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You searched for subject:( fr AVANT GARDE). Showing records 1 – 30 of 35 total matches.

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1. Twitchin, Mischa. The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?.

Degree: PhD, 2013, Queen Mary, University of London

 The aim of this thesis is to explore an heuristic analogy as proposed in its very title: how does a concept of the “uncanny in… (more)

Subjects/Keywords: 792; Drama; Avant-Garde

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APA (6th Edition):

Twitchin, M. (2013). The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/8626 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667207

Chicago Manual of Style (16th Edition):

Twitchin, Mischa. “The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?.” 2013. Doctoral Dissertation, Queen Mary, University of London. Accessed January 21, 2020. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8626 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667207.

MLA Handbook (7th Edition):

Twitchin, Mischa. “The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?.” 2013. Web. 21 Jan 2020.

Vancouver:

Twitchin M. The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2013. [cited 2020 Jan 21]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8626 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667207.

Council of Science Editors:

Twitchin M. The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?. [Doctoral Dissertation]. Queen Mary, University of London; 2013. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8626 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667207

2. Rothwell, Ian James Pirie. Images under control : pessimism, humour and stupidity in the digital age.

Degree: PhD, 2017, University of Edinburgh

 This thesis offers a periodization of the present according to which contemporary art and visual culture are understood to be symptomatic of an increasingly pervasive… (more)

Subjects/Keywords: 709; avant-garde; internet; contemporary art

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APA (6th Edition):

Rothwell, I. J. P. (2017). Images under control : pessimism, humour and stupidity in the digital age. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/22974

Chicago Manual of Style (16th Edition):

Rothwell, Ian James Pirie. “Images under control : pessimism, humour and stupidity in the digital age.” 2017. Doctoral Dissertation, University of Edinburgh. Accessed January 21, 2020. http://hdl.handle.net/1842/22974.

MLA Handbook (7th Edition):

Rothwell, Ian James Pirie. “Images under control : pessimism, humour and stupidity in the digital age.” 2017. Web. 21 Jan 2020.

Vancouver:

Rothwell IJP. Images under control : pessimism, humour and stupidity in the digital age. [Internet] [Doctoral dissertation]. University of Edinburgh; 2017. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/1842/22974.

Council of Science Editors:

Rothwell IJP. Images under control : pessimism, humour and stupidity in the digital age. [Doctoral Dissertation]. University of Edinburgh; 2017. Available from: http://hdl.handle.net/1842/22974


Durham University

3. Best, Philip. Apocalypticisim in the fiction of William S. Burroughs, J.G. Ballard, and Thomas Pynchon.

Degree: PhD, 1998, Durham University

Subjects/Keywords: 800; Postmodernism; Avant Garde

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APA (6th Edition):

Best, P. (1998). Apocalypticisim in the fiction of William S. Burroughs, J.G. Ballard, and Thomas Pynchon. (Doctoral Dissertation). Durham University. Retrieved from http://etheses.dur.ac.uk/994/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244382

Chicago Manual of Style (16th Edition):

Best, Philip. “Apocalypticisim in the fiction of William S. Burroughs, J.G. Ballard, and Thomas Pynchon.” 1998. Doctoral Dissertation, Durham University. Accessed January 21, 2020. http://etheses.dur.ac.uk/994/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244382.

MLA Handbook (7th Edition):

Best, Philip. “Apocalypticisim in the fiction of William S. Burroughs, J.G. Ballard, and Thomas Pynchon.” 1998. Web. 21 Jan 2020.

Vancouver:

Best P. Apocalypticisim in the fiction of William S. Burroughs, J.G. Ballard, and Thomas Pynchon. [Internet] [Doctoral dissertation]. Durham University; 1998. [cited 2020 Jan 21]. Available from: http://etheses.dur.ac.uk/994/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244382.

Council of Science Editors:

Best P. Apocalypticisim in the fiction of William S. Burroughs, J.G. Ballard, and Thomas Pynchon. [Doctoral Dissertation]. Durham University; 1998. Available from: http://etheses.dur.ac.uk/994/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244382


University of Edinburgh

4. Valcke, Jennifer. Static films and moving pictures : montage in avant-garde photography and film.

Degree: PhD, 2009, University of Edinburgh

 Photomontage has more to do with film than with any other art form - they have in common the technique of montage. (Sergei Tretyakov) By… (more)

Subjects/Keywords: 708; montage; avant-garde; photography; film; dada; constructivism; surrealism

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APA (6th Edition):

Valcke, J. (2009). Static films and moving pictures : montage in avant-garde photography and film. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/4061

Chicago Manual of Style (16th Edition):

Valcke, Jennifer. “Static films and moving pictures : montage in avant-garde photography and film.” 2009. Doctoral Dissertation, University of Edinburgh. Accessed January 21, 2020. http://hdl.handle.net/1842/4061.

MLA Handbook (7th Edition):

Valcke, Jennifer. “Static films and moving pictures : montage in avant-garde photography and film.” 2009. Web. 21 Jan 2020.

Vancouver:

Valcke J. Static films and moving pictures : montage in avant-garde photography and film. [Internet] [Doctoral dissertation]. University of Edinburgh; 2009. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/1842/4061.

Council of Science Editors:

Valcke J. Static films and moving pictures : montage in avant-garde photography and film. [Doctoral Dissertation]. University of Edinburgh; 2009. Available from: http://hdl.handle.net/1842/4061


University of Cambridge

5. Willaman Baltaxe, Cinthia. From Cubism to Non-Objective Art: Sonia and Robert Delaunay's Exchange with Russian Artists.

Degree: PhD, 2019, University of Cambridge

 This dissertation examines the early history and development of Cubism, Orphism and Non-Objective art through the artistic exchange between Sonia and Robert Delaunay and Russian… (more)

Subjects/Keywords: Orphism; Non-Objective Art; Cubism; Russian Avant-Garde; Delaunay

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APA (6th Edition):

Willaman Baltaxe, C. (2019). From Cubism to Non-Objective Art: Sonia and Robert Delaunay's Exchange with Russian Artists. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/291334

Chicago Manual of Style (16th Edition):

Willaman Baltaxe, Cinthia. “From Cubism to Non-Objective Art: Sonia and Robert Delaunay's Exchange with Russian Artists.” 2019. Doctoral Dissertation, University of Cambridge. Accessed January 21, 2020. https://www.repository.cam.ac.uk/handle/1810/291334.

MLA Handbook (7th Edition):

Willaman Baltaxe, Cinthia. “From Cubism to Non-Objective Art: Sonia and Robert Delaunay's Exchange with Russian Artists.” 2019. Web. 21 Jan 2020.

