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You searched for subject:( comic irony). Showing records 1 – 8 of 8 total matches.

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Baylor University

1. Williams, Will (George Willis). The legitimacy of the comic : Kierkegaard and the importance of the comic for his ethics and theology.

Degree: Religion., 2011, Baylor University

 While some consider the comic to be a trivial subject, fit mainly for amusement or distraction, Søren Kierkegaard disagrees. This dissertation examines Kierkegaard’s understanding of… (more)

Subjects/Keywords: Søren Kierkegaard.; Comic.; Humor.; Irony.; Ethics.; Theology.; Jest.; Earnestness.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Williams, W. (. W. (2011). The legitimacy of the comic : Kierkegaard and the importance of the comic for his ethics and theology. (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/8291

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Williams, Will (George Willis). “The legitimacy of the comic : Kierkegaard and the importance of the comic for his ethics and theology. ” 2011. Thesis, Baylor University. Accessed October 21, 2019. http://hdl.handle.net/2104/8291.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Williams, Will (George Willis). “The legitimacy of the comic : Kierkegaard and the importance of the comic for his ethics and theology. ” 2011. Web. 21 Oct 2019.

Vancouver:

Williams W(W. The legitimacy of the comic : Kierkegaard and the importance of the comic for his ethics and theology. [Internet] [Thesis]. Baylor University; 2011. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/2104/8291.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Williams W(W. The legitimacy of the comic : Kierkegaard and the importance of the comic for his ethics and theology. [Thesis]. Baylor University; 2011. Available from: http://hdl.handle.net/2104/8291

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Univerzitet u Beogradu

2. Grušanović, Zlatko, 1976-. Типологија хероја у српској култури и друштву од 1990. до 2000. (српска драма).

Degree: Filološki fakultet, 2019, Univerzitet u Beogradu

Тетрологија, културологија, социологија, теорија књижевности - Српска драма од 1990. до 2000. / Tetrology, cultural studies, sociology, literary theory - Serbian drama from 1990 to… (more)

Subjects/Keywords: Dramatic hero; drama; tragic hero; antihero; comic hero; grotesque; irony; satire; humor; melodrama; tragedy; comedy

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APA (6th Edition):

Grušanović, Zlatko, 1. (2019). Типологија хероја у српској култури и друштву од 1990. до 2000. (српска драма). (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:19277/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grušanović, Zlatko, 1976-. “Типологија хероја у српској култури и друштву од 1990. до 2000. (српска драма).” 2019. Thesis, Univerzitet u Beogradu. Accessed October 21, 2019. https://fedorabg.bg.ac.rs/fedora/get/o:19277/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grušanović, Zlatko, 1976-. “Типологија хероја у српској култури и друштву од 1990. до 2000. (српска драма).” 2019. Web. 21 Oct 2019.

Vancouver:

Grušanović, Zlatko 1. Типологија хероја у српској култури и друштву од 1990. до 2000. (српска драма). [Internet] [Thesis]. Univerzitet u Beogradu; 2019. [cited 2019 Oct 21]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:19277/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grušanović, Zlatko 1. Типологија хероја у српској култури и друштву од 1990. до 2000. (српска драма). [Thesis]. Univerzitet u Beogradu; 2019. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:19277/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

3. Loriot, Charlotte. La pratique des interprètes de Berlioz et la construction du comique sur la scène lyrique au XIXe siècle : The practices of Berlioz’s performers and the construction of the comic element on the 19th century lyrical stage.

Degree: Docteur es, Musique et musicologie, 2013, Université Paris-Sorbonne – Paris IV

La pratique des interprètes de Berlioz qui créèrent Benvenuto Cellini, La Damnation de Faust et Béatrice et Bénédict gagne à être mieux connue : ils… (more)

Subjects/Keywords: Interprétation; Performance; Humour; Opéra; Interprètes; Interprétation; Performance practice; Comique; Ironie; Opéra-comique; Performance; Humor; Berlioz; Opera; Performers; Interpretation; Performance practice; Comic; Irony; Comic-opera; 780

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APA (6th Edition):

Loriot, C. (2013). La pratique des interprètes de Berlioz et la construction du comique sur la scène lyrique au XIXe siècle : The practices of Berlioz’s performers and the construction of the comic element on the 19th century lyrical stage. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2013PA040238

Chicago Manual of Style (16th Edition):

Loriot, Charlotte. “La pratique des interprètes de Berlioz et la construction du comique sur la scène lyrique au XIXe siècle : The practices of Berlioz’s performers and the construction of the comic element on the 19th century lyrical stage.” 2013. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed October 21, 2019. http://www.theses.fr/2013PA040238.

MLA Handbook (7th Edition):

Loriot, Charlotte. “La pratique des interprètes de Berlioz et la construction du comique sur la scène lyrique au XIXe siècle : The practices of Berlioz’s performers and the construction of the comic element on the 19th century lyrical stage.” 2013. Web. 21 Oct 2019.

Vancouver:

Loriot C. La pratique des interprètes de Berlioz et la construction du comique sur la scène lyrique au XIXe siècle : The practices of Berlioz’s performers and the construction of the comic element on the 19th century lyrical stage. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2013. [cited 2019 Oct 21]. Available from: http://www.theses.fr/2013PA040238.

