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Pontifical Catholic University of Rio de Janeiro

1. JOAB MARTINS DE LIMA. [en] THE ESCHATOLOGICAL DIMENSION OF THE POST-EXILIC TEMPLE: A STUDY ABOUT HAG 2.1-9.

Degree: 2019, Pontifical Catholic University of Rio de Janeiro

[pt] No livro dos doze, Ageu é o segundo em extensão perdendo apenas para Abdias. Neste pequeno livro, constituído de apenas dois capítulos, está uma mensagem que busca animar os construtores do templo pós-exílico. O oráculo em Ag 2,1-9 chama a atenção porque demonstra um interesse de YHWH pelo templo. O presente trabalho propõe-se a analisar Ag 2,1-9, com o objetivo de identificar pontos que demonstrem um enunciado escatológico profético e qual a dimensão escatológica do templo pós-exílico. Tal objetivo pôde ser alcançado, após a análise do texto, que tomou por base os aspectos da escatologia vétero-testamentária para identificá-lo como um oráculo escatológico salvífico.

[en] In the book of the twelve, Haggai is the second in a less extent, second only to Abdias. In this small book, consisting of only two chapters, is a message that seeks to encourage the builders of the post-exilic temple. The oracle in Hag 2.1-9 points out the reason why it has an interest in the temple of YHWH. This study proposes to examine Hag 2.1-9, with the aim of identifying points that demonstrate a prophetic eschatological statement and which the eschatological dimension of the post-exilic temple is. Such a goal could be reached after examining the text, which was based on the aspects of eschatology vetero-testamentary to identify him as an oracle eschatological salvation.

Advisors/Committee Members: MARIA DE LOURDES CORREA LIMA.

Subjects/Keywords: [pt] HISTORIA; [en] HISTORY; [pt] EXILIO; [en] EXILE; [pt] ESCATOLOGIA; [en] ESCHATOLOGY; [pt] POS-EXILIO; [en] POST-EXILE; [pt] TEMPLO; [en] TEMPLE

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

LIMA, J. M. D. (2019). [en] THE ESCHATOLOGICAL DIMENSION OF THE POST-EXILIC TEMPLE: A STUDY ABOUT HAG 2.1-9. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37367

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

LIMA, JOAB MARTINS DE. “[en] THE ESCHATOLOGICAL DIMENSION OF THE POST-EXILIC TEMPLE: A STUDY ABOUT HAG 2.1-9.” 2019. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed April 18, 2021. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37367.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

LIMA, JOAB MARTINS DE. “[en] THE ESCHATOLOGICAL DIMENSION OF THE POST-EXILIC TEMPLE: A STUDY ABOUT HAG 2.1-9.” 2019. Web. 18 Apr 2021.

Vancouver:

LIMA JMD. [en] THE ESCHATOLOGICAL DIMENSION OF THE POST-EXILIC TEMPLE: A STUDY ABOUT HAG 2.1-9. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. [cited 2021 Apr 18]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37367.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

LIMA JMD. [en] THE ESCHATOLOGICAL DIMENSION OF THE POST-EXILIC TEMPLE: A STUDY ABOUT HAG 2.1-9. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37367

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

2. Asavaplungkul Saisingha, Monruedee. Le Râmâyana dans les peintures du temple du Buddha d'Émeraude (Wat Phra Kèo) à Bangkok : sources, contexte, prolongements : The Râmâyana in the paintings of the Emerald Buddha temple (Wat Phra Kèo), Bangkok : sources, context, repercussion.

Degree: Docteur es, Histoire de l'art, 2015, Université Paris-Sorbonne – Paris IV

Le Râmakîen est une des œuvres littéraires les plus importantes du royaume thaïlandais. Reprenant l’épopée indienne de Vâlmîki, le Râmâyana, il revêt une grande importance à la cour royale et sa popularité est considérable dans toute l’Asie du Sud-Est. Au Wat Phra Kèo, ses épisodes ont été intégralement illustrés sur le mur de la galerie. La thèse ne prend en compte que les parties figurant les dix incarnations de Viṣṇu et la naissance des dieux hindous et des personnages de l’épopée. Ces épisodes nous amènent au prélude du Râmakîen et l’étude s’arrête au moment du retour du roi Jânaka à Mithilâ. Il nous a fallu opérer des rapprochements entre ces peintures et le Tamrâ Thewarûp, les albums d’iconographie brahmanique, ainsi que le Tamrâ Thewapâng, recueil de légendes sur la naissance des dieux et les incarnations de Viṣṇu. Ces rapprochements étaient nécessaires car tous les épisodes représentés à Wat Phra Kèo ne sont pas racontés dans le Râmakîen tel que le relate la version du roi Râma I. L’omniprésence des scènes empruntées à l’épopée, en particulier celles des dix incarnations de Viṣṇu et des dieux hindous dans les temples importants de Bangkok fondés par les rois ou par leurs proches au début de la période de Ratanakosin, s’explique par la grande importance accordée par ces souverains à l’incarnation de Viṣṇu en Râma. Le royaume thaïlandais adopta par ailleurs les rites brahmaniques pratiqués à la cour khmère. Une récapitulation des témoignages iconographiques sur l’épopée au Cambodge, au Laos et au Myanmar complète notre étude.

