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Dept: Music

You searched for subject:( Ritual). Showing records 1 – 11 of 11 total matches.

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University of Texas – Austin

1. Kreger, Alexander Colin. Dem is drunk through the ears: sound, space, and listening in Alevi collective worship ritual.

Degree: MM, Music, 2016, University of Texas – Austin

 In Turkey, Alevi social and religious identity is often constructed in conscious opposition to institutionalized Sunni Islam. Sound is an important medium by which the… (more)

Subjects/Keywords: Alevi; Turkey; Sound; Space; Listening; Religion; Ritual

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APA (6th Edition):

Kreger, A. C. (2016). Dem is drunk through the ears: sound, space, and listening in Alevi collective worship ritual. (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/41478

Chicago Manual of Style (16th Edition):

Kreger, Alexander Colin. “Dem is drunk through the ears: sound, space, and listening in Alevi collective worship ritual.” 2016. Masters Thesis, University of Texas – Austin. Accessed December 08, 2019. http://hdl.handle.net/2152/41478.

MLA Handbook (7th Edition):

Kreger, Alexander Colin. “Dem is drunk through the ears: sound, space, and listening in Alevi collective worship ritual.” 2016. Web. 08 Dec 2019.

Vancouver:

Kreger AC. Dem is drunk through the ears: sound, space, and listening in Alevi collective worship ritual. [Internet] [Masters thesis]. University of Texas – Austin; 2016. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/2152/41478.

Council of Science Editors:

Kreger AC. Dem is drunk through the ears: sound, space, and listening in Alevi collective worship ritual. [Masters Thesis]. University of Texas – Austin; 2016. Available from: http://hdl.handle.net/2152/41478


University of Florida

2. Witulski, Christopher James. "Because the People Will Like It" The Changing Gnawa Ritual in Morocco.

Degree: PhD, Music, 2014, University of Florida

 The music and ritual of the Gnawa in Morocco draws its syncretic roots and identity from both the sub-Saharan population brought to Morocco through the… (more)

Subjects/Keywords: Ceremonies; Fezzes; Musical aesthetics; Musical performance; Musical rhythm; Musicians; Performing artists; Popular music; Ritual music; Rituals; africa  – ethnomusicology  – islam  – music  – ritual

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APA (6th Edition):

Witulski, C. J. (2014). "Because the People Will Like It" The Changing Gnawa Ritual in Morocco. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0046577

Chicago Manual of Style (16th Edition):

Witulski, Christopher James. “"Because the People Will Like It" The Changing Gnawa Ritual in Morocco.” 2014. Doctoral Dissertation, University of Florida. Accessed December 08, 2019. http://ufdc.ufl.edu/UFE0046577.

MLA Handbook (7th Edition):

Witulski, Christopher James. “"Because the People Will Like It" The Changing Gnawa Ritual in Morocco.” 2014. Web. 08 Dec 2019.

Vancouver:

Witulski CJ. "Because the People Will Like It" The Changing Gnawa Ritual in Morocco. [Internet] [Doctoral dissertation]. University of Florida; 2014. [cited 2019 Dec 08]. Available from: http://ufdc.ufl.edu/UFE0046577.

Council of Science Editors:

Witulski CJ. "Because the People Will Like It" The Changing Gnawa Ritual in Morocco. [Doctoral Dissertation]. University of Florida; 2014. Available from: http://ufdc.ufl.edu/UFE0046577


University of Minnesota

3. Christensen, Lars. The Time-Suturing Technologies of Northern Song Musicology.

Degree: PhD, Music, 2019, University of Minnesota

 Scholars of ritual music in the Northern Song dynasty (960–1127) keenly sensed a temporal distance from the ancient sages that manifested as a divergence from… (more)

Subjects/Keywords: Chinese music; mathematics; music theory; ritual music; Song Dynasty; temporality

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APA (6th Edition):

Christensen, L. (2019). The Time-Suturing Technologies of Northern Song Musicology. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/206308

Chicago Manual of Style (16th Edition):

Christensen, Lars. “The Time-Suturing Technologies of Northern Song Musicology.” 2019. Doctoral Dissertation, University of Minnesota. Accessed December 08, 2019. http://hdl.handle.net/11299/206308.

MLA Handbook (7th Edition):

Christensen, Lars. “The Time-Suturing Technologies of Northern Song Musicology.” 2019. Web. 08 Dec 2019.

Vancouver:

Christensen L. The Time-Suturing Technologies of Northern Song Musicology. [Internet] [Doctoral dissertation]. University of Minnesota; 2019. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/11299/206308.

