert Marie Lambert (Bert). ““Chacun son Marcel”? Meerduidigheid in het werk van Marcel Duchamp.” 2015. Doctoral Dissertation, Leiden University Centre for the Arts in Society (LUCAS), Faculty of Humanities, Leiden University. Accessed December 12, 2019. http://hdl.handle.net/1887/32657.

MLA Handbook (7th Edition):

Jansen, Hubert Marie Lambert (Bert). ““Chacun son Marcel”? Meerduidigheid in het werk van Marcel Duchamp.” 2015. Web. 12 Dec 2019.

Vancouver:

Jansen HML(. “Chacun son Marcel”? Meerduidigheid in het werk van Marcel Duchamp. [Internet] [Doctoral dissertation]. Leiden University Centre for the Arts in Society (LUCAS), Faculty of Humanities, Leiden University; 2015. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/1887/32657.

Council of Science Editors:

Jansen HML(. “Chacun son Marcel”? Meerduidigheid in het werk van Marcel Duchamp. [Doctoral Dissertation]. Leiden University Centre for the Arts in Society (LUCAS), Faculty of Humanities, Leiden University; 2015. Available from: http://hdl.handle.net/1887/32657

34. Olvera, Karen M. (Karen Marie). Marcel Duchamp's The Large Glass as "Negation of Women".

Degree: 1986, North Texas State University

 The purpose of this study was to determine whether The Large Glass was a negation of women for Marcel Duchamp. The thesis is composed of… (more)

Subjects/Keywords: women in art; Marcel Duchamp; The Large Glass; Duchamp, Marcel, 1887-1968.  – Bride stripped bare by her bachelors, even.; Duchamp, Marcel, 1887-1968  – Relations with women.; Women in art.

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APA (6th Edition):

Olvera, K. M. (. M. (1986). Marcel Duchamp's The Large Glass as "Negation of Women". (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc935841/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Olvera, Karen M (Karen Marie). “Marcel Duchamp's The Large Glass as "Negation of Women".” 1986. Thesis, North Texas State University. Accessed December 12, 2019. https://digital.library.unt.edu/ark:/67531/metadc935841/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Olvera, Karen M (Karen Marie). “Marcel Duchamp's The Large Glass as "Negation of Women".” 1986. Web. 12 Dec 2019.

Vancouver:

Olvera KM(M. Marcel Duchamp's The Large Glass as "Negation of Women". [Internet] [Thesis]. North Texas State University; 1986. [cited 2019 Dec 12]. Available from: https://digital.library.unt.edu/ark:/67531/metadc935841/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Olvera KM(M. Marcel Duchamp's The Large Glass as "Negation of Women". [Thesis]. North Texas State University; 1986. Available from: https://digital.library.unt.edu/ark:/67531/metadc935841/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

35. Lee, Michelle Anne. "Puppeteer of your own past" : Marcel Duchamp and the manipulation of posterity.

Degree: PhD, 2010, University of Edinburgh

 The image of Marcel Duchamp as a brilliant but laconic dilettante has come to dominate the literature surrounding the artist’s life and work. His intellect… (more)

Subjects/Keywords: 708; Duchamp; Marcel; careerism; career; manipulation; posterity; Nude Descending a Staircase; No. 2.; Étant Donnés; Arensberg; Dreier; Kimball; Philadelphia; Yale; Tate; Arts Council of Great Britain

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APA (6th Edition):

Lee, M. A. (2010). "Puppeteer of your own past" : Marcel Duchamp and the manipulation of posterity. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/5631

Chicago Manual of Style (16th Edition):

Lee, Michelle Anne. “"Puppeteer of your own past" : Marcel Duchamp and the manipulation of posterity.” 2010. Doctoral Dissertation, University of Edinburgh. Accessed December 12, 2019. http://hdl.handle.net/1842/5631.

MLA Handbook (7th Edition):

Lee, Michelle Anne. “"Puppeteer of your own past" : Marcel Duchamp and the manipulation of posterity.” 2010. Web. 12 Dec 2019.

Vancouver:

Lee MA. "Puppeteer of your own past" : Marcel Duchamp and the manipulation of posterity. [Internet] [Doctoral dissertation]. University of Edinburgh; 2010. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/1842/5631.

Council of Science Editors:

Lee MA. "Puppeteer of your own past" : Marcel Duchamp and the manipulation of posterity. [Doctoral Dissertation]. University of Edinburgh; 2010. Available from: http://hdl.handle.net/1842/5631


McMaster University

36. Prus, Benjamin Peter Fodden. PSEUDOLOGY: LYING IN ART AND CULTURE.

Degree: PhD, 2017, McMaster University

This dissertation draws upon Western literature in critical theory, aesthetics, art theory, and art history to explore how lying can foster aesthetic experience and the… (more)

Subjects/Keywords: pseudology; lying; contemporary art; postmodernism; performance; installation; Marcel Duchamp; Robert Rauschenberg; VALIE EXPORT; Carol Duncan; Mierle Laderman Ukeles; Guillermo Gómez-Peña; Coco Fusco; Joshua Schwebel; Iris Häussler; Donald Trump

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APA (6th Edition):

Prus, B. P. F. (2017). PSEUDOLOGY: LYING IN ART AND CULTURE. (Doctoral Dissertation). McMaster University. Retrieved from http://hdl.handle.net/11375/22299

Chicago Manual of Style (16th Edition):

Prus, Benjamin Peter Fodden. “PSEUDOLOGY: LYING IN ART AND CULTURE.” 2017. Doctoral Dissertation, McMaster University. Accessed December 12, 2019. http://hdl.handle.net/11375/22299.

MLA Handbook (7th Edition):

Prus, Benjamin Peter Fodden. “PSEUDOLOGY: LYING IN ART AND CULTURE.” 2017. Web. 12 Dec 2019.

Vancouver:

Prus BPF. PSEUDOLOGY: LYING IN ART AND CULTURE. [Internet] [Doctoral dissertation]. McMaster University; 2017. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/11375/22299.

