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You searched for subject:( design AND contemporary art). Showing records 1 – 30 of 146 total matches.

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Georgia State University

1. florence, michelle e. Yours Truly MF.

Degree: MFA, Art and Design, 2018, Georgia State University

  Yours Truly MF is both the title of this exhibition and the identity through which I create and share my work. At its root… (more)

Subjects/Keywords: Luxury; Ceramics; Porcelain; Design; Contemporary Art

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APA (6th Edition):

florence, m. e. (2018). Yours Truly MF. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/art_design_theses/247

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

florence, michelle e. “Yours Truly MF.” 2018. Thesis, Georgia State University. Accessed October 22, 2019. https://scholarworks.gsu.edu/art_design_theses/247.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

florence, michelle e. “Yours Truly MF.” 2018. Web. 22 Oct 2019.

Vancouver:

florence me. Yours Truly MF. [Internet] [Thesis]. Georgia State University; 2018. [cited 2019 Oct 22]. Available from: https://scholarworks.gsu.edu/art_design_theses/247.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

florence me. Yours Truly MF. [Thesis]. Georgia State University; 2018. Available from: https://scholarworks.gsu.edu/art_design_theses/247

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

2. Restrepo, Luisa Fernanda. Intermix: traditional pre-Columbian art meets contemporary design.

Degree: MFA, Fine Arts, 2013, Louisiana State University

 Cultural identity is something that impacts the individual, shaping and influencing them, during their lifetime journey. Each person chooses to embrace that identity differently. For… (more)

Subjects/Keywords: Pattern; Graphic Design; Art; Contemporary Design; Pre-Columbian Art

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APA (6th Edition):

Restrepo, L. F. (2013). Intermix: traditional pre-Columbian art meets contemporary design. (Masters Thesis). Louisiana State University. Retrieved from etd-11182013-154902 ; https://digitalcommons.lsu.edu/gradschool_theses/2858

Chicago Manual of Style (16th Edition):

Restrepo, Luisa Fernanda. “Intermix: traditional pre-Columbian art meets contemporary design.” 2013. Masters Thesis, Louisiana State University. Accessed October 22, 2019. etd-11182013-154902 ; https://digitalcommons.lsu.edu/gradschool_theses/2858.

MLA Handbook (7th Edition):

Restrepo, Luisa Fernanda. “Intermix: traditional pre-Columbian art meets contemporary design.” 2013. Web. 22 Oct 2019.

Vancouver:

Restrepo LF. Intermix: traditional pre-Columbian art meets contemporary design. [Internet] [Masters thesis]. Louisiana State University; 2013. [cited 2019 Oct 22]. Available from: etd-11182013-154902 ; https://digitalcommons.lsu.edu/gradschool_theses/2858.

Council of Science Editors:

Restrepo LF. Intermix: traditional pre-Columbian art meets contemporary design. [Masters Thesis]. Louisiana State University; 2013. Available from: etd-11182013-154902 ; https://digitalcommons.lsu.edu/gradschool_theses/2858


Université de Lorraine

3. Hachicha Sahnoun, Ines. Interactions entre les arts contemporains, les créations architecturales et les conceptions design : le design comme dispositif communicationnel dans la société contemporaine : Interactions between contemporary arts, architectural creations and design conceptions : design as the communicationnel device in the contemporary society.

Degree: Docteur es, Arts, 2016, Université de Lorraine

L’art contemporain devient de plus en plus quelque chose qui s’applique à l’environnement quotidien, il entretient un dialogue fécond avec l’architecture, le design, le numérique,… (more)

Subjects/Keywords: Art contemporain; Design; Interaction; Architecture; Contemporary Art; Design; Interaction; Architecture; 700.904

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APA (6th Edition):

Hachicha Sahnoun, I. (2016). Interactions entre les arts contemporains, les créations architecturales et les conceptions design : le design comme dispositif communicationnel dans la société contemporaine : Interactions between contemporary arts, architectural creations and design conceptions : design as the communicationnel device in the contemporary society. (Doctoral Dissertation). Université de Lorraine. Retrieved from http://www.theses.fr/2016LORR0306

Chicago Manual of Style (16th Edition):

Hachicha Sahnoun, Ines. “Interactions entre les arts contemporains, les créations architecturales et les conceptions design : le design comme dispositif communicationnel dans la société contemporaine : Interactions between contemporary arts, architectural creations and design conceptions : design as the communicationnel device in the contemporary society.” 2016. Doctoral Dissertation, Université de Lorraine. Accessed October 22, 2019. http://www.theses.fr/2016LORR0306.

MLA Handbook (7th Edition):

Hachicha Sahnoun, Ines. “Interactions entre les arts contemporains, les créations architecturales et les conceptions design : le design comme dispositif communicationnel dans la société contemporaine : Interactions between contemporary arts, architectural creations and design conceptions : design as the communicationnel device in the contemporary society.” 2016. Web. 22 Oct 2019.

Vancouver:

Hachicha Sahnoun I. Interactions entre les arts contemporains, les créations architecturales et les conceptions design : le design comme dispositif communicationnel dans la société contemporaine : Interactions between contemporary arts, architectural creations and design conceptions : design as the communicationnel device in the contemporary society. [Internet] [Doctoral dissertation]. Université de Lorraine; 2016. [cited 2019 Oct 22]. Available from: http://www.theses.fr/2016LORR0306.

