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You searched for subject:( algorithmic music composition). Showing records 1 – 30 of 34324 total matches.

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1. Karlsson, Daniel M. Mapping The Valleys of The Uncanny : An investigation into a process and method, colliding with questions relating to what can be known to be real, within the field of algorithmic composition. Or if you prefer: The roles of instrumentation and timbre, as they unwittingly conspire to designate access, power, status, work and ultimately class.

Degree: Composition and Conducting, 2019, Royal College of Music in Stockholm

  We are free, from the shackles of the finite, and of the physical world. Sound now enjoys morphological freedom through a myriad of transformations.… (more)

Subjects/Keywords: Algorithmic Composition; Music; Musik

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Karlsson, D. M. (2019). Mapping The Valleys of The Uncanny : An investigation into a process and method, colliding with questions relating to what can be known to be real, within the field of algorithmic composition. Or if you prefer: The roles of instrumentation and timbre, as they unwittingly conspire to designate access, power, status, work and ultimately class. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3115

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Karlsson, Daniel M. “Mapping The Valleys of The Uncanny : An investigation into a process and method, colliding with questions relating to what can be known to be real, within the field of algorithmic composition. Or if you prefer: The roles of instrumentation and timbre, as they unwittingly conspire to designate access, power, status, work and ultimately class.” 2019. Thesis, Royal College of Music in Stockholm. Accessed October 17, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3115.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Karlsson, Daniel M. “Mapping The Valleys of The Uncanny : An investigation into a process and method, colliding with questions relating to what can be known to be real, within the field of algorithmic composition. Or if you prefer: The roles of instrumentation and timbre, as they unwittingly conspire to designate access, power, status, work and ultimately class.” 2019. Web. 17 Oct 2019.

Vancouver:

Karlsson DM. Mapping The Valleys of The Uncanny : An investigation into a process and method, colliding with questions relating to what can be known to be real, within the field of algorithmic composition. Or if you prefer: The roles of instrumentation and timbre, as they unwittingly conspire to designate access, power, status, work and ultimately class. [Internet] [Thesis]. Royal College of Music in Stockholm; 2019. [cited 2019 Oct 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3115.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Karlsson DM. Mapping The Valleys of The Uncanny : An investigation into a process and method, colliding with questions relating to what can be known to be real, within the field of algorithmic composition. Or if you prefer: The roles of instrumentation and timbre, as they unwittingly conspire to designate access, power, status, work and ultimately class. [Thesis]. Royal College of Music in Stockholm; 2019. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3115

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

2. Pitman, Daniel James. Developing methods for predicting affect in algorithmic composition.

Degree: 2015, University of Adelaide

 Affective Algorithmic Composition (AAC) is a field that focuses on the algorithmic generation of music specifically to affect its audience in a targeted way. This… (more)

Subjects/Keywords: algorithmic composition; affective algorithmic composition; AAC; neural network; machine learning; computer music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pitman, D. J. (2015). Developing methods for predicting affect in algorithmic composition. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/102800

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pitman, Daniel James. “Developing methods for predicting affect in algorithmic composition.” 2015. Thesis, University of Adelaide. Accessed October 17, 2019. http://hdl.handle.net/2440/102800.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pitman, Daniel James. “Developing methods for predicting affect in algorithmic composition.” 2015. Web. 17 Oct 2019.

Vancouver:

Pitman DJ. Developing methods for predicting affect in algorithmic composition. [Internet] [Thesis]. University of Adelaide; 2015. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2440/102800.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pitman DJ. Developing methods for predicting affect in algorithmic composition. [Thesis]. University of Adelaide; 2015. Available from: http://hdl.handle.net/2440/102800

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

3. Hembree, Paul James. Ouroboros and Apocryphal Chrysopoeia: Aesthetics and Techniques.

Degree: Music, 2015, University of California – San Diego

 Resources from a variety of disciplines were gathered, compared and woven together to create Ouroboros, an eighteen-minute work for large chamber ensemble and audio-visual media,… (more)

Subjects/Keywords: Music; Algorithmic Composition; Cellular Automata; Music Cognition; Music Composition; Trumpet Extended Techniques; Visual Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hembree, P. J. (2015). Ouroboros and Apocryphal Chrysopoeia: Aesthetics and Techniques. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/3jf0v775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hembree, Paul James. “Ouroboros and Apocryphal Chrysopoeia: Aesthetics and Techniques.” 2015. Thesis, University of California – San Diego. Accessed October 17, 2019. http://www.escholarship.org/uc/item/3jf0v775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hembree, Paul James. “Ouroboros and Apocryphal Chrysopoeia: Aesthetics and Techniques.” 2015. Web. 17 Oct 2019.

Vancouver:

Hembree PJ. Ouroboros and Apocryphal Chrysopoeia: Aesthetics and Techniques. [Internet] [Thesis]. University of California – San Diego; 2015. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/3jf0v775.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hembree PJ. Ouroboros and Apocryphal Chrysopoeia: Aesthetics and Techniques. [Thesis]. University of California – San Diego; 2015. Available from: http://www.escholarship.org/uc/item/3jf0v775

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Washington

4. Freire, Joaquim Ribeiro. Consonance A computer generated composition.

Degree: 2017, University of Washington

 Consonance is a computer generated composition using Csound not only to construct the instruments but also to explore some of its innumerous possibilities to modeling… (more)

Subjects/Keywords: algorithmic music composition; composition; computer generated sound; csound; sound synthesis; Music; Computer science; Acoustics; Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Freire, J. R. (2017). Consonance A computer generated composition. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/40269

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Freire, Joaquim Ribeiro. “Consonance A computer generated composition.” 2017. Thesis, University of Washington. Accessed October 17, 2019. http://hdl.handle.net/1773/40269.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Freire, Joaquim Ribeiro. “Consonance A computer generated composition.” 2017. Web. 17 Oct 2019.