Council of Science Editors:

Prus BPF. PSEUDOLOGY: LYING IN ART AND CULTURE. [Doctoral Dissertation]. McMaster University; 2017. Available from: http://hdl.handle.net/11375/22299


McGill University

37. Berns, Torben. Artifice and witness : representation judgement and accountability within a non-transcendent framework.

Degree: M. Arch., School of Architecture., 1993, McGill University

This thesis considers the notion that it is the future which judges the present and that judgement is always guilty. In effect to understand modernity… (more)

Subjects/Keywords: Duchamp, Marcel, 1887-1968  – Criticism and interpretation; Judgment.; Becoming (Philosophy); Appearance (Philosophy)

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APA (6th Edition):

Berns, T. (1993). Artifice and witness : representation judgement and accountability within a non-transcendent framework. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile69583.pdf

Chicago Manual of Style (16th Edition):

Berns, Torben. “Artifice and witness : representation judgement and accountability within a non-transcendent framework.” 1993. Masters Thesis, McGill University. Accessed December 12, 2019. http://digitool.library.mcgill.ca/thesisfile69583.pdf.

MLA Handbook (7th Edition):

Berns, Torben. “Artifice and witness : representation judgement and accountability within a non-transcendent framework.” 1993. Web. 12 Dec 2019.

Vancouver:

Berns T. Artifice and witness : representation judgement and accountability within a non-transcendent framework. [Internet] [Masters thesis]. McGill University; 1993. [cited 2019 Dec 12]. Available from: http://digitool.library.mcgill.ca/thesisfile69583.pdf.

Council of Science Editors:

Berns T. Artifice and witness : representation judgement and accountability within a non-transcendent framework. [Masters Thesis]. McGill University; 1993. Available from: http://digitool.library.mcgill.ca/thesisfile69583.pdf


Universidade de Lisboa

38. Ribeiro, Carlos Frederico Botão D’Alincourt, 1969-. A influência do ready-made na escultura moderna.

Degree: 2016, Universidade de Lisboa

 The work produced by Marcel Duchamp revolutionized and redirected the path of the Visual Arts, allowing vast and numerous developments for artists and their creations.… (more)

Subjects/Keywords: Duchamp, Marcel, 1887-1968; Brancusi, Constantin, 1876-1957; Krauss, Rosalind E., 1940-; Arte moderna; Ready-mades; Escultura; Arte conceptual; Minimalismo; Surrealismo; Escultura (Especiaçização em Estudos de Escultura)

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APA (6th Edition):

Ribeiro, Carlos Frederico Botão D’Alincourt, 1. (2016). A influência do ready-made na escultura moderna. (Thesis). Universidade de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/23524

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ribeiro, Carlos Frederico Botão D’Alincourt, 1969-. “A influência do ready-made na escultura moderna.” 2016. Thesis, Universidade de Lisboa. Accessed December 12, 2019. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/23524.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ribeiro, Carlos Frederico Botão D’Alincourt, 1969-. “A influência do ready-made na escultura moderna.” 2016. Web. 12 Dec 2019.

Vancouver:

Ribeiro, Carlos Frederico Botão D’Alincourt 1. A influência do ready-made na escultura moderna. [Internet] [Thesis]. Universidade de Lisboa; 2016. [cited 2019 Dec 12]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/23524.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ribeiro, Carlos Frederico Botão D’Alincourt 1. A influência do ready-made na escultura moderna. [Thesis]. Universidade de Lisboa; 2016. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/23524

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

39. Lino, João, 1987. Rui Chafes : a escultura como sopro.

Degree: 2014, Universidade de Lisboa

Tese de mestrado, Escultura Pública, Universidade de Lisboa, Faculdade de Belas Artes, 2014

The sculpture of Rui Chafes has the largest references in medieval art,… (more)

Subjects/Keywords: Chafes, Rui, 1966-; Duchamp, Marcel, 1887-1968; Smith, David, 1906-1965; Serra, Richard, 1939-; Beuys, Joseph, 1921-1986; Giacometti, Alberto, 1901-1966; Escultura - Portugal - séc. 20-21; Ferro; Morte; Espírito

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APA (6th Edition):

Lino, João, 1. (2014). Rui Chafes : a escultura como sopro. (Thesis). Universidade de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11469

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lino, João, 1987. “Rui Chafes : a escultura como sopro.” 2014. Thesis, Universidade de Lisboa. Accessed December 12, 2019. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11469.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lino, João, 1987. “Rui Chafes : a escultura como sopro.” 2014. Web. 12 Dec 2019.

Vancouver:

Lino, João 1. Rui Chafes : a escultura como sopro. [Internet] [Thesis]. Universidade de Lisboa; 2014. [cited 2019 Dec 12]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11469.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lino, João 1. Rui Chafes : a escultura como sopro. [Thesis]. Universidade de Lisboa; 2014. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/11469

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Tech

40. Leung, Dallas G. The erotic state of D. & V.

Degree: M. Arch., Architecture, 1992, Virginia Tech

Subjects/Keywords: Duchamp, Marcel,; LD5655.V855 1992.L486; Architecture  – Sketch-books; Erotica

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APA (6th Edition):

Leung, D. G. (1992). The erotic state of D. & V. (Masters Thesis). Virginia Tech. Retrieved from http://hdl.handle.net/10919/51919

Chicago Manual of Style (16th Edition):

Leung, Dallas G. “The erotic state of D. & V.” 1992. Masters Thesis, Virginia Tech. Accessed December 12, 2019. http://hdl.handle.net/10919/51919.

MLA Handbook (7th Edition):

Leung, Dallas G. “The erotic state of D. & V.” 1992. Web. 12 Dec 2019.

Vancouver:

Leung DG. The erotic state of D. & V. [Internet] [Masters thesis]. Virginia Tech; 1992. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10919/51919.

