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You searched for subject:( en TROPICALISM). Showing records 1 – 3 of 3 total matches.

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Pontifical Catholic University of Rio de Janeiro

1. MARIANO DA SILVA PERDIGAO. [en] THE INTELLECTUAL CAREER OF CACASO IN THE BRAZILIAN CULTURAL CONTEXT.

Degree: 2017, Pontifical Catholic University of Rio de Janeiro

[pt] A trajetória intelectual de Antonio Carlos de Brito, o Cacaso, no contexto cultural brasileiro de 1967 a 1987, a partir de sua obra editada e de seus escritos inéditos. A relação do autor com as vanguardas poéticas, com a tradição modernista e com a poesia de seu tempo, enquanto poeta e crítico. Cacaso e seus pares geracionais.

[en] The intellectual career of Antonio Carlos Brito, a.k.a. Cacaso, in the Brazilian cultural context from 1967 to 1987, on the basis of his published works and unpublished writings. The author s relationship with the poetic avant-gardes, the Brazilian Modernist tradition and the poetry of his time, as poet and critic. Cacaso and his generational peers.

Advisors/Committee Members: PAULO FERNANDO HENRIQUES BRITTO.

Subjects/Keywords: [pt] MUSICA POPULAR BRASILEIRA; [en] POPULAR BRAZILIAN MUSIC; [pt] MODERNISMO; [en] MODERNISM; [pt] POESIA MARGINAL; [en] MARGINAL POETRY; [pt] CONCRETISMO; [en] CONCRETISM; [pt] ANOS 70; [en] 1970´S; [pt] TROPICALISMO; [en] TROPICALISM; [pt] VANGUARDA; [en] VANGUARDS; [pt] ANTONIO CARLOS DE BRITO; [pt] CACASO; [pt] GERACAO MIMEOGRAFO

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

PERDIGAO, M. D. S. (2017). [en] THE INTELLECTUAL CAREER OF CACASO IN THE BRAZILIAN CULTURAL CONTEXT. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30156

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

PERDIGAO, MARIANO DA SILVA. “[en] THE INTELLECTUAL CAREER OF CACASO IN THE BRAZILIAN CULTURAL CONTEXT.” 2017. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 05, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30156.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

PERDIGAO, MARIANO DA SILVA. “[en] THE INTELLECTUAL CAREER OF CACASO IN THE BRAZILIAN CULTURAL CONTEXT.” 2017. Web. 05 Dec 2019.

Vancouver:

PERDIGAO MDS. [en] THE INTELLECTUAL CAREER OF CACASO IN THE BRAZILIAN CULTURAL CONTEXT. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2017. [cited 2019 Dec 05]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30156.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

PERDIGAO MDS. [en] THE INTELLECTUAL CAREER OF CACASO IN THE BRAZILIAN CULTURAL CONTEXT. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2017. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30156

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

2. ANDERSON PIRES DA SILVA. [en] MÁRIO AND OSWALD: A PRIVATE HISTORY OF MODERNISM.

Degree: 2006, Pontifical Catholic University of Rio de Janeiro

[pt] Este trabalho pretende traçar a recepção da escrita de Mário de Andrade e Oswald de Andrade entre os anos de 1945-70, a criação de uma consciência nacional e uma escrita de vanguarda, tendo em vista a eleição de ambos ao patamar de alto modernismo. A historiografia literária, orientada pela tradição nacionalista, localiza em Mário a síntese superior das propostas pós-22, relegando Oswald ao plano de terrorista cultural. O Concretismo, para viabilizar uma historiografia sincrônica, regida pelo padrão internacional das vanguardas, elege a poesia pau-Brasil como uma revolução estética, antecipadora da poesia concreta, minimiza o papel de Mário, denominando-o reformador, ou nas entrelinhas, modernista conservador. A teoria concreta apresenta a antropofagia ao Tropicalismo, que encontra nela o argumento teórico para justificar sua assimilação da cultura de massa como proposta de renovação e atualização cultural. Por um ou por outro viés, os modernistas são objetos construídos para legitimar o discurso nacionalista ou o discurso internacionalista.

[en] This work intends to outline the reception of the writings by Mário de Andrade and Oswald de Andrade between the years of 1945-70, the creation of a national consciousness and a vanguardist writing, taking into consideration the election of both of them to the level of high modernism. The literary historiography, guided by the nationalist tradition, sees in Mário the superior synthesis of the post-22 proposals, leaving Oswald on the level of cultural terrorist. Concretism, to make viable a synchronic historiography, guided by the international pattern of the vanguards, elects the pau- Brasil poetry as an esthetic revolution, anticipating the concrete poetry, minimizing Mário´s role, calling him the reformer, or between the lines, conservative modernist. The concrete theory presents the anthropophagy to the tropicalism, which finds in it the theoric argument to justify its assimilation of mass culture as a proposal of renovation and cultural update. From one view or another, the modernists are objects constructed to legitimize the nationalist speech or the internationalist one.

Advisors/Committee Members: JULIO CESAR VALLADAO DINIZ.

