subject:( political art)

University of Sydney

1. Bailey, Stuart. Indirect Action: A Critique of Current Models of Political Art .

Degree: 2014, University of Sydney

► The current critical discourse surrounding the political in contemporary art is dominated by the notion that the efficacy of an artwork is narrowly defined through… (more)

Subjects/Keywords: Political art; participatory art; Printmaking; Political posters; Australian Political posters

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APA (6^th Edition):

Bailey, S. (2014). Indirect Action: A Critique of Current Models of Political Art . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/15072

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Bailey, Stuart. “Indirect Action: A Critique of Current Models of Political Art .” 2014. Thesis, University of Sydney. Accessed January 27, 2021. http://hdl.handle.net/2123/15072.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Bailey, Stuart. “Indirect Action: A Critique of Current Models of Political Art .” 2014. Web. 27 Jan 2021.

Vancouver:

Bailey S. Indirect Action: A Critique of Current Models of Political Art . [Internet] [Thesis]. University of Sydney; 2014. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/2123/15072.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bailey S. Indirect Action: A Critique of Current Models of Political Art . [Thesis]. University of Sydney; 2014. Available from: http://hdl.handle.net/2123/15072

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of California – Santa Cruz

2. Nelson, Rachel E. At the Edge of Ruin: Seeing Art Under Perpetual Conflict.

Degree: Visual Studies, 2016, University of California – Santa Cruz

URL: http://www.escholarship.org/uc/item/5768k8tk

► At the Edge of Ruin: Seeing Art Under Perpetual Conflict engages four different art practices that are embedded in current political conflicts and struggles over… (more)

Subjects/Keywords: Art history; art and activism; global art; political art

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APA (6^th Edition):

Nelson, R. E. (2016). At the Edge of Ruin: Seeing Art Under Perpetual Conflict. (Thesis). University of California – Santa Cruz. Retrieved from http://www.escholarship.org/uc/item/5768k8tk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Nelson, Rachel E. “At the Edge of Ruin: Seeing Art Under Perpetual Conflict.” 2016. Thesis, University of California – Santa Cruz. Accessed January 27, 2021. http://www.escholarship.org/uc/item/5768k8tk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Nelson, Rachel E. “At the Edge of Ruin: Seeing Art Under Perpetual Conflict.” 2016. Web. 27 Jan 2021.

Vancouver:

Nelson RE. At the Edge of Ruin: Seeing Art Under Perpetual Conflict. [Internet] [Thesis]. University of California – Santa Cruz; 2016. [cited 2021 Jan 27]. Available from: http://www.escholarship.org/uc/item/5768k8tk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nelson RE. At the Edge of Ruin: Seeing Art Under Perpetual Conflict. [Thesis]. University of California – Santa Cruz; 2016. Available from: http://www.escholarship.org/uc/item/5768k8tk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Columbia University

3. Zarrillo, Taryn Marie. Artistic Patrimony and Cultural Politics in Early Seicento Venice.

Degree: 2016, Columbia University

URL: https://doi.org/10.7916/D81G0M69

► In the period following the Cinquecento Renaissance, contemporary seventeenth century Venetian artists were presented with two enormous challenges. The first was to attempt to reinterpret… (more)

▼ In the period following the Cinquecento Renaissance, contemporary seventeenth century Venetian artists were presented with two enormous challenges. The first was to attempt to reinterpret their visual tradition within a shifting political climate without declining into an overt stylistic retrospection. The second was to try and retain a semblance of the personification of state identity—those qualities that had been established and distinguished by Venetian art in the Cinquecento —and which were present in the visual patrimony of paintings and drawings. Carlo Ridolfi, art critic and author of Le maraviglie dell’Arte (1648) eloquently stated the problem in his biography of Giovanni Contarino, a student of Titian’s, when he praised the work of the Cinquecento masters as the epitome of artistic production to the extent that he says, “it is with reason that one could use as motto the two columns of Hercules with the words: “Ultra quid faciam?" it is in fact vain to pretend better examples, and rarer beautiful things could be made.” This dissertation considers two parallel issues at work: the stylistic legacy of Cinquecento Venetian masters and their importance in the work of their Seicento heirs, and the purposeful dissolution and sale of collections of work by those masters during the seventeenth century. The business activities of art dealers Marco Boschini (1602/5—1681), Paolo del Sera (1614—1672) and their associates are examined alongside their perceptions and criticisms of Cinquecento and Seicento artistic production, and the voracious appetite of English collectors for Venetian pictures in the opening decades of the seventeenth century is considered. Exploring the situations—political (the artist), economic (the dealer), and social (the patron)—present in Venice during the early seventeenth century and their direct relation to the perceived aesthetics of a cultural legacy, this project provides a reassessment of how established value sets in Venetian art were considered successful or not within their cultural context, and how those stylistic evaluations affected artists working in Venice during the early Seicento.

Subjects/Keywords: Painting, Renaissance – Italian influences; Art – Political aspects; Art, Italian; Art; History

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APA (6^th Edition):

Zarrillo, T. M. (2016). Artistic Patrimony and Cultural Politics in Early Seicento Venice. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D81G0M69

Chicago Manual of Style (16^th Edition):

Zarrillo, Taryn Marie. “Artistic Patrimony and Cultural Politics in Early Seicento Venice.” 2016. Doctoral Dissertation, Columbia University. Accessed January 27, 2021. https://doi.org/10.7916/D81G0M69.

MLA Handbook (7^th Edition):

Zarrillo, Taryn Marie. “Artistic Patrimony and Cultural Politics in Early Seicento Venice.” 2016. Web. 27 Jan 2021.

Vancouver:

Zarrillo TM. Artistic Patrimony and Cultural Politics in Early Seicento Venice. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2021 Jan 27]. Available from: https://doi.org/10.7916/D81G0M69.

Council of Science Editors:

Zarrillo TM. Artistic Patrimony and Cultural Politics in Early Seicento Venice. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D81G0M69

Columbia University

4. Frobes-Cross, Nicholas. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.

Degree: 2016, Columbia University

URL: https://doi.org/10.7916/D88K794J

► This dissertation presents the early work of Martha Rosler, Allan Sekula and Fred Lonidier as an attempt to intertwine political and aesthetic practice that was… (more)

▼ This dissertation presents the early work of Martha Rosler, Allan Sekula and Fred Lonidier as an attempt to intertwine political and aesthetic practice that was fundamentally distinct from the dominant, contemporaneous models of politicized avant-garde art. Throughout the first half of the 1970s these artists were in constant, close dialogue with one another, and, for the first time, this dissertation attempts to read their work during this period as a shared project. Considering the initial few years of their careers, it is an effort to understand how their practice emerged, and how it set itself apart from predominant forms of Conceptual art, post-Minimalism and institutional critique. In particular, it will explore how these three artists conceived of a relationship between political and aesthetic practice that was not dependent upon a self-reflexive investigation of their own art work's conditions of possibility. Drawing on realist and documentary traditions from the first half of the 20th century, Sekula, Rosler and Lonidier sought to create art that was always related to something beyond itself, developed in relation to the social world in which it existed. These artists neither assumed dependence on a given institutional, discursive formation, nor held out for an absolute escape from the institutions of the art world. Instead, they moved strategically between various locations, various publics and various discourses in a continual attempt to speak intelligibly within those sites most relevant to the political struggles they addressed. In order to understand this strategic movement, it is necessary to read these artists’ works as utterances within momentary, contested discursive fields. As a result, this dissertation will provide close readings of several works through a detailed consideration of the particular situations in which they were created, displayed and received. Whether as flyers handed out at protests or self-consciously gallery friendly photo-text works, every piece will be read as a precise intervention within a specific location. Following this approach, each chapter focuses on a small number of works and reads them within the social and political events they both instigate and enter into, whether those are, as in the first chapter, a public dispute over the nature of art between two academic departments, or, as in the second chapter, the protests against the Vietnam War. Through each of these analyses this dissertation outlines these artists' shared attempt to produce art that only emerges through the discourses into which it enters, but is never entirely home wherever it might find itself. By describing this fundamental premise of Rosler, Sekula and Lonidier's work, this dissertation both seeks to provide a more adequate accounting of this group’s shared project, and an alternative model for conceiving of the relation between political engagement and the post-war avant-garde.

