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You searched for subject:( en PAINTING). Showing records 1 – 30 of 36 total matches.

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Pontifical Catholic University of Rio de Janeiro

1. JORGE HENRIQUE SAYÃO CARNEIRO. [en] EDUARDO SUED: THE INDEFINITE ONE INSIDE OF A GRATING.

Degree: 2011, Pontifical Catholic University of Rio de Janeiro

[pt] O presente trabalho busca analisar a produção plástica do artista Eduardo Sued a partir dos anos 70 até os dias de hoje. Para tal,… (more)

Subjects/Keywords: [pt] BRASIL; [en] BRAZIL; [pt] PINTURA; [en] PAINTING; [pt] ARTE MODERNA; [en] MODERN ART

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

CARNEIRO, J. H. S. (2011). [en] EDUARDO SUED: THE INDEFINITE ONE INSIDE OF A GRATING. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=18371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

CARNEIRO, JORGE HENRIQUE SAYÃO. “[en] EDUARDO SUED: THE INDEFINITE ONE INSIDE OF A GRATING.” 2011. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=18371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

CARNEIRO, JORGE HENRIQUE SAYÃO. “[en] EDUARDO SUED: THE INDEFINITE ONE INSIDE OF A GRATING.” 2011. Web. 15 Dec 2019.

Vancouver:

CARNEIRO JHS. [en] EDUARDO SUED: THE INDEFINITE ONE INSIDE OF A GRATING. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2011. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=18371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

CARNEIRO JHS. [en] EDUARDO SUED: THE INDEFINITE ONE INSIDE OF A GRATING. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2011. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=18371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

2. PALOMA OLIVEIRA DE CARVALHO SANTOS. [en] THE THOUGHT OF COLOR IN THE WORK OF JOSEF ALBERS.

Degree: 2012, Pontifical Catholic University of Rio de Janeiro

[pt] Em Josef Albers, a sua ideia de cor consolida-se na sua maturidade. O conhecimento científico e empírico das cores torna-se uma vivência, utilizado como… (more)

Subjects/Keywords: [pt] INTERACAO; [en] INTERACTION; [pt] MODERNISMO; [en] MODERNISM; [pt] PINTURA; [en] PAINTING; [pt] COR; [en] COLOR

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APA (6th Edition):

SANTOS, P. O. D. C. (2012). [en] THE THOUGHT OF COLOR IN THE WORK OF JOSEF ALBERS. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=19638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

SANTOS, PALOMA OLIVEIRA DE CARVALHO. “[en] THE THOUGHT OF COLOR IN THE WORK OF JOSEF ALBERS.” 2012. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=19638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

SANTOS, PALOMA OLIVEIRA DE CARVALHO. “[en] THE THOUGHT OF COLOR IN THE WORK OF JOSEF ALBERS.” 2012. Web. 15 Dec 2019.

Vancouver:

SANTOS PODC. [en] THE THOUGHT OF COLOR IN THE WORK OF JOSEF ALBERS. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2012. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=19638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

SANTOS PODC. [en] THE THOUGHT OF COLOR IN THE WORK OF JOSEF ALBERS. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2012. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=19638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

3. PAULO SÉRGIO CALVET RIBEIRO FILHO. [en] PERCEPTION, BODY AND PAINTING ACCORDING MERLEAU-PONTY.

Degree: 2016, Pontifical Catholic University of Rio de Janeiro

[pt] O presente trabalho busca oferecer uma interpretação acerca de algumas questões inseridas em obras de Maurice Merleau-Ponty, principalmente as da década de quarenta do… (more)

Subjects/Keywords: [pt] PERCEPCAO; [en] PERCEPTION; [pt] FENOMENOLOGIA; [en] PHENOMENOLOGY; [pt] PINTURA; [en] PAINTING; [pt] CORPO; [en] BODY; [pt] MERLEAU-PONTY

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

FILHO, P. S. C. R. (2016). [en] PERCEPTION, BODY AND PAINTING ACCORDING MERLEAU-PONTY. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=28254

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

FILHO, PAULO SÉRGIO CALVET RIBEIRO. “[en] PERCEPTION, BODY AND PAINTING ACCORDING MERLEAU-PONTY.” 2016. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=28254.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

FILHO, PAULO SÉRGIO CALVET RIBEIRO. “[en] PERCEPTION, BODY AND PAINTING ACCORDING MERLEAU-PONTY.” 2016. Web. 15 Dec 2019.

Vancouver:

FILHO PSCR. [en] PERCEPTION, BODY AND PAINTING ACCORDING MERLEAU-PONTY. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2016. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=28254.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

FILHO PSCR. [en] PERCEPTION, BODY AND PAINTING ACCORDING MERLEAU-PONTY. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2016. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=28254

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

4. PEDRO DAMASCENO FRANCA. [en] IN INADVERTENCE: ABOUT THE UNCERTAINTY IN MANET’S PAINTING.

Degree: 2012, Pontifical Catholic University of Rio de Janeiro

[pt] Este trabalho procura discutir a obra do pintor francês Édouard Manet (1832 – 1883) a partir da intuição de que sua de que, flutuante… (more)

Subjects/Keywords: [pt] ARTE; [en] ART; [pt] PINTURA; [en] PAINTING; [pt] ARTE MODERNA; [en] MODERN ART; [pt] HISTORIA DA ARTE; [en] ART HISTORY

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

FRANCA, P. D. (2012). [en] IN INADVERTENCE: ABOUT THE UNCERTAINTY IN MANET’S PAINTING. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=20738

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

FRANCA, PEDRO DAMASCENO. “[en] IN INADVERTENCE: ABOUT THE UNCERTAINTY IN MANET’S PAINTING.” 2012. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=20738.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

FRANCA, PEDRO DAMASCENO. “[en] IN INADVERTENCE: ABOUT THE UNCERTAINTY IN MANET’S PAINTING.” 2012. Web. 15 Dec 2019.

Vancouver:

FRANCA PD. [en] IN INADVERTENCE: ABOUT THE UNCERTAINTY IN MANET’S PAINTING. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2012. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=20738.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

FRANCA PD. [en] IN INADVERTENCE: ABOUT THE UNCERTAINTY IN MANET’S PAINTING. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2012. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=20738

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

5. FELIPE SIMAS RABELLO. [en] UT PICTURA POESIS: A HISTORIC OVERVIEW OF THE RELATIONSHIP BETWEEN PAINTING AND POETRY.

Degree: 2016, Pontifical Catholic University of Rio de Janeiro

[pt] Ut pictura poesis: um panorama histórico das relações entre pintura e poesia é uma análise crítica do percurso histórico das relações entre as denominadas… (more)

Subjects/Keywords: [pt] LITERATURA; [en] LITERATURE; [pt] POESIA; [en] POETRY; [pt] PINTURA; [en] PAINTING; [pt] EKPHRASIS; [pt] UT PICTURA POESIS; [pt] ESTETICA COMPARADA

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APA (6th Edition):

RABELLO, F. S. (2016). [en] UT PICTURA POESIS: A HISTORIC OVERVIEW OF THE RELATIONSHIP BETWEEN PAINTING AND POETRY. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27704

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

RABELLO, FELIPE SIMAS. “[en] UT PICTURA POESIS: A HISTORIC OVERVIEW OF THE RELATIONSHIP BETWEEN PAINTING AND POETRY.” 2016. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27704.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

RABELLO, FELIPE SIMAS. “[en] UT PICTURA POESIS: A HISTORIC OVERVIEW OF THE RELATIONSHIP BETWEEN PAINTING AND POETRY.” 2016. Web. 15 Dec 2019.