Council of Science Editors:

Christensen L. The Time-Suturing Technologies of Northern Song Musicology. [Doctoral Dissertation]. University of Minnesota; 2019. Available from: http://hdl.handle.net/11299/206308


University of California – Riverside

4. Dalzell, Victoria Marie. Freedom, Margins, and Music: Musical Discourses of Tharu Ethnicity in Nepal.

Degree: Music, 2015, University of California – Riverside

 The Tharu are reportedly the fourth largest minority group in Nepal. Yet despite their numerical strength, their social experience in modern Nepal largely consists of… (more)

Subjects/Keywords: Music; South Asian studies; Religion; dance; ethnicity; ethnomusicology; musical performance; Nepal; ritual

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APA (6th Edition):

Dalzell, V. M. (2015). Freedom, Margins, and Music: Musical Discourses of Tharu Ethnicity in Nepal. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/0vg8n6pg

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dalzell, Victoria Marie. “Freedom, Margins, and Music: Musical Discourses of Tharu Ethnicity in Nepal.” 2015. Thesis, University of California – Riverside. Accessed December 08, 2019. http://www.escholarship.org/uc/item/0vg8n6pg.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dalzell, Victoria Marie. “Freedom, Margins, and Music: Musical Discourses of Tharu Ethnicity in Nepal.” 2015. Web. 08 Dec 2019.

Vancouver:

Dalzell VM. Freedom, Margins, and Music: Musical Discourses of Tharu Ethnicity in Nepal. [Internet] [Thesis]. University of California – Riverside; 2015. [cited 2019 Dec 08]. Available from: http://www.escholarship.org/uc/item/0vg8n6pg.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dalzell VM. Freedom, Margins, and Music: Musical Discourses of Tharu Ethnicity in Nepal. [Thesis]. University of California – Riverside; 2015. Available from: http://www.escholarship.org/uc/item/0vg8n6pg

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

5. Ghanai, Katayoun. The Sound of Silence: An Ethnography on the Sama 'Ritual in the Nematollahi Kaneqah in Toronto.

Degree: MA -MA, Music, 2018, York University

 This thesis examines the Sufi ritual of Sama as practiced by the Nematollahi order in Toronto and will explore how music induces trance in Sufis… (more)

Subjects/Keywords: Cultural anthropology; Music; Trance; Sama'; Kaneqah; Sufism; Wajd; Ethnography; Fana; Hal; Ecstasy; Ritual; Cultural ceremony

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APA (6th Edition):

Ghanai, K. (2018). The Sound of Silence: An Ethnography on the Sama 'Ritual in the Nematollahi Kaneqah in Toronto. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/35474

Chicago Manual of Style (16th Edition):

Ghanai, Katayoun. “The Sound of Silence: An Ethnography on the Sama 'Ritual in the Nematollahi Kaneqah in Toronto.” 2018. Masters Thesis, York University. Accessed December 08, 2019. http://hdl.handle.net/10315/35474.

MLA Handbook (7th Edition):

Ghanai, Katayoun. “The Sound of Silence: An Ethnography on the Sama 'Ritual in the Nematollahi Kaneqah in Toronto.” 2018. Web. 08 Dec 2019.

Vancouver:

Ghanai K. The Sound of Silence: An Ethnography on the Sama 'Ritual in the Nematollahi Kaneqah in Toronto. [Internet] [Masters thesis]. York University; 2018. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10315/35474.

Council of Science Editors:

Ghanai K. The Sound of Silence: An Ethnography on the Sama 'Ritual in the Nematollahi Kaneqah in Toronto. [Masters Thesis]. York University; 2018. Available from: http://hdl.handle.net/10315/35474


University of Florida

6. Nyamuame, Samuel Elikem. History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana.

Degree: PhD, Music, 2013, University of Florida

 This study examines one of the significant and spiritually powerful traditional religious cult, its rituals and musical practices called Yeve as performed at Ave-Dakpa in… (more)

Subjects/Keywords: Cults; Dance; Drums; Ewes; Musical performance; Musical rhythm; Priests; Religious dances; Rituals; Traditional dance; dance  – drumming  – ewe  – ghana  – ritual  – yeve

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APA (6th Edition):

Nyamuame, S. E. (2013). History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana. (Doctoral Dissertation). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0045941

Chicago Manual of Style (16th Edition):

Nyamuame, Samuel Elikem. “History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana.” 2013. Doctoral Dissertation, University of Florida. Accessed December 08, 2019. http://ufdc.ufl.edu/UFE0045941.

MLA Handbook (7th Edition):

Nyamuame, Samuel Elikem. “History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana.” 2013. Web. 08 Dec 2019.