Subjects/Keywords: Conceptual art; Art – Political aspects; Art; Sekula, Allan

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APA (6^th Edition):

Frobes-Cross, N. (2016). Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D88K794J

Chicago Manual of Style (16^th Edition):

Frobes-Cross, Nicholas. “Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.” 2016. Doctoral Dissertation, Columbia University. Accessed January 27, 2021. https://doi.org/10.7916/D88K794J.

MLA Handbook (7^th Edition):

Frobes-Cross, Nicholas. “Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.” 2016. Web. 27 Jan 2021.

Vancouver:

Frobes-Cross N. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2021 Jan 27]. Available from: https://doi.org/10.7916/D88K794J.

Council of Science Editors:

Frobes-Cross N. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D88K794J

East Carolina University

5. Carter, Robin. The Art of Provisionalism.

Degree: Master of Fine Art, Art, 2020, East Carolina University

URL: http://hdl.handle.net/10342/8560

► Art is in itself meaningless; the significant thing to consider is the social formation and how it is reproduced. If an artwork is assigned a… (more)

Subjects/Keywords: Art and society; Thoughtfulness – Art; Art – Political aspects

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APA (6^th Edition):

Carter, R. (2020). The Art of Provisionalism. (Thesis). East Carolina University. Retrieved from http://hdl.handle.net/10342/8560

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Carter, Robin. “The Art of Provisionalism.” 2020. Thesis, East Carolina University. Accessed January 27, 2021. http://hdl.handle.net/10342/8560.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Carter, Robin. “The Art of Provisionalism.” 2020. Web. 27 Jan 2021.

Vancouver:

Carter R. The Art of Provisionalism. [Internet] [Thesis]. East Carolina University; 2020. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10342/8560.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carter R. The Art of Provisionalism. [Thesis]. East Carolina University; 2020. Available from: http://hdl.handle.net/10342/8560

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Columbia University

6. Duong, Paloma. Amateur Citizens: Culture and Democracy in Contemporary Cuba.

Degree: 2014, Columbia University

URL: https://doi.org/10.7916/D8J964WP

► This dissertation studies the creative practices of citizens who use cultural resources to engage in political criticism in contemporary Cuba. I argue that, in order… (more)

▼ This dissertation studies the creative practices of citizens who use cultural resources to engage in political criticism in contemporary Cuba. I argue that, in order to become visible as political subjects in the public sphere, these citizens appeal to cultural forms and narratives of self-representation that elucidate the struggles for recognition faced by emerging social actors. I examine blogs, garage bands, art performances, home art exhibits, digital literary supplements, improvised academies, and informal networks of publication that, as forms of aesthetic experimentation with stories of everyday life, disclose a social text. I suggest that their narrative choices emphasize their status as 'regular citizens' in order to distinguish themselves from both traditional voices of political opposition and institutionally accredited cultural producers – professional artists, academics, musicians. This recasts sites of cultural production as models of alternative citizenship where the concept of the political is re-imagined and where the commonplace, pejorative meaning of the term amateur is contested. On the fringes of the republic of letters, adjacent to traditional sites of cultural production, these oblique uses of culture consequently question legitimate forms of public speech. They demand that the way in which the relationship between aesthetics and politics in Cuba has been traditionally studied be reconsidered. Read in tandem with discourses against and about them from the lettered city – in literature, cultural criticism, film, and visual arts – I also follow the trope of the amateur under revolutionary cultural politics. I suggest that these contemporary voices have a contradictory genealogy in the cultural practices of the early decades of the Cuban Revolution. I try to show that these cultural practices become politically and socially significant because they try to resist – though not always successfully – cooptation by two forces: the remnant of bureaucratic, state-capitalist tendencies on one hand, and the rapid commercialization of popular culture for a foreign audience on the other. As a result, both the reconfigurations of the cultural field and the contested meanings of democracy in post-Cold War Cuba are re-examined through a reading of informal hubs of cultural production. The functions of culture in late socialism can be then comparatively studied by looking at an institutional framework in transition through the social and political subjectivities that are both expressed in, and constituted by, corresponding aesthetic practices and forms.

Subjects/Keywords: Culture – Political aspects; Art – Political aspects; Performing arts – Political aspects; Political participation; Latin Americans

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APA (6^th Edition):

Duong, P. (2014). Amateur Citizens: Culture and Democracy in Contemporary Cuba. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8J964WP

Chicago Manual of Style (16^th Edition):

Duong, Paloma. “Amateur Citizens: Culture and Democracy in Contemporary Cuba.” 2014. Doctoral Dissertation, Columbia University. Accessed January 27, 2021. https://doi.org/10.7916/D8J964WP.

MLA Handbook (7^th Edition):

Duong, Paloma. “Amateur Citizens: Culture and Democracy in Contemporary Cuba.” 2014. Web. 27 Jan 2021.

Vancouver:

Duong P. Amateur Citizens: Culture and Democracy in Contemporary Cuba. [Internet] [Doctoral dissertation]. Columbia University; 2014. [cited 2021 Jan 27]. Available from: https://doi.org/10.7916/D8J964WP.

Council of Science Editors:

Duong P. Amateur Citizens: Culture and Democracy in Contemporary Cuba. [Doctoral Dissertation]. Columbia University; 2014. Available from: https://doi.org/10.7916/D8J964WP

University of Missouri – Kansas City

7. Lawder, Rebecca. Living Landscapes: John Dunkley and the Cultural Landscape of Colonial Jamaica.

Degree: 2019, University of Missouri – Kansas City

URL: http://hdl.handle.net/10355/68849

► To many Jamaicans nature itself was spiritual and alive, and while John Dunkley’s landscapes seek to mystify audiences, this thesis seeks to discern the complex… (more)

Subjects/Keywords: Art – Political aspects; Sex symbolism – Art; Art, Jamaican; Landscapes in art; Thesis – University of Missouri – Kansas City – Art and art history

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APA (6^th Edition):

Lawder, R. (2019). Living Landscapes: John Dunkley and the Cultural Landscape of Colonial Jamaica. (Thesis). University of Missouri – Kansas City. Retrieved from http://hdl.handle.net/10355/68849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Lawder, Rebecca. “Living Landscapes: John Dunkley and the Cultural Landscape of Colonial Jamaica.” 2019. Thesis, University of Missouri – Kansas City. Accessed January 27, 2021. http://hdl.handle.net/10355/68849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Lawder, Rebecca. “Living Landscapes: John Dunkley and the Cultural Landscape of Colonial Jamaica.” 2019. Web. 27 Jan 2021.

Vancouver:

Lawder R. Living Landscapes: John Dunkley and the Cultural Landscape of Colonial Jamaica. [Internet] [Thesis]. University of Missouri – Kansas City; 2019. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10355/68849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lawder R. Living Landscapes: John Dunkley and the Cultural Landscape of Colonial Jamaica. [Thesis]. University of Missouri – Kansas City; 2019. Available from: http://hdl.handle.net/10355/68849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Zabolinezhad, Hoda. A la recherche de la figure de l'artiste contestataire contemporain, dans le cadre de la mondialisation : le cas particulier des artistes contestataires iraniens : In search of the figure of contemporary protest artist, in the context of Globalization : the particular case of Iranian artists.

