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You searched for subject:( en ART CONTEMPORANEOUS GERMAN PAINTING). Showing records 1 – 30 of 67148 total matches.

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Pontifical Catholic University of Rio de Janeiro

1. CLARA CAVENDISH WANDERLEY ROTH. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.

Degree: 2018, Pontifical Catholic University of Rio de Janeiro

[pt] As obras dos dois artistas alemães Anselm Kiefer e Georg Baselitz e sua importância na retomada da arte germânica e européia no cenário da… (more)

Subjects/Keywords: [pt] O MOTIVO HISTORICO; [en] HISTORICAL MOTIVATION; [pt] ARTE - PINTURA ALEMA CONTEMPORANEA; [en] ART - CONTEMPORANEOUS GERMAN PAINTING; [pt] NAZISMO - COMUNISMO; [en] NAZISM - COMMUNISM; [pt] PATHOS ROMANTICO; [en] ROMANTIC PATHOS

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

ROTH, C. C. W. (2018). [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

ROTH, CLARA CAVENDISH WANDERLEY. “[en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.” 2018. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed April 03, 2020. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

ROTH, CLARA CAVENDISH WANDERLEY. “[en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.” 2018. Web. 03 Apr 2020.

Vancouver:

ROTH CCW. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. [cited 2020 Apr 03]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

ROTH CCW. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

2. Masterson, Darla Jan, 1936-. A series of pictures related to German expressionism .

Degree: 1959, University of Arizona

Subjects/Keywords: Painting, German.; Expressionism (Art)  – Germany.

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APA (6th Edition):

Masterson, Darla Jan, 1. (1959). A series of pictures related to German expressionism . (Masters Thesis). University of Arizona. Retrieved from http://hdl.handle.net/10150/551363

Chicago Manual of Style (16th Edition):

Masterson, Darla Jan, 1936-. “A series of pictures related to German expressionism .” 1959. Masters Thesis, University of Arizona. Accessed April 03, 2020. http://hdl.handle.net/10150/551363.

MLA Handbook (7th Edition):

Masterson, Darla Jan, 1936-. “A series of pictures related to German expressionism .” 1959. Web. 03 Apr 2020.

Vancouver:

Masterson, Darla Jan 1. A series of pictures related to German expressionism . [Internet] [Masters thesis]. University of Arizona; 1959. [cited 2020 Apr 03]. Available from: http://hdl.handle.net/10150/551363.

Council of Science Editors:

Masterson, Darla Jan 1. A series of pictures related to German expressionism . [Masters Thesis]. University of Arizona; 1959. Available from: http://hdl.handle.net/10150/551363


Pontifical Catholic University of Rio de Janeiro

3. PEDRO DAMASCENO FRANCA. [en] IN INADVERTENCE: ABOUT THE UNCERTAINTY IN MANET’S PAINTING.

Degree: 2012, Pontifical Catholic University of Rio de Janeiro

[pt] Este trabalho procura discutir a obra do pintor francês Édouard Manet (1832 – 1883) a partir da intuição de que sua de que, flutuante… (more)

Subjects/Keywords: [pt] ARTE; [en] ART; [pt] PINTURA; [en] PAINTING; [pt] ARTE MODERNA; [en] MODERN ART; [pt] HISTORIA DA ARTE; [en] ART HISTORY

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APA (6th Edition):

FRANCA, P. D. (2012). [en] IN INADVERTENCE: ABOUT THE UNCERTAINTY IN MANET’S PAINTING. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=20738

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

FRANCA, PEDRO DAMASCENO. “[en] IN INADVERTENCE: ABOUT THE UNCERTAINTY IN MANET’S PAINTING.” 2012. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed April 03, 2020. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=20738.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

FRANCA, PEDRO DAMASCENO. “[en] IN INADVERTENCE: ABOUT THE UNCERTAINTY IN MANET’S PAINTING.” 2012. Web. 03 Apr 2020.

Vancouver:

FRANCA PD. [en] IN INADVERTENCE: ABOUT THE UNCERTAINTY IN MANET’S PAINTING. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2012. [cited 2020 Apr 03]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=20738.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

FRANCA PD. [en] IN INADVERTENCE: ABOUT THE UNCERTAINTY IN MANET’S PAINTING. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2012. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=20738

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

4. Barilo von Reisberg, Eugene Arnold. Franz Xaver Winterhalter (1805-1873): portraiture in the age of social change.

Degree: 2016, University of Melbourne

 For nearly four decades, from the early 1830s to the early 1870s, Franz Xaver Winterhalter (1805-73) was one of the most popular and renowned elite… (more)

Subjects/Keywords: Winterhalter; portraiture; portrait; painting; nineteenth century; art; royalty; nobility; middle classes; high society; Germany; German art; France; French art

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APA (6th Edition):

Barilo von Reisberg, E. A. (2016). Franz Xaver Winterhalter (1805-1873): portraiture in the age of social change. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/127963

Chicago Manual of Style (16th Edition):

Barilo von Reisberg, Eugene Arnold. “Franz Xaver Winterhalter (1805-1873): portraiture in the age of social change.” 2016. Doctoral Dissertation, University of Melbourne. Accessed April 03, 2020. http://hdl.handle.net/11343/127963.

MLA Handbook (7th Edition):

Barilo von Reisberg, Eugene Arnold. “Franz Xaver Winterhalter (1805-1873): portraiture in the age of social change.” 2016. Web. 03 Apr 2020.

