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You searched for subject:( komer n priestory kancel ri s variabiln m vyu it m). Showing records 121 – 150 of 27470 total matches.

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University of Huddersfield

121. Carrera, Alessandro. The Philosophy of Popular Music: Aesthetical Categories and Cultural Relevance. A Commentary on My Publications.

Degree: 2016, University of Huddersfield

 In the mid-1970s, my approach to popular music was shaped by aesthetical categories developed in the fields of Euroclassical music and continental philosophy. In fact,… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carrera, A. (2016). The Philosophy of Popular Music: Aesthetical Categories and Cultural Relevance. A Commentary on My Publications. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/28415/1/Carrera_-_Dissertation_-_The_Philosophy_of_Popular_Music%20Final%20thesis.pdf

Chicago Manual of Style (16th Edition):

Carrera, Alessandro. “The Philosophy of Popular Music: Aesthetical Categories and Cultural Relevance. A Commentary on My Publications.” 2016. Doctoral Dissertation, University of Huddersfield. Accessed July 18, 2019. http://eprints.hud.ac.uk/id/eprint/28415/1/Carrera_-_Dissertation_-_The_Philosophy_of_Popular_Music%20Final%20thesis.pdf.

MLA Handbook (7th Edition):

Carrera, Alessandro. “The Philosophy of Popular Music: Aesthetical Categories and Cultural Relevance. A Commentary on My Publications.” 2016. Web. 18 Jul 2019.

Vancouver:

Carrera A. The Philosophy of Popular Music: Aesthetical Categories and Cultural Relevance. A Commentary on My Publications. [Internet] [Doctoral dissertation]. University of Huddersfield; 2016. [cited 2019 Jul 18]. Available from: http://eprints.hud.ac.uk/id/eprint/28415/1/Carrera_-_Dissertation_-_The_Philosophy_of_Popular_Music%20Final%20thesis.pdf.

Council of Science Editors:

Carrera A. The Philosophy of Popular Music: Aesthetical Categories and Cultural Relevance. A Commentary on My Publications. [Doctoral Dissertation]. University of Huddersfield; 2016. Available from: http://eprints.hud.ac.uk/id/eprint/28415/1/Carrera_-_Dissertation_-_The_Philosophy_of_Popular_Music%20Final%20thesis.pdf


University of Huddersfield

122. Woods, Seth. Almost Human: The Study of Physical Processes and the Performance of a Prosthetic Digital Spine.

Degree: 2016, University of Huddersfield

 Almost Human is an investigation of interdisciplinary performance through music that looks to the self to try to further understand subjective performance practices in expression,… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Woods, S. (2016). Almost Human: The Study of Physical Processes and the Performance of a Prosthetic Digital Spine. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/28422/1/Thesis-finalsubmission%20-%20WOODS.pdf

Chicago Manual of Style (16th Edition):

Woods, Seth. “Almost Human: The Study of Physical Processes and the Performance of a Prosthetic Digital Spine.” 2016. Doctoral Dissertation, University of Huddersfield. Accessed July 18, 2019. http://eprints.hud.ac.uk/id/eprint/28422/1/Thesis-finalsubmission%20-%20WOODS.pdf.

MLA Handbook (7th Edition):

Woods, Seth. “Almost Human: The Study of Physical Processes and the Performance of a Prosthetic Digital Spine.” 2016. Web. 18 Jul 2019.

Vancouver:

Woods S. Almost Human: The Study of Physical Processes and the Performance of a Prosthetic Digital Spine. [Internet] [Doctoral dissertation]. University of Huddersfield; 2016. [cited 2019 Jul 18]. Available from: http://eprints.hud.ac.uk/id/eprint/28422/1/Thesis-finalsubmission%20-%20WOODS.pdf.

Council of Science Editors:

Woods S. Almost Human: The Study of Physical Processes and the Performance of a Prosthetic Digital Spine. [Doctoral Dissertation]. University of Huddersfield; 2016. Available from: http://eprints.hud.ac.uk/id/eprint/28422/1/Thesis-finalsubmission%20-%20WOODS.pdf


University of Huddersfield

123. Parkin, Jennifer. Dances with Sausages: Exploring Musicality in Comedy Through an Analysis of the Morecambe and Wise Show.

Degree: 2016, University of Huddersfield

 This thesis uses established theoretical work on musicality in theatre in order to develop an understanding of the use of musicality in comedy, through an… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Parkin, J. (2016). Dances with Sausages: Exploring Musicality in Comedy Through an Analysis of the Morecambe and Wise Show. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/28532/1/Final%20thesis%20-%20PARKIN.pdf

Chicago Manual of Style (16th Edition):

Parkin, Jennifer. “Dances with Sausages: Exploring Musicality in Comedy Through an Analysis of the Morecambe and Wise Show.” 2016. Masters Thesis, University of Huddersfield. Accessed July 18, 2019. http://eprints.hud.ac.uk/id/eprint/28532/1/Final%20thesis%20-%20PARKIN.pdf.

MLA Handbook (7th Edition):

Parkin, Jennifer. “Dances with Sausages: Exploring Musicality in Comedy Through an Analysis of the Morecambe and Wise Show.” 2016. Web. 18 Jul 2019.

Vancouver:

Parkin J. Dances with Sausages: Exploring Musicality in Comedy Through an Analysis of the Morecambe and Wise Show. [Internet] [Masters thesis]. University of Huddersfield; 2016. [cited 2019 Jul 18]. Available from: http://eprints.hud.ac.uk/id/eprint/28532/1/Final%20thesis%20-%20PARKIN.pdf.