Vancouver:

Freire JR. Consonance A computer generated composition. [Internet] [Thesis]. University of Washington; 2017. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1773/40269.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Freire JR. Consonance A computer generated composition. [Thesis]. University of Washington; 2017. Available from: http://hdl.handle.net/1773/40269

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Cal Poly

5. Adam, Timothey Andrew. PROCEDURAL MUSIC GENERATION AND ADAPTATION BASED ON GAME STATE.

Degree: MS, Computer Science, 2014, Cal Poly

  Video game developers attempt to convey moods to emphasize their game's narrative. Events that occur within the game usually convey success or failure in… (more)

Subjects/Keywords: Games; Procedural Music; Algorithmic Composition; Adaptive Music; Music Mood; Composition; Theory and Algorithms

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Adam, T. A. (2014). PROCEDURAL MUSIC GENERATION AND ADAPTATION BASED ON GAME STATE. (Masters Thesis). Cal Poly. Retrieved from https://digitalcommons.calpoly.edu/theses/1202 ; 10.15368/theses.2014.49

Chicago Manual of Style (16th Edition):

Adam, Timothey Andrew. “PROCEDURAL MUSIC GENERATION AND ADAPTATION BASED ON GAME STATE.” 2014. Masters Thesis, Cal Poly. Accessed October 17, 2019. https://digitalcommons.calpoly.edu/theses/1202 ; 10.15368/theses.2014.49.

MLA Handbook (7th Edition):

Adam, Timothey Andrew. “PROCEDURAL MUSIC GENERATION AND ADAPTATION BASED ON GAME STATE.” 2014. Web. 17 Oct 2019.

Vancouver:

Adam TA. PROCEDURAL MUSIC GENERATION AND ADAPTATION BASED ON GAME STATE. [Internet] [Masters thesis]. Cal Poly; 2014. [cited 2019 Oct 17]. Available from: https://digitalcommons.calpoly.edu/theses/1202 ; 10.15368/theses.2014.49.

Council of Science Editors:

Adam TA. PROCEDURAL MUSIC GENERATION AND ADAPTATION BASED ON GAME STATE. [Masters Thesis]. Cal Poly; 2014. Available from: https://digitalcommons.calpoly.edu/theses/1202 ; 10.15368/theses.2014.49


University of California – San Diego

6. Snow, Richard. Mechanisms and Threads.

Degree: Music, 2012, University of California – San Diego

 Mechanisms and Threads is a series of four related compositions. The first project, titled Labyrinth, is a surround sound computer playback composition. The second project,… (more)

Subjects/Keywords: Music; Algorithmic Composition; Alternative Notation; Computer Music; Piano Solo; Surround Sound

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Snow, R. (2012). Mechanisms and Threads. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/1t24z5f3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Snow, Richard. “Mechanisms and Threads.” 2012. Thesis, University of California – San Diego. Accessed October 17, 2019. http://www.escholarship.org/uc/item/1t24z5f3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Snow, Richard. “Mechanisms and Threads.” 2012. Web. 17 Oct 2019.

Vancouver:

Snow R. Mechanisms and Threads. [Internet] [Thesis]. University of California – San Diego; 2012. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/1t24z5f3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Snow R. Mechanisms and Threads. [Thesis]. University of California – San Diego; 2012. Available from: http://www.escholarship.org/uc/item/1t24z5f3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Oxford

7. Kallionpaa, Maria E. Beyond the piano : the super instrument : widening the instrumental capacities in the context of the piano music of the 21st century.

Degree: PhD, 2014, University of Oxford

 Thanks to the development of new technology, musical instruments are no more tied to their existing acoustic or technical limitations as almost all parameters can… (more)

Subjects/Keywords: 786.2; Music; Composition; Performance; Instruments; super instruments; algorithmic composition techniques; electroacoustic music; piano

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kallionpaa, M. E. (2014). Beyond the piano : the super instrument : widening the instrumental capacities in the context of the piano music of the 21st century. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:1bd51738-543e-4898-8b64-26fe2b17a352 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658468

Chicago Manual of Style (16th Edition):

Kallionpaa, Maria E. “Beyond the piano : the super instrument : widening the instrumental capacities in the context of the piano music of the 21st century.” 2014. Doctoral Dissertation, University of Oxford. Accessed October 17, 2019. http://ora.ox.ac.uk/objects/uuid:1bd51738-543e-4898-8b64-26fe2b17a352 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658468.

MLA Handbook (7th Edition):

Kallionpaa, Maria E. “Beyond the piano : the super instrument : widening the instrumental capacities in the context of the piano music of the 21st century.” 2014. Web. 17 Oct 2019.

Vancouver:

Kallionpaa ME. Beyond the piano : the super instrument : widening the instrumental capacities in the context of the piano music of the 21st century. [Internet] [Doctoral dissertation]. University of Oxford; 2014. [cited 2019 Oct 17]. Available from: http://ora.ox.ac.uk/objects/uuid:1bd51738-543e-4898-8b64-26fe2b17a352 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658468.

