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You searched for subject:( Stanley Kubrick). Showing records 1 – 26 of 26 total matches.

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University of Iceland

1. Þrándur Jensson 1977. Vald og kúgun í kvikmyndum Stanley Kubricks: Greining á Lolitu og 2001: A Space Odyssey.

Degree: 2015, University of Iceland

Stanley Kubrick er einn af merkustu kvikmyndaleikstjórum síðustu aldar. Hann skildi eftir sig meistaraverk sem kynslóðir dást að enn þann dag í dag. Í þessari… (more)

Subjects/Keywords: Kvikmyndafræði; Kubrick, Stanley, 1928-1999; Kvikmyndagreining

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

1977, . J. (2015). Vald og kúgun í kvikmyndum Stanley Kubricks: Greining á Lolitu og 2001: A Space Odyssey. (Thesis). University of Iceland. Retrieved from http://hdl.handle.net/1946/21651

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

1977, Þrándur Jensson. “Vald og kúgun í kvikmyndum Stanley Kubricks: Greining á Lolitu og 2001: A Space Odyssey.” 2015. Thesis, University of Iceland. Accessed June 25, 2019. http://hdl.handle.net/1946/21651.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

1977, Þrándur Jensson. “Vald og kúgun í kvikmyndum Stanley Kubricks: Greining á Lolitu og 2001: A Space Odyssey.” 2015. Web. 25 Jun 2019.

Vancouver:

1977 J. Vald og kúgun í kvikmyndum Stanley Kubricks: Greining á Lolitu og 2001: A Space Odyssey. [Internet] [Thesis]. University of Iceland; 2015. [cited 2019 Jun 25]. Available from: http://hdl.handle.net/1946/21651.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

1977 J. Vald og kúgun í kvikmyndum Stanley Kubricks: Greining á Lolitu og 2001: A Space Odyssey. [Thesis]. University of Iceland; 2015. Available from: http://hdl.handle.net/1946/21651

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Debrecen

2. Bódi, Renáta. A regény és film műfaji sajátosságainak összehasonlítása A ragyogás című könyv és annak filmadaptációja alapján .

Degree: DE – TEK – Bölcsészettudományi Kar, 2013, University of Debrecen

 Záró-dolgozatom célja Stephen King A Ragyogás című regényének és filmadaptációjának összehasonlítása. Röviden ismertetem a filmadaptációk létrejöttének történetét, majd bemutatom azok típusait. A harmadik fejezetben választ… (more)

Subjects/Keywords: A ragyogás; filmadaptáció; Stephen King; Stanley Kubrick

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APA (6th Edition):

Bódi, R. (2013). A regény és film műfaji sajátosságainak összehasonlítása A ragyogás című könyv és annak filmadaptációja alapján . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/169721

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bódi, Renáta. “A regény és film műfaji sajátosságainak összehasonlítása A ragyogás című könyv és annak filmadaptációja alapján .” 2013. Thesis, University of Debrecen. Accessed June 25, 2019. http://hdl.handle.net/2437/169721.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bódi, Renáta. “A regény és film műfaji sajátosságainak összehasonlítása A ragyogás című könyv és annak filmadaptációja alapján .” 2013. Web. 25 Jun 2019.

Vancouver:

Bódi R. A regény és film műfaji sajátosságainak összehasonlítása A ragyogás című könyv és annak filmadaptációja alapján . [Internet] [Thesis]. University of Debrecen; 2013. [cited 2019 Jun 25]. Available from: http://hdl.handle.net/2437/169721.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bódi R. A regény és film műfaji sajátosságainak összehasonlítása A ragyogás című könyv és annak filmadaptációja alapján . [Thesis]. University of Debrecen; 2013. Available from: http://hdl.handle.net/2437/169721

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Toulouse II – Le Mirail

3. Saengprapan, Pichaiwat. Le décor chez Stanley Kubrick : Kubrick's scenic design.

Degree: Docteur es, Etudes cinématographiques, 2011, Université Toulouse II – Le Mirail

S’interroger sur le décor de cinéma parait ouvrir un champ de recherche illimité, surtout lorsqu’il s’agit de la création cinématographique de Stanley Kubrick. Indéniablement le… (more)

Subjects/Keywords: Stanley Kubrick; Orange mécanique; Décor; Sémiologie; Parodie; Stanley Kubrick; Clockwork Orange; Film Set; Semiology; Parody

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APA (6th Edition):

Saengprapan, P. (2011). Le décor chez Stanley Kubrick : Kubrick's scenic design. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2011TOU20064

Chicago Manual of Style (16th Edition):

Saengprapan, Pichaiwat. “Le décor chez Stanley Kubrick : Kubrick's scenic design.” 2011. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed June 25, 2019. http://www.theses.fr/2011TOU20064.

MLA Handbook (7th Edition):

Saengprapan, Pichaiwat. “Le décor chez Stanley Kubrick : Kubrick's scenic design.” 2011. Web. 25 Jun 2019.

Vancouver:

Saengprapan P. Le décor chez Stanley Kubrick : Kubrick's scenic design. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2011. [cited 2019 Jun 25]. Available from: http://www.theses.fr/2011TOU20064.

Council of Science Editors:

Saengprapan P. Le décor chez Stanley Kubrick : Kubrick's scenic design. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2011. Available from: http://www.theses.fr/2011TOU20064


University of Waikato

4. Shepherd, Barrett James. Adaptation from Novels into Films: A Study of Six Examples, with an Accompanying Screenplay and Self-analysis.