Council of Science Editors:

Hachicha Sahnoun I. Interactions entre les arts contemporains, les créations architecturales et les conceptions design : le design comme dispositif communicationnel dans la société contemporaine : Interactions between contemporary arts, architectural creations and design conceptions : design as the communicationnel device in the contemporary society. [Doctoral Dissertation]. Université de Lorraine; 2016. Available from: http://www.theses.fr/2016LORR0306


Washington University in St. Louis

4. Zapata, Vivian. Artificial Landscapes: Reflecting Interior Worlds.

Degree: Master of Fine Arts (MFA) in Visual Art, Visual Art, 2013, Washington University in St. Louis

  In this study I examine ideas of nature, human nature, and artificial nature that are relevant to my work. I explain that the natural… (more)

Subjects/Keywords: art; sculpture; contemporary art; landscape; nature; culture; Art and Design

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APA (6th Edition):

Zapata, V. (2013). Artificial Landscapes: Reflecting Interior Worlds. (Thesis). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/samfox_art_etds/115

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zapata, Vivian. “Artificial Landscapes: Reflecting Interior Worlds.” 2013. Thesis, Washington University in St. Louis. Accessed October 22, 2019. https://openscholarship.wustl.edu/samfox_art_etds/115.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zapata, Vivian. “Artificial Landscapes: Reflecting Interior Worlds.” 2013. Web. 22 Oct 2019.

Vancouver:

Zapata V. Artificial Landscapes: Reflecting Interior Worlds. [Internet] [Thesis]. Washington University in St. Louis; 2013. [cited 2019 Oct 22]. Available from: https://openscholarship.wustl.edu/samfox_art_etds/115.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zapata V. Artificial Landscapes: Reflecting Interior Worlds. [Thesis]. Washington University in St. Louis; 2013. Available from: https://openscholarship.wustl.edu/samfox_art_etds/115

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. HANSSON, PER. Braided Body, Strings That Move.

Degree: Swedish School of Textiles, 2014, University of Borås

The perception of the expression of traditional handcrafts needs to be challenged. Therefore his bachelor degree work aims to develop new expressions in contemporary(more)

Subjects/Keywords: Braiding; Handcraft; Contemporary; Menswear; Fashion; Paracord; Experiment; Design; Art; Design; Design

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APA (6th Edition):

HANSSON, P. (2014). Braided Body, Strings That Move. (Thesis). University of Borås. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-18104

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

HANSSON, PER. “Braided Body, Strings That Move.” 2014. Thesis, University of Borås. Accessed October 22, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-18104.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

HANSSON, PER. “Braided Body, Strings That Move.” 2014. Web. 22 Oct 2019.

Vancouver:

HANSSON P. Braided Body, Strings That Move. [Internet] [Thesis]. University of Borås; 2014. [cited 2019 Oct 22]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-18104.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

HANSSON P. Braided Body, Strings That Move. [Thesis]. University of Borås; 2014. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-18104

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

6. Shen, Xiaohe. Dreamland:.

Degree: MFA, School for American Crafts (CIAS), 2015, Rochester Institute of Technology

  I was attracted by the interaction between dream and reality. Not long before I started my thesis, I read Freud’s book, The Interpretation of… (more)

Subjects/Keywords: Acrylic painting; Contemporary art; Installation art; Jewelry design; Metal craft; Sculpture

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APA (6th Edition):

Shen, X. (2015). Dreamland:. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/8932

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shen, Xiaohe. “Dreamland:.” 2015. Thesis, Rochester Institute of Technology. Accessed October 22, 2019. https://scholarworks.rit.edu/theses/8932.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shen, Xiaohe. “Dreamland:.” 2015. Web. 22 Oct 2019.

Vancouver:

Shen X. Dreamland:. [Internet] [Thesis]. Rochester Institute of Technology; 2015. [cited 2019 Oct 22]. Available from: https://scholarworks.rit.edu/theses/8932.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shen X. Dreamland:. [Thesis]. Rochester Institute of Technology; 2015. Available from: https://scholarworks.rit.edu/theses/8932

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Montana

7. Crumrine, Cori. STRANGE RARITIES.

Degree: MFA, 2018, University of Montana

  ‘Strange Rarities’ is a compelling and odd coupling of words, and similar to this body of work, this phrase both masks and reveals its… (more)

Subjects/Keywords: Strange Rarities; ceramics; culinary; color; contemporary art; Art and Design; Ceramic Arts; Contemporary Art; Fine Arts; Interdisciplinary Arts and Media

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APA (6th Edition):

Crumrine, C. (2018). STRANGE RARITIES. (Thesis). University of Montana. Retrieved from https://scholarworks.umt.edu/etd/11289

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crumrine, Cori. “STRANGE RARITIES.” 2018. Thesis, University of Montana. Accessed October 22, 2019. https://scholarworks.umt.edu/etd/11289.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crumrine, Cori. “STRANGE RARITIES.” 2018. Web. 22 Oct 2019.

Vancouver:

Crumrine C. STRANGE RARITIES. [Internet] [Thesis]. University of Montana; 2018. [cited 2019 Oct 22]. Available from: https://scholarworks.umt.edu/etd/11289.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crumrine C. STRANGE RARITIES. [Thesis]. University of Montana; 2018. Available from: https://scholarworks.umt.edu/etd/11289

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Colorado

8. Myers, Arielle M. Performing Identity After Yugoslavia: Contemporary Art Beyond and Through the Ethno-National.

Degree: MA, Art & Art History, 2016, University of Colorado

  This project suggests readings of contemporary performative artworks from the South Slavic region that look beyond the ethno-national identity of the artist to examine… (more)

Subjects/Keywords: Contemporary Art; Performance Art; South Slavic Art; Yugoslavia; Art and Design; History of Art, Architecture, and Archaeology; Slavic Languages and Societies

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APA (6th Edition):

Myers, A. M. (2016). Performing Identity After Yugoslavia: Contemporary Art Beyond and Through the Ethno-National. (Masters Thesis). University of Colorado. Retrieved from http://scholar.colorado.edu/arth_gradetds/32

Chicago Manual of Style (16th Edition):

Myers, Arielle M. “Performing Identity After Yugoslavia: Contemporary Art Beyond and Through the Ethno-National.” 2016. Masters Thesis, University of Colorado. Accessed October 22, 2019. http://scholar.colorado.edu/arth_gradetds/32.

MLA Handbook (7th Edition):

Myers, Arielle M. “Performing Identity After Yugoslavia: Contemporary Art Beyond and Through the Ethno-National.” 2016. Web. 22 Oct 2019.

