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You searched for subject:( Political pop art). Showing records 1 – 30 of 61992 total matches.

[1] [2] [3] [4] [5] … [2067]

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University of Debrecen

1. Mércse, László Gergő. From Food Cans to Blowjob: Allusions of Pop Art's Sexual Paradigm Shift in the Art of Andy Warhol .

Degree: DE – Bölcsészettudományi Kar, 2014, University of Debrecen

 According to a well known saying attributed to Andy Warhol, “Sex is more exciting on the screen and between the pages, than between the sheets”… (more)

Subjects/Keywords: pop art; sexuality

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APA (6th Edition):

Mércse, L. G. (2014). From Food Cans to Blowjob: Allusions of Pop Art's Sexual Paradigm Shift in the Art of Andy Warhol . (Thesis). University of Debrecen. Retrieved from http://hdl.handle.net/2437/191385

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mércse, László Gergő. “From Food Cans to Blowjob: Allusions of Pop Art's Sexual Paradigm Shift in the Art of Andy Warhol .” 2014. Thesis, University of Debrecen. Accessed April 08, 2020. http://hdl.handle.net/2437/191385.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mércse, László Gergő. “From Food Cans to Blowjob: Allusions of Pop Art's Sexual Paradigm Shift in the Art of Andy Warhol .” 2014. Web. 08 Apr 2020.

Vancouver:

Mércse LG. From Food Cans to Blowjob: Allusions of Pop Art's Sexual Paradigm Shift in the Art of Andy Warhol . [Internet] [Thesis]. University of Debrecen; 2014. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/2437/191385.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mércse LG. From Food Cans to Blowjob: Allusions of Pop Art's Sexual Paradigm Shift in the Art of Andy Warhol . [Thesis]. University of Debrecen; 2014. Available from: http://hdl.handle.net/2437/191385

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

2. O'Keeffe, Andrew. From Propaganda to Pop Culture: How Maoist Propaganda Transformed Into a Global Art Commodity.

Degree: ALM, 2019, Harvard University

Propaganda artwork created during the Chinese Cultural Revolution has been a widely studied topic since the decline of Mao Tse-Tung’s leadership. Less often discussed is… (more)

Subjects/Keywords: Propaganda; pop art

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APA (6th Edition):

O'Keeffe, A. (2019). From Propaganda to Pop Culture: How Maoist Propaganda Transformed Into a Global Art Commodity. (Masters Thesis). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004066

Chicago Manual of Style (16th Edition):

O'Keeffe, Andrew. “From Propaganda to Pop Culture: How Maoist Propaganda Transformed Into a Global Art Commodity.” 2019. Masters Thesis, Harvard University. Accessed April 08, 2020. http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004066.

MLA Handbook (7th Edition):

O'Keeffe, Andrew. “From Propaganda to Pop Culture: How Maoist Propaganda Transformed Into a Global Art Commodity.” 2019. Web. 08 Apr 2020.

Vancouver:

O'Keeffe A. From Propaganda to Pop Culture: How Maoist Propaganda Transformed Into a Global Art Commodity. [Internet] [Masters thesis]. Harvard University; 2019. [cited 2020 Apr 08]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004066.

Council of Science Editors:

O'Keeffe A. From Propaganda to Pop Culture: How Maoist Propaganda Transformed Into a Global Art Commodity. [Masters Thesis]. Harvard University; 2019. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004066

3. Marmeleira, José Manuel Marques da Silva. Presenças da cultura pop na arte contemporânea portuguesa.

Degree: 2012, RCAAP

Sustentada numa discussão teórica e num momento analítico, “Presenças da cultura pop na arte contemporânea portuguesa”, estuda o modo como três artistas portugueses lidam com… (more)

Subjects/Keywords: Arte; Cultura pop; Cinema; Musica pop; Art; Pop culture; Cinema; Pop music

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APA (6th Edition):

Marmeleira, J. M. M. d. S. (2012). Presenças da cultura pop na arte contemporânea portuguesa. (Thesis). RCAAP. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/5163

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marmeleira, José Manuel Marques da Silva. “Presenças da cultura pop na arte contemporânea portuguesa.” 2012. Thesis, RCAAP. Accessed April 08, 2020. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/5163.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marmeleira, José Manuel Marques da Silva. “Presenças da cultura pop na arte contemporânea portuguesa.” 2012. Web. 08 Apr 2020.

Vancouver:

Marmeleira JMMdS. Presenças da cultura pop na arte contemporânea portuguesa. [Internet] [Thesis]. RCAAP; 2012. [cited 2020 Apr 08]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/5163.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marmeleira JMMdS. Presenças da cultura pop na arte contemporânea portuguesa. [Thesis]. RCAAP; 2012. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/5163

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Santa Cruz Bustamante, César-Octavio. La citation dans la peinture latino-américaine contemporaine : de la peinture coloniale au Pop Art péruvien : La cita en la pintura contemporánea latinoamericana : de la pintura colonial al Pop Arte peruano.