Degree: 2009, University of Waikato

 This thesis consists of two primary components: a study of six novels and their respective adaptations into popular commercial films, and my attempt at writing… (more)

Subjects/Keywords: Adaptation; Novels; Films; Literature; Cinema; Stanley; Kubrick; Fidelity.

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APA (6th Edition):

Shepherd, B. J. (2009). Adaptation from Novels into Films: A Study of Six Examples, with an Accompanying Screenplay and Self-analysis. (Masters Thesis). University of Waikato. Retrieved from http://hdl.handle.net/10289/3592

Chicago Manual of Style (16th Edition):

Shepherd, Barrett James. “Adaptation from Novels into Films: A Study of Six Examples, with an Accompanying Screenplay and Self-analysis. ” 2009. Masters Thesis, University of Waikato. Accessed June 25, 2019. http://hdl.handle.net/10289/3592.

MLA Handbook (7th Edition):

Shepherd, Barrett James. “Adaptation from Novels into Films: A Study of Six Examples, with an Accompanying Screenplay and Self-analysis. ” 2009. Web. 25 Jun 2019.

Vancouver:

Shepherd BJ. Adaptation from Novels into Films: A Study of Six Examples, with an Accompanying Screenplay and Self-analysis. [Internet] [Masters thesis]. University of Waikato; 2009. [cited 2019 Jun 25]. Available from: http://hdl.handle.net/10289/3592.

Council of Science Editors:

Shepherd BJ. Adaptation from Novels into Films: A Study of Six Examples, with an Accompanying Screenplay and Self-analysis. [Masters Thesis]. University of Waikato; 2009. Available from: http://hdl.handle.net/10289/3592


University of Miami

5. Browning, David Eric. Dark Façades: Gender and the Films of Stanley Kubrick.

Degree: MA, Communication Studies (Communication), 2013, University of Miami

 The work of iconic film director Stanley Kubrick is generally studied in terms of visual style and its reliance on male protagonists. Looking past the… (more)

Subjects/Keywords: Stanley Kubrick; Gender; Nicole Kidman; Feminist Theory; Eyes Wide Shut

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APA (6th Edition):

Browning, D. E. (2013). Dark Façades: Gender and the Films of Stanley Kubrick. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_theses/423

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Browning, David Eric. “Dark Façades: Gender and the Films of Stanley Kubrick.” 2013. Thesis, University of Miami. Accessed June 25, 2019. https://scholarlyrepository.miami.edu/oa_theses/423.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Browning, David Eric. “Dark Façades: Gender and the Films of Stanley Kubrick.” 2013. Web. 25 Jun 2019.

Vancouver:

Browning DE. Dark Façades: Gender and the Films of Stanley Kubrick. [Internet] [Thesis]. University of Miami; 2013. [cited 2019 Jun 25]. Available from: https://scholarlyrepository.miami.edu/oa_theses/423.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Browning DE. Dark Façades: Gender and the Films of Stanley Kubrick. [Thesis]. University of Miami; 2013. Available from: https://scholarlyrepository.miami.edu/oa_theses/423

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Porto, João Pedro Leite. O berço de Newton.

Degree: 2008, ISPA

Dissertação de Mestrado apresentada ao ISPA - Instituto Universitário

A presente dissertação apresenta-se como um exercício motivado, não apenas por uma necessidade de homenagem ao… (more)

Subjects/Keywords: Psicopatia; Stanley Kubrick; Violência; Cinema; Psychopathy; Ultra – violence; Power; Domínio/Área Científica::Ciências Sociais::Psicologia

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APA (6th Edition):

Porto, J. P. L. (2008). O berço de Newton. (Thesis). ISPA. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ispa.pt:10400.12/4313

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Porto, João Pedro Leite. “O berço de Newton.” 2008. Thesis, ISPA. Accessed June 25, 2019. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ispa.pt:10400.12/4313.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Porto, João Pedro Leite. “O berço de Newton.” 2008. Web. 25 Jun 2019.

Vancouver:

Porto JPL. O berço de Newton. [Internet] [Thesis]. ISPA; 2008. [cited 2019 Jun 25]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ispa.pt:10400.12/4313.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Porto JPL. O berço de Newton. [Thesis]. ISPA; 2008. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ispa.pt:10400.12/4313

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifícia Universidade Católica de São Paulo

7. Maíra Cínthya N. Ezequiel. Entre cinema e pintura: o realismo plástico de Stanley Kubrick em Barry Lyndon.

Degree: 2007, Pontifícia Universidade Católica de São Paulo

This investigation searches for the effects of meaning resultants from the use of plasticity as a method for creating the visuality in the movie Barry… (more)

Subjects/Keywords: Cinema  – Semiotica; Visibilidade; Visuality; COMUNICACAO; Kubrick, Stanley  – 1928-1999  – Barry Lyndon  – Critica e interpretacao; Intersemioticidade; Plasticidade; Intersemioticity; Plasticity

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APA (6th Edition):

Ezequiel, M. C. N. (2007). Entre cinema e pintura: o realismo plástico de Stanley Kubrick em Barry Lyndon. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4062

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ezequiel, Maíra Cínthya N.. “Entre cinema e pintura: o realismo plástico de Stanley Kubrick em Barry Lyndon.” 2007. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed June 25, 2019. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4062.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ezequiel, Maíra Cínthya N.. “Entre cinema e pintura: o realismo plástico de Stanley Kubrick em Barry Lyndon.” 2007. Web. 25 Jun 2019.