Council of Science Editors:

Leung DG. The erotic state of D. & V. [Masters Thesis]. Virginia Tech; 1992. Available from: http://hdl.handle.net/10919/51919


Vanderbilt University

41. Bradfield, Erin Cecilia. Silence and Silencing: Aesthetic Response as the Impetus for Community Formation.

Degree: PhD, Philosophy, 2012, Vanderbilt University

 Innovations in aesthetic and linguistic expression contribute to the expansion of communication and culture, yet these innovations in expression are often the target of censure.… (more)

Subjects/Keywords: Gordon Matta-Clark; Andy Warhol; David Lynch; aura; counterpublic; subculture; cult; avant-garde; community; wing clipping; taste; genius; Nietzsche; Wittgenstein; Kant; Nancy Fraser; Walter Benjamin; Marcel Duchamp

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APA (6th Edition):

Bradfield, E. C. (2012). Silence and Silencing: Aesthetic Response as the Impetus for Community Formation. (Doctoral Dissertation). Vanderbilt University. Retrieved from http://etd.library.vanderbilt.edu//available/etd-07182012-111741/ ;

Chicago Manual of Style (16th Edition):

Bradfield, Erin Cecilia. “Silence and Silencing: Aesthetic Response as the Impetus for Community Formation.” 2012. Doctoral Dissertation, Vanderbilt University. Accessed December 12, 2019. http://etd.library.vanderbilt.edu//available/etd-07182012-111741/ ;.

MLA Handbook (7th Edition):

Bradfield, Erin Cecilia. “Silence and Silencing: Aesthetic Response as the Impetus for Community Formation.” 2012. Web. 12 Dec 2019.

Vancouver:

Bradfield EC. Silence and Silencing: Aesthetic Response as the Impetus for Community Formation. [Internet] [Doctoral dissertation]. Vanderbilt University; 2012. [cited 2019 Dec 12]. Available from: http://etd.library.vanderbilt.edu//available/etd-07182012-111741/ ;.

Council of Science Editors:

Bradfield EC. Silence and Silencing: Aesthetic Response as the Impetus for Community Formation. [Doctoral Dissertation]. Vanderbilt University; 2012. Available from: http://etd.library.vanderbilt.edu//available/etd-07182012-111741/ ;

42. Pavan, Margot. MARCEL DUCHAMP: IMPRESSÕES EM CONSERVA.

Degree: Mestrado, Artes Plásticas, 1996, University of São Paulo

Durante meu mestrado selecionei textos específicos de Marcel Duchamp: textos teóricos nos quais ele reflete sobre o mundo das artes. São palestras que ele deu… (more)

Subjects/Keywords: Art Review; Catalogue; Chess; Dada; Dadaism; Dadaísmo; Fotografia; Game; Letters; Marcel Duchamp; Marcel Duchamp; Modernismo; Processo Criador; Readymade; Readymade; Surrealism; Translation; Xadrez

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APA (6th Edition):

Pavan, M. (1996). MARCEL DUCHAMP: IMPRESSÕES EM CONSERVA. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27131/tde-10022015-165909/ ;

Chicago Manual of Style (16th Edition):

Pavan, Margot. “MARCEL DUCHAMP: IMPRESSÕES EM CONSERVA.” 1996. Masters Thesis, University of São Paulo. Accessed December 12, 2019. http://www.teses.usp.br/teses/disponiveis/27/27131/tde-10022015-165909/ ;.

MLA Handbook (7th Edition):

Pavan, Margot. “MARCEL DUCHAMP: IMPRESSÕES EM CONSERVA.” 1996. Web. 12 Dec 2019.

Vancouver:

Pavan M. MARCEL DUCHAMP: IMPRESSÕES EM CONSERVA. [Internet] [Masters thesis]. University of São Paulo; 1996. [cited 2019 Dec 12]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27131/tde-10022015-165909/ ;.

Council of Science Editors:

Pavan M. MARCEL DUCHAMP: IMPRESSÕES EM CONSERVA. [Masters Thesis]. University of São Paulo; 1996. Available from: http://www.teses.usp.br/teses/disponiveis/27/27131/tde-10022015-165909/ ;

43. Mida, Ingrid Erica. Refashioning Duchamp: An Analysis of the Waistcoat Readymade Series and other Intersections of Art and Fashion.

Degree: PhD, Art History and Visual Culture, 2019, York University

 French-American artist Marcel Duchamp (1887-1968) is best known as the iconoclastic author of the readymade. In spite of the vast corpus of scholarship dedicated to… (more)

Subjects/Keywords: Museum studies; Marcel Duchamp; Modernism; Readymades; Dressing; Clothing; Fashion theory; Identity Construction; Drawing; Photography; Dandy; Curatorial; Exhibition Design; Museum; Waistcoat; Gender; Body; Androgyny; Vogue; Joseph Cornell; Duchamp Dossier; Man Ray; Rose Selavy; Rrose Selavy

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APA (6th Edition):

Mida, I. E. (2019). Refashioning Duchamp: An Analysis of the Waistcoat Readymade Series and other Intersections of Art and Fashion. (Doctoral Dissertation). York University. Retrieved from https://yorkspace.library.yorku.ca/xmlui/handle/10315/36680

Chicago Manual of Style (16th Edition):

Mida, Ingrid Erica. “Refashioning Duchamp: An Analysis of the Waistcoat Readymade Series and other Intersections of Art and Fashion.” 2019. Doctoral Dissertation, York University. Accessed December 12, 2019. https://yorkspace.library.yorku.ca/xmlui/handle/10315/36680.

MLA Handbook (7th Edition):

Mida, Ingrid Erica. “Refashioning Duchamp: An Analysis of the Waistcoat Readymade Series and other Intersections of Art and Fashion.” 2019. Web. 12 Dec 2019.

Vancouver:

Mida IE. Refashioning Duchamp: An Analysis of the Waistcoat Readymade Series and other Intersections of Art and Fashion. [Internet] [Doctoral dissertation]. York University; 2019. [cited 2019 Dec 12]. Available from: https://yorkspace.library.yorku.ca/xmlui/handle/10315/36680.