Vancouver:

RABELLO FS. [en] UT PICTURA POESIS: A HISTORIC OVERVIEW OF THE RELATIONSHIP BETWEEN PAINTING AND POETRY. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2016. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27704.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

RABELLO FS. [en] UT PICTURA POESIS: A HISTORIC OVERVIEW OF THE RELATIONSHIP BETWEEN PAINTING AND POETRY. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2016. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27704

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

6. LETHICIA OURO DE ALMEIDA MARQUES DE OLIVEIRA. [en] FROM HUMAN TO DIVINE MÍMESIS: A BRIEF STUDY ON THE NOTIONS OF PAINTING AND SCULPTURE IN PLATO S SOPHIST, TIMAEUS AND LAWS.

Degree: 2016, Pontifical Catholic University of Rio de Janeiro

[pt] A harmonia e a beleza expressas pelas obras de arte plásticas gregas elevaram-nas a um patamar modelar ao longo da história da arte. Apesar… (more)

Subjects/Keywords: [pt] LEI; [en] LAW; [pt] PINTURA; [en] PAINTING; [pt] PLATAO; [en] PLATO; [pt] ESCULTURA; [en] SCULPTURE; [pt] SOFISTA; [en] SOPHIST; [pt] TIMEU; [en] TIMEU

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APA (6th Edition):

OLIVEIRA, L. O. D. A. M. D. (2016). [en] FROM HUMAN TO DIVINE MÍMESIS: A BRIEF STUDY ON THE NOTIONS OF PAINTING AND SCULPTURE IN PLATO S SOPHIST, TIMAEUS AND LAWS. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=26489

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

OLIVEIRA, LETHICIA OURO DE ALMEIDA MARQUES DE. “[en] FROM HUMAN TO DIVINE MÍMESIS: A BRIEF STUDY ON THE NOTIONS OF PAINTING AND SCULPTURE IN PLATO S SOPHIST, TIMAEUS AND LAWS.” 2016. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=26489.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

OLIVEIRA, LETHICIA OURO DE ALMEIDA MARQUES DE. “[en] FROM HUMAN TO DIVINE MÍMESIS: A BRIEF STUDY ON THE NOTIONS OF PAINTING AND SCULPTURE IN PLATO S SOPHIST, TIMAEUS AND LAWS.” 2016. Web. 15 Dec 2019.

Vancouver:

OLIVEIRA LODAMD. [en] FROM HUMAN TO DIVINE MÍMESIS: A BRIEF STUDY ON THE NOTIONS OF PAINTING AND SCULPTURE IN PLATO S SOPHIST, TIMAEUS AND LAWS. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2016. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=26489.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

OLIVEIRA LODAMD. [en] FROM HUMAN TO DIVINE MÍMESIS: A BRIEF STUDY ON THE NOTIONS OF PAINTING AND SCULPTURE IN PLATO S SOPHIST, TIMAEUS AND LAWS. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2016. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=26489

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

7. ANA LUCIA AMADO SARAIVA RIBEIRO. [en] THE GUTTER READING: AN ANALYSIS OF THE INTERMEDIALITY IN COMICS.

Degree: 2019, Pontifical Catholic University of Rio de Janeiro

[pt] A presente pesquisa busca compreender os quadrinhos como expressão que recria conteúdos e formas de outras artes. Em perspectiva interdisciplinar, assume-se o viés da… (more)

Subjects/Keywords: [pt] LITERATURA; [en] LITERATURE; [pt] HISTORIA EM QUADRINHOS; [en] COMICS; [pt] PINTURA; [en] PAINTING; [pt] INTERMIDIALIDADE; [en] INTERMIDIALITY; [pt] SARJETA; [en] GUTTER

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APA (6th Edition):

RIBEIRO, A. L. A. S. (2019). [en] THE GUTTER READING: AN ANALYSIS OF THE INTERMEDIALITY IN COMICS. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36134

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

RIBEIRO, ANA LUCIA AMADO SARAIVA. “[en] THE GUTTER READING: AN ANALYSIS OF THE INTERMEDIALITY IN COMICS.” 2019. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36134.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

RIBEIRO, ANA LUCIA AMADO SARAIVA. “[en] THE GUTTER READING: AN ANALYSIS OF THE INTERMEDIALITY IN COMICS.” 2019. Web. 15 Dec 2019.

Vancouver:

RIBEIRO ALAS. [en] THE GUTTER READING: AN ANALYSIS OF THE INTERMEDIALITY IN COMICS. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36134.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

RIBEIRO ALAS. [en] THE GUTTER READING: AN ANALYSIS OF THE INTERMEDIALITY IN COMICS. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36134

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat de Barcelona

8. Raventós Pagès, Marc. Ressonàncies cromàtiques del delta del Ganges.

Degree: Departament de Pintura, 2015, Universitat de Barcelona

 By means of diaries and paintings, we show the creative process of chromatic resonances of the Ganges delta. The dérive is a procedure of action,… (more)

Subjects/Keywords: Paisatge en l'art; Paisaje en el arte; Landscape in art; Pintura; Painting; Ganges (Índia: curs d'aigua); Ciènces Humanes i Socials; 7

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Raventós Pagès, M. (2015). Ressonàncies cromàtiques del delta del Ganges. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/664479

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Raventós Pagès, Marc. “Ressonàncies cromàtiques del delta del Ganges.” 2015. Thesis, Universitat de Barcelona. Accessed December 15, 2019. http://hdl.handle.net/10803/664479.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Raventós Pagès, Marc. “Ressonàncies cromàtiques del delta del Ganges.” 2015. Web. 15 Dec 2019.

Vancouver:

Raventós Pagès M. Ressonàncies cromàtiques del delta del Ganges. [Internet] [Thesis]. Universitat de Barcelona; 2015. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10803/664479.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Raventós Pagès M. Ressonàncies cromàtiques del delta del Ganges. [Thesis]. Universitat de Barcelona; 2015. Available from: http://hdl.handle.net/10803/664479

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

9. JORGE HENRIQUE SAYÃO CARNEIRO. [en] GIORGIO MORANDI AND THE RESPECT FOR THINGS OF USE.

Degree: 2019, Pontifical Catholic University of Rio de Janeiro

[pt] A tese Giorgio Morandi e o respeito pelas coisas de uso, retoma a produção artística de Giorgio Morandi 1890-1964, um dos mais importantes artistas… (more)

Subjects/Keywords: [pt] FENOMENOLOGIA; [en] PHENOMENOLOGY; [pt] ARTE ITALIANA; [en] ITALIAN ART; [pt] ARTE MODERNA; [en] MODERN ART; [pt] HEIDEGGER; [en] HEIDEGGER; [pt] CUBISMO; [pt] MERLEAU-PONTY; [pt] GIORGIO MORANDI; [en] GIORGIO MORANDI; [pt] PINTURA MODERNA ITALIANA; [en] MODERN ITALIAN PAINTING; [pt] ARTE DO SECULO XX; [en] 20TH CENTURY ART; [pt] CEZANNE; [en] CEZANNE; [pt] PINTURA METAFISICA; [en] METAPHYSICAL PAINTING

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

CARNEIRO, J. H. S. (2019). [en] GIORGIO MORANDI AND THE RESPECT FOR THINGS OF USE. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37894

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

CARNEIRO, JORGE HENRIQUE SAYÃO. “[en] GIORGIO MORANDI AND THE RESPECT FOR THINGS OF USE.” 2019. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37894.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

CARNEIRO, JORGE HENRIQUE SAYÃO. “[en] GIORGIO MORANDI AND THE RESPECT FOR THINGS OF USE.” 2019. Web. 15 Dec 2019.

