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You searched for subject:( fr AVANT GARDE). Showing records 1 – 21 of 21 total matches.

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Universiteit Utrecht

1. Winter, C.M. Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu.

Degree: 2011, Universiteit Utrecht

Onderzoek naar de positie van Vera Ermolaeva, Nina Kogan, Varvara Stepanova en Liubov Popova in twee belangrijke centra van de Russische avant-garde en hun bekendheid nu. Advisors/Committee Members: Boersma, Linda S..

Subjects/Keywords: Russische avant-garde; kunstenaressen

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APA (6th Edition):

Winter, C. M. (2011). Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/208148

Chicago Manual of Style (16th Edition):

Winter, C M. “Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu.” 2011. Masters Thesis, Universiteit Utrecht. Accessed January 20, 2020. http://dspace.library.uu.nl:8080/handle/1874/208148.

MLA Handbook (7th Edition):

Winter, C M. “Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu.” 2011. Web. 20 Jan 2020.

Vancouver:

Winter CM. Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu. [Internet] [Masters thesis]. Universiteit Utrecht; 2011. [cited 2020 Jan 20]. Available from: http://dspace.library.uu.nl:8080/handle/1874/208148.

Council of Science Editors:

Winter CM. Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu. [Masters Thesis]. Universiteit Utrecht; 2011. Available from: http://dspace.library.uu.nl:8080/handle/1874/208148


Leiden University

2. Vlies, Roel van der. Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger.

Degree: 2016, Leiden University

 This study analyzes the relation between avant-garde and the autonomy of art. Although the phenomenon of avant-garde is widely discussed, there is no agreement about… (more)

Subjects/Keywords: avant-garde; autonomy; Clement Greenberg; Peter Bürger

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APA (6th Edition):

Vlies, R. v. d. (2016). Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/37422

Chicago Manual of Style (16th Edition):

Vlies, Roel van der. “Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger.” 2016. Masters Thesis, Leiden University. Accessed January 20, 2020. http://hdl.handle.net/1887/37422.

MLA Handbook (7th Edition):

Vlies, Roel van der. “Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger.” 2016. Web. 20 Jan 2020.

Vancouver:

Vlies Rvd. Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1887/37422.

Council of Science Editors:

Vlies Rvd. Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/37422


Leiden University

3. Maasse, Natalie. The Contemporary Curator as Cultural Leader: Examining the Role of the Curator within the Context of Contemporary Global Culture.

Degree: 2017, Leiden University

 The question of what it means to be an art curator in the expanded field of artistic production has been a subject of enigmatic allure… (more)

Subjects/Keywords: Cultural Leadership; Curating; Avant-garde; Contemporary Curating; Globalization; Contemporaneity; Interdisciplinary

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APA (6th Edition):

Maasse, N. (2017). The Contemporary Curator as Cultural Leader: Examining the Role of the Curator within the Context of Contemporary Global Culture. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/57846

Chicago Manual of Style (16th Edition):

Maasse, Natalie. “The Contemporary Curator as Cultural Leader: Examining the Role of the Curator within the Context of Contemporary Global Culture.” 2017. Masters Thesis, Leiden University. Accessed January 20, 2020. http://hdl.handle.net/1887/57846.

MLA Handbook (7th Edition):

Maasse, Natalie. “The Contemporary Curator as Cultural Leader: Examining the Role of the Curator within the Context of Contemporary Global Culture.” 2017. Web. 20 Jan 2020.

Vancouver:

Maasse N. The Contemporary Curator as Cultural Leader: Examining the Role of the Curator within the Context of Contemporary Global Culture. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1887/57846.

Council of Science Editors:

Maasse N. The Contemporary Curator as Cultural Leader: Examining the Role of the Curator within the Context of Contemporary Global Culture. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/57846

4. Day, Michael. China’s Second World of Poetry: The Sichuan Avant-Garde, 1982-1992.

Degree: 2005, Institute for Area Studies, Faculty of Humanities, Leiden University

 China's Second World of Poetry remedies a deficiency in scholarship to date. In post-Mao China, types of poetry variously dubbed underground, unofficial, experimental, avant-garde, non-mainstream… (more)

Subjects/Keywords: Chinese Poetry; Avant-garde; Sichuan; Chinese Poetry; Avant-garde; Sichuan

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APA (6th Edition):

Day, M. (2005). China’s Second World of Poetry: The Sichuan Avant-Garde, 1982-1992. (Doctoral Dissertation). Institute for Area Studies, Faculty of Humanities, Leiden University. Retrieved from http://hdl.handle.net/1887/57725

Chicago Manual of Style (16th Edition):

Day, Michael. “China’s Second World of Poetry: The Sichuan Avant-Garde, 1982-1992.” 2005. Doctoral Dissertation, Institute for Area Studies, Faculty of Humanities, Leiden University. Accessed January 20, 2020. http://hdl.handle.net/1887/57725.

MLA Handbook (7th Edition):

Day, Michael. “China’s Second World of Poetry: The Sichuan Avant-Garde, 1982-1992.” 2005. Web. 20 Jan 2020.