Council of Science Editors:

Mida IE. Refashioning Duchamp: An Analysis of the Waistcoat Readymade Series and other Intersections of Art and Fashion. [Doctoral Dissertation]. York University; 2019. Available from: https://yorkspace.library.yorku.ca/xmlui/handle/10315/36680


Pontifical Catholic University of Rio de Janeiro

44. MARIA ELIZABETH BUENO DE GODOY. [en] RUMOR AND REASON IN JEAN-PIERRE VERNANT AND MARCEL DETIENNE.

Degree: 2016, Pontifical Catholic University of Rio de Janeiro

[pt] O que queremos dizer quando falamos do homem grego? O singular cria um impasse diante da diversidade de situações, modos de vida e dos… (more)

Subjects/Keywords: [pt] TRAGEDIA; [en] TRAGEDY; [pt] ALTERIDADE; [en] ALTERITY; [pt] POLITICA; [en] POLICY; [pt] EURIPIDES; [en] EURIPIDES; [pt] JEAN PIERRE VERNANT; [pt] MARCEL DETIENNE; [pt] SACRIFICIO

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APA (6th Edition):

GODOY, M. E. B. D. (2016). [en] RUMOR AND REASON IN JEAN-PIERRE VERNANT AND MARCEL DETIENNE. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25766

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

GODOY, MARIA ELIZABETH BUENO DE. “[en] RUMOR AND REASON IN JEAN-PIERRE VERNANT AND MARCEL DETIENNE.” 2016. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 12, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25766.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

GODOY, MARIA ELIZABETH BUENO DE. “[en] RUMOR AND REASON IN JEAN-PIERRE VERNANT AND MARCEL DETIENNE.” 2016. Web. 12 Dec 2019.

Vancouver:

GODOY MEBD. [en] RUMOR AND REASON IN JEAN-PIERRE VERNANT AND MARCEL DETIENNE. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2016. [cited 2019 Dec 12]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25766.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

GODOY MEBD. [en] RUMOR AND REASON IN JEAN-PIERRE VERNANT AND MARCEL DETIENNE. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2016. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25766

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

45. PAULO ALEXANDRE MARCELINO MALAFAIA. [en] GABRIEL MARCEL AND THE DEATH OF GOD.

Degree: 2019, Pontifical Catholic University of Rio de Janeiro

[pt] Esta tese é uma reflexão sobre a possibilidade de um discurso sobre a religiosidade a partir da morte de Deus. Procurei escavar interpretações a… (more)

Subjects/Keywords: [pt] METAFISICA; [en] METAPHYSICAL; [pt] TRANSCENDENCIA; [en] TRANSCENDENCE; [pt] FRIEDRICH NIETZSCHE; [en] FRIEDRICH NIETZSCHE; [pt] GABRIEL MARCEL; [en] GABRIEL MARCEL; [pt] MORTE DE DEUS; [en] DEATH OF GOD; [pt] RELACAO EU-TU; [en] I-THOU RELATIONSHIP

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

MALAFAIA, P. A. M. (2019). [en] GABRIEL MARCEL AND THE DEATH OF GOD. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36232

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

MALAFAIA, PAULO ALEXANDRE MARCELINO. “[en] GABRIEL MARCEL AND THE DEATH OF GOD.” 2019. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 12, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36232.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

MALAFAIA, PAULO ALEXANDRE MARCELINO. “[en] GABRIEL MARCEL AND THE DEATH OF GOD.” 2019. Web. 12 Dec 2019.

Vancouver:

MALAFAIA PAM. [en] GABRIEL MARCEL AND THE DEATH OF GOD. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. [cited 2019 Dec 12]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36232.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MALAFAIA PAM. [en] GABRIEL MARCEL AND THE DEATH OF GOD. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36232

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

46. Vieira, Ana Rita Sousa Gaspar. O quotidiano deslocalizado : o desenho como mapa.

Degree: 2016, Universidade de Lisboa

Tese de doutoramento, Belas-Artes (Desenho), Universidade de Lisboa, Faculdade de Belas-Artes, 2016

A presente tese teórico-prática tem como questão central de investigação o modo como… (more)

Subjects/Keywords: Teses de doutoramento - 2016; Desenho; Mapas; Cartografia; Objectos moveis; Projectos artisticos; Vieira, Ana, 1940-2016; Schneider, Gregor, 1969-; Margolles, Teresa; Starling, Simon, 1967-; Haacke, Hans 1936-; Hatoum, Mona, 1952-; Broodthaers, Marcel, 1924-1976; Spoerri, Daniel, 1930-; Duchamp, Marcel, 1887-1968; Ray, Man, 1890-1976; Ukeles, Mierle Laderman; Bunga, Carlos, 1976-; Gomes, Fernanda, 1960-; Domínio/Área Científica::Humanidades::Artes

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vieira, A. R. S. G. (2016). O quotidiano deslocalizado : o desenho como mapa. (Thesis). Universidade de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/25108

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vieira, Ana Rita Sousa Gaspar. “O quotidiano deslocalizado : o desenho como mapa.” 2016. Thesis, Universidade de Lisboa. Accessed December 12, 2019. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/25108.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vieira, Ana Rita Sousa Gaspar. “O quotidiano deslocalizado : o desenho como mapa.” 2016. Web. 12 Dec 2019.

Vancouver:

Vieira ARSG. O quotidiano deslocalizado : o desenho como mapa. [Internet] [Thesis]. Universidade de Lisboa; 2016. [cited 2019 Dec 12]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/25108.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vieira ARSG. O quotidiano deslocalizado : o desenho como mapa. [Thesis]. Universidade de Lisboa; 2016. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/25108

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

47. Danai, Spyrou. Decoding The Literary Machine: Analyzing the Machinic Dispositif in E. M. Forster's 'The Machine Stops' and in Franz Kafka's 'In Der Strafkolonie'.

