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You searched for subject:( Religion in art). Showing records 1 – 30 of 123766 total matches.

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Rutgers University

1. Miller, Angela. The physicality of spirituality: art as the universal religion.

Degree: MA, English, 2016, Rutgers University

Religion, as an institutional and systematic set of beliefs, has been a means of division and differentiation for centuries, despite each religion’s ability to unify… (more)

Subjects/Keywords: Religion; Spirituality in art

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APA (6th Edition):

Miller, A. (2016). The physicality of spirituality: art as the universal religion. (Masters Thesis). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/49818/

Chicago Manual of Style (16th Edition):

Miller, Angela. “The physicality of spirituality: art as the universal religion.” 2016. Masters Thesis, Rutgers University. Accessed October 19, 2019. https://rucore.libraries.rutgers.edu/rutgers-lib/49818/.

MLA Handbook (7th Edition):

Miller, Angela. “The physicality of spirituality: art as the universal religion.” 2016. Web. 19 Oct 2019.

Vancouver:

Miller A. The physicality of spirituality: art as the universal religion. [Internet] [Masters thesis]. Rutgers University; 2016. [cited 2019 Oct 19]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/49818/.

Council of Science Editors:

Miller A. The physicality of spirituality: art as the universal religion. [Masters Thesis]. Rutgers University; 2016. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/49818/


Rochester Institute of Technology

2. Bellucci, James. Anecdotes.

Degree: School of Art (CIAS), 2009, Rochester Institute of Technology

 Anecdotes is a set of illustrations derived from Biblical text, scientific discovery and self-created stories. This body of work questions these texts through the temporal… (more)

Subjects/Keywords: Storytelling; Religion and science; Science in art; Religion in art

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APA (6th Edition):

Bellucci, J. (2009). Anecdotes. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/3279

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bellucci, James. “Anecdotes.” 2009. Thesis, Rochester Institute of Technology. Accessed October 19, 2019. https://scholarworks.rit.edu/theses/3279.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bellucci, James. “Anecdotes.” 2009. Web. 19 Oct 2019.

Vancouver:

Bellucci J. Anecdotes. [Internet] [Thesis]. Rochester Institute of Technology; 2009. [cited 2019 Oct 19]. Available from: https://scholarworks.rit.edu/theses/3279.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bellucci J. Anecdotes. [Thesis]. Rochester Institute of Technology; 2009. Available from: https://scholarworks.rit.edu/theses/3279

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

3. Tsai, Chun-Yi Joyce. Imagining the Supernatural Grotesque: Paintings of Zhong Kui and Demons in the Late Southern Song (1127-1279) and Yuan (1271-1368) Dynasties.

Degree: 2015, Columbia University

 This dissertation is the first focused study of images of demons and how they were created and received at the turn of the Southern Song… (more)

Subjects/Keywords: Demonology; Politics in art; History in art; Art; Asians; Religion; History

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APA (6th Edition):

Tsai, C. J. (2015). Imagining the Supernatural Grotesque: Paintings of Zhong Kui and Demons in the Late Southern Song (1127-1279) and Yuan (1271-1368) Dynasties. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8RR1X2W

Chicago Manual of Style (16th Edition):

Tsai, Chun-Yi Joyce. “Imagining the Supernatural Grotesque: Paintings of Zhong Kui and Demons in the Late Southern Song (1127-1279) and Yuan (1271-1368) Dynasties.” 2015. Doctoral Dissertation, Columbia University. Accessed October 19, 2019. https://doi.org/10.7916/D8RR1X2W.

MLA Handbook (7th Edition):

Tsai, Chun-Yi Joyce. “Imagining the Supernatural Grotesque: Paintings of Zhong Kui and Demons in the Late Southern Song (1127-1279) and Yuan (1271-1368) Dynasties.” 2015. Web. 19 Oct 2019.

Vancouver:

Tsai CJ. Imagining the Supernatural Grotesque: Paintings of Zhong Kui and Demons in the Late Southern Song (1127-1279) and Yuan (1271-1368) Dynasties. [Internet] [Doctoral dissertation]. Columbia University; 2015. [cited 2019 Oct 19]. Available from: https://doi.org/10.7916/D8RR1X2W.

Council of Science Editors:

Tsai CJ. Imagining the Supernatural Grotesque: Paintings of Zhong Kui and Demons in the Late Southern Song (1127-1279) and Yuan (1271-1368) Dynasties. [Doctoral Dissertation]. Columbia University; 2015. Available from: https://doi.org/10.7916/D8RR1X2W


Columbia University

4. Andrei, Talia Johanna. Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara.

Degree: 2016, Columbia University

 This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei… (more)

Subjects/Keywords: Mandala in art; Art, Japanese; Mandala (Buddhism); Art; Religion; History

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APA (6th Edition):

Andrei, T. J. (2016). Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8VX0GPV

Chicago Manual of Style (16th Edition):

Andrei, Talia Johanna. “Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara.” 2016. Doctoral Dissertation, Columbia University. Accessed October 19, 2019. https://doi.org/10.7916/D8VX0GPV.