Degree: Docteur es, Arts (Histoire, Théorie, Pratique), 2013, Université Michel de Montaigne – Bordeaux III

Depuis toujours, les œuvres d’art ont joué un rôle fondamental dans la formation des artistes, servant de modèles iconiques pour l’apprentissage et la création de… (more)

Subjects/Keywords: Citation; Appropriation; Réinterprétation; Pop art; Derivatives; Appropriation; Reinterpretation; Pop art; Cita; Apropiación; Reinterpretación; Pop arte

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APA (6th Edition):

Santa Cruz Bustamante, C. (2013). La citation dans la peinture latino-américaine contemporaine : de la peinture coloniale au Pop Art péruvien : La cita en la pintura contemporánea latinoamericana : de la pintura colonial al Pop Arte peruano. (Doctoral Dissertation). Université Michel de Montaigne – Bordeaux III. Retrieved from http://www.theses.fr/2013BOR30013

Chicago Manual of Style (16th Edition):

Santa Cruz Bustamante, César-Octavio. “La citation dans la peinture latino-américaine contemporaine : de la peinture coloniale au Pop Art péruvien : La cita en la pintura contemporánea latinoamericana : de la pintura colonial al Pop Arte peruano.” 2013. Doctoral Dissertation, Université Michel de Montaigne – Bordeaux III. Accessed April 08, 2020. http://www.theses.fr/2013BOR30013.

MLA Handbook (7th Edition):

Santa Cruz Bustamante, César-Octavio. “La citation dans la peinture latino-américaine contemporaine : de la peinture coloniale au Pop Art péruvien : La cita en la pintura contemporánea latinoamericana : de la pintura colonial al Pop Arte peruano.” 2013. Web. 08 Apr 2020.

Vancouver:

Santa Cruz Bustamante C. La citation dans la peinture latino-américaine contemporaine : de la peinture coloniale au Pop Art péruvien : La cita en la pintura contemporánea latinoamericana : de la pintura colonial al Pop Arte peruano. [Internet] [Doctoral dissertation]. Université Michel de Montaigne – Bordeaux III; 2013. [cited 2020 Apr 08]. Available from: http://www.theses.fr/2013BOR30013.

Council of Science Editors:

Santa Cruz Bustamante C. La citation dans la peinture latino-américaine contemporaine : de la peinture coloniale au Pop Art péruvien : La cita en la pintura contemporánea latinoamericana : de la pintura colonial al Pop Arte peruano. [Doctoral Dissertation]. Université Michel de Montaigne – Bordeaux III; 2013. Available from: http://www.theses.fr/2013BOR30013


University of Notre Dame

5. Jakob Joseph Ollinger. Popocalypse Now: The rise of the Boy-Men in Pop Culture</h1>.

Degree: MFA, Art, Art History, and Design, 2014, University of Notre Dame

  My work examines perpetual adolescence as it manifests of Pop Culture. It draws from the aspects of Pop Culture that are obsessed with the… (more)

Subjects/Keywords: Art; Video Games; Comic Books; Pop Culture

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APA (6th Edition):

Ollinger, J. J. (2014). Popocalypse Now: The rise of the Boy-Men in Pop Culture</h1>. (Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/fq977s77k0n

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ollinger, Jakob Joseph. “Popocalypse Now: The rise of the Boy-Men in Pop Culture</h1>.” 2014. Thesis, University of Notre Dame. Accessed April 08, 2020. https://curate.nd.edu/show/fq977s77k0n.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ollinger, Jakob Joseph. “Popocalypse Now: The rise of the Boy-Men in Pop Culture</h1>.” 2014. Web. 08 Apr 2020.

Vancouver:

Ollinger JJ. Popocalypse Now: The rise of the Boy-Men in Pop Culture</h1>. [Internet] [Thesis]. University of Notre Dame; 2014. [cited 2020 Apr 08]. Available from: https://curate.nd.edu/show/fq977s77k0n.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ollinger JJ. Popocalypse Now: The rise of the Boy-Men in Pop Culture</h1>. [Thesis]. University of Notre Dame; 2014. Available from: https://curate.nd.edu/show/fq977s77k0n

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

6. Cohen, Lucas. Port of Flanders: Jef Geys and Belgium in the ’70s.

Degree: 2020, Columbia University

 This dissertation considers Jef Geys as an archivist of the cultural shifts of the ’60s and ’70s in Europe amidst the reception of American Pop(more)

Subjects/Keywords: Art; Pop art; Archives; Nineteen seventies; Geys, Jef, 1934-2018

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APA (6th Edition):

Cohen, L. (2020). Port of Flanders: Jef Geys and Belgium in the ’70s. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/d8-hp0b-w863

Chicago Manual of Style (16th Edition):

Cohen, Lucas. “Port of Flanders: Jef Geys and Belgium in the ’70s.” 2020. Doctoral Dissertation, Columbia University. Accessed April 08, 2020. https://doi.org/10.7916/d8-hp0b-w863.