Degree: Docteur es, Arts visuels, 2018, Université de Strasbourg

URL: http://www.theses.fr/2018STRAC005

►

« Les philosophes analytiques de l'art et les artistes conceptuels ont en commun de refuser la théorisation et la recherche du beau comme idée ou… (more)

▼

« Les philosophes analytiques de l'art et les artistes conceptuels ont en commun de refuser la théorisation et la recherche du beau comme idée ou norme, pour poser à la place une définition de l'art comme fonction symbolique toujours à décrypter à partir d'elle-même et de son langage propre, sans lui appliquer une essence a priori » explique Dominique Chateau (esthéticien français, né en 1948). En d’autres termes, il s’agit de l'esthétique issue de l'empirisme logique et du pragmatisme. La référence à une partie de l'introduction du premier numéro de la Revue francophone d'esthétique, sous la direction de Frédéric Wecker, écrite par Jean-Pierre Cometti, Jacques Morizot, Roger Pouivet, permet de clarifier l'objectif de cette théorie esthétique ; « […] Les problèmes esthétiques se seraient-ils dissous dans la médiatisation généralisée ? Sont-ils condamnés à nourrir un essayisme brillant mais sans portée théorique ? Doit-on laisser la parole aux historiens, aux spécialistes des sciences humaines ou aux professionnels du monde de l'art ? Telle n'est pas notre conviction. Nous voulons faire le pari d'une approche esthétique ouverte sur toutes les manifestations de l'art et qui revendique un parti pris d'analyse conceptuelle et d'argumentation critique. Il ne suffit en effet ni d'en appeler à une dimension anthropologique fondamentale, ni de s'en tenir à la menue monnaie de l'actualité et des événements. Comme toute discipline de quelque ambition, l'esthétique doit être en mesure de construire ses propres objets et de réviser ses résultats et ses procédures : là est sa seule garantie d'échapper au délire d'interprétation » En ce qui concerne cette réflexion, l'esthétique analytique est un dialogue constant avec les œuvres d'art d'avant-garde de l'art moderne et contemporain, notamment celles de Duchamp et de Warhol, mettant l’accent sur un ensemble de théories esthétiques quelquefois hétérogènes ; loin des théories traditionnelles, toutes ces théories refusent le beau en tant que principe essentiel de ce qui est devenu connu de l'art, c'est-à-dire l'œuvre d'art. [...]

"The analytical philosophers of art and the conceptual artists have in common to refuse the theorization and the search for the beautiful as idea or norm, to pose instead a definition of art as a symbolic function always to decrypt from itself and its own language, without applying to it an essence a priori "explains Dominique Chateau (French esthetician, born in 1948). In other words, it is the aesthetics of logical empiricism and pragmatism. The reference to a part of the introduction to the first issue of the Revue francophone d'esthétique, under the direction of Frédéric Wecker, written by Jean-Pierre Cometti, Jacques Morizot and Roger Pouivet, clarifies the objective of this aesthetic theory. ; "[...] Would aesthetic problems have dissolved in the generalized media? Are they doomed to nourish a brilliant essayism but without theoretical significance? Should we give the floor to historians, social scientists or professionals in the art world? That is…

Advisors/Committee Members: Pencenat, Corine (thesis director).

Subjects/Keywords: Art contemporain contestataire; Mondialisation; Art politique; Art propagandiste; Iran; Contentious contemporary art; Globalization; Political art; Propaganda art; Iran; 701.17

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APA (6^th Edition):

Zabolinezhad, H. (2018). A la recherche de la figure de l'artiste contestataire contemporain, dans le cadre de la mondialisation : le cas particulier des artistes contestataires iraniens : In search of the figure of contemporary protest artist, in the context of Globalization : the particular case of Iranian artists. (Doctoral Dissertation). Université de Strasbourg. Retrieved from http://www.theses.fr/2018STRAC005

Chicago Manual of Style (16^th Edition):

Zabolinezhad, Hoda. “A la recherche de la figure de l'artiste contestataire contemporain, dans le cadre de la mondialisation : le cas particulier des artistes contestataires iraniens : In search of the figure of contemporary protest artist, in the context of Globalization : the particular case of Iranian artists.” 2018. Doctoral Dissertation, Université de Strasbourg. Accessed January 27, 2021. http://www.theses.fr/2018STRAC005.

MLA Handbook (7^th Edition):

Zabolinezhad, Hoda. “A la recherche de la figure de l'artiste contestataire contemporain, dans le cadre de la mondialisation : le cas particulier des artistes contestataires iraniens : In search of the figure of contemporary protest artist, in the context of Globalization : the particular case of Iranian artists.” 2018. Web. 27 Jan 2021.

Vancouver:

Zabolinezhad H. A la recherche de la figure de l'artiste contestataire contemporain, dans le cadre de la mondialisation : le cas particulier des artistes contestataires iraniens : In search of the figure of contemporary protest artist, in the context of Globalization : the particular case of Iranian artists. [Internet] [Doctoral dissertation]. Université de Strasbourg; 2018. [cited 2021 Jan 27]. Available from: http://www.theses.fr/2018STRAC005.

Council of Science Editors:

Zabolinezhad H. A la recherche de la figure de l'artiste contestataire contemporain, dans le cadre de la mondialisation : le cas particulier des artistes contestataires iraniens : In search of the figure of contemporary protest artist, in the context of Globalization : the particular case of Iranian artists. [Doctoral Dissertation]. Université de Strasbourg; 2018. Available from: http://www.theses.fr/2018STRAC005

9. Guzman, Carlos R. Mexican Technoscientific Arts, 2000-2015: Art and Science, Machine Inventions, and Political Ecologies.

Degree: MA, Art History, 2018, City University of New York

URL: https://academicworks.cuny.edu/cc_etds_theses/727

► In the last decades, several artists have engaged directly with emerging digital technologies and science, the so-called new media arts. For the past fifteen… (more)

Subjects/Keywords: Contemporary Art; Mexican Art; Art and Science; Art and Technology; Art and Technoscience; Political Ecology; Contemporary Art; Theory and Criticism

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APA (6^th Edition):

Guzman, C. R. (2018). Mexican Technoscientific Arts, 2000-2015: Art and Science, Machine Inventions, and Political Ecologies. (Masters Thesis). City University of New York. Retrieved from https://academicworks.cuny.edu/cc_etds_theses/727

Chicago Manual of Style (16^th Edition):

Guzman, Carlos R. “Mexican Technoscientific Arts, 2000-2015: Art and Science, Machine Inventions, and Political Ecologies.” 2018. Masters Thesis, City University of New York. Accessed January 27, 2021. https://academicworks.cuny.edu/cc_etds_theses/727.

MLA Handbook (7^th Edition):

Guzman, Carlos R. “Mexican Technoscientific Arts, 2000-2015: Art and Science, Machine Inventions, and Political Ecologies.” 2018. Web. 27 Jan 2021.

Vancouver:

Guzman CR. Mexican Technoscientific Arts, 2000-2015: Art and Science, Machine Inventions, and Political Ecologies. [Internet] [Masters thesis]. City University of New York; 2018. [cited 2021 Jan 27]. Available from: https://academicworks.cuny.edu/cc_etds_theses/727.