Vancouver:

CARNEIRO JHS. [en] GIORGIO MORANDI AND THE RESPECT FOR THINGS OF USE. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37894.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

CARNEIRO JHS. [en] GIORGIO MORANDI AND THE RESPECT FOR THINGS OF USE. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37894

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

10. LUCAS CARACAS DE FIGUEIREDO. [en] HIDDEN SURFACES REMOVAL IN PAINTING AREA CALCULATION ON CAD MODELS.

Degree: 2017, Pontifical Catholic University of Rio de Janeiro

[pt] Sistemas CAD – Computer-Aided Design Systems – são muito utilizados nas diferentes etapas do ciclo de vida de um empreendimento de engenharia, como a… (more)

Subjects/Keywords: [pt] MODELOS CAD; [en] CAD MODELS; [pt] CAMPO DE DISTANCIA ADAPTATIVO; [en] ADAPTIVE DISTANCE FIELD; [pt] GEOMETRIA SOLIDA CONSTRUTIVA; [en] CONSTRUCTIVE SOLID GEOMETRY; [pt] AREA DE PINTURA; [en] PAINTING AREA

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

FIGUEIREDO, L. C. D. (2017). [en] HIDDEN SURFACES REMOVAL IN PAINTING AREA CALCULATION ON CAD MODELS. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=31992

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

FIGUEIREDO, LUCAS CARACAS DE. “[en] HIDDEN SURFACES REMOVAL IN PAINTING AREA CALCULATION ON CAD MODELS.” 2017. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=31992.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

FIGUEIREDO, LUCAS CARACAS DE. “[en] HIDDEN SURFACES REMOVAL IN PAINTING AREA CALCULATION ON CAD MODELS.” 2017. Web. 15 Dec 2019.

Vancouver:

FIGUEIREDO LCD. [en] HIDDEN SURFACES REMOVAL IN PAINTING AREA CALCULATION ON CAD MODELS. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2017. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=31992.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

FIGUEIREDO LCD. [en] HIDDEN SURFACES REMOVAL IN PAINTING AREA CALCULATION ON CAD MODELS. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2017. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=31992

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

11. CLARA CAVENDISH WANDERLEY ROTH. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.

Degree: 2018, Pontifical Catholic University of Rio de Janeiro

[pt] As obras dos dois artistas alemães Anselm Kiefer e Georg Baselitz e sua importância na retomada da arte germânica e européia no cenário da… (more)

Subjects/Keywords: [pt] O MOTIVO HISTORICO; [en] HISTORICAL MOTIVATION; [pt] ARTE - PINTURA ALEMA CONTEMPORANEA; [en] ART - CONTEMPORANEOUS GERMAN PAINTING; [pt] NAZISMO - COMUNISMO; [en] NAZISM - COMMUNISM; [pt] PATHOS ROMANTICO; [en] ROMANTIC PATHOS

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APA (6th Edition):

ROTH, C. C. W. (2018). [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

ROTH, CLARA CAVENDISH WANDERLEY. “[en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.” 2018. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

ROTH, CLARA CAVENDISH WANDERLEY. “[en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.” 2018. Web. 15 Dec 2019.

Vancouver:

ROTH CCW. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

ROTH CCW. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

12. ARISIO RABIN. [en] COLOR: NATURE AND ARTIFICIALITY ON BAMBOO – PRINCIPLES AND CONSTRUCTIVE PRACTICES.

Degree: 2016, Pontifical Catholic University of Rio de Janeiro

[pt] No contexto das pesquisas que se desenvolvem no LILD, DAD, PUC-Rio, sobre o encapsulamento de colmos de bambu, este trabalho explora uma nova modalidade… (more)

Subjects/Keywords: [pt] DESIGN; [en] DESIGN; [pt] BAMBU; [en] BAMBOO; [pt] PINTURA; [en] PAINTING; [pt] NATUREZA; [en] NATURE; [pt] ARQUITETURA; [en] ARCHITECTURE; [pt] COR; [en] COLOR; [pt] PAISAGISMO; [en] LANDSCAPE DESIGN; [pt] TENSEGRITY

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

RABIN, A. (2016). [en] COLOR: NATURE AND ARTIFICIALITY ON BAMBOO – PRINCIPLES AND CONSTRUCTIVE PRACTICES. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25673

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

RABIN, ARISIO. “[en] COLOR: NATURE AND ARTIFICIALITY ON BAMBOO – PRINCIPLES AND CONSTRUCTIVE PRACTICES.” 2016. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25673.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

RABIN, ARISIO. “[en] COLOR: NATURE AND ARTIFICIALITY ON BAMBOO – PRINCIPLES AND CONSTRUCTIVE PRACTICES.” 2016. Web. 15 Dec 2019.

Vancouver:

RABIN A. [en] COLOR: NATURE AND ARTIFICIALITY ON BAMBOO – PRINCIPLES AND CONSTRUCTIVE PRACTICES. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2016. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25673.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

RABIN A. [en] COLOR: NATURE AND ARTIFICIALITY ON BAMBOO – PRINCIPLES AND CONSTRUCTIVE PRACTICES. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2016. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25673

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

13. RAUL CORREA DA MOTTA. [en] PAULO PASTA: THIS SIDE THE WORLD.

Degree: 2006, Pontifical Catholic University of Rio de Janeiro

[pt] A partir da análise da trajetória do pintor paulista Paulo Pasta (1959-), o presente trabalho busca examinar as condições de sustentabilidade da pintura, como… (more)

Subjects/Keywords: [pt] PINTURA; [en] PAINTING; [pt] PAULO PASTA; [en] PAULO PASTA; [pt] PINTURA BRASILEIRA CONTEMPORANEA; [en] CONTEMPORARY BRAZILIAN PAINTING

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

MOTTA, R. C. D. (2006). [en] PAULO PASTA: THIS SIDE THE WORLD. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=8052

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

MOTTA, RAUL CORREA DA. “[en] PAULO PASTA: THIS SIDE THE WORLD.” 2006. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=8052.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

MOTTA, RAUL CORREA DA. “[en] PAULO PASTA: THIS SIDE THE WORLD.” 2006. Web. 15 Dec 2019.

Vancouver:

MOTTA RCD. [en] PAULO PASTA: THIS SIDE THE WORLD. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2006. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=8052.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MOTTA RCD. [en] PAULO PASTA: THIS SIDE THE WORLD. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2006. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=8052

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

14. Hajri, Rim Samia. Langage lightgraff : une proposition d'outils d'analyse de la réception du lecteur-consommateur en contexte publicitaire.