Degree: 2017, Leiden University

 The purpose of this study is to demonstrate the social composition of the mechanical devices portrayed in E. M. Forster’s novel The Machine Stops and… (more)

Subjects/Keywords: Comparative Literature; literature; Media Studies; Franz Kafka; Machine; E. M. Forster; In the Penal Colony; In der Strafkolonie; The Machine Stops; Dispositif; Social Machine; Social Theory; Gilles Deleuze; Felix Guattari; Karl Marx; Maurizio Lazzarato; Marcel Duchamp; Viktor Tausk

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APA (6th Edition):

Danai, S. (2017). Decoding The Literary Machine: Analyzing the Machinic Dispositif in E. M. Forster's 'The Machine Stops' and in Franz Kafka's 'In Der Strafkolonie'. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/48499

Chicago Manual of Style (16th Edition):

Danai, Spyrou. “Decoding The Literary Machine: Analyzing the Machinic Dispositif in E. M. Forster's 'The Machine Stops' and in Franz Kafka's 'In Der Strafkolonie'.” 2017. Masters Thesis, Leiden University. Accessed December 12, 2019. http://hdl.handle.net/1887/48499.

MLA Handbook (7th Edition):

Danai, Spyrou. “Decoding The Literary Machine: Analyzing the Machinic Dispositif in E. M. Forster's 'The Machine Stops' and in Franz Kafka's 'In Der Strafkolonie'.” 2017. Web. 12 Dec 2019.

Vancouver:

Danai S. Decoding The Literary Machine: Analyzing the Machinic Dispositif in E. M. Forster's 'The Machine Stops' and in Franz Kafka's 'In Der Strafkolonie'. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/1887/48499.

Council of Science Editors:

Danai S. Decoding The Literary Machine: Analyzing the Machinic Dispositif in E. M. Forster's 'The Machine Stops' and in Franz Kafka's 'In Der Strafkolonie'. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/48499


Universiteit Utrecht

48. Vernooij, J. Het medium glas in de hedendaagse kunst.

Degree: 2013, Universiteit Utrecht

 Deze masterscriptie gaat over het gebruik van het medium glas in de hedendaagse kunst. Het is een onderzoek naar de wijze en met welk doel… (more)

Subjects/Keywords: glas; glaskunst; Studio Glas Beweging; studioglas; hedendaagse kunst; moderne kunst; Marcel Duchamp; Gerhard Richter; Joseph Beuys; Joseph Kosuth; Maria Roosen; Bernard Heesen; Dan Graham; Anselm Kiefer; Nathalie Djurberg; Pipilotti Rist; Roni Horn; Koen Vanmechelen

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APA (6th Edition):

Vernooij, J. (2013). Het medium glas in de hedendaagse kunst. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/281437

Chicago Manual of Style (16th Edition):

Vernooij, J. “Het medium glas in de hedendaagse kunst.” 2013. Masters Thesis, Universiteit Utrecht. Accessed December 12, 2019. http://dspace.library.uu.nl:8080/handle/1874/281437.

MLA Handbook (7th Edition):

Vernooij, J. “Het medium glas in de hedendaagse kunst.” 2013. Web. 12 Dec 2019.

Vancouver:

Vernooij J. Het medium glas in de hedendaagse kunst. [Internet] [Masters thesis]. Universiteit Utrecht; 2013. [cited 2019 Dec 12]. Available from: http://dspace.library.uu.nl:8080/handle/1874/281437.

Council of Science Editors:

Vernooij J. Het medium glas in de hedendaagse kunst. [Masters Thesis]. Universiteit Utrecht; 2013. Available from: http://dspace.library.uu.nl:8080/handle/1874/281437

49. Dyck, David. Pure Sugar.

Degree: 2013, University of Saskatchewan

MFA thesis paper by David Dyck Advisors/Committee Members: Shantz, Susan, Moffat, Ellen, Schwab, Jordan, Norlen, Alison, Rayner, Steve, Montcombroux, Bruce.

Subjects/Keywords: Marcel Duchamp Joseph Beuys Tom Sachs readymade handmade sculpture painting installation

…fasteners. My piece and its title are derivative of Marcel Duchamp's In Advance of the… …institutions that have defined art. Figure 2. Marcel Duchamp, In Advance of the Broken Arm, 1915… …Postmodernism and the En-Gendering of Marcel Duchamp, argues that the relationship of American… …Broken Arm, a wellknown example of one of his “ready-mades.” In this piece, Duchamp selected a… …attempt to privilege the conceptual nature of the work, Duchamp minimised the importance of… 

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APA (6th Edition):

Dyck, D. (2013). Pure Sugar. (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/ETD-2013-09-1263

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dyck, David. “Pure Sugar.” 2013. Thesis, University of Saskatchewan. Accessed December 12, 2019. http://hdl.handle.net/10388/ETD-2013-09-1263.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dyck, David. “Pure Sugar.” 2013. Web. 12 Dec 2019.

Vancouver:

Dyck D. Pure Sugar. [Internet] [Thesis]. University of Saskatchewan; 2013. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10388/ETD-2013-09-1263.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dyck D. Pure Sugar. [Thesis]. University of Saskatchewan; 2013. Available from: http://hdl.handle.net/10388/ETD-2013-09-1263

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

50. Nealand, Eireene. Beyond the Perceptual Model: Toward a Proprioceptive Poetics.

Degree: Literature, 2014, University of California – Santa Cruz

 In a 1965 manifesto called "Proprioception" Charles Olson, the poet often known as the father of the American avant-garde, suggests that poets wanting to implement… (more)

Subjects/Keywords: Literature; Neurosciences; Charles Olson; Conceptual Art; Jean Genet; Marcel Duchamp; Marguerite Duras; proprioception