Council of Science Editors:

Guzman CR. Mexican Technoscientific Arts, 2000-2015: Art and Science, Machine Inventions, and Political Ecologies. [Masters Thesis]. City University of New York; 2018. Available from: https://academicworks.cuny.edu/cc_etds_theses/727

University of Florida

10. Todd, Leslie E. Instruments of Expression Quito's Creole Elite and Eighteenth-Century Nativity Scenes.

Degree: MA, Art History - Art and Art History, 2013, University of Florida

URL: https://ufdc.ufl.edu/UFE0045496

► Throughout the colonial period, sculptural style and subject matter was principally guided by the widely disseminated religious intention to inspire and maintain Catholic devotion. Without… (more)

Subjects/Keywords: Art collecting; Art exhibitions; Art museums; Creoles; Nativity scenes; Political elites; Political reform; Rococo art; Sculpture; Viewers; colonial – creole – quito – sculpture

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APA (6^th Edition):

Todd, L. E. (2013). Instruments of Expression Quito's Creole Elite and Eighteenth-Century Nativity Scenes. (Masters Thesis). University of Florida. Retrieved from https://ufdc.ufl.edu/UFE0045496

Chicago Manual of Style (16^th Edition):

Todd, Leslie E. “Instruments of Expression Quito's Creole Elite and Eighteenth-Century Nativity Scenes.” 2013. Masters Thesis, University of Florida. Accessed January 27, 2021. https://ufdc.ufl.edu/UFE0045496.

MLA Handbook (7^th Edition):

Todd, Leslie E. “Instruments of Expression Quito's Creole Elite and Eighteenth-Century Nativity Scenes.” 2013. Web. 27 Jan 2021.

Vancouver:

Todd LE. Instruments of Expression Quito's Creole Elite and Eighteenth-Century Nativity Scenes. [Internet] [Masters thesis]. University of Florida; 2013. [cited 2021 Jan 27]. Available from: https://ufdc.ufl.edu/UFE0045496.

Council of Science Editors:

Todd LE. Instruments of Expression Quito's Creole Elite and Eighteenth-Century Nativity Scenes. [Masters Thesis]. University of Florida; 2013. Available from: https://ufdc.ufl.edu/UFE0045496

San Jose State University

11. Chavez, Ricardo. Objects of Politics, Objects of Art: Three Studies on the Display of American Political Prints.

Degree: MA, Art and Art History, 2018, San Jose State University

URL: https://doi.org/10.31979/etd.5ya7-46ar ; https://scholarworks.sjsu.edu/etd_theses/4930

► Fueled by the radical political thinking of the 1960s and beyond, people in the United States produced artistic responses in the form of political… (more)

Subjects/Keywords: 1960s; Activism; Museums; Political Art; Posters; Printmaking

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APA (6^th Edition):

Chavez, R. (2018). Objects of Politics, Objects of Art: Three Studies on the Display of American Political Prints. (Masters Thesis). San Jose State University. Retrieved from https://doi.org/10.31979/etd.5ya7-46ar ; https://scholarworks.sjsu.edu/etd_theses/4930

Chicago Manual of Style (16^th Edition):

Chavez, Ricardo. “Objects of Politics, Objects of Art: Three Studies on the Display of American Political Prints.” 2018. Masters Thesis, San Jose State University. Accessed January 27, 2021. https://doi.org/10.31979/etd.5ya7-46ar ; https://scholarworks.sjsu.edu/etd_theses/4930.

MLA Handbook (7^th Edition):

Chavez, Ricardo. “Objects of Politics, Objects of Art: Three Studies on the Display of American Political Prints.” 2018. Web. 27 Jan 2021.

Vancouver:

Chavez R. Objects of Politics, Objects of Art: Three Studies on the Display of American Political Prints. [Internet] [Masters thesis]. San Jose State University; 2018. [cited 2021 Jan 27]. Available from: https://doi.org/10.31979/etd.5ya7-46ar ; https://scholarworks.sjsu.edu/etd_theses/4930.

Council of Science Editors:

Chavez R. Objects of Politics, Objects of Art: Three Studies on the Display of American Political Prints. [Masters Thesis]. San Jose State University; 2018. Available from: https://doi.org/10.31979/etd.5ya7-46ar ; https://scholarworks.sjsu.edu/etd_theses/4930

Virginia Commonwealth University

12. Thompson, Kylene. The Things You Never Did Because You Might Die Trying.

Degree: Master of Interdisciplinary Studies, Interdisciplinary Studies, 2009, Virginia Commonwealth University

URL: https://doi.org/10.25772/MCQ1-0M52 ; https://scholarscompass.vcu.edu/etd/1961

► Artist Statement My work is about the military. I represent my views of the military from my perspective as a military wife, sister, and daughter.… (more)

Subjects/Keywords: Military/Political Art

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APA (6^th Edition):

Thompson, K. (2009). The Things You Never Did Because You Might Die Trying. (Thesis). Virginia Commonwealth University. Retrieved from https://doi.org/10.25772/MCQ1-0M52 ; https://scholarscompass.vcu.edu/etd/1961

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Thompson, Kylene. “The Things You Never Did Because You Might Die Trying.” 2009. Thesis, Virginia Commonwealth University. Accessed January 27, 2021. https://doi.org/10.25772/MCQ1-0M52 ; https://scholarscompass.vcu.edu/etd/1961.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Thompson, Kylene. “The Things You Never Did Because You Might Die Trying.” 2009. Web. 27 Jan 2021.

Vancouver:

Thompson K. The Things You Never Did Because You Might Die Trying. [Internet] [Thesis]. Virginia Commonwealth University; 2009. [cited 2021 Jan 27]. Available from: https://doi.org/10.25772/MCQ1-0M52 ; https://scholarscompass.vcu.edu/etd/1961.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thompson K. The Things You Never Did Because You Might Die Trying. [Thesis]. Virginia Commonwealth University; 2009. Available from: https://doi.org/10.25772/MCQ1-0M52 ; https://scholarscompass.vcu.edu/etd/1961

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Colorado State University

13. Wasielewski, Audrey Lynn. Language games.

Degree: Master of Fine Arts (M.F.A.), Art, 2013, Colorado State University

URL: http://hdl.handle.net/10217/79199

► The complex nature of language has interested me as long as I can remember: how we experience it and how it affects our lives in… (more)

Subjects/Keywords: contemporary art; political rhetoric; language games; deconstruction

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APA (6^th Edition):

Wasielewski, A. L. (2013). Language games. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/79199

Chicago Manual of Style (16^th Edition):

Wasielewski, Audrey Lynn. “Language games.” 2013. Masters Thesis, Colorado State University. Accessed January 27, 2021. http://hdl.handle.net/10217/79199.

MLA Handbook (7^th Edition):

Wasielewski, Audrey Lynn. “Language games.” 2013. Web. 27 Jan 2021.

Vancouver:

Wasielewski AL. Language games. [Internet] [Masters thesis]. Colorado State University; 2013. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10217/79199.

Council of Science Editors:

Wasielewski AL. Language games. [Masters Thesis]. Colorado State University; 2013. Available from: http://hdl.handle.net/10217/79199

Georgetown University

14. [No author]. THE PALESTINE POSTER PROJECT ARCHIVES: ORIGINS, EVOLUTION, AND POTENTIAL .

Degree: 2011, Georgetown University

URL: http://hdl.handle.net/10822/557921

► Focusing on the more than 6,000 posters now on view at the Palestine Poster Project Archives Website ("Website"), I will outline its evolution from a… (more)

Subjects/Keywords: culture; curriculum; Palestine; political art; posters; Zionism

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APA (6^th Edition):

author], [. (2011). THE PALESTINE POSTER PROJECT ARCHIVES: ORIGINS, EVOLUTION, AND POTENTIAL . (Thesis). Georgetown University. Retrieved from http://hdl.handle.net/10822/557921

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

author], [No. “THE PALESTINE POSTER PROJECT ARCHIVES: ORIGINS, EVOLUTION, AND POTENTIAL .” 2011. Thesis, Georgetown University. Accessed January 27, 2021. http://hdl.handle.net/10822/557921.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

author], [No. “THE PALESTINE POSTER PROJECT ARCHIVES: ORIGINS, EVOLUTION, AND POTENTIAL .” 2011. Web. 27 Jan 2021.