Vancouver:

Barilo von Reisberg EA. Franz Xaver Winterhalter (1805-1873): portraiture in the age of social change. [Internet] [Doctoral dissertation]. University of Melbourne; 2016. [cited 2020 Apr 03]. Available from: http://hdl.handle.net/11343/127963.

Council of Science Editors:

Barilo von Reisberg EA. Franz Xaver Winterhalter (1805-1873): portraiture in the age of social change. [Doctoral Dissertation]. University of Melbourne; 2016. Available from: http://hdl.handle.net/11343/127963


Pontifical Catholic University of Rio de Janeiro

5. JORGE HENRIQUE SAYÃO CARNEIRO. [en] EDUARDO SUED: THE INDEFINITE ONE INSIDE OF A GRATING.

Degree: 2011, Pontifical Catholic University of Rio de Janeiro

[pt] O presente trabalho busca analisar a produção plástica do artista Eduardo Sued a partir dos anos 70 até os dias de hoje. Para tal,… (more)

Subjects/Keywords: [pt] BRASIL; [en] BRAZIL; [pt] PINTURA; [en] PAINTING; [pt] ARTE MODERNA; [en] MODERN ART

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APA (6th Edition):

CARNEIRO, J. H. S. (2011). [en] EDUARDO SUED: THE INDEFINITE ONE INSIDE OF A GRATING. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=18371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

CARNEIRO, JORGE HENRIQUE SAYÃO. “[en] EDUARDO SUED: THE INDEFINITE ONE INSIDE OF A GRATING.” 2011. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed April 03, 2020. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=18371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

CARNEIRO, JORGE HENRIQUE SAYÃO. “[en] EDUARDO SUED: THE INDEFINITE ONE INSIDE OF A GRATING.” 2011. Web. 03 Apr 2020.

Vancouver:

CARNEIRO JHS. [en] EDUARDO SUED: THE INDEFINITE ONE INSIDE OF A GRATING. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2011. [cited 2020 Apr 03]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=18371.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

CARNEIRO JHS. [en] EDUARDO SUED: THE INDEFINITE ONE INSIDE OF A GRATING. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2011. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=18371

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

6. Reeves, Teresa Bramlette. Cowboys and Indians: the American West in German art of the twentieth century.

Degree: PhD, Art History, 2008, University of Georgia

 Eliciting fantasy, adventure, and romantic ideals of natural living, the American Indian has been a long cherished symbol for the German people. In the nineteenth… (more)

Subjects/Keywords: German art

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APA (6th Edition):

Reeves, T. B. (2008). Cowboys and Indians: the American West in German art of the twentieth century. (Doctoral Dissertation). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/reeves_teresa_b_200805_phd

Chicago Manual of Style (16th Edition):

Reeves, Teresa Bramlette. “Cowboys and Indians: the American West in German art of the twentieth century.” 2008. Doctoral Dissertation, University of Georgia. Accessed April 03, 2020. http://purl.galileo.usg.edu/uga_etd/reeves_teresa_b_200805_phd.

MLA Handbook (7th Edition):

Reeves, Teresa Bramlette. “Cowboys and Indians: the American West in German art of the twentieth century.” 2008. Web. 03 Apr 2020.

Vancouver:

Reeves TB. Cowboys and Indians: the American West in German art of the twentieth century. [Internet] [Doctoral dissertation]. University of Georgia; 2008. [cited 2020 Apr 03]. Available from: http://purl.galileo.usg.edu/uga_etd/reeves_teresa_b_200805_phd.

Council of Science Editors:

Reeves TB. Cowboys and Indians: the American West in German art of the twentieth century. [Doctoral Dissertation]. University of Georgia; 2008. Available from: http://purl.galileo.usg.edu/uga_etd/reeves_teresa_b_200805_phd

7. Brooks, Deanna. It Could Have Been Great: An Examination of Kandinsky's Bauhaus Paintings and the Great Synthesis of the Arts.

Degree: MA, Humanities, 2016, Old Dominion University

  When Nazism descended upon the German art world in the late 1920s and throughout the 1930s, artists were treated as an expendable group of… (more)

Subjects/Keywords: Abstract; Bauhaus; German; Russia; Wassily Kandinsky (1866-1944); Art Education; History of Art, Architecture, and Archaeology; Painting; Theory and Criticism

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APA (6th Edition):

Brooks, D. (2016). It Could Have Been Great: An Examination of Kandinsky's Bauhaus Paintings and the Great Synthesis of the Arts. (Thesis). Old Dominion University. Retrieved from 9781369567434 ; https://digitalcommons.odu.edu/humanities_etds/6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brooks, Deanna. “It Could Have Been Great: An Examination of Kandinsky's Bauhaus Paintings and the Great Synthesis of the Arts.” 2016. Thesis, Old Dominion University. Accessed April 03, 2020. 9781369567434 ; https://digitalcommons.odu.edu/humanities_etds/6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brooks, Deanna. “It Could Have Been Great: An Examination of Kandinsky's Bauhaus Paintings and the Great Synthesis of the Arts.” 2016. Web. 03 Apr 2020.