Council of Science Editors:

Parkin J. Dances with Sausages: Exploring Musicality in Comedy Through an Analysis of the Morecambe and Wise Show. [Masters Thesis]. University of Huddersfield; 2016. Available from: http://eprints.hud.ac.uk/id/eprint/28532/1/Final%20thesis%20-%20PARKIN.pdf


University of Huddersfield

124. Reavell, Oliver. The Buena Vista Phenomenon: Constructions of Cuban Musical Identity.

Degree: 2016, University of Huddersfield

 Cuba is a fascinating Caribbean island that has succeeded in leaving an important musical legacy, the Buena Vista Social Club being one of the most… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Reavell, O. (2016). The Buena Vista Phenomenon: Constructions of Cuban Musical Identity. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/29100/1/Final%20thesis%20-%20REAVELL.pdf

Chicago Manual of Style (16th Edition):

Reavell, Oliver. “The Buena Vista Phenomenon: Constructions of Cuban Musical Identity.” 2016. Masters Thesis, University of Huddersfield. Accessed July 18, 2019. http://eprints.hud.ac.uk/id/eprint/29100/1/Final%20thesis%20-%20REAVELL.pdf.

MLA Handbook (7th Edition):

Reavell, Oliver. “The Buena Vista Phenomenon: Constructions of Cuban Musical Identity.” 2016. Web. 18 Jul 2019.

Vancouver:

Reavell O. The Buena Vista Phenomenon: Constructions of Cuban Musical Identity. [Internet] [Masters thesis]. University of Huddersfield; 2016. [cited 2019 Jul 18]. Available from: http://eprints.hud.ac.uk/id/eprint/29100/1/Final%20thesis%20-%20REAVELL.pdf.

Council of Science Editors:

Reavell O. The Buena Vista Phenomenon: Constructions of Cuban Musical Identity. [Masters Thesis]. University of Huddersfield; 2016. Available from: http://eprints.hud.ac.uk/id/eprint/29100/1/Final%20thesis%20-%20REAVELL.pdf


University of Huddersfield

125. Baldwin, Michael S. Effaced/reflected/being: documents and/of/as musicking bodies.

Degree: 2017, University of Huddersfield

 The submitted portfolio of work emerges from a focus on treating musicking bodies as compositional material. The work explores aspects of awkwardness in performance, slow… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Baldwin, M. S. (2017). Effaced/reflected/being: documents and/of/as musicking bodies. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/31494/1/__nas01_librhome_librsh3_Desktop_FINAL%20THESIS%20%282%29.pdf

Chicago Manual of Style (16th Edition):

Baldwin, Michael S. “Effaced/reflected/being: documents and/of/as musicking bodies.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed July 18, 2019. http://eprints.hud.ac.uk/id/eprint/31494/1/__nas01_librhome_librsh3_Desktop_FINAL%20THESIS%20%282%29.pdf.

MLA Handbook (7th Edition):

Baldwin, Michael S. “Effaced/reflected/being: documents and/of/as musicking bodies.” 2017. Web. 18 Jul 2019.

Vancouver:

Baldwin MS. Effaced/reflected/being: documents and/of/as musicking bodies. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2019 Jul 18]. Available from: http://eprints.hud.ac.uk/id/eprint/31494/1/__nas01_librhome_librsh3_Desktop_FINAL%20THESIS%20%282%29.pdf.

Council of Science Editors:

Baldwin MS. Effaced/reflected/being: documents and/of/as musicking bodies. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/31494/1/__nas01_librhome_librsh3_Desktop_FINAL%20THESIS%20%282%29.pdf


University of Huddersfield

126. Fox, Richard Bramwell. Identity, Representation and Transcultural Adaptation in Delius's Koanga.

Degree: 2016, University of Huddersfield

 Frederick Delius’s opera Koanga remains to this day a problematic work in many ways. It focuses upon the story of an enslaved African prince, who… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Fox, R. B. (2016). Identity, Representation and Transcultural Adaptation in Delius's Koanga. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/31579/1/fox.pdf

Chicago Manual of Style (16th Edition):

Fox, Richard Bramwell. “Identity, Representation and Transcultural Adaptation in Delius's Koanga.” 2016. Masters Thesis, University of Huddersfield. Accessed July 18, 2019. http://eprints.hud.ac.uk/id/eprint/31579/1/fox.pdf.

MLA Handbook (7th Edition):

Fox, Richard Bramwell. “Identity, Representation and Transcultural Adaptation in Delius's Koanga.” 2016. Web. 18 Jul 2019.

Vancouver:

Fox RB. Identity, Representation and Transcultural Adaptation in Delius's Koanga. [Internet] [Masters thesis]. University of Huddersfield; 2016. [cited 2019 Jul 18]. Available from: http://eprints.hud.ac.uk/id/eprint/31579/1/fox.pdf.

Council of Science Editors:

Fox RB. Identity, Representation and Transcultural Adaptation in Delius's Koanga. [Masters Thesis]. University of Huddersfield; 2016. Available from: http://eprints.hud.ac.uk/id/eprint/31579/1/fox.pdf


University of Huddersfield

127. McCollum, Liam. 'The West Memphis Witch Trials': Writing and Recording a Concept Album.

Degree: 2017, University of Huddersfield

 I wanted to gain a deeper knowledge of concept albums through carrying out practice-based research, primarily focusing on the composition and recording of my own… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

McCollum, L. (2017). 'The West Memphis Witch Trials': Writing and Recording a Concept Album. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/32615/1/FINAL%20THESIS%20-%20MCCOLLUM.pdf

Chicago Manual of Style (16th Edition):

McCollum, Liam. “'The West Memphis Witch Trials': Writing and Recording a Concept Album.” 2017. Masters Thesis, University of Huddersfield. Accessed July 18, 2019. http://eprints.hud.ac.uk/id/eprint/32615/1/FINAL%20THESIS%20-%20MCCOLLUM.pdf.