MLA Handbook (7th Edition):

Andrei, Talia Johanna. “Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara.” 2016. Web. 19 Oct 2019.

Vancouver:

Andrei TJ. Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2019 Oct 19]. Available from: https://doi.org/10.7916/D8VX0GPV.

Council of Science Editors:

Andrei TJ. Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D8VX0GPV


Massey University

5. MacPherson, Charles Stuart. Immaterial labour and production seen through colour and diagrams of automata.

Degree: MFA, 2014, Massey University

 This thesis embodies my personal experiences associated with industrial production and the concerns I have with the job losses through the implementation of new technology… (more)

Subjects/Keywords: Labor in art; Industries in art; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art

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APA (6th Edition):

MacPherson, C. S. (2014). Immaterial labour and production seen through colour and diagrams of automata. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/7135

Chicago Manual of Style (16th Edition):

MacPherson, Charles Stuart. “Immaterial labour and production seen through colour and diagrams of automata.” 2014. Masters Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/7135.

MLA Handbook (7th Edition):

MacPherson, Charles Stuart. “Immaterial labour and production seen through colour and diagrams of automata.” 2014. Web. 19 Oct 2019.

Vancouver:

MacPherson CS. Immaterial labour and production seen through colour and diagrams of automata. [Internet] [Masters thesis]. Massey University; 2014. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/7135.

Council of Science Editors:

MacPherson CS. Immaterial labour and production seen through colour and diagrams of automata. [Masters Thesis]. Massey University; 2014. Available from: http://hdl.handle.net/10179/7135


Massey University

6. Gibbs, Sandy. God is back – pass the plate : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .

Degree: 2012, Massey University

 This thesis will consider how video art might critically engage with, and contribute to, a critique of late-capitalism and its relationship with religion within a… (more)

Subjects/Keywords: Sandy Gibbs; Criticism and interpretation; Religion in art; Video art

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APA (6th Edition):

Gibbs, S. (2012). God is back – pass the plate : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/3376

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gibbs, Sandy. “God is back – pass the plate : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2012. Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/3376.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gibbs, Sandy. “God is back – pass the plate : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2012. Web. 19 Oct 2019.

Vancouver:

Gibbs S. God is back – pass the plate : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2012. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/3376.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gibbs S. God is back – pass the plate : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2012. Available from: http://hdl.handle.net/10179/3376

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Ulutupu, Christopher. Into the arms of my coloniser : re-imagining myself and the other : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .

Degree: 2016, Massey University

 Postcolonialism is not a subject I have chosen to explore, rather, it is a reality that I have been born into. As a Samoan New… (more)

Subjects/Keywords: Decolonization in art; Video art; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art

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APA (6th Edition):

Ulutupu, C. (2016). Into the arms of my coloniser : re-imagining myself and the other : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/11200

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ulutupu, Christopher. “Into the arms of my coloniser : re-imagining myself and the other : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2016. Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/11200.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ulutupu, Christopher. “Into the arms of my coloniser : re-imagining myself and the other : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2016. Web. 19 Oct 2019.

Vancouver:

Ulutupu C. Into the arms of my coloniser : re-imagining myself and the other : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2016. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/11200.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ulutupu C. Into the arms of my coloniser : re-imagining myself and the other : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2016. Available from: http://hdl.handle.net/10179/11200

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Colorado State University

8. Arnell, Nicole L. FUNdamentalist DOLLS.

Degree: Master of Fine Arts (M.F.A.), Art, 2007, Colorado State University

To view the abstract, please see the full text of the document. Advisors/Committee Members: Gravdahl, John (advisor), Cooperman, Matthew, 1964- (committee member), Huibregtse, Gary (committee member), Lehene, Marius (committee member).

Subjects/Keywords: Religious fundamentalism  – Art; Art and religion; Religion in art

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APA (6th Edition):

Arnell, N. L. (2007). FUNdamentalist DOLLS. (Masters Thesis). Colorado State University. Retrieved from http://hdl.handle.net/10217/38349

Chicago Manual of Style (16th Edition):

Arnell, Nicole L. “FUNdamentalist DOLLS.” 2007. Masters Thesis, Colorado State University. Accessed October 19, 2019. http://hdl.handle.net/10217/38349.

MLA Handbook (7th Edition):

Arnell, Nicole L. “FUNdamentalist DOLLS.” 2007. Web. 19 Oct 2019.

Vancouver:

Arnell NL. FUNdamentalist DOLLS. [Internet] [Masters thesis]. Colorado State University; 2007. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10217/38349.