Vancouver:

Brooks D. It Could Have Been Great: An Examination of Kandinsky's Bauhaus Paintings and the Great Synthesis of the Arts. [Internet] [Thesis]. Old Dominion University; 2016. [cited 2020 Apr 03]. Available from: 9781369567434 ; https://digitalcommons.odu.edu/humanities_etds/6.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brooks D. It Could Have Been Great: An Examination of Kandinsky's Bauhaus Paintings and the Great Synthesis of the Arts. [Thesis]. Old Dominion University; 2016. Available from: 9781369567434 ; https://digitalcommons.odu.edu/humanities_etds/6

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Florida Atlantic University

8. Gran, Cangshu. Mercury Express.

Degree: M.F.A., 2019, Florida Atlantic University

My thesis exhibition “Mercury Express” is the culmination of my creative research and the paintings that I have created over the past three years. This… (more)

Subjects/Keywords: Painting; Art

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APA (6th Edition):

Gran, C. (2019). Mercury Express. (Masters Thesis). Florida Atlantic University. Retrieved from http://fau.digital.flvc.org/islandora/object/fau:41350

Chicago Manual of Style (16th Edition):

Gran, Cangshu. “Mercury Express.” 2019. Masters Thesis, Florida Atlantic University. Accessed April 03, 2020. http://fau.digital.flvc.org/islandora/object/fau:41350.

MLA Handbook (7th Edition):

Gran, Cangshu. “Mercury Express.” 2019. Web. 03 Apr 2020.

Vancouver:

Gran C. Mercury Express. [Internet] [Masters thesis]. Florida Atlantic University; 2019. [cited 2020 Apr 03]. Available from: http://fau.digital.flvc.org/islandora/object/fau:41350.

Council of Science Editors:

Gran C. Mercury Express. [Masters Thesis]. Florida Atlantic University; 2019. Available from: http://fau.digital.flvc.org/islandora/object/fau:41350

9. Reid, Ana Perle Huffhines. The Geometric Analysis of Four German Paintings in the National Gallery of Art.

Degree: 1951, North Texas State College

 In a recent study of the geometric analysis of various masterpieces of many periods dating from early Egyptian to contemporary times, the author noted with… (more)

Subjects/Keywords: geometric analysis; German paintings; Art  – Mathematics.; Painting, German.; National Gallery of Art (U.S.)

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APA (6th Edition):

Reid, A. P. H. (1951). The Geometric Analysis of Four German Paintings in the National Gallery of Art. (Thesis). North Texas State College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc96971/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Reid, Ana Perle Huffhines. “The Geometric Analysis of Four German Paintings in the National Gallery of Art.” 1951. Thesis, North Texas State College. Accessed April 03, 2020. https://digital.library.unt.edu/ark:/67531/metadc96971/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Reid, Ana Perle Huffhines. “The Geometric Analysis of Four German Paintings in the National Gallery of Art.” 1951. Web. 03 Apr 2020.

Vancouver:

Reid APH. The Geometric Analysis of Four German Paintings in the National Gallery of Art. [Internet] [Thesis]. North Texas State College; 1951. [cited 2020 Apr 03]. Available from: https://digital.library.unt.edu/ark:/67531/metadc96971/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Reid APH. The Geometric Analysis of Four German Paintings in the National Gallery of Art. [Thesis]. North Texas State College; 1951. Available from: https://digital.library.unt.edu/ark:/67531/metadc96971/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

10. Fulco, Daniel. Italian frescoes in German baroque palaces: visual culture and princely power in the Holy Roman Empire.

Degree: PhD, 0250, 2014, University of Illinois – Urbana-Champaign

 Beginning in Central Europe in the 1690s and spreading to the German principalities of the Holy Roman Empire by 1700, large-scale Italian ceiling paintings soared… (more)

Subjects/Keywords: Art; Art History; Visual Culture; Baroque; Rococo; Germany; Italy; Fresco Painting; Mural Painting; Palace Architecture; Holy Roman Empire; German States; Austria; Eighteenth Century; Eighteenth-Century Europe; Central Europe.

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APA (6th Edition):

Fulco, D. (2014). Italian frescoes in German baroque palaces: visual culture and princely power in the Holy Roman Empire. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/50724

Chicago Manual of Style (16th Edition):

Fulco, Daniel. “Italian frescoes in German baroque palaces: visual culture and princely power in the Holy Roman Empire.” 2014. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed April 03, 2020. http://hdl.handle.net/2142/50724.

MLA Handbook (7th Edition):

Fulco, Daniel. “Italian frescoes in German baroque palaces: visual culture and princely power in the Holy Roman Empire.” 2014. Web. 03 Apr 2020.

Vancouver:

Fulco D. Italian frescoes in German baroque palaces: visual culture and princely power in the Holy Roman Empire. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2014. [cited 2020 Apr 03]. Available from: http://hdl.handle.net/2142/50724.

Council of Science Editors:

Fulco D. Italian frescoes in German baroque palaces: visual culture and princely power in the Holy Roman Empire. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2014. Available from: http://hdl.handle.net/2142/50724


Universidade do Estado do Rio de Janeiro

11. Gilton Monteiro dos Santos Junior. Eduardo Sued: Minotauros.

Degree: Master, 2008, Universidade do Estado do Rio de Janeiro

A pintura de Eduardo Sued se caracteriza por uma variedade de soluções e um procedimento radicalmente assistemático. Observando o método de ação adotado pelo pintor,… (more)

Subjects/Keywords: Pintura brasileira contemporânea; História da arte brasileira; Eduardo Sued; Crítica e interpretação; Contemporaneous Brazilian painting; Brazilian art history; Eduardo Sued; Criticism and interpretation; ARTES; Sued, Eduardo, 1925- Crítica e interpretação; Arte moderna Séc. XX Brasil; Pintores brasileiros

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APA (6th Edition):

Junior, G. M. d. S. (2008). Eduardo Sued: Minotauros. (Masters Thesis). Universidade do Estado do Rio de Janeiro. Retrieved from http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1172 ;

Chicago Manual of Style (16th Edition):

Junior, Gilton Monteiro dos Santos. “Eduardo Sued: Minotauros.” 2008. Masters Thesis, Universidade do Estado do Rio de Janeiro. Accessed April 03, 2020. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1172 ;.