Vancouver:

Nyamuame SE. History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana. [Internet] [Doctoral dissertation]. University of Florida; 2013. [cited 2019 Dec 08]. Available from: http://ufdc.ufl.edu/UFE0045941.

Council of Science Editors:

Nyamuame SE. History, Religion and Performing Yeve Ewe Dance-Drumming, Songs and Rituals at Ave-Dakpa, Ghana. [Doctoral Dissertation]. University of Florida; 2013. Available from: http://ufdc.ufl.edu/UFE0045941


University of Georgia

7. Stefansson, Hanna Lisa. Ritual habit:: an electroacoustic music composition and dance collaboration.

Degree: DMA, Music, 2017, University of Georgia

 My dissertation performance, Ritual Habit, is a music composition and dance choreography collaboration. This document is a written reflection of my experience with my collaboration… (more)

Subjects/Keywords: music composition; choreography; collaboration; ritual; formality; invariance; repetition; sacral symbolism; performance; mystery; movement meditation; spatialization; electronics; electroacoustic; natural elements; earth; water; air; fire

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APA (6th Edition):

Stefansson, H. L. (2017). Ritual habit:: an electroacoustic music composition and dance collaboration. (Doctoral Dissertation). University of Georgia. Retrieved from http://hdl.handle.net/10724/37591

Chicago Manual of Style (16th Edition):

Stefansson, Hanna Lisa. “Ritual habit:: an electroacoustic music composition and dance collaboration.” 2017. Doctoral Dissertation, University of Georgia. Accessed December 08, 2019. http://hdl.handle.net/10724/37591.

MLA Handbook (7th Edition):

Stefansson, Hanna Lisa. “Ritual habit:: an electroacoustic music composition and dance collaboration.” 2017. Web. 08 Dec 2019.

Vancouver:

Stefansson HL. Ritual habit:: an electroacoustic music composition and dance collaboration. [Internet] [Doctoral dissertation]. University of Georgia; 2017. [cited 2019 Dec 08]. Available from: http://hdl.handle.net/10724/37591.

Council of Science Editors:

Stefansson HL. Ritual habit:: an electroacoustic music composition and dance collaboration. [Doctoral Dissertation]. University of Georgia; 2017. Available from: http://hdl.handle.net/10724/37591


Wesleyan University

8. Lee, Mitchell. New York is Blue and White: Social Identity and Ritual at NYCFC.

Degree: Music, 2016, Wesleyan University

Subjects/Keywords: Ethnomusicology; Ritual; Social Identity; Soccer; Football; New York; Fandom; Community; Place

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APA (6th Edition):

Lee, M. (2016). New York is Blue and White: Social Identity and Ritual at NYCFC. (Masters Thesis). Wesleyan University. Retrieved from https://wesscholar.wesleyan.edu/etd_mas_theses/138

Chicago Manual of Style (16th Edition):

Lee, Mitchell. “New York is Blue and White: Social Identity and Ritual at NYCFC.” 2016. Masters Thesis, Wesleyan University. Accessed December 08, 2019. https://wesscholar.wesleyan.edu/etd_mas_theses/138.

MLA Handbook (7th Edition):

Lee, Mitchell. “New York is Blue and White: Social Identity and Ritual at NYCFC.” 2016. Web. 08 Dec 2019.

Vancouver:

Lee M. New York is Blue and White: Social Identity and Ritual at NYCFC. [Internet] [Masters thesis]. Wesleyan University; 2016. [cited 2019 Dec 08]. Available from: https://wesscholar.wesleyan.edu/etd_mas_theses/138.

Council of Science Editors:

Lee M. New York is Blue and White: Social Identity and Ritual at NYCFC. [Masters Thesis]. Wesleyan University; 2016. Available from: https://wesscholar.wesleyan.edu/etd_mas_theses/138


Arizona State University

9. Lebert, Raymond Russell. Jam Sessions as Rites of Passage: An Ethnography of Jazz Jams in Phoenix, AZ.

Degree: Music, 2019, Arizona State University

Subjects/Keywords: Music; Ethnography; Ethnomusicology; Jazz Studies; Music Theory; Phenomenology; Ritual Studies

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APA (6th Edition):

Lebert, R. R. (2019). Jam Sessions as Rites of Passage: An Ethnography of Jazz Jams in Phoenix, AZ. (Masters Thesis). Arizona State University. Retrieved from http://repository.asu.edu/items/53868

Chicago Manual of Style (16th Edition):

Lebert, Raymond Russell. “Jam Sessions as Rites of Passage: An Ethnography of Jazz Jams in Phoenix, AZ.” 2019. Masters Thesis, Arizona State University. Accessed December 08, 2019. http://repository.asu.edu/items/53868.