Council of Science Editors:

Loriot C. La pratique des interprètes de Berlioz et la construction du comique sur la scène lyrique au XIXe siècle : The practices of Berlioz’s performers and the construction of the comic element on the 19th century lyrical stage. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2013. Available from: http://www.theses.fr/2013PA040238

4. Rapenne, Catherine. Rire et fantastique dans la littérature romantique, de 1821 à 1869 : Laughter and fantastic in romantic literature from 1821 to 1869.

Degree: Docteur es, Littérature française et francophone, 2014, Université de Strasbourg

De Nodier à Baudelaire, nombre de romantiques ont clamé leur désenchantement ou leur mélancolie ; on les a trop souvent pris au mot, oubliant «… (more)

Subjects/Keywords: Romantisme; Fantastique; Rire; Witz; Mélancholie; Comique; Polichinelle; Romanticism; Fantastic; Laughter; Witz; Melancholy; Comic irony; Polichinelle; 840.7; 840.8

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APA (6th Edition):

Rapenne, C. (2014). Rire et fantastique dans la littérature romantique, de 1821 à 1869 : Laughter and fantastic in romantic literature from 1821 to 1869. (Doctoral Dissertation). Université de Strasbourg. Retrieved from http://www.theses.fr/2014STRAC026

Chicago Manual of Style (16th Edition):

Rapenne, Catherine. “Rire et fantastique dans la littérature romantique, de 1821 à 1869 : Laughter and fantastic in romantic literature from 1821 to 1869.” 2014. Doctoral Dissertation, Université de Strasbourg. Accessed October 21, 2019. http://www.theses.fr/2014STRAC026.

MLA Handbook (7th Edition):

Rapenne, Catherine. “Rire et fantastique dans la littérature romantique, de 1821 à 1869 : Laughter and fantastic in romantic literature from 1821 to 1869.” 2014. Web. 21 Oct 2019.

Vancouver:

Rapenne C. Rire et fantastique dans la littérature romantique, de 1821 à 1869 : Laughter and fantastic in romantic literature from 1821 to 1869. [Internet] [Doctoral dissertation]. Université de Strasbourg; 2014. [cited 2019 Oct 21]. Available from: http://www.theses.fr/2014STRAC026.

Council of Science Editors:

Rapenne C. Rire et fantastique dans la littérature romantique, de 1821 à 1869 : Laughter and fantastic in romantic literature from 1821 to 1869. [Doctoral Dissertation]. Université de Strasbourg; 2014. Available from: http://www.theses.fr/2014STRAC026

5. Aubague, Mathilde. Ambiguïtés du récit sério-comique de Rabelais à Fielding : formation du personnage, mystification du lecteur : The ambiguities in serio-comic narratives from Rabelais to Fielding : forming of the character, deception of the reader‎.

Degree: Docteur es, Lettres modernes, 2012, Université de Bourgogne

Notre étude se propose d’analyser les enjeux et les formes de la représentation d’une figure d’auteur dans la fiction narrative comique du XVIe au XVIIIe… (more)

Subjects/Keywords: Communication narrative; Sério-comique; Subversion; Parodie; Énonciation; Oralité; Fiction; Auteur; Lecture; Ironie; Narrative communication; Serio-comic; Subversion; Parody,; Enunciation; Orality; Fiction; Author; Reading; Irony; 809; 809.3

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APA (6th Edition):

Aubague, M. (2012). Ambiguïtés du récit sério-comique de Rabelais à Fielding : formation du personnage, mystification du lecteur : The ambiguities in serio-comic narratives from Rabelais to Fielding : forming of the character, deception of the reader‎. (Doctoral Dissertation). Université de Bourgogne. Retrieved from http://www.theses.fr/2012DIJOL017

Chicago Manual of Style (16th Edition):

Aubague, Mathilde. “Ambiguïtés du récit sério-comique de Rabelais à Fielding : formation du personnage, mystification du lecteur : The ambiguities in serio-comic narratives from Rabelais to Fielding : forming of the character, deception of the reader‎.” 2012. Doctoral Dissertation, Université de Bourgogne. Accessed October 21, 2019. http://www.theses.fr/2012DIJOL017.

MLA Handbook (7th Edition):

Aubague, Mathilde. “Ambiguïtés du récit sério-comique de Rabelais à Fielding : formation du personnage, mystification du lecteur : The ambiguities in serio-comic narratives from Rabelais to Fielding : forming of the character, deception of the reader‎.” 2012. Web. 21 Oct 2019.

Vancouver:

Aubague M. Ambiguïtés du récit sério-comique de Rabelais à Fielding : formation du personnage, mystification du lecteur : The ambiguities in serio-comic narratives from Rabelais to Fielding : forming of the character, deception of the reader‎. [Internet] [Doctoral dissertation]. Université de Bourgogne; 2012. [cited 2019 Oct 21]. Available from: http://www.theses.fr/2012DIJOL017.