Degree: 2013, Université du Québec à Montréal

 Le mémoire présente une démarche méthodologique originale afin d'étudier la réception du lightgraff par le lecteur-consommateur en contexte publicitaire. Peu commun dans ses objectifs, ce… (more)

Subjects/Keywords: Light painting; Publicité  – Langage; Communication en marketing; Consommateurs  – Attitudes; Esthétique de la réception; Émotions; Signification (Philosophie)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hajri, R. S. (2013). Langage lightgraff : une proposition d'outils d'analyse de la réception du lecteur-consommateur en contexte publicitaire. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/8525/1/M13307.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hajri, Rim Samia. “Langage lightgraff : une proposition d'outils d'analyse de la réception du lecteur-consommateur en contexte publicitaire.” 2013. Thesis, Université du Québec à Montréal. Accessed December 15, 2019. http://www.archipel.uqam.ca/8525/1/M13307.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hajri, Rim Samia. “Langage lightgraff : une proposition d'outils d'analyse de la réception du lecteur-consommateur en contexte publicitaire.” 2013. Web. 15 Dec 2019.

Vancouver:

Hajri RS. Langage lightgraff : une proposition d'outils d'analyse de la réception du lecteur-consommateur en contexte publicitaire. [Internet] [Thesis]. Université du Québec à Montréal; 2013. [cited 2019 Dec 15]. Available from: http://www.archipel.uqam.ca/8525/1/M13307.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hajri RS. Langage lightgraff : une proposition d'outils d'analyse de la réception du lecteur-consommateur en contexte publicitaire. [Thesis]. Université du Québec à Montréal; 2013. Available from: http://www.archipel.uqam.ca/8525/1/M13307.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

15. Imbert, Jeanne. Edouard Dujardin, un cas exemplaire au sein du symbolisme : genres et formes (1885 -1893) : Edouard Dujardin, an exemplary writer figure of symbolism : genres and forms between 1885 and 1893.

Degree: Docteur es, Littérature française, 2014, Université Paris-Sorbonne – Paris IV

Édouard Dujardin (1861-1949), fondateur de la Revue wagnérienne et de la Revue Indépendante de littérature et d’art, n’a pas été seulement un théoricien du symbolisme,… (more)

Subjects/Keywords: Poème en prose; Vers libre; Théâtre; Peinture; Musique; Monologue intérieur; Poem in prose; Free verse; Theater; Painting; Music; Stream of consciousness

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Imbert, J. (2014). Edouard Dujardin, un cas exemplaire au sein du symbolisme : genres et formes (1885 -1893) : Edouard Dujardin, an exemplary writer figure of symbolism : genres and forms between 1885 and 1893. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2014PA040145

Chicago Manual of Style (16th Edition):

Imbert, Jeanne. “Edouard Dujardin, un cas exemplaire au sein du symbolisme : genres et formes (1885 -1893) : Edouard Dujardin, an exemplary writer figure of symbolism : genres and forms between 1885 and 1893.” 2014. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed December 15, 2019. http://www.theses.fr/2014PA040145.

MLA Handbook (7th Edition):

Imbert, Jeanne. “Edouard Dujardin, un cas exemplaire au sein du symbolisme : genres et formes (1885 -1893) : Edouard Dujardin, an exemplary writer figure of symbolism : genres and forms between 1885 and 1893.” 2014. Web. 15 Dec 2019.

Vancouver:

Imbert J. Edouard Dujardin, un cas exemplaire au sein du symbolisme : genres et formes (1885 -1893) : Edouard Dujardin, an exemplary writer figure of symbolism : genres and forms between 1885 and 1893. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2014. [cited 2019 Dec 15]. Available from: http://www.theses.fr/2014PA040145.

Council of Science Editors:

Imbert J. Edouard Dujardin, un cas exemplaire au sein du symbolisme : genres et formes (1885 -1893) : Edouard Dujardin, an exemplary writer figure of symbolism : genres and forms between 1885 and 1893. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2014. Available from: http://www.theses.fr/2014PA040145


Université du Québec à Montréal

16. Hajri, Rim Samia. Langage lightgraff : une proposition d'outils d'analyse de la réception du lecteur-consommateur en contexte publicitaire.

Degree: 2013, Université du Québec à Montréal

 Le mémoire présente une démarche méthodologique originale afin d'étudier la réception du lightgraff par le lecteur-consommateur en contexte publicitaire. Peu commun dans ses objectifs, ce… (more)

Subjects/Keywords: Light painting; Publicité  – Langage; Communication en marketing; Consommateurs  – Attitudes; Esthétique de la réception; Émotions; Signification (Philosophie)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hajri, R. S. (2013). Langage lightgraff : une proposition d'outils d'analyse de la réception du lecteur-consommateur en contexte publicitaire. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/8525/1/M13307.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hajri, Rim Samia. “Langage lightgraff : une proposition d'outils d'analyse de la réception du lecteur-consommateur en contexte publicitaire.” 2013. Thesis, Université du Québec à Montréal. Accessed December 15, 2019. http://archipel.uqam.ca/8525/1/M13307.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hajri, Rim Samia. “Langage lightgraff : une proposition d'outils d'analyse de la réception du lecteur-consommateur en contexte publicitaire.” 2013. Web. 15 Dec 2019.

Vancouver:

Hajri RS. Langage lightgraff : une proposition d'outils d'analyse de la réception du lecteur-consommateur en contexte publicitaire. [Internet] [Thesis]. Université du Québec à Montréal; 2013. [cited 2019 Dec 15]. Available from: http://archipel.uqam.ca/8525/1/M13307.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hajri RS. Langage lightgraff : une proposition d'outils d'analyse de la réception du lecteur-consommateur en contexte publicitaire. [Thesis]. Université du Québec à Montréal; 2013. Available from: http://archipel.uqam.ca/8525/1/M13307.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Australian National University

17. Robba, Leo John. The Artist’s Garden: Reshaping the Landscape .

Degree: 2017, Australian National University

 This practice-led research in painting investigates the artist's garden tradition and explores formal aspects and distinctive features of garden culture which I have observed in… (more)

Subjects/Keywords: the artist’s garden; English Landscape Garden; garden culture; landscape painting; the art of gardening and the art of painting; en plein air painting; Stanley Spencer; garden design; John Glover; the picturesque; Blue Mountains; aboriginal dispossession; ideology of landscape; changed landscape

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Robba, L. J. (2017). The Artist’s Garden: Reshaping the Landscape . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/129373

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Robba, Leo John. “The Artist’s Garden: Reshaping the Landscape .” 2017. Thesis, Australian National University. Accessed December 15, 2019. http://hdl.handle.net/1885/129373.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Robba, Leo John. “The Artist’s Garden: Reshaping the Landscape .” 2017. Web. 15 Dec 2019.

Vancouver:

Robba LJ. The Artist’s Garden: Reshaping the Landscape . [Internet] [Thesis]. Australian National University; 2017. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/1885/129373.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robba LJ. The Artist’s Garden: Reshaping the Landscape . [Thesis]. Australian National University; 2017. Available from: http://hdl.handle.net/1885/129373

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat de Barcelona

18. Salgado Pérez, Judit. Lo mágico en la cultura y la pintura paisajista gallega de 1830 a 1930.

Degree: Departament de Pintura, 2015, Universitat de Barcelona

 This thesis focuses on researching the presence of magical in the Galician culture and landscape, and therefore on its presence in the Galician landscape painting(more)

Subjects/Keywords: Pintura de paisatges; Pintura de paisaje; Landscape painting; Paisatge en l'art; Paisaje en el arte; Landscape in art; Galícia; Galicia; Ciències Humanes i Socials; 75

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Salgado Pérez, J. (2015). Lo mágico en la cultura y la pintura paisajista gallega de 1830 a 1930. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/350030

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Salgado Pérez, Judit. “Lo mágico en la cultura y la pintura paisajista gallega de 1830 a 1930.” 2015. Thesis, Universitat de Barcelona. Accessed December 15, 2019. http://hdl.handle.net/10803/350030.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Salgado Pérez, Judit. “Lo mágico en la cultura y la pintura paisajista gallega de 1830 a 1930.” 2015. Web. 15 Dec 2019.