Vancouver:

Day M. China’s Second World of Poetry: The Sichuan Avant-Garde, 1982-1992. [Internet] [Doctoral dissertation]. Institute for Area Studies, Faculty of Humanities, Leiden University; 2005. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1887/57725.

Council of Science Editors:

Day M. China’s Second World of Poetry: The Sichuan Avant-Garde, 1982-1992. [Doctoral Dissertation]. Institute for Area Studies, Faculty of Humanities, Leiden University; 2005. Available from: http://hdl.handle.net/1887/57725


Leiden University

5. Knulst, J.W.M.M. Pander. Tijden veranderen, maar wij niet met hun.

Degree: 2017, Leiden University

 Het meubel,- en interieurbedrijf Pander en Zonen was een bedrijf waar traditie en vakmanschap belangrijke begrippen waren. De producten van Pander werden in belangrijke mate… (more)

Subjects/Keywords: Pander; Thuis; tijdschrift gewijd aan de inrichting der woning; traditie; avant-garde buismeubel

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APA (6th Edition):

Knulst, J. W. M. M. (2017). Pander. Tijden veranderen, maar wij niet met hun. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/45074

Chicago Manual of Style (16th Edition):

Knulst, J W M M. “Pander. Tijden veranderen, maar wij niet met hun.” 2017. Masters Thesis, Leiden University. Accessed January 20, 2020. http://hdl.handle.net/1887/45074.

MLA Handbook (7th Edition):

Knulst, J W M M. “Pander. Tijden veranderen, maar wij niet met hun.” 2017. Web. 20 Jan 2020.

Vancouver:

Knulst JWMM. Pander. Tijden veranderen, maar wij niet met hun. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1887/45074.

Council of Science Editors:

Knulst JWMM. Pander. Tijden veranderen, maar wij niet met hun. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/45074


Universiteit Utrecht

6. Winkler, Marieke. The metamorfoses van Laocoön. Woord & beeld interactie in De Schone Zakdoek (1941-43) en Barbarber (1958-71).

Degree: 2007, Universiteit Utrecht

 The general aim of this thesis is an attempt to insert art historical insights into the study of literary works. Considerable attention is paid to… (more)

Subjects/Keywords: Letteren; Word and Image studies; (neo) avant-garde; artist's book; conceptual art

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APA (6th Edition):

Winkler, M. (2007). The metamorfoses van Laocoön. Woord & beeld interactie in De Schone Zakdoek (1941-43) en Barbarber (1958-71). (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/24967

Chicago Manual of Style (16th Edition):

Winkler, Marieke. “The metamorfoses van Laocoön. Woord & beeld interactie in De Schone Zakdoek (1941-43) en Barbarber (1958-71).” 2007. Masters Thesis, Universiteit Utrecht. Accessed January 20, 2020. http://dspace.library.uu.nl:8080/handle/1874/24967.

MLA Handbook (7th Edition):

Winkler, Marieke. “The metamorfoses van Laocoön. Woord & beeld interactie in De Schone Zakdoek (1941-43) en Barbarber (1958-71).” 2007. Web. 20 Jan 2020.

Vancouver:

Winkler M. The metamorfoses van Laocoön. Woord & beeld interactie in De Schone Zakdoek (1941-43) en Barbarber (1958-71). [Internet] [Masters thesis]. Universiteit Utrecht; 2007. [cited 2020 Jan 20]. Available from: http://dspace.library.uu.nl:8080/handle/1874/24967.

Council of Science Editors:

Winkler M. The metamorfoses van Laocoön. Woord & beeld interactie in De Schone Zakdoek (1941-43) en Barbarber (1958-71). [Masters Thesis]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/24967


Universiteit Utrecht

7. Schumacher, R.W.G. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.

Degree: 2007, Universiteit Utrecht

 During the fortyone years of its existence the art magazine Museumjournaal (1955-1996) played a major role within the Netherlands artworld. Until the late seventies it… (more)

Subjects/Keywords: Letteren; Museumjournaal; art press; art magazines; art criticism; art theory; Neo-avant-garde

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APA (6th Edition):

Schumacher, R. W. G. (2007). Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. (Doctoral Dissertation). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/19081

Chicago Manual of Style (16th Edition):

Schumacher, R W G. “Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.” 2007. Doctoral Dissertation, Universiteit Utrecht. Accessed January 20, 2020. http://dspace.library.uu.nl:8080/handle/1874/19081.

MLA Handbook (7th Edition):

Schumacher, R W G. “Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.” 2007. Web. 20 Jan 2020.

Vancouver:

Schumacher RWG. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. [Internet] [Doctoral dissertation]. Universiteit Utrecht; 2007. [cited 2020 Jan 20]. Available from: http://dspace.library.uu.nl:8080/handle/1874/19081.

Council of Science Editors:

Schumacher RWG. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. [Doctoral Dissertation]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/19081


Universiteit Utrecht

8. Sint Nicolaas, Joyce. Avant-garde aan de Maas. Filmkunsttheater 't Venster bekeken vanuit het perspectief van Pierre Bourdieu 1949-1965.

