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You searched for subject:( blackness). Showing records 1 – 30 of 189 total matches.

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1. Murillo III, John. Quantum Blackanics: Untimely Blackness, and Black Literature Out of Nowhere.

Degree: PhD, English, 2016, Brown University

 This dissertation is Black Theory. At its foundations are twin concerns for the rigor of Black Thought, and for the capacity of that thought to… (more)

Subjects/Keywords: Blackness

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Murillo III, J. (2016). Quantum Blackanics: Untimely Blackness, and Black Literature Out of Nowhere. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:674359/

Chicago Manual of Style (16th Edition):

Murillo III, John. “Quantum Blackanics: Untimely Blackness, and Black Literature Out of Nowhere.” 2016. Doctoral Dissertation, Brown University. Accessed September 28, 2020. https://repository.library.brown.edu/studio/item/bdr:674359/.

MLA Handbook (7th Edition):

Murillo III, John. “Quantum Blackanics: Untimely Blackness, and Black Literature Out of Nowhere.” 2016. Web. 28 Sep 2020.

Vancouver:

Murillo III J. Quantum Blackanics: Untimely Blackness, and Black Literature Out of Nowhere. [Internet] [Doctoral dissertation]. Brown University; 2016. [cited 2020 Sep 28]. Available from: https://repository.library.brown.edu/studio/item/bdr:674359/.

Council of Science Editors:

Murillo III J. Quantum Blackanics: Untimely Blackness, and Black Literature Out of Nowhere. [Doctoral Dissertation]. Brown University; 2016. Available from: https://repository.library.brown.edu/studio/item/bdr:674359/


Wake Forest University

2. Evans, Ignacio Victor. Strictly for Niggas: Niggas movin’ around to peep the foot werq of Black voice and humanism.

Degree: 2020, Wake Forest University

 This thesis explores the problem of the anti-black violence as the liquidation of Black time, space, energy , patterns of movements and flesh. This exploration… (more)

Subjects/Keywords: Anti-Blackness

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APA (6th Edition):

Evans, I. V. (2020). Strictly for Niggas: Niggas movin’ around to peep the foot werq of Black voice and humanism. (Thesis). Wake Forest University. Retrieved from http://hdl.handle.net/10339/96871

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Evans, Ignacio Victor. “Strictly for Niggas: Niggas movin’ around to peep the foot werq of Black voice and humanism.” 2020. Thesis, Wake Forest University. Accessed September 28, 2020. http://hdl.handle.net/10339/96871.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Evans, Ignacio Victor. “Strictly for Niggas: Niggas movin’ around to peep the foot werq of Black voice and humanism.” 2020. Web. 28 Sep 2020.

Vancouver:

Evans IV. Strictly for Niggas: Niggas movin’ around to peep the foot werq of Black voice and humanism. [Internet] [Thesis]. Wake Forest University; 2020. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/10339/96871.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Evans IV. Strictly for Niggas: Niggas movin’ around to peep the foot werq of Black voice and humanism. [Thesis]. Wake Forest University; 2020. Available from: http://hdl.handle.net/10339/96871

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Debrecen

3. Roják, Csilla. The Redifinition of Blackness in African American Drama: Adrienne Kennedy's Funnyhouse of a Negro .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 In this thesis I investigate the position Adrienne Kennedy acquired with Funnyhouse of a Negro (first produced professionally in 1964) in the 1960s among the… (more)

Subjects/Keywords: blackness; identity

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APA (6th Edition):

Roják, C. (2013). The Redifinition of Blackness in African American Drama: Adrienne Kennedy's Funnyhouse of a Negro . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/167039

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roják, Csilla. “The Redifinition of Blackness in African American Drama: Adrienne Kennedy's Funnyhouse of a Negro .” 2013. Thesis, University of Debrecen. Accessed September 28, 2020. http://hdl.handle.net/2437/167039.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roják, Csilla. “The Redifinition of Blackness in African American Drama: Adrienne Kennedy's Funnyhouse of a Negro .” 2013. Web. 28 Sep 2020.

Vancouver:

Roják C. The Redifinition of Blackness in African American Drama: Adrienne Kennedy's Funnyhouse of a Negro . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/2437/167039.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roják C. The Redifinition of Blackness in African American Drama: Adrienne Kennedy's Funnyhouse of a Negro . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/167039

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Princeton University

4. Bennett, Joshua Bennett. Being Property Once Myself: In Pursuit of the Animal in 20th Century African American Literature .

Degree: PhD, 2016, Princeton University

 Being Property Once Myself: In Pursuit of the Animal in 20th century African American Literature takes as its central focus the literary imagination, and broader… (more)

Subjects/Keywords: affect theory; animality; blackness; sociality

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APA (6th Edition):

Bennett, J. B. (2016). Being Property Once Myself: In Pursuit of the Animal in 20th Century African American Literature . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01hd76s249n

Chicago Manual of Style (16th Edition):

Bennett, Joshua Bennett. “Being Property Once Myself: In Pursuit of the Animal in 20th Century African American Literature .” 2016. Doctoral Dissertation, Princeton University. Accessed September 28, 2020. http://arks.princeton.edu/ark:/88435/dsp01hd76s249n.

MLA Handbook (7th Edition):

Bennett, Joshua Bennett. “Being Property Once Myself: In Pursuit of the Animal in 20th Century African American Literature .” 2016. Web. 28 Sep 2020.

Vancouver:

Bennett JB. Being Property Once Myself: In Pursuit of the Animal in 20th Century African American Literature . [Internet] [Doctoral dissertation]. Princeton University; 2016. [cited 2020 Sep 28]. Available from: http://arks.princeton.edu/ark:/88435/dsp01hd76s249n.