Council of Science Editors:

Arnell NL. FUNdamentalist DOLLS. [Masters Thesis]. Colorado State University; 2007. Available from: http://hdl.handle.net/10217/38349


Columbia University

9. Morrison, Alastair. A Choice of Illusions: Belief, Relativism, and Modern Literature.

Degree: 2015, Columbia University

 This dissertation considers how defenses of traditional faith in Britain have adapted to new frontiers of cultural relativism and religious difference. Its contention is that… (more)

Subjects/Keywords: Art, Victorian; Modernism (Literature); Religion in literature; British literature; Irish literature; Literature, Modern; Religion; History

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APA (6th Edition):

Morrison, A. (2015). A Choice of Illusions: Belief, Relativism, and Modern Literature. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8513X24

Chicago Manual of Style (16th Edition):

Morrison, Alastair. “A Choice of Illusions: Belief, Relativism, and Modern Literature.” 2015. Doctoral Dissertation, Columbia University. Accessed October 19, 2019. https://doi.org/10.7916/D8513X24.

MLA Handbook (7th Edition):

Morrison, Alastair. “A Choice of Illusions: Belief, Relativism, and Modern Literature.” 2015. Web. 19 Oct 2019.

Vancouver:

Morrison A. A Choice of Illusions: Belief, Relativism, and Modern Literature. [Internet] [Doctoral dissertation]. Columbia University; 2015. [cited 2019 Oct 19]. Available from: https://doi.org/10.7916/D8513X24.

Council of Science Editors:

Morrison A. A Choice of Illusions: Belief, Relativism, and Modern Literature. [Doctoral Dissertation]. Columbia University; 2015. Available from: https://doi.org/10.7916/D8513X24


Massey University

10. Griffin-Wilson, Isla. Spectra on the edge of embodiment : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .

Degree: 2017, Massey University

 This creative-practice research references a body undergoing transformation in the search of the essence of self based on perceptions of a skin rendered permeable by… (more)

Subjects/Keywords: Isla Griffin-Wilson; Skin in art; Human figure in art; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art

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APA (6th Edition):

Griffin-Wilson, I. (2017). Spectra on the edge of embodiment : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/13329

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Griffin-Wilson, Isla. “Spectra on the edge of embodiment : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2017. Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/13329.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Griffin-Wilson, Isla. “Spectra on the edge of embodiment : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2017. Web. 19 Oct 2019.

Vancouver:

Griffin-Wilson I. Spectra on the edge of embodiment : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2017. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/13329.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Griffin-Wilson I. Spectra on the edge of embodiment : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2017. Available from: http://hdl.handle.net/10179/13329

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

11. Moore, Bo. Pilot : navigating personhood within science fiction.

Degree: Master of Design, Illustration, 2016, Massey University

 Representations of the 'other' in media often exist only to further the narratives of the 'dominant' for the benefit of an assumedly-dominant audience, and are… (more)

Subjects/Keywords: Aliens in art; Characters and characteristics in art; Computer games; Design; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art

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APA (6th Edition):

Moore, B. (2016). Pilot : navigating personhood within science fiction. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/11199

Chicago Manual of Style (16th Edition):

Moore, Bo. “Pilot : navigating personhood within science fiction.” 2016. Masters Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/11199.

MLA Handbook (7th Edition):

Moore, Bo. “Pilot : navigating personhood within science fiction.” 2016. Web. 19 Oct 2019.

Vancouver:

Moore B. Pilot : navigating personhood within science fiction. [Internet] [Masters thesis]. Massey University; 2016. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/11199.

Council of Science Editors:

Moore B. Pilot : navigating personhood within science fiction. [Masters Thesis]. Massey University; 2016. Available from: http://hdl.handle.net/10179/11199

12. Hayes, Matthew S. Baptized by fire.

Degree: 2013, University of North Carolina – Greensboro

 My work is a personal narrative. I work primarily in the mediums of video and performance. The latter usually being in conjunction with the former.… (more)

Subjects/Keywords: Video art; Religion in art

…about art would hinder me from making resolved work, but in the end, I feel that my knowledge… …viewer as an observer. While in graduate school I was trying to find universal themes in… …religion and struggling with making my work accessible to those less familiar with the Christian… …traditions that I reference and the meanings behind them. I have come to realize religion is a… …universal theme. Everyone, whether they have a religious faith or not, has been socialized in a… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Hayes, M. S. (2013). Baptized by fire. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=10024

Chicago Manual of Style (16th Edition):

Hayes, Matthew S. “Baptized by fire.” 2013. Masters Thesis, University of North Carolina – Greensboro. Accessed October 19, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=10024.

MLA Handbook (7th Edition):

Hayes, Matthew S. “Baptized by fire.” 2013. Web. 19 Oct 2019.

Vancouver:

Hayes MS. Baptized by fire. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2013. [cited 2019 Oct 19]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=10024.

Council of Science Editors:

Hayes MS. Baptized by fire. [Masters Thesis]. University of North Carolina – Greensboro; 2013. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=10024


Massey University

13. Sala, Nik. After the philosopher's stone : aesthetic interrogations and navigations : an exegesis presented in partial fulfilment of the requirements for the degree of Masters of Fine Arts at Massey University, Wellington, New Zealand .