MLA Handbook (7th Edition):

Lebert, Raymond Russell. “Jam Sessions as Rites of Passage: An Ethnography of Jazz Jams in Phoenix, AZ.” 2019. Web. 08 Dec 2019.

Vancouver:

Lebert RR. Jam Sessions as Rites of Passage: An Ethnography of Jazz Jams in Phoenix, AZ. [Internet] [Masters thesis]. Arizona State University; 2019. [cited 2019 Dec 08]. Available from: http://repository.asu.edu/items/53868.

Council of Science Editors:

Lebert RR. Jam Sessions as Rites of Passage: An Ethnography of Jazz Jams in Phoenix, AZ. [Masters Thesis]. Arizona State University; 2019. Available from: http://repository.asu.edu/items/53868


Louisiana State University

10. Blandino, Michael Vincent. Musical time and revealed timelessness.

Degree: MM, Music, 2006, Louisiana State University

 Scholarship on musical time recognizes the depiction of timelessness in music as a possibility. However, many theories of musical timelessness center around total stasis as… (more)

Subjects/Keywords: music theory; ritual time; susanne langer; virtual time; lewis rowell; jonathan kramer; stasis; moment time; vertical time

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APA (6th Edition):

Blandino, M. V. (2006). Musical time and revealed timelessness. (Masters Thesis). Louisiana State University. Retrieved from etd-04062006-155730 ; https://digitalcommons.lsu.edu/gradschool_theses/1928

Chicago Manual of Style (16th Edition):

Blandino, Michael Vincent. “Musical time and revealed timelessness.” 2006. Masters Thesis, Louisiana State University. Accessed December 08, 2019. etd-04062006-155730 ; https://digitalcommons.lsu.edu/gradschool_theses/1928.

MLA Handbook (7th Edition):

Blandino, Michael Vincent. “Musical time and revealed timelessness.” 2006. Web. 08 Dec 2019.

Vancouver:

Blandino MV. Musical time and revealed timelessness. [Internet] [Masters thesis]. Louisiana State University; 2006. [cited 2019 Dec 08]. Available from: etd-04062006-155730 ; https://digitalcommons.lsu.edu/gradschool_theses/1928.

Council of Science Editors:

Blandino MV. Musical time and revealed timelessness. [Masters Thesis]. Louisiana State University; 2006. Available from: etd-04062006-155730 ; https://digitalcommons.lsu.edu/gradschool_theses/1928


University of Florida

11. Witulski, Christopher. Defining and Revising the Gnawa and Their Music through Commodification in Local, National, and Global Contexts.

Degree: M.M., Music, 2009, University of Florida

 In this thesis I examine the shift of Morocco?s Gnawa music from a local tradition (marginalized nationally) to one of commercial prominence on national and… (more)

Subjects/Keywords: Anthropology; Cultural anthropology; Islam; Music festivals; Musical performance; Musicians; Muslims; Ritual music; Rituals; Sufism; aissawa, arab, arabic, berber, derdba, diffusion, ethnomusicology, fes, fez, fusion, gimbri, ginbri, global, globalization, gnaoua, gnawa, gnawi, hajhuj, hamadcha, hamadsha, islam, issawa, jinn, laila, layla, maalem, maroc, maskun, mluk, moroccan, morocco, music, orientalism, possession, qaraqeb, qarqeba, shakshaka, shaqshaqa, spirit, sufi, sufism, tbal, tijani, tijaniyya, trance

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APA (6th Edition):

Witulski, C. (2009). Defining and Revising the Gnawa and Their Music through Commodification in Local, National, and Global Contexts. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0021206

Chicago Manual of Style (16th Edition):

Witulski, Christopher. “Defining and Revising the Gnawa and Their Music through Commodification in Local, National, and Global Contexts.” 2009. Masters Thesis, University of Florida. Accessed December 08, 2019. http://ufdc.ufl.edu/UFE0021206.

MLA Handbook (7th Edition):

Witulski, Christopher. “Defining and Revising the Gnawa and Their Music through Commodification in Local, National, and Global Contexts.” 2009. Web. 08 Dec 2019.

Vancouver:

Witulski C. Defining and Revising the Gnawa and Their Music through Commodification in Local, National, and Global Contexts. [Internet] [Masters thesis]. University of Florida; 2009. [cited 2019 Dec 08]. Available from: http://ufdc.ufl.edu/UFE0021206.

Council of Science Editors:

Witulski C. Defining and Revising the Gnawa and Their Music through Commodification in Local, National, and Global Contexts. [Masters Thesis]. University of Florida; 2009. Available from: http://ufdc.ufl.edu/UFE0021206

.