Council of Science Editors:

Bennett JB. Being Property Once Myself: In Pursuit of the Animal in 20th Century African American Literature . [Doctoral Dissertation]. Princeton University; 2016. Available from: http://arks.princeton.edu/ark:/88435/dsp01hd76s249n


Princeton University

5. Bridges IV, William H. Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature .

Degree: PhD, 2012, Princeton University

 This dissertation is the first book-length study to consider the literature, primarily prose narratives, engendered by postwar Japanese authors' encounters with African Americans and African… (more)

Subjects/Keywords: African American; blackness; Japanese; literature

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APA (6th Edition):

Bridges IV, W. H. (2012). Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01qf85nb33g

Chicago Manual of Style (16th Edition):

Bridges IV, William H. “Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature .” 2012. Doctoral Dissertation, Princeton University. Accessed September 28, 2020. http://arks.princeton.edu/ark:/88435/dsp01qf85nb33g.

MLA Handbook (7th Edition):

Bridges IV, William H. “Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature .” 2012. Web. 28 Sep 2020.

Vancouver:

Bridges IV WH. Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature . [Internet] [Doctoral dissertation]. Princeton University; 2012. [cited 2020 Sep 28]. Available from: http://arks.princeton.edu/ark:/88435/dsp01qf85nb33g.

Council of Science Editors:

Bridges IV WH. Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature . [Doctoral Dissertation]. Princeton University; 2012. Available from: http://arks.princeton.edu/ark:/88435/dsp01qf85nb33g


University of Texas – Austin

6. -6499-2748. Jim and Uncle Remus : stereotypicity versus authenticity in representations of blackness in the Gilded Age.

Degree: MA, English, 2016, University of Texas – Austin

 Accuracy and authenticity in literary representations of blackness in the modern age are of utmost importance in order to dissuade accusations of racism; however in… (more)

Subjects/Keywords: Blackness; Black English; Racism; Paternalism

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APA (6th Edition):

-6499-2748. (2016). Jim and Uncle Remus : stereotypicity versus authenticity in representations of blackness in the Gilded Age. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/43607

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

-6499-2748. “Jim and Uncle Remus : stereotypicity versus authenticity in representations of blackness in the Gilded Age.” 2016. Masters Thesis, University of Texas – Austin. Accessed September 28, 2020. http://hdl.handle.net/2152/43607.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

-6499-2748. “Jim and Uncle Remus : stereotypicity versus authenticity in representations of blackness in the Gilded Age.” 2016. Web. 28 Sep 2020.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-6499-2748. Jim and Uncle Remus : stereotypicity versus authenticity in representations of blackness in the Gilded Age. [Internet] [Masters thesis]. University of Texas – Austin; 2016. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/2152/43607.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-6499-2748. Jim and Uncle Remus : stereotypicity versus authenticity in representations of blackness in the Gilded Age. [Masters Thesis]. University of Texas – Austin; 2016. Available from: http://hdl.handle.net/2152/43607

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


University of Illinois – Urbana-Champaign

7. Cappas-Toro, Pamela. Race under dictatorship: the political articulation of blackness in the Dominican Republic and Brazil.

Degree: PhD, 0307, 2013, University of Illinois – Urbana-Champaign

 The dissertation examines literary and journalistic representations of blackness under the authoritarian regimes of Rafael Trujillo (1930-61) in the Dominican Republic and the Ditadura Militar… (more)

Subjects/Keywords: blackness; dictatorship; Dominican Republic; Brazil

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APA (6th Edition):

Cappas-Toro, P. (2013). Race under dictatorship: the political articulation of blackness in the Dominican Republic and Brazil. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/44779

Chicago Manual of Style (16th Edition):

Cappas-Toro, Pamela. “Race under dictatorship: the political articulation of blackness in the Dominican Republic and Brazil.” 2013. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed September 28, 2020. http://hdl.handle.net/2142/44779.

MLA Handbook (7th Edition):

Cappas-Toro, Pamela. “Race under dictatorship: the political articulation of blackness in the Dominican Republic and Brazil.” 2013. Web. 28 Sep 2020.

Vancouver:

Cappas-Toro P. Race under dictatorship: the political articulation of blackness in the Dominican Republic and Brazil. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2013. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/2142/44779.

Council of Science Editors:

Cappas-Toro P. Race under dictatorship: the political articulation of blackness in the Dominican Republic and Brazil. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2013. Available from: http://hdl.handle.net/2142/44779


University of California – Irvine

8. Lee, Meredith Cecilia. Transgressing Trans: The Genealogical Undoing of the Wrong Body Narrative.

Degree: Culture and Theory, 2018, University of California – Irvine

 Transgressing Trans analyzes the formation of the wrong body narrative (a man trapped in a woman’s body and vice versa) within sexological discourse. Drawing from… (more)

Subjects/Keywords: Gender studies; anti-blackness; transsexuality; wrong body

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APA (6th Edition):

Lee, M. C. (2018). Transgressing Trans: The Genealogical Undoing of the Wrong Body Narrative. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/9zv7t4cw

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lee, Meredith Cecilia. “Transgressing Trans: The Genealogical Undoing of the Wrong Body Narrative.” 2018. Thesis, University of California – Irvine. Accessed September 28, 2020. http://www.escholarship.org/uc/item/9zv7t4cw.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lee, Meredith Cecilia. “Transgressing Trans: The Genealogical Undoing of the Wrong Body Narrative.” 2018. Web. 28 Sep 2020.