Degree: 2017, Massey University

 “One becomes two, two becomes three, and out of the third comes the One as the fourth.” Maria Prophetessai The axiom of Maria is an… (more)

Subjects/Keywords: Nik Sala; Criticism and interpretation; Magic in art; Spirituality in art; Psychotherapy in art; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sala, N. (2017). After the philosopher's stone : aesthetic interrogations and navigations : an exegesis presented in partial fulfilment of the requirements for the degree of Masters of Fine Arts at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/13341

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sala, Nik. “After the philosopher's stone : aesthetic interrogations and navigations : an exegesis presented in partial fulfilment of the requirements for the degree of Masters of Fine Arts at Massey University, Wellington, New Zealand .” 2017. Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/13341.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sala, Nik. “After the philosopher's stone : aesthetic interrogations and navigations : an exegesis presented in partial fulfilment of the requirements for the degree of Masters of Fine Arts at Massey University, Wellington, New Zealand .” 2017. Web. 19 Oct 2019.

Vancouver:

Sala N. After the philosopher's stone : aesthetic interrogations and navigations : an exegesis presented in partial fulfilment of the requirements for the degree of Masters of Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2017. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/13341.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sala N. After the philosopher's stone : aesthetic interrogations and navigations : an exegesis presented in partial fulfilment of the requirements for the degree of Masters of Fine Arts at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2017. Available from: http://hdl.handle.net/10179/13341

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Tan, Ray Tat. Show.

Degree: Masters, Fine Arts, 2015, Massey University

 These videos are what is left following a failure to develop a net art performance practice grounded in trauma as a conceptual apparatus. I had… (more)

Subjects/Keywords: Psychic trauma in art; Performance art; Traumatic performance; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art

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APA (6th Edition):

Tan, R. T. (2015). Show. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/7133

Chicago Manual of Style (16th Edition):

Tan, Ray Tat. “Show.” 2015. Masters Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/7133.

MLA Handbook (7th Edition):

Tan, Ray Tat. “Show.” 2015. Web. 19 Oct 2019.

Vancouver:

Tan RT. Show. [Internet] [Masters thesis]. Massey University; 2015. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/7133.

Council of Science Editors:

Tan RT. Show. [Masters Thesis]. Massey University; 2015. Available from: http://hdl.handle.net/10179/7133


Massey University

15. Morrison, Scott. Distaste and nonsense : some critical reflections on the interface between comedy and contemporary art : Master of Fine Arts, Massey University, Wellington .

Degree: 2016, Massey University

 This thesis investigates, through a largely video and performance based art practice, some of the relationships between Comedy, Contemporary art and psychological defence mechanisms. This… (more)

Subjects/Keywords: Scott Morrison; Criticism and interpretation; Wit and humor in art; Performance art; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art

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APA (6th Edition):

Morrison, S. (2016). Distaste and nonsense : some critical reflections on the interface between comedy and contemporary art : Master of Fine Arts, Massey University, Wellington . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/11203

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morrison, Scott. “Distaste and nonsense : some critical reflections on the interface between comedy and contemporary art : Master of Fine Arts, Massey University, Wellington .” 2016. Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/11203.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morrison, Scott. “Distaste and nonsense : some critical reflections on the interface between comedy and contemporary art : Master of Fine Arts, Massey University, Wellington .” 2016. Web. 19 Oct 2019.

Vancouver:

Morrison S. Distaste and nonsense : some critical reflections on the interface between comedy and contemporary art : Master of Fine Arts, Massey University, Wellington . [Internet] [Thesis]. Massey University; 2016. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/11203.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morrison S. Distaste and nonsense : some critical reflections on the interface between comedy and contemporary art : Master of Fine Arts, Massey University, Wellington . [Thesis]. Massey University; 2016. Available from: http://hdl.handle.net/10179/11203

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

16. Mulford, TO. The referencing of 'stringed things' of belief by contemporary artists.

Degree: 2007, University of Tasmania

 The purpose of this study has been to examine how contemporary artists reference traditional 'stringed things' of belief. The term 'stringed things' includes traditional objects… (more)

Subjects/Keywords: Art and religion; Community in art; Art; Modern; Identity (Psychology) in art

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APA (6th Edition):

Mulford, T. (2007). The referencing of 'stringed things' of belief by contemporary artists. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/20980/13/Mulford_whole_thesis_vol_1.pdf ; https://eprints.utas.edu.au/20980/2/whole_MulfordThereseOdile2007Vol2_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mulford, TO. “The referencing of 'stringed things' of belief by contemporary artists.” 2007. Thesis, University of Tasmania. Accessed October 19, 2019. https://eprints.utas.edu.au/20980/13/Mulford_whole_thesis_vol_1.pdf ; https://eprints.utas.edu.au/20980/2/whole_MulfordThereseOdile2007Vol2_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mulford, TO. “The referencing of 'stringed things' of belief by contemporary artists.” 2007. Web. 19 Oct 2019.