Vancouver:

author] [. THE PALESTINE POSTER PROJECT ARCHIVES: ORIGINS, EVOLUTION, AND POTENTIAL . [Internet] [Thesis]. Georgetown University; 2011. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10822/557921.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. THE PALESTINE POSTER PROJECT ARCHIVES: ORIGINS, EVOLUTION, AND POTENTIAL . [Thesis]. Georgetown University; 2011. Available from: http://hdl.handle.net/10822/557921

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Toronto

15. Stephens, Lindsay. Rethinking the Political: Art, Work and the Body in the Contemporary Circus.

Degree: 2012, University of Toronto

URL: http://hdl.handle.net/1807/32902

►

This dissertation is about the circus, but it is also about how we think through a range of possibilities for individual and social change in… (more)

▼

This dissertation is about the circus, but it is also about how we think through a range of possibilities for individual and social change in the contemporary post-Fordist or neoliberal moment. In the last 40 years geographers, along side other scholars, have documented an increasingly close relationship between social, political, and economic aspects of life in western countries. These shifts have raised concerns over shrinking spaces of resistance and loss of counter hegemonic voices, and increased interest in transgressive or ‘outside’ spaces and bodies as sites of resistance, escape, and social change. Two contested sites that seem to offer promise for resistance, yet are simultaneously critiqued for their participation in dominant discourses, are art (or creative labour) and the body. Despite prolific literatures on these topics in geography in the last decade, links between creative labour, theories of embodiment, and the living practices of cultural workers are still far too rare. To address this I examine the intersection of theories of research, labour, art, discipline, embodiment and politics, understood through the daily practices of circus performers doing highly physical and embodied work. I focus in particular on clowns and aerialists, performance forms to which I have outstanding access as a performer in these genres. I addition to extensive participant observation over several years of performance work, my research is based on 26 elite interviews with key performers in the Canadian circus community, and an ephemeral archive of visual and textual materials. The resonance of questions about the nature of social research, art and work, and disciplined and fluid subjectivities, opens up new space for thinking across often-disconnected spheres. I believe the presence of circus performers’ lived experiences and my own embodied knowledge throughout this analysis deepens our understanding of political possibilities across many different spaces.

PhD

Advisors/Committee Members: Ruddick, Susan M., Geography.

Subjects/Keywords: embodiment; political; art; labour; work; circus; 0366

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APA (6^th Edition):

Stephens, L. (2012). Rethinking the Political: Art, Work and the Body in the Contemporary Circus. (Doctoral Dissertation). University of Toronto. Retrieved from http://hdl.handle.net/1807/32902

Chicago Manual of Style (16^th Edition):

Stephens, Lindsay. “Rethinking the Political: Art, Work and the Body in the Contemporary Circus.” 2012. Doctoral Dissertation, University of Toronto. Accessed January 27, 2021. http://hdl.handle.net/1807/32902.

MLA Handbook (7^th Edition):

Stephens, Lindsay. “Rethinking the Political: Art, Work and the Body in the Contemporary Circus.” 2012. Web. 27 Jan 2021.

Vancouver:

Stephens L. Rethinking the Political: Art, Work and the Body in the Contemporary Circus. [Internet] [Doctoral dissertation]. University of Toronto; 2012. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/1807/32902.

Council of Science Editors:

Stephens L. Rethinking the Political: Art, Work and the Body in the Contemporary Circus. [Doctoral Dissertation]. University of Toronto; 2012. Available from: http://hdl.handle.net/1807/32902

University of Sydney

16. Wilken, Linda Cheryl. Porn identity: The sexualisation and objectification of young girls .

Degree: 2015, University of Sydney

URL: http://hdl.handle.net/2123/14545

► Over the past five years the increasingly explicit sexual nature of a range of clothing and toys for children, mainly girls, sold in Australian shops… (more)

Subjects/Keywords: Identity; society; political; gender; childhood; contemporary art

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APA (6^th Edition):

Wilken, L. C. (2015). Porn identity: The sexualisation and objectification of young girls . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/14545

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wilken, Linda Cheryl. “Porn identity: The sexualisation and objectification of young girls .” 2015. Thesis, University of Sydney. Accessed January 27, 2021. http://hdl.handle.net/2123/14545.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wilken, Linda Cheryl. “Porn identity: The sexualisation and objectification of young girls .” 2015. Web. 27 Jan 2021.

Vancouver:

Wilken LC. Porn identity: The sexualisation and objectification of young girls . [Internet] [Thesis]. University of Sydney; 2015. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/2123/14545.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wilken LC. Porn identity: The sexualisation and objectification of young girls . [Thesis]. University of Sydney; 2015. Available from: http://hdl.handle.net/2123/14545

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. NC DOCKS at Western Carolina University; Sawyer, Donald R. Lives matter.

Degree: 2017, NC Docks

URL: http://libres.uncg.edu/ir/wcu/f/Sawyer2017.pdf

► My studio practice investigates “Blackness” – a term that provides both a positive and negative identity. “Blackness” is a reflection not only of the black… (more)

Subjects/Keywords: Arts – Political aspects; Blacks in art; Silhouettes

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APA (6^th Edition):

NC DOCKS at Western Carolina University; Sawyer, D. R. (2017). Lives matter. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/wcu/f/Sawyer2017.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

NC DOCKS at Western Carolina University; Sawyer, Donald R. “Lives matter.” 2017. Thesis, NC Docks. Accessed January 27, 2021. http://libres.uncg.edu/ir/wcu/f/Sawyer2017.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

NC DOCKS at Western Carolina University; Sawyer, Donald R. “Lives matter.” 2017. Web. 27 Jan 2021.

Vancouver:

NC DOCKS at Western Carolina University; Sawyer DR. Lives matter. [Internet] [Thesis]. NC Docks; 2017. [cited 2021 Jan 27]. Available from: http://libres.uncg.edu/ir/wcu/f/Sawyer2017.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

NC DOCKS at Western Carolina University; Sawyer DR. Lives matter. [Thesis]. NC Docks; 2017. Available from: http://libres.uncg.edu/ir/wcu/f/Sawyer2017.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Ottawa

18. Brown, Adam. Pythagoras Unchained .

Degree: 2014, University of Ottawa

URL: http://hdl.handle.net/10393/31643

► Recounts the author’s trajectory in the Masters of Fine Arts program. Describes the nature of his early practice in interactive sound art and its later… (more)

Subjects/Keywords: social practice; visual art; participation; interaction; political art

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APA (6^th Edition):

Brown, A. (2014). Pythagoras Unchained . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/31643

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Brown, Adam. “Pythagoras Unchained .” 2014. Thesis, University of Ottawa. Accessed January 27, 2021. http://hdl.handle.net/10393/31643.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Brown, Adam. “Pythagoras Unchained .” 2014. Web. 27 Jan 2021.