Degree: 2008, Universiteit Utrecht

 In dit onderzoek staan de eerste twintig jaar van het bestaan van filmkunsttheater ’t Venster in Rotterdam centraal. Opgericht enkele jaren na de Tweede Wereldoorlog… (more)

Subjects/Keywords: Letteren; Filmgeschiedenis; Cultureel Veld; Pierre Bourdieu; Rotterdam; Avant-garde; Film; Klasse; Verzuiling; Generatie

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APA (6th Edition):

Sint Nicolaas, J. (2008). Avant-garde aan de Maas. Filmkunsttheater 't Venster bekeken vanuit het perspectief van Pierre Bourdieu 1949-1965. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/31733

Chicago Manual of Style (16th Edition):

Sint Nicolaas, Joyce. “Avant-garde aan de Maas. Filmkunsttheater 't Venster bekeken vanuit het perspectief van Pierre Bourdieu 1949-1965.” 2008. Masters Thesis, Universiteit Utrecht. Accessed January 20, 2020. http://dspace.library.uu.nl:8080/handle/1874/31733.

MLA Handbook (7th Edition):

Sint Nicolaas, Joyce. “Avant-garde aan de Maas. Filmkunsttheater 't Venster bekeken vanuit het perspectief van Pierre Bourdieu 1949-1965.” 2008. Web. 20 Jan 2020.

Vancouver:

Sint Nicolaas J. Avant-garde aan de Maas. Filmkunsttheater 't Venster bekeken vanuit het perspectief van Pierre Bourdieu 1949-1965. [Internet] [Masters thesis]. Universiteit Utrecht; 2008. [cited 2020 Jan 20]. Available from: http://dspace.library.uu.nl:8080/handle/1874/31733.

Council of Science Editors:

Sint Nicolaas J. Avant-garde aan de Maas. Filmkunsttheater 't Venster bekeken vanuit het perspectief van Pierre Bourdieu 1949-1965. [Masters Thesis]. Universiteit Utrecht; 2008. Available from: http://dspace.library.uu.nl:8080/handle/1874/31733


Leiden University

9. Rojko, Milos. Old Guard in the Shadow of Free Jazz: Avant-garde Jazz and the Politics of Race from 1955 to 1965.

Degree: 2016, Leiden University

 The thesis reevaluates racial impact of free jazz, which represented a musical reflection on the racial politics of the 1950s and the 1960s, by judging… (more)

Subjects/Keywords: free jazz; avant-garde jazz; politics of race; Civil Rights Movement; John Coltrane; Ornette Coleman; Charles Mingus; Max Roach; 1950s; 1960s

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APA (6th Edition):

Rojko, M. (2016). Old Guard in the Shadow of Free Jazz: Avant-garde Jazz and the Politics of Race from 1955 to 1965. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/41855

Chicago Manual of Style (16th Edition):

Rojko, Milos. “Old Guard in the Shadow of Free Jazz: Avant-garde Jazz and the Politics of Race from 1955 to 1965.” 2016. Masters Thesis, Leiden University. Accessed January 20, 2020. http://hdl.handle.net/1887/41855.

MLA Handbook (7th Edition):

Rojko, Milos. “Old Guard in the Shadow of Free Jazz: Avant-garde Jazz and the Politics of Race from 1955 to 1965.” 2016. Web. 20 Jan 2020.

Vancouver:

Rojko M. Old Guard in the Shadow of Free Jazz: Avant-garde Jazz and the Politics of Race from 1955 to 1965. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1887/41855.

Council of Science Editors:

Rojko M. Old Guard in the Shadow of Free Jazz: Avant-garde Jazz and the Politics of Race from 1955 to 1965. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/41855


Universiteit Utrecht

10. Onland, N.D. Avant-garde 2.0: Elektronische dancemuziek en de hedendaagse avant-garde in een veranderende muziekwereld.

Degree: 2009, Universiteit Utrecht

Subjects/Keywords: Letteren; elektronische dancemuziek; avant-garde; ongenoteerde muziek

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APA (6th Edition):

Onland, N. D. (2009). Avant-garde 2.0: Elektronische dancemuziek en de hedendaagse avant-garde in een veranderende muziekwereld. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/37111

Chicago Manual of Style (16th Edition):

Onland, N D. “Avant-garde 2.0: Elektronische dancemuziek en de hedendaagse avant-garde in een veranderende muziekwereld.” 2009. Masters Thesis, Universiteit Utrecht. Accessed January 20, 2020. http://dspace.library.uu.nl:8080/handle/1874/37111.

MLA Handbook (7th Edition):

Onland, N D. “Avant-garde 2.0: Elektronische dancemuziek en de hedendaagse avant-garde in een veranderende muziekwereld.” 2009. Web. 20 Jan 2020.

Vancouver:

Onland ND. Avant-garde 2.0: Elektronische dancemuziek en de hedendaagse avant-garde in een veranderende muziekwereld. [Internet] [Masters thesis]. Universiteit Utrecht; 2009. [cited 2020 Jan 20]. Available from: http://dspace.library.uu.nl:8080/handle/1874/37111.