Vancouver:

Myers AM. Performing Identity After Yugoslavia: Contemporary Art Beyond and Through the Ethno-National. [Internet] [Masters thesis]. University of Colorado; 2016. [cited 2019 Oct 22]. Available from: http://scholar.colorado.edu/arth_gradetds/32.

Council of Science Editors:

Myers AM. Performing Identity After Yugoslavia: Contemporary Art Beyond and Through the Ethno-National. [Masters Thesis]. University of Colorado; 2016. Available from: http://scholar.colorado.edu/arth_gradetds/32


University of Colorado

9. Zankowski, Sarah Mary. Constructing the Home Space: Reclaiming the Orientalist Image in Contemporary Mena Art.

Degree: MA, Art & Art History, 2015, University of Colorado

  This project will investigate how home and identity is constructed in the works of artists who operate from within and outside of the MENA… (more)

Subjects/Keywords: contemporary; home; MENA; orientalism; photography; video; African Studies; Art and Design; Arts and Humanities; Contemporary Art

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APA (6th Edition):

Zankowski, S. M. (2015). Constructing the Home Space: Reclaiming the Orientalist Image in Contemporary Mena Art. (Masters Thesis). University of Colorado. Retrieved from http://scholar.colorado.edu/arth_gradetds/33

Chicago Manual of Style (16th Edition):

Zankowski, Sarah Mary. “Constructing the Home Space: Reclaiming the Orientalist Image in Contemporary Mena Art.” 2015. Masters Thesis, University of Colorado. Accessed October 22, 2019. http://scholar.colorado.edu/arth_gradetds/33.

MLA Handbook (7th Edition):

Zankowski, Sarah Mary. “Constructing the Home Space: Reclaiming the Orientalist Image in Contemporary Mena Art.” 2015. Web. 22 Oct 2019.

Vancouver:

Zankowski SM. Constructing the Home Space: Reclaiming the Orientalist Image in Contemporary Mena Art. [Internet] [Masters thesis]. University of Colorado; 2015. [cited 2019 Oct 22]. Available from: http://scholar.colorado.edu/arth_gradetds/33.

Council of Science Editors:

Zankowski SM. Constructing the Home Space: Reclaiming the Orientalist Image in Contemporary Mena Art. [Masters Thesis]. University of Colorado; 2015. Available from: http://scholar.colorado.edu/arth_gradetds/33


Virginia Commonwealth University

10. Burke, Sandra. Thinking Bodies and Sensational Minds: Affect and Embodiment in Contemporary Art.

Degree: PhD, Media, Art, and Text, 2014, Virginia Commonwealth University

 The human subject is profoundly interdependent, in relation to other people and to the surrounding environment, both “natural” and technological. Western dualistic thinking creates bounded… (more)

Subjects/Keywords: Embodiment; Affect; Contemporary Art; Art and Design; Arts and Humanities; Interdisciplinary Arts and Media

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APA (6th Edition):

Burke, S. (2014). Thinking Bodies and Sensational Minds: Affect and Embodiment in Contemporary Art. (Doctoral Dissertation). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/609

Chicago Manual of Style (16th Edition):

Burke, Sandra. “Thinking Bodies and Sensational Minds: Affect and Embodiment in Contemporary Art.” 2014. Doctoral Dissertation, Virginia Commonwealth University. Accessed October 22, 2019. https://scholarscompass.vcu.edu/etd/609.

MLA Handbook (7th Edition):

Burke, Sandra. “Thinking Bodies and Sensational Minds: Affect and Embodiment in Contemporary Art.” 2014. Web. 22 Oct 2019.

Vancouver:

Burke S. Thinking Bodies and Sensational Minds: Affect and Embodiment in Contemporary Art. [Internet] [Doctoral dissertation]. Virginia Commonwealth University; 2014. [cited 2019 Oct 22]. Available from: https://scholarscompass.vcu.edu/etd/609.

Council of Science Editors:

Burke S. Thinking Bodies and Sensational Minds: Affect and Embodiment in Contemporary Art. [Doctoral Dissertation]. Virginia Commonwealth University; 2014. Available from: https://scholarscompass.vcu.edu/etd/609


RMIT University

11. Kelly, J. Exhibition design + contemporary encounters.

Degree: 2012, RMIT University

 This research is practice-based and explores the role of exhibition designer, the parameters of exhibition design and the exhibition design techniques that affect the experience… (more)

Subjects/Keywords: Fields of Research; Interior Design; Exhibition Design; Contemporary Encounters; Manifold Engagement; Art Gallery; Art Exhibition; Art Display

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APA (6th Edition):

Kelly, J. (2012). Exhibition design + contemporary encounters. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160318

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kelly, J. “Exhibition design + contemporary encounters.” 2012. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:160318.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kelly, J. “Exhibition design + contemporary encounters.” 2012. Web. 22 Oct 2019.

Vancouver:

Kelly J. Exhibition design + contemporary encounters. [Internet] [Thesis]. RMIT University; 2012. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:160318.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kelly J. Exhibition design + contemporary encounters. [Thesis]. RMIT University; 2012. Available from: http://researchbank.rmit.edu.au/view/rmit:160318

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Herbert, Nell C. Curating Adjacent Shores: A Contemporary Art Exhibition at USF's Thacher Gallery.

Degree: MAin Museum Studies, Museum Studies, 2016, University of San Francisco

  This capstone is a project management plan for the curation of a real-world contemporary art exhibition at the University of San Francisco’s Mary and… (more)

Subjects/Keywords: curating contemporary art; museum studies; Adjacent Shores; Thacher Gallery; art exhibition; exhibition development; Art and Design; Museum Studies

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APA (6th Edition):

Herbert, N. C. (2016). Curating Adjacent Shores: A Contemporary Art Exhibition at USF's Thacher Gallery. (Thesis). University of San Francisco. Retrieved from https://repository.usfca.edu/capstone/299

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Herbert, Nell C. “Curating Adjacent Shores: A Contemporary Art Exhibition at USF's Thacher Gallery.” 2016. Thesis, University of San Francisco. Accessed October 22, 2019. https://repository.usfca.edu/capstone/299.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Herbert, Nell C. “Curating Adjacent Shores: A Contemporary Art Exhibition at USF's Thacher Gallery.” 2016. Web. 22 Oct 2019.