The Râmakîen is one of the most important literary works in Thailand. Derived from the Indian epic of Vâlmîki, it became very important at the royal Thai court, and is one of the most popular texts in South-East Asia. At Wat Phra Kèo its episodes are represented on the four sides of the gallery. This thesis aims to study the parts illustrating the ten incarnations of Viṣṇu, the birth of the Hindu Gods and the main characters of the Indian epic. These episodes lead us through the Râmakîen’s prelude and our study stops at the moment of King Jânaka’s return to Mithilâ, his kingdom. The comparison between the paintings, the Tamrâ Thewarûp, the iconographic albums of Hindu Gods and the Tamrâ Thewapâng (the book of legends containing the god’s creation and the ten incarnations of Viṣṇu) proved necessary to understand some of the painted scenes which do not relate to the Râmakîen, as told in the version composed by King Râma I. The omnipresence of a number of scenes borrowed from the epic (particularly the ten incarnation scenes of Viṣṇu and the Hindu God images) in the temples founded by the kings or their families around Bangkok’s Grand Palace can be explained by the great importance attributed by the sovereigns to the Râma avatâra of Viṣṇu. Besides, the Thai Kingdom borrowed from the Khmer court their Hindu rituals. A review of the Râmâyana images in Cambodia, Laos and Myanmar completes our study.

Advisors/Committee Members: Parlier-Renault, Édith (thesis director).

Subjects/Keywords: Râmâyana; Visnu; Râma; Rois thaïlandais; Dynastie Chakrî; Civilisation indienne en Asie du Sud-est; Temple du Buddha d'Émeraude; Peintures murales; Ramayana; Visnu; Râma; Thaï kings; Chakrî dynasty; Indian civilization in South-East Asia; Temple of the Emerald Buddha; Mural paintings

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Asavaplungkul Saisingha, M. (2015). Le Râmâyana dans les peintures du temple du Buddha d'Émeraude (Wat Phra Kèo) à Bangkok : sources, contexte, prolongements : The Râmâyana in the paintings of the Emerald Buddha temple (Wat Phra Kèo), Bangkok : sources, context, repercussion. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2015PA040049

Chicago Manual of Style (16th Edition):

Asavaplungkul Saisingha, Monruedee. “Le Râmâyana dans les peintures du temple du Buddha d'Émeraude (Wat Phra Kèo) à Bangkok : sources, contexte, prolongements : The Râmâyana in the paintings of the Emerald Buddha temple (Wat Phra Kèo), Bangkok : sources, context, repercussion.” 2015. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed April 18, 2021. http://www.theses.fr/2015PA040049.

MLA Handbook (7th Edition):

Asavaplungkul Saisingha, Monruedee. “Le Râmâyana dans les peintures du temple du Buddha d'Émeraude (Wat Phra Kèo) à Bangkok : sources, contexte, prolongements : The Râmâyana in the paintings of the Emerald Buddha temple (Wat Phra Kèo), Bangkok : sources, context, repercussion.” 2015. Web. 18 Apr 2021.

Vancouver:

Asavaplungkul Saisingha M. Le Râmâyana dans les peintures du temple du Buddha d'Émeraude (Wat Phra Kèo) à Bangkok : sources, contexte, prolongements : The Râmâyana in the paintings of the Emerald Buddha temple (Wat Phra Kèo), Bangkok : sources, context, repercussion. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2015. [cited 2021 Apr 18]. Available from: http://www.theses.fr/2015PA040049.

Council of Science Editors:

Asavaplungkul Saisingha M. Le Râmâyana dans les peintures du temple du Buddha d'Émeraude (Wat Phra Kèo) à Bangkok : sources, contexte, prolongements : The Râmâyana in the paintings of the Emerald Buddha temple (Wat Phra Kèo), Bangkok : sources, context, repercussion. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2015. Available from: http://www.theses.fr/2015PA040049

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