Vancouver:

Willaman Baltaxe C. From Cubism to Non-Objective Art: Sonia and Robert Delaunay's Exchange with Russian Artists. [Internet] [Doctoral dissertation]. University of Cambridge; 2019. [cited 2020 Jan 21]. Available from: https://www.repository.cam.ac.uk/handle/1810/291334.

Council of Science Editors:

Willaman Baltaxe C. From Cubism to Non-Objective Art: Sonia and Robert Delaunay's Exchange with Russian Artists. [Doctoral Dissertation]. University of Cambridge; 2019. Available from: https://www.repository.cam.ac.uk/handle/1810/291334

6. Pribram, E. Deirdre. Independent film in the United States, 1980-1999.

Degree: PhD, 1999, Sheffield Hallam University

 This dissertation pursues a study of independent film, from 1980 to 1999, as an emergent system of representation. Independent American and non- American films distributed… (more)

Subjects/Keywords: 800; Avant-garde; Mainstream

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APA (6th Edition):

Pribram, E. D. (1999). Independent film in the United States, 1980-1999. (Doctoral Dissertation). Sheffield Hallam University. Retrieved from http://shura.shu.ac.uk/20247/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300279

Chicago Manual of Style (16th Edition):

Pribram, E Deirdre. “Independent film in the United States, 1980-1999.” 1999. Doctoral Dissertation, Sheffield Hallam University. Accessed January 21, 2020. http://shura.shu.ac.uk/20247/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300279.

MLA Handbook (7th Edition):

Pribram, E Deirdre. “Independent film in the United States, 1980-1999.” 1999. Web. 21 Jan 2020.

Vancouver:

Pribram ED. Independent film in the United States, 1980-1999. [Internet] [Doctoral dissertation]. Sheffield Hallam University; 1999. [cited 2020 Jan 21]. Available from: http://shura.shu.ac.uk/20247/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300279.

Council of Science Editors:

Pribram ED. Independent film in the United States, 1980-1999. [Doctoral Dissertation]. Sheffield Hallam University; 1999. Available from: http://shura.shu.ac.uk/20247/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300279

7. Richardson, Mark. Re-reading The Situationists : theory, practice and the text : 'The Society of the Spectacle' in critical perspective.

Degree: PhD, 2006, University of South Wales

Subjects/Keywords: Situationist movement; avant-garde

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APA (6th Edition):

Richardson, M. (2006). Re-reading The Situationists : theory, practice and the text : 'The Society of the Spectacle' in critical perspective. (Doctoral Dissertation). University of South Wales. Retrieved from https://pure.southwales.ac.uk/en/studentthesis/rereading-the-situationists(aaa94636-6a24-4090-a153-60c6472c9cfe).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749672

Chicago Manual of Style (16th Edition):

Richardson, Mark. “Re-reading The Situationists : theory, practice and the text : 'The Society of the Spectacle' in critical perspective.” 2006. Doctoral Dissertation, University of South Wales. Accessed January 21, 2020. https://pure.southwales.ac.uk/en/studentthesis/rereading-the-situationists(aaa94636-6a24-4090-a153-60c6472c9cfe).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749672.

MLA Handbook (7th Edition):

Richardson, Mark. “Re-reading The Situationists : theory, practice and the text : 'The Society of the Spectacle' in critical perspective.” 2006. Web. 21 Jan 2020.

Vancouver:

Richardson M. Re-reading The Situationists : theory, practice and the text : 'The Society of the Spectacle' in critical perspective. [Internet] [Doctoral dissertation]. University of South Wales; 2006. [cited 2020 Jan 21]. Available from: https://pure.southwales.ac.uk/en/studentthesis/rereading-the-situationists(aaa94636-6a24-4090-a153-60c6472c9cfe).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749672.

Council of Science Editors:

Richardson M. Re-reading The Situationists : theory, practice and the text : 'The Society of the Spectacle' in critical perspective. [Doctoral Dissertation]. University of South Wales; 2006. Available from: https://pure.southwales.ac.uk/en/studentthesis/rereading-the-situationists(aaa94636-6a24-4090-a153-60c6472c9cfe).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.749672


University of St. Andrews

8. Strugnell, James Paul. Paintings by numbers : applications of bivariate correlation and descriptive statistics to Russian avant-garde artwork .

Degree: 2017, University of St. Andrews

 In this thesis artwork is defined, through analogy with quantum mechanics, as the conjoining of the nonsimultaneously measurable momentum (waves) of artwork-text (words within the… (more)

Subjects/Keywords: Content analysis; Bivariate correlation; Statistics; Quantum mechanics; Russian avant garde; Quantitative; Art history

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APA (6th Edition):

Strugnell, J. P. (2017). Paintings by numbers : applications of bivariate correlation and descriptive statistics to Russian avant-garde artwork . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/10722

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Strugnell, James Paul. “Paintings by numbers : applications of bivariate correlation and descriptive statistics to Russian avant-garde artwork .” 2017. Thesis, University of St. Andrews. Accessed January 21, 2020. http://hdl.handle.net/10023/10722.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Strugnell, James Paul. “Paintings by numbers : applications of bivariate correlation and descriptive statistics to Russian avant-garde artwork .” 2017. Web. 21 Jan 2020.

Vancouver:

Strugnell JP. Paintings by numbers : applications of bivariate correlation and descriptive statistics to Russian avant-garde artwork . [Internet] [Thesis]. University of St. Andrews; 2017. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10023/10722.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Strugnell JP. Paintings by numbers : applications of bivariate correlation and descriptive statistics to Russian avant-garde artwork . [Thesis]. University of St. Andrews; 2017. Available from: http://hdl.handle.net/10023/10722

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Royal Holloway, University of London

9. Brady, Clare. The open voice : vocality and listening in three operas by Luciano Berio.

Degree: PhD, 2017, Royal Holloway, University of London

 The human voice has undergone a seismic reappraisal in recent years, within musicology, and across disciplinary boundaries in the humanities, arts and sciences; 'voice studies'… (more)

Subjects/Keywords: Luciano Berio; Voice; Vocality; Aesthetics; Italian avant-garde; Opera; The Open Work; Vocal performance; Listening

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APA (6th Edition):

Brady, C. (2017). The open voice : vocality and listening in three operas by Luciano Berio. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/the-open-voice-vocality-and-listening-in-three-operas-by-luciano-berio(c35ef747-9a6b-45ae-84fb-63c68c155b1c).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792733

Chicago Manual of Style (16th Edition):

Brady, Clare. “The open voice : vocality and listening in three operas by Luciano Berio.” 2017. Doctoral Dissertation, Royal Holloway, University of London. Accessed January 21, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/the-open-voice-vocality-and-listening-in-three-operas-by-luciano-berio(c35ef747-9a6b-45ae-84fb-63c68c155b1c).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792733.