Vancouver:

Mulford T. The referencing of 'stringed things' of belief by contemporary artists. [Internet] [Thesis]. University of Tasmania; 2007. [cited 2019 Oct 19]. Available from: https://eprints.utas.edu.au/20980/13/Mulford_whole_thesis_vol_1.pdf ; https://eprints.utas.edu.au/20980/2/whole_MulfordThereseOdile2007Vol2_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mulford T. The referencing of 'stringed things' of belief by contemporary artists. [Thesis]. University of Tasmania; 2007. Available from: https://eprints.utas.edu.au/20980/13/Mulford_whole_thesis_vol_1.pdf ; https://eprints.utas.edu.au/20980/2/whole_MulfordThereseOdile2007Vol2_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

17. Scott, Damin Radford. Residing Nomadism : ..a narrative of Nomadic definition : an exegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .

Degree: 2017, Massey University

 Investigation the ability to define the Nomad. Exploring the vast range of the terms identity and behaviour traits with a focusing understanding towards a contemporary,… (more)

Subjects/Keywords: Milarky; Dside; Criticism and interpretation; Nomads in art; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art

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APA (6th Edition):

Scott, D. R. (2017). Residing Nomadism : ..a narrative of Nomadic definition : an exegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/13324

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scott, Damin Radford. “Residing Nomadism : ..a narrative of Nomadic definition : an exegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2017. Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/13324.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scott, Damin Radford. “Residing Nomadism : ..a narrative of Nomadic definition : an exegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2017. Web. 19 Oct 2019.

Vancouver:

Scott DR. Residing Nomadism : ..a narrative of Nomadic definition : an exegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2017. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/13324.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scott DR. Residing Nomadism : ..a narrative of Nomadic definition : an exegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2017. Available from: http://hdl.handle.net/10179/13324

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

18. Steelsmith, Mark Antony. Ghosting about : exegesis for MFA at Massey University .

Degree: 2017, Massey University

 There are more things I have forgotten than I care to remember, yet, I go looking for them. My work uses light, sound, cardboard boxes… (more)

Subjects/Keywords: Mark Antony Steelsmith; Criticism and interpretation; Autobiographical memory in art; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art

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APA (6th Edition):

Steelsmith, M. A. (2017). Ghosting about : exegesis for MFA at Massey University . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/13343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Steelsmith, Mark Antony. “Ghosting about : exegesis for MFA at Massey University .” 2017. Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/13343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Steelsmith, Mark Antony. “Ghosting about : exegesis for MFA at Massey University .” 2017. Web. 19 Oct 2019.

Vancouver:

Steelsmith MA. Ghosting about : exegesis for MFA at Massey University . [Internet] [Thesis]. Massey University; 2017. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/13343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Steelsmith MA. Ghosting about : exegesis for MFA at Massey University . [Thesis]. Massey University; 2017. Available from: http://hdl.handle.net/10179/13343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

19. Hoyle, Tom. A mirror with an imagination : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .

Degree: 2016, Massey University

 The photographic work A Mirror With An Imagination consists of photographs made in a way consistent with the vernacular photographic tradition. However, their appearance is… (more)

Subjects/Keywords: Hoyle, Tom; Barthes, Roland; Criticism and interpretation; Photography; Light in art; Imagination; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art

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APA (6th Edition):

Hoyle, T. (2016). A mirror with an imagination : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/10951

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hoyle, Tom. “A mirror with an imagination : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2016. Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/10951.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hoyle, Tom. “A mirror with an imagination : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2016. Web. 19 Oct 2019.

Vancouver:

Hoyle T. A mirror with an imagination : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2016. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/10951.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hoyle T. A mirror with an imagination : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2016. Available from: http://hdl.handle.net/10179/10951

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana Tech

20. Baird, Joel. Venereal fabrications| Sexuality, gender, and society.

Degree: MFA, 2001, Montana Tech

Subjects/Keywords: Prostitution In art; Sexuality In art; Religion In art; Puberty In art; Sex role In art; Collage

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APA (6th Edition):

Baird, J. (2001). Venereal fabrications| Sexuality, gender, and society. (Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/4006

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baird, Joel. “Venereal fabrications| Sexuality, gender, and society.” 2001. Thesis, Montana Tech. Accessed October 19, 2019. https://scholarworks.umt.edu/etd/4006.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baird, Joel. “Venereal fabrications| Sexuality, gender, and society.” 2001. Web. 19 Oct 2019.

Vancouver:

Baird J. Venereal fabrications| Sexuality, gender, and society. [Internet] [Thesis]. Montana Tech; 2001. [cited 2019 Oct 19]. Available from: https://scholarworks.umt.edu/etd/4006.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baird J. Venereal fabrications| Sexuality, gender, and society. [Thesis]. Montana Tech; 2001. Available from: https://scholarworks.umt.edu/etd/4006

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

21. Wilson, Janelle. He Wāhine, He Tapu = The Sanctity of Women : an exhibition report presented in partial fulfilment of the requirements for the degree of Masters in Māori Visual Arts at Massey University, Palmerston North, New Zealand .