Council of Science Editors:

Kallionpaa ME. Beyond the piano : the super instrument : widening the instrumental capacities in the context of the piano music of the 21st century. [Doctoral Dissertation]. University of Oxford; 2014. Available from: http://ora.ox.ac.uk/objects/uuid:1bd51738-543e-4898-8b64-26fe2b17a352 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658468


University of Plymouth

8. Kirke, Alexis. Application of intermediate multi-agent systems to integrated algorithmic composition and expressive performance of music.

Degree: PhD, 2011, University of Plymouth

 We investigate the properties of a new Multi-Agent Systems (MAS) for computer-aided composition called IPCS (pronounced “ipp-siss”) the Intermediate Performance Composition System which generates expressive… (more)

Subjects/Keywords: 780; Computer Music, Algorithmic Composition, Expressive Performance, Multi-Agent Systems

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kirke, A. (2011). Application of intermediate multi-agent systems to integrated algorithmic composition and expressive performance of music. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/895

Chicago Manual of Style (16th Edition):

Kirke, Alexis. “Application of intermediate multi-agent systems to integrated algorithmic composition and expressive performance of music.” 2011. Doctoral Dissertation, University of Plymouth. Accessed October 17, 2019. http://hdl.handle.net/10026.1/895.

MLA Handbook (7th Edition):

Kirke, Alexis. “Application of intermediate multi-agent systems to integrated algorithmic composition and expressive performance of music.” 2011. Web. 17 Oct 2019.

Vancouver:

Kirke A. Application of intermediate multi-agent systems to integrated algorithmic composition and expressive performance of music. [Internet] [Doctoral dissertation]. University of Plymouth; 2011. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10026.1/895.

Council of Science Editors:

Kirke A. Application of intermediate multi-agent systems to integrated algorithmic composition and expressive performance of music. [Doctoral Dissertation]. University of Plymouth; 2011. Available from: http://hdl.handle.net/10026.1/895


University of California – Berkeley

9. MacCallum, John Andrew. El Árbol de la noche triste.

Degree: Music, 2010, University of California – Berkeley

 El Árbol de la noche triste is a composition for solo scordatura violaand electronicsounds which are generated algorithmically in real-time during the performance.In the work… (more)

Subjects/Keywords: Music; Algorithmic; Composition; Electro-acoustic; Harmonic Series; Stochastic; Viola

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

MacCallum, J. A. (2010). El Árbol de la noche triste. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/5z77z44j

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

MacCallum, John Andrew. “El Árbol de la noche triste.” 2010. Thesis, University of California – Berkeley. Accessed October 17, 2019. http://www.escholarship.org/uc/item/5z77z44j.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

MacCallum, John Andrew. “El Árbol de la noche triste.” 2010. Web. 17 Oct 2019.

Vancouver:

MacCallum JA. El Árbol de la noche triste. [Internet] [Thesis]. University of California – Berkeley; 2010. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/5z77z44j.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MacCallum JA. El Árbol de la noche triste. [Thesis]. University of California – Berkeley; 2010. Available from: http://www.escholarship.org/uc/item/5z77z44j

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

10. Wilson, Adam James. Automatic Improvisation: A Study in Human/Machine Collaboration.

Degree: Music, 2009, University of California – San Diego

 Described herein is a practical experiment in the spontaneous composition of music through real-time interaction between a human composer-performer and a semi-autonomous network of computer… (more)

Subjects/Keywords: Music; algorithmic composition; HCI; human computer interaction; machine improvisation

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APA (6th Edition):

Wilson, A. J. (2009). Automatic Improvisation: A Study in Human/Machine Collaboration. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/1kt0315h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wilson, Adam James. “Automatic Improvisation: A Study in Human/Machine Collaboration.” 2009. Thesis, University of California – San Diego. Accessed October 17, 2019. http://www.escholarship.org/uc/item/1kt0315h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wilson, Adam James. “Automatic Improvisation: A Study in Human/Machine Collaboration.” 2009. Web. 17 Oct 2019.

Vancouver:

Wilson AJ. Automatic Improvisation: A Study in Human/Machine Collaboration. [Internet] [Thesis]. University of California – San Diego; 2009. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/1kt0315h.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wilson AJ. Automatic Improvisation: A Study in Human/Machine Collaboration. [Thesis]. University of California – San Diego; 2009. Available from: http://www.escholarship.org/uc/item/1kt0315h

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Manitoba

11. Nagelberg, Alan. MICA: A Hybrid Method for Corpus-Based Algorithmic Composition of Music Based on Genetic Algorithms, Zipf's Law, and Markov Models.

Degree: Electrical and Computer Engineering, 2014, University of Manitoba

 An algorithm known as the Musical Imitation and Creativity Algorithm (MICA) that composes stylistic music based on a corpus of works in a given style… (more)

Subjects/Keywords: Artificial; Intelligence; Computational; Creativity; Music; Machine; Learning; Algorithmic; Composition

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nagelberg, A. (2014). MICA: A Hybrid Method for Corpus-Based Algorithmic Composition of Music Based on Genetic Algorithms, Zipf's Law, and Markov Models. (Masters Thesis). University of Manitoba. Retrieved from http://hdl.handle.net/1993/23263

Chicago Manual of Style (16th Edition):

Nagelberg, Alan. “MICA: A Hybrid Method for Corpus-Based Algorithmic Composition of Music Based on Genetic Algorithms, Zipf's Law, and Markov Models.” 2014. Masters Thesis, University of Manitoba. Accessed October 17, 2019. http://hdl.handle.net/1993/23263.

MLA Handbook (7th Edition):

Nagelberg, Alan. “MICA: A Hybrid Method for Corpus-Based Algorithmic Composition of Music Based on Genetic Algorithms, Zipf's Law, and Markov Models.” 2014. Web. 17 Oct 2019.