MLA Handbook (7th Edition):

Brady, Clare. “The open voice : vocality and listening in three operas by Luciano Berio.” 2017. Web. 21 Jan 2020.

Vancouver:

Brady C. The open voice : vocality and listening in three operas by Luciano Berio. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2017. [cited 2020 Jan 21]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-open-voice-vocality-and-listening-in-three-operas-by-luciano-berio(c35ef747-9a6b-45ae-84fb-63c68c155b1c).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792733.

Council of Science Editors:

Brady C. The open voice : vocality and listening in three operas by Luciano Berio. [Doctoral Dissertation]. Royal Holloway, University of London; 2017. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-open-voice-vocality-and-listening-in-three-operas-by-luciano-berio(c35ef747-9a6b-45ae-84fb-63c68c155b1c).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792733


University of York

10. Clarke, John Wedgwood. Louis Zukofsky and the Objectivist project, 1927-1934.

Degree: PhD, 2000, University of York

Subjects/Keywords: 800; American poetry; Ezra Pound; Avant garde

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APA (6th Edition):

Clarke, J. W. (2000). Louis Zukofsky and the Objectivist project, 1927-1934. (Doctoral Dissertation). University of York. Retrieved from http://etheses.whiterose.ac.uk/14030/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323509

Chicago Manual of Style (16th Edition):

Clarke, John Wedgwood. “Louis Zukofsky and the Objectivist project, 1927-1934.” 2000. Doctoral Dissertation, University of York. Accessed January 21, 2020. http://etheses.whiterose.ac.uk/14030/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323509.

MLA Handbook (7th Edition):

Clarke, John Wedgwood. “Louis Zukofsky and the Objectivist project, 1927-1934.” 2000. Web. 21 Jan 2020.

Vancouver:

Clarke JW. Louis Zukofsky and the Objectivist project, 1927-1934. [Internet] [Doctoral dissertation]. University of York; 2000. [cited 2020 Jan 21]. Available from: http://etheses.whiterose.ac.uk/14030/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323509.

Council of Science Editors:

Clarke JW. Louis Zukofsky and the Objectivist project, 1927-1934. [Doctoral Dissertation]. University of York; 2000. Available from: http://etheses.whiterose.ac.uk/14030/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323509


University of Edinburgh

11. Otty, Lisa. Signals and noise : art, literature and the avant-garde.

Degree: PhD, 2009, University of Edinburgh

 One of the most consistent features of the diverse artistic movements that have flourished throughout the twentieth century has been their willingness to experiment in… (more)

Subjects/Keywords: 708; aesthetics; avant-garde; Duchamp; Marcel 1887-1968; Warhol; Andy 1928-1987.; Adorno; Theodor W. 1903-1969.

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APA (6th Edition):

Otty, L. (2009). Signals and noise : art, literature and the avant-garde. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/3454

Chicago Manual of Style (16th Edition):

Otty, Lisa. “Signals and noise : art, literature and the avant-garde.” 2009. Doctoral Dissertation, University of Edinburgh. Accessed January 21, 2020. http://hdl.handle.net/1842/3454.

MLA Handbook (7th Edition):

Otty, Lisa. “Signals and noise : art, literature and the avant-garde.” 2009. Web. 21 Jan 2020.

Vancouver:

Otty L. Signals and noise : art, literature and the avant-garde. [Internet] [Doctoral dissertation]. University of Edinburgh; 2009. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/1842/3454.

Council of Science Editors:

Otty L. Signals and noise : art, literature and the avant-garde. [Doctoral Dissertation]. University of Edinburgh; 2009. Available from: http://hdl.handle.net/1842/3454


University of Aberdeen

12. Whyte, Ross. Perpetual erosion : impermanence in audio-visual intermedia.

Degree: PhD, 2012, University of Aberdeen

Subjects/Keywords: 780; Composition (Music); Art and music; Avant-garde (Music)

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APA (6th Edition):

Whyte, R. (2012). Perpetual erosion : impermanence in audio-visual intermedia. (Doctoral Dissertation). University of Aberdeen. Retrieved from http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=196018 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577577

Chicago Manual of Style (16th Edition):

Whyte, Ross. “Perpetual erosion : impermanence in audio-visual intermedia.” 2012. Doctoral Dissertation, University of Aberdeen. Accessed January 21, 2020. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=196018 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577577.

MLA Handbook (7th Edition):

Whyte, Ross. “Perpetual erosion : impermanence in audio-visual intermedia.” 2012. Web. 21 Jan 2020.

Vancouver:

Whyte R. Perpetual erosion : impermanence in audio-visual intermedia. [Internet] [Doctoral dissertation]. University of Aberdeen; 2012. [cited 2020 Jan 21]. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=196018 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577577.

Council of Science Editors:

Whyte R. Perpetual erosion : impermanence in audio-visual intermedia. [Doctoral Dissertation]. University of Aberdeen; 2012. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=196018 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577577


University of Oxford

13. Sacau-Ferreira, Enrique. Performing a political shift : avant-garde music in Cold War Spain.

Degree: PhD, 2011, University of Oxford

 In my thesis, Performing a Political Shift: Avant-Garde Music in Cold War Spain, I argue that towards the end of the 1950s the Spanish ultra-conservative… (more)

Subjects/Keywords: 780; 20th Century music; Spain; Cold War; propaganda; avant-garde music; Halffter; Falla; Franco; Opus Dei

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APA (6th Edition):

Sacau-Ferreira, E. (2011). Performing a political shift : avant-garde music in Cold War Spain. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:df601c57-c9f0-4320-9a3a-8493ecf1101a ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543613

Chicago Manual of Style (16th Edition):

Sacau-Ferreira, Enrique. “Performing a political shift : avant-garde music in Cold War Spain.” 2011. Doctoral Dissertation, University of Oxford. Accessed January 21, 2020. http://ora.ox.ac.uk/objects/uuid:df601c57-c9f0-4320-9a3a-8493ecf1101a ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543613.

MLA Handbook (7th Edition):

Sacau-Ferreira, Enrique. “Performing a political shift : avant-garde music in Cold War Spain.” 2011. Web. 21 Jan 2020.

Vancouver:

Sacau-Ferreira E. Performing a political shift : avant-garde music in Cold War Spain. [Internet] [Doctoral dissertation]. University of Oxford; 2011. [cited 2020 Jan 21]. Available from: http://ora.ox.ac.uk/objects/uuid:df601c57-c9f0-4320-9a3a-8493ecf1101a ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543613.