Council of Science Editors:

Aubague M. Ambiguïtés du récit sério-comique de Rabelais à Fielding : formation du personnage, mystification du lecteur : The ambiguities in serio-comic narratives from Rabelais to Fielding : forming of the character, deception of the reader‎. [Doctoral Dissertation]. Université de Bourgogne; 2012. Available from: http://www.theses.fr/2012DIJOL017


University of Otago

6. Metzger, Marc Michael George. Laughter Through Tears - The Art of Serious Comedy .

Degree: 2014, University of Otago

 The Deerstalkers’ Ball is a play about a world in transition. It is an observation of the changes that have taken place in New Zealand’s… (more)

Subjects/Keywords: serious comedy; Chekhov comedy; Turgenev comedy; dark comedy; comedy of character and situation; comedy and pathos; comic irony; subtext in dramatic dialogue; dramatic irony in comedy; subtext and understatement; comedy in naturalistic drama; A Month in the Country comedy; The Cherry Orchard comedy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Metzger, M. M. G. (2014). Laughter Through Tears - The Art of Serious Comedy . (Masters Thesis). University of Otago. Retrieved from http://hdl.handle.net/10523/4695

Chicago Manual of Style (16th Edition):

Metzger, Marc Michael George. “Laughter Through Tears - The Art of Serious Comedy .” 2014. Masters Thesis, University of Otago. Accessed October 21, 2019. http://hdl.handle.net/10523/4695.

MLA Handbook (7th Edition):

Metzger, Marc Michael George. “Laughter Through Tears - The Art of Serious Comedy .” 2014. Web. 21 Oct 2019.

Vancouver:

Metzger MMG. Laughter Through Tears - The Art of Serious Comedy . [Internet] [Masters thesis]. University of Otago; 2014. [cited 2019 Oct 21]. Available from: http://hdl.handle.net/10523/4695.

Council of Science Editors:

Metzger MMG. Laughter Through Tears - The Art of Serious Comedy . [Masters Thesis]. University of Otago; 2014. Available from: http://hdl.handle.net/10523/4695


University of Florida

7. Wyly, Katherine Harthley, 1936-. Satire as a narrative technique in A la recherche du temps perdu.

Degree: 1969, University of Florida

Subjects/Keywords: Comic books; Dunes; Irony; Love; Narrative point of view; Narratives; Narrators; Novels; Parody; Satire; À la recherche du temps perdu (Proust, Marcel) ( fast )

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APA (6th Edition):

Wyly, Katherine Harthley, 1. (1969). Satire as a narrative technique in A la recherche du temps perdu. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00029715

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wyly, Katherine Harthley, 1936-. “Satire as a narrative technique in A la recherche du temps perdu.” 1969. Thesis, University of Florida. Accessed October 21, 2019. http://ufdc.ufl.edu/AA00029715.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wyly, Katherine Harthley, 1936-. “Satire as a narrative technique in A la recherche du temps perdu.” 1969. Web. 21 Oct 2019.

Vancouver:

Wyly, Katherine Harthley 1. Satire as a narrative technique in A la recherche du temps perdu. [Internet] [Thesis]. University of Florida; 1969. [cited 2019 Oct 21]. Available from: http://ufdc.ufl.edu/AA00029715.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wyly, Katherine Harthley 1. Satire as a narrative technique in A la recherche du temps perdu. [Thesis]. University of Florida; 1969. Available from: http://ufdc.ufl.edu/AA00029715

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

8. Bainschab, Alexandra Corinna Damaris. The humor of Christopher Moore.

Degree: 2009, University of Vienna

Diese Diplomarbeit analysiert den Humor des zeitgenössischen amerikanischen Schriftstellers Christopher Moore anhand seiner Romane "Coyote Blue", "Island of the Sequined Love Nun", "Lamb: The Gospel… (more)

Subjects/Keywords: 17.97 Texte eines einzelnen Autors; 17.81 Epik, Prosa; 17.70 Literaturwissenschaft: Allgemeines; 17.75 Literaturkritik; 18.03 Englische Sprache und Literatur; 18.06 Angloamerikanische Literatur; Humor / Humortheorie / Christopher Moore / Stereotypen / Sarkasmus / Ironie / Tabuthemen / komische Figuren /Absurdität; humor / humor theory / Christopher Moore / comic characters / stereotypes / sarcasm / irony / taboo topics / absurdity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bainschab, A. C. D. (2009). The humor of Christopher Moore. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/3440/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bainschab, Alexandra Corinna Damaris. “The humor of Christopher Moore.” 2009. Thesis, University of Vienna. Accessed October 21, 2019. http://othes.univie.ac.at/3440/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bainschab, Alexandra Corinna Damaris. “The humor of Christopher Moore.” 2009. Web. 21 Oct 2019.

Vancouver:

Bainschab ACD. The humor of Christopher Moore. [Internet] [Thesis]. University of Vienna; 2009. [cited 2019 Oct 21]. Available from: http://othes.univie.ac.at/3440/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bainschab ACD. The humor of Christopher Moore. [Thesis]. University of Vienna; 2009. Available from: http://othes.univie.ac.at/3440/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.