MLA Handbook (7th Edition):

Cohen, Lucas. “Port of Flanders: Jef Geys and Belgium in the ’70s.” 2020. Web. 08 Apr 2020.

Vancouver:

Cohen L. Port of Flanders: Jef Geys and Belgium in the ’70s. [Internet] [Doctoral dissertation]. Columbia University; 2020. [cited 2020 Apr 08]. Available from: https://doi.org/10.7916/d8-hp0b-w863.

Council of Science Editors:

Cohen L. Port of Flanders: Jef Geys and Belgium in the ’70s. [Doctoral Dissertation]. Columbia University; 2020. Available from: https://doi.org/10.7916/d8-hp0b-w863


University of Southern California

7. Hampton-Davis, Chie Kamali. Pop-life: why art-based pop-ups are happening now in L.A.

Degree: MA, Specialized Journalism (The Arts), 2013, University of Southern California

 In a city built on the backbone of celebrity, exclusivity is intrinsically woven into the fabric of Los Angeles culture. An invitation to what is… (more)

Subjects/Keywords: art; pop-up; pop-ups; pop up; pop-up shop; business; entrepreneur; artist; Los Angeles; digital; KCET; gallery; exhibit; performance; commerce; DIY; online

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APA (6th Edition):

Hampton-Davis, C. K. (2013). Pop-life: why art-based pop-ups are happening now in L.A. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/237677/rec/5111

Chicago Manual of Style (16th Edition):

Hampton-Davis, Chie Kamali. “Pop-life: why art-based pop-ups are happening now in L.A.” 2013. Doctoral Dissertation, University of Southern California. Accessed April 08, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/237677/rec/5111.

MLA Handbook (7th Edition):

Hampton-Davis, Chie Kamali. “Pop-life: why art-based pop-ups are happening now in L.A.” 2013. Web. 08 Apr 2020.

Vancouver:

Hampton-Davis CK. Pop-life: why art-based pop-ups are happening now in L.A. [Internet] [Doctoral dissertation]. University of Southern California; 2013. [cited 2020 Apr 08]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/237677/rec/5111.

Council of Science Editors:

Hampton-Davis CK. Pop-life: why art-based pop-ups are happening now in L.A. [Doctoral Dissertation]. University of Southern California; 2013. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll3/id/237677/rec/5111


Universidade Presbiteriana Mackenzie

8. Laís Quintella Malta Lessa. Pop art e propaganda: uma relação interdisciplinar.

Degree: 2009, Universidade Presbiteriana Mackenzie

Through an interdisciplinary analysis between art and publicity, this study seeks to establish the relationship amid the propaganda spread in the post-war period in the… (more)

Subjects/Keywords: cultura pós-guerra; publicidade; pop art; década de 50; post-war; advertising; pop art; 50s decade; ARTES

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APA (6th Edition):

Lessa, L. Q. M. (2009). Pop art e propaganda: uma relação interdisciplinar. (Thesis). Universidade Presbiteriana Mackenzie. Retrieved from http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1645 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1646 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1647 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1648

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lessa, Laís Quintella Malta. “Pop art e propaganda: uma relação interdisciplinar.” 2009. Thesis, Universidade Presbiteriana Mackenzie. Accessed April 08, 2020. http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1645 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1646 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1647 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1648.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lessa, Laís Quintella Malta. “Pop art e propaganda: uma relação interdisciplinar.” 2009. Web. 08 Apr 2020.

Vancouver:

Lessa LQM. Pop art e propaganda: uma relação interdisciplinar. [Internet] [Thesis]. Universidade Presbiteriana Mackenzie; 2009. [cited 2020 Apr 08]. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1645 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1646 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1647 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1648.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lessa LQM. Pop art e propaganda: uma relação interdisciplinar. [Thesis]. Universidade Presbiteriana Mackenzie; 2009. Available from: http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1645 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1646 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1647 ; http://tede.mackenzie.com.br//tde_busca/arquivo.php?codArquivo=1648

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Toronto

9. Poborsa, James D. The Political Pop Art of Wang Guangyi: Metonymic for an Alternative Modernity.

Degree: 2009, University of Toronto

This thesis examines the political pop art of contemporary Chinese artist Wang Guangyi in light contemporaneous shifts within the political, economic, and artistic space of… (more)

Subjects/Keywords: Chinese art; Wang Guangyi; art history; cultural studies; contemporary chinese art; political pop art; China; Modern China; cultural history; china neoliberalism; postsocialist; postmodern art; 0377

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APA (6th Edition):

Poborsa, J. D. (2009). The Political Pop Art of Wang Guangyi: Metonymic for an Alternative Modernity. (Masters Thesis). University of Toronto. Retrieved from http://hdl.handle.net/1807/18979

Chicago Manual of Style (16th Edition):

Poborsa, James D. “The Political Pop Art of Wang Guangyi: Metonymic for an Alternative Modernity.” 2009. Masters Thesis, University of Toronto. Accessed April 08, 2020. http://hdl.handle.net/1807/18979.