Vancouver:

Nagelberg A. MICA: A Hybrid Method for Corpus-Based Algorithmic Composition of Music Based on Genetic Algorithms, Zipf's Law, and Markov Models. [Internet] [Masters thesis]. University of Manitoba; 2014. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1993/23263.

Council of Science Editors:

Nagelberg A. MICA: A Hybrid Method for Corpus-Based Algorithmic Composition of Music Based on Genetic Algorithms, Zipf's Law, and Markov Models. [Masters Thesis]. University of Manitoba; 2014. Available from: http://hdl.handle.net/1993/23263


University of Edinburgh

12. Murphy, Michael J. Methodology for the production and delivery of generative music for the personal listener : systems for realtime generative music production.

Degree: PhD, 2013, University of Edinburgh

 This thesis will describe a system for the production of generative music through specific methodology, and provide an approach for the delivery of this material.… (more)

Subjects/Keywords: generative music production; music consumer; contemporary classical music; personal listening audience; composition methodology; algorithmic methods

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Murphy, M. J. (2013). Methodology for the production and delivery of generative music for the personal listener : systems for realtime generative music production. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/9737

Chicago Manual of Style (16th Edition):

Murphy, Michael J. “Methodology for the production and delivery of generative music for the personal listener : systems for realtime generative music production.” 2013. Doctoral Dissertation, University of Edinburgh. Accessed October 17, 2019. http://hdl.handle.net/1842/9737.

MLA Handbook (7th Edition):

Murphy, Michael J. “Methodology for the production and delivery of generative music for the personal listener : systems for realtime generative music production.” 2013. Web. 17 Oct 2019.

Vancouver:

Murphy MJ. Methodology for the production and delivery of generative music for the personal listener : systems for realtime generative music production. [Internet] [Doctoral dissertation]. University of Edinburgh; 2013. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/1842/9737.

Council of Science Editors:

Murphy MJ. Methodology for the production and delivery of generative music for the personal listener : systems for realtime generative music production. [Doctoral Dissertation]. University of Edinburgh; 2013. Available from: http://hdl.handle.net/1842/9737


University of Louisville

13. Yu, Yindong. Low-time-resolution structures in music and its computer applications.

Degree: M. Eng., 2011, University of Louisville

  This thesis proposes a concept called low-time-resolution (LTR) structure in music, and investigates its potential significance and application in music-related computing tasks. The contributions… (more)

Subjects/Keywords: Computer music; Music information retrieval; Large-scale musical structures; Music cognition modeling; Algorithmic composition

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yu, Y. (2011). Low-time-resolution structures in music and its computer applications. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/1628 ; https://ir.library.louisville.edu/etd/1628

Chicago Manual of Style (16th Edition):

Yu, Yindong. “Low-time-resolution structures in music and its computer applications.” 2011. Masters Thesis, University of Louisville. Accessed October 17, 2019. 10.18297/etd/1628 ; https://ir.library.louisville.edu/etd/1628.

MLA Handbook (7th Edition):

Yu, Yindong. “Low-time-resolution structures in music and its computer applications.” 2011. Web. 17 Oct 2019.

Vancouver:

Yu Y. Low-time-resolution structures in music and its computer applications. [Internet] [Masters thesis]. University of Louisville; 2011. [cited 2019 Oct 17]. Available from: 10.18297/etd/1628 ; https://ir.library.louisville.edu/etd/1628.

Council of Science Editors:

Yu Y. Low-time-resolution structures in music and its computer applications. [Masters Thesis]. University of Louisville; 2011. Available from: 10.18297/etd/1628 ; https://ir.library.louisville.edu/etd/1628


University of California – San Diego

14. Surges, Gregory. Generative Audio Systems: Musical Applications of Time-Varying Feedback Networks and Computational Aesthetics.

Degree: Music, 2015, University of California – San Diego

 This dissertation is focused on the development of generative audio systems - a term used describe generative music systems that generate both formal structure and… (more)

Subjects/Keywords: Music; algorithmic composition; all-pass filters; computational aesthetics; digital signal processing; generative music; machine learning

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Surges, G. (2015). Generative Audio Systems: Musical Applications of Time-Varying Feedback Networks and Computational Aesthetics. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/9fk810hq

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Surges, Gregory. “Generative Audio Systems: Musical Applications of Time-Varying Feedback Networks and Computational Aesthetics.” 2015. Thesis, University of California – San Diego. Accessed October 17, 2019. http://www.escholarship.org/uc/item/9fk810hq.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Surges, Gregory. “Generative Audio Systems: Musical Applications of Time-Varying Feedback Networks and Computational Aesthetics.” 2015. Web. 17 Oct 2019.

Vancouver:

Surges G. Generative Audio Systems: Musical Applications of Time-Varying Feedback Networks and Computational Aesthetics. [Internet] [Thesis]. University of California – San Diego; 2015. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/9fk810hq.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Surges G. Generative Audio Systems: Musical Applications of Time-Varying Feedback Networks and Computational Aesthetics. [Thesis]. University of California – San Diego; 2015. Available from: http://www.escholarship.org/uc/item/9fk810hq

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

15. Kerr, Thorin. Performing composition : developing a computer assisted composition system through live coding performance.