Vancouver:

Ezequiel MCN. Entre cinema e pintura: o realismo plástico de Stanley Kubrick em Barry Lyndon. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2007. [cited 2019 Jun 25]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4062.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ezequiel MCN. Entre cinema e pintura: o realismo plástico de Stanley Kubrick em Barry Lyndon. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2007. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=4062

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Radhi, Yasser. Att adaptera svartsjuka : En komparativ analys av hur subtext påverkats i adaptionen av romanen Dream Story till filmen Eyes Wide Shut .

Degree: Moving Image Production, 2016, Dalarna University

  Subtext är en sanning gömd under ytan, som avslöjar en handling eller ords sanna mening. Hur kan en adaptionsprocess påverka subtexten då en bok… (more)

Subjects/Keywords: adaption; subtext; Eyes Wide shut; Dream Story; Stanley Kubrick; Arthur Schnitzler; komparativ analys; Media and Communication Technology; Medieteknik

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APA (6th Edition):

Radhi, Y. (2016). Att adaptera svartsjuka : En komparativ analys av hur subtext påverkats i adaptionen av romanen Dream Story till filmen Eyes Wide Shut . (Thesis). Dalarna University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:du-24195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Radhi, Yasser. “Att adaptera svartsjuka : En komparativ analys av hur subtext påverkats i adaptionen av romanen Dream Story till filmen Eyes Wide Shut .” 2016. Thesis, Dalarna University. Accessed June 25, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-24195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Radhi, Yasser. “Att adaptera svartsjuka : En komparativ analys av hur subtext påverkats i adaptionen av romanen Dream Story till filmen Eyes Wide Shut .” 2016. Web. 25 Jun 2019.

Vancouver:

Radhi Y. Att adaptera svartsjuka : En komparativ analys av hur subtext påverkats i adaptionen av romanen Dream Story till filmen Eyes Wide Shut . [Internet] [Thesis]. Dalarna University; 2016. [cited 2019 Jun 25]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:du-24195.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Radhi Y. Att adaptera svartsjuka : En komparativ analys av hur subtext påverkats i adaptionen av romanen Dream Story till filmen Eyes Wide Shut . [Thesis]. Dalarna University; 2016. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:du-24195

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Debrecen

9. Lugosi, Borbála. The American Horror - The Shining: A Comparative Analyses of Stephen King's Original Novel and its Adaptation by Stanley Kubrick .

Degree: DE – Bölcsészettudományi Kar, University of Debrecen

 In this thesis, I am going to analyze the similarities and differences between The Shining by Stephen King and The Shining as a movie directed… (more)

Subjects/Keywords: The Shining; Stephen King; Stanley Kubrick; Adaptation; American Horror

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APA (6th Edition):

Lugosi, B. (n.d.). The American Horror - The Shining: A Comparative Analyses of Stephen King's Original Novel and its Adaptation by Stanley Kubrick . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/252914

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lugosi, Borbála. “The American Horror - The Shining: A Comparative Analyses of Stephen King's Original Novel and its Adaptation by Stanley Kubrick .” Thesis, University of Debrecen. Accessed June 25, 2019. http://hdl.handle.net/2437/252914.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lugosi, Borbála. “The American Horror - The Shining: A Comparative Analyses of Stephen King's Original Novel and its Adaptation by Stanley Kubrick .” Web. 25 Jun 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Lugosi B. The American Horror - The Shining: A Comparative Analyses of Stephen King's Original Novel and its Adaptation by Stanley Kubrick . [Internet] [Thesis]. University of Debrecen; [cited 2019 Jun 25]. Available from: http://hdl.handle.net/2437/252914.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Lugosi B. The American Horror - The Shining: A Comparative Analyses of Stephen King's Original Novel and its Adaptation by Stanley Kubrick . [Thesis]. University of Debrecen; Available from: http://hdl.handle.net/2437/252914

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of Debrecen

10. Simon, Balázs. Ambiguity in Stanley Kubrick's 2001: A Space Odyssey .

Degree: DE – Bölcsészettudományi Kar, University of Debrecen

The paper deals with the ambiguity in Stanley Kubrick's 2001: A space Odyssey, focusing on HAl, the monolith and the ending scene of the film. Advisors/Committee Members: Csató, Péter (advisor).

Subjects/Keywords: Stanley Kubrick; 2001: A Space Odyssey; science fiction

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APA (6th Edition):

Simon, B. (n.d.). Ambiguity in Stanley Kubrick's 2001: A Space Odyssey . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/209436

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Simon, Balázs. “Ambiguity in Stanley Kubrick's 2001: A Space Odyssey .” Thesis, University of Debrecen. Accessed June 25, 2019. http://hdl.handle.net/2437/209436.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Simon, Balázs. “Ambiguity in Stanley Kubrick's 2001: A Space Odyssey .” Web. 25 Jun 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Simon B. Ambiguity in Stanley Kubrick's 2001: A Space Odyssey . [Internet] [Thesis]. University of Debrecen; [cited 2019 Jun 25]. Available from: http://hdl.handle.net/2437/209436.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Simon B. Ambiguity in Stanley Kubrick's 2001: A Space Odyssey . [Thesis]. University of Debrecen; Available from: http://hdl.handle.net/2437/209436

