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You searched for subject:( music innovation). Showing records 1 – 30 of 33 total matches.

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NSYSU

1. Chen, Hsiu-Chun. A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry.

Degree: Master, Theatre Arts, 2015, NSYSU

 The music carriers and the business model of music industry have changed dramatically due to the internet development. It is true in many researches that… (more)

Subjects/Keywords: Business Model; Popular Music Industry; Music Carrier; Disruptive Innovation; Technology Innovation

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APA (6th Edition):

Chen, H. (2015). A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry. (Thesis). NSYSU. Retrieved from http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chen, Hsiu-Chun. “A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry.” 2015. Thesis, NSYSU. Accessed July 03, 2020. http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chen, Hsiu-Chun. “A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry.” 2015. Web. 03 Jul 2020.

Vancouver:

Chen H. A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry. [Internet] [Thesis]. NSYSU; 2015. [cited 2020 Jul 03]. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chen H. A Study On The Impact of Technology Innovation on The Business Model Innovation of Popular Music Industry. [Thesis]. NSYSU; 2015. Available from: http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0022115-120334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

2. Lindblom, Sofie. A framework for disruptive innovation in an industry where everything is innovative.

Degree: The Institute of Technology, 2015, Linköping UniversityLinköping University

  This master thesis is written as a part of The Media Technology program at Linköping University in collaboration with the streaming music company Spotify.… (more)

Subjects/Keywords: Innovation; Product Innovation; Innovation Frameworks; Innovation Dynamics; Innovation Strategy; Software Industry; Music Industry; Product Development; Spotify; Media and Communication Technology; Medieteknik

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APA (6th Edition):

Lindblom, S. (2015). A framework for disruptive innovation in an industry where everything is innovative. (Thesis). Linköping UniversityLinköping University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121681

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lindblom, Sofie. “A framework for disruptive innovation in an industry where everything is innovative.” 2015. Thesis, Linköping UniversityLinköping University. Accessed July 03, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121681.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lindblom, Sofie. “A framework for disruptive innovation in an industry where everything is innovative.” 2015. Web. 03 Jul 2020.

Vancouver:

Lindblom S. A framework for disruptive innovation in an industry where everything is innovative. [Internet] [Thesis]. Linköping UniversityLinköping University; 2015. [cited 2020 Jul 03]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121681.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lindblom S. A framework for disruptive innovation in an industry where everything is innovative. [Thesis]. Linköping UniversityLinköping University; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-121681

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

3. Nordeson, Kjell Gunnar. Improvisation and Identity.

Degree: Music, 2013, University of California – San Diego

 This thesis investigates the role of musical improvisation in relation to composition, innovation, and identity. It draws on the author's experience as an improvising percussionist… (more)

Subjects/Keywords: Music; Composition; Identity; Improvisation; Innovation; Percussion; Persona

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APA (6th Edition):

Nordeson, K. G. (2013). Improvisation and Identity. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/7735j8tp

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nordeson, Kjell Gunnar. “Improvisation and Identity.” 2013. Thesis, University of California – San Diego. Accessed July 03, 2020. http://www.escholarship.org/uc/item/7735j8tp.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nordeson, Kjell Gunnar. “Improvisation and Identity.” 2013. Web. 03 Jul 2020.

Vancouver:

Nordeson KG. Improvisation and Identity. [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2020 Jul 03]. Available from: http://www.escholarship.org/uc/item/7735j8tp.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nordeson KG. Improvisation and Identity. [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/7735j8tp

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

4. Horsley, Matthew Scott. Evolution, not revolution: tradition and innovation in Afro-Cuban music.

Degree: 2012, University of Melbourne

 This research is an investigation into of the mechanics of experimentation and innovation within Afro-Cuban musical idioms. It explores aesthetic concepts derived from works of… (more)

Subjects/Keywords: Afro-Cuban music; innovation; evolution; aesthetics

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APA (6th Edition):

Horsley, M. S. (2012). Evolution, not revolution: tradition and innovation in Afro-Cuban music. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/37673

Chicago Manual of Style (16th Edition):

Horsley, Matthew Scott. “Evolution, not revolution: tradition and innovation in Afro-Cuban music.” 2012. Masters Thesis, University of Melbourne. Accessed July 03, 2020. http://hdl.handle.net/11343/37673.

MLA Handbook (7th Edition):

Horsley, Matthew Scott. “Evolution, not revolution: tradition and innovation in Afro-Cuban music.” 2012. Web. 03 Jul 2020.

Vancouver:

Horsley MS. Evolution, not revolution: tradition and innovation in Afro-Cuban music. [Internet] [Masters thesis]. University of Melbourne; 2012. [cited 2020 Jul 03]. Available from: http://hdl.handle.net/11343/37673.

Council of Science Editors:

Horsley MS. Evolution, not revolution: tradition and innovation in Afro-Cuban music. [Masters Thesis]. University of Melbourne; 2012. Available from: http://hdl.handle.net/11343/37673


University of Arizona

5. Nihira, Caleb. In Questo Proposito: Formal Innovations in the Vespers by Chiara Margarita Cozzolani .

Degree: 2018, University of Arizona

 The focus of the current study is the use of form in the collection of Vespers music by Chiara Margarita Cozzolani (1602-c.1678), an Italian Benedictine… (more)

Subjects/Keywords: Baroque; Convent Music; Cozzolani; Innovation; Nuns; Vespers

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APA (6th Edition):

Nihira, C. (2018). In Questo Proposito: Formal Innovations in the Vespers by Chiara Margarita Cozzolani . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/630538

Chicago Manual of Style (16th Edition):

Nihira, Caleb. “In Questo Proposito: Formal Innovations in the Vespers by Chiara Margarita Cozzolani .” 2018. Doctoral Dissertation, University of Arizona. Accessed July 03, 2020. http://hdl.handle.net/10150/630538.

MLA Handbook (7th Edition):

Nihira, Caleb. “In Questo Proposito: Formal Innovations in the Vespers by Chiara Margarita Cozzolani .” 2018. Web. 03 Jul 2020.

Vancouver:

Nihira C. In Questo Proposito: Formal Innovations in the Vespers by Chiara Margarita Cozzolani . [Internet] [Doctoral dissertation]. University of Arizona; 2018. [cited 2020 Jul 03]. Available from: http://hdl.handle.net/10150/630538.