Degree: 2009, Queensland University of Technology

 This thesis maps the author's journey from a music composition practice to a composition and performance practice. The work involves the development of a software… (more)

Subjects/Keywords: music; composition; performance; live coding; live programming; computer music; computer assisted composition; algorithmic music; generative art; Impromptu; Csound

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kerr, T. (2009). Performing composition : developing a computer assisted composition system through live coding performance. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/32175/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kerr, Thorin. “Performing composition : developing a computer assisted composition system through live coding performance.” 2009. Thesis, Queensland University of Technology. Accessed October 17, 2019. https://eprints.qut.edu.au/32175/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kerr, Thorin. “Performing composition : developing a computer assisted composition system through live coding performance.” 2009. Web. 17 Oct 2019.

Vancouver:

Kerr T. Performing composition : developing a computer assisted composition system through live coding performance. [Internet] [Thesis]. Queensland University of Technology; 2009. [cited 2019 Oct 17]. Available from: https://eprints.qut.edu.au/32175/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kerr T. Performing composition : developing a computer assisted composition system through live coding performance. [Thesis]. Queensland University of Technology; 2009. Available from: https://eprints.qut.edu.au/32175/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

16. Yee, A. Designing an orrery of the universe: the creation of new chamber music through algorithmic composition.

Degree: 2010, RMIT University

 The main focus of my research has been to investigate a number of ways to extend my practice as a composer. In response to a… (more)

Subjects/Keywords: Fields of Research; musical composition; algorithmic composition; computer assisted composition; Openmusic (IRCAM software); chamber music; parametric design; Hebrew language; musical modernism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yee, A. (2010). Designing an orrery of the universe: the creation of new chamber music through algorithmic composition. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:12526

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yee, A. “Designing an orrery of the universe: the creation of new chamber music through algorithmic composition.” 2010. Thesis, RMIT University. Accessed October 17, 2019. http://researchbank.rmit.edu.au/view/rmit:12526.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yee, A. “Designing an orrery of the universe: the creation of new chamber music through algorithmic composition.” 2010. Web. 17 Oct 2019.

Vancouver:

Yee A. Designing an orrery of the universe: the creation of new chamber music through algorithmic composition. [Internet] [Thesis]. RMIT University; 2010. [cited 2019 Oct 17]. Available from: http://researchbank.rmit.edu.au/view/rmit:12526.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yee A. Designing an orrery of the universe: the creation of new chamber music through algorithmic composition. [Thesis]. RMIT University; 2010. Available from: http://researchbank.rmit.edu.au/view/rmit:12526

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Irvine

17. Savery, Richard James. Algorithmic Improvisers.

Degree: Music, 2015, University of California – Irvine

 In this essay I explore the creation of interactive, improvising computer partners. I consider different forms of interaction with computer musical collaborators, be it through… (more)

Subjects/Keywords: Music; Artificial intelligence; Algorithmic; Artificial creativity; Computer Composition; Henon map; Improvisation; Interactivity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Savery, R. J. (2015). Algorithmic Improvisers. (Thesis). University of California – Irvine. Retrieved from http://www.escholarship.org/uc/item/0t55v839

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Savery, Richard James. “Algorithmic Improvisers.” 2015. Thesis, University of California – Irvine. Accessed October 17, 2019. http://www.escholarship.org/uc/item/0t55v839.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Savery, Richard James. “Algorithmic Improvisers.” 2015. Web. 17 Oct 2019.

Vancouver:

Savery RJ. Algorithmic Improvisers. [Internet] [Thesis]. University of California – Irvine; 2015. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/0t55v839.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Savery RJ. Algorithmic Improvisers. [Thesis]. University of California – Irvine; 2015. Available from: http://www.escholarship.org/uc/item/0t55v839

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brno University of Technology

18. Novotný, Pavel. Tvorba hudby pomocí celulárních automatů .

Degree: 2011, Brno University of Technology

 Tato práce se zabývá využitím celulárních automatů v oblasti algoritmické kompozice hudby. Text práce obsahuje stručný přehled problematiky algoritmické kompozice s využitím celulárních automatů a… (more)

Subjects/Keywords: celulární automat; algoritmická kompozice; hudba; melodie; cellular automaton; algorithmic composition; music; melodies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Novotný, P. (2011). Tvorba hudby pomocí celulárních automatů . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/55874

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Novotný, Pavel. “Tvorba hudby pomocí celulárních automatů .” 2011. Thesis, Brno University of Technology. Accessed October 17, 2019. http://hdl.handle.net/11012/55874.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Novotný, Pavel. “Tvorba hudby pomocí celulárních automatů .” 2011. Web. 17 Oct 2019.

Vancouver:

Novotný P. Tvorba hudby pomocí celulárních automatů . [Internet] [Thesis]. Brno University of Technology; 2011. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/11012/55874.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Novotný P. Tvorba hudby pomocí celulárních automatů . [Thesis]. Brno University of Technology; 2011. Available from: http://hdl.handle.net/11012/55874

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Hejl, Matouš. Technics and Music : some remarks on the process of exteriorization in music.

Degree: Composition and Conducting, 2017, Royal College of Music in Stockholm

  The delegating of thought, memory and action outside of the human body, inseparable from the process of individuation and identity formation, and the following… (more)

Subjects/Keywords: technics; technology; composition; computer music; algorithmic composition; electronic music; philosophy and music; Bernard Stiegler; aesthetics; musical time; technical systems in composition; pharmakon; speculative computation; Music; Musik

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hejl, M. (2017). Technics and Music : some remarks on the process of exteriorization in music. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hejl, Matouš. “Technics and Music : some remarks on the process of exteriorization in music.” 2017. Thesis, Royal College of Music in Stockholm. Accessed October 17, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hejl, Matouš. “Technics and Music : some remarks on the process of exteriorization in music.” 2017. Web. 17 Oct 2019.