Council of Science Editors:

Sacau-Ferreira E. Performing a political shift : avant-garde music in Cold War Spain. [Doctoral Dissertation]. University of Oxford; 2011. Available from: http://ora.ox.ac.uk/objects/uuid:df601c57-c9f0-4320-9a3a-8493ecf1101a ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543613

14. Akinsha, Konstantin. Second life of Soviet photomontage, 1935-1980s.

Degree: 2013, University of Edinburgh

 This dissertation explores the development of Soviet photomontage from the second half of the 1930s to the end of the 1970s. Until now, the transformation… (more)

Subjects/Keywords: photomontage; Soviet propaganda; Russian Avant-garde; photography

…pp. 61–62. 11 See Boris Groys, The Total Art of Stalinism: Avant-Garde, Aesthetic… …Kulagina. 13 Erika Wolf, ‘USSR in Construction: From Avant-garde to Socialist Realist Practice… …16 medium. Avant-garde film directors and Constructivists became allies fighting for the… …negative qualities of the silent cinema to which avant-garde film directors and the… …Rusi”, vypuskaemye v blizhaishee vremya’, Kino-fot, No. 4.p. 19 Although avant-garde… 

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APA (6th Edition):

Akinsha, K. (2013). Second life of Soviet photomontage, 1935-1980s. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/7871

Chicago Manual of Style (16th Edition):

Akinsha, Konstantin. “Second life of Soviet photomontage, 1935-1980s.” 2013. Doctoral Dissertation, University of Edinburgh. Accessed January 21, 2020. http://hdl.handle.net/1842/7871.

MLA Handbook (7th Edition):

Akinsha, Konstantin. “Second life of Soviet photomontage, 1935-1980s.” 2013. Web. 21 Jan 2020.

Vancouver:

Akinsha K. Second life of Soviet photomontage, 1935-1980s. [Internet] [Doctoral dissertation]. University of Edinburgh; 2013. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/1842/7871.

Council of Science Editors:

Akinsha K. Second life of Soviet photomontage, 1935-1980s. [Doctoral Dissertation]. University of Edinburgh; 2013. Available from: http://hdl.handle.net/1842/7871


University of Aberdeen

15. Whyte, Ross. Perpetual erosion.

Degree: Dept. of Music., 2013, University of Aberdeen

Subjects/Keywords: Composition (Music); Art and music; Avant-garde (Music)

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APA (6th Edition):

Whyte, R. (2013). Perpetual erosion. (Doctoral Dissertation). University of Aberdeen. Retrieved from http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=196018 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=196018&custom_att_2=simple_viewer

Chicago Manual of Style (16th Edition):

Whyte, Ross. “Perpetual erosion.” 2013. Doctoral Dissertation, University of Aberdeen. Accessed January 21, 2020. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=196018 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=196018&custom_att_2=simple_viewer.

MLA Handbook (7th Edition):

Whyte, Ross. “Perpetual erosion.” 2013. Web. 21 Jan 2020.

Vancouver:

Whyte R. Perpetual erosion. [Internet] [Doctoral dissertation]. University of Aberdeen; 2013. [cited 2020 Jan 21]. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=196018 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=196018&custom_att_2=simple_viewer.

Council of Science Editors:

Whyte R. Perpetual erosion. [Doctoral Dissertation]. University of Aberdeen; 2013. Available from: http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=196018 ; http://digitool2.abdn.ac.uk:1801/webclient/DeliveryManager?pid=196018&custom_att_2=simple_viewer


University of Manchester

16. Mangion, Suzanne. Marvellous Noise and Modest Recording Instruments: Dada, Surrealism, and Early Sound Cinema.

Degree: 2018, University of Manchester

 This thesis assesses the ways in which films related to Dada and Surrealism used sound techniques during the 1920s and 1930s. It argues that their… (more)

Subjects/Keywords: Dada Surrealism film sound cinema history soundtrack audio visuals avant-garde film music talkies conversion era

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mangion, S. (2018). Marvellous Noise and Modest Recording Instruments: Dada, Surrealism, and Early Sound Cinema. (Doctoral Dissertation). University of Manchester. Retrieved from http://www.manchester.ac.uk/escholar/uk-ac-man-scw:314135

Chicago Manual of Style (16th Edition):

Mangion, Suzanne. “Marvellous Noise and Modest Recording Instruments: Dada, Surrealism, and Early Sound Cinema.” 2018. Doctoral Dissertation, University of Manchester. Accessed January 21, 2020. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:314135.

MLA Handbook (7th Edition):

Mangion, Suzanne. “Marvellous Noise and Modest Recording Instruments: Dada, Surrealism, and Early Sound Cinema.” 2018. Web. 21 Jan 2020.

Vancouver:

Mangion S. Marvellous Noise and Modest Recording Instruments: Dada, Surrealism, and Early Sound Cinema. [Internet] [Doctoral dissertation]. University of Manchester; 2018. [cited 2020 Jan 21]. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:314135.

Council of Science Editors:

Mangion S. Marvellous Noise and Modest Recording Instruments: Dada, Surrealism, and Early Sound Cinema. [Doctoral Dissertation]. University of Manchester; 2018. Available from: http://www.manchester.ac.uk/escholar/uk-ac-man-scw:314135


University of Oxford

17. Robinson, Rachel Elizabeth. Brazilian concretism in Chilean neo-avant-garde poetry.

Degree: PhD, 2018, University of Oxford

 This thesis illuminates poetic works by three Chilean experimental poets, Cecilia Vicuña (1947-), Juan Luis Martínez (1942-1993) and Rodrigo Lira (1949-1981) by showing how they… (more)

Subjects/Keywords: Concrete poetry; Latin American poetry; Chilean poetry; Latin American Neo-Avant-Garde; Visual poetry; Brazilian poetry

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APA (6th Edition):

Robinson, R. E. (2018). Brazilian concretism in Chilean neo-avant-garde poetry. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:ea177bf8-6e66-4d8f-b5ea-c8858d87b92f ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.780569

Chicago Manual of Style (16th Edition):

Robinson, Rachel Elizabeth. “Brazilian concretism in Chilean neo-avant-garde poetry.” 2018. Doctoral Dissertation, University of Oxford. Accessed January 21, 2020. http://ora.ox.ac.uk/objects/uuid:ea177bf8-6e66-4d8f-b5ea-c8858d87b92f ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.780569.

MLA Handbook (7th Edition):

Robinson, Rachel Elizabeth. “Brazilian concretism in Chilean neo-avant-garde poetry.” 2018. Web. 21 Jan 2020.

Vancouver:

Robinson RE. Brazilian concretism in Chilean neo-avant-garde poetry. [Internet] [Doctoral dissertation]. University of Oxford; 2018. [cited 2020 Jan 21]. Available from: http://ora.ox.ac.uk/objects/uuid:ea177bf8-6e66-4d8f-b5ea-c8858d87b92f ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.780569.