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


Washington University in St. Louis

11. Psujek, Jennifer Lauren. The Composite Score: Indiewood Film Music at the Turn of the Twenty-First Century.

Degree: PhD, Music, 2016, Washington University in St. Louis

  This dissertation attempts to move away from the original orchestral/compiled score binary still common in film music scholarship. To open up the analysis of… (more)

Subjects/Keywords: Baz Luhrmann, David Fincher, Film music, Indiewood, Paul Thomas Anderson, Stanley Kubrick; Film and Media Studies; Music

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APA (6th Edition):

Psujek, J. L. (2016). The Composite Score: Indiewood Film Music at the Turn of the Twenty-First Century. (Doctoral Dissertation). Washington University in St. Louis. Retrieved from https://openscholarship.wustl.edu/art_sci_etds/795

Chicago Manual of Style (16th Edition):

Psujek, Jennifer Lauren. “The Composite Score: Indiewood Film Music at the Turn of the Twenty-First Century.” 2016. Doctoral Dissertation, Washington University in St. Louis. Accessed June 25, 2019. https://openscholarship.wustl.edu/art_sci_etds/795.

MLA Handbook (7th Edition):

Psujek, Jennifer Lauren. “The Composite Score: Indiewood Film Music at the Turn of the Twenty-First Century.” 2016. Web. 25 Jun 2019.

Vancouver:

Psujek JL. The Composite Score: Indiewood Film Music at the Turn of the Twenty-First Century. [Internet] [Doctoral dissertation]. Washington University in St. Louis; 2016. [cited 2019 Jun 25]. Available from: https://openscholarship.wustl.edu/art_sci_etds/795.

Council of Science Editors:

Psujek JL. The Composite Score: Indiewood Film Music at the Turn of the Twenty-First Century. [Doctoral Dissertation]. Washington University in St. Louis; 2016. Available from: https://openscholarship.wustl.edu/art_sci_etds/795


McGill University

12. Benedict, Joan Ada. Stanley Kubrick's A clockwork orange : the ambivalence of violence.

Degree: MA, Graduate Program in Communications, 1978, McGill University

Subjects/Keywords: Kubrick, Stanley. Clockwork orange.; Violence in literature.

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APA (6th Edition):

Benedict, J. A. (1978). Stanley Kubrick's A clockwork orange : the ambivalence of violence. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile54508.pdf

Chicago Manual of Style (16th Edition):

Benedict, Joan Ada. “Stanley Kubrick's A clockwork orange : the ambivalence of violence.” 1978. Masters Thesis, McGill University. Accessed June 25, 2019. http://digitool.library.mcgill.ca/thesisfile54508.pdf.

MLA Handbook (7th Edition):

Benedict, Joan Ada. “Stanley Kubrick's A clockwork orange : the ambivalence of violence.” 1978. Web. 25 Jun 2019.

Vancouver:

Benedict JA. Stanley Kubrick's A clockwork orange : the ambivalence of violence. [Internet] [Masters thesis]. McGill University; 1978. [cited 2019 Jun 25]. Available from: http://digitool.library.mcgill.ca/thesisfile54508.pdf.

Council of Science Editors:

Benedict JA. Stanley Kubrick's A clockwork orange : the ambivalence of violence. [Masters Thesis]. McGill University; 1978. Available from: http://digitool.library.mcgill.ca/thesisfile54508.pdf


Universidad de Valladolid

13. Centeno Osorio, José Luis. La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick.

Degree: 2016, Universidad de Valladolid

 Esta investigación pretende determinar cómo se integra la obra de Ligeti y Penderecki en las películas de Kubrick 2001 una Odisea del espacio y El… (more)

Subjects/Keywords: Película, Música de; Ligeti, György (1923-2006)-Crítica e interpretación; Pendrecki, Krzystof (1933-)-Crítica e interpretación; Kubrick, Stanley (1928-1999)-Crítica e interpretación

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Centeno Osorio, J. L. (2016). La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick. (Thesis). Universidad de Valladolid. Retrieved from http://uvadoc.uva.es/handle/10324/22091

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Centeno Osorio, José Luis. “La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick.” 2016. Thesis, Universidad de Valladolid. Accessed June 25, 2019. http://uvadoc.uva.es/handle/10324/22091.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Centeno Osorio, José Luis. “La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick.” 2016. Web. 25 Jun 2019.

Vancouver:

Centeno Osorio JL. La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick. [Internet] [Thesis]. Universidad de Valladolid; 2016. [cited 2019 Jun 25]. Available from: http://uvadoc.uva.es/handle/10324/22091.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Centeno Osorio JL. La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick. [Thesis]. Universidad de Valladolid; 2016. Available from: http://uvadoc.uva.es/handle/10324/22091

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Valladolid

14. Centeno Osorio, José Luis. La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick.

Degree: 2016, Universidad de Valladolid

 Esta investigación pretende determinar cómo se integra la obra de Ligeti y Penderecki en las películas de Kubrick 2001 una Odisea del espacio y El… (more)

Subjects/Keywords: Película, Música de; Ligeti, György (1923-2006)-Crítica e interpretación; Pendrecki, Krzystof (1933-)-Crítica e interpretación; Kubrick, Stanley (1928-1999)-Crítica e interpretación

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Centeno Osorio, J. L. (2016). La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick. (Thesis). Universidad de Valladolid. Retrieved from http://uvadoc.uva.es/handle/10324/22091

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Centeno Osorio, José Luis. “La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick.” 2016. Thesis, Universidad de Valladolid. Accessed June 25, 2019. http://uvadoc.uva.es/handle/10324/22091.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Centeno Osorio, José Luis. “La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick.” 2016. Web. 25 Jun 2019.