Council of Science Editors:

Nihira C. In Questo Proposito: Formal Innovations in the Vespers by Chiara Margarita Cozzolani . [Doctoral Dissertation]. University of Arizona; 2018. Available from: http://hdl.handle.net/10150/630538


Arizona State University

6. Feng, Chiao-Ting. Innovation: Chinese Folk Music Influence in Contemporary Clarinet Repertoire.

Degree: DMA, Music, 2013, Arizona State University

 Several contemporary clarinet works use Chinese folk music elements from different regions in new compositions to entice listener's and performer's appreciation of Chinese culture. However,… (more)

Subjects/Keywords: Music; Chinese; Communication and the arts; Contemporary clarinet music; Folk music; Innovation; Recording

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APA (6th Edition):

Feng, C. (2013). Innovation: Chinese Folk Music Influence in Contemporary Clarinet Repertoire. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/20867

Chicago Manual of Style (16th Edition):

Feng, Chiao-Ting. “Innovation: Chinese Folk Music Influence in Contemporary Clarinet Repertoire.” 2013. Doctoral Dissertation, Arizona State University. Accessed July 03, 2020. http://repository.asu.edu/items/20867.

MLA Handbook (7th Edition):

Feng, Chiao-Ting. “Innovation: Chinese Folk Music Influence in Contemporary Clarinet Repertoire.” 2013. Web. 03 Jul 2020.

Vancouver:

Feng C. Innovation: Chinese Folk Music Influence in Contemporary Clarinet Repertoire. [Internet] [Doctoral dissertation]. Arizona State University; 2013. [cited 2020 Jul 03]. Available from: http://repository.asu.edu/items/20867.

Council of Science Editors:

Feng C. Innovation: Chinese Folk Music Influence in Contemporary Clarinet Repertoire. [Doctoral Dissertation]. Arizona State University; 2013. Available from: http://repository.asu.edu/items/20867


University of Kentucky

7. Miskelly, Jessica. FIFTHS: AN APPROACH TO VIOLIN TECHNIQUE FOR THE LEFT HAND AS TAUGHT BY RODNEY FRIEND.

Degree: 2018, University of Kentucky

 This document examines Rodney Friend’s approach to violin technique for the left hand, with specific emphasis on the execution of fifths. The application of this… (more)

Subjects/Keywords: Rodney Friend; Fifths; Left-hand Technique; Intervals; Pedagogical Innovation; Music Performance; Music Practice

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APA (6th Edition):

Miskelly, J. (2018). FIFTHS: AN APPROACH TO VIOLIN TECHNIQUE FOR THE LEFT HAND AS TAUGHT BY RODNEY FRIEND. (Doctoral Dissertation). University of Kentucky. Retrieved from https://uknowledge.uky.edu/music_etds/107

Chicago Manual of Style (16th Edition):

Miskelly, Jessica. “FIFTHS: AN APPROACH TO VIOLIN TECHNIQUE FOR THE LEFT HAND AS TAUGHT BY RODNEY FRIEND.” 2018. Doctoral Dissertation, University of Kentucky. Accessed July 03, 2020. https://uknowledge.uky.edu/music_etds/107.

MLA Handbook (7th Edition):

Miskelly, Jessica. “FIFTHS: AN APPROACH TO VIOLIN TECHNIQUE FOR THE LEFT HAND AS TAUGHT BY RODNEY FRIEND.” 2018. Web. 03 Jul 2020.

Vancouver:

Miskelly J. FIFTHS: AN APPROACH TO VIOLIN TECHNIQUE FOR THE LEFT HAND AS TAUGHT BY RODNEY FRIEND. [Internet] [Doctoral dissertation]. University of Kentucky; 2018. [cited 2020 Jul 03]. Available from: https://uknowledge.uky.edu/music_etds/107.

Council of Science Editors:

Miskelly J. FIFTHS: AN APPROACH TO VIOLIN TECHNIQUE FOR THE LEFT HAND AS TAUGHT BY RODNEY FRIEND. [Doctoral Dissertation]. University of Kentucky; 2018. Available from: https://uknowledge.uky.edu/music_etds/107


KTH

8. Sietzema, Maarten. Exploring Disruptive Innovation: Case study on Multi-sided Platforms.

Degree: Industrial Engineering and Management (ITM), 2019, KTH

Purpose - The purpose of this research is to explore disruptive innovation and to determine whether Christensen’s latest version (2015) of the disruptive innovation(more)

Subjects/Keywords: Disruptive innovation theory; Multi-sided platforms; Spotify; Apple Music; Napster; Business model innovation; Music Industry; Disruption; Innovation.; Disruptiv innovationsteori; omstörtande innovation; Flersidiga plattformar; Spotify; Apple Music; Napster; Affärsmodell; Musikindustri; Avbrott; Innovation.; Other Engineering and Technologies; Annan teknik

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APA (6th Edition):

Sietzema, M. (2019). Exploring Disruptive Innovation: Case study on Multi-sided Platforms. (Thesis). KTH. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-253833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sietzema, Maarten. “Exploring Disruptive Innovation: Case study on Multi-sided Platforms.” 2019. Thesis, KTH. Accessed July 03, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-253833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sietzema, Maarten. “Exploring Disruptive Innovation: Case study on Multi-sided Platforms.” 2019. Web. 03 Jul 2020.

Vancouver:

Sietzema M. Exploring Disruptive Innovation: Case study on Multi-sided Platforms. [Internet] [Thesis]. KTH; 2019. [cited 2020 Jul 03]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-253833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sietzema M. Exploring Disruptive Innovation: Case study on Multi-sided Platforms. [Thesis]. KTH; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-253833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

9. Breemer, Fleur van den. Dutch Improvised Music; How the Dutch improvising musicians achieved legitimacy and value with their innovation.

Degree: 2007, Universiteit Utrecht

 In the late sixties a couple of Dutch musical pioneers, a.o. Misha Mengelberg, Willem Breuker and Han Bennink, introduced a musical innovation. The environment however… (more)

Subjects/Keywords: Letteren; Dutch improvised music; innovation, legitimacy and value

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APA (6th Edition):

Breemer, F. v. d. (2007). Dutch Improvised Music; How the Dutch improvising musicians achieved legitimacy and value with their innovation. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/23347

Chicago Manual of Style (16th Edition):

Breemer, Fleur van den. “Dutch Improvised Music; How the Dutch improvising musicians achieved legitimacy and value with their innovation.” 2007. Masters Thesis, Universiteit Utrecht. Accessed July 03, 2020. http://dspace.library.uu.nl:8080/handle/1874/23347.