Vancouver:

Lee MC. Transgressing Trans: The Genealogical Undoing of the Wrong Body Narrative. [Internet] [Thesis]. University of California – Irvine; 2018. [cited 2020 Sep 28]. Available from: http://www.escholarship.org/uc/item/9zv7t4cw.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lee MC. Transgressing Trans: The Genealogical Undoing of the Wrong Body Narrative. [Thesis]. University of California – Irvine; 2018. Available from: http://www.escholarship.org/uc/item/9zv7t4cw

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vanderbilt University

9. Jordan, Joey Demis. The poïesis of a black object-person.

Degree: MA, English, 2014, Vanderbilt University

 What does it mean to be constituted as “an object in the midst of other objects”? With these (in)famous lines Frantz Fanon prompts the readers… (more)

Subjects/Keywords: object-oriented ontology; blackness; fanon; racism

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APA (6th Edition):

Jordan, J. D. (2014). The poïesis of a black object-person. (Thesis). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/13743

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jordan, Joey Demis. “The poïesis of a black object-person.” 2014. Thesis, Vanderbilt University. Accessed September 28, 2020. http://hdl.handle.net/1803/13743.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jordan, Joey Demis. “The poïesis of a black object-person.” 2014. Web. 28 Sep 2020.

Vancouver:

Jordan JD. The poïesis of a black object-person. [Internet] [Thesis]. Vanderbilt University; 2014. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/1803/13743.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jordan JD. The poïesis of a black object-person. [Thesis]. Vanderbilt University; 2014. Available from: http://hdl.handle.net/1803/13743

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Texas A&M University

10. Babers, Myeshia Chanel. A Way of Life Knowledge Production Among Black Cowboys.

Degree: PhD, Anthropology, 2017, Texas A&M University

 This project is an ethnography that engages participants and readers in multifaceted and multi-vocal formations of black masculinity and manhood in Western culture. I will… (more)

Subjects/Keywords: Masculinity; Blackness; Race; Gender; Knowledge Production

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APA (6th Edition):

Babers, M. C. (2017). A Way of Life Knowledge Production Among Black Cowboys. (Doctoral Dissertation). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/173183

Chicago Manual of Style (16th Edition):

Babers, Myeshia Chanel. “A Way of Life Knowledge Production Among Black Cowboys.” 2017. Doctoral Dissertation, Texas A&M University. Accessed September 28, 2020. http://hdl.handle.net/1969.1/173183.

MLA Handbook (7th Edition):

Babers, Myeshia Chanel. “A Way of Life Knowledge Production Among Black Cowboys.” 2017. Web. 28 Sep 2020.

Vancouver:

Babers MC. A Way of Life Knowledge Production Among Black Cowboys. [Internet] [Doctoral dissertation]. Texas A&M University; 2017. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/1969.1/173183.

Council of Science Editors:

Babers MC. A Way of Life Knowledge Production Among Black Cowboys. [Doctoral Dissertation]. Texas A&M University; 2017. Available from: http://hdl.handle.net/1969.1/173183


Texas A&M University

11. Babers, Myeshia Chanel. Black Cowboys and Black Masculinity African American Ranchers, Rodeo Cowboys and Trailriders.

Degree: MA, Anthropology, 2014, Texas A&M University

 In this ethnographic study I use queer theory to consider how black cowboys interact with each other to produce counter or micro-narratives about Black male… (more)

Subjects/Keywords: Masculinity; Manhood; Blackness; , Cowboy; Race; Gender

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APA (6th Edition):

Babers, M. C. (2014). Black Cowboys and Black Masculinity African American Ranchers, Rodeo Cowboys and Trailriders. (Masters Thesis). Texas A&M University. Retrieved from http://hdl.handle.net/1969.1/154111

Chicago Manual of Style (16th Edition):

Babers, Myeshia Chanel. “Black Cowboys and Black Masculinity African American Ranchers, Rodeo Cowboys and Trailriders.” 2014. Masters Thesis, Texas A&M University. Accessed September 28, 2020. http://hdl.handle.net/1969.1/154111.

MLA Handbook (7th Edition):

Babers, Myeshia Chanel. “Black Cowboys and Black Masculinity African American Ranchers, Rodeo Cowboys and Trailriders.” 2014. Web. 28 Sep 2020.

Vancouver:

Babers MC. Black Cowboys and Black Masculinity African American Ranchers, Rodeo Cowboys and Trailriders. [Internet] [Masters thesis]. Texas A&M University; 2014. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/1969.1/154111.

Council of Science Editors:

Babers MC. Black Cowboys and Black Masculinity African American Ranchers, Rodeo Cowboys and Trailriders. [Masters Thesis]. Texas A&M University; 2014. Available from: http://hdl.handle.net/1969.1/154111


Depaul University

12. Fei, Elizabeth. As above, so between: configuring Miss Lala as a mixed race subject.

Degree: Critical Ethnic Studies, 2017, Depaul University

  Elizabeth Fei situates Miss Lala, the subject of Degas’ “Miss Lala at the Cirque Fernando” painting to recenter Lala’s racially mixed body as a… (more)

Subjects/Keywords: mixed-race; circus; blackness; feminism; art

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APA (6th Edition):

Fei, E. (2017). As above, so between: configuring Miss Lala as a mixed race subject. (Thesis). Depaul University. Retrieved from https://via.library.depaul.edu/etd/238

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fei, Elizabeth. “As above, so between: configuring Miss Lala as a mixed race subject.” 2017. Thesis, Depaul University. Accessed September 28, 2020. https://via.library.depaul.edu/etd/238.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fei, Elizabeth. “As above, so between: configuring Miss Lala as a mixed race subject.” 2017. Web. 28 Sep 2020.