Vancouver:

Centeno Osorio JL. La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick. [Internet] [Thesis]. Universidad de Valladolid; 2016. [cited 2019 Jun 25]. Available from: http://uvadoc.uva.es/handle/10324/22091.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Centeno Osorio JL. La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick. [Thesis]. Universidad de Valladolid; 2016. Available from: http://uvadoc.uva.es/handle/10324/22091

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Sul

15. Santos, Aline Peterson dos. O protagonista nas laranjas mecânicas : um tchelovek bratchni ou um maltchik bizumni?.

Degree: 2016, Universidade do Rio Grande do Sul

Esta dissertação discute os protagonistas do romance Laranja Mecânica, de Anthony Burgess, e dos filmes Laranja Mecânica e Vinyl, de Stanley Kubrick e Andy Warhol,… (more)

Subjects/Keywords: Burgess, Anthony, 1917-1993. Laranja mecânica : Crítica e interpretação; Protagonist; Kubrick, Stanley, 1928-1999. Laranja mecânica : Crítica e interpretação; Burgess; Warhol, Andy, 1928-1987; Warhol; Kubrick; Literatura inglesa; Cinema; Good vs Evil; Adaptação cinematográfica; Bem e mal

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Santos, A. P. d. (2016). O protagonista nas laranjas mecânicas : um tchelovek bratchni ou um maltchik bizumni?. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/149527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Santos, Aline Peterson dos. “O protagonista nas laranjas mecânicas : um tchelovek bratchni ou um maltchik bizumni?.” 2016. Thesis, Universidade do Rio Grande do Sul. Accessed June 25, 2019. http://hdl.handle.net/10183/149527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Santos, Aline Peterson dos. “O protagonista nas laranjas mecânicas : um tchelovek bratchni ou um maltchik bizumni?.” 2016. Web. 25 Jun 2019.

Vancouver:

Santos APd. O protagonista nas laranjas mecânicas : um tchelovek bratchni ou um maltchik bizumni?. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2016. [cited 2019 Jun 25]. Available from: http://hdl.handle.net/10183/149527.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Santos APd. O protagonista nas laranjas mecânicas : um tchelovek bratchni ou um maltchik bizumni?. [Thesis]. Universidade do Rio Grande do Sul; 2016. Available from: http://hdl.handle.net/10183/149527

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

16. Lacombe, Éric. La représentation historique au cinéma à travers Barry Lyndon et l'Anglaise et le Duc.

Degree: 2007, Université du Québec à Montréal

 Dans ce mémoire, nous proposons de discuter le rapport entre le cinéma et l'histoire. Plus précisément, nous tenterons de tisser des liens entre deux films… (more)

Subjects/Keywords: Kubrick Stanley 1928-1999; Rohmer Éric 1920-; Barry Lyndon (Film cinématographique); 18e siècle; Film historique; Histoire

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lacombe, . (2007). La représentation historique au cinéma à travers Barry Lyndon et l'Anglaise et le Duc. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/3125/1/M9696.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lacombe, Éric. “La représentation historique au cinéma à travers Barry Lyndon et l'Anglaise et le Duc.” 2007. Thesis, Université du Québec à Montréal. Accessed June 25, 2019. http://www.archipel.uqam.ca/3125/1/M9696.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lacombe, Éric. “La représentation historique au cinéma à travers Barry Lyndon et l'Anglaise et le Duc.” 2007. Web. 25 Jun 2019.

Vancouver:

Lacombe . La représentation historique au cinéma à travers Barry Lyndon et l'Anglaise et le Duc. [Internet] [Thesis]. Université du Québec à Montréal; 2007. [cited 2019 Jun 25]. Available from: http://www.archipel.uqam.ca/3125/1/M9696.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lacombe . La représentation historique au cinéma à travers Barry Lyndon et l'Anglaise et le Duc. [Thesis]. Université du Québec à Montréal; 2007. Available from: http://www.archipel.uqam.ca/3125/1/M9696.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Ohio University

17. Caplinger, James C. Oz Wide Shut: An Exploration of Gender and Master Narratives in Stanley Kubrick’s Final Film.

Degree: PhD, Comparative Arts (Fine Arts), 2004, Ohio University

  This study explores, through the application of complementarily balanced structuralist and hermeneutic methodologies, the question of whether Stanley Kubrick employed an androgynist perspective in… (more)

Subjects/Keywords: The Wizard of OZ; Eyes Wide Shut; Gender Roles; Master Narratives; Stanley Kubrick; Film Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Caplinger, J. C. (2004). Oz Wide Shut: An Exploration of Gender and Master Narratives in Stanley Kubrick’s Final Film. (Doctoral Dissertation). Ohio University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1107791166

Chicago Manual of Style (16th Edition):

Caplinger, James C. “Oz Wide Shut: An Exploration of Gender and Master Narratives in Stanley Kubrick’s Final Film.” 2004. Doctoral Dissertation, Ohio University. Accessed June 25, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1107791166.