MLA Handbook (7th Edition):

Poborsa, James D. “The Political Pop Art of Wang Guangyi: Metonymic for an Alternative Modernity.” 2009. Web. 08 Apr 2020.

Vancouver:

Poborsa JD. The Political Pop Art of Wang Guangyi: Metonymic for an Alternative Modernity. [Internet] [Masters thesis]. University of Toronto; 2009. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/1807/18979.

Council of Science Editors:

Poborsa JD. The Political Pop Art of Wang Guangyi: Metonymic for an Alternative Modernity. [Masters Thesis]. University of Toronto; 2009. Available from: http://hdl.handle.net/1807/18979


University of Cincinnati

10. Carlin, Abigail. Let Us Now Praise Famous Women: Deborah Kass’s <i>The Warhol Project</i> (1992–2000).

Degree: MA, Design, Architecture, Art and Planning : Art History, 2009, University of Cincinnati

 This study examines contemporary American artist Deborah Kass's (b. 1952) series entitled <i>The Warhol Project</i> (1992-2000) in which she draws formal inspiration and stylistic cues… (more)

Subjects/Keywords: Art History; Deborah Kass; Andy Warhol; Barbra Streisand; Jewish; Contemporary art; lesbian; Pop art

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APA (6th Edition):

Carlin, A. (2009). Let Us Now Praise Famous Women: Deborah Kass’s <i>The Warhol Project</i> (1992–2000). (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243344700

Chicago Manual of Style (16th Edition):

Carlin, Abigail. “Let Us Now Praise Famous Women: Deborah Kass’s <i>The Warhol Project</i> (1992–2000).” 2009. Masters Thesis, University of Cincinnati. Accessed April 08, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243344700.

MLA Handbook (7th Edition):

Carlin, Abigail. “Let Us Now Praise Famous Women: Deborah Kass’s <i>The Warhol Project</i> (1992–2000).” 2009. Web. 08 Apr 2020.

Vancouver:

Carlin A. Let Us Now Praise Famous Women: Deborah Kass’s <i>The Warhol Project</i> (1992–2000). [Internet] [Masters thesis]. University of Cincinnati; 2009. [cited 2020 Apr 08]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243344700.

Council of Science Editors:

Carlin A. Let Us Now Praise Famous Women: Deborah Kass’s <i>The Warhol Project</i> (1992–2000). [Masters Thesis]. University of Cincinnati; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243344700


Universitat de Barcelona

11. Fortea Castillo, M. Àngels. El Pop a la manera del disseny gràfic català. El descobriment Pop del passat: dissenyadors - col·leccionistes.

Degree: Departament de Disseny i Imatge, 2015, Universitat de Barcelona

 L’arribada dels anys 60 va representar, per a una bona part de les democràcies occidentals, l’inici d’una època de desenvolupament econòmic caracteritzat per la plena… (more)

Subjects/Keywords: Disseny gràfic; Diseño gráfico; Graphic design; Pop-art; Arte pop; Pop art; Societat de consum; Consumismo; Consumerism; Catalunya; Cataluña; Catalonia; Ciències Humanes i Socials; 74

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APA (6th Edition):

Fortea Castillo, M. . (2015). El Pop a la manera del disseny gràfic català. El descobriment Pop del passat: dissenyadors - col·leccionistes. (Thesis). Universitat de Barcelona. Retrieved from http://hdl.handle.net/10803/368228

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fortea Castillo, M Àngels. “El Pop a la manera del disseny gràfic català. El descobriment Pop del passat: dissenyadors - col·leccionistes.” 2015. Thesis, Universitat de Barcelona. Accessed April 08, 2020. http://hdl.handle.net/10803/368228.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fortea Castillo, M Àngels. “El Pop a la manera del disseny gràfic català. El descobriment Pop del passat: dissenyadors - col·leccionistes.” 2015. Web. 08 Apr 2020.