Vancouver:

Fei E. As above, so between: configuring Miss Lala as a mixed race subject. [Internet] [Thesis]. Depaul University; 2017. [cited 2020 Sep 28]. Available from: https://via.library.depaul.edu/etd/238.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fei E. As above, so between: configuring Miss Lala as a mixed race subject. [Thesis]. Depaul University; 2017. Available from: https://via.library.depaul.edu/etd/238

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pennsylvania

13. Lloyd, Andrea. Writing Verdicts: French And Francophone Narratives Of Race And Racism.

Degree: 2019, University of Pennsylvania

 Inspired by Didier Eribon's La société comme verdict, this dissertation examines how the novelistic representation of racism and racialization in French-language texts can push back… (more)

Subjects/Keywords: beur; blackness; Francophone literature; postcolonial studies; whiteness

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APA (6th Edition):

Lloyd, A. (2019). Writing Verdicts: French And Francophone Narratives Of Race And Racism. (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/3538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lloyd, Andrea. “Writing Verdicts: French And Francophone Narratives Of Race And Racism.” 2019. Thesis, University of Pennsylvania. Accessed September 28, 2020. https://repository.upenn.edu/edissertations/3538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lloyd, Andrea. “Writing Verdicts: French And Francophone Narratives Of Race And Racism.” 2019. Web. 28 Sep 2020.

Vancouver:

Lloyd A. Writing Verdicts: French And Francophone Narratives Of Race And Racism. [Internet] [Thesis]. University of Pennsylvania; 2019. [cited 2020 Sep 28]. Available from: https://repository.upenn.edu/edissertations/3538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lloyd A. Writing Verdicts: French And Francophone Narratives Of Race And Racism. [Thesis]. University of Pennsylvania; 2019. Available from: https://repository.upenn.edu/edissertations/3538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Princeton University

14. Kucik, Emanuela. Black Genocides and the Visibility Paradox in Post-Holocaust African American and African Literature .

Degree: PhD, 2018, Princeton University

 When Trayvon Martin was murdered in 2012, claims of genocide against African Americans appeared sporadically in public discourse. By the time of Eric Garner’s killing… (more)

Subjects/Keywords: African; African American; Blackness; Genocide; Holocaust; Visibility

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APA (6th Edition):

Kucik, E. (2018). Black Genocides and the Visibility Paradox in Post-Holocaust African American and African Literature . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01t148fk84h

Chicago Manual of Style (16th Edition):

Kucik, Emanuela. “Black Genocides and the Visibility Paradox in Post-Holocaust African American and African Literature .” 2018. Doctoral Dissertation, Princeton University. Accessed September 28, 2020. http://arks.princeton.edu/ark:/88435/dsp01t148fk84h.

MLA Handbook (7th Edition):

Kucik, Emanuela. “Black Genocides and the Visibility Paradox in Post-Holocaust African American and African Literature .” 2018. Web. 28 Sep 2020.

Vancouver:

Kucik E. Black Genocides and the Visibility Paradox in Post-Holocaust African American and African Literature . [Internet] [Doctoral dissertation]. Princeton University; 2018. [cited 2020 Sep 28]. Available from: http://arks.princeton.edu/ark:/88435/dsp01t148fk84h.

Council of Science Editors:

Kucik E. Black Genocides and the Visibility Paradox in Post-Holocaust African American and African Literature . [Doctoral Dissertation]. Princeton University; 2018. Available from: http://arks.princeton.edu/ark:/88435/dsp01t148fk84h


East Carolina University

15. Bishop, Courtnee Nicole. ACTING "WHITE": THE UNSPOKEN, UNDERSTOOD HIERARCHY OF BLACKNESS.

Degree: MA, MA-English, 2020, East Carolina University

 This thesis will examine how a variety of extenuating factors serve to complicate a black person's self-identity, as well as determine acceptance or exclusion from… (more)

Subjects/Keywords: hierarchy of blackness; self-identity; blackness; African Americans – Race identity; Race – Psychological aspects

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APA (6th Edition):

Bishop, C. N. (2020). ACTING "WHITE": THE UNSPOKEN, UNDERSTOOD HIERARCHY OF BLACKNESS. (Masters Thesis). East Carolina University. Retrieved from http://hdl.handle.net/10342/7585

Chicago Manual of Style (16th Edition):

Bishop, Courtnee Nicole. “ACTING "WHITE": THE UNSPOKEN, UNDERSTOOD HIERARCHY OF BLACKNESS.” 2020. Masters Thesis, East Carolina University. Accessed September 28, 2020. http://hdl.handle.net/10342/7585.

MLA Handbook (7th Edition):

Bishop, Courtnee Nicole. “ACTING "WHITE": THE UNSPOKEN, UNDERSTOOD HIERARCHY OF BLACKNESS.” 2020. Web. 28 Sep 2020.

Vancouver:

Bishop CN. ACTING "WHITE": THE UNSPOKEN, UNDERSTOOD HIERARCHY OF BLACKNESS. [Internet] [Masters thesis]. East Carolina University; 2020. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/10342/7585.

Council of Science Editors:

Bishop CN. ACTING "WHITE": THE UNSPOKEN, UNDERSTOOD HIERARCHY OF BLACKNESS. [Masters Thesis]. East Carolina University; 2020. Available from: http://hdl.handle.net/10342/7585


University of California – Santa Cruz

16. Summers, Brandi Thompson. La Douleur Exquise: Neoliberalism, Race, and the Un/Making of Blackness in the 21st Century.