Vancouver:

Herbert NC. Curating Adjacent Shores: A Contemporary Art Exhibition at USF's Thacher Gallery. [Internet] [Thesis]. University of San Francisco; 2016. [cited 2019 Oct 22]. Available from: https://repository.usfca.edu/capstone/299.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Herbert NC. Curating Adjacent Shores: A Contemporary Art Exhibition at USF's Thacher Gallery. [Thesis]. University of San Francisco; 2016. Available from: https://repository.usfca.edu/capstone/299

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arkansas

13. Pierce, Cambry Lace. The Life You've Seen: The Search for Feminine Identity Ruined My Life.

Degree: MFA, Art (MFA), 2015, University of Arkansas

  The Life You've Seen: The Search For Feminine Identity Ruined My Life is a video installation created through the exploration for the search for… (more)

Subjects/Keywords: Contemporary art; Feminine identity; Gender; Identity; Video art; Art and Design; Arts and Humanities; Interactive Arts

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APA (6th Edition):

Pierce, C. L. (2015). The Life You've Seen: The Search for Feminine Identity Ruined My Life. (Masters Thesis). University of Arkansas. Retrieved from https://scholarworks.uark.edu/etd/27

Chicago Manual of Style (16th Edition):

Pierce, Cambry Lace. “The Life You've Seen: The Search for Feminine Identity Ruined My Life.” 2015. Masters Thesis, University of Arkansas. Accessed October 22, 2019. https://scholarworks.uark.edu/etd/27.

MLA Handbook (7th Edition):

Pierce, Cambry Lace. “The Life You've Seen: The Search for Feminine Identity Ruined My Life.” 2015. Web. 22 Oct 2019.

Vancouver:

Pierce CL. The Life You've Seen: The Search for Feminine Identity Ruined My Life. [Internet] [Masters thesis]. University of Arkansas; 2015. [cited 2019 Oct 22]. Available from: https://scholarworks.uark.edu/etd/27.

Council of Science Editors:

Pierce CL. The Life You've Seen: The Search for Feminine Identity Ruined My Life. [Masters Thesis]. University of Arkansas; 2015. Available from: https://scholarworks.uark.edu/etd/27


Georgia State University

14. Smith, Nicole R. Wangechi Mutu: Feminist Collage and the Cyborg.

Degree: MA, Art and Design, 2009, Georgia State University

 Wangechi Mutu is an internationally recognized Kenyan-born artist who lives and works in Brooklyn. She creates collaged female figures composed of human, animal, object, and… (more)

Subjects/Keywords: Wangechi Mutu; Collage; Feminist art; Cyborg; Donna Haraway; Western art; Postmodern art; Postcolonial art; Contemporary art; Machine; Organism; Kenya; Female persona; Assemblage; Photomontage; Constructed identity; Art and Design

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APA (6th Edition):

Smith, N. R. (2009). Wangechi Mutu: Feminist Collage and the Cyborg. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/art_design_theses/51

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, Nicole R. “Wangechi Mutu: Feminist Collage and the Cyborg.” 2009. Thesis, Georgia State University. Accessed October 22, 2019. https://scholarworks.gsu.edu/art_design_theses/51.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, Nicole R. “Wangechi Mutu: Feminist Collage and the Cyborg.” 2009. Web. 22 Oct 2019.

Vancouver:

Smith NR. Wangechi Mutu: Feminist Collage and the Cyborg. [Internet] [Thesis]. Georgia State University; 2009. [cited 2019 Oct 22]. Available from: https://scholarworks.gsu.edu/art_design_theses/51.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith NR. Wangechi Mutu: Feminist Collage and the Cyborg. [Thesis]. Georgia State University; 2009. Available from: https://scholarworks.gsu.edu/art_design_theses/51

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Eriksson, Kajsa G. Concrete Fashion: Dress, Art, and Engagement in Public Space.

Degree: 2009, University of Gothenburg / Göteborgs Universitet

This dissertation is an example of artistic research that explores the border between fashion design and contemporary art, in order to place situated bodily practices… (more)

Subjects/Keywords: fashion design; contemporary art; performance; dressed body; documentation; artistic research; engagement; public space; identity

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APA (6th Edition):

Eriksson, K. G. (2009). Concrete Fashion: Dress, Art, and Engagement in Public Space. (Thesis). University of Gothenburg / Göteborgs Universitet. Retrieved from http://hdl.handle.net/2077/21545

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Eriksson, Kajsa G. “Concrete Fashion: Dress, Art, and Engagement in Public Space.” 2009. Thesis, University of Gothenburg / Göteborgs Universitet. Accessed October 22, 2019. http://hdl.handle.net/2077/21545.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Eriksson, Kajsa G. “Concrete Fashion: Dress, Art, and Engagement in Public Space.” 2009. Web. 22 Oct 2019.

Vancouver:

Eriksson KG. Concrete Fashion: Dress, Art, and Engagement in Public Space. [Internet] [Thesis]. University of Gothenburg / Göteborgs Universitet; 2009. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/2077/21545.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eriksson KG. Concrete Fashion: Dress, Art, and Engagement in Public Space. [Thesis]. University of Gothenburg / Göteborgs Universitet; 2009. Available from: http://hdl.handle.net/2077/21545

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Michigan

16. Le, Tina. Material Conceptualisms: Philippine Art under Authoritarianism, 1968-1986.

Degree: PhD, History of Art, 2018, University of Michigan

 Material Conceptualisms: Philippine Art under Authoritarianism, 1968–1986 explores the subversive connotations of artists who experimented with organic, mundane, and/or vulgar materials at the state-supported Cultural… (more)

Subjects/Keywords: contemporary art; conceptual art; Philippine studies; Southeast Asia; performance art; Art and Design; Art History; History (General); Humanities (General); Southeast Asian and Pacific Languages and Cultures; Arts; Humanities

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APA (6th Edition):

Le, T. (2018). Material Conceptualisms: Philippine Art under Authoritarianism, 1968-1986. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/146098

Chicago Manual of Style (16th Edition):

Le, Tina. “Material Conceptualisms: Philippine Art under Authoritarianism, 1968-1986.” 2018. Doctoral Dissertation, University of Michigan. Accessed October 22, 2019. http://hdl.handle.net/2027.42/146098.