Degree: 2017, Massey University

 This report contextualises the exhibition, He Wāhine, He Tapu. My research into puhi (chief’s daughter) and mana wāhine (women of status), along with the methodology… (more)

Subjects/Keywords: Women, Maori; Portraits; Maori (New Zealand people) in art; Women in art; Painting, New Zealand; Whakaahua; Wāhine; Hunga mahi toi; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wilson, J. (2017). He Wāhine, He Tapu = The Sanctity of Women : an exhibition report presented in partial fulfilment of the requirements for the degree of Masters in Māori Visual Arts at Massey University, Palmerston North, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/12448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wilson, Janelle. “He Wāhine, He Tapu = The Sanctity of Women : an exhibition report presented in partial fulfilment of the requirements for the degree of Masters in Māori Visual Arts at Massey University, Palmerston North, New Zealand .” 2017. Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/12448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wilson, Janelle. “He Wāhine, He Tapu = The Sanctity of Women : an exhibition report presented in partial fulfilment of the requirements for the degree of Masters in Māori Visual Arts at Massey University, Palmerston North, New Zealand .” 2017. Web. 19 Oct 2019.

Vancouver:

Wilson J. He Wāhine, He Tapu = The Sanctity of Women : an exhibition report presented in partial fulfilment of the requirements for the degree of Masters in Māori Visual Arts at Massey University, Palmerston North, New Zealand . [Internet] [Thesis]. Massey University; 2017. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/12448.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wilson J. He Wāhine, He Tapu = The Sanctity of Women : an exhibition report presented in partial fulfilment of the requirements for the degree of Masters in Māori Visual Arts at Massey University, Palmerston North, New Zealand . [Thesis]. Massey University; 2017. Available from: http://hdl.handle.net/10179/12448

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

22. Pointon, Elisabeth. Welcome to the real world : a guide to effective implementation of self service.

Degree: Masters, Fine Arts, 2017, Massey University

 Utilising international artists Marcus Coates, Mierle Laderman Ukeles, and Martin Creed as reference models, this exegesis discusses a range of recent text, video, and relational… (more)

Subjects/Keywords: Elisabeth Pointon; Criticism and interpretation; Public spaces in art; Work environment in art; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art

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APA (6th Edition):

Pointon, E. (2017). Welcome to the real world : a guide to effective implementation of self service. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/13338

Chicago Manual of Style (16th Edition):

Pointon, Elisabeth. “Welcome to the real world : a guide to effective implementation of self service.” 2017. Masters Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/13338.

MLA Handbook (7th Edition):

Pointon, Elisabeth. “Welcome to the real world : a guide to effective implementation of self service.” 2017. Web. 19 Oct 2019.

Vancouver:

Pointon E. Welcome to the real world : a guide to effective implementation of self service. [Internet] [Masters thesis]. Massey University; 2017. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/13338.

Council of Science Editors:

Pointon E. Welcome to the real world : a guide to effective implementation of self service. [Masters Thesis]. Massey University; 2017. Available from: http://hdl.handle.net/10179/13338


Rhodes University

23. Heydenrych, Albert B. Art and power : an investigation into the effect politics, the church and economics have had on the content of a work of art and the development of art in general.

Degree: Faculty of Humanities, Fine Art, 1977, Rhodes University

Subjects/Keywords: Art and religion; Politics in art; Art and industry; Art and state

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APA (6th Edition):

Heydenrych, A. B. (1977). Art and power : an investigation into the effect politics, the church and economics have had on the content of a work of art and the development of art in general. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1013390

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Heydenrych, Albert B. “Art and power : an investigation into the effect politics, the church and economics have had on the content of a work of art and the development of art in general.” 1977. Thesis, Rhodes University. Accessed October 19, 2019. http://hdl.handle.net/10962/d1013390.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Heydenrych, Albert B. “Art and power : an investigation into the effect politics, the church and economics have had on the content of a work of art and the development of art in general.” 1977. Web. 19 Oct 2019.

Vancouver:

Heydenrych AB. Art and power : an investigation into the effect politics, the church and economics have had on the content of a work of art and the development of art in general. [Internet] [Thesis]. Rhodes University; 1977. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10962/d1013390.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Heydenrych AB. Art and power : an investigation into the effect politics, the church and economics have had on the content of a work of art and the development of art in general. [Thesis]. Rhodes University; 1977. Available from: http://hdl.handle.net/10962/d1013390

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

24. White, Rosie. Protesting sex slavery : the textile doll as activism : an exegesis presented in partial fulfilment of Master of Fine Arts, Massey University, Wellington .