…body. Peter Orner taught me to read slow. Chet Weiner introduced me to Marcel Duchamp. Bob… …However, as the conceptual artist Marcel Duchamp would show, in drawing upon the works of the… …Chapter 1: Remaking the Perceptual Model: A Physiological Approach To Marcel Duchamp’s… …but doesn’t exist,” Duchamp proposes that art’s function is to alert its audiences to… …terminology an “intermediary.” 18 Duchamp was, of course, writing before the discovery of individual… 

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APA (6th Edition):

Nealand, E. (2014). Beyond the Perceptual Model: Toward a Proprioceptive Poetics. (Thesis). University of California – Santa Cruz. Retrieved from http://www.escholarship.org/uc/item/16t9p5d6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nealand, Eireene. “Beyond the Perceptual Model: Toward a Proprioceptive Poetics.” 2014. Thesis, University of California – Santa Cruz. Accessed December 12, 2019. http://www.escholarship.org/uc/item/16t9p5d6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nealand, Eireene. “Beyond the Perceptual Model: Toward a Proprioceptive Poetics.” 2014. Web. 12 Dec 2019.

Vancouver:

Nealand E. Beyond the Perceptual Model: Toward a Proprioceptive Poetics. [Internet] [Thesis]. University of California – Santa Cruz; 2014. [cited 2019 Dec 12]. Available from: http://www.escholarship.org/uc/item/16t9p5d6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nealand E. Beyond the Perceptual Model: Toward a Proprioceptive Poetics. [Thesis]. University of California – Santa Cruz; 2014. Available from: http://www.escholarship.org/uc/item/16t9p5d6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

51. Quintela, Ana Carolina Marques da Cunha, 1991-. A suspensão do tempo na escultura de Rui Chafes.

Degree: 2016, Universidade de Lisboa

 The work of Rui Chafes is the irreducible expression of a sculpturesque thinking that intends to overcome the limits of materiality, aiming the reencounter with… (more)

Subjects/Keywords: Chafes, Rui, 1966-; Smith, David, 1906-1965; Serra, Richard, 1939-; Duchamp, Marcel, 1887-1968; Giacometti, Alberto, 1901-1966; Novalis, 1772-1801; Escultura; Tempo (Filosofia); Suspensão; Espírito; Transcendência; Ferro; Escultura (Especialização em estudos de Escultura)

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APA (6th Edition):

Quintela, Ana Carolina Marques da Cunha, 1. (2016). A suspensão do tempo na escultura de Rui Chafes. (Thesis). Universidade de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/24116

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quintela, Ana Carolina Marques da Cunha, 1991-. “A suspensão do tempo na escultura de Rui Chafes.” 2016. Thesis, Universidade de Lisboa. Accessed December 12, 2019. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/24116.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quintela, Ana Carolina Marques da Cunha, 1991-. “A suspensão do tempo na escultura de Rui Chafes.” 2016. Web. 12 Dec 2019.

Vancouver:

Quintela, Ana Carolina Marques da Cunha 1. A suspensão do tempo na escultura de Rui Chafes. [Internet] [Thesis]. Universidade de Lisboa; 2016. [cited 2019 Dec 12]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/24116.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quintela, Ana Carolina Marques da Cunha 1. A suspensão do tempo na escultura de Rui Chafes. [Thesis]. Universidade de Lisboa; 2016. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/24116

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade de Lisboa

52. Ribeiro, Jorge Henrique Antunes Vieira. As viagens de Paulo V : heterotopia, propagação e ubiquidade.

Degree: 2017, Universidade de Lisboa

 As viagens de Paulo V. - Heterotopia, Propagação e Ubiquidade, consists in a theoretical and practical dissertation that has as its starting point the practice… (more)

Subjects/Keywords: Foucault, Michel, 1926-1984; Borges, Jorge Luis, 1899-1986; Duchamp, Marcel, 1887-1968; Weiwei, Ai, 1957-; Eliasson, Olafur, 1967-; Krén, Matej, 1958-; Saraiva, Pedro, 1952-; Paulo V., 1941-; Radioamadorismo; Heterotopia; Propagação; Ubiquidade; Futurismo; Arte Multimédia - Especialização em Audiovisuais

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APA (6th Edition):

Ribeiro, J. H. A. V. (2017). As viagens de Paulo V : heterotopia, propagação e ubiquidade. (Thesis). Universidade de Lisboa. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/28558

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ribeiro, Jorge Henrique Antunes Vieira. “As viagens de Paulo V : heterotopia, propagação e ubiquidade.” 2017. Thesis, Universidade de Lisboa. Accessed December 12, 2019. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/28558.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ribeiro, Jorge Henrique Antunes Vieira. “As viagens de Paulo V : heterotopia, propagação e ubiquidade.” 2017. Web. 12 Dec 2019.

Vancouver:

Ribeiro JHAV. As viagens de Paulo V : heterotopia, propagação e ubiquidade. [Internet] [Thesis]. Universidade de Lisboa; 2017. [cited 2019 Dec 12]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/28558.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ribeiro JHAV. As viagens de Paulo V : heterotopia, propagação e ubiquidade. [Thesis]. Universidade de Lisboa; 2017. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/28558

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Lethbridge

53. Zipp, Collin. A theoretical exploration of the transformative properties of experience .

Degree: 2011, University of Lethbridge

 This thesis document serves as a support paper for my exhibition titled, Selected Work. The goal of this document is to present and discuss a… (more)

Subjects/Keywords: Duchamp, Marcel, 1887-1968  – Criticism and interpretation; Warhol, Andy, 1928-1987  – Criticism and interpretation; Kaufman, Andy, 1949-1984  – Criticism and interpretation; Cattelan, Maurizio, 1960-  – Criticism and interpretation; Prince, Richard, 1949-  – Criticism and interpretation; Art objects; Art, Modern; Experience; Dissertations, Academic

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APA (6th Edition):

Zipp, C. (2011). A theoretical exploration of the transformative properties of experience . (Thesis). University of Lethbridge. Retrieved from http://hdl.handle.net/10133/3243

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zipp, Collin. “A theoretical exploration of the transformative properties of experience .” 2011. Thesis, University of Lethbridge. Accessed December 12, 2019. http://hdl.handle.net/10133/3243.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zipp, Collin. “A theoretical exploration of the transformative properties of experience .” 2011. Web. 12 Dec 2019.