MLA Handbook (7th Edition):

Le, Tina. “Material Conceptualisms: Philippine Art under Authoritarianism, 1968-1986.” 2018. Web. 22 Oct 2019.

Vancouver:

Le T. Material Conceptualisms: Philippine Art under Authoritarianism, 1968-1986. [Internet] [Doctoral dissertation]. University of Michigan; 2018. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/2027.42/146098.

Council of Science Editors:

Le T. Material Conceptualisms: Philippine Art under Authoritarianism, 1968-1986. [Doctoral Dissertation]. University of Michigan; 2018. Available from: http://hdl.handle.net/2027.42/146098


Brno University of Technology

17. Škoda, Kristián. LABORARTORY BRNO .

Degree: 2013, Brno University of Technology

 Výtvarné umění a hudba, umělecká odvětví, která využívají odlišné výrazové prostředky, ale jejichž kořeny jsou společné. Mohou vyrůstat bok po boku a vzájemně se inspirovat,… (more)

Subjects/Keywords: galerie architektury; designu a soudobého umění; výtvarné umění a hudba; gallery of architecture; design and contemporary art; visual art and music

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APA (6th Edition):

Škoda, K. (2013). LABORARTORY BRNO . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/24945

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Škoda, Kristián. “LABORARTORY BRNO .” 2013. Thesis, Brno University of Technology. Accessed October 22, 2019. http://hdl.handle.net/11012/24945.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Škoda, Kristián. “LABORARTORY BRNO .” 2013. Web. 22 Oct 2019.

Vancouver:

Škoda K. LABORARTORY BRNO . [Internet] [Thesis]. Brno University of Technology; 2013. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/11012/24945.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Škoda K. LABORARTORY BRNO . [Thesis]. Brno University of Technology; 2013. Available from: http://hdl.handle.net/11012/24945

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Outhouse, Michael Edward. The influence of the postmodern graphic design genre on contemporary graphic design as analyzed in the context of generic participation.

Degree: 2013, Iowa State University

 The purpose of this study was to investigate the influence of Postmodern graphic design on contemporary graphic design. Another goal was to clearly define Postmodern… (more)

Subjects/Keywords: contemporary; design; postmodern; Art and Design

…form of design, despite its obviously central role as a shaper of contemporary life” (… …contemporary culture and design, and necessitates an attempt to clarify the issue. This thesis is a… …information regarding contemporary designers and design practice. Since Postmodern critical theory… …perhaps a more focused examination of the influence of Postmodernism on contemporary design can… …contemporary design, and Postmodernism’s decline or longevity, but also addresses some of the larger… 

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APA (6th Edition):

Outhouse, M. E. (2013). The influence of the postmodern graphic design genre on contemporary graphic design as analyzed in the context of generic participation. (Thesis). Iowa State University. Retrieved from https://lib.dr.iastate.edu/etd/13507

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Outhouse, Michael Edward. “The influence of the postmodern graphic design genre on contemporary graphic design as analyzed in the context of generic participation.” 2013. Thesis, Iowa State University. Accessed October 22, 2019. https://lib.dr.iastate.edu/etd/13507.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Outhouse, Michael Edward. “The influence of the postmodern graphic design genre on contemporary graphic design as analyzed in the context of generic participation.” 2013. Web. 22 Oct 2019.

Vancouver:

Outhouse ME. The influence of the postmodern graphic design genre on contemporary graphic design as analyzed in the context of generic participation. [Internet] [Thesis]. Iowa State University; 2013. [cited 2019 Oct 22]. Available from: https://lib.dr.iastate.edu/etd/13507.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Outhouse ME. The influence of the postmodern graphic design genre on contemporary graphic design as analyzed in the context of generic participation. [Thesis]. Iowa State University; 2013. Available from: https://lib.dr.iastate.edu/etd/13507

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

19. Lévy, Marjolaine. Histoires de modernologues. Formes et significations du retour du modernisme historique dans la création contemporaine : Modernologists’ Stories. Forms and Significances of the Return of Historical Modernism in Contemporary Art.

Degree: Docteur es, Histoire de l'art, 2017, Université Paris-Sorbonne – Paris IV

Du Bauhaus à De Stijl, du Constructivisme au Style international ou au Mouvement moderne, le modernisme historique n’aura pas seulement occupé les historiens de l’architecture… (more)

Subjects/Keywords: Modernisme; Architecture moderniste; Design moderniste; Art contemporain; Ruine moderne; Artiste-Historien d’art; Ornement; Modernism; Modernist architecture; Modern design; Contemporary art; Modern ruins; Artist-Art historian; Ornament

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APA (6th Edition):

Lévy, M. (2017). Histoires de modernologues. Formes et significations du retour du modernisme historique dans la création contemporaine : Modernologists’ Stories. Forms and Significances of the Return of Historical Modernism in Contemporary Art. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2017PA040093

Chicago Manual of Style (16th Edition):

Lévy, Marjolaine. “Histoires de modernologues. Formes et significations du retour du modernisme historique dans la création contemporaine : Modernologists’ Stories. Forms and Significances of the Return of Historical Modernism in Contemporary Art.” 2017. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed October 22, 2019. http://www.theses.fr/2017PA040093.

MLA Handbook (7th Edition):

Lévy, Marjolaine. “Histoires de modernologues. Formes et significations du retour du modernisme historique dans la création contemporaine : Modernologists’ Stories. Forms and Significances of the Return of Historical Modernism in Contemporary Art.” 2017. Web. 22 Oct 2019.