MLA Handbook (7th Edition):

Junior, Gilton Monteiro dos Santos. “Eduardo Sued: Minotauros.” 2008. Web. 03 Apr 2020.

Vancouver:

Junior GMdS. Eduardo Sued: Minotauros. [Internet] [Masters thesis]. Universidade do Estado do Rio de Janeiro; 2008. [cited 2020 Apr 03]. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1172 ;.

Council of Science Editors:

Junior GMdS. Eduardo Sued: Minotauros. [Masters Thesis]. Universidade do Estado do Rio de Janeiro; 2008. Available from: http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1172 ;


Johannes Gutenberg Universität Mainz

12. Bergmann-Gaadt, Martina. Das Aussehen Christi in der deutschen Bildkunst des 19. Jahrhunderts : Wandlungen des Christusbildes.

Degree: 2015, Johannes Gutenberg Universität Mainz

 Bei der vorliegenden Arbeit handelt es sich um ein Überblickswerk zum Christusbild, dem Aussehen Christi in der deutschen Bildkunst des 19. Jahrhunderts und dessen Wandlungen.… (more)

Subjects/Keywords: Christusbild, Aussehen Christi, Deutsche Bildkunst des 19. Jahrhunderts; Body of Christ, German Art of the 19th Century,; Painting and paintings

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APA (6th Edition):

Bergmann-Gaadt, M. (2015). Das Aussehen Christi in der deutschen Bildkunst des 19. Jahrhunderts : Wandlungen des Christusbildes. (Doctoral Dissertation). Johannes Gutenberg Universität Mainz. Retrieved from http://ubm.opus.hbz-nrw.de/volltexte/2015/4074/

Chicago Manual of Style (16th Edition):

Bergmann-Gaadt, Martina. “Das Aussehen Christi in der deutschen Bildkunst des 19. Jahrhunderts : Wandlungen des Christusbildes.” 2015. Doctoral Dissertation, Johannes Gutenberg Universität Mainz. Accessed April 03, 2020. http://ubm.opus.hbz-nrw.de/volltexte/2015/4074/.

MLA Handbook (7th Edition):

Bergmann-Gaadt, Martina. “Das Aussehen Christi in der deutschen Bildkunst des 19. Jahrhunderts : Wandlungen des Christusbildes.” 2015. Web. 03 Apr 2020.

Vancouver:

Bergmann-Gaadt M. Das Aussehen Christi in der deutschen Bildkunst des 19. Jahrhunderts : Wandlungen des Christusbildes. [Internet] [Doctoral dissertation]. Johannes Gutenberg Universität Mainz; 2015. [cited 2020 Apr 03]. Available from: http://ubm.opus.hbz-nrw.de/volltexte/2015/4074/.

Council of Science Editors:

Bergmann-Gaadt M. Das Aussehen Christi in der deutschen Bildkunst des 19. Jahrhunderts : Wandlungen des Christusbildes. [Doctoral Dissertation]. Johannes Gutenberg Universität Mainz; 2015. Available from: http://ubm.opus.hbz-nrw.de/volltexte/2015/4074/

13. Sniker, Tomas Guner. O diálogo entre o design e a arte na sociedade de consumo: do uso ao valor de seleção.

Degree: Mestrado, Poéticas Visuais, 2009, University of São Paulo

A investigação deste Trabalho consiste em um estudo sobre o diálogo entre o design e a arte na sociedade de consumo contemporânea, denominada como hiperconsumidora.… (more)

Subjects/Keywords: art system; Arte contemporânea; consumo; consumption; contemporaneous art; design; design; project; projeto; sistema de arte

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sniker, T. G. (2009). O diálogo entre o design e a arte na sociedade de consumo: do uso ao valor de seleção. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27159/tde-25102010-172500/ ;

Chicago Manual of Style (16th Edition):

Sniker, Tomas Guner. “O diálogo entre o design e a arte na sociedade de consumo: do uso ao valor de seleção.” 2009. Masters Thesis, University of São Paulo. Accessed April 03, 2020. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-25102010-172500/ ;.

MLA Handbook (7th Edition):

Sniker, Tomas Guner. “O diálogo entre o design e a arte na sociedade de consumo: do uso ao valor de seleção.” 2009. Web. 03 Apr 2020.

Vancouver:

Sniker TG. O diálogo entre o design e a arte na sociedade de consumo: do uso ao valor de seleção. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2020 Apr 03]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-25102010-172500/ ;.

Council of Science Editors:

Sniker TG. O diálogo entre o design e a arte na sociedade de consumo: do uso ao valor de seleção. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/27/27159/tde-25102010-172500/ ;


Louisiana State University

14. Hymel, Margaux. Peacocking.

Degree: MFA, Fine Arts, 2012, Louisiana State University

 My work attempts to express personal experiences and external observations of the present day western female ethos. Through visual depictions of forms with mixed media,… (more)

Subjects/Keywords: painting; art; peacocking

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hymel, M. (2012). Peacocking. (Masters Thesis). Louisiana State University. Retrieved from etd-04262012-143455 ; https://digitalcommons.lsu.edu/gradschool_theses/2298

Chicago Manual of Style (16th Edition):

Hymel, Margaux. “Peacocking.” 2012. Masters Thesis, Louisiana State University. Accessed April 03, 2020. etd-04262012-143455 ; https://digitalcommons.lsu.edu/gradschool_theses/2298.