Council of Science Editors:

Onland ND. Avant-garde 2.0: Elektronische dancemuziek en de hedendaagse avant-garde in een veranderende muziekwereld. [Masters Thesis]. Universiteit Utrecht; 2009. Available from: http://dspace.library.uu.nl:8080/handle/1874/37111


Universiteit Utrecht

11. Boelens, K.N. Montage als kritisch procedé in het postdramatisch theater.

Degree: 2013, Universiteit Utrecht

 In mijn MA thesis vertrek ik vanuit het standpunt dat fragmentarisering en gelijktijdigheid als overkoepelende structureringsprincipes gezien kunnen worden van het postdramatisch theater. Dit brengt… (more)

Subjects/Keywords: montage postdramatisch theater Hans-Thies Lehmann Peter Bürger avant-garde collage kritisch procedé fragmentarisering gelijktijdigheid montageprincipes multiperspectiviteit

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APA (6th Edition):

Boelens, K. N. (2013). Montage als kritisch procedé in het postdramatisch theater. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/281840

Chicago Manual of Style (16th Edition):

Boelens, K N. “Montage als kritisch procedé in het postdramatisch theater.” 2013. Masters Thesis, Universiteit Utrecht. Accessed January 20, 2020. http://dspace.library.uu.nl:8080/handle/1874/281840.

MLA Handbook (7th Edition):

Boelens, K N. “Montage als kritisch procedé in het postdramatisch theater.” 2013. Web. 20 Jan 2020.

Vancouver:

Boelens KN. Montage als kritisch procedé in het postdramatisch theater. [Internet] [Masters thesis]. Universiteit Utrecht; 2013. [cited 2020 Jan 20]. Available from: http://dspace.library.uu.nl:8080/handle/1874/281840.

Council of Science Editors:

Boelens KN. Montage als kritisch procedé in het postdramatisch theater. [Masters Thesis]. Universiteit Utrecht; 2013. Available from: http://dspace.library.uu.nl:8080/handle/1874/281840


Universiteit Utrecht

12. Sirin, B. BLACK DANCE, COMPLEXITIES OF A TERM.

Degree: 2012, Universiteit Utrecht

Subjects/Keywords: Black dance; postmodern dance; avant-garde dance; Parallels; black aesthetics; africanisms; appropriation.

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APA (6th Edition):

Sirin, B. (2012). BLACK DANCE, COMPLEXITIES OF A TERM. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/259542

Chicago Manual of Style (16th Edition):

Sirin, B. “BLACK DANCE, COMPLEXITIES OF A TERM.” 2012. Masters Thesis, Universiteit Utrecht. Accessed January 20, 2020. http://dspace.library.uu.nl:8080/handle/1874/259542.

MLA Handbook (7th Edition):

Sirin, B. “BLACK DANCE, COMPLEXITIES OF A TERM.” 2012. Web. 20 Jan 2020.

Vancouver:

Sirin B. BLACK DANCE, COMPLEXITIES OF A TERM. [Internet] [Masters thesis]. Universiteit Utrecht; 2012. [cited 2020 Jan 20]. Available from: http://dspace.library.uu.nl:8080/handle/1874/259542.

Council of Science Editors:

Sirin B. BLACK DANCE, COMPLEXITIES OF A TERM. [Masters Thesis]. Universiteit Utrecht; 2012. Available from: http://dspace.library.uu.nl:8080/handle/1874/259542

13. Budantseva, T.Y. Avant-garde between east and west: Modern architecture and town-planning in the Urals 1920-30.

Degree: 2007, Zjoek Publishers

 On hearing the term "Soviet modernism", images of Moscow and Leningrad spring to mind. These two cities may compete with each other for the title… (more)

Subjects/Keywords: history; architecture; town-planning; Russia; Soviet Union; avant-garde; modernism

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APA (6th Edition):

Budantseva, T. Y. (2007). Avant-garde between east and west: Modern architecture and town-planning in the Urals 1920-30. (Doctoral Dissertation). Zjoek Publishers. Retrieved from http://resolver.tudelft.nl/uuid:b42303ca-8c76-4aab-b691-944ab28a87ba ; urn:NBN:nl:ui:24-uuid:b42303ca-8c76-4aab-b691-944ab28a87ba ; urn:NBN:nl:ui:24-uuid:b42303ca-8c76-4aab-b691-944ab28a87ba ; http://resolver.tudelft.nl/uuid:b42303ca-8c76-4aab-b691-944ab28a87ba

Chicago Manual of Style (16th Edition):

Budantseva, T Y. “Avant-garde between east and west: Modern architecture and town-planning in the Urals 1920-30.” 2007. Doctoral Dissertation, Zjoek Publishers. Accessed January 20, 2020. http://resolver.tudelft.nl/uuid:b42303ca-8c76-4aab-b691-944ab28a87ba ; urn:NBN:nl:ui:24-uuid:b42303ca-8c76-4aab-b691-944ab28a87ba ; urn:NBN:nl:ui:24-uuid:b42303ca-8c76-4aab-b691-944ab28a87ba ; http://resolver.tudelft.nl/uuid:b42303ca-8c76-4aab-b691-944ab28a87ba.

MLA Handbook (7th Edition):

Budantseva, T Y. “Avant-garde between east and west: Modern architecture and town-planning in the Urals 1920-30.” 2007. Web. 20 Jan 2020.