Vancouver:

Lévy M. Histoires de modernologues. Formes et significations du retour du modernisme historique dans la création contemporaine : Modernologists’ Stories. Forms and Significances of the Return of Historical Modernism in Contemporary Art. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2017. [cited 2019 Oct 22]. Available from: http://www.theses.fr/2017PA040093.

Council of Science Editors:

Lévy M. Histoires de modernologues. Formes et significations du retour du modernisme historique dans la création contemporaine : Modernologists’ Stories. Forms and Significances of the Return of Historical Modernism in Contemporary Art. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2017. Available from: http://www.theses.fr/2017PA040093


Massey University

20. Shields, Ryan. Magnificent madness, the American lunar quest : creating a contemporary depiction of the lunacy myth : a thesis presented in partial fulfilment of the requirements for the Masters of Design at the College of Creative Arts, Massey University, Wellington, 7 March 2011 .

Degree: 2011, Massey University

 For many people born in the latter decades of the twentieth century the defining global event was 9/11. For those born in the earlier and… (more)

Subjects/Keywords: Contemporary art; Contemporary design; Representations of lunacy; Moon landing; Scientific rationalism; American space race; American lunar quest; Visual design; Myth of lunacy; Postmodern

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APA (6th Edition):

Shields, R. (2011). Magnificent madness, the American lunar quest : creating a contemporary depiction of the lunacy myth : a thesis presented in partial fulfilment of the requirements for the Masters of Design at the College of Creative Arts, Massey University, Wellington, 7 March 2011 . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/2249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shields, Ryan. “Magnificent madness, the American lunar quest : creating a contemporary depiction of the lunacy myth : a thesis presented in partial fulfilment of the requirements for the Masters of Design at the College of Creative Arts, Massey University, Wellington, 7 March 2011 .” 2011. Thesis, Massey University. Accessed October 22, 2019. http://hdl.handle.net/10179/2249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shields, Ryan. “Magnificent madness, the American lunar quest : creating a contemporary depiction of the lunacy myth : a thesis presented in partial fulfilment of the requirements for the Masters of Design at the College of Creative Arts, Massey University, Wellington, 7 March 2011 .” 2011. Web. 22 Oct 2019.

Vancouver:

Shields R. Magnificent madness, the American lunar quest : creating a contemporary depiction of the lunacy myth : a thesis presented in partial fulfilment of the requirements for the Masters of Design at the College of Creative Arts, Massey University, Wellington, 7 March 2011 . [Internet] [Thesis]. Massey University; 2011. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/10179/2249.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shields R. Magnificent madness, the American lunar quest : creating a contemporary depiction of the lunacy myth : a thesis presented in partial fulfilment of the requirements for the Masters of Design at the College of Creative Arts, Massey University, Wellington, 7 March 2011 . [Thesis]. Massey University; 2011. Available from: http://hdl.handle.net/10179/2249

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Maine

21. Clark, Yadina Z. The Sacred Art of Labyrinth Design: Optimization of a Liminal Aesthetic.

Degree: MFA, Intermedia, 2015, University of Maine

  This paper provides an overview of both practical and esoteric elements that inform the labyrinth design process and touches on the physiological and psychological… (more)

Subjects/Keywords: labyrinths; sacred space; sacred art; meditation; liminality; land art; Art Practice; Contemporary Art; Environmental Design; Fine Arts; Interactive Arts; Interdisciplinary Arts and Media; Landscape Architecture; New Religious Movements

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APA (6th Edition):

Clark, Y. Z. (2015). The Sacred Art of Labyrinth Design: Optimization of a Liminal Aesthetic. (Thesis). University of Maine. Retrieved from https://digitalcommons.library.umaine.edu/etd/2337

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clark, Yadina Z. “The Sacred Art of Labyrinth Design: Optimization of a Liminal Aesthetic.” 2015. Thesis, University of Maine. Accessed October 22, 2019. https://digitalcommons.library.umaine.edu/etd/2337.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clark, Yadina Z. “The Sacred Art of Labyrinth Design: Optimization of a Liminal Aesthetic.” 2015. Web. 22 Oct 2019.

Vancouver:

Clark YZ. The Sacred Art of Labyrinth Design: Optimization of a Liminal Aesthetic. [Internet] [Thesis]. University of Maine; 2015. [cited 2019 Oct 22]. Available from: https://digitalcommons.library.umaine.edu/etd/2337.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clark YZ. The Sacred Art of Labyrinth Design: Optimization of a Liminal Aesthetic. [Thesis]. University of Maine; 2015. Available from: https://digitalcommons.library.umaine.edu/etd/2337

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhode Island College

22. Tavano, Michelle A. Digital Brushstrokes.

Degree: MA, 2011, Rhode Island College

  Digital painting enables the traditional painter to paint using new technology without experience in traditional painting. But few digital painters are able to transcend… (more)

Subjects/Keywords: Art; Art and Design; Art Practice; Science and Technology Studies; digital painting; technology; digital audience; contemporary art; digital brushstrokes; new media theory

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APA (6th Edition):

Tavano, M. A. (2011). Digital Brushstrokes. (Masters Thesis). Rhode Island College. Retrieved from https://digitalcommons.ric.edu/etd/45

Chicago Manual of Style (16th Edition):

Tavano, Michelle A. “Digital Brushstrokes.” 2011. Masters Thesis, Rhode Island College. Accessed October 22, 2019. https://digitalcommons.ric.edu/etd/45.

MLA Handbook (7th Edition):

Tavano, Michelle A. “Digital Brushstrokes.” 2011. Web. 22 Oct 2019.

Vancouver:

Tavano MA. Digital Brushstrokes. [Internet] [Masters thesis]. Rhode Island College; 2011. [cited 2019 Oct 22]. Available from: https://digitalcommons.ric.edu/etd/45.