MLA Handbook (7th Edition):

Hymel, Margaux. “Peacocking.” 2012. Web. 03 Apr 2020.

Vancouver:

Hymel M. Peacocking. [Internet] [Masters thesis]. Louisiana State University; 2012. [cited 2020 Apr 03]. Available from: etd-04262012-143455 ; https://digitalcommons.lsu.edu/gradschool_theses/2298.

Council of Science Editors:

Hymel M. Peacocking. [Masters Thesis]. Louisiana State University; 2012. Available from: etd-04262012-143455 ; https://digitalcommons.lsu.edu/gradschool_theses/2298


University of Sydney

15. Wagstaff, Brooke Elizabeth. Material objects of paint .

Degree: 2013, University of Sydney

 The research paper ‘Material Objects of Paint’ is an extension or review of past endeavours by others to establish a credible argument that paint is… (more)

Subjects/Keywords: Painting; Visual art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wagstaff, B. E. (2013). Material objects of paint . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/10197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wagstaff, Brooke Elizabeth. “Material objects of paint .” 2013. Thesis, University of Sydney. Accessed April 03, 2020. http://hdl.handle.net/2123/10197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wagstaff, Brooke Elizabeth. “Material objects of paint .” 2013. Web. 03 Apr 2020.

Vancouver:

Wagstaff BE. Material objects of paint . [Internet] [Thesis]. University of Sydney; 2013. [cited 2020 Apr 03]. Available from: http://hdl.handle.net/2123/10197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wagstaff BE. Material objects of paint . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/10197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

16. Goodyear, Alison. Privileged, unique and temporary : interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice.

Degree: PhD, 2017, University of the Arts London

 This practice led research examines the art historical hypotheses of Denis Diderot and Michael Fried on the role of aesthetic absorption in painting practice. It… (more)

Subjects/Keywords: Fine Art; Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goodyear, A. (2017). Privileged, unique and temporary : interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12456/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738025

Chicago Manual of Style (16th Edition):

Goodyear, Alison. “Privileged, unique and temporary : interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice.” 2017. Doctoral Dissertation, University of the Arts London. Accessed April 03, 2020. http://ualresearchonline.arts.ac.uk/12456/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738025.

MLA Handbook (7th Edition):

Goodyear, Alison. “Privileged, unique and temporary : interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice.” 2017. Web. 03 Apr 2020.

Vancouver:

Goodyear A. Privileged, unique and temporary : interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice. [Internet] [Doctoral dissertation]. University of the Arts London; 2017. [cited 2020 Apr 03]. Available from: http://ualresearchonline.arts.ac.uk/12456/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738025.

Council of Science Editors:

Goodyear A. Privileged, unique and temporary : interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice. [Doctoral Dissertation]. University of the Arts London; 2017. Available from: http://ualresearchonline.arts.ac.uk/12456/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738025


University of the Arts London

17. Threapleton, James E. The Corroded Surface: Portrait of the Sublime.

Degree: 2016, University of the Arts London

 Derived from the Latin corrodere, meaning to ‘gnaw to pieces’, corrosion as a transformative physical process is nature at its most sublime, engendering fear and… (more)

Subjects/Keywords: Fine Art; Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Threapleton, J. E. (2016). The Corroded Surface: Portrait of the Sublime. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/9193/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Threapleton, James E. “The Corroded Surface: Portrait of the Sublime.” 2016. Thesis, University of the Arts London. Accessed April 03, 2020. http://ualresearchonline.arts.ac.uk/9193/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Threapleton, James E. “The Corroded Surface: Portrait of the Sublime.” 2016. Web. 03 Apr 2020.

Vancouver:

Threapleton JE. The Corroded Surface: Portrait of the Sublime. [Internet] [Thesis]. University of the Arts London; 2016. [cited 2020 Apr 03]. Available from: http://ualresearchonline.arts.ac.uk/9193/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Threapleton JE. The Corroded Surface: Portrait of the Sublime. [Thesis]. University of the Arts London; 2016. Available from: http://ualresearchonline.arts.ac.uk/9193/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

18. Araujo, Jorge. The banal and the provisional : self-cancelling strategies in painting.

Degree: Art, 2012, University of New South Wales

 This project conducts a series of investigations into the act of painting through zones characterized by the indefinite, the ordinary, the banal and the provisional,… (more)

Subjects/Keywords: Contemporary; Painting; Art

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APA (6th Edition):

Araujo, J. (2012). The banal and the provisional : self-cancelling strategies in painting. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Araujo, Jorge. “The banal and the provisional : self-cancelling strategies in painting.” 2012. Masters Thesis, University of New South Wales. Accessed April 03, 2020. http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true.

MLA Handbook (7th Edition):

Araujo, Jorge. “The banal and the provisional : self-cancelling strategies in painting.” 2012. Web. 03 Apr 2020.

Vancouver:

Araujo J. The banal and the provisional : self-cancelling strategies in painting. [Internet] [Masters thesis]. University of New South Wales; 2012. [cited 2020 Apr 03]. Available from: http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true.

Council of Science Editors:

Araujo J. The banal and the provisional : self-cancelling strategies in painting. [Masters Thesis]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/51824 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10491/SOURCE02?view=true


University of the Arts London

19. Wilson, Sarah Kate. Durational Painting: gifting, grafting, hosting, collaborating.

Degree: 2017, University of the Arts London

 This thesis takes as its focus contemporary painting, and develops an understanding of painting as a time-based medium. My research project addresses the array of… (more)

Subjects/Keywords: Fine Art; Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wilson, S. K. (2017). Durational Painting: gifting, grafting, hosting, collaborating. (Thesis). University of the Arts London. Retrieved from http://www.sarahkatewilson.com

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wilson, Sarah Kate. “Durational Painting: gifting, grafting, hosting, collaborating.” 2017. Thesis, University of the Arts London. Accessed April 03, 2020. http://www.sarahkatewilson.com.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wilson, Sarah Kate. “Durational Painting: gifting, grafting, hosting, collaborating.” 2017. Web. 03 Apr 2020.