MLA Handbook (7th Edition):

Breemer, Fleur van den. “Dutch Improvised Music; How the Dutch improvising musicians achieved legitimacy and value with their innovation.” 2007. Web. 03 Jul 2020.

Vancouver:

Breemer Fvd. Dutch Improvised Music; How the Dutch improvising musicians achieved legitimacy and value with their innovation. [Internet] [Masters thesis]. Universiteit Utrecht; 2007. [cited 2020 Jul 03]. Available from: http://dspace.library.uu.nl:8080/handle/1874/23347.

Council of Science Editors:

Breemer Fvd. Dutch Improvised Music; How the Dutch improvising musicians achieved legitimacy and value with their innovation. [Masters Thesis]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/23347

10. Heuguet, Guillaume. Métamorphoses de la musique et capitalisme médiatique. Au prisme de YouTube (2005-2018) : Media capitalism and the metamorphosis of music. Through the prism of YouTube (2005-2018).

Degree: Docteur es, Sciences de l'information et de la communication, 2018, Sorbonne université

Alors qu’un ensemble de discours sociaux et académiques s’intéressent aux conséquences de la numérisation sur la valeur de la musique, YouTube, le site de publication… (more)

Subjects/Keywords: Musique enregistrée; Capitalisme; Numérique; Innovation; Plateforme; Industrie culturelle; Créativité; Droit d'auteur; Recorded music; Capitalism; Digitization; Innovation; Platforms; Cultural industry; Creativity; Copyright

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APA (6th Edition):

Heuguet, G. (2018). Métamorphoses de la musique et capitalisme médiatique. Au prisme de YouTube (2005-2018) : Media capitalism and the metamorphosis of music. Through the prism of YouTube (2005-2018). (Doctoral Dissertation). Sorbonne université. Retrieved from http://www.theses.fr/2018SORUL153

Chicago Manual of Style (16th Edition):

Heuguet, Guillaume. “Métamorphoses de la musique et capitalisme médiatique. Au prisme de YouTube (2005-2018) : Media capitalism and the metamorphosis of music. Through the prism of YouTube (2005-2018).” 2018. Doctoral Dissertation, Sorbonne université. Accessed July 03, 2020. http://www.theses.fr/2018SORUL153.

MLA Handbook (7th Edition):

Heuguet, Guillaume. “Métamorphoses de la musique et capitalisme médiatique. Au prisme de YouTube (2005-2018) : Media capitalism and the metamorphosis of music. Through the prism of YouTube (2005-2018).” 2018. Web. 03 Jul 2020.

Vancouver:

Heuguet G. Métamorphoses de la musique et capitalisme médiatique. Au prisme de YouTube (2005-2018) : Media capitalism and the metamorphosis of music. Through the prism of YouTube (2005-2018). [Internet] [Doctoral dissertation]. Sorbonne université; 2018. [cited 2020 Jul 03]. Available from: http://www.theses.fr/2018SORUL153.

Council of Science Editors:

Heuguet G. Métamorphoses de la musique et capitalisme médiatique. Au prisme de YouTube (2005-2018) : Media capitalism and the metamorphosis of music. Through the prism of YouTube (2005-2018). [Doctoral Dissertation]. Sorbonne université; 2018. Available from: http://www.theses.fr/2018SORUL153


University of Otago

11. Burns, Robert G. H. Transforming Folk: Innovation and Tradition in English Folk–Rock Music .

Degree: 2010, University of Otago

 From a mixed methodology perspective that includes ethnology, musicology and cultural anthropology, I argue that, despite initial detachment from folk revivalism, English folk–rock has moved… (more)

Subjects/Keywords: Englishness; folk–rock; folk music; British national identity; tradition; rock music; music innovation; musical change; progressive rock; British folk movement; Great Britain; history and criticism; popular music

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APA (6th Edition):

Burns, R. G. H. (2010). Transforming Folk: Innovation and Tradition in English Folk–Rock Music . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/451

Chicago Manual of Style (16th Edition):

Burns, Robert G H. “Transforming Folk: Innovation and Tradition in English Folk–Rock Music .” 2010. Doctoral Dissertation, University of Otago. Accessed July 03, 2020. http://hdl.handle.net/10523/451.

MLA Handbook (7th Edition):

Burns, Robert G H. “Transforming Folk: Innovation and Tradition in English Folk–Rock Music .” 2010. Web. 03 Jul 2020.

Vancouver:

Burns RGH. Transforming Folk: Innovation and Tradition in English Folk–Rock Music . [Internet] [Doctoral dissertation]. University of Otago; 2010. [cited 2020 Jul 03]. Available from: http://hdl.handle.net/10523/451.

Council of Science Editors:

Burns RGH. Transforming Folk: Innovation and Tradition in English Folk–Rock Music . [Doctoral Dissertation]. University of Otago; 2010. Available from: http://hdl.handle.net/10523/451


Karlstad University

12. Pontelius, Filip. Om jag gör såhär då? : En fenomenologisk självstudie av två kompositionstekniker.

Degree: Artistic Studies, 2017, Karlstad University

Syftet med den här självstudien är att undersöka hur min kreativa process formas vid användandet av olika kompositionstekniker. De forskningsfrågor som studien har ämnat… (more)

Subjects/Keywords: Music; composition; phenomenology; video observation; creative innovation; creative process; Musik; komposition; fenomenologi; videoobservation; kreativt skapande; kreativ process; Music; Musik

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APA (6th Edition):

Pontelius, F. (2017). Om jag gör såhär då? : En fenomenologisk självstudie av två kompositionstekniker. (Thesis). Karlstad University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-66515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pontelius, Filip. “Om jag gör såhär då? : En fenomenologisk självstudie av två kompositionstekniker.” 2017. Thesis, Karlstad University. Accessed July 03, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-66515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pontelius, Filip. “Om jag gör såhär då? : En fenomenologisk självstudie av två kompositionstekniker.” 2017. Web. 03 Jul 2020.