Degree: Sociology, 2014, University of California – Santa Cruz

 La Douleur Exquise: Neoliberalism, Race, and the Un/Making of Blackness in the 21st Century, examines how neoliberalism operates as a cultural discourse and the distinctive… (more)

Subjects/Keywords: Sociology; African American studies; Blackness; Fashion; Neoliberalism; Post-Race; Urban Studies

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APA (6th Edition):

Summers, B. T. (2014). La Douleur Exquise: Neoliberalism, Race, and the Un/Making of Blackness in the 21st Century. (Thesis). University of California – Santa Cruz. Retrieved from http://www.escholarship.org/uc/item/0cm3k0c7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Summers, Brandi Thompson. “La Douleur Exquise: Neoliberalism, Race, and the Un/Making of Blackness in the 21st Century.” 2014. Thesis, University of California – Santa Cruz. Accessed September 28, 2020. http://www.escholarship.org/uc/item/0cm3k0c7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Summers, Brandi Thompson. “La Douleur Exquise: Neoliberalism, Race, and the Un/Making of Blackness in the 21st Century.” 2014. Web. 28 Sep 2020.

Vancouver:

Summers BT. La Douleur Exquise: Neoliberalism, Race, and the Un/Making of Blackness in the 21st Century. [Internet] [Thesis]. University of California – Santa Cruz; 2014. [cited 2020 Sep 28]. Available from: http://www.escholarship.org/uc/item/0cm3k0c7.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Summers BT. La Douleur Exquise: Neoliberalism, Race, and the Un/Making of Blackness in the 21st Century. [Thesis]. University of California – Santa Cruz; 2014. Available from: http://www.escholarship.org/uc/item/0cm3k0c7

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Williams, Joshua. Don't Show A Hyena How Well You Can Bite: Performance, Race and the Animal Subaltern in Eastern Africa.

Degree: Performance Studies, 2017, University of California – Berkeley

 This dissertation explores the mutual imbrication of race and animality in Kenyan and Tanzanian politics and performance from the 1910s through to the 1990s. It… (more)

Subjects/Keywords: Theater; African studies; History; Africa; Animal; Animal Subaltern; Blackness; Performance; Race

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APA (6th Edition):

Williams, J. (2017). Don't Show A Hyena How Well You Can Bite: Performance, Race and the Animal Subaltern in Eastern Africa. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/0jf3488f

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Williams, Joshua. “Don't Show A Hyena How Well You Can Bite: Performance, Race and the Animal Subaltern in Eastern Africa.” 2017. Thesis, University of California – Berkeley. Accessed September 28, 2020. http://www.escholarship.org/uc/item/0jf3488f.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Williams, Joshua. “Don't Show A Hyena How Well You Can Bite: Performance, Race and the Animal Subaltern in Eastern Africa.” 2017. Web. 28 Sep 2020.

Vancouver:

Williams J. Don't Show A Hyena How Well You Can Bite: Performance, Race and the Animal Subaltern in Eastern Africa. [Internet] [Thesis]. University of California – Berkeley; 2017. [cited 2020 Sep 28]. Available from: http://www.escholarship.org/uc/item/0jf3488f.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Williams J. Don't Show A Hyena How Well You Can Bite: Performance, Race and the Animal Subaltern in Eastern Africa. [Thesis]. University of California – Berkeley; 2017. Available from: http://www.escholarship.org/uc/item/0jf3488f

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Dwinell, Samuel. Blackness in British Opera.

Degree: PhD, Music, 2017, Cornell University

 Focusing on British opera, this dissertation reassesses the relationship between British national culture and the racial systems of British society since 1945 by presenting a… (more)

Subjects/Keywords: Music; blackness; britain; cultural studies; opera; postwar; race; Ethnic studies

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Dwinell, S. (2017). Blackness in British Opera. (Doctoral Dissertation). Cornell University. Retrieved from http://hdl.handle.net/1813/47877

Chicago Manual of Style (16th Edition):

Dwinell, Samuel. “Blackness in British Opera.” 2017. Doctoral Dissertation, Cornell University. Accessed September 28, 2020. http://hdl.handle.net/1813/47877.

MLA Handbook (7th Edition):

Dwinell, Samuel. “Blackness in British Opera.” 2017. Web. 28 Sep 2020.

Vancouver:

Dwinell S. Blackness in British Opera. [Internet] [Doctoral dissertation]. Cornell University; 2017. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/1813/47877.

Council of Science Editors:

Dwinell S. Blackness in British Opera. [Doctoral Dissertation]. Cornell University; 2017. Available from: http://hdl.handle.net/1813/47877


Vanderbilt University

19. -3575-6521. Narratives of Harm: How Reports of Mass Shootings Privilege White Identities and Perpetuate Black Pathology”.

Degree: MA, Medicine, Health & Society, 2020, Vanderbilt University

 Popular discourse in the media frequently frame and correlate mass shootings with an American mental illness epidemic. However, considering the media’s propensity to only extend… (more)

Subjects/Keywords: Mass Shootings; Race; Blackness; Black Pathology; Whiteness; Mental illness

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

-3575-6521. (2020). Narratives of Harm: How Reports of Mass Shootings Privilege White Identities and Perpetuate Black Pathology”. (Masters Thesis). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/10098

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Chicago Manual of Style (16th Edition):

-3575-6521. “Narratives of Harm: How Reports of Mass Shootings Privilege White Identities and Perpetuate Black Pathology”.” 2020. Masters Thesis, Vanderbilt University. Accessed September 28, 2020. http://hdl.handle.net/1803/10098.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

MLA Handbook (7th Edition):

-3575-6521. “Narratives of Harm: How Reports of Mass Shootings Privilege White Identities and Perpetuate Black Pathology”.” 2020. Web. 28 Sep 2020.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Vancouver:

-3575-6521. Narratives of Harm: How Reports of Mass Shootings Privilege White Identities and Perpetuate Black Pathology”. [Internet] [Masters thesis]. Vanderbilt University; 2020. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/1803/10098.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete

Council of Science Editors:

-3575-6521. Narratives of Harm: How Reports of Mass Shootings Privilege White Identities and Perpetuate Black Pathology”. [Masters Thesis]. Vanderbilt University; 2020. Available from: http://hdl.handle.net/1803/10098

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete


Vanderbilt University

20. Weaver, David Cory. Lo afro de la identidad Argentina: blackness and mestizaje in Argentina.

Degree: MA, Latin American Studies, 2017, Vanderbilt University

 The history and significance of the black population in Argentina has only begun to be researched in earnest in the last four decades. This work… (more)

Subjects/Keywords: Latin America; Argentina; Afro-Argentine; Afroargentino; Blackness; Mestizaje

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APA (6th Edition):

Weaver, D. C. (2017). Lo afro de la identidad Argentina: blackness and mestizaje in Argentina. (Thesis). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/11560

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Weaver, David Cory. “Lo afro de la identidad Argentina: blackness and mestizaje in Argentina.” 2017. Thesis, Vanderbilt University. Accessed September 28, 2020. http://hdl.handle.net/1803/11560.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Weaver, David Cory. “Lo afro de la identidad Argentina: blackness and mestizaje in Argentina.” 2017. Web. 28 Sep 2020.

Vancouver:

Weaver DC. Lo afro de la identidad Argentina: blackness and mestizaje in Argentina. [Internet] [Thesis]. Vanderbilt University; 2017. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/1803/11560.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Weaver DC. Lo afro de la identidad Argentina: blackness and mestizaje in Argentina. [Thesis]. Vanderbilt University; 2017. Available from: http://hdl.handle.net/1803/11560

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Vanderbilt University

21. Mendoza, Kirsten Noelle. Desiring blackness: sexuality, race, and feminine will in the 1623 Folio Othello.

Degree: MA, English, 2014, Vanderbilt University

 Othello by William Shakespeare exists in two early printed versions, as a 1622 Quarto and a 1623 Folio. Despite their differences, they have only recently… (more)

Subjects/Keywords: submission; will; feminine sexuality; race; Shakespearean drama; transgression; blackness; erotic power

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APA (6th Edition):

Mendoza, K. N. (2014). Desiring blackness: sexuality, race, and feminine will in the 1623 Folio Othello. (Thesis). Vanderbilt University. Retrieved from http://hdl.handle.net/1803/12686

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mendoza, Kirsten Noelle. “Desiring blackness: sexuality, race, and feminine will in the 1623 Folio Othello.” 2014. Thesis, Vanderbilt University. Accessed September 28, 2020. http://hdl.handle.net/1803/12686.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mendoza, Kirsten Noelle. “Desiring blackness: sexuality, race, and feminine will in the 1623 Folio Othello.” 2014. Web. 28 Sep 2020.

Vancouver:

Mendoza KN. Desiring blackness: sexuality, race, and feminine will in the 1623 Folio Othello. [Internet] [Thesis]. Vanderbilt University; 2014. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/1803/12686.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mendoza KN. Desiring blackness: sexuality, race, and feminine will in the 1623 Folio Othello. [Thesis]. Vanderbilt University; 2014. Available from: http://hdl.handle.net/1803/12686

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Danúbia de Andrade Fernandes. A PERSONAGEM NEGRA NA TELENOVELA BRASILEIRA Representações da negritude em Duas caras.

Degree: 2009, Universidade Federal de Juiz de Fora

Nesta dissertação investigamos a identidade negra brasileira como construto contemporâneo em processo de ressignificações permeada por valores e sentidos advindos do período colonial e nutridos… (more)

Subjects/Keywords: COMUNICACAO; identidade; negritude; telenovela brasileira; Brazilian telenovela; blackness; identity

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APA (6th Edition):

Fernandes, D. d. A. (2009). A PERSONAGEM NEGRA NA TELENOVELA BRASILEIRA Representações da negritude em Duas caras. (Thesis). Universidade Federal de Juiz de Fora. Retrieved from http://www.bdtd.ufjf.br/tde_busca/arquivo.php?codArquivo=476

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fernandes, Danúbia de Andrade. “A PERSONAGEM NEGRA NA TELENOVELA BRASILEIRA Representações da negritude em Duas caras.” 2009. Thesis, Universidade Federal de Juiz de Fora. Accessed September 28, 2020. http://www.bdtd.ufjf.br/tde_busca/arquivo.php?codArquivo=476.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fernandes, Danúbia de Andrade. “A PERSONAGEM NEGRA NA TELENOVELA BRASILEIRA Representações da negritude em Duas caras.” 2009. Web. 28 Sep 2020.

Vancouver:

Fernandes DdA. A PERSONAGEM NEGRA NA TELENOVELA BRASILEIRA Representações da negritude em Duas caras. [Internet] [Thesis]. Universidade Federal de Juiz de Fora; 2009. [cited 2020 Sep 28]. Available from: http://www.bdtd.ufjf.br/tde_busca/arquivo.php?codArquivo=476.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fernandes DdA. A PERSONAGEM NEGRA NA TELENOVELA BRASILEIRA Representações da negritude em Duas caras. [Thesis]. Universidade Federal de Juiz de Fora; 2009. Available from: http://www.bdtd.ufjf.br/tde_busca/arquivo.php?codArquivo=476

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

23. Adisa-Farrar, Teju. Geographies of a transnational urban black consciousness through artists and activists.

Degree: 2017, University of Vienna

Nicht angegeben.