Vancouver:

Salgado Pérez J. Lo mágico en la cultura y la pintura paisajista gallega de 1830 a 1930. [Internet] [Thesis]. Universitat de Barcelona; 2015. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10803/350030.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Salgado Pérez J. Lo mágico en la cultura y la pintura paisajista gallega de 1830 a 1930. [Thesis]. Universitat de Barcelona; 2015. Available from: http://hdl.handle.net/10803/350030

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat de Barcelona

19. Jiménez Fernández, Lourdes. El reflejo de Wagner en las artes plásticas españolas. De la Restauración a la Primera Guerra Mundial.

Degree: Departament d'Història de l'Art, 2013, Universitat de Barcelona

 El avance en las formas musicales propugnadas por el maestro alemán, sino que sus teorías estéticas a irrupción del wagnerismo en la Europa de su… (more)

Subjects/Keywords: Iconografia; Iconografía; Iconography; Música en l'art; Música en el arte; Music in art; Musicologia; Musicología; Musicology; Pintura; Painting; Wagner, Richard, 1813-1883; Ciències Humanes i Socials; 78

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jiménez Fernández, L. (2013). El reflejo de Wagner en las artes plásticas españolas. De la Restauración a la Primera Guerra Mundial. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/352219

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jiménez Fernández, Lourdes. “El reflejo de Wagner en las artes plásticas españolas. De la Restauración a la Primera Guerra Mundial.” 2013. Thesis, Universitat de Barcelona. Accessed December 15, 2019. http://hdl.handle.net/10803/352219.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jiménez Fernández, Lourdes. “El reflejo de Wagner en las artes plásticas españolas. De la Restauración a la Primera Guerra Mundial.” 2013. Web. 15 Dec 2019.

Vancouver:

Jiménez Fernández L. El reflejo de Wagner en las artes plásticas españolas. De la Restauración a la Primera Guerra Mundial. [Internet] [Thesis]. Universitat de Barcelona; 2013. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10803/352219.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jiménez Fernández L. El reflejo de Wagner en las artes plásticas españolas. De la Restauración a la Primera Guerra Mundial. [Thesis]. Universitat de Barcelona; 2013. Available from: http://hdl.handle.net/10803/352219

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

20. ANA CLAUDIA DE PAULA TOREM. [en] THE INTERIOR DESIGN OF THE VALE DO PARAÍBA FARMS: THE MURAL PAINTINGS AND TROMPE L`OEIL CASE.

Degree: 2006, Pontifical Catholic University of Rio de Janeiro

[pt] Esta pesquisa pretende fazer o inventário dos mais significativos exemplos de pintura mural decorativa da tradição oitocentista das fazendas do Vale do Paraíba. A… (more)

Subjects/Keywords: [pt] CULTURA; [en] CULTURE; [en] IDENTITY; [pt] MEMORIA; [en] MEMORY; [pt] TRADICAO; [en] TRADITION; [pt] PINTURA MURAL; [en] MURAL PAINTING

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

TOREM, A. C. D. P. (2006). [en] THE INTERIOR DESIGN OF THE VALE DO PARAÍBA FARMS: THE MURAL PAINTINGS AND TROMPE L`OEIL CASE. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=8123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

TOREM, ANA CLAUDIA DE PAULA. “[en] THE INTERIOR DESIGN OF THE VALE DO PARAÍBA FARMS: THE MURAL PAINTINGS AND TROMPE L`OEIL CASE.” 2006. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=8123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

TOREM, ANA CLAUDIA DE PAULA. “[en] THE INTERIOR DESIGN OF THE VALE DO PARAÍBA FARMS: THE MURAL PAINTINGS AND TROMPE L`OEIL CASE.” 2006. Web. 15 Dec 2019.

Vancouver:

TOREM ACDP. [en] THE INTERIOR DESIGN OF THE VALE DO PARAÍBA FARMS: THE MURAL PAINTINGS AND TROMPE L`OEIL CASE. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2006. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=8123.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

TOREM ACDP. [en] THE INTERIOR DESIGN OF THE VALE DO PARAÍBA FARMS: THE MURAL PAINTINGS AND TROMPE L`OEIL CASE. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2006. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=8123

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

21. CHRISTIANI MARGARETH DE MENEZES E SILVA. [en] MIMESIS AND COGNITIVE PLEASURE IN ARISTOTLENULLS POETICS.

Degree: 2005, Pontifical Catholic University of Rio de Janeiro

[pt] A presente dissertação de mestrado tem o objetivo de mostrar os vínculos entre a noção de mimesis, prazer e conhecimento na Poética de Aristóteles.… (more)

Subjects/Keywords: [pt] PRAZER; [en] PLEASURE; [pt] TRAGEDIA; [en] TRAGEDY; [pt] COGNICAO; [en] COGNITION; [pt] PINTURA; [en] PAINTING; [pt] POETICA; [en] POETIC

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APA (6th Edition):

SILVA, C. M. D. M. E. (2005). [en] MIMESIS AND COGNITIVE PLEASURE IN ARISTOTLENULLS POETICS. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7209

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

SILVA, CHRISTIANI MARGARETH DE MENEZES E. “[en] MIMESIS AND COGNITIVE PLEASURE IN ARISTOTLENULLS POETICS.” 2005. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7209.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

SILVA, CHRISTIANI MARGARETH DE MENEZES E. “[en] MIMESIS AND COGNITIVE PLEASURE IN ARISTOTLENULLS POETICS.” 2005. Web. 15 Dec 2019.

Vancouver:

SILVA CMDME. [en] MIMESIS AND COGNITIVE PLEASURE IN ARISTOTLENULLS POETICS. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2005. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7209.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

SILVA CMDME. [en] MIMESIS AND COGNITIVE PLEASURE IN ARISTOTLENULLS POETICS. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2005. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7209

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

22. KADIANA MENDES DE MEDEIROS RAPOSO. [en] JACKSON POLLOCK: DAEDALUS S WAY.

Degree: 2011, Pontifical Catholic University of Rio de Janeiro

[pt] A obra pictórica de Jackson Pollock está geralmente associada à invenção do all over e das drip paintings na segunda metade da década de… (more)

Subjects/Keywords: [pt] ESTADOS UNIDOS DA AMERICA; [en] UNITED STATES OF AMERICA; [pt] PINTURA; [en] PAINTING; [pt] CRITICA DE ARTE; [en] CRITICAL OF ART; [pt] ARTE MODERNA; [en] MODERN ART; [pt] JACKSON POLLOCK

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APA (6th Edition):

RAPOSO, K. M. D. M. (2011). [en] JACKSON POLLOCK: DAEDALUS S WAY. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=17072

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

RAPOSO, KADIANA MENDES DE MEDEIROS. “[en] JACKSON POLLOCK: DAEDALUS S WAY.” 2011. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=17072.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

RAPOSO, KADIANA MENDES DE MEDEIROS. “[en] JACKSON POLLOCK: DAEDALUS S WAY.” 2011. Web. 15 Dec 2019.