Vancouver:

Budantseva TY. Avant-garde between east and west: Modern architecture and town-planning in the Urals 1920-30. [Internet] [Doctoral dissertation]. Zjoek Publishers; 2007. [cited 2020 Jan 20]. Available from: http://resolver.tudelft.nl/uuid:b42303ca-8c76-4aab-b691-944ab28a87ba ; urn:NBN:nl:ui:24-uuid:b42303ca-8c76-4aab-b691-944ab28a87ba ; urn:NBN:nl:ui:24-uuid:b42303ca-8c76-4aab-b691-944ab28a87ba ; http://resolver.tudelft.nl/uuid:b42303ca-8c76-4aab-b691-944ab28a87ba.

Council of Science Editors:

Budantseva TY. Avant-garde between east and west: Modern architecture and town-planning in the Urals 1920-30. [Doctoral Dissertation]. Zjoek Publishers; 2007. Available from: http://resolver.tudelft.nl/uuid:b42303ca-8c76-4aab-b691-944ab28a87ba ; urn:NBN:nl:ui:24-uuid:b42303ca-8c76-4aab-b691-944ab28a87ba ; urn:NBN:nl:ui:24-uuid:b42303ca-8c76-4aab-b691-944ab28a87ba ; http://resolver.tudelft.nl/uuid:b42303ca-8c76-4aab-b691-944ab28a87ba

14. Schumacher, R.W.G. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.

Degree: 2007, University Utrecht

 During the fortyone years of its existence the art magazine Museumjournaal (1955-1996) played a major role within the Netherlands artworld. Until the late seventies it… (more)

Subjects/Keywords: Museumjournaal; art press; art magazines; art criticism; art theory; Neo-avant-garde

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schumacher, R. W. G. (2007). Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. (Doctoral Dissertation). University Utrecht. Retrieved from http://dspace.library.uu.nl/handle/1874/19081 ; URN:NBN:NL:UI:10-1874-19081 ; URN:NBN:NL:UI:10-1874-19081 ; http://dspace.library.uu.nl/handle/1874/19081

Chicago Manual of Style (16th Edition):

Schumacher, R W G. “Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.” 2007. Doctoral Dissertation, University Utrecht. Accessed January 20, 2020. http://dspace.library.uu.nl/handle/1874/19081 ; URN:NBN:NL:UI:10-1874-19081 ; URN:NBN:NL:UI:10-1874-19081 ; http://dspace.library.uu.nl/handle/1874/19081.

MLA Handbook (7th Edition):

Schumacher, R W G. “Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.” 2007. Web. 20 Jan 2020.

Vancouver:

Schumacher RWG. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. [Internet] [Doctoral dissertation]. University Utrecht; 2007. [cited 2020 Jan 20]. Available from: http://dspace.library.uu.nl/handle/1874/19081 ; URN:NBN:NL:UI:10-1874-19081 ; URN:NBN:NL:UI:10-1874-19081 ; http://dspace.library.uu.nl/handle/1874/19081.

Council of Science Editors:

Schumacher RWG. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. [Doctoral Dissertation]. University Utrecht; 2007. Available from: http://dspace.library.uu.nl/handle/1874/19081 ; URN:NBN:NL:UI:10-1874-19081 ; URN:NBN:NL:UI:10-1874-19081 ; http://dspace.library.uu.nl/handle/1874/19081

15. Doeselaar, Pieternella van. La rosace sur fond blanc: le parcours Proustien du classicisme moderne au modernisme classique.

Degree: 2012, Department of French Language and Culture, Institute of Cultural Disciplines, Faculty of Humanities, Leiden University

 Dit literair-historisch proefschrift volgt het innovatieve proces van de romancyclus A la recherche du temps perdu die zich, mede onder invloed van de avant-garde schilderkunst,… (more)

Subjects/Keywords: Twentieth-century; Literature; Art; Modernism; Modernity; Avant-garde; Periodisation; Proust; La Recherche; Mondrian; Twentieth-century; Literature; Art; Modernism; Modernity; Avant-garde; Periodisation; Proust; La Recherche; Mondrian

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APA (6th Edition):

Doeselaar, P. v. (2012). La rosace sur fond blanc: le parcours Proustien du classicisme moderne au modernisme classique. (Doctoral Dissertation). Department of French Language and Culture, Institute of Cultural Disciplines, Faculty of Humanities, Leiden University. Retrieved from http://hdl.handle.net/1887/19172

Chicago Manual of Style (16th Edition):

Doeselaar, Pieternella van. “La rosace sur fond blanc: le parcours Proustien du classicisme moderne au modernisme classique.” 2012. Doctoral Dissertation, Department of French Language and Culture, Institute of Cultural Disciplines, Faculty of Humanities, Leiden University. Accessed January 20, 2020. http://hdl.handle.net/1887/19172.

MLA Handbook (7th Edition):

Doeselaar, Pieternella van. “La rosace sur fond blanc: le parcours Proustien du classicisme moderne au modernisme classique.” 2012. Web. 20 Jan 2020.