MLA Handbook (7th Edition):

McCollum, Liam. “'The West Memphis Witch Trials': Writing and Recording a Concept Album.” 2017. Web. 18 Jul 2019.

Vancouver:

McCollum L. 'The West Memphis Witch Trials': Writing and Recording a Concept Album. [Internet] [Masters thesis]. University of Huddersfield; 2017. [cited 2019 Jul 18]. Available from: http://eprints.hud.ac.uk/id/eprint/32615/1/FINAL%20THESIS%20-%20MCCOLLUM.pdf.

Council of Science Editors:

McCollum L. 'The West Memphis Witch Trials': Writing and Recording a Concept Album. [Masters Thesis]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/32615/1/FINAL%20THESIS%20-%20MCCOLLUM.pdf


University of Huddersfield

128. Thomas, Matthew Reuben. Wayverb: A Graphical Tool for Hybrid Room Acoustics Simulation.

Degree: 2017, University of Huddersfield

 Acoustic simulation aims to predict the behaviour of sound in a particular space. These simulations can be carried out on commodity computing hardware, and are… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Thomas, M. R. (2017). Wayverb: A Graphical Tool for Hybrid Room Acoustics Simulation. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/33919/1/FINAL%20THESIS%20-%20Thomas.pdf

Chicago Manual of Style (16th Edition):

Thomas, Matthew Reuben. “Wayverb: A Graphical Tool for Hybrid Room Acoustics Simulation.” 2017. Masters Thesis, University of Huddersfield. Accessed July 18, 2019. http://eprints.hud.ac.uk/id/eprint/33919/1/FINAL%20THESIS%20-%20Thomas.pdf.

MLA Handbook (7th Edition):

Thomas, Matthew Reuben. “Wayverb: A Graphical Tool for Hybrid Room Acoustics Simulation.” 2017. Web. 18 Jul 2019.

Vancouver:

Thomas MR. Wayverb: A Graphical Tool for Hybrid Room Acoustics Simulation. [Internet] [Masters thesis]. University of Huddersfield; 2017. [cited 2019 Jul 18]. Available from: http://eprints.hud.ac.uk/id/eprint/33919/1/FINAL%20THESIS%20-%20Thomas.pdf.

Council of Science Editors:

Thomas MR. Wayverb: A Graphical Tool for Hybrid Room Acoustics Simulation. [Masters Thesis]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/33919/1/FINAL%20THESIS%20-%20Thomas.pdf


The London School of Economics and Political Science (LSE)

129. Zaborowski, Rafal. Audible audiences: engaging with music in Japan.

Degree: phd, 2015, The London School of Economics and Political Science (LSE)

 In this thesis I aim to uncover the nature, quality and implications of audience engagement with popular music in everyday life. Specifically, I look at… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zaborowski, R. (2015). Audible audiences: engaging with music in Japan. (Doctoral Dissertation). The London School of Economics and Political Science (LSE). Retrieved from http://etheses.lse.ac.uk/3219/

Chicago Manual of Style (16th Edition):

Zaborowski, Rafal. “Audible audiences: engaging with music in Japan.” 2015. Doctoral Dissertation, The London School of Economics and Political Science (LSE). Accessed July 18, 2019. http://etheses.lse.ac.uk/3219/.

MLA Handbook (7th Edition):

Zaborowski, Rafal. “Audible audiences: engaging with music in Japan.” 2015. Web. 18 Jul 2019.

Vancouver:

Zaborowski R. Audible audiences: engaging with music in Japan. [Internet] [Doctoral dissertation]. The London School of Economics and Political Science (LSE); 2015. [cited 2019 Jul 18]. Available from: http://etheses.lse.ac.uk/3219/.

Council of Science Editors:

Zaborowski R. Audible audiences: engaging with music in Japan. [Doctoral Dissertation]. The London School of Economics and Political Science (LSE); 2015. Available from: http://etheses.lse.ac.uk/3219/

130. Venables, Philip. '4.48 Psychosis' : opera as music and text.

Degree: Thesis (D.Mus.), 2016, Guildhall School of Music and Drama

 This is a practice-based research project about a new operatic adaptation of Sarah Kane’s 4.48 Psychosis (Methuen, 2000). The opera was written and the research… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Venables, P. (2016). '4.48 Psychosis' : opera as music and text. (Doctoral Dissertation). Guildhall School of Music and Drama. Retrieved from http://openaccess.city.ac.uk/19415/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742935

Chicago Manual of Style (16th Edition):

Venables, Philip. “'4.48 Psychosis' : opera as music and text.” 2016. Doctoral Dissertation, Guildhall School of Music and Drama. Accessed July 18, 2019. http://openaccess.city.ac.uk/19415/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742935.

MLA Handbook (7th Edition):

Venables, Philip. “'4.48 Psychosis' : opera as music and text.” 2016. Web. 18 Jul 2019.

Vancouver:

Venables P. '4.48 Psychosis' : opera as music and text. [Internet] [Doctoral dissertation]. Guildhall School of Music and Drama; 2016. [cited 2019 Jul 18]. Available from: http://openaccess.city.ac.uk/19415/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742935.