Vancouver:

RAPOSO KMDM. [en] JACKSON POLLOCK: DAEDALUS S WAY. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2011. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=17072.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

RAPOSO KMDM. [en] JACKSON POLLOCK: DAEDALUS S WAY. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2011. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=17072

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

23. PAULA SALGADO QUINTANS. [en] STRUCTURE AND NARRATIVE: THE FORM IN ALFREDO VOLPI.

Degree: 2004, Pontifical Catholic University of Rio de Janeiro

[pt] A obra de Alfredo Volpi particulariza-se por uma dinâmica da forma que, a partir de um modo quase artesanal de trabalho, alcança a construção… (more)

Subjects/Keywords: [pt] PINTURA; [en] PAINTING; [pt] ARTE BRASILEIRA; [en] BRAZILIAN ART; [pt] ALFREDO VOLPI; [en] ALFREDO VOLPI

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APA (6th Edition):

QUINTANS, P. S. (2004). [en] STRUCTURE AND NARRATIVE: THE FORM IN ALFREDO VOLPI. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=4748

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

QUINTANS, PAULA SALGADO. “[en] STRUCTURE AND NARRATIVE: THE FORM IN ALFREDO VOLPI.” 2004. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=4748.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

QUINTANS, PAULA SALGADO. “[en] STRUCTURE AND NARRATIVE: THE FORM IN ALFREDO VOLPI.” 2004. Web. 15 Dec 2019.

Vancouver:

QUINTANS PS. [en] STRUCTURE AND NARRATIVE: THE FORM IN ALFREDO VOLPI. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2004. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=4748.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

QUINTANS PS. [en] STRUCTURE AND NARRATIVE: THE FORM IN ALFREDO VOLPI. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2004. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=4748

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Leturque, Anne. Sensim per partes discuntur quaelibet artes... Chaque art s'apprend lentement, pas à pas... : mise en regard d'un savoir écrit sur l'art de peindre au Moyen Âge (le Liber diversarum artium - Ms H277 - Bibliothèque inter-universitaire de Montpellier – Faculté de Médecine) et d'un savoir-faire pratique (les oeuvres peintes sur murs et surpanneaux de bois en Catalogne aux XII et XIII siècles) : Sensim per partes discuntur quaelibet artes... Every art is learned slowly, step by step... : comparison of written knowledge on the art of painting in the Middle Ages (Liber diversarum artium - Ms H277 - Interuniversity Library of Montpellier - Faculty of Medicine) and practical know-how (works painted on walls and wood panels in Catalonia in the twelfth and thirteenth centuries).

Degree: Docteur es, HISTOIRE DE L'ART spécialité Art médiéval, 2015, Université Paul Valéry – Montpellier III

Le Liber diversarum artium, seconde copie d'un traité de technologie artistique vraisemblablement écrit dans les années 1350, est conservé à la Bibliothèque inter-universitaire de Médecine… (more)

Subjects/Keywords: Peinture médiévale en Catalogne; Techniques picturales (outils; matériaux et mise en œuvre); Traités de technologie artistique; Compétences du peintre médiéval; Polychromie architecturale; Plafonds peints; Medieval painting in Catalonia; Pictorial techniques (tools; materials and implementation); Treatrise of artistic technology; Skills and Social Status of the medieval painter; Architectural polychromy; Painting ceilings

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APA (6th Edition):

Leturque, A. (2015). Sensim per partes discuntur quaelibet artes... Chaque art s'apprend lentement, pas à pas... : mise en regard d'un savoir écrit sur l'art de peindre au Moyen Âge (le Liber diversarum artium - Ms H277 - Bibliothèque inter-universitaire de Montpellier – Faculté de Médecine) et d'un savoir-faire pratique (les oeuvres peintes sur murs et surpanneaux de bois en Catalogne aux XII et XIII siècles) : Sensim per partes discuntur quaelibet artes... Every art is learned slowly, step by step... : comparison of written knowledge on the art of painting in the Middle Ages (Liber diversarum artium - Ms H277 - Interuniversity Library of Montpellier - Faculty of Medicine) and practical know-how (works painted on walls and wood panels in Catalonia in the twelfth and thirteenth centuries). (Doctoral Dissertation). Université Paul Valéry – Montpellier III. Retrieved from http://www.theses.fr/2015MON30064

Chicago Manual of Style (16th Edition):

Leturque, Anne. “Sensim per partes discuntur quaelibet artes... Chaque art s'apprend lentement, pas à pas... : mise en regard d'un savoir écrit sur l'art de peindre au Moyen Âge (le Liber diversarum artium - Ms H277 - Bibliothèque inter-universitaire de Montpellier – Faculté de Médecine) et d'un savoir-faire pratique (les oeuvres peintes sur murs et surpanneaux de bois en Catalogne aux XII et XIII siècles) : Sensim per partes discuntur quaelibet artes... Every art is learned slowly, step by step... : comparison of written knowledge on the art of painting in the Middle Ages (Liber diversarum artium - Ms H277 - Interuniversity Library of Montpellier - Faculty of Medicine) and practical know-how (works painted on walls and wood panels in Catalonia in the twelfth and thirteenth centuries).” 2015. Doctoral Dissertation, Université Paul Valéry – Montpellier III. Accessed December 15, 2019. http://www.theses.fr/2015MON30064.

MLA Handbook (7th Edition):

Leturque, Anne. “Sensim per partes discuntur quaelibet artes... Chaque art s'apprend lentement, pas à pas... : mise en regard d'un savoir écrit sur l'art de peindre au Moyen Âge (le Liber diversarum artium - Ms H277 - Bibliothèque inter-universitaire de Montpellier – Faculté de Médecine) et d'un savoir-faire pratique (les oeuvres peintes sur murs et surpanneaux de bois en Catalogne aux XII et XIII siècles) : Sensim per partes discuntur quaelibet artes... Every art is learned slowly, step by step... : comparison of written knowledge on the art of painting in the Middle Ages (Liber diversarum artium - Ms H277 - Interuniversity Library of Montpellier - Faculty of Medicine) and practical know-how (works painted on walls and wood panels in Catalonia in the twelfth and thirteenth centuries).” 2015. Web. 15 Dec 2019.

Vancouver:

Leturque A. Sensim per partes discuntur quaelibet artes... Chaque art s'apprend lentement, pas à pas... : mise en regard d'un savoir écrit sur l'art de peindre au Moyen Âge (le Liber diversarum artium - Ms H277 - Bibliothèque inter-universitaire de Montpellier – Faculté de Médecine) et d'un savoir-faire pratique (les oeuvres peintes sur murs et surpanneaux de bois en Catalogne aux XII et XIII siècles) : Sensim per partes discuntur quaelibet artes... Every art is learned slowly, step by step... : comparison of written knowledge on the art of painting in the Middle Ages (Liber diversarum artium - Ms H277 - Interuniversity Library of Montpellier - Faculty of Medicine) and practical know-how (works painted on walls and wood panels in Catalonia in the twelfth and thirteenth centuries). [Internet] [Doctoral dissertation]. Université Paul Valéry – Montpellier III; 2015. [cited 2019 Dec 15]. Available from: http://www.theses.fr/2015MON30064.