Vancouver:

Brown A. Pythagoras Unchained . [Internet] [Thesis]. University of Ottawa; 2014. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10393/31643.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown A. Pythagoras Unchained . [Thesis]. University of Ottawa; 2014. Available from: http://hdl.handle.net/10393/31643

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Minnesota

19. Rounthwaite, Vanessa. Rearrangements: Participation and Politics at the Dia Art Foundation, 1988-89.

Degree: PhD, Art History, 2013, University of Minnesota

URL: http://hdl.handle.net/11299/173945

► This dissertation deals with audience experience in contemporary participatory art. It approaches this topic both in terms of the changing conditions that produce certain forms… (more)

Subjects/Keywords: Audience; Dia Art Foundation; Group Material; Martha Rosler; Participation; Political art

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APA (6^th Edition):

Rounthwaite, V. (2013). Rearrangements: Participation and Politics at the Dia Art Foundation, 1988-89. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/173945

Chicago Manual of Style (16^th Edition):

Rounthwaite, Vanessa. “Rearrangements: Participation and Politics at the Dia Art Foundation, 1988-89.” 2013. Doctoral Dissertation, University of Minnesota. Accessed January 27, 2021. http://hdl.handle.net/11299/173945.

MLA Handbook (7^th Edition):

Rounthwaite, Vanessa. “Rearrangements: Participation and Politics at the Dia Art Foundation, 1988-89.” 2013. Web. 27 Jan 2021.

Vancouver:

Rounthwaite V. Rearrangements: Participation and Politics at the Dia Art Foundation, 1988-89. [Internet] [Doctoral dissertation]. University of Minnesota; 2013. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/11299/173945.

Council of Science Editors:

Rounthwaite V. Rearrangements: Participation and Politics at the Dia Art Foundation, 1988-89. [Doctoral Dissertation]. University of Minnesota; 2013. Available from: http://hdl.handle.net/11299/173945

University of Sydney

20. Mansour, Marcelle. Threshold .

Degree: 2013, University of Sydney

URL: http://hdl.handle.net/2123/10228

► Threshold is the topic of my research. It aims to establish the authenticity and the validity of spirituality within contemporary political art where its purposive… (more)

▼ Threshold is the topic of my research. It aims to establish the authenticity and the validity of spirituality within contemporary political art where its purposive function via revealing the invisible truth and healing role is emphasised. The research draws upon the concept of phenomenology to understand the powerful relationship of our body in the world and space, and discusses its theoretical framework as relates to spirituality through the philosophies of Maurice Merleau-Ponty (1908-1961) and other theorists’ analysis: Axel Madsen (1930 –2007), Michel Henry (1922–2002) Immanuel Kant (1724-1804) and Elizabeth Grosz; to see the ‘visible in the invisible’ – as in Vassily Kandinsky (1866-1944) and Kazimir Malevich (1879-1935). It examines the artworks of the contemporary artists who informed my studio work, Light and Space artists Robert Irwin and James Turrell and their conception of light perception as body lived experience which affects their viewers’ conscious in reshaping their reality through the perceiving mind as an incarnated body. As well as the spiritual and socio-political artists; Bill Viola and Joseph Beuys who ‘metamorphosing’ their viewers ‘inner life’ in order to re-think their worlds. The Creative work consist of a series of identical vertical three-dimensional rectangular units, made in a modular ‘given’ way from pine timber, measuring 44x33x14cm, (based on the ‘holy icons’), installed on a wall spaced at equal intervals. These units are filled with artificial lights. Light is the material of the work, and perception is the medium. The shifting colours of light create a dynamic movement and contemplative environment. The format is light, constructing a unique effective form which is paintings of changeable colourful light. As the light keeps moving and changing, viewers look into each unit in particular, and at the atmosphere in general, to perceive the presence of the invisible in the powerful light. This directed perception and embodied lived experience art becomes a reflexive act, more human, sensuous, rational, divine and mystical, making the body as a medium of transformation.

Subjects/Keywords: Contemporary political art; Spirituality in art; Light perception; Lived experience

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APA (6^th Edition):

Mansour, M. (2013). Threshold . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/10228

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Mansour, Marcelle. “Threshold .” 2013. Thesis, University of Sydney. Accessed January 27, 2021. http://hdl.handle.net/2123/10228.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Mansour, Marcelle. “Threshold .” 2013. Web. 27 Jan 2021.

Vancouver:

Mansour M. Threshold . [Internet] [Thesis]. University of Sydney; 2013. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/2123/10228.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mansour M. Threshold . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/10228

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Drexel University

21. Tarkulich, Karen. Arts and Activism: Examining the relationship between activism, the institution, and the arts administrator.

Degree: 2018, Drexel University

URL: http://hdl.handle.net/1860/idea:7816

►

This thesis examines the relationship between art institutions and activism through the eyes of artists creating work that is socially minded with a particular emphasis… (more)

Subjects/Keywords: Arts – Management; Art; Arts administrators; Political participation; Artists – Political activity

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APA (6^th Edition):

Tarkulich, K. (2018). Arts and Activism: Examining the relationship between activism, the institution, and the arts administrator. (Thesis). Drexel University. Retrieved from http://hdl.handle.net/1860/idea:7816

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Tarkulich, Karen. “Arts and Activism: Examining the relationship between activism, the institution, and the arts administrator.” 2018. Thesis, Drexel University. Accessed January 27, 2021. http://hdl.handle.net/1860/idea:7816.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Tarkulich, Karen. “Arts and Activism: Examining the relationship between activism, the institution, and the arts administrator.” 2018. Web. 27 Jan 2021.

Vancouver:

Tarkulich K. Arts and Activism: Examining the relationship between activism, the institution, and the arts administrator. [Internet] [Thesis]. Drexel University; 2018. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/1860/idea:7816.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tarkulich K. Arts and Activism: Examining the relationship between activism, the institution, and the arts administrator. [Thesis]. Drexel University; 2018. Available from: http://hdl.handle.net/1860/idea:7816

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Columbia University

22. Seyal, Mira. Human Rights and Art Activism: The US-Mexico Border.

Degree: 2020, Columbia University

URL: https://doi.org/10.7916/d8-ry99-3j37

► At the US-Mexico border, migrants have been fleeing a world of increasing violence, only to arrive at another one. Art-activism addresses the human rights of… (more)

Subjects/Keywords: Human rights; Refugees; Art – Political aspects; Artists – Political activity

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APA (6^th Edition):

Seyal, M. (2020). Human Rights and Art Activism: The US-Mexico Border. (Masters Thesis). Columbia University. Retrieved from https://doi.org/10.7916/d8-ry99-3j37

Chicago Manual of Style (16^th Edition):

Seyal, Mira. “Human Rights and Art Activism: The US-Mexico Border.” 2020. Masters Thesis, Columbia University. Accessed January 27, 2021. https://doi.org/10.7916/d8-ry99-3j37.

MLA Handbook (7^th Edition):

Seyal, Mira. “Human Rights and Art Activism: The US-Mexico Border.” 2020. Web. 27 Jan 2021.

Vancouver:

Seyal M. Human Rights and Art Activism: The US-Mexico Border. [Internet] [Masters thesis]. Columbia University; 2020. [cited 2021 Jan 27]. Available from: https://doi.org/10.7916/d8-ry99-3j37.

Council of Science Editors:

Seyal M. Human Rights and Art Activism: The US-Mexico Border. [Masters Thesis]. Columbia University; 2020. Available from: https://doi.org/10.7916/d8-ry99-3j37

University College Cork

23. Paris, Dorone. A philosophy of performance, politics and composition.

Degree: 2016, University College Cork

URL: http://hdl.handle.net/10468/2783

► This thesis discusses socio-political issues worldwide through philosophical approaches to performance, politics and composition. My research also discuss sound decisions which I regard to be… (more)

Subjects/Keywords: Composition; Political music; Political art; Philosophy and music

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APA (6^th Edition):

Paris, D. (2016). A philosophy of performance, politics and composition. (Thesis). University College Cork. Retrieved from http://hdl.handle.net/10468/2783

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Paris, Dorone. “A philosophy of performance, politics and composition.” 2016. Thesis, University College Cork. Accessed January 27, 2021. http://hdl.handle.net/10468/2783.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Paris, Dorone. “A philosophy of performance, politics and composition.” 2016. Web. 27 Jan 2021.