Council of Science Editors:

Venables P. '4.48 Psychosis' : opera as music and text. [Doctoral Dissertation]. Guildhall School of Music and Drama; 2016. Available from: http://openaccess.city.ac.uk/19415/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742935


University of Glasgow

131. Noltingk, Jacqueline Susan. The Scottish orchestras and new music, 1945-2015.

Degree: PhD, 2017, University of Glasgow

 This dissertation critically examines the presentation of new music in live concerts by three Scottish orchestras. It considers what they have commissioned, what performed, the… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Noltingk, J. S. (2017). The Scottish orchestras and new music, 1945-2015. (Doctoral Dissertation). University of Glasgow. Retrieved from http://theses.gla.ac.uk/8727/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739211

Chicago Manual of Style (16th Edition):

Noltingk, Jacqueline Susan. “The Scottish orchestras and new music, 1945-2015.” 2017. Doctoral Dissertation, University of Glasgow. Accessed July 18, 2019. http://theses.gla.ac.uk/8727/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739211.

MLA Handbook (7th Edition):

Noltingk, Jacqueline Susan. “The Scottish orchestras and new music, 1945-2015.” 2017. Web. 18 Jul 2019.

Vancouver:

Noltingk JS. The Scottish orchestras and new music, 1945-2015. [Internet] [Doctoral dissertation]. University of Glasgow; 2017. [cited 2019 Jul 18]. Available from: http://theses.gla.ac.uk/8727/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739211.

Council of Science Editors:

Noltingk JS. The Scottish orchestras and new music, 1945-2015. [Doctoral Dissertation]. University of Glasgow; 2017. Available from: http://theses.gla.ac.uk/8727/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739211

132. Prescott, Tom. Sound design, composition and performance with interactive genetic algorithms.

Degree: PhD, 2018, Keele University

 A variety of work has been carried out investigating the suitability of interactive genetic algorithms (IGAs) for musical composition. There have been some promising results… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Prescott, T. (2018). Sound design, composition and performance with interactive genetic algorithms. (Doctoral Dissertation). Keele University. Retrieved from http://eprints.keele.ac.uk/5030/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.745343

Chicago Manual of Style (16th Edition):

Prescott, Tom. “Sound design, composition and performance with interactive genetic algorithms.” 2018. Doctoral Dissertation, Keele University. Accessed July 18, 2019. http://eprints.keele.ac.uk/5030/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.745343.

MLA Handbook (7th Edition):

Prescott, Tom. “Sound design, composition and performance with interactive genetic algorithms.” 2018. Web. 18 Jul 2019.

Vancouver:

Prescott T. Sound design, composition and performance with interactive genetic algorithms. [Internet] [Doctoral dissertation]. Keele University; 2018. [cited 2019 Jul 18]. Available from: http://eprints.keele.ac.uk/5030/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.745343.

Council of Science Editors:

Prescott T. Sound design, composition and performance with interactive genetic algorithms. [Doctoral Dissertation]. Keele University; 2018. Available from: http://eprints.keele.ac.uk/5030/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.745343


Cardiff University

133. Palidda, Alessandra. Milan 1790-1802 : music, society and politics in the city of many regimes.

Degree: PhD, 2017, Cardiff University

 Between the end of the eighteenth century and the beginning of the following one, the Napoleonic wars caused the whole of Northern Italy to live… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Palidda, A. (2017). Milan 1790-1802 : music, society and politics in the city of many regimes. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/111398/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742829

Chicago Manual of Style (16th Edition):

Palidda, Alessandra. “Milan 1790-1802 : music, society and politics in the city of many regimes.” 2017. Doctoral Dissertation, Cardiff University. Accessed July 18, 2019. http://orca.cf.ac.uk/111398/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742829.

MLA Handbook (7th Edition):

Palidda, Alessandra. “Milan 1790-1802 : music, society and politics in the city of many regimes.” 2017. Web. 18 Jul 2019.

Vancouver:

Palidda A. Milan 1790-1802 : music, society and politics in the city of many regimes. [Internet] [Doctoral dissertation]. Cardiff University; 2017. [cited 2019 Jul 18]. Available from: http://orca.cf.ac.uk/111398/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742829.

Council of Science Editors:

Palidda A. Milan 1790-1802 : music, society and politics in the city of many regimes. [Doctoral Dissertation]. Cardiff University; 2017. Available from: http://orca.cf.ac.uk/111398/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742829


Cardiff University

134. Pace, Ian. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).

Degree: PhD, 2018, Cardiff University

 This thesis is an analysis of the development of new music in occupied Germany from the end of World War Two, on 8 May 1945,… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Pace, I. (2018). The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/111692/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742887

Chicago Manual of Style (16th Edition):

Pace, Ian. “The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).” 2018. Doctoral Dissertation, Cardiff University. Accessed July 18, 2019. http://orca.cf.ac.uk/111692/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742887.

MLA Handbook (7th Edition):

Pace, Ian. “The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45).” 2018. Web. 18 Jul 2019.

Vancouver:

Pace I. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2019 Jul 18]. Available from: http://orca.cf.ac.uk/111692/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742887.

Council of Science Editors:

Pace I. The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45). [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/111692/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742887


University of Huddersfield

135. Paúl, Abel. Doubles and duplication : a study of their application as musical materials and compositional devices : mirrors, still lifes, echoes, displacements.