Vancouver:

Pontelius F. Om jag gör såhär då? : En fenomenologisk självstudie av två kompositionstekniker. [Internet] [Thesis]. Karlstad University; 2017. [cited 2020 Jul 03]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-66515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pontelius F. Om jag gör såhär då? : En fenomenologisk självstudie av två kompositionstekniker. [Thesis]. Karlstad University; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-66515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Sul

13. Lopardo, Carla Eugenia. A inserção da música na escola : um estudo de caso em uma escola privada de Porto Alegre.

Degree: 2014, Universidade do Rio Grande do Sul

A presente investigação procura observar, analisar e discutir os diferentes caminhos que uma escola privada de ensino básico, em Porto Alegre, percorre ao implementar a… (more)

Subjects/Keywords: Escola privada; Inclusion of music in school; Música : Ensino : Porto Alegre; School routine; Educação musical; Innovation; Education community

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APA (6th Edition):

Lopardo, C. E. (2014). A inserção da música na escola : um estudo de caso em uma escola privada de Porto Alegre. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/103871

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lopardo, Carla Eugenia. “A inserção da música na escola : um estudo de caso em uma escola privada de Porto Alegre.” 2014. Thesis, Universidade do Rio Grande do Sul. Accessed July 03, 2020. http://hdl.handle.net/10183/103871.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lopardo, Carla Eugenia. “A inserção da música na escola : um estudo de caso em uma escola privada de Porto Alegre.” 2014. Web. 03 Jul 2020.

Vancouver:

Lopardo CE. A inserção da música na escola : um estudo de caso em uma escola privada de Porto Alegre. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2014. [cited 2020 Jul 03]. Available from: http://hdl.handle.net/10183/103871.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lopardo CE. A inserção da música na escola : um estudo de caso em uma escola privada de Porto Alegre. [Thesis]. Universidade do Rio Grande do Sul; 2014. Available from: http://hdl.handle.net/10183/103871

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Nyegaard, Mathilde Clara. Fra innovativ idé til praktisk udførelse : En undersøgelse om hvordan en kunstnerisk innovationsproces forløber sig.

Degree: Music and Media Production, 2020, Royal College of Music in Stockholm

  Det her studie undersøger hvordan man finder frem til den bedst mulige løsning, når man udfordrer sine egne kompetencer i et kunstnerisk projekt. Gennem… (more)

Subjects/Keywords: Edward de Bono; Six Thinking Hats; innovation; videomapping; kompetence; Humanities and the Arts; Humaniora och konst; Music; Musik

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nyegaard, M. C. (2020). Fra innovativ idé til praktisk udførelse : En undersøgelse om hvordan en kunstnerisk innovationsproces forløber sig. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3432

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nyegaard, Mathilde Clara. “Fra innovativ idé til praktisk udførelse : En undersøgelse om hvordan en kunstnerisk innovationsproces forløber sig.” 2020. Thesis, Royal College of Music in Stockholm. Accessed July 03, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3432.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nyegaard, Mathilde Clara. “Fra innovativ idé til praktisk udførelse : En undersøgelse om hvordan en kunstnerisk innovationsproces forløber sig.” 2020. Web. 03 Jul 2020.

Vancouver:

Nyegaard MC. Fra innovativ idé til praktisk udførelse : En undersøgelse om hvordan en kunstnerisk innovationsproces forløber sig. [Internet] [Thesis]. Royal College of Music in Stockholm; 2020. [cited 2020 Jul 03]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3432.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nyegaard MC. Fra innovativ idé til praktisk udførelse : En undersøgelse om hvordan en kunstnerisk innovationsproces forløber sig. [Thesis]. Royal College of Music in Stockholm; 2020. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3432

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

15. Satterthwaite, Gregory. Beyond Fourths and Pentatonics: A Critical Analysis of Selected Recordings of McCoy Tyner from 1962 to 1963.

Degree: 2020, University of North Texas

 In this paper, I explore the early musical language of McCoy Tyner. Today, Tyner is recognized mostly for his use of quartal harmony and pentatonic… (more)

Subjects/Keywords: McCoy Tyner; Tyner; pentatonics; pentatonic scales; quartal harmony; fourths; bebop; bebop syntax; mainstream; jazz tradition; jazz innovation; Music; Musical Performances; Education, Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Satterthwaite, G. (2020). Beyond Fourths and Pentatonics: A Critical Analysis of Selected Recordings of McCoy Tyner from 1962 to 1963. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1703303/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Satterthwaite, Gregory. “Beyond Fourths and Pentatonics: A Critical Analysis of Selected Recordings of McCoy Tyner from 1962 to 1963.” 2020. Thesis, University of North Texas. Accessed July 03, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703303/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Satterthwaite, Gregory. “Beyond Fourths and Pentatonics: A Critical Analysis of Selected Recordings of McCoy Tyner from 1962 to 1963.” 2020. Web. 03 Jul 2020.

Vancouver:

Satterthwaite G. Beyond Fourths and Pentatonics: A Critical Analysis of Selected Recordings of McCoy Tyner from 1962 to 1963. [Internet] [Thesis]. University of North Texas; 2020. [cited 2020 Jul 03]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1703303/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Satterthwaite G. Beyond Fourths and Pentatonics: A Critical Analysis of Selected Recordings of McCoy Tyner from 1962 to 1963. [Thesis]. University of North Texas; 2020. Available from: https://digital.library.unt.edu/ark:/67531/metadc1703303/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Kokkola, Juho. User entrepreneurship in companies’ communities : Rules of open platform usage in the music streaming industry.

Degree: Entrepreneurship and innovation, 2013, KTH

  This thesis investigates user entrepreneurship in companies’ communities in the music streaming industry. Speci!cally, the rules of open platform usage are de!ned by conducting… (more)

Subjects/Keywords: user; innovation; user innovation; user entrepreneurship; user-driven innovation; open platform; community; user-developer; music streaming

…2. Literature review 2.1. User innovation For long, users have been recognized as a… …crucial source of innovation. Users, both firms and individual consumers, innovate because they… …to innovation processes as they are more and more able to develop themselves what they want… …instead of depending on producers. This trend towards “democratizing innovation” (von… …Von Hippel (1988) showed the significance of user innovation in scientific… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Sample image

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kokkola, J. (2013). User entrepreneurship in companies’ communities : Rules of open platform usage in the music streaming industry. (Thesis). KTH. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-123499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kokkola, Juho. “User entrepreneurship in companies’ communities : Rules of open platform usage in the music streaming industry.” 2013. Thesis, KTH. Accessed July 03, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-123499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kokkola, Juho. “User entrepreneurship in companies’ communities : Rules of open platform usage in the music streaming industry.” 2013. Web. 03 Jul 2020.

Vancouver:

Kokkola J. User entrepreneurship in companies’ communities : Rules of open platform usage in the music streaming industry. [Internet] [Thesis]. KTH; 2013. [cited 2020 Jul 03]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-123499.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kokkola J. User entrepreneurship in companies’ communities : Rules of open platform usage in the music streaming industry. [Thesis]. KTH; 2013. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-123499

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Holdom, Roger Murray. The development of a framework for managing disruptive innovation in the UK recorded music industry.