MLA Handbook (7th Edition):

Caplinger, James C. “Oz Wide Shut: An Exploration of Gender and Master Narratives in Stanley Kubrick’s Final Film.” 2004. Web. 25 Jun 2019.

Vancouver:

Caplinger JC. Oz Wide Shut: An Exploration of Gender and Master Narratives in Stanley Kubrick’s Final Film. [Internet] [Doctoral dissertation]. Ohio University; 2004. [cited 2019 Jun 25]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1107791166.

Council of Science Editors:

Caplinger JC. Oz Wide Shut: An Exploration of Gender and Master Narratives in Stanley Kubrick’s Final Film. [Doctoral Dissertation]. Ohio University; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1107791166


University of Vienna

18. Henn, Andreas. Stanley Kubrick und das Modell des Schachs.

Degree: 2009, University of Vienna

Die Arbeit versucht anhand der Struktur und der Regeln des Schachs einen Zugang zum Universum Stanley Kubricks zu legen.

Subjects/Keywords: 24.30 Film: Allgemeines; 24.32 Filmgeschichte; 24.12 Regie, Dramaturgie; Stanley Kubrick / Schach / 2001: A Space Odyssey / Barry Lyndon / The Shining /

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Henn, A. (2009). Stanley Kubrick und das Modell des Schachs. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/3493/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Henn, Andreas. “Stanley Kubrick und das Modell des Schachs.” 2009. Thesis, University of Vienna. Accessed June 25, 2019. http://othes.univie.ac.at/3493/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Henn, Andreas. “Stanley Kubrick und das Modell des Schachs.” 2009. Web. 25 Jun 2019.

Vancouver:

Henn A. Stanley Kubrick und das Modell des Schachs. [Internet] [Thesis]. University of Vienna; 2009. [cited 2019 Jun 25]. Available from: http://othes.univie.ac.at/3493/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Henn A. Stanley Kubrick und das Modell des Schachs. [Thesis]. University of Vienna; 2009. Available from: http://othes.univie.ac.at/3493/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Stockholm University

19. Kjellberg, Petra Werner. Musik och Film : Ett möte mellan två konstformer i Stanley Kubricks ”2001 – a Space Odyssey” och Woody Allens ”Manhattan”.

Degree: Cinema Studies, 2007, Stockholm University

  Filmmusic is often composed specially for a film. When analyzing film-music it seems very common to study the function of the music in a… (more)

Subjects/Keywords: Filmmusik; Stanley Kubrick; Woody Allen; 2001-a space Odyssey; Manhattan; George Gershwin; Musikterapi; Musikvetenskap; Jazz; Winnicott; Film; Filmvetenskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kjellberg, P. W. (2007). Musik och Film : Ett möte mellan två konstformer i Stanley Kubricks ”2001 – a Space Odyssey” och Woody Allens ”Manhattan”. (Thesis). Stockholm University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7036

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kjellberg, Petra Werner. “Musik och Film : Ett möte mellan två konstformer i Stanley Kubricks ”2001 – a Space Odyssey” och Woody Allens ”Manhattan”.” 2007. Thesis, Stockholm University. Accessed June 25, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7036.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kjellberg, Petra Werner. “Musik och Film : Ett möte mellan två konstformer i Stanley Kubricks ”2001 – a Space Odyssey” och Woody Allens ”Manhattan”.” 2007. Web. 25 Jun 2019.

Vancouver:

Kjellberg PW. Musik och Film : Ett möte mellan två konstformer i Stanley Kubricks ”2001 – a Space Odyssey” och Woody Allens ”Manhattan”. [Internet] [Thesis]. Stockholm University; 2007. [cited 2019 Jun 25]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7036.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kjellberg PW. Musik och Film : Ett möte mellan två konstformer i Stanley Kubricks ”2001 – a Space Odyssey” och Woody Allens ”Manhattan”. [Thesis]. Stockholm University; 2007. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7036

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

20. Spencer, Lauren Alexandra. Auteur exhibitions of the EYE Filmmuseum: A semiotic reading of the cinema-adapting museum space.

Degree: 2018, Leiden University

Subjects/Keywords: EYE Filmmuseum; Semiotics; Museum; Cinema; Auteur; Film; Michelangelo Antonioni; Stanley Kubrick; Béla Tarr; exhibitions

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Spencer, L. A. (2018). Auteur exhibitions of the EYE Filmmuseum: A semiotic reading of the cinema-adapting museum space. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/65005

Chicago Manual of Style (16th Edition):

Spencer, Lauren Alexandra. “Auteur exhibitions of the EYE Filmmuseum: A semiotic reading of the cinema-adapting museum space.” 2018. Masters Thesis, Leiden University. Accessed June 25, 2019. http://hdl.handle.net/1887/65005.

MLA Handbook (7th Edition):

Spencer, Lauren Alexandra. “Auteur exhibitions of the EYE Filmmuseum: A semiotic reading of the cinema-adapting museum space.” 2018. Web. 25 Jun 2019.

Vancouver:

Spencer LA. Auteur exhibitions of the EYE Filmmuseum: A semiotic reading of the cinema-adapting museum space. [Internet] [Masters thesis]. Leiden University; 2018. [cited 2019 Jun 25]. Available from: http://hdl.handle.net/1887/65005.