Vancouver:

Fortea Castillo M. El Pop a la manera del disseny gràfic català. El descobriment Pop del passat: dissenyadors - col·leccionistes. [Internet] [Thesis]. Universitat de Barcelona; 2015. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/10803/368228.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fortea Castillo M. El Pop a la manera del disseny gràfic català. El descobriment Pop del passat: dissenyadors - col·leccionistes. [Thesis]. Universitat de Barcelona; 2015. Available from: http://hdl.handle.net/10803/368228

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of St. Andrews

12. Glomm, Anna Sandaker. Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS .

Degree: 2012, University of St. Andrews

 This thesis examines the relationship between the three artists’ workshops Røde Mor (Red Mother), Folkets Ateljé (The People’s Studio) and GRAS, who worked between 1968… (more)

Subjects/Keywords: Poster art in the twentieth-century; Political art; Propaganda; Social realism; Socialist realism; Røde Mor; GRAS; Folkets Ateljé; Norwegian twentieth-century art; Danish twentieth-century art; Swedish twentieth-century art; Scandinavian twentieth-century art; Pop art; Conceptual art; Figuration; Abstraction; 1968; Popular movements; Transnational study; Op-art; EEC 1972; Communism and art; Marxist-Leninism and art; Underground and sub culture; 1970s Scandinavia; Marxism and art; Grassroot movements; Collectivism; Graphic art; Silkscreen; Serigraphy; Lino-cuts; Offset print; Linoleum print; Atelier Populaire; Art Workers Coalition; Modernism; Postmodernism; Social art history; Russian avant garde poster art; Neo-avant garde; Activism and art; Comparative study of art; Non-figuration; Scandinavian 1968; European 1968; Political pop-art; Youth rebellion and uprising; Capitalism and art; Street art; Scandinavian model and art; Nordic model and art; Social democracy and art; Globalisation; Chinese Cultural Revolution; Third World and anti-imperialism

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APA (6th Edition):

Glomm, A. S. (2012). Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/3171

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Glomm, Anna Sandaker. “Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS .” 2012. Thesis, University of St. Andrews. Accessed April 08, 2020. http://hdl.handle.net/10023/3171.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Glomm, Anna Sandaker. “Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS .” 2012. Web. 08 Apr 2020.

Vancouver:

Glomm AS. Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS . [Internet] [Thesis]. University of St. Andrews; 2012. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/10023/3171.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Glomm AS. Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS . [Thesis]. University of St. Andrews; 2012. Available from: http://hdl.handle.net/10023/3171

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Norte

13. Rocha, Hudson Lima Bezerra. Matizes de cultura de massa na obra de Caio Fernando Abreu .

Degree: 2014, Universidade do Rio Grande do Norte

 The Brazilian writer, Caio Fernando Abreu, was strongly influenced by a period of changes in social values and perspectives. When he enters the Brazilian literary… (more)

Subjects/Keywords: Caio Fernando Abreu; Pop art; Cultura de massa; Contemporaneidade

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APA (6th Edition):

Rocha, H. L. B. (2014). Matizes de cultura de massa na obra de Caio Fernando Abreu . (Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/20274

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rocha, Hudson Lima Bezerra. “Matizes de cultura de massa na obra de Caio Fernando Abreu .” 2014. Thesis, Universidade do Rio Grande do Norte. Accessed April 08, 2020. http://repositorio.ufrn.br/handle/123456789/20274.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rocha, Hudson Lima Bezerra. “Matizes de cultura de massa na obra de Caio Fernando Abreu .” 2014. Web. 08 Apr 2020.

Vancouver:

Rocha HLB. Matizes de cultura de massa na obra de Caio Fernando Abreu . [Internet] [Thesis]. Universidade do Rio Grande do Norte; 2014. [cited 2020 Apr 08]. Available from: http://repositorio.ufrn.br/handle/123456789/20274.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rocha HLB. Matizes de cultura de massa na obra de Caio Fernando Abreu . [Thesis]. Universidade do Rio Grande do Norte; 2014. Available from: http://repositorio.ufrn.br/handle/123456789/20274

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Norte

14. Rocha, Hudson Lima Bezerra. Matizes de cultura de massa na obra de Caio Fernando Abreu .

Degree: 2014, Universidade do Rio Grande do Norte

 The Brazilian writer, Caio Fernando Abreu, was strongly influenced by a period of changes in social values and perspectives. When he enters the Brazilian literary… (more)

Subjects/Keywords: Caio Fernando Abreu; Pop art; Cultura de massa; Contemporaneidade

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APA (6th Edition):

Rocha, H. L. B. (2014). Matizes de cultura de massa na obra de Caio Fernando Abreu . (Masters Thesis). Universidade do Rio Grande do Norte. Retrieved from http://repositorio.ufrn.br/handle/123456789/20274

Chicago Manual of Style (16th Edition):

Rocha, Hudson Lima Bezerra. “Matizes de cultura de massa na obra de Caio Fernando Abreu .” 2014. Masters Thesis, Universidade do Rio Grande do Norte. Accessed April 08, 2020. http://repositorio.ufrn.br/handle/123456789/20274.