Vancouver:

Doeselaar Pv. La rosace sur fond blanc: le parcours Proustien du classicisme moderne au modernisme classique. [Internet] [Doctoral dissertation]. Department of French Language and Culture, Institute of Cultural Disciplines, Faculty of Humanities, Leiden University; 2012. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1887/19172.

Council of Science Editors:

Doeselaar Pv. La rosace sur fond blanc: le parcours Proustien du classicisme moderne au modernisme classique. [Doctoral Dissertation]. Department of French Language and Culture, Institute of Cultural Disciplines, Faculty of Humanities, Leiden University; 2012. Available from: http://hdl.handle.net/1887/19172

16. Langfeld, Gregor Matthias. Die Kanonisierung moderner deutscher Kunst in New York, 1904-1957.

Degree: 2010, Leiden University Institute for Cultural Disciplines , Faculty of Humanities, Leiden University

 Het proefschrift De canonisering van moderne Duitse kunst in New York, 1904-1957 onderzoekt op welke wijze de bemiddelaars in de New Yorkse kunstwereld bepaalde stromingen… (more)

Subjects/Keywords: Museum studies; Reception history/theory; Canon/Canonization; History of Ideas; Modern German art; Avant-garde; Expressionism; Bauhaus; New York art scene; Museum studies; Reception history/theory; Canon/Canonization; History of Ideas; Modern German art; Avant-garde; Expressionism; Bauhaus; New York art scene

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Langfeld, G. M. (2010). Die Kanonisierung moderner deutscher Kunst in New York, 1904-1957. (Doctoral Dissertation). Leiden University Institute for Cultural Disciplines , Faculty of Humanities, Leiden University. Retrieved from http://hdl.handle.net/1887/15933

Chicago Manual of Style (16th Edition):

Langfeld, Gregor Matthias. “Die Kanonisierung moderner deutscher Kunst in New York, 1904-1957.” 2010. Doctoral Dissertation, Leiden University Institute for Cultural Disciplines , Faculty of Humanities, Leiden University. Accessed January 20, 2020. http://hdl.handle.net/1887/15933.

MLA Handbook (7th Edition):

Langfeld, Gregor Matthias. “Die Kanonisierung moderner deutscher Kunst in New York, 1904-1957.” 2010. Web. 20 Jan 2020.

Vancouver:

Langfeld GM. Die Kanonisierung moderner deutscher Kunst in New York, 1904-1957. [Internet] [Doctoral dissertation]. Leiden University Institute for Cultural Disciplines , Faculty of Humanities, Leiden University; 2010. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1887/15933.

Council of Science Editors:

Langfeld GM. Die Kanonisierung moderner deutscher Kunst in New York, 1904-1957. [Doctoral Dissertation]. Leiden University Institute for Cultural Disciplines , Faculty of Humanities, Leiden University; 2010. Available from: http://hdl.handle.net/1887/15933

17. Devos, Piet Pierre Dirk. Talend lichaam: de visuele en haptische waarneming in de avant-garde poezie van Huidobro en Péret.

Degree: Faculteit der Letteren, 2013, NARCIS

Subjects/Keywords: 1900-1950; Avant-garde; gedichten; vernieuwing; proefschriften; Vincente Garcia-Huidobro Fernandez (1893-1948); Benjamin Peret (1899-1959); 1890-1900; 1880-1890; literaire genres

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APA (6th Edition):

Devos, P. P. D. (2013). Talend lichaam: de visuele en haptische waarneming in de avant-garde poezie van Huidobro en Péret. (Doctoral Dissertation). NARCIS. Retrieved from https://www.rug.nl/research/portal/en/publications/talend-lichaam(a05e5d0b-97d4-440a-8aa1-6526edee810e).html ; urn:nbn:nl:ui:11-dbi/5289f2e03bdfe ; a05e5d0b-97d4-440a-8aa1-6526edee810e ; 11370/a05e5d0b-97d4-440a-8aa1-6526edee810e ; urn:isbn:978-90-367-6639-5 ; urn:nbn:nl:ui:11-dbi/5289f2e03bdfe ; https://www.rug.nl/research/portal/en/publications/talend-lichaam(a05e5d0b-97d4-440a-8aa1-6526edee810e).html

Chicago Manual of Style (16th Edition):

Devos, Piet Pierre Dirk. “Talend lichaam: de visuele en haptische waarneming in de avant-garde poezie van Huidobro en Péret.” 2013. Doctoral Dissertation, NARCIS. Accessed January 20, 2020. https://www.rug.nl/research/portal/en/publications/talend-lichaam(a05e5d0b-97d4-440a-8aa1-6526edee810e).html ; urn:nbn:nl:ui:11-dbi/5289f2e03bdfe ; a05e5d0b-97d4-440a-8aa1-6526edee810e ; 11370/a05e5d0b-97d4-440a-8aa1-6526edee810e ; urn:isbn:978-90-367-6639-5 ; urn:nbn:nl:ui:11-dbi/5289f2e03bdfe ; https://www.rug.nl/research/portal/en/publications/talend-lichaam(a05e5d0b-97d4-440a-8aa1-6526edee810e).html.