Degree: 2017, Massey University

 Natural disasters, climate change, war and poverty have increased the vulnerability of migrants to modern slavery. Human traffickers prey upon post-disaster migrant populations who are… (more)

Subjects/Keywords: Rosie White; Criticism and interpretation; Dolls in art; Social aspects; Human trafficking; Art and society; Art and social action; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art

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APA (6th Edition):

White, R. (2017). Protesting sex slavery : the textile doll as activism : an exegesis presented in partial fulfilment of Master of Fine Arts, Massey University, Wellington . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/13193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

White, Rosie. “Protesting sex slavery : the textile doll as activism : an exegesis presented in partial fulfilment of Master of Fine Arts, Massey University, Wellington .” 2017. Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/13193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

White, Rosie. “Protesting sex slavery : the textile doll as activism : an exegesis presented in partial fulfilment of Master of Fine Arts, Massey University, Wellington .” 2017. Web. 19 Oct 2019.

Vancouver:

White R. Protesting sex slavery : the textile doll as activism : an exegesis presented in partial fulfilment of Master of Fine Arts, Massey University, Wellington . [Internet] [Thesis]. Massey University; 2017. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/13193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

White R. Protesting sex slavery : the textile doll as activism : an exegesis presented in partial fulfilment of Master of Fine Arts, Massey University, Wellington . [Thesis]. Massey University; 2017. Available from: http://hdl.handle.net/10179/13193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

25. Handcock, Robbie. Erotic positions for two consenting males : considerations for a gay painting practise : an exegesis presented with exhibition as fulfillment of the requirements for thesis Master of Fine Arts at Massey University, Wellington, New Zealand .

Degree: 2016, Massey University

 This exegesis is an exploration into painting and gay visual culture, and investigates what might constitute a "gay painting practise". It discusses my focus on… (more)

Subjects/Keywords: Robbie Handcock; Criticism and interpretation; Homosexuality and art; Gay erotic art; Male nude in art; Queer theory; Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art

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APA (6th Edition):

Handcock, R. (2016). Erotic positions for two consenting males : considerations for a gay painting practise : an exegesis presented with exhibition as fulfillment of the requirements for thesis Master of Fine Arts at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/11068

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Handcock, Robbie. “Erotic positions for two consenting males : considerations for a gay painting practise : an exegesis presented with exhibition as fulfillment of the requirements for thesis Master of Fine Arts at Massey University, Wellington, New Zealand .” 2016. Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/11068.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Handcock, Robbie. “Erotic positions for two consenting males : considerations for a gay painting practise : an exegesis presented with exhibition as fulfillment of the requirements for thesis Master of Fine Arts at Massey University, Wellington, New Zealand .” 2016. Web. 19 Oct 2019.

Vancouver:

Handcock R. Erotic positions for two consenting males : considerations for a gay painting practise : an exegesis presented with exhibition as fulfillment of the requirements for thesis Master of Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2016. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/11068.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Handcock R. Erotic positions for two consenting males : considerations for a gay painting practise : an exegesis presented with exhibition as fulfillment of the requirements for thesis Master of Fine Arts at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2016. Available from: http://hdl.handle.net/10179/11068

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duke University

26. Gonzalez Rice, Karen. Enduring Belief: Performance, Trauma, Religion .

Degree: 2010, Duke University

  The medium of performance art locates both the art-making subject and the art object in the body of the artist. Performance art thus serves… (more)

Subjects/Keywords: Art History; Religion, General; Performance Art; Religion and Art; Trauma Studies

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APA (6th Edition):

Gonzalez Rice, K. (2010). Enduring Belief: Performance, Trauma, Religion . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/2988

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gonzalez Rice, Karen. “Enduring Belief: Performance, Trauma, Religion .” 2010. Thesis, Duke University. Accessed October 19, 2019. http://hdl.handle.net/10161/2988.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gonzalez Rice, Karen. “Enduring Belief: Performance, Trauma, Religion .” 2010. Web. 19 Oct 2019.

Vancouver:

Gonzalez Rice K. Enduring Belief: Performance, Trauma, Religion . [Internet] [Thesis]. Duke University; 2010. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10161/2988.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gonzalez Rice K. Enduring Belief: Performance, Trauma, Religion . [Thesis]. Duke University; 2010. Available from: http://hdl.handle.net/10161/2988

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

27. Warren, MD. Suspension of disbelief : the representation of poetic faith through time-based media.

Degree: 2009, University of Tasmania

 Samuel Taylor Coleridge described a suspension of disbelief as "poetic faith". In a contemporary environment, is it possible to have an experience of childlike or… (more)

Subjects/Keywords: Sound in art; Sublime; The; in art; Spiritual life in art; Faith in art; Implicit religion

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APA (6th Edition):

Warren, M. (2009). Suspension of disbelief : the representation of poetic faith through time-based media. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/22249/1/whole_WarrenMatthewDavid2009_thesis.pdf ; https://eprints.utas.edu.au/22249/7/Warren%20discs.zip

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Warren, MD. “Suspension of disbelief : the representation of poetic faith through time-based media.” 2009. Thesis, University of Tasmania. Accessed October 19, 2019. https://eprints.utas.edu.au/22249/1/whole_WarrenMatthewDavid2009_thesis.pdf ; https://eprints.utas.edu.au/22249/7/Warren%20discs.zip.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Warren, MD. “Suspension of disbelief : the representation of poetic faith through time-based media.” 2009. Web. 19 Oct 2019.