Vancouver:

Zipp C. A theoretical exploration of the transformative properties of experience . [Internet] [Thesis]. University of Lethbridge; 2011. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10133/3243.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zipp C. A theoretical exploration of the transformative properties of experience . [Thesis]. University of Lethbridge; 2011. Available from: http://hdl.handle.net/10133/3243

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Lethbridge

54. Porcina, Mark. I am not a ceramicist .

Degree: 2012, University of Lethbridge

 Ceramics has always existed on the fringes of craft and high art. The purpose of this thesis project is to elevate clay beyond the traditions… (more)

Subjects/Keywords: Duchamp, Marcel, 1887-1968  – Criticism and interpretation; Warhol, Andy, 1928-1987  – Criticism and interpretation; Koons, Jeff, 1955 -  – Criticism and interpretation; Johns, Jasper,|d1930-  – Criticism and interpretation; Ceramics; Clay; Manufactures; Art objects; Dissertations, Academic

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Porcina, M. (2012). I am not a ceramicist . (Thesis). University of Lethbridge. Retrieved from http://hdl.handle.net/10133/3393

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Porcina, Mark. “I am not a ceramicist .” 2012. Thesis, University of Lethbridge. Accessed December 12, 2019. http://hdl.handle.net/10133/3393.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Porcina, Mark. “I am not a ceramicist .” 2012. Web. 12 Dec 2019.

Vancouver:

Porcina M. I am not a ceramicist . [Internet] [Thesis]. University of Lethbridge; 2012. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10133/3393.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Porcina M. I am not a ceramicist . [Thesis]. University of Lethbridge; 2012. Available from: http://hdl.handle.net/10133/3393

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

55. López Rubiño, David. L’institution et la naturalisation de l’art. Une idéologie de l’Art Universel et le legs artistique comme une collection de Ready Made.

Degree: 2018, Universidad de Granada

Tesis Univ. Granada. Departamento de Pintura Advisors/Committee Members: Cabrera Contreras, Juan, Universidad de Granada. Departamento de Pintura.

Subjects/Keywords: Arte; Pintura; Estética; Semiótica y arte; Filosofía; Patrimonio cultural; Duchamp, Marcel, 1887-1968; Ready made; 75; 903.89.4; 6203

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APA (6th Edition):

López Rubiño, D. (2018). L’institution et la naturalisation de l’art. Une idéologie de l’Art Universel et le legs artistique comme une collection de Ready Made. (Thesis). Universidad de Granada. Retrieved from http://hdl.handle.net/10481/43588

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

López Rubiño, David. “L’institution et la naturalisation de l’art. Une idéologie de l’Art Universel et le legs artistique comme une collection de Ready Made.” 2018. Thesis, Universidad de Granada. Accessed December 12, 2019. http://hdl.handle.net/10481/43588.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

López Rubiño, David. “L’institution et la naturalisation de l’art. Une idéologie de l’Art Universel et le legs artistique comme une collection de Ready Made.” 2018. Web. 12 Dec 2019.

Vancouver:

López Rubiño D. L’institution et la naturalisation de l’art. Une idéologie de l’Art Universel et le legs artistique comme une collection de Ready Made. [Internet] [Thesis]. Universidad de Granada; 2018. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10481/43588.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

López Rubiño D. L’institution et la naturalisation de l’art. Une idéologie de l’Art Universel et le legs artistique comme une collection de Ready Made. [Thesis]. Universidad de Granada; 2018. Available from: http://hdl.handle.net/10481/43588

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

56. Robinson, Jesse. The Possibilities of Sort Of.

Degree: MFA, Sculpture + Extended Media, 2008, Virginia Commonwealth University

 Simultaneity and conflict are incessant qualities one is confronted with when looking at things. Shifting from familiar to foreign, from present to implied. There seems… (more)

Subjects/Keywords: Marcel Duchamp; Bose; American Apparel; Pulp Fiction; extra-diegetic; diegesis; Sunset Boulevard; Art and Design; Arts and Humanities

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Robinson, J. (2008). The Possibilities of Sort Of. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/1315

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Robinson, Jesse. “The Possibilities of Sort Of.” 2008. Thesis, Virginia Commonwealth University. Accessed December 12, 2019. https://scholarscompass.vcu.edu/etd/1315.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Robinson, Jesse. “The Possibilities of Sort Of.” 2008. Web. 12 Dec 2019.

Vancouver:

Robinson J. The Possibilities of Sort Of. [Internet] [Thesis]. Virginia Commonwealth University; 2008. [cited 2019 Dec 12]. Available from: https://scholarscompass.vcu.edu/etd/1315.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robinson J. The Possibilities of Sort Of. [Thesis]. Virginia Commonwealth University; 2008. Available from: https://scholarscompass.vcu.edu/etd/1315

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

57. Dempsey, Kate Erin. Ray Johnson in correspondence with Marcel Duchamp and beyond.

Degree: PhD, Art History, 2013, University of Texas – Austin

 Believing that one thing was real only if it corresponded with others, Ray Johnson highlighted the connections between himself and famous artists such as Marcel(more)

Subjects/Keywords: Ray Johnson; Correspondence art; Marcel Duchamp; Black Mountain College; Pop art; Abstract expressionism; Correspondence

…Correspondance School and Performance …...…28 Marcel Duchamp Underground …32… …Marcel Duchamp Rediscovered .…37 Interactions and Mutual Acquaintances… …and Marcel Duchamp …130 Engaging The Viewer ….…146 Getting a… …the copyright. All artworks by Marcel Duchamp © Succession Marcel Duchamp, 2013, ADAGP/Paris… …Correspondence, unpaginated). 2. Marcel Duchamp Club announcement, undated, photocopied mailing… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dempsey, K. E. (2013). Ray Johnson in correspondence with Marcel Duchamp and beyond. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/21766

Chicago Manual of Style (16th Edition):

Dempsey, Kate Erin. “Ray Johnson in correspondence with Marcel Duchamp and beyond.” 2013. Doctoral Dissertation, University of Texas – Austin. Accessed December 12, 2019. http://hdl.handle.net/2152/21766.