MLA Handbook (7th Edition):

Devos, Piet Pierre Dirk. “Talend lichaam: de visuele en haptische waarneming in de avant-garde poezie van Huidobro en Péret.” 2013. Web. 20 Jan 2020.

Vancouver:

Devos PPD. Talend lichaam: de visuele en haptische waarneming in de avant-garde poezie van Huidobro en Péret. [Internet] [Doctoral dissertation]. NARCIS; 2013. [cited 2020 Jan 20]. Available from: https://www.rug.nl/research/portal/en/publications/talend-lichaam(a05e5d0b-97d4-440a-8aa1-6526edee810e).html ; urn:nbn:nl:ui:11-dbi/5289f2e03bdfe ; a05e5d0b-97d4-440a-8aa1-6526edee810e ; 11370/a05e5d0b-97d4-440a-8aa1-6526edee810e ; urn:isbn:978-90-367-6639-5 ; urn:nbn:nl:ui:11-dbi/5289f2e03bdfe ; https://www.rug.nl/research/portal/en/publications/talend-lichaam(a05e5d0b-97d4-440a-8aa1-6526edee810e).html.

Council of Science Editors:

Devos PPD. Talend lichaam: de visuele en haptische waarneming in de avant-garde poezie van Huidobro en Péret. [Doctoral Dissertation]. NARCIS; 2013. Available from: https://www.rug.nl/research/portal/en/publications/talend-lichaam(a05e5d0b-97d4-440a-8aa1-6526edee810e).html ; urn:nbn:nl:ui:11-dbi/5289f2e03bdfe ; a05e5d0b-97d4-440a-8aa1-6526edee810e ; 11370/a05e5d0b-97d4-440a-8aa1-6526edee810e ; urn:isbn:978-90-367-6639-5 ; urn:nbn:nl:ui:11-dbi/5289f2e03bdfe ; https://www.rug.nl/research/portal/en/publications/talend-lichaam(a05e5d0b-97d4-440a-8aa1-6526edee810e).html

18. Dobbelsteen, Hilde Sophie van den. Feministisch Flaneren in Film: Van de mannelijke voyeur naar een vrouwelijk flanerend subject in avant-gardefilm van de jaren zestig tot nu.

Degree: 2017, Leiden University

 Degene die kijkt heeft de macht, degene die bekeken wordt is machteloos. Deze dynamiek hoort bij de klassieke cinema die de mannelijke voyeuristische blik produceert… (more)

Subjects/Keywords: film; feminisme; vrouwelijk subject in film; flâneur; vrouwelijke flâneur; voyeur; avant-garde; klassieke film theorie; inclusief feminisme; flâneur in film

…zoektocht naar alternatieven op mainstream beeldcultuur is de keuze voor avant-garde cinema een… …feministische potentie in film te vinden is het dus logisch om te kijken naar de avant-garde traditie… …In dit hoofdstuk zal ik het bestaan van de modus van de vrouwelijke flâneur in avant-garde… …hoofdstuk te beantwoorden, zal ik twee avant- garde films uit de jaren zestig bespreken: Rape… …van Yoko Ono Een van de meest extreme films over de mannelijke blik in avant-garde film is… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dobbelsteen, H. S. v. d. (2017). Feministisch Flaneren in Film: Van de mannelijke voyeur naar een vrouwelijk flanerend subject in avant-gardefilm van de jaren zestig tot nu. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/52537

Chicago Manual of Style (16th Edition):

Dobbelsteen, Hilde Sophie van den. “Feministisch Flaneren in Film: Van de mannelijke voyeur naar een vrouwelijk flanerend subject in avant-gardefilm van de jaren zestig tot nu.” 2017. Masters Thesis, Leiden University. Accessed January 20, 2020. http://hdl.handle.net/1887/52537.

MLA Handbook (7th Edition):

Dobbelsteen, Hilde Sophie van den. “Feministisch Flaneren in Film: Van de mannelijke voyeur naar een vrouwelijk flanerend subject in avant-gardefilm van de jaren zestig tot nu.” 2017. Web. 20 Jan 2020.

Vancouver:

Dobbelsteen HSvd. Feministisch Flaneren in Film: Van de mannelijke voyeur naar een vrouwelijk flanerend subject in avant-gardefilm van de jaren zestig tot nu. [Internet] [Masters thesis]. Leiden University; 2017. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1887/52537.

Council of Science Editors:

Dobbelsteen HSvd. Feministisch Flaneren in Film: Van de mannelijke voyeur naar een vrouwelijk flanerend subject in avant-gardefilm van de jaren zestig tot nu. [Masters Thesis]. Leiden University; 2017. Available from: http://hdl.handle.net/1887/52537


Leiden University

19. Staal, J.H. Propaganda Art from the 20th to the 21st Century.

Degree: 2018, Leiden University

 This study by artist Jonas Staal explores the development of propaganda art from the 20th to the 21st century. Staal defines propaganda as the performance… (more)

Subjects/Keywords: Propaganda; Propaganda art; Artistic Research; Performance Studies; Avant-garde Propaganda Art; Totalitarian Propaganda Art; Modernist Propaganda Art; War on Terror Propaganda Art; Popular Propaganda Art; Stateless Propaganda Art; Propaganda; Propaganda art; Artistic Research; Performance Studies; Avant-garde Propaganda Art; Totalitarian Propaganda Art; Modernist Propaganda Art; War on Terror Propaganda Art; Popular Propaganda Art; Stateless Propaganda Art

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APA (6th Edition):

Staal, J. H. (2018). Propaganda Art from the 20th to the 21st Century. (Doctoral Dissertation). Leiden University. Retrieved from http://hdl.handle.net/1887/60210

Chicago Manual of Style (16th Edition):

Staal, J H. “Propaganda Art from the 20th to the 21st Century.” 2018. Doctoral Dissertation, Leiden University. Accessed January 20, 2020. http://hdl.handle.net/1887/60210.