Vancouver:

Wilson SK. Durational Painting: gifting, grafting, hosting, collaborating. [Internet] [Thesis]. University of the Arts London; 2017. [cited 2020 Apr 03]. Available from: http://www.sarahkatewilson.com.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wilson SK. Durational Painting: gifting, grafting, hosting, collaborating. [Thesis]. University of the Arts London; 2017. Available from: http://www.sarahkatewilson.com

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

20. Morgan, Rebecca. Joy in Nature.

Degree: Master of Interdisciplinary Studies, Interdisciplinary Studies, 2011, Virginia Commonwealth University

 Artist Statement I am fascinated with colors in nature and how it affects our moods. The colors of a sunset and moonlit sky; the feeling… (more)

Subjects/Keywords: nature; art; painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Morgan, R. (2011). Joy in Nature. (Thesis). Virginia Commonwealth University. Retrieved from https://doi.org/10.25772/EK36-FC76 ; https://scholarscompass.vcu.edu/etd/2521

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morgan, Rebecca. “Joy in Nature.” 2011. Thesis, Virginia Commonwealth University. Accessed April 03, 2020. https://doi.org/10.25772/EK36-FC76 ; https://scholarscompass.vcu.edu/etd/2521.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morgan, Rebecca. “Joy in Nature.” 2011. Web. 03 Apr 2020.

Vancouver:

Morgan R. Joy in Nature. [Internet] [Thesis]. Virginia Commonwealth University; 2011. [cited 2020 Apr 03]. Available from: https://doi.org/10.25772/EK36-FC76 ; https://scholarscompass.vcu.edu/etd/2521.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morgan R. Joy in Nature. [Thesis]. Virginia Commonwealth University; 2011. Available from: https://doi.org/10.25772/EK36-FC76 ; https://scholarscompass.vcu.edu/etd/2521

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Colorado State University

21. Radding, Rosanna. Non-objective, two-dimensional, multi-planar space via line, form and color.

Degree: Master of Fine Arts (M.F.A.), Art, 2016, Colorado State University

 Transcendence of the inherent flat orientation of a two dimensional format and interrelation of opposites are the major objectives of my work. Visual references are… (more)

Subjects/Keywords: Painting; Space (Art)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Radding, R. (2016). Non-objective, two-dimensional, multi-planar space via line, form and color. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/173132

Chicago Manual of Style (16th Edition):

Radding, Rosanna. “Non-objective, two-dimensional, multi-planar space via line, form and color.” 2016. Masters Thesis, Colorado State University. Accessed April 03, 2020. http://hdl.handle.net/10217/173132.

MLA Handbook (7th Edition):

Radding, Rosanna. “Non-objective, two-dimensional, multi-planar space via line, form and color.” 2016. Web. 03 Apr 2020.

Vancouver:

Radding R. Non-objective, two-dimensional, multi-planar space via line, form and color. [Internet] [Masters thesis]. Colorado State University; 2016. [cited 2020 Apr 03]. Available from: http://hdl.handle.net/10217/173132.

Council of Science Editors:

Radding R. Non-objective, two-dimensional, multi-planar space via line, form and color. [Masters Thesis]. Colorado State University; 2016. Available from: http://hdl.handle.net/10217/173132


University of the Arts London

22. Goodyear, Alison. Privileged, unique and temporary: interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice.

Degree: 2017, University of the Arts London

 This practice led research examines the art historical hypotheses of Denis Diderot and Michael Fried on the role of aesthetic absorption in painting practice. It… (more)

Subjects/Keywords: Fine Art; Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goodyear, A. (2017). Privileged, unique and temporary: interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice. (Thesis). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/12456/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Goodyear, Alison. “Privileged, unique and temporary: interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice.” 2017. Thesis, University of the Arts London. Accessed April 03, 2020. http://ualresearchonline.arts.ac.uk/12456/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Goodyear, Alison. “Privileged, unique and temporary: interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice.” 2017. Web. 03 Apr 2020.

Vancouver:

Goodyear A. Privileged, unique and temporary: interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice. [Internet] [Thesis]. University of the Arts London; 2017. [cited 2020 Apr 03]. Available from: http://ualresearchonline.arts.ac.uk/12456/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Goodyear A. Privileged, unique and temporary: interpreting aesthetic experiences of the painter-painting relationship through an address to and from practice. [Thesis]. University of the Arts London; 2017. Available from: http://ualresearchonline.arts.ac.uk/12456/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


California State University – Sacramento

23. Philpott, Leslie Kristine. Evolution is mighty gruelin'.

Degree: MA, Art Studio, 2012, California State University – Sacramento

 The question was: what is art to me? Is it possible to create art that is truly my own? After serious commitment to the act… (more)

Subjects/Keywords: Painting; Drawing; Art

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APA (6th Edition):

Philpott, L. K. (2012). Evolution is mighty gruelin'. (Masters Thesis). California State University – Sacramento. Retrieved from http://hdl.handle.net/10211.9/1607

Chicago Manual of Style (16th Edition):

Philpott, Leslie Kristine. “Evolution is mighty gruelin'.” 2012. Masters Thesis, California State University – Sacramento. Accessed April 03, 2020. http://hdl.handle.net/10211.9/1607.