Vancouver:

Hejl M. Technics and Music : some remarks on the process of exteriorization in music. [Internet] [Thesis]. Royal College of Music in Stockholm; 2017. [cited 2019 Oct 17]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2439.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hejl M. Technics and Music : some remarks on the process of exteriorization in music. [Thesis]. Royal College of Music in Stockholm; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2439

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

20. Kang, Joong-Hoon. Inscape.

Degree: DMA, College-Conservatory of Music : Composition, 2006, University of Cincinnati

 Inscape is an exploration of timbre residing within human sensation and its computer representation. The primary artistic goal of the work is to create a… (more)

Subjects/Keywords: Music; Computer Music; Electronic Music; Algorithmic Composition; Timbre

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APA (6th Edition):

Kang, J. (2006). Inscape. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163620773

Chicago Manual of Style (16th Edition):

Kang, Joong-Hoon. “Inscape.” 2006. Doctoral Dissertation, University of Cincinnati. Accessed October 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163620773.

MLA Handbook (7th Edition):

Kang, Joong-Hoon. “Inscape.” 2006. Web. 17 Oct 2019.

Vancouver:

Kang J. Inscape. [Internet] [Doctoral dissertation]. University of Cincinnati; 2006. [cited 2019 Oct 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163620773.

Council of Science Editors:

Kang J. Inscape. [Doctoral Dissertation]. University of Cincinnati; 2006. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163620773


University of California – San Diego

21. Magnus, Cristyn. Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms.

Degree: Music, 2010, University of California – San Diego

 The goal of this research is to explore the use of genetic algorithms to evolve waveforms. Genetic algorithms are introduced with a simple application that… (more)

Subjects/Keywords: Music; Computer Science; Artificial Intelligence; algorithmic composition; computer music; generative algorithm; generative art; genetic algorithm; music technology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Magnus, C. (2010). Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/0mq5z85r

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Magnus, Cristyn. “Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms.” 2010. Thesis, University of California – San Diego. Accessed October 17, 2019. http://www.escholarship.org/uc/item/0mq5z85r.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Magnus, Cristyn. “Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms.” 2010. Web. 17 Oct 2019.

Vancouver:

Magnus C. Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms. [Internet] [Thesis]. University of California – San Diego; 2010. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/0mq5z85r.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Magnus C. Evolutionary Sound: a Non-Symbolic Approach to Creating Sonic Art With Genetic Algorithms. [Thesis]. University of California – San Diego; 2010. Available from: http://www.escholarship.org/uc/item/0mq5z85r

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

22. Robin, Bradley G. Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design.

Degree: 2016, University of North Texas

 This dissertation explores the analysis and creation of compositions from the standpoint of texture and momentum. It is comprised of four chapters. The first presents… (more)

Subjects/Keywords: Brad Robin; music; new music; stochastic composition; timbral music; algorithmic composition; extended techniques; Gerard Grisey; Brian Ferneyhough; Partiels; Periodes; Lemma-Icon-Epigram; Phase; Music; Fine Arts; Musical Performances

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APA (6th Edition):

Robin, B. G. (2016). Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc862829/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Robin, Bradley G. “Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design.” 2016. Thesis, University of North Texas. Accessed October 17, 2019. https://digital.library.unt.edu/ark:/67531/metadc862829/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Robin, Bradley G. “Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design.” 2016. Web. 17 Oct 2019.

Vancouver:

Robin BG. Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design. [Internet] [Thesis]. University of North Texas; 2016. [cited 2019 Oct 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc862829/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robin BG. Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design. [Thesis]. University of North Texas; 2016. Available from: https://digital.library.unt.edu/ark:/67531/metadc862829/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

23. Fu, Yuen-Wai. Designs.

Degree: 1993, University of North Texas

Designs is an algorithmic composition for small orchestra. The main compositional process used involves the realization and implementation of various musical algorithms discussed in the book Composition with Pitch-Classes by theorist/composer Robert Morris. Advisors/Committee Members: Winsor, Phil, 1938-2012, Covach, John Rudolph, McTee, Cindy, 1953-.

Subjects/Keywords: algorithmic composition; orchestral music; Orchestral music  – Scores.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fu, Y. (1993). Designs. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500509/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fu, Yuen-Wai. “Designs.” 1993. Thesis, University of North Texas. Accessed October 17, 2019. https://digital.library.unt.edu/ark:/67531/metadc500509/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fu, Yuen-Wai. “Designs.” 1993. Web. 17 Oct 2019.

Vancouver:

Fu Y. Designs. [Internet] [Thesis]. University of North Texas; 1993. [cited 2019 Oct 17]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500509/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fu Y. Designs. [Thesis]. University of North Texas; 1993. Available from: https://digital.library.unt.edu/ark:/67531/metadc500509/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Santa Cruz

24. Davancens, Joseph. Heave, Sway, Surge.

Degree: Music Composition, 2019, University of California – Santa Cruz

 Heave, Sway, Surge (2014–19) is a musical composition for nine instruments that attempts to evoke the subjectivity of a body in motion by deploying sound-mass… (more)

Subjects/Keywords: Musical composition; algorithmic composition; extended techniques; notation

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APA (6th Edition):

Davancens, J. (2019). Heave, Sway, Surge. (Thesis). University of California – Santa Cruz. Retrieved from http://www.escholarship.org/uc/item/68c3c1qh

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Davancens, Joseph. “Heave, Sway, Surge.” 2019. Thesis, University of California – Santa Cruz. Accessed October 17, 2019. http://www.escholarship.org/uc/item/68c3c1qh.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Davancens, Joseph. “Heave, Sway, Surge.” 2019. Web. 17 Oct 2019.