MLA Handbook (7th Edition):

Staal, J H. “Propaganda Art from the 20th to the 21st Century.” 2018. Web. 20 Jan 2020.

Vancouver:

Staal JH. Propaganda Art from the 20th to the 21st Century. [Internet] [Doctoral dissertation]. Leiden University; 2018. [cited 2020 Jan 20]. Available from: http://hdl.handle.net/1887/60210.

Council of Science Editors:

Staal JH. Propaganda Art from the 20th to the 21st Century. [Doctoral Dissertation]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/60210


Universiteit Utrecht

20. Ananias, R. Gestolen of Gevonden; een onderzoek naar appropriatie in Video- en Nieuwe Mediakunst.

Degree: 2012, Universiteit Utrecht

 Inleiding Deze thesis vormt een semantisch onderzoek naar het gebruik van bewegende beelden afkomstig uit massamedia en massacultuur in Video- en Nieuwe Mediakunst. Het beeld… (more)

Subjects/Keywords: appropriatie; avant-gardistische film; video; nieuwe media; Internetkunst; Videogamekunst

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ananias, R. (2012). Gestolen of Gevonden; een onderzoek naar appropriatie in Video- en Nieuwe Mediakunst. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/235293

Chicago Manual of Style (16th Edition):

Ananias, R. “Gestolen of Gevonden; een onderzoek naar appropriatie in Video- en Nieuwe Mediakunst.” 2012. Masters Thesis, Universiteit Utrecht. Accessed January 20, 2020. http://dspace.library.uu.nl:8080/handle/1874/235293.

MLA Handbook (7th Edition):

Ananias, R. “Gestolen of Gevonden; een onderzoek naar appropriatie in Video- en Nieuwe Mediakunst.” 2012. Web. 20 Jan 2020.

Vancouver:

Ananias R. Gestolen of Gevonden; een onderzoek naar appropriatie in Video- en Nieuwe Mediakunst. [Internet] [Masters thesis]. Universiteit Utrecht; 2012. [cited 2020 Jan 20]. Available from: http://dspace.library.uu.nl:8080/handle/1874/235293.

Council of Science Editors:

Ananias R. Gestolen of Gevonden; een onderzoek naar appropriatie in Video- en Nieuwe Mediakunst. [Masters Thesis]. Universiteit Utrecht; 2012. Available from: http://dspace.library.uu.nl:8080/handle/1874/235293


Universiteit Utrecht

21. Buzzo, G. Spectrometry for plant species recognition in Mediterranean forest canopies - Spectral separability and image unmixing studied on field and aerial data.

Degree: 2012, Universiteit Utrecht

 Mediterranean-type forests are formed by heterogeneous, dense communities. This condition represents a challenge for plant species discrimination using optical remote sensing. The detection of species… (more)

Subjects/Keywords: Geowetenschappen; Mediterranean forest, Spectral separability, Wilcoxon sum-of-ranks test, Linear spectral unmixing, Mixed endmembers, ASD FieldSpec FR, HyMap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Buzzo, G. (2012). Spectrometry for plant species recognition in Mediterranean forest canopies - Spectral separability and image unmixing studied on field and aerial data. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/253898

Chicago Manual of Style (16th Edition):

Buzzo, G. “Spectrometry for plant species recognition in Mediterranean forest canopies - Spectral separability and image unmixing studied on field and aerial data.” 2012. Masters Thesis, Universiteit Utrecht. Accessed January 20, 2020. http://dspace.library.uu.nl:8080/handle/1874/253898.

MLA Handbook (7th Edition):

Buzzo, G. “Spectrometry for plant species recognition in Mediterranean forest canopies - Spectral separability and image unmixing studied on field and aerial data.” 2012. Web. 20 Jan 2020.

Vancouver:

Buzzo G. Spectrometry for plant species recognition in Mediterranean forest canopies - Spectral separability and image unmixing studied on field and aerial data. [Internet] [Masters thesis]. Universiteit Utrecht; 2012. [cited 2020 Jan 20]. Available from: http://dspace.library.uu.nl:8080/handle/1874/253898.

Council of Science Editors:

Buzzo G. Spectrometry for plant species recognition in Mediterranean forest canopies - Spectral separability and image unmixing studied on field and aerial data. [Masters Thesis]. Universiteit Utrecht; 2012. Available from: http://dspace.library.uu.nl:8080/handle/1874/253898

.