Vancouver:

Paris D. A philosophy of performance, politics and composition. [Internet] [Thesis]. University College Cork; 2016. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10468/2783.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Paris D. A philosophy of performance, politics and composition. [Thesis]. University College Cork; 2016. Available from: http://hdl.handle.net/10468/2783

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Rupers, Benjamin. High School Visual Arts and Student Civic Engagement.

Degree: MS, Education, 2018, Dominican University of California

URL: https://scholar.dominican.edu/masters-theses/311

► A democracy is healthiest when civic engagement is valued and demonstrated by its citizens. Although many have studied ways to increase civic engagement, the… (more)

Subjects/Keywords: Civic engagement; Visual art students; Citizenship; Political art; Civic education; Art Education; Secondary Education

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APA (6^th Edition):

Rupers, B. (2018). High School Visual Arts and Student Civic Engagement. (Masters Thesis). Dominican University of California. Retrieved from https://scholar.dominican.edu/masters-theses/311

Chicago Manual of Style (16^th Edition):

Rupers, Benjamin. “High School Visual Arts and Student Civic Engagement.” 2018. Masters Thesis, Dominican University of California. Accessed January 27, 2021. https://scholar.dominican.edu/masters-theses/311.

MLA Handbook (7^th Edition):

Rupers, Benjamin. “High School Visual Arts and Student Civic Engagement.” 2018. Web. 27 Jan 2021.

Vancouver:

Rupers B. High School Visual Arts and Student Civic Engagement. [Internet] [Masters thesis]. Dominican University of California; 2018. [cited 2021 Jan 27]. Available from: https://scholar.dominican.edu/masters-theses/311.

Council of Science Editors:

Rupers B. High School Visual Arts and Student Civic Engagement. [Masters Thesis]. Dominican University of California; 2018. Available from: https://scholar.dominican.edu/masters-theses/311

East Carolina University

25. White, Margaret Claire. Is there a solution to climate change?.

Degree: M.F.A., MFA-Art, 2019, East Carolina University

URL: http://hdl.handle.net/10342/7271

► This document supports my Master of Fine Arts thesis exhibition consisting of two digital prints, ten lithographs, vinyl text corresponding to each print and 5… (more)

Subjects/Keywords: printmaking; midterms; Climatic changes in art; Environmentalism in art; Art – Political aspects

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APA (6^th Edition):

White, M. C. (2019). Is there a solution to climate change?. (Masters Thesis). East Carolina University. Retrieved from http://hdl.handle.net/10342/7271

Chicago Manual of Style (16^th Edition):

White, Margaret Claire. “Is there a solution to climate change?.” 2019. Masters Thesis, East Carolina University. Accessed January 27, 2021. http://hdl.handle.net/10342/7271.

MLA Handbook (7^th Edition):

White, Margaret Claire. “Is there a solution to climate change?.” 2019. Web. 27 Jan 2021.

Vancouver:

White MC. Is there a solution to climate change?. [Internet] [Masters thesis]. East Carolina University; 2019. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10342/7271.

Council of Science Editors:

White MC. Is there a solution to climate change?. [Masters Thesis]. East Carolina University; 2019. Available from: http://hdl.handle.net/10342/7271

Western Carolina University

26. Richardson, Janet Marie. Brutal world.

Degree: 2016, Western Carolina University

URL: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21203

► History repeats itself. My large scale paintings and small ceramic sculptures embrace historical and fictional characters from past and present, powerful/powerless, good/evil, humorous and satiric.… (more)

Subjects/Keywords: Culture in art; Art and society; Art – Political aspects; Painting; Large-scale drawing; Ceramic sculpture

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APA (6^th Edition):

Richardson, J. M. (2016). Brutal world. (Masters Thesis). Western Carolina University. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21203

Chicago Manual of Style (16^th Edition):

Richardson, Janet Marie. “Brutal world.” 2016. Masters Thesis, Western Carolina University. Accessed January 27, 2021. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21203.

MLA Handbook (7^th Edition):

Richardson, Janet Marie. “Brutal world.” 2016. Web. 27 Jan 2021.

Vancouver:

Richardson JM. Brutal world. [Internet] [Masters thesis]. Western Carolina University; 2016. [cited 2021 Jan 27]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21203.

Council of Science Editors:

Richardson JM. Brutal world. [Masters Thesis]. Western Carolina University; 2016. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21203

27. NC DOCKS at Western Carolina University; Richardson, Janet Marie. Brutal world.

Degree: 2016, NC Docks

URL: http://libres.uncg.edu/ir/wcu/f/Richardson2016.pdf

► History repeats itself. My large scale paintings and small ceramic sculptures embrace historical and fictional characters from past and present, powerful/powerless, good/evil, humorous and satiric.… (more)

Subjects/Keywords: Culture in art; Art and society; Art – Political aspects; Painting; Large-scale drawing; Ceramic sculpture

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APA (6^th Edition):

NC DOCKS at Western Carolina University; Richardson, J. M. (2016). Brutal world. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/wcu/f/Richardson2016.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

NC DOCKS at Western Carolina University; Richardson, Janet Marie. “Brutal world.” 2016. Thesis, NC Docks. Accessed January 27, 2021. http://libres.uncg.edu/ir/wcu/f/Richardson2016.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

NC DOCKS at Western Carolina University; Richardson, Janet Marie. “Brutal world.” 2016. Web. 27 Jan 2021.

Vancouver:

NC DOCKS at Western Carolina University; Richardson JM. Brutal world. [Internet] [Thesis]. NC Docks; 2016. [cited 2021 Jan 27]. Available from: http://libres.uncg.edu/ir/wcu/f/Richardson2016.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

NC DOCKS at Western Carolina University; Richardson JM. Brutal world. [Thesis]. NC Docks; 2016. Available from: http://libres.uncg.edu/ir/wcu/f/Richardson2016.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Texas State University – San Marcos

28. Weeks, Steven Douglas. Art Activism in Guatemala.

Degree: MS, Sustainability Studies, 2018, Texas State University – San Marcos

URL: https://digital.library.txstate.edu/handle/10877/7372

► Guatemala is a small Central American country with a long history of violence in the 20th century. In 1996 after 36 years of civil war,… (more)

Subjects/Keywords: Art Activism; Guatemala; Performance art – Political aspects – Guatemala; Art and social action – Guatemala

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APA (6^th Edition):

Weeks, S. D. (2018). Art Activism in Guatemala. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/7372

Chicago Manual of Style (16^th Edition):

Weeks, Steven Douglas. “Art Activism in Guatemala.” 2018. Masters Thesis, Texas State University – San Marcos. Accessed January 27, 2021. https://digital.library.txstate.edu/handle/10877/7372.

MLA Handbook (7^th Edition):

Weeks, Steven Douglas. “Art Activism in Guatemala.” 2018. Web. 27 Jan 2021.

Vancouver:

Weeks SD. Art Activism in Guatemala. [Internet] [Masters thesis]. Texas State University – San Marcos; 2018. [cited 2021 Jan 27]. Available from: https://digital.library.txstate.edu/handle/10877/7372.