Council of Science Editors:

Robinson RE. Brazilian concretism in Chilean neo-avant-garde poetry. [Doctoral Dissertation]. University of Oxford; 2018. Available from: http://ora.ox.ac.uk/objects/uuid:ea177bf8-6e66-4d8f-b5ea-c8858d87b92f ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.780569


University of Edinburgh

18. Katsouraki, Evanthia. Theatre director's philosophical entanglements : aesthetics and politics of the modernist theatre.

Degree: PhD, 2018, University of Edinburgh

 This thesis presents a conceptual examination of the modernist director read through Gillian Rose's speculative lenses of the 'broken middle'. Highlighting the significance of speculative… (more)

Subjects/Keywords: modernist director; Gillian Rose; embodied philosophy; director as mode; director as Event; theatre historiography; avant-garde manifesto; theatre as philosopher

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APA (6th Edition):

Katsouraki, E. (2018). Theatre director's philosophical entanglements : aesthetics and politics of the modernist theatre. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/33250

Chicago Manual of Style (16th Edition):

Katsouraki, Evanthia. “Theatre director's philosophical entanglements : aesthetics and politics of the modernist theatre.” 2018. Doctoral Dissertation, University of Edinburgh. Accessed January 21, 2020. http://hdl.handle.net/1842/33250.

MLA Handbook (7th Edition):

Katsouraki, Evanthia. “Theatre director's philosophical entanglements : aesthetics and politics of the modernist theatre.” 2018. Web. 21 Jan 2020.

Vancouver:

Katsouraki E. Theatre director's philosophical entanglements : aesthetics and politics of the modernist theatre. [Internet] [Doctoral dissertation]. University of Edinburgh; 2018. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/1842/33250.

Council of Science Editors:

Katsouraki E. Theatre director's philosophical entanglements : aesthetics and politics of the modernist theatre. [Doctoral Dissertation]. University of Edinburgh; 2018. Available from: http://hdl.handle.net/1842/33250


University of Manchester

19. Mangion, Suzanne. Marvellous noise and modest recording instruments : Dada, Surrealism, and early sound cinema.

Degree: PhD, 2018, University of Manchester

 This thesis assesses the ways in which films related to Dada and Surrealism used sound techniques during the 1920s and 1930s. It argues that their… (more)

Subjects/Keywords: Dada; Surrealism; film; sound cinema; history; soundtrack; audio visuals; avant-garde film; music; talkies; conversion era

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mangion, S. (2018). Marvellous noise and modest recording instruments : Dada, Surrealism, and early sound cinema. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/marvellous-noise-and-modest-recording-instruments-dada-surrealism-and-early-sound-cinema(9ad609f4-2857-40fd-a85d-ddd5bf293bb3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.779566

Chicago Manual of Style (16th Edition):

Mangion, Suzanne. “Marvellous noise and modest recording instruments : Dada, Surrealism, and early sound cinema.” 2018. Doctoral Dissertation, University of Manchester. Accessed January 21, 2020. https://www.research.manchester.ac.uk/portal/en/theses/marvellous-noise-and-modest-recording-instruments-dada-surrealism-and-early-sound-cinema(9ad609f4-2857-40fd-a85d-ddd5bf293bb3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.779566.

MLA Handbook (7th Edition):

Mangion, Suzanne. “Marvellous noise and modest recording instruments : Dada, Surrealism, and early sound cinema.” 2018. Web. 21 Jan 2020.

Vancouver:

Mangion S. Marvellous noise and modest recording instruments : Dada, Surrealism, and early sound cinema. [Internet] [Doctoral dissertation]. University of Manchester; 2018. [cited 2020 Jan 21]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/marvellous-noise-and-modest-recording-instruments-dada-surrealism-and-early-sound-cinema(9ad609f4-2857-40fd-a85d-ddd5bf293bb3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.779566.

Council of Science Editors:

Mangion S. Marvellous noise and modest recording instruments : Dada, Surrealism, and early sound cinema. [Doctoral Dissertation]. University of Manchester; 2018. Available from: https://www.research.manchester.ac.uk/portal/en/theses/marvellous-noise-and-modest-recording-instruments-dada-surrealism-and-early-sound-cinema(9ad609f4-2857-40fd-a85d-ddd5bf293bb3).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.779566


University of St. Andrews

20. Chiriac, Alexandra. Putting the peripheral centre stage : performing modernism in interbellum Bucharest 1924-1934 .

Degree: 2020, University of St. Andrews

 This thesis investigates how modernism manifested itself in applied arts and design in interbellum Bucharest, expanding the field of enquiry of the avant-garde outside two-dimensional… (more)

Subjects/Keywords: Modernism; Applied arts and design; Romania; Bucharest; Avant-garde; Stage design; Performance; Center - periphery; Transnational; Yiddish theatre; Bauhaus

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chiriac, A. (2020). Putting the peripheral centre stage : performing modernism in interbellum Bucharest 1924-1934 . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/18996

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chiriac, Alexandra. “Putting the peripheral centre stage : performing modernism in interbellum Bucharest 1924-1934 .” 2020. Thesis, University of St. Andrews. Accessed January 21, 2020. http://hdl.handle.net/10023/18996.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chiriac, Alexandra. “Putting the peripheral centre stage : performing modernism in interbellum Bucharest 1924-1934 .” 2020. Web. 21 Jan 2020.

Vancouver:

Chiriac A. Putting the peripheral centre stage : performing modernism in interbellum Bucharest 1924-1934 . [Internet] [Thesis]. University of St. Andrews; 2020. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10023/18996.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chiriac A. Putting the peripheral centre stage : performing modernism in interbellum Bucharest 1924-1934 . [Thesis]. University of St. Andrews; 2020. Available from: http://hdl.handle.net/10023/18996

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brunel University

21. Muenz, Harald. A portfolio of compositions with commentary.

Degree: PhD, 2015, Brunel University

Subjects/Keywords: Critical composing; Avant-garde music; Acoustic situations; Aesthetic phonetics; Music and perception

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APA (6th Edition):

Muenz, H. (2015). A portfolio of compositions with commentary. (Doctoral Dissertation). Brunel University. Retrieved from http://bura.brunel.ac.uk/handle/2438/11808 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678925

Chicago Manual of Style (16th Edition):

Muenz, Harald. “A portfolio of compositions with commentary.” 2015. Doctoral Dissertation, Brunel University. Accessed January 21, 2020. http://bura.brunel.ac.uk/handle/2438/11808 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678925.