MLA Handbook (7th Edition):

Rocha, Hudson Lima Bezerra. “Matizes de cultura de massa na obra de Caio Fernando Abreu .” 2014. Web. 08 Apr 2020.

Vancouver:

Rocha HLB. Matizes de cultura de massa na obra de Caio Fernando Abreu . [Internet] [Masters thesis]. Universidade do Rio Grande do Norte; 2014. [cited 2020 Apr 08]. Available from: http://repositorio.ufrn.br/handle/123456789/20274.

Council of Science Editors:

Rocha HLB. Matizes de cultura de massa na obra de Caio Fernando Abreu . [Masters Thesis]. Universidade do Rio Grande do Norte; 2014. Available from: http://repositorio.ufrn.br/handle/123456789/20274


University of Cincinnati

15. Fredwest, Janice M. Popular Library: Rethinking the Cultural Relevancy of the American Public Library.

Degree: M. Arch., Design, Architecture, Art and Planning : Architecture (Master of), 2010, University of Cincinnati

 The American Public library is no longer the popular destination that it used to be. Since the emergence of America’s public libraries in the late… (more)

Subjects/Keywords: Architecture; Popular Culture; Private Enterprise; Public Library; Pop Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fredwest, J. M. (2010). Popular Library: Rethinking the Cultural Relevancy of the American Public Library. (Masters Thesis). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277140389

Chicago Manual of Style (16th Edition):

Fredwest, Janice M. “Popular Library: Rethinking the Cultural Relevancy of the American Public Library.” 2010. Masters Thesis, University of Cincinnati. Accessed April 08, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277140389.

MLA Handbook (7th Edition):

Fredwest, Janice M. “Popular Library: Rethinking the Cultural Relevancy of the American Public Library.” 2010. Web. 08 Apr 2020.

Vancouver:

Fredwest JM. Popular Library: Rethinking the Cultural Relevancy of the American Public Library. [Internet] [Masters thesis]. University of Cincinnati; 2010. [cited 2020 Apr 08]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277140389.

Council of Science Editors:

Fredwest JM. Popular Library: Rethinking the Cultural Relevancy of the American Public Library. [Masters Thesis]. University of Cincinnati; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277140389


Universidade de Lisboa

16. Fonseca, Eduardo, 1984-. Colagem em território expandido.

Degree: 2012, Universidade de Lisboa

Tese de mestrado, Pintura, Universidade de de Lisboa, Faculdade de Belas Artes, 2012

A brief passage about the appearance of the term collage in the… (more)

Subjects/Keywords: Colagem; Pintura; Pop art; Cultura de massas; Crítica genética

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APA (6th Edition):

Fonseca, Eduardo, 1. (2012). Colagem em território expandido. (Thesis). Universidade de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/7962

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fonseca, Eduardo, 1984-. “Colagem em território expandido.” 2012. Thesis, Universidade de Lisboa. Accessed April 08, 2020. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/7962.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fonseca, Eduardo, 1984-. “Colagem em território expandido.” 2012. Web. 08 Apr 2020.

Vancouver:

Fonseca, Eduardo 1. Colagem em território expandido. [Internet] [Thesis]. Universidade de Lisboa; 2012. [cited 2020 Apr 08]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/7962.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fonseca, Eduardo 1. Colagem em território expandido. [Thesis]. Universidade de Lisboa; 2012. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/7962

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

17. Mognetti, Jean-Baptiste. Junge Männer : Gerhard Richter, Sigmar Polke et Blinky Palermo, 1961-1977 : Junge Männer [Young Men] : Gerd Richter, Sigmar Polke and Blinky Palermo, 1961-1977.

Degree: Docteur es, Histoire de l'art contemporain, 2013, Université Paris-Sorbonne – Paris IV

Gerhard Richter, Sigmar Polke et Blinky Palermo apparaissent aujourd’hui comme des figures majeures de l’histoire de l’art contemporain allemand. Richter est unanimement reconnu pour l’étendue… (more)

Subjects/Keywords: Abstraction; Allemagne; Peinture; Photographie; Pop art; Réalisme; Shoah; Théorie des catastrophes

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mognetti, J. (2013). Junge Männer : Gerhard Richter, Sigmar Polke et Blinky Palermo, 1961-1977 : Junge Männer [Young Men] : Gerd Richter, Sigmar Polke and Blinky Palermo, 1961-1977. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2013PA040062

Chicago Manual of Style (16th Edition):

Mognetti, Jean-Baptiste. “Junge Männer : Gerhard Richter, Sigmar Polke et Blinky Palermo, 1961-1977 : Junge Männer [Young Men] : Gerd Richter, Sigmar Polke and Blinky Palermo, 1961-1977.” 2013. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed April 08, 2020. http://www.theses.fr/2013PA040062.