Council of Science Editors:

Weeks SD. Art Activism in Guatemala. [Masters Thesis]. Texas State University – San Marcos; 2018. Available from: https://digital.library.txstate.edu/handle/10877/7372

Stellenbosch University

29. Bolton, Kylie Monique. Political fashioning : aesthetics, art and activism in South Africa 2013-2018.

Degree: MA, Sociology, 2020, Stellenbosch University

URL: http://hdl.handle.net/10019.1/107981

►

ENGLISH ABSTRACT: The thesis offers a reading of four contemporary South African artists as forms of intervention in society. I consider aesthetic practices that include… (more)

▼

ENGLISH ABSTRACT: The thesis offers a reading of four contemporary South African artists as forms of intervention in society. I consider aesthetic practices that include the mediums of sculpture, film and performance art not as a student of the fine arts, but rather as a particular kind of social analysis and mode of political practice, situated specifically two decades into democracy in the country. By using art that I found from the beginning of 2013 to 2018 in museums and galleries in Cape Town, at the Cape Town National Arts Festival and at the Design Indaba Conference, I show how the aesthetic appearance of an artwork affords its readers a cognitive experience that evokes past struggles, contemporary experiences and repressed memories that have been silenced in the narration of South Africa’s history. Further, I argue that by providing a prism from which to evaluate the South African transition, art provides a different representation to the dominant social sciences, which I read alongside my rendering of the artworks. By engaging with various readings of the art and with the sartorial as a form of political rhetoric, following Walter Benjamin, I argue that the aesthetic experience of an artwork can teach us something new about our world which can jolt the public out of moral complacency and political acceptance. In addition, I show how the rapid circulation of images in the digital age has given student protestors and art activists the critical potential to mobilize in the public sphere, to claim and to rewrite history, aligning aesthetics with politics in a progressive way. Through juxtaposing art and social science literature I draw attention to artists as political actors and their aesthetic practice as a form of cultural labour that heralds an opposing, “negative” relationship to structures of power and domination. I finally, consider how the production of South African history results in the absence and silencing of various narratives that these artists illuminate by creating a critical space wherein to juxtapose past remnants with our present fears.

AFRIKAANSE OPSOMMING: Hierdie studie bied ŉ vertolking van vier eietydse Suid-Afrikaanse kunstenaars as intervensievorme in die samelewing. Ek het oorweging geskenk aan estetiese praktyke wat die mediums van beeldhoukuns, film en uitvoerende kunste insluit – nie as ŉ student van die beeldende kunste nie, maar eerder as ŉ spesifieke soort sosiale ontleding en selfs as ŉ spesifieke modus van politieke praktyk, wat baie spesifiek gesitueer is ná twee dekades van demokrasiewording in die land. Deur die gebruik van kuns wat ek van die begin van 2013 tot 2018 in museums en galerye in Kaapstad, by die Kaapstad Nasionale Kunstefees en die Design Indaba-konferensie gevind het, toon ek hoe die estetiese voorkoms van ŉ kunswerk aan die vertolker ŉ kognitiewe ervaring bied wat huidige begrip versteur deur worstelinge van die verlede, hedendaagse ervarings en onderdrukte herinneringe wat in die vertelling van SuidAfrika se geskiedenis stilgemaak is, op te roep.…

Advisors/Committee Members: Dubbeld, Bernard, Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of Sociology & Social Anthropology..

Subjects/Keywords: Aesthetics; Art – Political aspects; UCTD; Political art – South Africa – 21st century; Social participation; Internet and activism; Artists – Political activity – South Africa

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Bolton, K. M. (2020). Political fashioning : aesthetics, art and activism in South Africa 2013-2018. (Masters Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/107981

Chicago Manual of Style (16^th Edition):

Bolton, Kylie Monique. “Political fashioning : aesthetics, art and activism in South Africa 2013-2018.” 2020. Masters Thesis, Stellenbosch University. Accessed January 27, 2021. http://hdl.handle.net/10019.1/107981.

MLA Handbook (7^th Edition):

Bolton, Kylie Monique. “Political fashioning : aesthetics, art and activism in South Africa 2013-2018.” 2020. Web. 27 Jan 2021.

Vancouver:

Bolton KM. Political fashioning : aesthetics, art and activism in South Africa 2013-2018. [Internet] [Masters thesis]. Stellenbosch University; 2020. [cited 2021 Jan 27]. Available from: http://hdl.handle.net/10019.1/107981.

Council of Science Editors:

Bolton KM. Political fashioning : aesthetics, art and activism in South Africa 2013-2018. [Masters Thesis]. Stellenbosch University; 2020. Available from: http://hdl.handle.net/10019.1/107981

UCLA

30. Driscoll, Megan Philipa. Art on the Internet and the Digital Public Sphere, 1994 - 2003.

Degree: Art History, 2018, UCLA

URL: http://www.escholarship.org/uc/item/5kf3x456

► This dissertation narrates the development of internet art, a diverse set of practices united by their interrogation of the technological, social, and/or political bases of… (more)

▼ This dissertation narrates the development of internet art, a diverse set of practices united by their interrogation of the technological, social, and/or political bases of computer networks. Covering the period from 1994, when internet art coalesced around the rise of the World Wide Web, to 2003, when both internet art and internet culture writ large began to respond to the rise of social media and web 2.0 technologies, the dissertation homes in on specific net art projects that variously engaged or challenged this period’s most persistent claim: that the internet is a new, digital public sphere. By studying how these artworks critiqued this claim, the dissertation uncovers three major models through which net art has asserted the publicness of computer networks—as an interpersonal network that connects or unites strangers into groups; as a virtual space akin to physical spaces of public gathering, discourse, and visibility; and as a unique platform for public speech, a new mass media potentially accessible to all.Claims for the public status of computer networks rest on their ability to circulate information and facilitate discussion and debate. This definition of publicness is rooted in the concept of the classical public sphere as theorized by Jï¿½rgen Habermas. The dissertation thus reviews Habermas’s model of the classical public sphere, and its most significant critiques, in order to interrogate the terms of a digital public sphere. The dissertation also engages Michael Warner’s work on the formation of publics, counterpublics, and the mass-cultural public sphere; Oskar Negt and Alexander Kluge’s analysis of shared experience as the foundation of the formation of public spheres and the role of mass media in this process; Henri Lefebvre’s articulation of the social production of space; and Gilles Deleuze and Alexander Galloway’s respective analyses of the role of network logics in systems of control. As a whole, the dissertation provides an historical account and critical analysis of internet art that encompasses not only its technological evolution but also its confrontation with the claims of publicness upon which our understanding of computer networks, and the art made on and about them, are founded.

Subjects/Keywords: Art history; Web studies; Political science; contemporary art; internet; internet art; mass media; public art; public sphere

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APA (6^th Edition):

Driscoll, M. P. (2018). Art on the Internet and the Digital Public Sphere, 1994 - 2003. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/5kf3x456

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Driscoll, Megan Philipa. “Art on the Internet and the Digital Public Sphere, 1994 - 2003.” 2018. Thesis, UCLA. Accessed January 27, 2021. http://www.escholarship.org/uc/item/5kf3x456.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Driscoll, Megan Philipa. “Art on the Internet and the Digital Public Sphere, 1994 - 2003.” 2018. Web. 27 Jan 2021.

Vancouver:

Driscoll MP. Art on the Internet and the Digital Public Sphere, 1994 - 2003. [Internet] [Thesis]. UCLA; 2018. [cited 2021 Jan 27]. Available from: http://www.escholarship.org/uc/item/5kf3x456.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Driscoll MP. Art on the Internet and the Digital Public Sphere, 1994 - 2003. [Thesis]. UCLA; 2018. Available from: http://www.escholarship.org/uc/item/5kf3x456

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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Open Access Theses and Dissertations