Vancouver:

Davancens J. Heave, Sway, Surge. [Internet] [Thesis]. University of California – Santa Cruz; 2019. [cited 2019 Oct 17]. Available from: http://www.escholarship.org/uc/item/68c3c1qh.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Davancens J. Heave, Sway, Surge. [Thesis]. University of California – Santa Cruz; 2019. Available from: http://www.escholarship.org/uc/item/68c3c1qh

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Benavides, Santiago David Davila. Raciocínio de agentes musicais composição algorítmica, vida artificial e interatividade em sistemas multiagentes musicais.

Degree: Mestrado, Ciência da Computação, 2012, University of São Paulo

Os múltiplos trabalhos de sistemas multiagentes musicais realizados nos últimos anos demonstram o interesse crescente na pesquisa de sistemas de composição e de performance musical… (more)

Subjects/Keywords: agent reasoning; algorithmic composition; composição algorítmica; computação musical; computer music; multiagent systems; raciocínio do agente; sistemas multiagentes

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APA (6th Edition):

Benavides, S. D. D. (2012). Raciocínio de agentes musicais composição algorítmica, vida artificial e interatividade em sistemas multiagentes musicais. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/45/45134/tde-17082013-154859/ ;

Chicago Manual of Style (16th Edition):

Benavides, Santiago David Davila. “Raciocínio de agentes musicais composição algorítmica, vida artificial e interatividade em sistemas multiagentes musicais.” 2012. Masters Thesis, University of São Paulo. Accessed October 17, 2019. http://www.teses.usp.br/teses/disponiveis/45/45134/tde-17082013-154859/ ;.

MLA Handbook (7th Edition):

Benavides, Santiago David Davila. “Raciocínio de agentes musicais composição algorítmica, vida artificial e interatividade em sistemas multiagentes musicais.” 2012. Web. 17 Oct 2019.

Vancouver:

Benavides SDD. Raciocínio de agentes musicais composição algorítmica, vida artificial e interatividade em sistemas multiagentes musicais. [Internet] [Masters thesis]. University of São Paulo; 2012. [cited 2019 Oct 17]. Available from: http://www.teses.usp.br/teses/disponiveis/45/45134/tde-17082013-154859/ ;.

Council of Science Editors:

Benavides SDD. Raciocínio de agentes musicais composição algorítmica, vida artificial e interatividade em sistemas multiagentes musicais. [Masters Thesis]. University of São Paulo; 2012. Available from: http://www.teses.usp.br/teses/disponiveis/45/45134/tde-17082013-154859/ ;


Queensland University of Technology

26. Gifford, Toby. Improvisation in interactive music systems.

Degree: 2011, Queensland University of Technology

 This project investigates machine listening and improvisation in interactive music systems with the goal of improvising musically appropriate accompaniment to an audio stream in real-time.… (more)

Subjects/Keywords: interactive music systems; generative; algorithmic composition; beat tracking; metre induction; onset detection; polyphonic; pitch tracking; machine listening; improvisation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gifford, T. (2011). Improvisation in interactive music systems. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/49795/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gifford, Toby. “Improvisation in interactive music systems.” 2011. Thesis, Queensland University of Technology. Accessed October 17, 2019. https://eprints.qut.edu.au/49795/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gifford, Toby. “Improvisation in interactive music systems.” 2011. Web. 17 Oct 2019.

Vancouver:

Gifford T. Improvisation in interactive music systems. [Internet] [Thesis]. Queensland University of Technology; 2011. [cited 2019 Oct 17]. Available from: https://eprints.qut.edu.au/49795/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gifford T. Improvisation in interactive music systems. [Thesis]. Queensland University of Technology; 2011. Available from: https://eprints.qut.edu.au/49795/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

27. Kim, Sunjin. Zack Browning and the compositional process in blockhouse, double shot, and sole injection.

Degree: A.Mus.D., 0265, 2011, University of Illinois – Urbana-Champaign

 This is the first study to focus exclusively on three compositions that include the violin by American composer, Zack Browning. The three compositions examined in… (more)

Subjects/Keywords: Zack Browning; Blockhouse; Double Shot; Sole Injection; Magic Square; musical ideas; patterns; compositional techniques; compositional process; violin; composition; computer music; contemporary music; algorithmic composition; Planetary Squares; piano; cello; piano trio

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APA (6th Edition):

Kim, S. (2011). Zack Browning and the compositional process in blockhouse, double shot, and sole injection. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/24031

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kim, Sunjin. “Zack Browning and the compositional process in blockhouse, double shot, and sole injection.” 2011. Thesis, University of Illinois – Urbana-Champaign. Accessed October 17, 2019. http://hdl.handle.net/2142/24031.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kim, Sunjin. “Zack Browning and the compositional process in blockhouse, double shot, and sole injection.” 2011. Web. 17 Oct 2019.

Vancouver:

Kim S. Zack Browning and the compositional process in blockhouse, double shot, and sole injection. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2011. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2142/24031.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kim S. Zack Browning and the compositional process in blockhouse, double shot, and sole injection. [Thesis]. University of Illinois – Urbana-Champaign; 2011. Available from: http://hdl.handle.net/2142/24031

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

28. Harrald, Luke Adrian. Portfolio of compositions and exegesis: conflict and resolution - modelling emergent ensemble dynamics.