Council of Science Editors:

Leturque A. Sensim per partes discuntur quaelibet artes... Chaque art s'apprend lentement, pas à pas... : mise en regard d'un savoir écrit sur l'art de peindre au Moyen Âge (le Liber diversarum artium - Ms H277 - Bibliothèque inter-universitaire de Montpellier – Faculté de Médecine) et d'un savoir-faire pratique (les oeuvres peintes sur murs et surpanneaux de bois en Catalogne aux XII et XIII siècles) : Sensim per partes discuntur quaelibet artes... Every art is learned slowly, step by step... : comparison of written knowledge on the art of painting in the Middle Ages (Liber diversarum artium - Ms H277 - Interuniversity Library of Montpellier - Faculty of Medicine) and practical know-how (works painted on walls and wood panels in Catalonia in the twelfth and thirteenth centuries). [Doctoral Dissertation]. Université Paul Valéry – Montpellier III; 2015. Available from: http://www.theses.fr/2015MON30064


Université de Montréal

25. Dahan, Marianne. Les tableaux homonymiques, principe d’unité du Cornet à dés de Max Jacob .

Degree: 2016, Université de Montréal

 Ce mémoire s’intéresse à la structure du recueil de poésie en prose Le Cornet à dés (1917) de Max Jacob. À la lecture de l’ensemble,… (more)

Subjects/Keywords: Max Jacob; Le Cornet à dés; Littérature française du XXe siècle; Poésie en prose; Tableaux; Recueil; Peinture; Mouvement; Répétition; The Dice Cup; 20th century French literature; Prose poetry; Tableau; Collections; Painting; Movement; Repetition

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APA (6th Edition):

Dahan, M. (2016). Les tableaux homonymiques, principe d’unité du Cornet à dés de Max Jacob . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/16113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dahan, Marianne. “Les tableaux homonymiques, principe d’unité du Cornet à dés de Max Jacob .” 2016. Thesis, Université de Montréal. Accessed December 15, 2019. http://hdl.handle.net/1866/16113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dahan, Marianne. “Les tableaux homonymiques, principe d’unité du Cornet à dés de Max Jacob .” 2016. Web. 15 Dec 2019.

Vancouver:

Dahan M. Les tableaux homonymiques, principe d’unité du Cornet à dés de Max Jacob . [Internet] [Thesis]. Université de Montréal; 2016. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/1866/16113.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dahan M. Les tableaux homonymiques, principe d’unité du Cornet à dés de Max Jacob . [Thesis]. Université de Montréal; 2016. Available from: http://hdl.handle.net/1866/16113

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universiteit Utrecht

26. Schavemaker, E. Eglon Hendrik van der Neer (1635/36 - 1703) : Zijn leven en werk.

Degree: 2009, Universiteit Utrecht

 Eglon van der Neer. His Life and His Work In his own time Eglon van der Neer was highly successful. His acclaim endured throughout the… (more)

Subjects/Keywords: Kunstgeschiedenis; Specialized histories (international relations, law); Literary theory, analysis and criticism; Culturele activiteiten; Overig maatschappelijk onderzoek; Geschiedenis en Kunstgeschiedenis (GEKU); Eglon van der Neer; Adriaen van der Werff; Frans van Mieris; seventeenth century; painting; Jacob van Loo; Dusseldorf; Brussels; Rotterdam; Amsterdam

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schavemaker, E. (2009). Eglon Hendrik van der Neer (1635/36 - 1703) : Zijn leven en werk. (Doctoral Dissertation). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/36232

Chicago Manual of Style (16th Edition):

Schavemaker, E. “Eglon Hendrik van der Neer (1635/36 - 1703) : Zijn leven en werk.” 2009. Doctoral Dissertation, Universiteit Utrecht. Accessed December 15, 2019. http://dspace.library.uu.nl:8080/handle/1874/36232.

MLA Handbook (7th Edition):

Schavemaker, E. “Eglon Hendrik van der Neer (1635/36 - 1703) : Zijn leven en werk.” 2009. Web. 15 Dec 2019.

Vancouver:

Schavemaker E. Eglon Hendrik van der Neer (1635/36 - 1703) : Zijn leven en werk. [Internet] [Doctoral dissertation]. Universiteit Utrecht; 2009. [cited 2019 Dec 15]. Available from: http://dspace.library.uu.nl:8080/handle/1874/36232.

Council of Science Editors:

Schavemaker E. Eglon Hendrik van der Neer (1635/36 - 1703) : Zijn leven en werk. [Doctoral Dissertation]. Universiteit Utrecht; 2009. Available from: http://dspace.library.uu.nl:8080/handle/1874/36232


Université Paris-Sorbonne – Paris IV

27. Piqueux, Alexa. Le corps comique. Représentations et perceptions du corps dans la comédie grecque ancienne et moyenne (étude littéraire et iconographique) : The Comic Body. Representations and Perceptions of the Body in Old and Middle Comedy (Literary and Iconographic Study).

Degree: Docteur es, Études grecques, 2009, Université Paris-Sorbonne – Paris IV

L’étude du corps offre un angle d’approche privilégié pour appréhender les représentations théâtrales comiques de l’époque classique à Athènes et en Grande Grèce. Seule une… (more)

Subjects/Keywords: Comédie grecque ancienne et moyenne; Aristophane; Grande Grèce; Représentations du corps; Mise en scène du théâtre antique; Histoire culturelle; Céramique italiote; Old and Middle Greek Comedy; Aristophanes; Magna Graecia; Representations of the body; Staging of the ancient theatre; Cultural history; South-Italian vase-painting

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APA (6th Edition):

Piqueux, A. (2009). Le corps comique. Représentations et perceptions du corps dans la comédie grecque ancienne et moyenne (étude littéraire et iconographique) : The Comic Body. Representations and Perceptions of the Body in Old and Middle Comedy (Literary and Iconographic Study). (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2009PA040273

Chicago Manual of Style (16th Edition):

Piqueux, Alexa. “Le corps comique. Représentations et perceptions du corps dans la comédie grecque ancienne et moyenne (étude littéraire et iconographique) : The Comic Body. Representations and Perceptions of the Body in Old and Middle Comedy (Literary and Iconographic Study).” 2009. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed December 15, 2019. http://www.theses.fr/2009PA040273.

MLA Handbook (7th Edition):

Piqueux, Alexa. “Le corps comique. Représentations et perceptions du corps dans la comédie grecque ancienne et moyenne (étude littéraire et iconographique) : The Comic Body. Representations and Perceptions of the Body in Old and Middle Comedy (Literary and Iconographic Study).” 2009. Web. 15 Dec 2019.

Vancouver:

Piqueux A. Le corps comique. Représentations et perceptions du corps dans la comédie grecque ancienne et moyenne (étude littéraire et iconographique) : The Comic Body. Representations and Perceptions of the Body in Old and Middle Comedy (Literary and Iconographic Study). [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2009. [cited 2019 Dec 15]. Available from: http://www.theses.fr/2009PA040273.