Council of Science Editors:

Tavano MA. Digital Brushstrokes. [Masters Thesis]. Rhode Island College; 2011. Available from: https://digitalcommons.ric.edu/etd/45


University of Louisville

23. Bader, Lauren A. Send nudes : art on social anxiety and human connection in an internet driven society.

Degree: M.F.A., 2019, University of Louisville

  My social anxiety is the driving force behind my thesis work. Sufferers of social anxiety often have a hard time forming relationships because their… (more)

Subjects/Keywords: self-disclosure; social exchange theory; social practice art; screen printing; contemporary art; socially engaged art; Art and Design; Fine Arts; Social Media; Social Psychology

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APA (6th Edition):

Bader, L. A. (2019). Send nudes : art on social anxiety and human connection in an internet driven society. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/3218 ; https://ir.library.louisville.edu/etd/3218

Chicago Manual of Style (16th Edition):

Bader, Lauren A. “Send nudes : art on social anxiety and human connection in an internet driven society.” 2019. Masters Thesis, University of Louisville. Accessed October 22, 2019. 10.18297/etd/3218 ; https://ir.library.louisville.edu/etd/3218.

MLA Handbook (7th Edition):

Bader, Lauren A. “Send nudes : art on social anxiety and human connection in an internet driven society.” 2019. Web. 22 Oct 2019.

Vancouver:

Bader LA. Send nudes : art on social anxiety and human connection in an internet driven society. [Internet] [Masters thesis]. University of Louisville; 2019. [cited 2019 Oct 22]. Available from: 10.18297/etd/3218 ; https://ir.library.louisville.edu/etd/3218.

Council of Science Editors:

Bader LA. Send nudes : art on social anxiety and human connection in an internet driven society. [Masters Thesis]. University of Louisville; 2019. Available from: 10.18297/etd/3218 ; https://ir.library.louisville.edu/etd/3218


Brno University of Technology

24. Smetana, Filip. Vztahy současného volného a užitého umění .

Degree: 2012, Brno University of Technology

 Diplomová práce se zabývá vztahy mezi současným volným a užitým uměním. Zkoumá zejména možnosti obousměrného prostupování a přesahů těchto oblastí. V diplomové práci se snažím… (more)

Subjects/Keywords: Vztahy současného volného a užitého umění; Současné umění; volné umění; užité umění; design; instalace; konceptuální umění; Relations of free and applied arts in contemporary visual culture; contemporary art; free art; applied art; design; instalation; conceptual art

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APA (6th Edition):

Smetana, F. (2012). Vztahy současného volného a užitého umění . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/13238

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smetana, Filip. “Vztahy současného volného a užitého umění .” 2012. Thesis, Brno University of Technology. Accessed October 22, 2019. http://hdl.handle.net/11012/13238.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smetana, Filip. “Vztahy současného volného a užitého umění .” 2012. Web. 22 Oct 2019.

Vancouver:

Smetana F. Vztahy současného volného a užitého umění . [Internet] [Thesis]. Brno University of Technology; 2012. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/11012/13238.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smetana F. Vztahy současného volného a užitého umění . [Thesis]. Brno University of Technology; 2012. Available from: http://hdl.handle.net/11012/13238

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Stolarski, Andre. Design e arte: campo minado uma antologia de discursos comentados e uma proposta disciplinar.

Degree: Mestrado, Projeto, Espaço e Cultura, 2012, University of São Paulo

Este trabalho investiga e comenta debates fundamentais sobre as relações entre arte e design a partir de um levantamento de discursos sobre o tema, recolhidos… (more)

Subjects/Keywords: Arte contemporânea; Arte moderna; Contemporary art; Debate (Análise do discurso); Debate (Discourse analysis); Design; Design; Eepistemology; Epistemologia; Modern art; Pós-modernismo; Post-modernism

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APA (6th Edition):

Stolarski, A. (2012). Design e arte: campo minado uma antologia de discursos comentados e uma proposta disciplinar. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/16/16136/tde-08082012-145751/ ;

Chicago Manual of Style (16th Edition):

Stolarski, Andre. “Design e arte: campo minado uma antologia de discursos comentados e uma proposta disciplinar.” 2012. Masters Thesis, University of São Paulo. Accessed October 22, 2019. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-08082012-145751/ ;.

MLA Handbook (7th Edition):

Stolarski, Andre. “Design e arte: campo minado uma antologia de discursos comentados e uma proposta disciplinar.” 2012. Web. 22 Oct 2019.

Vancouver:

Stolarski A. Design e arte: campo minado uma antologia de discursos comentados e uma proposta disciplinar. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2019 Oct 22]. Available from: http://www.teses.usp.br/teses/disponiveis/16/16136/tde-08082012-145751/ ;.

Council of Science Editors:

Stolarski A. Design e arte: campo minado uma antologia de discursos comentados e uma proposta disciplinar. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/16/16136/tde-08082012-145751/ ;

26. Lautenschlaeger, Graziele. Arte programmata: entre acidente e controle.

Degree: Mestrado, Teoria e História da Arquitetura e do Urbanismo, 2010, University of São Paulo

Os processos de produção de arte eletrônica contemporânea (pós-anos 1990) são discutidos sob a ótica da cibernética de segunda ordem, cujos princípios consideram o observador… (more)

Subjects/Keywords: Accident and control; Acidente e controle; Arte contemporânea; Arte eletrônica; Cibernética de segunda ordem; Contemporary art; Cultura digital; Design process; Digital culture; Media art; Processo de design; Second-order cybernetics

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APA (6th Edition):

Lautenschlaeger, G. (2010). Arte programmata: entre acidente e controle. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/18/18142/tde-05012011-142656/ ;

Chicago Manual of Style (16th Edition):

Lautenschlaeger, Graziele. “Arte programmata: entre acidente e controle.” 2010. Masters Thesis, University of São Paulo. Accessed October 22, 2019. http://www.teses.usp.br/teses/disponiveis/18/18142/tde-05012011-142656/ ;.

MLA Handbook (7th Edition):

Lautenschlaeger, Graziele. “Arte programmata: entre acidente e controle.” 2010. Web. 22 Oct 2019.