Degree: PhD, 2006, University of Bedfordshire

 The impact on the UK recorded music industry of digital music files distributed via the Internet has been studied using Clayton M. Christensen's Disruptive Innovation(more)

Subjects/Keywords: 070.5794; W390 Music not elsewhere classified : disruptive technologies : disruption : music industry : innovation : managing innovation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Holdom, R. M. (2006). The development of a framework for managing disruptive innovation in the UK recorded music industry. (Doctoral Dissertation). University of Bedfordshire. Retrieved from http://hdl.handle.net/10547/561233

Chicago Manual of Style (16th Edition):

Holdom, Roger Murray. “The development of a framework for managing disruptive innovation in the UK recorded music industry.” 2006. Doctoral Dissertation, University of Bedfordshire. Accessed July 03, 2020. http://hdl.handle.net/10547/561233.

MLA Handbook (7th Edition):

Holdom, Roger Murray. “The development of a framework for managing disruptive innovation in the UK recorded music industry.” 2006. Web. 03 Jul 2020.

Vancouver:

Holdom RM. The development of a framework for managing disruptive innovation in the UK recorded music industry. [Internet] [Doctoral dissertation]. University of Bedfordshire; 2006. [cited 2020 Jul 03]. Available from: http://hdl.handle.net/10547/561233.

Council of Science Editors:

Holdom RM. The development of a framework for managing disruptive innovation in the UK recorded music industry. [Doctoral Dissertation]. University of Bedfordshire; 2006. Available from: http://hdl.handle.net/10547/561233


Bowling Green State University

18. Schmitt, Jason M. Like the Last 30 Years Never Happened: Understanding Detroit Rock Music Through Oral History.

Degree: PhD, Communication Studies, 2008, Bowling Green State University

  This study was conducted to better understand Detroit’s unusual amount of rock music success. From the 1960s on, Detroit has continuously produced some of… (more)

Subjects/Keywords: Communication; History; Music; Detroit; Rock and Roll; Rock music; Rock; Detroit culture; regionalism; regional music; oral history; innovation; creativity; Ted Nugent; Slash; Kid Rock; MC5; WRIF; Russ Gibb; John Sinclair; Mitch Ryder; recording studio

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schmitt, J. M. (2008). Like the Last 30 Years Never Happened: Understanding Detroit Rock Music Through Oral History. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1214237279

Chicago Manual of Style (16th Edition):

Schmitt, Jason M. “Like the Last 30 Years Never Happened: Understanding Detroit Rock Music Through Oral History.” 2008. Doctoral Dissertation, Bowling Green State University. Accessed July 03, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1214237279.

MLA Handbook (7th Edition):

Schmitt, Jason M. “Like the Last 30 Years Never Happened: Understanding Detroit Rock Music Through Oral History.” 2008. Web. 03 Jul 2020.

Vancouver:

Schmitt JM. Like the Last 30 Years Never Happened: Understanding Detroit Rock Music Through Oral History. [Internet] [Doctoral dissertation]. Bowling Green State University; 2008. [cited 2020 Jul 03]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1214237279.

Council of Science Editors:

Schmitt JM. Like the Last 30 Years Never Happened: Understanding Detroit Rock Music Through Oral History. [Doctoral Dissertation]. Bowling Green State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1214237279

19. Odair Froes de Abreu Junior. O impacto da internet no modelo de negócio dos criadores e distribuidores de conteúdo da indústria fonográfica.

Degree: 2011, Universidade Nove de Julho

Industries suffering transformations over time by several factors, among them are: the political, social, economic ones, so the radical innovations. It changes the way businesses… (more)

Subjects/Keywords: Business model; Inovação; Indústria cultural.; Internet; ADMINISTRACAO; Internet; Indústria fonográfica; Modelo de negócio; Transformação da indústria; Music industry; Industry transformation; Innovation; Cultural industry.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Junior, O. F. d. A. (2011). O impacto da internet no modelo de negócio dos criadores e distribuidores de conteúdo da indústria fonográfica. (Thesis). Universidade Nove de Julho. Retrieved from http://www4.uninove.br/tedeSimplificado/tde_busca/arquivo.php?codArquivo=421

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Junior, Odair Froes de Abreu. “O impacto da internet no modelo de negócio dos criadores e distribuidores de conteúdo da indústria fonográfica.” 2011. Thesis, Universidade Nove de Julho. Accessed July 03, 2020. http://www4.uninove.br/tedeSimplificado/tde_busca/arquivo.php?codArquivo=421.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Junior, Odair Froes de Abreu. “O impacto da internet no modelo de negócio dos criadores e distribuidores de conteúdo da indústria fonográfica.” 2011. Web. 03 Jul 2020.

Vancouver:

Junior OFdA. O impacto da internet no modelo de negócio dos criadores e distribuidores de conteúdo da indústria fonográfica. [Internet] [Thesis]. Universidade Nove de Julho; 2011. [cited 2020 Jul 03]. Available from: http://www4.uninove.br/tedeSimplificado/tde_busca/arquivo.php?codArquivo=421.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Junior OFdA. O impacto da internet no modelo de negócio dos criadores e distribuidores de conteúdo da indústria fonográfica. [Thesis]. Universidade Nove de Julho; 2011. Available from: http://www4.uninove.br/tedeSimplificado/tde_busca/arquivo.php?codArquivo=421

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Minho

20. Cabral, Maria Helena Dias Borges. O ensino da flauta de bisel em grupo como inovação pedagógica: Uma investigação-ação no 2.º Ciclo do Ensino Básico .

Degree: 2014, Universidade do Minho

 O Sistema Educativo Português define a escolaridade obrigatória até ao momento da obtenção de um curso conferente de nível secundário ou da conclusão de 18… (more)

Subjects/Keywords: Educação Musical; Flauta de bisel; Ensino em grupo; Praxis educativa; Inovação; Saberes; Music Education; Recorder; Instrumental Group teahcing; Educational praxis; Innovation; Learning

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cabral, M. H. D. B. (2014). O ensino da flauta de bisel em grupo como inovação pedagógica: Uma investigação-ação no 2.º Ciclo do Ensino Básico . (Doctoral Dissertation). Universidade do Minho. Retrieved from http://hdl.handle.net/1822/40406

Chicago Manual of Style (16th Edition):

Cabral, Maria Helena Dias Borges. “O ensino da flauta de bisel em grupo como inovação pedagógica: Uma investigação-ação no 2.º Ciclo do Ensino Básico .” 2014. Doctoral Dissertation, Universidade do Minho. Accessed July 03, 2020. http://hdl.handle.net/1822/40406.