MLA Handbook (7th Edition):

Muenz, Harald. “A portfolio of compositions with commentary.” 2015. Web. 21 Jan 2020.

Vancouver:

Muenz H. A portfolio of compositions with commentary. [Internet] [Doctoral dissertation]. Brunel University; 2015. [cited 2020 Jan 21]. Available from: http://bura.brunel.ac.uk/handle/2438/11808 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678925.

Council of Science Editors:

Muenz H. A portfolio of compositions with commentary. [Doctoral Dissertation]. Brunel University; 2015. Available from: http://bura.brunel.ac.uk/handle/2438/11808 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678925


University of Exeter

22. Dawood, Rasha Ahmed Khairy Hafez. Critical discourse within European plays in the first half of the twentieth century and the manifestations of a similar phenomenon in modern Egyptian drama.

Degree: PhD, 2014, University of Exeter

 This thesis closely examines the utilisation of dramatic characters’ comments on matters of literary and theatrical criticism. This phenomenon shaped a trend in European theatre… (more)

Subjects/Keywords: 792; Drama; Theatre; Metatheatre; Metadrama; Play-within-a-play; Parody; Intertextuality; Avant-garde; European theatre; Egyptian theatre; Audience; Actors; Critics; Directors; Playwrights; Criticism; Censorship

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APA (6th Edition):

Dawood, R. A. K. H. (2014). Critical discourse within European plays in the first half of the twentieth century and the manifestations of a similar phenomenon in modern Egyptian drama. (Doctoral Dissertation). University of Exeter. Retrieved from http://hdl.handle.net/10871/15359

Chicago Manual of Style (16th Edition):

Dawood, Rasha Ahmed Khairy Hafez. “Critical discourse within European plays in the first half of the twentieth century and the manifestations of a similar phenomenon in modern Egyptian drama.” 2014. Doctoral Dissertation, University of Exeter. Accessed January 21, 2020. http://hdl.handle.net/10871/15359.

MLA Handbook (7th Edition):

Dawood, Rasha Ahmed Khairy Hafez. “Critical discourse within European plays in the first half of the twentieth century and the manifestations of a similar phenomenon in modern Egyptian drama.” 2014. Web. 21 Jan 2020.

Vancouver:

Dawood RAKH. Critical discourse within European plays in the first half of the twentieth century and the manifestations of a similar phenomenon in modern Egyptian drama. [Internet] [Doctoral dissertation]. University of Exeter; 2014. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10871/15359.

Council of Science Editors:

Dawood RAKH. Critical discourse within European plays in the first half of the twentieth century and the manifestations of a similar phenomenon in modern Egyptian drama. [Doctoral Dissertation]. University of Exeter; 2014. Available from: http://hdl.handle.net/10871/15359


University of Oxford

23. Hutton-Williams, Francis Brent. Irish cultural politics, Thomas McGreevy and the Avant-Garde, 1922-1941.

Degree: PhD, 2015, University of Oxford

 This thesis analyses the responses of Irish writers and painters to a phase of national self-assertion that had arguably lost its liberating potential. It shows… (more)

Subjects/Keywords: 820.9; Painting & paintings; English Language and Literature; Political ideologies; literary criticism; Ireland; Irish independence; political theory; art history; avant-garde; James Joyce; Samuel Beckett; Thomas McGreevy; Jack Yeats

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APA (6th Edition):

Hutton-Williams, F. B. (2015). Irish cultural politics, Thomas McGreevy and the Avant-Garde, 1922-1941. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:c6fbe4ba-3908-4e45-a012-00fa766cd1eb ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655141

Chicago Manual of Style (16th Edition):

Hutton-Williams, Francis Brent. “Irish cultural politics, Thomas McGreevy and the Avant-Garde, 1922-1941.” 2015. Doctoral Dissertation, University of Oxford. Accessed January 21, 2020. http://ora.ox.ac.uk/objects/uuid:c6fbe4ba-3908-4e45-a012-00fa766cd1eb ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655141.

MLA Handbook (7th Edition):

Hutton-Williams, Francis Brent. “Irish cultural politics, Thomas McGreevy and the Avant-Garde, 1922-1941.” 2015. Web. 21 Jan 2020.

Vancouver:

Hutton-Williams FB. Irish cultural politics, Thomas McGreevy and the Avant-Garde, 1922-1941. [Internet] [Doctoral dissertation]. University of Oxford; 2015. [cited 2020 Jan 21]. Available from: http://ora.ox.ac.uk/objects/uuid:c6fbe4ba-3908-4e45-a012-00fa766cd1eb ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655141.

Council of Science Editors:

Hutton-Williams FB. Irish cultural politics, Thomas McGreevy and the Avant-Garde, 1922-1941. [Doctoral Dissertation]. University of Oxford; 2015. Available from: http://ora.ox.ac.uk/objects/uuid:c6fbe4ba-3908-4e45-a012-00fa766cd1eb ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655141

24. Leveque, James Patrick. Words like fire : prophecy, apocalypse, and the avant-garde in Apollinaire, Marinetti, and Pound.

Degree: PhD, 2015, University of Edinburgh

 The early twentieth-century avant-garde has cast a long shadow over the popular imagination as producers of manifestos, public scandals, and some of the most enduring… (more)

Subjects/Keywords: 841; avant-garde; Apollinaire; Guillaume; Marinetti; F.T.; Pound; Ezra

…emphasising the nihilistic, destructive element of the avant-garde, Matei Calinescu also describes… …avant-garde’ also carries connotations of exploration, conquest, and invasion of new and… …prompted a re-evaluation of the status of art and the artist in society. The avant-garde operated… …Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism (… …programmes. Avant-garde manifestos frequently adopted the language of a ‘we’ to ‘make a persuasive… 

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APA (6th Edition):

Leveque, J. P. (2015). Words like fire : prophecy, apocalypse, and the avant-garde in Apollinaire, Marinetti, and Pound. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/10637

Chicago Manual of Style (16th Edition):

Leveque, James Patrick. “Words like fire : prophecy, apocalypse, and the avant-garde in Apollinaire, Marinetti, and Pound.” 2015. Doctoral Dissertation, University of Edinburgh. Accessed January 21, 2020. http://hdl.handle.net/1842/10637.

MLA Handbook (7th Edition):

Leveque, James Patrick. “Words like fire : prophecy, apocalypse, and the avant-garde in Apollinaire, Marinetti, and Pound.” 2015. Web. 21 Jan 2020.

Vancouver:

Leveque JP. Words like fire : prophecy, apocalypse, and the avant-garde in Apollinaire, Marinetti, and Pound. [Internet] [Doctoral dissertation]. University of Edinburgh; 2015. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/1842/10637.