Council of Science Editors:

Spencer LA. Auteur exhibitions of the EYE Filmmuseum: A semiotic reading of the cinema-adapting museum space. [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/65005


Université du Québec à Montréal

21. Lacombe, Éric. La représentation historique au cinéma à travers Barry Lyndon et l'Anglaise et le Duc.

Degree: 2007, Université du Québec à Montréal

 Dans ce mémoire, nous proposons de discuter le rapport entre le cinéma et l'histoire. Plus précisément, nous tenterons de tisser des liens entre deux films… (more)

Subjects/Keywords: Kubrick Stanley 1928-1999; Rohmer Éric 1920-; Barry Lyndon (Film cinématographique); 18e siècle; Film historique; Histoire

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lacombe, . (2007). La représentation historique au cinéma à travers Barry Lyndon et l'Anglaise et le Duc. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/3125/1/M9696.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lacombe, Éric. “La représentation historique au cinéma à travers Barry Lyndon et l'Anglaise et le Duc.” 2007. Thesis, Université du Québec à Montréal. Accessed June 25, 2019. http://archipel.uqam.ca/3125/1/M9696.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lacombe, Éric. “La représentation historique au cinéma à travers Barry Lyndon et l'Anglaise et le Duc.” 2007. Web. 25 Jun 2019.

Vancouver:

Lacombe . La représentation historique au cinéma à travers Barry Lyndon et l'Anglaise et le Duc. [Internet] [Thesis]. Université du Québec à Montréal; 2007. [cited 2019 Jun 25]. Available from: http://archipel.uqam.ca/3125/1/M9696.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lacombe . La représentation historique au cinéma à travers Barry Lyndon et l'Anglaise et le Duc. [Thesis]. Université du Québec à Montréal; 2007. Available from: http://archipel.uqam.ca/3125/1/M9696.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidad de Valladolid

22. Centeno Osorio, José Luis. La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick.

Degree: 2018, Universidad de Valladolid

Subjects/Keywords: Película, Música de; Ligeti, György (1923-2006)-Crítica e interpretación; Pendrecki, Krzystof (1933-)-Crítica e interpretación; Kubrick, Stanley (1928-1999)-Crítica e interpretación

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Centeno Osorio, J. L. (2018). La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick. (Thesis). Universidad de Valladolid. Retrieved from http://uvadoc.uva.es/handle/10324/22091

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Centeno Osorio, José Luis. “La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick.” 2018. Thesis, Universidad de Valladolid. Accessed June 25, 2019. http://uvadoc.uva.es/handle/10324/22091.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Centeno Osorio, José Luis. “La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick.” 2018. Web. 25 Jun 2019.

Vancouver:

Centeno Osorio JL. La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick. [Internet] [Thesis]. Universidad de Valladolid; 2018. [cited 2019 Jun 25]. Available from: http://uvadoc.uva.es/handle/10324/22091.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Centeno Osorio JL. La música de Ligeti y Penderecki en 2001 : una odisea del espacio y el resplandor de Stanley Kubrick. [Thesis]. Universidad de Valladolid; 2018. Available from: http://uvadoc.uva.es/handle/10324/22091

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Miami

23. Gay, Christian. Queer Threats and Abject Desires in Four Films from New American Cinema.

Degree: PhD, Motion Pictures (Communication), 2009, University of Miami

  This dissertation is an in-depth critical analysis of four American films made during the 1970s, with emphasis placed on the films' construction of gender… (more)

Subjects/Keywords: Jaws; The Shining; The Conversation; Mean Streets; Steven Spielberg; Francis Ford Coppola; Martin Scorsese; New American Cinema; Stanley Kubrick; Masculinity; Queer Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gay, C. (2009). Queer Threats and Abject Desires in Four Films from New American Cinema. (Doctoral Dissertation). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/290

Chicago Manual of Style (16th Edition):

Gay, Christian. “Queer Threats and Abject Desires in Four Films from New American Cinema.” 2009. Doctoral Dissertation, University of Miami. Accessed June 25, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/290.

MLA Handbook (7th Edition):

Gay, Christian. “Queer Threats and Abject Desires in Four Films from New American Cinema.” 2009. Web. 25 Jun 2019.

Vancouver:

Gay C. Queer Threats and Abject Desires in Four Films from New American Cinema. [Internet] [Doctoral dissertation]. University of Miami; 2009. [cited 2019 Jun 25]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/290.

Council of Science Editors:

Gay C. Queer Threats and Abject Desires in Four Films from New American Cinema. [Doctoral Dissertation]. University of Miami; 2009. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/290


Michigan State University

24. Nolan, Amy Lynn. Re-envisioning the mind-body labyrinth : transformations in the contemporary narratives of Stanley Kubrick, Paul Auster, Christopher Nolan and Kathy Acker.

Degree: PhD, 2005, Michigan State University

Subjects/Keywords: Kubrick, Stanley – Criticism and interpretation; Auster, Paul, 1947 – Criticism and interpretation; Nolan, Christopher, 1970 – Criticism and interpretation; Acker, Kathy, 1948-1997 – Criticism and interpretation; Mind and body in literature; Postmodernism (Literature); Labyrinths in literature; Discourse analysis, Narrative; Death in literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nolan, A. L. (2005). Re-envisioning the mind-body labyrinth : transformations in the contemporary narratives of Stanley Kubrick, Paul Auster, Christopher Nolan and Kathy Acker. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:33630

Chicago Manual of Style (16th Edition):

Nolan, Amy Lynn. “Re-envisioning the mind-body labyrinth : transformations in the contemporary narratives of Stanley Kubrick, Paul Auster, Christopher Nolan and Kathy Acker.” 2005. Doctoral Dissertation, Michigan State University. Accessed June 25, 2019. http://etd.lib.msu.edu/islandora/object/etd:33630.