MLA Handbook (7th Edition):

Cabral, Maria Helena Dias Borges. “O ensino da flauta de bisel em grupo como inovação pedagógica: Uma investigação-ação no 2.º Ciclo do Ensino Básico .” 2014. Web. 03 Jul 2020.

Vancouver:

Cabral MHDB. O ensino da flauta de bisel em grupo como inovação pedagógica: Uma investigação-ação no 2.º Ciclo do Ensino Básico . [Internet] [Doctoral dissertation]. Universidade do Minho; 2014. [cited 2020 Jul 03]. Available from: http://hdl.handle.net/1822/40406.

Council of Science Editors:

Cabral MHDB. O ensino da flauta de bisel em grupo como inovação pedagógica: Uma investigação-ação no 2.º Ciclo do Ensino Básico . [Doctoral Dissertation]. Universidade do Minho; 2014. Available from: http://hdl.handle.net/1822/40406

21. Carr, Nicolas. “THE GAME DON’T CHANGE”Designing Beats and Rhymes,A metaphor and guide to ideate design concepts.

Degree: MDES, Design, Architecture, Art and Planning: Design, 2015, University of Cincinnati

 This research aimed to investigate how to integrate the design process with creative techniques found in rap music production in order to help architects, product… (more)

Subjects/Keywords: Design; Creativity; Innovation; Design Process; Rap Music; Concepts; Hip Hop

…methodologies. The spirit of hip hop music is driven by hybridization, collaboration, resourcefulness… …assist in developing creativity and innovation. Typically an output for the creative process of… …design concepts. 1.3 Roots of Rap Music: The term hip hop is a noun, verb and adjective… …artist can be figuratively described as the 21st century American griot. Rap music is in fact… …the rhythms and chants of tribal African music with the hymns and work songs sung by slaves… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carr, N. (2015). “THE GAME DON’T CHANGE”Designing Beats and Rhymes,A metaphor and guide to ideate design concepts. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428070292

Chicago Manual of Style (16th Edition):

Carr, Nicolas. ““THE GAME DON’T CHANGE”Designing Beats and Rhymes,A metaphor and guide to ideate design concepts.” 2015. Masters Thesis, University of Cincinnati. Accessed July 03, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428070292.

MLA Handbook (7th Edition):

Carr, Nicolas. ““THE GAME DON’T CHANGE”Designing Beats and Rhymes,A metaphor and guide to ideate design concepts.” 2015. Web. 03 Jul 2020.

Vancouver:

Carr N. “THE GAME DON’T CHANGE”Designing Beats and Rhymes,A metaphor and guide to ideate design concepts. [Internet] [Masters thesis]. University of Cincinnati; 2015. [cited 2020 Jul 03]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428070292.

Council of Science Editors:

Carr N. “THE GAME DON’T CHANGE”Designing Beats and Rhymes,A metaphor and guide to ideate design concepts. [Masters Thesis]. University of Cincinnati; 2015. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428070292

22. Libório, Rosângela Aparecida da Silva. Inovação pedagógica : a música no ensino de frações.

Degree: 2013, Repositório Científico Lusófona

Apesar da modernização dos meios tecnológicos e processos de aprendizagem, a Matemática na escola pública brasileira permanece difícil de ensinar e aprender, falta inovação metodológica… (more)

Subjects/Keywords: EDUCAÇÃO; INOVAÇÃO; MÚSICA; MATEMÁTICA; EDUCATION; INNOVATION; MUSIC; MATHS; MESTRADO EM CIÊNCIAS DA EDUCAÇÃO NA ÁREA DE ESPECIALIZAÇÃO EM SUPERVISÃO PEDAGÓGICA E FORMAÇÃO DE FORMADORES

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APA (6th Edition):

Libório, R. A. d. S. (2013). Inovação pedagógica : a música no ensino de frações. (Thesis). Repositório Científico Lusófona. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:recil.grupolusofona.pt:10437/4030

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Libório, Rosângela Aparecida da Silva. “Inovação pedagógica : a música no ensino de frações.” 2013. Thesis, Repositório Científico Lusófona. Accessed July 03, 2020. https://www.rcaap.pt/detail.jsp?id=oai:recil.grupolusofona.pt:10437/4030.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Libório, Rosângela Aparecida da Silva. “Inovação pedagógica : a música no ensino de frações.” 2013. Web. 03 Jul 2020.

Vancouver:

Libório RAdS. Inovação pedagógica : a música no ensino de frações. [Internet] [Thesis]. Repositório Científico Lusófona; 2013. [cited 2020 Jul 03]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recil.grupolusofona.pt:10437/4030.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Libório RAdS. Inovação pedagógica : a música no ensino de frações. [Thesis]. Repositório Científico Lusófona; 2013. Available from: https://www.rcaap.pt/detail.jsp?id=oai:recil.grupolusofona.pt:10437/4030

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Lübbe, Dorothea. Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France.

Degree: Docteur es, Arts du spectacle, 2017, Aix Marseille Université

Ce projet de recherche se concentre sur les conditions generales de politique culturelle sous lesquelles se créent les nouvelles formes artistiques du theatre musical contemporain… (more)

Subjects/Keywords: Contemporain; Politique culturelle; Franco-Allemand; France; Allemagne; Opera; Theatre musical; Processus d'innovation; Music theatre; Contemporary; German-French; France; Germany; Opera; Cultural policy; Innovation processus

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lübbe, D. (2017). Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2017AIXM0315

Chicago Manual of Style (16th Edition):

Lübbe, Dorothea. “Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France.” 2017. Doctoral Dissertation, Aix Marseille Université. Accessed July 03, 2020. http://www.theses.fr/2017AIXM0315.

MLA Handbook (7th Edition):

Lübbe, Dorothea. “Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France.” 2017. Web. 03 Jul 2020.

Vancouver:

Lübbe D. Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France. [Internet] [Doctoral dissertation]. Aix Marseille Université 2017. [cited 2020 Jul 03]. Available from: http://www.theses.fr/2017AIXM0315.