Degree: PhD, 2017, University of Huddersfield

 The submitted portfolio and accompanying thesis focus on the subject of doubles and duplication and their application as musical materials and compositional devices in my… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Paúl, A. (2017). Doubles and duplication : a study of their application as musical materials and compositional devices : mirrors, still lifes, echoes, displacements. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34444/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739415

Chicago Manual of Style (16th Edition):

Paúl, Abel. “Doubles and duplication : a study of their application as musical materials and compositional devices : mirrors, still lifes, echoes, displacements.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed July 18, 2019. http://eprints.hud.ac.uk/id/eprint/34444/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739415.

MLA Handbook (7th Edition):

Paúl, Abel. “Doubles and duplication : a study of their application as musical materials and compositional devices : mirrors, still lifes, echoes, displacements.” 2017. Web. 18 Jul 2019.

Vancouver:

Paúl A. Doubles and duplication : a study of their application as musical materials and compositional devices : mirrors, still lifes, echoes, displacements. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2019 Jul 18]. Available from: http://eprints.hud.ac.uk/id/eprint/34444/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739415.

Council of Science Editors:

Paúl A. Doubles and duplication : a study of their application as musical materials and compositional devices : mirrors, still lifes, echoes, displacements. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34444/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739415


University of Huddersfield

136. Rawbone, Trevor Mark. The butterfly schema as a product of the tendency for congruence and hierarchical selection in the instrumental musical grammar of the classical period.

Degree: PhD, 2017, University of Huddersfield

 Diverging explanations of local multiparametric schemata are found in music of the common practice period (c. 1600–c. 1900). Associative statistical theories describe schemata as situated… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Rawbone, T. M. (2017). The butterfly schema as a product of the tendency for congruence and hierarchical selection in the instrumental musical grammar of the classical period. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34477/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739421

Chicago Manual of Style (16th Edition):

Rawbone, Trevor Mark. “The butterfly schema as a product of the tendency for congruence and hierarchical selection in the instrumental musical grammar of the classical period.” 2017. Doctoral Dissertation, University of Huddersfield. Accessed July 18, 2019. http://eprints.hud.ac.uk/id/eprint/34477/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739421.

MLA Handbook (7th Edition):

Rawbone, Trevor Mark. “The butterfly schema as a product of the tendency for congruence and hierarchical selection in the instrumental musical grammar of the classical period.” 2017. Web. 18 Jul 2019.

Vancouver:

Rawbone TM. The butterfly schema as a product of the tendency for congruence and hierarchical selection in the instrumental musical grammar of the classical period. [Internet] [Doctoral dissertation]. University of Huddersfield; 2017. [cited 2019 Jul 18]. Available from: http://eprints.hud.ac.uk/id/eprint/34477/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739421.

Council of Science Editors:

Rawbone TM. The butterfly schema as a product of the tendency for congruence and hierarchical selection in the instrumental musical grammar of the classical period. [Doctoral Dissertation]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34477/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.739421


Cardiff University

137. McReynolds, Richard. An exploration of the influence of technology upon the composer’s process.

Degree: PhD, 2019, Cardiff University

 This thesis focuses upon how the use of aleatoricism can be used in electro-acoustic music to increase the perceived connection between the electronic and acoustic… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McReynolds, R. (2019). An exploration of the influence of technology upon the composer’s process. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/119307/

Chicago Manual of Style (16th Edition):

McReynolds, Richard. “An exploration of the influence of technology upon the composer’s process.” 2019. Doctoral Dissertation, Cardiff University. Accessed July 18, 2019. http://orca.cf.ac.uk/119307/.

MLA Handbook (7th Edition):

McReynolds, Richard. “An exploration of the influence of technology upon the composer’s process.” 2019. Web. 18 Jul 2019.

Vancouver:

McReynolds R. An exploration of the influence of technology upon the composer’s process. [Internet] [Doctoral dissertation]. Cardiff University; 2019. [cited 2019 Jul 18]. Available from: http://orca.cf.ac.uk/119307/.

Council of Science Editors:

McReynolds R. An exploration of the influence of technology upon the composer’s process. [Doctoral Dissertation]. Cardiff University; 2019. Available from: http://orca.cf.ac.uk/119307/

138. Harman, Gemma. Investigating the phenomenon of dance and music performance through the experience of the performer.

Degree: PhD, 2018, City, University of London

 This thesis examines the phenomenon of performance in dance and music as experienced by the performer. Previous research studies have generally been directed towards examining… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harman, G. (2018). Investigating the phenomenon of dance and music performance through the experience of the performer. (Doctoral Dissertation). City, University of London. Retrieved from http://openaccess.city.ac.uk/21342/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768147

Chicago Manual of Style (16th Edition):

Harman, Gemma. “Investigating the phenomenon of dance and music performance through the experience of the performer.” 2018. Doctoral Dissertation, City, University of London. Accessed July 18, 2019. http://openaccess.city.ac.uk/21342/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768147.

MLA Handbook (7th Edition):

Harman, Gemma. “Investigating the phenomenon of dance and music performance through the experience of the performer.” 2018. Web. 18 Jul 2019.

Vancouver:

Harman G. Investigating the phenomenon of dance and music performance through the experience of the performer. [Internet] [Doctoral dissertation]. City, University of London; 2018. [cited 2019 Jul 18]. Available from: http://openaccess.city.ac.uk/21342/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768147.