MLA Handbook (7th Edition):

Nolan, Amy Lynn. “Re-envisioning the mind-body labyrinth : transformations in the contemporary narratives of Stanley Kubrick, Paul Auster, Christopher Nolan and Kathy Acker.” 2005. Web. 25 Jun 2019.

Vancouver:

Nolan AL. Re-envisioning the mind-body labyrinth : transformations in the contemporary narratives of Stanley Kubrick, Paul Auster, Christopher Nolan and Kathy Acker. [Internet] [Doctoral dissertation]. Michigan State University; 2005. [cited 2019 Jun 25]. Available from: http://etd.lib.msu.edu/islandora/object/etd:33630.

Council of Science Editors:

Nolan AL. Re-envisioning the mind-body labyrinth : transformations in the contemporary narratives of Stanley Kubrick, Paul Auster, Christopher Nolan and Kathy Acker. [Doctoral Dissertation]. Michigan State University; 2005. Available from: http://etd.lib.msu.edu/islandora/object/etd:33630


University of Otago

25. Goodwin, Richard Vance. Seeing is Believing: Revelation, Emotion, and Film Images .

Degree: University of Otago

 One of the most theologically interesting aspects of cinema is its apparent capacity to mediate revelation. While the primary agent of revelation is God, without… (more)

Subjects/Keywords: theology; revelation; general revelation; film; cinema; images; visuality; film form; film style; emotion; affect; cognitive film theory; transcendental style; genesis 28; ordet; carl theodor dreyer; silent light; carlos reygadas; 2001: a space odyssey; stanley kubrick; magnolia; paul thomas anderson; wonder; awe; connectedness; communion; montage; robert k. johnston; paul schrader; sheila nayar; jonathan brant; james k. a. smith; rudolf otto; john zizioulas; colin gunton

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Goodwin, R. V. (n.d.). Seeing is Believing: Revelation, Emotion, and Film Images . (Doctoral Dissertation). University of Otago. Retrieved from http://hdl.handle.net/10523/8114

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Chicago Manual of Style (16th Edition):

Goodwin, Richard Vance. “Seeing is Believing: Revelation, Emotion, and Film Images .” Doctoral Dissertation, University of Otago. Accessed June 25, 2019. http://hdl.handle.net/10523/8114.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

MLA Handbook (7th Edition):

Goodwin, Richard Vance. “Seeing is Believing: Revelation, Emotion, and Film Images .” Web. 25 Jun 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Goodwin RV. Seeing is Believing: Revelation, Emotion, and Film Images . [Internet] [Doctoral dissertation]. University of Otago; [cited 2019 Jun 25]. Available from: http://hdl.handle.net/10523/8114.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Council of Science Editors:

Goodwin RV. Seeing is Believing: Revelation, Emotion, and Film Images . [Doctoral Dissertation]. University of Otago; Available from: http://hdl.handle.net/10523/8114

Note: this citation may be lacking information needed for this citation format:
No year of publication.


Louisiana State University

26. Bane, Charles. Viewing novels, reading films: Stanley Kubrick and the art of adaptation as interpretation.

Degree: PhD, English Language and Literature, 2006, Louisiana State University

 Greg Jenkins has observed that adaptation "is a presence that is woven into the very fabric of film culture." Although this statement is true, no… (more)

Subjects/Keywords: the french lieutenant's woman; george bluestone; fear and desire; andre bazin; seymour chatman; neil sinyard; kamilla elliot; brian mcfarlane; vladimir nabokov; red alert; the short-timers; humphrey cobb; gustav hasford; peter george; peter bryant; arthur schnitzler; traumnovelle; the killing; stanley kubrick; film studies; film theory; adaptation; adaptation theory; dr. strangelove; lolita; full metal jacket; paths of glory; pride and prejudice; critical interpretation; killer's kiss; eyes wide shut; adaptation history

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bane, C. (2006). Viewing novels, reading films: Stanley Kubrick and the art of adaptation as interpretation. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-07122006-171959 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2985

Chicago Manual of Style (16th Edition):

Bane, Charles. “Viewing novels, reading films: Stanley Kubrick and the art of adaptation as interpretation.” 2006. Doctoral Dissertation, Louisiana State University. Accessed June 25, 2019. etd-07122006-171959 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2985.

MLA Handbook (7th Edition):

Bane, Charles. “Viewing novels, reading films: Stanley Kubrick and the art of adaptation as interpretation.” 2006. Web. 25 Jun 2019.

Vancouver:

Bane C. Viewing novels, reading films: Stanley Kubrick and the art of adaptation as interpretation. [Internet] [Doctoral dissertation]. Louisiana State University; 2006. [cited 2019 Jun 25]. Available from: etd-07122006-171959 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2985.

Council of Science Editors:

Bane C. Viewing novels, reading films: Stanley Kubrick and the art of adaptation as interpretation. [Doctoral Dissertation]. Louisiana State University; 2006. Available from: etd-07122006-171959 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2985

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