Council of Science Editors:

Leveque JP. Words like fire : prophecy, apocalypse, and the avant-garde in Apollinaire, Marinetti, and Pound. [Doctoral Dissertation]. University of Edinburgh; 2015. Available from: http://hdl.handle.net/1842/10637


University of Oxford

25. Sierra, Nicole Marquita. Literature, architecture, and postmodernity : Donald Barthelme and J.G. Ballard.

Degree: PhD, 2013, University of Oxford

 Focusing on works between the 1960s and the early ’80s, this thesis sets the literature of Donald Barthelme (1931–1989) and J.G. Ballard (1930–2009) within the… (more)

Subjects/Keywords: 820.9; American literature in English; English and Old English literature; Architecture; Painting & paintings; Visual art and representation; postmodernism; surrealism; literature and architecture; cubism; avant-garde; Ballard; Barthelme

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APA (6th Edition):

Sierra, N. M. (2013). Literature, architecture, and postmodernity : Donald Barthelme and J.G. Ballard. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:909bff3c-6eea-46a6-9c7f-72d52b9d43ee ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.618409

Chicago Manual of Style (16th Edition):

Sierra, Nicole Marquita. “Literature, architecture, and postmodernity : Donald Barthelme and J.G. Ballard.” 2013. Doctoral Dissertation, University of Oxford. Accessed January 21, 2020. http://ora.ox.ac.uk/objects/uuid:909bff3c-6eea-46a6-9c7f-72d52b9d43ee ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.618409.

MLA Handbook (7th Edition):

Sierra, Nicole Marquita. “Literature, architecture, and postmodernity : Donald Barthelme and J.G. Ballard.” 2013. Web. 21 Jan 2020.

Vancouver:

Sierra NM. Literature, architecture, and postmodernity : Donald Barthelme and J.G. Ballard. [Internet] [Doctoral dissertation]. University of Oxford; 2013. [cited 2020 Jan 21]. Available from: http://ora.ox.ac.uk/objects/uuid:909bff3c-6eea-46a6-9c7f-72d52b9d43ee ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.618409.

Council of Science Editors:

Sierra NM. Literature, architecture, and postmodernity : Donald Barthelme and J.G. Ballard. [Doctoral Dissertation]. University of Oxford; 2013. Available from: http://ora.ox.ac.uk/objects/uuid:909bff3c-6eea-46a6-9c7f-72d52b9d43ee ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.618409


University of Oxford

26. Schor, Ruth. Eine alltägliche Tätigkeit : performing the everyday in the avant-garde theatre scene of late nineteenth-century Berlin.

Degree: PhD, 2016, University of Oxford

 This dissertation situates late nineteenth-century Berlin's reception of naturalist drama in contemporary discourse about European modernism, which to date has disregarded the significant impact of… (more)

Subjects/Keywords: 832; Modernism (Literature) – Germany – Berlin – History; German drama – 19th century – History and criticism; Avant-garde (Aesthetics) – Germany – 19th century; Theater – Germany – Berlin – History – 19th century; Germany – Intellectual life – 19th century

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APA (6th Edition):

Schor, R. (2016). Eine alltägliche Tätigkeit : performing the everyday in the avant-garde theatre scene of late nineteenth-century Berlin. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:f182a548-e450-4efa-a3a0-478461d44ab6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722546

Chicago Manual of Style (16th Edition):

Schor, Ruth. “Eine alltägliche Tätigkeit : performing the everyday in the avant-garde theatre scene of late nineteenth-century Berlin.” 2016. Doctoral Dissertation, University of Oxford. Accessed January 21, 2020. http://ora.ox.ac.uk/objects/uuid:f182a548-e450-4efa-a3a0-478461d44ab6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722546.

MLA Handbook (7th Edition):

Schor, Ruth. “Eine alltägliche Tätigkeit : performing the everyday in the avant-garde theatre scene of late nineteenth-century Berlin.” 2016. Web. 21 Jan 2020.

Vancouver:

Schor R. Eine alltägliche Tätigkeit : performing the everyday in the avant-garde theatre scene of late nineteenth-century Berlin. [Internet] [Doctoral dissertation]. University of Oxford; 2016. [cited 2020 Jan 21]. Available from: http://ora.ox.ac.uk/objects/uuid:f182a548-e450-4efa-a3a0-478461d44ab6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722546.

Council of Science Editors:

Schor R. Eine alltägliche Tätigkeit : performing the everyday in the avant-garde theatre scene of late nineteenth-century Berlin. [Doctoral Dissertation]. University of Oxford; 2016. Available from: http://ora.ox.ac.uk/objects/uuid:f182a548-e450-4efa-a3a0-478461d44ab6 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722546


Royal Holloway, University of London

27. Helm-Grovas, Nicolas. Laura Mulvey and Peter Wollen : theory and practice, aesthetics and politics, 1963-1983.

Degree: PhD, 2018, Royal Holloway, University of London

 This PhD is a genealogy and critical examination of the writings and films of Laura Mulvey and Peter Wollen, spanning the period from the early… (more)

Subjects/Keywords: film theory; experimental film; avant-garde; feminism; semiotics; 1970s; visual pleasure; counter cinema; theory film; structuralism; psychoanalysis; Marxism; New Left; women's movement

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APA (6th Edition):

Helm-Grovas, N. (2018). Laura Mulvey and Peter Wollen : theory and practice, aesthetics and politics, 1963-1983. (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/laura-mulvey-and-peter-wollen-theory-and-practice-aesthetics-and-politics-19631983(b42d4c87-2f38-4d05-906c-76b57fd18fb7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792829

Chicago Manual of Style (16th Edition):

Helm-Grovas, Nicolas. “Laura Mulvey and Peter Wollen : theory and practice, aesthetics and politics, 1963-1983.” 2018. Doctoral Dissertation, Royal Holloway, University of London. Accessed January 21, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/laura-mulvey-and-peter-wollen-theory-and-practice-aesthetics-and-politics-19631983(b42d4c87-2f38-4d05-906c-76b57fd18fb7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792829.

MLA Handbook (7th Edition):

Helm-Grovas, Nicolas. “Laura Mulvey and Peter Wollen : theory and practice, aesthetics and politics, 1963-1983.” 2018. Web. 21 Jan 2020.

Vancouver:

Helm-Grovas N. Laura Mulvey and Peter Wollen : theory and practice, aesthetics and politics, 1963-1983. [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2018. [cited 2020 Jan 21]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/laura-mulvey-and-peter-wollen-theory-and-practice-aesthetics-and-politics-19631983(b42d4c87-2f38-4d05-906c-76b57fd18fb7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792829.