Subjects/Keywords: [pt] MODERNISMO; [en] MODERNISM; [pt] SEMANA DE ARTE MODERNA; [en] WEEK OF MODERN ART; [pt] CONCRETISMO; [en] CONCRETISM; [pt] TROPICALISMO; [en] TROPICALISM; [pt] ANTROPOFAGIA; [en] ANTHROPOPHAGY

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

SILVA, A. P. D. (2006). [en] MÁRIO AND OSWALD: A PRIVATE HISTORY OF MODERNISM. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9087

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

SILVA, ANDERSON PIRES DA. “[en] MÁRIO AND OSWALD: A PRIVATE HISTORY OF MODERNISM.” 2006. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 05, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9087.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

SILVA, ANDERSON PIRES DA. “[en] MÁRIO AND OSWALD: A PRIVATE HISTORY OF MODERNISM.” 2006. Web. 05 Dec 2019.

Vancouver:

SILVA APD. [en] MÁRIO AND OSWALD: A PRIVATE HISTORY OF MODERNISM. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2006. [cited 2019 Dec 05]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9087.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

SILVA APD. [en] MÁRIO AND OSWALD: A PRIVATE HISTORY OF MODERNISM. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2006. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9087

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

3. MIGUEL JOST RAMOS. [en] RE(DIS)ORGANIZING THE MOVEMENT: AN OUTLOOK ON BRAZILIAN POPULAR MUSIC DURING THE SEVENTIES.

Degree: 2007, Pontifical Catholic University of Rio de Janeiro

[pt] Discutir de forma crítica a produção e a recepção da música popular brasileira ao longo dos anos 70 é o objetivo central deste trabalho. De maneira oposta ao que ocorreu com a bossa nova, o tropicalismo e o rock dos anos 80, a reflexão sobre esse período de grande importância da nossa música parece ser dispersa e fragmentada, sem apresentar a consistência das análises sobre os movimentos citados. Essa consistência não se baseia numa interpretação homogênea dos casos. Pelo contrário, a diversidade de interpretações é o que confere a eles uma posição privilegiada no campo dos Estudos Culturais no Brasil. A proposta dessa dissertação é justamente se juntar a essa dispersa e fragmentada produção teórico- reflexiva sobre os anos 70 oferecendo mais uma voz, um olhar, um corpo escrito que de alguma forma possa interceder nos debates sobre a cultura brasileira e sua vitalidade naquele momento. Levando em consideração a especificidade de uma conjuntura política de autoritarismo e de violento cerceamento a liberdade de expressão e opinião, porém sem aceitar qualquer forma de leitura determinista sobre essa condição, minha proposta é discutir questões que tenham, de algum modo, afetado a classe artística, o público e a crítica desta década.

[en] The central objective of this work is to critically discuss the production and reception of Brazilian popular music during the seventies. Opposite to what happened to bossa nova, tropicalism and the 80s rock movement, the reflections about this period of great importance in our music seem to be disperse and fragmented, not presenting the consistency of the analyses of the aforementioned movements. This consistency is not based on an homogeneous interpretation of the cases, on the contrary, the diversity of interpretations is what confers to them a privileged position at the Cultural Studies field in Brazil. The exact proposal of this dissertation is to join this disperse and fragmented theoretical-reflexive production about the 70s presenting one more voice, an outlook, a written body that somehow may intercede in the debates on Brazilian culture and its vitality at that moment. My proposal is to discuss questions that somehow affected the artists, audiences and critics of this decade, taking in consideration the specificity of a political context of authoritarism and violent restrictions of freedom of speech and opinion, whilst not accepting any form of determinist reading of this condition.

Advisors/Committee Members: JULIO CESAR VALLADAO DINIZ.

Subjects/Keywords: [pt] MUSICA POPULAR BRASILEIRA; [en] POPULAR BRAZILIAN MUSIC; [pt] CAETANO VELOSO; [en] CAETANO VELOSO; [pt] CHICO BUARQUE; [en] CHICO BUARQUE; [pt] ANOS 70; [en] 1970´S; [pt] TROPICALISMO; [en] TROPICALISM

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

RAMOS, M. J. (2007). [en] RE(DIS)ORGANIZING THE MOVEMENT: AN OUTLOOK ON BRAZILIAN POPULAR MUSIC DURING THE SEVENTIES. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=10721

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

RAMOS, MIGUEL JOST. “[en] RE(DIS)ORGANIZING THE MOVEMENT: AN OUTLOOK ON BRAZILIAN POPULAR MUSIC DURING THE SEVENTIES.” 2007. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 05, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=10721.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

RAMOS, MIGUEL JOST. “[en] RE(DIS)ORGANIZING THE MOVEMENT: AN OUTLOOK ON BRAZILIAN POPULAR MUSIC DURING THE SEVENTIES.” 2007. Web. 05 Dec 2019.

Vancouver:

RAMOS MJ. [en] RE(DIS)ORGANIZING THE MOVEMENT: AN OUTLOOK ON BRAZILIAN POPULAR MUSIC DURING THE SEVENTIES. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2007. [cited 2019 Dec 05]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=10721.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

RAMOS MJ. [en] RE(DIS)ORGANIZING THE MOVEMENT: AN OUTLOOK ON BRAZILIAN POPULAR MUSIC DURING THE SEVENTIES. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2007. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=10721

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.