This thesis looks at the experiences and culture initiated by some Black artists and activists on an urban scale, as well as their… (more)

Subjects/Keywords: 74.09 Sozialgeographie; Nicht angegeben.; microgeographies / Blackness / diaspora / Black urbanism / postcolonial

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APA (6th Edition):

Adisa-Farrar, T. (2017). Geographies of a transnational urban black consciousness through artists and activists. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/52895/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Adisa-Farrar, Teju. “Geographies of a transnational urban black consciousness through artists and activists.” 2017. Thesis, University of Vienna. Accessed September 28, 2020. http://othes.univie.ac.at/52895/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Adisa-Farrar, Teju. “Geographies of a transnational urban black consciousness through artists and activists.” 2017. Web. 28 Sep 2020.

Vancouver:

Adisa-Farrar T. Geographies of a transnational urban black consciousness through artists and activists. [Internet] [Thesis]. University of Vienna; 2017. [cited 2020 Sep 28]. Available from: http://othes.univie.ac.at/52895/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Adisa-Farrar T. Geographies of a transnational urban black consciousness through artists and activists. [Thesis]. University of Vienna; 2017. Available from: http://othes.univie.ac.at/52895/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Toronto

24. Hudson, Sandra Marie. In Search of a Black, Indigenous Future: Awakening De/Anti-Colonization.

Degree: 2018, University of Toronto

This thesis demonstrates the need to retheorize ideas of decolonization as they relate to Black people and anti-Blackness. Placing critical texts together in a discursive… (more)

Subjects/Keywords: African; afropessimism; anti-blackness; anti-colonization; Black; Decolonization; 0325

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APA (6th Edition):

Hudson, S. M. (2018). In Search of a Black, Indigenous Future: Awakening De/Anti-Colonization. (Masters Thesis). University of Toronto. Retrieved from http://hdl.handle.net/1807/101596

Chicago Manual of Style (16th Edition):

Hudson, Sandra Marie. “In Search of a Black, Indigenous Future: Awakening De/Anti-Colonization.” 2018. Masters Thesis, University of Toronto. Accessed September 28, 2020. http://hdl.handle.net/1807/101596.

MLA Handbook (7th Edition):

Hudson, Sandra Marie. “In Search of a Black, Indigenous Future: Awakening De/Anti-Colonization.” 2018. Web. 28 Sep 2020.

Vancouver:

Hudson SM. In Search of a Black, Indigenous Future: Awakening De/Anti-Colonization. [Internet] [Masters thesis]. University of Toronto; 2018. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/1807/101596.

Council of Science Editors:

Hudson SM. In Search of a Black, Indigenous Future: Awakening De/Anti-Colonization. [Masters Thesis]. University of Toronto; 2018. Available from: http://hdl.handle.net/1807/101596


Harvard University

25. Geller, Peter. Making Blackness, Making Policy.

Degree: PhD, African American Studies, 2012, Harvard University

Too often the acknowledgment that race is a social construction ignores exactly how this construction occurs. By illuminating the way in which the category of… (more)

Subjects/Keywords: black studies; political science; blackness; philosophy of race

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APA (6th Edition):

Geller, P. (2012). Making Blackness, Making Policy. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:9548618

Chicago Manual of Style (16th Edition):

Geller, Peter. “Making Blackness, Making Policy.” 2012. Doctoral Dissertation, Harvard University. Accessed September 28, 2020. http://nrs.harvard.edu/urn-3:HUL.InstRepos:9548618.

MLA Handbook (7th Edition):

Geller, Peter. “Making Blackness, Making Policy.” 2012. Web. 28 Sep 2020.

Vancouver:

Geller P. Making Blackness, Making Policy. [Internet] [Doctoral dissertation]. Harvard University; 2012. [cited 2020 Sep 28]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:9548618.

Council of Science Editors:

Geller P. Making Blackness, Making Policy. [Doctoral Dissertation]. Harvard University; 2012. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:9548618


University of the Western Cape

26. Schereka, Wilton. Sonic Afrofuturism: Blackness, electronic music production and visions of the future .

Degree: 2018, University of the Western Cape

 This thesis is an exploration and analysis of the ways in which we might use varying forms of Black thought, theory, and art to think… (more)

Subjects/Keywords: Afrofuturism; Blackness; Aurality; Techno; Electronic; Music; Synthesizer; Science Fiction; Sonic; Phonograph

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APA (6th Edition):

Schereka, W. (2018). Sonic Afrofuturism: Blackness, electronic music production and visions of the future . (Thesis). University of the Western Cape. Retrieved from http://hdl.handle.net/11394/6548

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schereka, Wilton. “Sonic Afrofuturism: Blackness, electronic music production and visions of the future .” 2018. Thesis, University of the Western Cape. Accessed September 28, 2020. http://hdl.handle.net/11394/6548.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schereka, Wilton. “Sonic Afrofuturism: Blackness, electronic music production and visions of the future .” 2018. Web. 28 Sep 2020.