Council of Science Editors:

Helm-Grovas N. Laura Mulvey and Peter Wollen : theory and practice, aesthetics and politics, 1963-1983. [Doctoral Dissertation]. Royal Holloway, University of London; 2018. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/laura-mulvey-and-peter-wollen-theory-and-practice-aesthetics-and-politics-19631983(b42d4c87-2f38-4d05-906c-76b57fd18fb7).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792829


University of Oxford

28. Byers, Mark. After the new failure of nerve : Charles Olson and American modernism, 1946-1951.

Degree: PhD, 2014, University of Oxford

 One medium has dominated accounts of American art in the years following the Second World War. The period witnessed, in the words of one critic,… (more)

Subjects/Keywords: 111; Modernism (Aesthetics) – United States – History – 20th century; American poetry – 20th century – History and criticism; Avant-garde (Aesthetics) – United States – History – 20th century; Art and society – United States – History – 20th century; United States – Intellectual life – 20th century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Byers, M. (2014). After the new failure of nerve : Charles Olson and American modernism, 1946-1951. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:02478ea1-832a-4ecc-9c47-a264ba746c49 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711699

Chicago Manual of Style (16th Edition):

Byers, Mark. “After the new failure of nerve : Charles Olson and American modernism, 1946-1951.” 2014. Doctoral Dissertation, University of Oxford. Accessed January 21, 2020. http://ora.ox.ac.uk/objects/uuid:02478ea1-832a-4ecc-9c47-a264ba746c49 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711699.

MLA Handbook (7th Edition):

Byers, Mark. “After the new failure of nerve : Charles Olson and American modernism, 1946-1951.” 2014. Web. 21 Jan 2020.

Vancouver:

Byers M. After the new failure of nerve : Charles Olson and American modernism, 1946-1951. [Internet] [Doctoral dissertation]. University of Oxford; 2014. [cited 2020 Jan 21]. Available from: http://ora.ox.ac.uk/objects/uuid:02478ea1-832a-4ecc-9c47-a264ba746c49 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711699.

Council of Science Editors:

Byers M. After the new failure of nerve : Charles Olson and American modernism, 1946-1951. [Doctoral Dissertation]. University of Oxford; 2014. Available from: http://ora.ox.ac.uk/objects/uuid:02478ea1-832a-4ecc-9c47-a264ba746c49 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711699


Royal Holloway, University of London

29. Hemmens, Alastair J. The radical subject : an intellectual biography of Raoul Vaneigem (1934 - present).

Degree: PhD, 2014, Royal Holloway, University of London

 This thesis proposes an intellectual biography of Raoul Vaneigem (1934-Present). Vaneigem was a member of the Situationist International (SI) between 1961 and 1970. Today the… (more)

Subjects/Keywords: Raoul Vaneigem; Situationist International; Guy Debord; Critique of value; Critical Theory; Anselm Jappe; Belgium; Social History; Avant-Garde; Revolution; May '68; strike; class struggle; Representation; psychogeography; de´tournement; Praxis; Karl Marx; Nietzsche; recuperation; Utopia; Lautre´amont; Surrealism; everyday life

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APA (6th Edition):

Hemmens, A. J. (2014). The radical subject : an intellectual biography of Raoul Vaneigem (1934 - present). (Doctoral Dissertation). Royal Holloway, University of London. Retrieved from https://pure.royalholloway.ac.uk/portal/en/publications/the-radical-subject-an-intellectual-biography-of-raoul-vaneigem-1934 – present(ea1eee73-cc14-45be-82cd-a3b67f1db897).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792169

Chicago Manual of Style (16th Edition):

Hemmens, Alastair J. “The radical subject : an intellectual biography of Raoul Vaneigem (1934 - present).” 2014. Doctoral Dissertation, Royal Holloway, University of London. Accessed January 21, 2020. https://pure.royalholloway.ac.uk/portal/en/publications/the-radical-subject-an-intellectual-biography-of-raoul-vaneigem-1934 – present(ea1eee73-cc14-45be-82cd-a3b67f1db897).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792169.

MLA Handbook (7th Edition):

Hemmens, Alastair J. “The radical subject : an intellectual biography of Raoul Vaneigem (1934 - present).” 2014. Web. 21 Jan 2020.

Vancouver:

Hemmens AJ. The radical subject : an intellectual biography of Raoul Vaneigem (1934 - present). [Internet] [Doctoral dissertation]. Royal Holloway, University of London; 2014. [cited 2020 Jan 21]. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-radical-subject-an-intellectual-biography-of-raoul-vaneigem-1934 – present(ea1eee73-cc14-45be-82cd-a3b67f1db897).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792169.

Council of Science Editors:

Hemmens AJ. The radical subject : an intellectual biography of Raoul Vaneigem (1934 - present). [Doctoral Dissertation]. Royal Holloway, University of London; 2014. Available from: https://pure.royalholloway.ac.uk/portal/en/publications/the-radical-subject-an-intellectual-biography-of-raoul-vaneigem-1934 – present(ea1eee73-cc14-45be-82cd-a3b67f1db897).html ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.792169


University of Stirling

30. Barbero Sánchez, María F. Una aproximación transnacional al absurdo en la obra de Miguel Mihura.

Degree: M. Phil., School of Arts and Humanities, 2008, University of Stirling

 Abstract Una aproximación transnacional al absurdo en la obra de Miguel Mihura This thesis aims to elucidate in what sense the work of the Spanish… (more)

Subjects/Keywords: transnational; theatre of the absurd; disparatado; popular; avant-garde; modernity; Mihura, Miguel Criticism and interpretation; Theater Political aspects; Motion pictures Social aspects; Theater of the absurd

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APA (6th Edition):

Barbero Sánchez, M. F. (2008). Una aproximación transnacional al absurdo en la obra de Miguel Mihura. (Masters Thesis). University of Stirling. Retrieved from http://hdl.handle.net/1893/2311

Chicago Manual of Style (16th Edition):

Barbero Sánchez, María F. “Una aproximación transnacional al absurdo en la obra de Miguel Mihura.” 2008. Masters Thesis, University of Stirling. Accessed January 21, 2020. http://hdl.handle.net/1893/2311.

MLA Handbook (7th Edition):

Barbero Sánchez, María F. “Una aproximación transnacional al absurdo en la obra de Miguel Mihura.” 2008. Web. 21 Jan 2020.

Vancouver:

Barbero Sánchez MF. Una aproximación transnacional al absurdo en la obra de Miguel Mihura. [Internet] [Masters thesis]. University of Stirling; 2008. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/1893/2311.

Council of Science Editors:

Barbero Sánchez MF. Una aproximación transnacional al absurdo en la obra de Miguel Mihura. [Masters Thesis]. University of Stirling; 2008. Available from: http://hdl.handle.net/1893/2311

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