Council of Science Editors:

Harman G. Investigating the phenomenon of dance and music performance through the experience of the performer. [Doctoral Dissertation]. City, University of London; 2018. Available from: http://openaccess.city.ac.uk/21342/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768147

139. Ogonek, Elizabeth Anne. The effect of text on compositional decisions.

Degree: Thesis (D.Mus.), 2017, Guildhall School of Music and Drama

 The topic of this dissertation is the complex and varied relationship between words and music. Through the transference of the sonic and semantic properties and… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Ogonek, E. A. (2017). The effect of text on compositional decisions. (Doctoral Dissertation). Guildhall School of Music and Drama. Retrieved from http://openaccess.city.ac.uk/21242/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768139

Chicago Manual of Style (16th Edition):

Ogonek, Elizabeth Anne. “The effect of text on compositional decisions.” 2017. Doctoral Dissertation, Guildhall School of Music and Drama. Accessed July 18, 2019. http://openaccess.city.ac.uk/21242/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768139.

MLA Handbook (7th Edition):

Ogonek, Elizabeth Anne. “The effect of text on compositional decisions.” 2017. Web. 18 Jul 2019.

Vancouver:

Ogonek EA. The effect of text on compositional decisions. [Internet] [Doctoral dissertation]. Guildhall School of Music and Drama; 2017. [cited 2019 Jul 18]. Available from: http://openaccess.city.ac.uk/21242/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768139.

Council of Science Editors:

Ogonek EA. The effect of text on compositional decisions. [Doctoral Dissertation]. Guildhall School of Music and Drama; 2017. Available from: http://openaccess.city.ac.uk/21242/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768139

140. Ingvarsson, Helgi R. Opening opera : developing a framework that allows for the interactive creative processes of improvised theatre in the productions of new music-dramas.

Degree: Thesis (D.Mus.), 2018, Guildhall School of Music and Drama

 Opening Opera explores creative collaboration and dramatic improvisation in new music-dramas. Looking towards the art of improvised theatre, the aim is to achieve a dramatic… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Ingvarsson, H. R. (2018). Opening opera : developing a framework that allows for the interactive creative processes of improvised theatre in the productions of new music-dramas. (Doctoral Dissertation). Guildhall School of Music and Drama. Retrieved from http://openaccess.city.ac.uk/21324/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768145

Chicago Manual of Style (16th Edition):

Ingvarsson, Helgi R. “Opening opera : developing a framework that allows for the interactive creative processes of improvised theatre in the productions of new music-dramas.” 2018. Doctoral Dissertation, Guildhall School of Music and Drama. Accessed July 18, 2019. http://openaccess.city.ac.uk/21324/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768145.

MLA Handbook (7th Edition):

Ingvarsson, Helgi R. “Opening opera : developing a framework that allows for the interactive creative processes of improvised theatre in the productions of new music-dramas.” 2018. Web. 18 Jul 2019.

Vancouver:

Ingvarsson HR. Opening opera : developing a framework that allows for the interactive creative processes of improvised theatre in the productions of new music-dramas. [Internet] [Doctoral dissertation]. Guildhall School of Music and Drama; 2018. [cited 2019 Jul 18]. Available from: http://openaccess.city.ac.uk/21324/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768145.

Council of Science Editors:

Ingvarsson HR. Opening opera : developing a framework that allows for the interactive creative processes of improvised theatre in the productions of new music-dramas. [Doctoral Dissertation]. Guildhall School of Music and Drama; 2018. Available from: http://openaccess.city.ac.uk/21324/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768145


University of Birmingham

141. Leavy, Peter. Models, language, and fabricated histories : a portfolio of musical compositions with commentary.

Degree: PhD, 2018, University of Birmingham

 This portfolio consists of seven compositions accompanied by a written commentary and recordings/mock ups of the works. The compositions span a wide variety of instrumentations… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Leavy, P. (2018). Models, language, and fabricated histories : a portfolio of musical compositions with commentary. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/8771/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768302

Chicago Manual of Style (16th Edition):

Leavy, Peter. “Models, language, and fabricated histories : a portfolio of musical compositions with commentary.” 2018. Doctoral Dissertation, University of Birmingham. Accessed July 18, 2019. http://etheses.bham.ac.uk//id/eprint/8771/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768302.

MLA Handbook (7th Edition):

Leavy, Peter. “Models, language, and fabricated histories : a portfolio of musical compositions with commentary.” 2018. Web. 18 Jul 2019.

Vancouver:

Leavy P. Models, language, and fabricated histories : a portfolio of musical compositions with commentary. [Internet] [Doctoral dissertation]. University of Birmingham; 2018. [cited 2019 Jul 18]. Available from: http://etheses.bham.ac.uk//id/eprint/8771/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768302.

Council of Science Editors:

Leavy P. Models, language, and fabricated histories : a portfolio of musical compositions with commentary. [Doctoral Dissertation]. University of Birmingham; 2018. Available from: http://etheses.bham.ac.uk//id/eprint/8771/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768302


Cardiff University

142. McReynolds, Richard. An exploration of the influence of technology upon the composer's process.

Degree: PhD, 2019, Cardiff University

 This thesis focuses upon how the use of aleatoricism can be used in electro-acoustic music to increase the perceived connection between the electronic and acoustic… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McReynolds, R. (2019). An exploration of the influence of technology upon the composer's process. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/119307/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768103

Chicago Manual of Style (16th Edition):

McReynolds, Richard. “An exploration of the influence of technology upon the composer's process.” 2019. Doctoral Dissertation, Cardiff University. Accessed July 18, 2019. http://orca.cf.ac.uk/119307/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768103.

MLA Handbook (7th Edition):

McReynolds, Richard. “An exploration of the influence of technology upon the composer's process.” 2019. Web. 18 Jul 2019.