MLA Handbook (7th Edition):

Philpott, Leslie Kristine. “Evolution is mighty gruelin'.” 2012. Web. 03 Apr 2020.

Vancouver:

Philpott LK. Evolution is mighty gruelin'. [Internet] [Masters thesis]. California State University – Sacramento; 2012. [cited 2020 Apr 03]. Available from: http://hdl.handle.net/10211.9/1607.

Council of Science Editors:

Philpott LK. Evolution is mighty gruelin'. [Masters Thesis]. California State University – Sacramento; 2012. Available from: http://hdl.handle.net/10211.9/1607


Brigham Young University

24. Bontorno, Nicholas J. Portraits.

Degree: MFA, 2012, Brigham Young University

  This paper is a documentation of and supplement to my thesis project, which is on display in the Harold B. Lee Library Auditorium Gallery… (more)

Subjects/Keywords: Art; portrait; painting; Art Practice

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APA (6th Edition):

Bontorno, N. J. (2012). Portraits. (Thesis). Brigham Young University. Retrieved from https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=4266&context=etd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bontorno, Nicholas J. “Portraits.” 2012. Thesis, Brigham Young University. Accessed April 03, 2020. https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=4266&context=etd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bontorno, Nicholas J. “Portraits.” 2012. Web. 03 Apr 2020.

Vancouver:

Bontorno NJ. Portraits. [Internet] [Thesis]. Brigham Young University; 2012. [cited 2020 Apr 03]. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=4266&context=etd.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bontorno NJ. Portraits. [Thesis]. Brigham Young University; 2012. Available from: https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=4266&context=etd

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Iowa

25. Heber, Ashley Dawn. Resting cake face.

Degree: MFA (Master of Fine Arts), Art, 2015, University of Iowa

  My most recent series of paintings places specific focus on the societal struggles young women face with an emphasis on the need to constantly… (more)

Subjects/Keywords: publicabstract; Art; Painting; Art Practice

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APA (6th Edition):

Heber, A. D. (2015). Resting cake face. (Masters Thesis). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/1623

Chicago Manual of Style (16th Edition):

Heber, Ashley Dawn. “Resting cake face.” 2015. Masters Thesis, University of Iowa. Accessed April 03, 2020. https://ir.uiowa.edu/etd/1623.

MLA Handbook (7th Edition):

Heber, Ashley Dawn. “Resting cake face.” 2015. Web. 03 Apr 2020.

Vancouver:

Heber AD. Resting cake face. [Internet] [Masters thesis]. University of Iowa; 2015. [cited 2020 Apr 03]. Available from: https://ir.uiowa.edu/etd/1623.

Council of Science Editors:

Heber AD. Resting cake face. [Masters Thesis]. University of Iowa; 2015. Available from: https://ir.uiowa.edu/etd/1623


Pontifical Catholic University of Rio de Janeiro

26. JORGE HENRIQUE SAYÃO CARNEIRO. [en] GIORGIO MORANDI AND THE RESPECT FOR THINGS OF USE.

Degree: 2019, Pontifical Catholic University of Rio de Janeiro

[pt] A tese Giorgio Morandi e o respeito pelas coisas de uso, retoma a produção artística de Giorgio Morandi 1890-1964, um dos mais importantes artistas… (more)

Subjects/Keywords: [pt] FENOMENOLOGIA; [en] PHENOMENOLOGY; [pt] ARTE ITALIANA; [en] ITALIAN ART; [pt] ARTE MODERNA; [en] MODERN ART; [pt] HEIDEGGER; [en] HEIDEGGER; [pt] CUBISMO; [pt] MERLEAU-PONTY; [pt] GIORGIO MORANDI; [en] GIORGIO MORANDI; [pt] PINTURA MODERNA ITALIANA; [en] MODERN ITALIAN PAINTING; [pt] ARTE DO SECULO XX; [en] 20TH CENTURY ART; [pt] CEZANNE; [en] CEZANNE; [pt] PINTURA METAFISICA; [en] METAPHYSICAL PAINTING

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

CARNEIRO, J. H. S. (2019). [en] GIORGIO MORANDI AND THE RESPECT FOR THINGS OF USE. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37894

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

CARNEIRO, JORGE HENRIQUE SAYÃO. “[en] GIORGIO MORANDI AND THE RESPECT FOR THINGS OF USE.” 2019. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed April 03, 2020. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37894.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

CARNEIRO, JORGE HENRIQUE SAYÃO. “[en] GIORGIO MORANDI AND THE RESPECT FOR THINGS OF USE.” 2019. Web. 03 Apr 2020.

Vancouver:

CARNEIRO JHS. [en] GIORGIO MORANDI AND THE RESPECT FOR THINGS OF USE. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. [cited 2020 Apr 03]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37894.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

CARNEIRO JHS. [en] GIORGIO MORANDI AND THE RESPECT FOR THINGS OF USE. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2019. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37894

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat de Barcelona

27. Raventós Pagès, Marc. Ressonàncies cromàtiques del delta del Ganges.

Degree: Departament de Pintura, 2015, Universitat de Barcelona

 By means of diaries and paintings, we show the creative process of chromatic resonances of the Ganges delta. The dérive is a procedure of action,… (more)

Subjects/Keywords: Paisatge en l'art; Paisaje en el arte; Landscape in art; Pintura; Painting; Ganges (Índia: curs d'aigua); Ciènces Humanes i Socials; 7

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Raventós Pagès, M. (2015). Ressonàncies cromàtiques del delta del Ganges. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/664479

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Raventós Pagès, Marc. “Ressonàncies cromàtiques del delta del Ganges.” 2015. Thesis, Universitat de Barcelona. Accessed April 03, 2020. http://hdl.handle.net/10803/664479.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Raventós Pagès, Marc. “Ressonàncies cromàtiques del delta del Ganges.” 2015. Web. 03 Apr 2020.