Vancouver:

Schereka W. Sonic Afrofuturism: Blackness, electronic music production and visions of the future . [Internet] [Thesis]. University of the Western Cape; 2018. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/11394/6548.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schereka W. Sonic Afrofuturism: Blackness, electronic music production and visions of the future . [Thesis]. University of the Western Cape; 2018. Available from: http://hdl.handle.net/11394/6548

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Riverside

27. Sterling, Alexander K. You Can't See Me!: Heterodox Black Religiosities & The Politics of Recognition.

Degree: English, 2018, University of California – Riverside

 In this dissertation, I explore several key works in the fields of Black Literature and Black theology that highlight the rich and complex nature of… (more)

Subjects/Keywords: English literature; Rhetoric; American literature; Blackness; Frequency; Protest; Recognition; Religion; Wholeness

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APA (6th Edition):

Sterling, A. K. (2018). You Can't See Me!: Heterodox Black Religiosities & The Politics of Recognition. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/1rq4n0ts

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sterling, Alexander K. “You Can't See Me!: Heterodox Black Religiosities & The Politics of Recognition.” 2018. Thesis, University of California – Riverside. Accessed September 28, 2020. http://www.escholarship.org/uc/item/1rq4n0ts.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sterling, Alexander K. “You Can't See Me!: Heterodox Black Religiosities & The Politics of Recognition.” 2018. Web. 28 Sep 2020.

Vancouver:

Sterling AK. You Can't See Me!: Heterodox Black Religiosities & The Politics of Recognition. [Internet] [Thesis]. University of California – Riverside; 2018. [cited 2020 Sep 28]. Available from: http://www.escholarship.org/uc/item/1rq4n0ts.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sterling AK. You Can't See Me!: Heterodox Black Religiosities & The Politics of Recognition. [Thesis]. University of California – Riverside; 2018. Available from: http://www.escholarship.org/uc/item/1rq4n0ts

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Washington

28. Russell, Phillip. Black Time: (Re)Mapping and Memory.

Degree: 2020, University of Washington

 History is a composition of events comprised of memories as a way to make decipherable the past; however, dominant (white) notions of time seek to… (more)

Subjects/Keywords: Archive; Blackness; Identity; Imagination; Liberation; Creative writing; English

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APA (6th Edition):

Russell, P. (2020). Black Time: (Re)Mapping and Memory. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/45978

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Russell, Phillip. “Black Time: (Re)Mapping and Memory.” 2020. Thesis, University of Washington. Accessed September 28, 2020. http://hdl.handle.net/1773/45978.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Russell, Phillip. “Black Time: (Re)Mapping and Memory.” 2020. Web. 28 Sep 2020.

Vancouver:

Russell P. Black Time: (Re)Mapping and Memory. [Internet] [Thesis]. University of Washington; 2020. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/1773/45978.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Russell P. Black Time: (Re)Mapping and Memory. [Thesis]. University of Washington; 2020. Available from: http://hdl.handle.net/1773/45978

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of South Africa

29. Senokoane, B. B. Blackness as the way to and state of salvation: a search for true salvation in South Africa today .

Degree: 2016, University of South Africa

 The dissertation is titled: “Blackness as the way to and state of salvation: A search for true salvation in South Africa today”. The research was… (more)

Subjects/Keywords: Blackness; Whiteness; Soteriology; Salvation; Christology; Creation; Reconciliation; Renewal and Consummation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Senokoane, B. B. (2016). Blackness as the way to and state of salvation: a search for true salvation in South Africa today . (Doctoral Dissertation). University of South Africa. Retrieved from http://hdl.handle.net/10500/26516

Chicago Manual of Style (16th Edition):

Senokoane, B B. “Blackness as the way to and state of salvation: a search for true salvation in South Africa today .” 2016. Doctoral Dissertation, University of South Africa. Accessed September 28, 2020. http://hdl.handle.net/10500/26516.

MLA Handbook (7th Edition):

Senokoane, B B. “Blackness as the way to and state of salvation: a search for true salvation in South Africa today .” 2016. Web. 28 Sep 2020.

Vancouver:

Senokoane BB. Blackness as the way to and state of salvation: a search for true salvation in South Africa today . [Internet] [Doctoral dissertation]. University of South Africa; 2016. [cited 2020 Sep 28]. Available from: http://hdl.handle.net/10500/26516.

Council of Science Editors:

Senokoane BB. Blackness as the way to and state of salvation: a search for true salvation in South Africa today . [Doctoral Dissertation]. University of South Africa; 2016. Available from: http://hdl.handle.net/10500/26516


University of Debrecen

30. Balogh, Zsófia. A fekete test mint Másik ábrázolása az olasz gyarmatosítás során a XIX. és XX. században .

Degree: DE – Bölcsészettudományi Kar, University of Debrecen

A dolgozat fő célja a fekete test ábrázolásának elemzése az olasz gyarmatosítás során. Az elemzések fényképekre, reklámokra koncentrálódnak. Advisors/Committee Members: Pete, László (advisor).

Subjects/Keywords: colonialismo; blackness; postcolonialismo; alterità

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Balogh, Z. (n.d.). A fekete test mint Másik ábrázolása az olasz gyarmatosítás során a XIX. és XX. században . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/251515

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Balogh, Zsófia. “A fekete test mint Másik ábrázolása az olasz gyarmatosítás során a XIX. és XX. században .” Thesis, University of Debrecen. Accessed September 28, 2020. http://hdl.handle.net/2437/251515.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Balogh, Zsófia. “A fekete test mint Másik ábrázolása az olasz gyarmatosítás során a XIX. és XX. században .” Web. 28 Sep 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Balogh Z. A fekete test mint Másik ábrázolása az olasz gyarmatosítás során a XIX. és XX. században . [Internet] [Thesis]. University of Debrecen; [cited 2020 Sep 28]. Available from: http://hdl.handle.net/2437/251515.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Balogh Z. A fekete test mint Másik ábrázolása az olasz gyarmatosítás során a XIX. és XX. században . [Thesis]. University of Debrecen; Available from: http://hdl.handle.net/2437/251515

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

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