Vancouver:

Warren M. Suspension of disbelief : the representation of poetic faith through time-based media. [Internet] [Thesis]. University of Tasmania; 2009. [cited 2019 Oct 19]. Available from: https://eprints.utas.edu.au/22249/1/whole_WarrenMatthewDavid2009_thesis.pdf ; https://eprints.utas.edu.au/22249/7/Warren%20discs.zip.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Warren M. Suspension of disbelief : the representation of poetic faith through time-based media. [Thesis]. University of Tasmania; 2009. Available from: https://eprints.utas.edu.au/22249/1/whole_WarrenMatthewDavid2009_thesis.pdf ; https://eprints.utas.edu.au/22249/7/Warren%20discs.zip

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Massey University

28. Robertson, Jude. Site into sound.

Degree: Master, Fine Arts, 2017, Massey University

 Sound, space and perception are expansive areas of enquiry, which I connect together through a creative investigation into location, sensory experience and interrelationship within a… (more)

Subjects/Keywords: Jude Robertson; Criticism and interpretation; Sound in art; Photography, Artistic; Installations (Art); Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art; Environment; Installation; Listening; Materiality; Perception; Site; Sound; Space

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Robertson, J. (2017). Site into sound. (Masters Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/13326

Chicago Manual of Style (16th Edition):

Robertson, Jude. “Site into sound.” 2017. Masters Thesis, Massey University. Accessed October 19, 2019. http://hdl.handle.net/10179/13326.

MLA Handbook (7th Edition):

Robertson, Jude. “Site into sound.” 2017. Web. 19 Oct 2019.

Vancouver:

Robertson J. Site into sound. [Internet] [Masters thesis]. Massey University; 2017. [cited 2019 Oct 19]. Available from: http://hdl.handle.net/10179/13326.

Council of Science Editors:

Robertson J. Site into sound. [Masters Thesis]. Massey University; 2017. Available from: http://hdl.handle.net/10179/13326

29. Leyva-Gutierrez, Niria E. Painting Power| Images of Ecclesiastical Authority in Seventeenth-Century New Spain.

Degree: 2012, New York University

  This dissertation examines the Catholic church's program of image-making in seventeenth-century New Spain as part of a campaign by its bishops to strengthen their… (more)

Subjects/Keywords: Religion, History of; Art History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Leyva-Gutierrez, N. E. (2012). Painting Power| Images of Ecclesiastical Authority in Seventeenth-Century New Spain. (Thesis). New York University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3502773

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leyva-Gutierrez, Niria E. “Painting Power| Images of Ecclesiastical Authority in Seventeenth-Century New Spain.” 2012. Thesis, New York University. Accessed October 19, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3502773.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leyva-Gutierrez, Niria E. “Painting Power| Images of Ecclesiastical Authority in Seventeenth-Century New Spain.” 2012. Web. 19 Oct 2019.

Vancouver:

Leyva-Gutierrez NE. Painting Power| Images of Ecclesiastical Authority in Seventeenth-Century New Spain. [Internet] [Thesis]. New York University; 2012. [cited 2019 Oct 19]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3502773.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leyva-Gutierrez NE. Painting Power| Images of Ecclesiastical Authority in Seventeenth-Century New Spain. [Thesis]. New York University; 2012. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3502773

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

30. Ramirez, Loretta Victoria. Spain's Toledo Virgen Abridera| Revelations of Castile's shift in Marian iconography from Medieval to Isabelline.

Degree: 2016, California State University, Long Beach

  For what secular purposes did Spanish artists absorb into Marian Immaculate Conception devotional art the attributes of the Apocalyptic Woman from the Book of… (more)

Subjects/Keywords: Religion; Art history; History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ramirez, L. V. (2016). Spain's Toledo Virgen Abridera| Revelations of Castile's shift in Marian iconography from Medieval to Isabelline. (Thesis). California State University, Long Beach. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10046237

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ramirez, Loretta Victoria. “Spain's Toledo Virgen Abridera| Revelations of Castile's shift in Marian iconography from Medieval to Isabelline.” 2016. Thesis, California State University, Long Beach. Accessed October 19, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10046237.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ramirez, Loretta Victoria. “Spain's Toledo Virgen Abridera| Revelations of Castile's shift in Marian iconography from Medieval to Isabelline.” 2016. Web. 19 Oct 2019.

Vancouver:

Ramirez LV. Spain's Toledo Virgen Abridera| Revelations of Castile's shift in Marian iconography from Medieval to Isabelline. [Internet] [Thesis]. California State University, Long Beach; 2016. [cited 2019 Oct 19]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10046237.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ramirez LV. Spain's Toledo Virgen Abridera| Revelations of Castile's shift in Marian iconography from Medieval to Isabelline. [Thesis]. California State University, Long Beach; 2016. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10046237

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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