Council of Science Editors:

Piqueux A. Le corps comique. Représentations et perceptions du corps dans la comédie grecque ancienne et moyenne (étude littéraire et iconographique) : The Comic Body. Representations and Perceptions of the Body in Old and Middle Comedy (Literary and Iconographic Study). [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2009. Available from: http://www.theses.fr/2009PA040273


Universitat Politècnica de València

28. Furió Vita, Dolores. Posibilidades artísticas de la imagen electrónica: el Chroma-key.

Degree: 2008, Universitat Politècnica de València

 Esforzados en reproducir una realidad más real que la propia realidad, hace años que las tecnologías de la imagen emplean recursos cada vez más sofisticados… (more)

Subjects/Keywords: Arte; Imagen en movimiento; Videoarte; Chroma-key; Audiovisual; Matte painting; Decorado virtual; Vídeo de creación

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Furió Vita, D. (2008). Posibilidades artísticas de la imagen electrónica: el Chroma-key. (Doctoral Dissertation). Universitat Politècnica de València. Retrieved from http://hdl.handle.net/10251/3343

Chicago Manual of Style (16th Edition):

Furió Vita, Dolores. “Posibilidades artísticas de la imagen electrónica: el Chroma-key. ” 2008. Doctoral Dissertation, Universitat Politècnica de València. Accessed December 15, 2019. http://hdl.handle.net/10251/3343.

MLA Handbook (7th Edition):

Furió Vita, Dolores. “Posibilidades artísticas de la imagen electrónica: el Chroma-key. ” 2008. Web. 15 Dec 2019.

Vancouver:

Furió Vita D. Posibilidades artísticas de la imagen electrónica: el Chroma-key. [Internet] [Doctoral dissertation]. Universitat Politècnica de València; 2008. [cited 2019 Dec 15]. Available from: http://hdl.handle.net/10251/3343.

Council of Science Editors:

Furió Vita D. Posibilidades artísticas de la imagen electrónica: el Chroma-key. [Doctoral Dissertation]. Universitat Politècnica de València; 2008. Available from: http://hdl.handle.net/10251/3343


Université de Grenoble

29. Pouyet, Emeline. Nouvelles méthodes de préparation et d'analyse par combinaison de techniques synchrotron hyperspectrales pour l'étude de micro-fragments de peintures et d'autres matériaux du patrimoine culturel : New methods for the preparation and analyses of paint samples from Cultural Heritage artifacts with combined hyperspectral techniques.

Degree: Docteur es, Physique des matériaux, 2014, Université de Grenoble

Le projet vise à développer une nouvelle approche méthodologique dans le but d'améliorer l'utilisation combinée de plusieurs techniques de microscopies infrarouge et X lors de… (more)

Subjects/Keywords: Microscopies FTIR et RX; Peintures; Amélioration de la combinaison de techniques; Amelioration de la préparation d'échantillon; Analyses en transmission; Synchrotron; FTIR et RX microscopies; Painting thin sections; Improvement of the combination of techniques; Improvement of the sample preparation; Transmission mode; Synchrotron; 530

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pouyet, E. (2014). Nouvelles méthodes de préparation et d'analyse par combinaison de techniques synchrotron hyperspectrales pour l'étude de micro-fragments de peintures et d'autres matériaux du patrimoine culturel : New methods for the preparation and analyses of paint samples from Cultural Heritage artifacts with combined hyperspectral techniques. (Doctoral Dissertation). Université de Grenoble. Retrieved from http://www.theses.fr/2014GRENY088

Chicago Manual of Style (16th Edition):

Pouyet, Emeline. “Nouvelles méthodes de préparation et d'analyse par combinaison de techniques synchrotron hyperspectrales pour l'étude de micro-fragments de peintures et d'autres matériaux du patrimoine culturel : New methods for the preparation and analyses of paint samples from Cultural Heritage artifacts with combined hyperspectral techniques.” 2014. Doctoral Dissertation, Université de Grenoble. Accessed December 15, 2019. http://www.theses.fr/2014GRENY088.

MLA Handbook (7th Edition):

Pouyet, Emeline. “Nouvelles méthodes de préparation et d'analyse par combinaison de techniques synchrotron hyperspectrales pour l'étude de micro-fragments de peintures et d'autres matériaux du patrimoine culturel : New methods for the preparation and analyses of paint samples from Cultural Heritage artifacts with combined hyperspectral techniques.” 2014. Web. 15 Dec 2019.

Vancouver:

Pouyet E. Nouvelles méthodes de préparation et d'analyse par combinaison de techniques synchrotron hyperspectrales pour l'étude de micro-fragments de peintures et d'autres matériaux du patrimoine culturel : New methods for the preparation and analyses of paint samples from Cultural Heritage artifacts with combined hyperspectral techniques. [Internet] [Doctoral dissertation]. Université de Grenoble; 2014. [cited 2019 Dec 15]. Available from: http://www.theses.fr/2014GRENY088.

Council of Science Editors:

Pouyet E. Nouvelles méthodes de préparation et d'analyse par combinaison de techniques synchrotron hyperspectrales pour l'étude de micro-fragments de peintures et d'autres matériaux du patrimoine culturel : New methods for the preparation and analyses of paint samples from Cultural Heritage artifacts with combined hyperspectral techniques. [Doctoral Dissertation]. Université de Grenoble; 2014. Available from: http://www.theses.fr/2014GRENY088


Pontifical Catholic University of Rio de Janeiro

30. MARIA BEATRIZ DA ROCHA LAGOA. [en] TRANSITIVE FORM: POETICS IN THE WORKS OF PAUL KLEE AND MIRA SCHENDEL.

Degree: 2006, Pontifical Catholic University of Rio de Janeiro

[pt] Os artistas Paul Klee (Berna, Suíça, 1879-1940) e Mira Schendel (Zurique, Suíça, 1919-1988) investigam os processos da forma, conjugando materiais e técnicas que tecem… (more)

Subjects/Keywords: [pt] ARTE CONTEMPORANEA; [en] CONTEMPORARY ART; [pt] DESENHO; [en] DRAWING; [pt] PINTURA; [en] PAINTING; [pt] ARTE MODERNA; [en] MODERN ART; [pt] HISTORIA DA ARTE; [en] ART HISTORY; [pt] PAUL KLEE; [en] PAUL KLEE; [pt] MIRA SCHENDEL; [en] MIRA SCHENDEL

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

LAGOA, M. B. D. R. (2006). [en] TRANSITIVE FORM: POETICS IN THE WORKS OF PAUL KLEE AND MIRA SCHENDEL. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7671

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

LAGOA, MARIA BEATRIZ DA ROCHA. “[en] TRANSITIVE FORM: POETICS IN THE WORKS OF PAUL KLEE AND MIRA SCHENDEL.” 2006. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed December 15, 2019. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7671.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

LAGOA, MARIA BEATRIZ DA ROCHA. “[en] TRANSITIVE FORM: POETICS IN THE WORKS OF PAUL KLEE AND MIRA SCHENDEL.” 2006. Web. 15 Dec 2019.

Vancouver:

LAGOA MBDR. [en] TRANSITIVE FORM: POETICS IN THE WORKS OF PAUL KLEE AND MIRA SCHENDEL. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2006. [cited 2019 Dec 15]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7671.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

LAGOA MBDR. [en] TRANSITIVE FORM: POETICS IN THE WORKS OF PAUL KLEE AND MIRA SCHENDEL. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2006. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7671

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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