Vancouver:

McReynolds R. An exploration of the influence of technology upon the composer's process. [Internet] [Doctoral dissertation]. Cardiff University; 2019. [cited 2019 Jul 18]. Available from: http://orca.cf.ac.uk/119307/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768103.

Council of Science Editors:

McReynolds R. An exploration of the influence of technology upon the composer's process. [Doctoral Dissertation]. Cardiff University; 2019. Available from: http://orca.cf.ac.uk/119307/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768103


Cardiff University

143. Price, Gareth Idwal John. Performing Duruflé's 'Veni creator' Op. 4 : influences, issues and ideals.

Degree: PhD, 2018, Cardiff University

 Historically informed performance of French organ music from the late nineteenth- and early twentieth-centuries can be a difficult thing to achieve on a non-French instrument.… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Price, G. I. J. (2018). Performing Duruflé's 'Veni creator' Op. 4 : influences, issues and ideals. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/118456/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768031

Chicago Manual of Style (16th Edition):

Price, Gareth Idwal John. “Performing Duruflé's 'Veni creator' Op. 4 : influences, issues and ideals.” 2018. Doctoral Dissertation, Cardiff University. Accessed July 18, 2019. http://orca.cf.ac.uk/118456/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768031.

MLA Handbook (7th Edition):

Price, Gareth Idwal John. “Performing Duruflé's 'Veni creator' Op. 4 : influences, issues and ideals.” 2018. Web. 18 Jul 2019.

Vancouver:

Price GIJ. Performing Duruflé's 'Veni creator' Op. 4 : influences, issues and ideals. [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2019 Jul 18]. Available from: http://orca.cf.ac.uk/118456/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768031.

Council of Science Editors:

Price GIJ. Performing Duruflé's 'Veni creator' Op. 4 : influences, issues and ideals. [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/118456/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.768031


Cardiff University

144. Stark, Alicia. Virtual pop: gender, ethnicity, and identity in virtual bands and vocaloid.

Degree: PhD, 2018, Cardiff University

 Virtual bands have been present in popular culture for decades, and they have become the topic of increased scholarly interest over the past few years.… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Stark, A. (2018). Virtual pop: gender, ethnicity, and identity in virtual bands and vocaloid. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/110112/

Chicago Manual of Style (16th Edition):

Stark, Alicia. “Virtual pop: gender, ethnicity, and identity in virtual bands and vocaloid.” 2018. Doctoral Dissertation, Cardiff University. Accessed July 18, 2019. http://orca.cf.ac.uk/110112/.

MLA Handbook (7th Edition):

Stark, Alicia. “Virtual pop: gender, ethnicity, and identity in virtual bands and vocaloid.” 2018. Web. 18 Jul 2019.

Vancouver:

Stark A. Virtual pop: gender, ethnicity, and identity in virtual bands and vocaloid. [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2019 Jul 18]. Available from: http://orca.cf.ac.uk/110112/.

Council of Science Editors:

Stark A. Virtual pop: gender, ethnicity, and identity in virtual bands and vocaloid. [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/110112/


Cardiff University

145. Murray, Samuel. An ethnography of the music scene in Portland, Oregon.

Degree: PhD, 2018, Cardiff University

 The northwest city of Portland, Oregon is a beacon for independent music making in the United States. Portland is not musically defined by a single… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Murray, S. (2018). An ethnography of the music scene in Portland, Oregon. (Doctoral Dissertation). Cardiff University. Retrieved from http://orca.cf.ac.uk/121247/

Chicago Manual of Style (16th Edition):

Murray, Samuel. “An ethnography of the music scene in Portland, Oregon.” 2018. Doctoral Dissertation, Cardiff University. Accessed July 18, 2019. http://orca.cf.ac.uk/121247/.

MLA Handbook (7th Edition):

Murray, Samuel. “An ethnography of the music scene in Portland, Oregon.” 2018. Web. 18 Jul 2019.

Vancouver:

Murray S. An ethnography of the music scene in Portland, Oregon. [Internet] [Doctoral dissertation]. Cardiff University; 2018. [cited 2019 Jul 18]. Available from: http://orca.cf.ac.uk/121247/.

Council of Science Editors:

Murray S. An ethnography of the music scene in Portland, Oregon. [Doctoral Dissertation]. Cardiff University; 2018. Available from: http://orca.cf.ac.uk/121247/


University of Huddersfield

146. Halliday, Steven. Klangsteine: exploring the sound stones of Hannes Fessmann.

Degree: 2017, University of Huddersfield

The main objective of this research is to fully explore the sonic properties of the Fessmann sound stones and create my own unique stone and virtual instrument.

Subjects/Keywords: M Music

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APA (6th Edition):

Halliday, S. (2017). Klangsteine: exploring the sound stones of Hannes Fessmann. (Masters Thesis). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34507/1/Steven%20Halliday.PDF

Chicago Manual of Style (16th Edition):

Halliday, Steven. “Klangsteine: exploring the sound stones of Hannes Fessmann.” 2017. Masters Thesis, University of Huddersfield. Accessed July 18, 2019. http://eprints.hud.ac.uk/id/eprint/34507/1/Steven%20Halliday.PDF.

MLA Handbook (7th Edition):

Halliday, Steven. “Klangsteine: exploring the sound stones of Hannes Fessmann.” 2017. Web. 18 Jul 2019.