Council of Science Editors:

Lübbe D. Europera : innovation artistique et politique culturelle de théâtre musical contemporain en Allemagne et en France : Europera : innovation of art and cultural policy of contemporary music theatre in Germany and France. [Doctoral Dissertation]. Aix Marseille Université 2017. Available from: http://www.theses.fr/2017AIXM0315


Queens University

24. Lee, Jonathan. Intellectual Property Usage as a Determinant of Market Structure .

Degree: Economics, Queens University

 Intellectual property (IP), such as patents or copyrights, forms the basis of economic policy to encourage innovation, creativity, and growth. In this thesis, I show… (more)

Subjects/Keywords: Innovation; Intellectual Property; Market Structure; Competition; Economics; Patent; Trade Secret; Copyright; Music; Piracy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lee, J. (n.d.). Intellectual Property Usage as a Determinant of Market Structure . (Thesis). Queens University. Retrieved from http://hdl.handle.net/1974/24908

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Jonathan. “Intellectual Property Usage as a Determinant of Market Structure .” Thesis, Queens University. Accessed July 03, 2020. http://hdl.handle.net/1974/24908.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Jonathan. “Intellectual Property Usage as a Determinant of Market Structure .” Web. 03 Jul 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Lee J. Intellectual Property Usage as a Determinant of Market Structure . [Internet] [Thesis]. Queens University; [cited 2020 Jul 03]. Available from: http://hdl.handle.net/1974/24908.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Lee J. Intellectual Property Usage as a Determinant of Market Structure . [Thesis]. Queens University; Available from: http://hdl.handle.net/1974/24908

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Southern California

25. Sinnreich, Aram Arthur. Configurable culture: mainstreaming the remix, remixing the mainstream.

Degree: PhD, Communication, 2007, University of Southern California

 This dissertation examines the emergence of new musical aesthetics and practices based around networked media technologies, from remix music to file sharing, and argues that… (more)

Subjects/Keywords: remix; music; sampling; innovation; cultural regulation; mash-up; resistance; network society

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APA (6th Edition):

Sinnreich, A. A. (2007). Configurable culture: mainstreaming the remix, remixing the mainstream. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/590228/rec/1581

Chicago Manual of Style (16th Edition):

Sinnreich, Aram Arthur. “Configurable culture: mainstreaming the remix, remixing the mainstream.” 2007. Doctoral Dissertation, University of Southern California. Accessed July 03, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/590228/rec/1581.

MLA Handbook (7th Edition):

Sinnreich, Aram Arthur. “Configurable culture: mainstreaming the remix, remixing the mainstream.” 2007. Web. 03 Jul 2020.

Vancouver:

Sinnreich AA. Configurable culture: mainstreaming the remix, remixing the mainstream. [Internet] [Doctoral dissertation]. University of Southern California; 2007. [cited 2020 Jul 03]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/590228/rec/1581.

Council of Science Editors:

Sinnreich AA. Configurable culture: mainstreaming the remix, remixing the mainstream. [Doctoral Dissertation]. University of Southern California; 2007. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/590228/rec/1581

26. Debade, Nicolas. Les musiques expérimentales à l'épreuve de l'innovation : l'exemple du GRIM à Marseille : Experimental music through innovation : the example of the GRIM in Marseille.

Degree: Docteur es, Arts plastiques et sciences de l'art, 2017, Aix Marseille Université

Depuis les premières expériences de John Cage et de Pierre Schaeffer jusqu’aux hybridations bruitistes de la noise, les musiques expérimentales ont suivi une reconfiguration de… (more)

Subjects/Keywords: Scène artistique; Mondes de l’art; Musiques expérimentales; Régime numérique; Technologie; Innovation; Résistance; Publics; Pratiques culturelles; Grim; Marseille; Institutions; Art scene; Public; Audiences; Art worlds; Experimental music; Digital era; Technology; Innovation; Resistance; Cultural practices; Grim; Marseilles; Institutions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Debade, N. (2017). Les musiques expérimentales à l'épreuve de l'innovation : l'exemple du GRIM à Marseille : Experimental music through innovation : the example of the GRIM in Marseille. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2017AIXM0444

Chicago Manual of Style (16th Edition):

Debade, Nicolas. “Les musiques expérimentales à l'épreuve de l'innovation : l'exemple du GRIM à Marseille : Experimental music through innovation : the example of the GRIM in Marseille.” 2017. Doctoral Dissertation, Aix Marseille Université. Accessed July 03, 2020. http://www.theses.fr/2017AIXM0444.

MLA Handbook (7th Edition):

Debade, Nicolas. “Les musiques expérimentales à l'épreuve de l'innovation : l'exemple du GRIM à Marseille : Experimental music through innovation : the example of the GRIM in Marseille.” 2017. Web. 03 Jul 2020.

Vancouver:

Debade N. Les musiques expérimentales à l'épreuve de l'innovation : l'exemple du GRIM à Marseille : Experimental music through innovation : the example of the GRIM in Marseille. [Internet] [Doctoral dissertation]. Aix Marseille Université 2017. [cited 2020 Jul 03]. Available from: http://www.theses.fr/2017AIXM0444.

Council of Science Editors:

Debade N. Les musiques expérimentales à l'épreuve de l'innovation : l'exemple du GRIM à Marseille : Experimental music through innovation : the example of the GRIM in Marseille. [Doctoral Dissertation]. Aix Marseille Université 2017. Available from: http://www.theses.fr/2017AIXM0444

27. Choe, Hee jin. L’invention de la star de chanson française à l’aube de l’industrie musicale : edith Piaf et le star-système des années 1930 et 1940 : The invention of a star of French popular song at the early age of music industry : edith Piaf and the star-system in the 1930´s and 1940´s.

Degree: Docteur es, Sciences de l'information et de la communication, 2018, Paris 8

Cette étude a pour l’objectif d’examiner l’industrie musicale et le star-system des années 1930 et 1940. Certaines stars de cette période occupent encore une place… (more)

Subjects/Keywords: Chansons françaises; Edith Piaf; Industrie musicale; Star-Système; Répétition et innovation; Identification collective; Projection; Médiation; Idéologie; French popular song; Edith Piaf; Music industry; Star-System; Repetition and innovation; Collective identification; Projection; Mediation; Ideology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Choe, H. j. (2018). L’invention de la star de chanson française à l’aube de l’industrie musicale : edith Piaf et le star-système des années 1930 et 1940 : The invention of a star of French popular song at the early age of music industry : edith Piaf and the star-system in the 1930´s and 1940´s. (Doctoral Dissertation). Paris 8. Retrieved from http://www.theses.fr/2018PA080056

Chicago Manual of Style (16th Edition):

Choe, Hee jin. “L’invention de la star de chanson française à l’aube de l’industrie musicale : edith Piaf et le star-système des années 1930 et 1940 : The invention of a star of French popular song at the early age of music industry : edith Piaf and the star-system in the 1930´s and 1940´s.” 2018. Doctoral Dissertation, Paris 8. Accessed July 03, 2020. http://www.theses.fr/2018PA080056.