Vancouver:

Lautenschlaeger G. Arte programmata: entre acidente e controle. [Internet] [Masters thesis]. University of São Paulo; 2010. [cited 2019 Oct 22]. Available from: http://www.teses.usp.br/teses/disponiveis/18/18142/tde-05012011-142656/ ;.

Council of Science Editors:

Lautenschlaeger G. Arte programmata: entre acidente e controle. [Masters Thesis]. University of São Paulo; 2010. Available from: http://www.teses.usp.br/teses/disponiveis/18/18142/tde-05012011-142656/ ;

27. Lichliter, Adrienne. Without Words.

Degree: MFA, Art, 2014, Clemson University

  My work seeks to question culture's occupation with the direct and conclusive, stirring the viewer away from immediate understanding in order to better grasp… (more)

Subjects/Keywords: Abstraction; Art; Contemporary Art; Printmaking; Art and Design

…response. In this way we do not 3 Johnstone, Stephen. “Recent Art in the Everyday” in Everyday… …pieces question whether they are found surface or art, seemingly to exist in an evershifting… …connections between my art and my physical experiences as a sprinter and ballet dancer. In both… …Natural World. The Art Institute of Chicago: Chicago, 2009. Print. 15 8 parallels my… …art, applying to the limit of my hand, the limiting of statement, but also in the decision… 

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APA (6th Edition):

Lichliter, A. (2014). Without Words. (Thesis). Clemson University. Retrieved from https://tigerprints.clemson.edu/all_theses/1981

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lichliter, Adrienne. “Without Words.” 2014. Thesis, Clemson University. Accessed October 22, 2019. https://tigerprints.clemson.edu/all_theses/1981.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lichliter, Adrienne. “Without Words.” 2014. Web. 22 Oct 2019.

Vancouver:

Lichliter A. Without Words. [Internet] [Thesis]. Clemson University; 2014. [cited 2019 Oct 22]. Available from: https://tigerprints.clemson.edu/all_theses/1981.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lichliter A. Without Words. [Thesis]. Clemson University; 2014. Available from: https://tigerprints.clemson.edu/all_theses/1981

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

28. Zahra, Samreen, Mrs. Virsa: The Contemporary Value Chain.

Degree: MFA, Design, 2015, Virginia Commonwealth University

  "Handicraft" means a useful or decorative object made by a craftsman who has direct control over all stages of production. Handicrafts have always had… (more)

Subjects/Keywords: Charpai; Virsa; contemporary; Handicrafts; Pakistan; Sillanwali; Art and Materials Conservation; Industrial and Product Design; Interactive Arts; Interdisciplinary Arts and Media

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zahra, Samreen, M. (2015). Virsa: The Contemporary Value Chain. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/3833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Zahra, Samreen, Mrs. “Virsa: The Contemporary Value Chain.” 2015. Thesis, Virginia Commonwealth University. Accessed October 22, 2019. https://scholarscompass.vcu.edu/etd/3833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Zahra, Samreen, Mrs. “Virsa: The Contemporary Value Chain.” 2015. Web. 22 Oct 2019.

Vancouver:

Zahra, Samreen M. Virsa: The Contemporary Value Chain. [Internet] [Thesis]. Virginia Commonwealth University; 2015. [cited 2019 Oct 22]. Available from: https://scholarscompass.vcu.edu/etd/3833.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Zahra, Samreen M. Virsa: The Contemporary Value Chain. [Thesis]. Virginia Commonwealth University; 2015. Available from: https://scholarscompass.vcu.edu/etd/3833

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rochester Institute of Technology

29. Schuler, Joseph, Jr. Contemporary Mural for the Entrance Area to the College of Business.

Degree: School of Art (CIAS), 1968, Rochester Institute of Technology

Not provided. Advisors/Committee Members: Not listed..

Subjects/Keywords: Contemporary; Creative art; Mural; Symbolism; Wall design

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schuler, Joseph, J. (1968). Contemporary Mural for the Entrance Area to the College of Business. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/7011

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schuler, Joseph, Jr. “Contemporary Mural for the Entrance Area to the College of Business.” 1968. Thesis, Rochester Institute of Technology. Accessed October 22, 2019. https://scholarworks.rit.edu/theses/7011.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schuler, Joseph, Jr. “Contemporary Mural for the Entrance Area to the College of Business.” 1968. Web. 22 Oct 2019.

Vancouver:

Schuler, Joseph J. Contemporary Mural for the Entrance Area to the College of Business. [Internet] [Thesis]. Rochester Institute of Technology; 1968. [cited 2019 Oct 22]. Available from: https://scholarworks.rit.edu/theses/7011.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schuler, Joseph J. Contemporary Mural for the Entrance Area to the College of Business. [Thesis]. Rochester Institute of Technology; 1968. Available from: https://scholarworks.rit.edu/theses/7011

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brno University of Technology

30. Betlach, Jiří. LABORARTORY BRNO .

Degree: 2013, Brno University of Technology

Práce se zabývá návrhem zástavby nároží ulic Koliště a Milady Horákové v Brně.; The work occupeis of designing a building situated on the corner of Koliste nad Milady Horakove streets. Advisors/Committee Members: Rusín, Tomáš (advisor).

Subjects/Keywords: Laborartory Brno - galerie architektury; designu a soudobého umění; Laborartory Brno - gallery of architecture; design and contemporary art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Betlach, J. (2013). LABORARTORY BRNO . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/24965

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Betlach, Jiří. “LABORARTORY BRNO .” 2013. Thesis, Brno University of Technology. Accessed October 22, 2019. http://hdl.handle.net/11012/24965.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Betlach, Jiří. “LABORARTORY BRNO .” 2013. Web. 22 Oct 2019.

Vancouver:

Betlach J. LABORARTORY BRNO . [Internet] [Thesis]. Brno University of Technology; 2013. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/11012/24965.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Betlach J. LABORARTORY BRNO . [Thesis]. Brno University of Technology; 2013. Available from: http://hdl.handle.net/11012/24965

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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