MLA Handbook (7th Edition):

Dempsey, Kate Erin. “Ray Johnson in correspondence with Marcel Duchamp and beyond.” 2013. Web. 12 Dec 2019.

Vancouver:

Dempsey KE. Ray Johnson in correspondence with Marcel Duchamp and beyond. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2013. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/2152/21766.

Council of Science Editors:

Dempsey KE. Ray Johnson in correspondence with Marcel Duchamp and beyond. [Doctoral Dissertation]. University of Texas – Austin; 2013. Available from: http://hdl.handle.net/2152/21766


Michigan State University

58. Alkhas, Anita Jon. Living art : Baudelaire and Duchamp.

Degree: PhD, Department of Romance and Classical Languages, 1999, Michigan State University

Subjects/Keywords: Baudelaire, Charles, 1821-1867 – Criticism and interpretation; Duchamp, Marcel, 1887-1968 – Criticism and interpretation; Art – Philosophy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Alkhas, A. J. (1999). Living art : Baudelaire and Duchamp. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:28112

Chicago Manual of Style (16th Edition):

Alkhas, Anita Jon. “Living art : Baudelaire and Duchamp.” 1999. Doctoral Dissertation, Michigan State University. Accessed December 12, 2019. http://etd.lib.msu.edu/islandora/object/etd:28112.

MLA Handbook (7th Edition):

Alkhas, Anita Jon. “Living art : Baudelaire and Duchamp.” 1999. Web. 12 Dec 2019.

Vancouver:

Alkhas AJ. Living art : Baudelaire and Duchamp. [Internet] [Doctoral dissertation]. Michigan State University; 1999. [cited 2019 Dec 12]. Available from: http://etd.lib.msu.edu/islandora/object/etd:28112.

Council of Science Editors:

Alkhas AJ. Living art : Baudelaire and Duchamp. [Doctoral Dissertation]. Michigan State University; 1999. Available from: http://etd.lib.msu.edu/islandora/object/etd:28112

59. Senaldi, Marco. Anemic Photoplay. Marcel Duchamp : physiologie, psychologie et esthétique de l'image-mouvement : Anemic Photoplay. Marcle Duchamp : physiology, psychology and aesthetics of the moving-image.

Degree: Docteur es, Études cinématographiques et audiovisuelles, 2017, Sorbonne Paris Cité

Dans la présente recherche, on à cherché de décrypter la fructueuse présence de ces sources, à la fois théoriques, mais aussi visuelles, et même techniques,… (more)

Subjects/Keywords: Duchamp; Psychologie; Esthetique; Duchamp; Psychology; Aesthetics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Senaldi, M. (2017). Anemic Photoplay. Marcel Duchamp : physiologie, psychologie et esthétique de l'image-mouvement : Anemic Photoplay. Marcle Duchamp : physiology, psychology and aesthetics of the moving-image. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2017USPCA057

Chicago Manual of Style (16th Edition):

Senaldi, Marco. “Anemic Photoplay. Marcel Duchamp : physiologie, psychologie et esthétique de l'image-mouvement : Anemic Photoplay. Marcle Duchamp : physiology, psychology and aesthetics of the moving-image.” 2017. Doctoral Dissertation, Sorbonne Paris Cité. Accessed December 12, 2019. http://www.theses.fr/2017USPCA057.

MLA Handbook (7th Edition):

Senaldi, Marco. “Anemic Photoplay. Marcel Duchamp : physiologie, psychologie et esthétique de l'image-mouvement : Anemic Photoplay. Marcle Duchamp : physiology, psychology and aesthetics of the moving-image.” 2017. Web. 12 Dec 2019.

Vancouver:

Senaldi M. Anemic Photoplay. Marcel Duchamp : physiologie, psychologie et esthétique de l'image-mouvement : Anemic Photoplay. Marcle Duchamp : physiology, psychology and aesthetics of the moving-image. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2017. [cited 2019 Dec 12]. Available from: http://www.theses.fr/2017USPCA057.

Council of Science Editors:

Senaldi M. Anemic Photoplay. Marcel Duchamp : physiologie, psychologie et esthétique de l'image-mouvement : Anemic Photoplay. Marcle Duchamp : physiology, psychology and aesthetics of the moving-image. [Doctoral Dissertation]. Sorbonne Paris Cité; 2017. Available from: http://www.theses.fr/2017USPCA057


Victoria University of Wellington

60. Katic, Matej. Towards A Dadaist interior.

Degree: 2014, Victoria University of Wellington

 Modern interior design has reached a plateau. Due to the anaesthesia brought about by mass information sharing and the dominance of the image, very little… (more)

Subjects/Keywords: Duchamp; Dada; Architecture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Katic, M. (2014). Towards A Dadaist interior. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/4683

Chicago Manual of Style (16th Edition):

Katic, Matej. “Towards A Dadaist interior.” 2014. Masters Thesis, Victoria University of Wellington. Accessed December 12, 2019. http://hdl.handle.net/10063/4683.

MLA Handbook (7th Edition):

Katic, Matej. “Towards A Dadaist interior.” 2014. Web. 12 Dec 2019.

Vancouver:

Katic M. Towards A Dadaist interior. [Internet] [Masters thesis]. Victoria University of Wellington; 2014. [cited 2019 Dec 12]. Available from: http://hdl.handle.net/10063/4683.

Council of Science Editors:

Katic M. Towards A Dadaist interior. [Masters Thesis]. Victoria University of Wellington; 2014. Available from: http://hdl.handle.net/10063/4683

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