MLA Handbook (7th Edition):

Mognetti, Jean-Baptiste. “Junge Männer : Gerhard Richter, Sigmar Polke et Blinky Palermo, 1961-1977 : Junge Männer [Young Men] : Gerd Richter, Sigmar Polke and Blinky Palermo, 1961-1977.” 2013. Web. 08 Apr 2020.

Vancouver:

Mognetti J. Junge Männer : Gerhard Richter, Sigmar Polke et Blinky Palermo, 1961-1977 : Junge Männer [Young Men] : Gerd Richter, Sigmar Polke and Blinky Palermo, 1961-1977. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2013. [cited 2020 Apr 08]. Available from: http://www.theses.fr/2013PA040062.

Council of Science Editors:

Mognetti J. Junge Männer : Gerhard Richter, Sigmar Polke et Blinky Palermo, 1961-1977 : Junge Männer [Young Men] : Gerd Richter, Sigmar Polke and Blinky Palermo, 1961-1977. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2013. Available from: http://www.theses.fr/2013PA040062


Université de Lorraine

18. Maruéjouls-Koch, Sophie. Le "Théâtre plastique" de Tennessee Williams : du "langage de la vision" à "l'écriture organique : Tennessee Williams’s “Plastic Theatre : ” from “the Language of Vision” to “Organic Writing”.

Degree: Docteur es, Langues, littératures et civilisations, 2014, Université de Lorraine

Tennessee Williams utilise pour la première fois l’expression « théâtre plastique » en 1944, dans un essai où il évoque les limites du langage verbal.… (more)

Subjects/Keywords: Théâtre américain; Réalisme; Expressionnisme; Impressionnisme; Pop Art; Théâtre plastique; 812.5

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Maruéjouls-Koch, S. (2014). Le "Théâtre plastique" de Tennessee Williams : du "langage de la vision" à "l'écriture organique : Tennessee Williams’s “Plastic Theatre : ” from “the Language of Vision” to “Organic Writing”. (Doctoral Dissertation). Université de Lorraine. Retrieved from http://www.theses.fr/2014LORR0331

Chicago Manual of Style (16th Edition):

Maruéjouls-Koch, Sophie. “Le "Théâtre plastique" de Tennessee Williams : du "langage de la vision" à "l'écriture organique : Tennessee Williams’s “Plastic Theatre : ” from “the Language of Vision” to “Organic Writing”.” 2014. Doctoral Dissertation, Université de Lorraine. Accessed April 08, 2020. http://www.theses.fr/2014LORR0331.

MLA Handbook (7th Edition):

Maruéjouls-Koch, Sophie. “Le "Théâtre plastique" de Tennessee Williams : du "langage de la vision" à "l'écriture organique : Tennessee Williams’s “Plastic Theatre : ” from “the Language of Vision” to “Organic Writing”.” 2014. Web. 08 Apr 2020.

Vancouver:

Maruéjouls-Koch S. Le "Théâtre plastique" de Tennessee Williams : du "langage de la vision" à "l'écriture organique : Tennessee Williams’s “Plastic Theatre : ” from “the Language of Vision” to “Organic Writing”. [Internet] [Doctoral dissertation]. Université de Lorraine; 2014. [cited 2020 Apr 08]. Available from: http://www.theses.fr/2014LORR0331.

Council of Science Editors:

Maruéjouls-Koch S. Le "Théâtre plastique" de Tennessee Williams : du "langage de la vision" à "l'écriture organique : Tennessee Williams’s “Plastic Theatre : ” from “the Language of Vision” to “Organic Writing”. [Doctoral Dissertation]. Université de Lorraine; 2014. Available from: http://www.theses.fr/2014LORR0331


University of Central Florida

19. Hall, James. Divining The Divine: Pop Mythology And Its Worth.

Degree: 2010, University of Central Florida

 My thesis compares classic mythology of cultures like ancient Greece to the mythology that has risen from the popular culture of contemporary western civilizations like… (more)

Subjects/Keywords: mythology; sculpture; photography; archetype; pop culture; Art and Design

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APA (6th Edition):

Hall, J. (2010). Divining The Divine: Pop Mythology And Its Worth. (Masters Thesis). University of Central Florida. Retrieved from https://stars.library.ucf.edu/etd/4366

Chicago Manual of Style (16th Edition):

Hall, James. “Divining The Divine: Pop Mythology And Its Worth.” 2010. Masters Thesis, University of Central Florida. Accessed April 08, 2020. https://stars.library.ucf.edu/etd/4366.

MLA Handbook (7th Edition):

Hall, James. “Divining The Divine: Pop Mythology And Its Worth.” 2010. Web. 08 Apr 2020.