Vancouver:

Raventós Pagès M. Ressonàncies cromàtiques del delta del Ganges. [Internet] [Thesis]. Universitat de Barcelona; 2015. [cited 2020 Apr 03]. Available from: http://hdl.handle.net/10803/664479.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Raventós Pagès M. Ressonàncies cromàtiques del delta del Ganges. [Thesis]. Universitat de Barcelona; 2015. Available from: http://hdl.handle.net/10803/664479

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Florida

28. Carey, Jean. Franz Marc as an Ethologist.

Degree: 2012, University of South Florida

 Keywords: Animalisierung, Einfühlung, Ethology, Expressionism, Painting, German Modernism In this study I deploy the perspective of ethology to examine Franz Marc's paintings of animals. To… (more)

Subjects/Keywords: Animalisierung; Einfühlung; Ethology; German Modernism; Painting; Twentieth Century; American Studies; Arts and Humanities; History of Art, Architecture, and Archaeology; Social and Behavioral Sciences

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carey, J. (2012). Franz Marc as an Ethologist. (Thesis). University of South Florida. Retrieved from https://scholarcommons.usf.edu/etd/4005

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carey, Jean. “Franz Marc as an Ethologist.” 2012. Thesis, University of South Florida. Accessed April 03, 2020. https://scholarcommons.usf.edu/etd/4005.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carey, Jean. “Franz Marc as an Ethologist.” 2012. Web. 03 Apr 2020.

Vancouver:

Carey J. Franz Marc as an Ethologist. [Internet] [Thesis]. University of South Florida; 2012. [cited 2020 Apr 03]. Available from: https://scholarcommons.usf.edu/etd/4005.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carey J. Franz Marc as an Ethologist. [Thesis]. University of South Florida; 2012. Available from: https://scholarcommons.usf.edu/etd/4005

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Portland State University

29. Miller, Jennifer Anne. The Politics of Nazi Art: The Portrayal of Women in Nazi Painting.

Degree: MA, History, 1996, Portland State University

  The study of Nazi art as an historical document provided an effective measure of Nazi political platform and social policy. Because the ideology of… (more)

Subjects/Keywords: National socialism and art  – Germany; German painting; Modern painting  – 20th century  – Germany; Women in art; History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Miller, J. A. (1996). The Politics of Nazi Art: The Portrayal of Women in Nazi Painting. (Masters Thesis). Portland State University. Retrieved from https://pdxscholar.library.pdx.edu/open_access_etds/5157

Chicago Manual of Style (16th Edition):

Miller, Jennifer Anne. “The Politics of Nazi Art: The Portrayal of Women in Nazi Painting.” 1996. Masters Thesis, Portland State University. Accessed April 03, 2020. https://pdxscholar.library.pdx.edu/open_access_etds/5157.

MLA Handbook (7th Edition):

Miller, Jennifer Anne. “The Politics of Nazi Art: The Portrayal of Women in Nazi Painting.” 1996. Web. 03 Apr 2020.

Vancouver:

Miller JA. The Politics of Nazi Art: The Portrayal of Women in Nazi Painting. [Internet] [Masters thesis]. Portland State University; 1996. [cited 2020 Apr 03]. Available from: https://pdxscholar.library.pdx.edu/open_access_etds/5157.

Council of Science Editors:

Miller JA. The Politics of Nazi Art: The Portrayal of Women in Nazi Painting. [Masters Thesis]. Portland State University; 1996. Available from: https://pdxscholar.library.pdx.edu/open_access_etds/5157


Louisiana State University

30. Wolfe, Alice. Monsters and men : the life and works of Sascha Schneider.

Degree: MA, Arts and Humanities, 2013, Louisiana State University

 Sascha Schneider was an artist that was incredibly popular, but only for a short time during his life in the late nineteenth and early twentieth-… (more)

Subjects/Keywords: german; schneider; symbolism; art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wolfe, A. (2013). Monsters and men : the life and works of Sascha Schneider. (Masters Thesis). Louisiana State University. Retrieved from etd-04152013-163018 ; https://digitalcommons.lsu.edu/gradschool_theses/1736

Chicago Manual of Style (16th Edition):

Wolfe, Alice. “Monsters and men : the life and works of Sascha Schneider.” 2013. Masters Thesis, Louisiana State University. Accessed April 03, 2020. etd-04152013-163018 ; https://digitalcommons.lsu.edu/gradschool_theses/1736.

MLA Handbook (7th Edition):

Wolfe, Alice. “Monsters and men : the life and works of Sascha Schneider.” 2013. Web. 03 Apr 2020.

Vancouver:

Wolfe A. Monsters and men : the life and works of Sascha Schneider. [Internet] [Masters thesis]. Louisiana State University; 2013. [cited 2020 Apr 03]. Available from: etd-04152013-163018 ; https://digitalcommons.lsu.edu/gradschool_theses/1736.

Council of Science Editors:

Wolfe A. Monsters and men : the life and works of Sascha Schneider. [Masters Thesis]. Louisiana State University; 2013. Available from: etd-04152013-163018 ; https://digitalcommons.lsu.edu/gradschool_theses/1736

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