Degree: 2008, University of Adelaide

 Theory as an approach to generative composition and interactive computer music. Inspired by the notion of Performance Indeterminacy, software has been developed that attempts to… (more)

Subjects/Keywords: Algorithmic Composition; Generative Composition; Generative Music; Iterated Prisoner's Dilemma; Interactive Computer Music; Performance Indeterminacy; Improvisation; Computer Music Composition; Composition (Music); Composition (Music) Computer programs.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harrald, L. A. (2008). Portfolio of compositions and exegesis: conflict and resolution - modelling emergent ensemble dynamics. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/56165

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harrald, Luke Adrian. “Portfolio of compositions and exegesis: conflict and resolution - modelling emergent ensemble dynamics.” 2008. Thesis, University of Adelaide. Accessed October 17, 2019. http://hdl.handle.net/2440/56165.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harrald, Luke Adrian. “Portfolio of compositions and exegesis: conflict and resolution - modelling emergent ensemble dynamics.” 2008. Web. 17 Oct 2019.

Vancouver:

Harrald LA. Portfolio of compositions and exegesis: conflict and resolution - modelling emergent ensemble dynamics. [Internet] [Thesis]. University of Adelaide; 2008. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2440/56165.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harrald LA. Portfolio of compositions and exegesis: conflict and resolution - modelling emergent ensemble dynamics. [Thesis]. University of Adelaide; 2008. Available from: http://hdl.handle.net/2440/56165

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

29. Koenders, Michael. FROM MUSIC INFORMATION RETRIEVAL (MIR) TO INFORMATION RETRIEVAL FOR MUSIC (IRM) .

Degree: 2016, University of Sydney

 This thesis reviews and discusses certain techniques from the domain of (Music) Information Retrieval, in particular some general data mining algorithms. It also describes their… (more)

Subjects/Keywords: Information Retrieval; data mining; Algorithmic composition

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Koenders, M. (2016). FROM MUSIC INFORMATION RETRIEVAL (MIR) TO INFORMATION RETRIEVAL FOR MUSIC (IRM) . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/16914

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Koenders, Michael. “FROM MUSIC INFORMATION RETRIEVAL (MIR) TO INFORMATION RETRIEVAL FOR MUSIC (IRM) .” 2016. Thesis, University of Sydney. Accessed October 17, 2019. http://hdl.handle.net/2123/16914.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Koenders, Michael. “FROM MUSIC INFORMATION RETRIEVAL (MIR) TO INFORMATION RETRIEVAL FOR MUSIC (IRM) .” 2016. Web. 17 Oct 2019.

Vancouver:

Koenders M. FROM MUSIC INFORMATION RETRIEVAL (MIR) TO INFORMATION RETRIEVAL FOR MUSIC (IRM) . [Internet] [Thesis]. University of Sydney; 2016. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/2123/16914.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Koenders M. FROM MUSIC INFORMATION RETRIEVAL (MIR) TO INFORMATION RETRIEVAL FOR MUSIC (IRM) . [Thesis]. University of Sydney; 2016. Available from: http://hdl.handle.net/2123/16914

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Καλιακάτσος-Παπακώστας, Μάξιμος. Μέθοδοι υπολογιστικής νοημοσύνης για αυτοματοποιημένη μουσική ανάλυση και σύνθεση.

Degree: 2014, University of Patras

 Η παρούσα διδακτορική διατριβή ασχολείται με την εφαρμογή της υπολογιστικής νοημοσύνης στη μουσική, επιχειρώντας ταπεινά να συνεισφέρει, έστω και κατ' ελάχιστο, στην μακραίωνη πορεία της… (more)

Subjects/Keywords: Μουσική; Υπολογιστική νοημοσύνη; Αυτόματη σύνθεση; Μουσικά χαρακτηριστικά; Αναγνώριση συνθέτη; Μουσική πολυπλοκότητα; Ευφυής σύνθεση μουσικής; Αλγοριθμική σύνθεση; 781.346 3; Music; Computational intelligence; Automatic composition; Music features; Composer identification; Music complexity; Intelligent music; Algorithmic composition

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Καλιακάτσος-Παπακώστας, . (2014). Μέθοδοι υπολογιστικής νοημοσύνης για αυτοματοποιημένη μουσική ανάλυση και σύνθεση. (Doctoral Dissertation). University of Patras. Retrieved from http://hdl.handle.net/10889/7804

Chicago Manual of Style (16th Edition):

Καλιακάτσος-Παπακώστας, Μάξιμος. “Μέθοδοι υπολογιστικής νοημοσύνης για αυτοματοποιημένη μουσική ανάλυση και σύνθεση.” 2014. Doctoral Dissertation, University of Patras. Accessed October 17, 2019. http://hdl.handle.net/10889/7804.

MLA Handbook (7th Edition):

Καλιακάτσος-Παπακώστας, Μάξιμος. “Μέθοδοι υπολογιστικής νοημοσύνης για αυτοματοποιημένη μουσική ανάλυση και σύνθεση.” 2014. Web. 17 Oct 2019.

Vancouver:

Καλιακάτσος-Παπακώστας . Μέθοδοι υπολογιστικής νοημοσύνης για αυτοματοποιημένη μουσική ανάλυση και σύνθεση. [Internet] [Doctoral dissertation]. University of Patras; 2014. [cited 2019 Oct 17]. Available from: http://hdl.handle.net/10889/7804.

Council of Science Editors:

Καλιακάτσος-Παπακώστας . Μέθοδοι υπολογιστικής νοημοσύνης για αυτοματοποιημένη μουσική ανάλυση και σύνθεση. [Doctoral Dissertation]. University of Patras; 2014. Available from: http://hdl.handle.net/10889/7804

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