MLA Handbook (7th Edition):

Choe, Hee jin. “L’invention de la star de chanson française à l’aube de l’industrie musicale : edith Piaf et le star-système des années 1930 et 1940 : The invention of a star of French popular song at the early age of music industry : edith Piaf and the star-system in the 1930´s and 1940´s.” 2018. Web. 03 Jul 2020.

Vancouver:

Choe Hj. L’invention de la star de chanson française à l’aube de l’industrie musicale : edith Piaf et le star-système des années 1930 et 1940 : The invention of a star of French popular song at the early age of music industry : edith Piaf and the star-system in the 1930´s and 1940´s. [Internet] [Doctoral dissertation]. Paris 8; 2018. [cited 2020 Jul 03]. Available from: http://www.theses.fr/2018PA080056.

Council of Science Editors:

Choe Hj. L’invention de la star de chanson française à l’aube de l’industrie musicale : edith Piaf et le star-système des années 1930 et 1940 : The invention of a star of French popular song at the early age of music industry : edith Piaf and the star-system in the 1930´s and 1940´s. [Doctoral Dissertation]. Paris 8; 2018. Available from: http://www.theses.fr/2018PA080056

28. Wikstrom, Patrik. Reluctantly virtual : modelling copyright industry dynamics.

Degree: 2006, Karlstad University, Sweden

 During the evolution of the music industry, developments in the media environment have required music firms to adapt in order to survive. Changes in broadcast… (more)

Subjects/Keywords: 150307 Innovation and Technology Management; 190407 Music Performance; 200102 Communication Technology and Digital Media Studies; Music industry; Business models; Digitization

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wikstrom, P. (2006). Reluctantly virtual : modelling copyright industry dynamics. (Thesis). Karlstad University, Sweden. Retrieved from http://eprints.qut.edu.au/67930/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wikstrom, Patrik. “Reluctantly virtual : modelling copyright industry dynamics.” 2006. Thesis, Karlstad University, Sweden. Accessed July 03, 2020. http://eprints.qut.edu.au/67930/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wikstrom, Patrik. “Reluctantly virtual : modelling copyright industry dynamics.” 2006. Web. 03 Jul 2020.

Vancouver:

Wikstrom P. Reluctantly virtual : modelling copyright industry dynamics. [Internet] [Thesis]. Karlstad University, Sweden; 2006. [cited 2020 Jul 03]. Available from: http://eprints.qut.edu.au/67930/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wikstrom P. Reluctantly virtual : modelling copyright industry dynamics. [Thesis]. Karlstad University, Sweden; 2006. Available from: http://eprints.qut.edu.au/67930/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

29. Murray, Eric A. Tradition and Innovation in the Pedagogy of Brazilian Instrumental Choro.

Degree: PhD, College of the Arts / School of Music, 2013, Kent State University

 Choro is a traditional Brazilian music that began in Rio de Janeiro during the latter half of the nineteenth century. A virtuosic instrumental music, choro… (more)

Subjects/Keywords: Music; Music Education; Cultural Anthropology; Pedagogy; Brazilian choro music; music pedagogy; formal, non-formal, informal learning; Rio de Janeiro; tradition; innovation

…tradition as well as inspiring an atmosphere for innovation and creation within a genre of music… …1 CHAPTER I: INTRODUCTION I began participating in music at an early age. My family had a… …and for college I attended Berklee College of Music, studying professional music. My life… …has always been filled with learning music. As a non-Brazilian and outsider to choro, my… …the Internet, my exposure to Brazilian music was through films, cartoons, and shorts made by… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Murray, E. A. (2013). Tradition and Innovation in the Pedagogy of Brazilian Instrumental Choro. (Doctoral Dissertation). Kent State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=kent1365782281

Chicago Manual of Style (16th Edition):

Murray, Eric A. “Tradition and Innovation in the Pedagogy of Brazilian Instrumental Choro.” 2013. Doctoral Dissertation, Kent State University. Accessed July 03, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1365782281.

MLA Handbook (7th Edition):

Murray, Eric A. “Tradition and Innovation in the Pedagogy of Brazilian Instrumental Choro.” 2013. Web. 03 Jul 2020.

Vancouver:

Murray EA. Tradition and Innovation in the Pedagogy of Brazilian Instrumental Choro. [Internet] [Doctoral dissertation]. Kent State University; 2013. [cited 2020 Jul 03]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1365782281.

Council of Science Editors:

Murray EA. Tradition and Innovation in the Pedagogy of Brazilian Instrumental Choro. [Doctoral Dissertation]. Kent State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1365782281


University of Vienna

30. Kafka, Katharina. Bearbeitungen "mittelalterlicher" Balladen durch Garmarna.

Degree: 2009, University of Vienna

Diese Diplomarbeit beschäftigt sich mit der Verwendung von schwedischsprachigen, so genannten „mittelalterlichen“ Balladen durch die schwedische Band Garmarna. Die fünf MusikerInnen lassen seit Anfang der… (more)

Subjects/Keywords: 24.60 Musikformen, Musikgattungen: Allgemeines; 17.87 Besondere Literaturkategorien; 73.50 Kultureller Wandel; 24.55 Komponisten, Musiker, Sänger; 18.17 Schwedische Sprache und Literatur; Schweden / Musik / Skandinavien / Balladen / Volksmusik / Innovation / Mittelalter / Rezeption; Sweden / music / Scandinavia / ballads / folk music / innovation / middle ages / reception

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kafka, K. (2009). Bearbeitungen "mittelalterlicher" Balladen durch Garmarna. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/6195/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kafka, Katharina. “Bearbeitungen "mittelalterlicher" Balladen durch Garmarna.” 2009. Thesis, University of Vienna. Accessed July 03, 2020. http://othes.univie.ac.at/6195/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kafka, Katharina. “Bearbeitungen "mittelalterlicher" Balladen durch Garmarna.” 2009. Web. 03 Jul 2020.

Vancouver:

Kafka K. Bearbeitungen "mittelalterlicher" Balladen durch Garmarna. [Internet] [Thesis]. University of Vienna; 2009. [cited 2020 Jul 03]. Available from: http://othes.univie.ac.at/6195/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kafka K. Bearbeitungen "mittelalterlicher" Balladen durch Garmarna. [Thesis]. University of Vienna; 2009. Available from: http://othes.univie.ac.at/6195/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2]

.