Vancouver:

Halliday S. Klangsteine: exploring the sound stones of Hannes Fessmann. [Internet] [Masters thesis]. University of Huddersfield; 2017. [cited 2019 Jul 18]. Available from: http://eprints.hud.ac.uk/id/eprint/34507/1/Steven%20Halliday.PDF.

Council of Science Editors:

Halliday S. Klangsteine: exploring the sound stones of Hannes Fessmann. [Masters Thesis]. University of Huddersfield; 2017. Available from: http://eprints.hud.ac.uk/id/eprint/34507/1/Steven%20Halliday.PDF


University of Huddersfield

147. Vergara Valdés, Juan. Composing Lines.

Degree: 2018, University of Huddersfield

 My work as a composer over the course of my PhD studies has focused on developing novel approaches to the notion of ‘line’ in music.… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Vergara Valdés, J. (2018). Composing Lines. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34685/1/Vergara%20Valdes%20FINAL%20THESIS.pdf

Chicago Manual of Style (16th Edition):

Vergara Valdés, Juan. “Composing Lines.” 2018. Doctoral Dissertation, University of Huddersfield. Accessed July 18, 2019. http://eprints.hud.ac.uk/id/eprint/34685/1/Vergara%20Valdes%20FINAL%20THESIS.pdf.

MLA Handbook (7th Edition):

Vergara Valdés, Juan. “Composing Lines.” 2018. Web. 18 Jul 2019.

Vancouver:

Vergara Valdés J. Composing Lines. [Internet] [Doctoral dissertation]. University of Huddersfield; 2018. [cited 2019 Jul 18]. Available from: http://eprints.hud.ac.uk/id/eprint/34685/1/Vergara%20Valdes%20FINAL%20THESIS.pdf.

Council of Science Editors:

Vergara Valdés J. Composing Lines. [Doctoral Dissertation]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34685/1/Vergara%20Valdes%20FINAL%20THESIS.pdf


University of Huddersfield

148. Healy, Kristine. Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance.

Degree: 2018, University of Huddersfield

 To play an instrument in a way that is considered “vocal” has been an emblem of artistry for instrumental musicians in the Western classical tradition… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Healy, K. (2018). Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance. (Doctoral Dissertation). University of Huddersfield. Retrieved from http://eprints.hud.ac.uk/id/eprint/34692/1/HEALY%2C%20KRISTINE%20Final%20Thesis.pdf

Chicago Manual of Style (16th Edition):

Healy, Kristine. “Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance.” 2018. Doctoral Dissertation, University of Huddersfield. Accessed July 18, 2019. http://eprints.hud.ac.uk/id/eprint/34692/1/HEALY%2C%20KRISTINE%20Final%20Thesis.pdf.

MLA Handbook (7th Edition):

Healy, Kristine. “Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance.” 2018. Web. 18 Jul 2019.

Vancouver:

Healy K. Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance. [Internet] [Doctoral dissertation]. University of Huddersfield; 2018. [cited 2019 Jul 18]. Available from: http://eprints.hud.ac.uk/id/eprint/34692/1/HEALY%2C%20KRISTINE%20Final%20Thesis.pdf.

Council of Science Editors:

Healy K. Imagined Vocalities: Exploring Voice in the Practice of Instrumental Music Performance. [Doctoral Dissertation]. University of Huddersfield; 2018. Available from: http://eprints.hud.ac.uk/id/eprint/34692/1/HEALY%2C%20KRISTINE%20Final%20Thesis.pdf


University of Birmingham

149. Leavy, Peter. Models, language, and fabricated histories: a portfolio of musical compositions with commentary.

Degree: d_ph, College of Arts & Law, 2018, University of Birmingham

 This portfolio consists of seven compositions accompanied by a written commentary and recordings/mock ups of the works. The compositions span a wide variety of instrumentations… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leavy, P. (2018). Models, language, and fabricated histories: a portfolio of musical compositions with commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/8771/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leavy, Peter. “Models, language, and fabricated histories: a portfolio of musical compositions with commentary.” 2018. Thesis, University of Birmingham. Accessed July 18, 2019. http://etheses.bham.ac.uk//id/eprint/8771/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leavy, Peter. “Models, language, and fabricated histories: a portfolio of musical compositions with commentary.” 2018. Web. 18 Jul 2019.

Vancouver:

Leavy P. Models, language, and fabricated histories: a portfolio of musical compositions with commentary. [Internet] [Thesis]. University of Birmingham; 2018. [cited 2019 Jul 18]. Available from: http://etheses.bham.ac.uk//id/eprint/8771/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leavy P. Models, language, and fabricated histories: a portfolio of musical compositions with commentary. [Thesis]. University of Birmingham; 2018. Available from: http://etheses.bham.ac.uk//id/eprint/8771/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

150. Grigoropoulos, Grigorios. Identity spaces music space as a medium for sound.

Degree: m_ph, College of Arts & Law, 2016, University of Birmingham

 The work completed for this thesis starts with my initial interest in spatial music and concludes by placing space at the forefront of compositional thought.… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Grigoropoulos, G. (2016). Identity spaces music space as a medium for sound. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grigoropoulos, Grigorios. “Identity spaces music space as a medium for sound.” 2016. Thesis, University of Birmingham. Accessed July 18, 2019. http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grigoropoulos, Grigorios. “Identity spaces music space as a medium for sound.” 2016. Web. 18 Jul 2019.

Vancouver:

Grigoropoulos G. Identity spaces music space as a medium for sound. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Jul 18]. Available from: http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grigoropoulos G. Identity spaces music space as a medium for sound. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk//id/eprint/6549/http://etheses.bham.ac.uk//id/eprint/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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