Vancouver:

Hall J. Divining The Divine: Pop Mythology And Its Worth. [Internet] [Masters thesis]. University of Central Florida; 2010. [cited 2020 Apr 08]. Available from: https://stars.library.ucf.edu/etd/4366.

Council of Science Editors:

Hall J. Divining The Divine: Pop Mythology And Its Worth. [Masters Thesis]. University of Central Florida; 2010. Available from: https://stars.library.ucf.edu/etd/4366


Uppsala University

20. Stigermark, Anton. Alt-Modernism : Challenging the idea of postmodernism as a left-wing movement.

Degree: Government, 2017, Uppsala University

  In this thesis, I’m working from the premise that postmodernism hitherto has been associated with the left. The next line of argument is, however,… (more)

Subjects/Keywords: Alt-Right; postmodernism; memes; Kek; Baneposting; pop culture; Political Science; Statsvetenskap

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APA (6th Edition):

Stigermark, A. (2017). Alt-Modernism : Challenging the idea of postmodernism as a left-wing movement. (Thesis). Uppsala University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-324280

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stigermark, Anton. “Alt-Modernism : Challenging the idea of postmodernism as a left-wing movement.” 2017. Thesis, Uppsala University. Accessed April 08, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-324280.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stigermark, Anton. “Alt-Modernism : Challenging the idea of postmodernism as a left-wing movement.” 2017. Web. 08 Apr 2020.

Vancouver:

Stigermark A. Alt-Modernism : Challenging the idea of postmodernism as a left-wing movement. [Internet] [Thesis]. Uppsala University; 2017. [cited 2020 Apr 08]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-324280.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stigermark A. Alt-Modernism : Challenging the idea of postmodernism as a left-wing movement. [Thesis]. Uppsala University; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-324280

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifícia Universidade Católica de São Paulo

21. Hugo Martinelli. Videoclipe: encruzilhada cultural análise das bases formais e culturais do videoclipe.

Degree: 2005, Pontifícia Universidade Católica de São Paulo

This research project proposes a dialogue about the videoclip as an audiovisual media and with its relationship with the art and the communication medias, as… (more)

Subjects/Keywords: Videoclipe; semiologia; ARTES; música pop; communication; arte; semiology; linguagem visual; art; vídeoclipe; visual language; comunicação; videoclip; pop music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Martinelli, H. (2005). Videoclipe: encruzilhada cultural análise das bases formais e culturais do videoclipe. (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=2093

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Martinelli, Hugo. “Videoclipe: encruzilhada cultural análise das bases formais e culturais do videoclipe.” 2005. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed April 08, 2020. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=2093.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Martinelli, Hugo. “Videoclipe: encruzilhada cultural análise das bases formais e culturais do videoclipe.” 2005. Web. 08 Apr 2020.

Vancouver:

Martinelli H. Videoclipe: encruzilhada cultural análise das bases formais e culturais do videoclipe. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2005. [cited 2020 Apr 08]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=2093.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Martinelli H. Videoclipe: encruzilhada cultural análise das bases formais e culturais do videoclipe. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2005. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=2093

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Penn State University

22. Mednicov, Melissa Levia. I Only Have Eyes For You: Three Case Studies in Rock 'n' Roll, Fandom, and Pop Art.

Degree: PhD, Art History, 2012, Penn State University

 Rock and roll was a crucial ingredient of Pop art. From Peter Blake’s collages of fanzines to Andy Warhol’s silkscreened Elvises, Pop artists in Europe… (more)

Subjects/Keywords: Pop art; rock 'n' roll; popular music; Peter Blake; Pauline Boty; James Rosenquist; melodrama; pop music

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APA (6th Edition):

Mednicov, M. L. (2012). I Only Have Eyes For You: Three Case Studies in Rock 'n' Roll, Fandom, and Pop Art. (Doctoral Dissertation). Penn State University. Retrieved from https://etda.libraries.psu.edu/catalog/16247

Chicago Manual of Style (16th Edition):

Mednicov, Melissa Levia. “I Only Have Eyes For You: Three Case Studies in Rock 'n' Roll, Fandom, and Pop Art.” 2012. Doctoral Dissertation, Penn State University. Accessed April 08, 2020. https://etda.libraries.psu.edu/catalog/16247.

MLA Handbook (7th Edition):

Mednicov, Melissa Levia. “I Only Have Eyes For You: Three Case Studies in Rock 'n' Roll, Fandom, and Pop Art.” 2012. Web. 08 Apr 2020.

Vancouver:

Mednicov ML. I Only Have Eyes For You: Three Case Studies in Rock 'n' Roll, Fandom, and Pop Art. [Internet] [Doctoral dissertation]. Penn State University; 2012. [cited 2020 Apr 08]. Available from: https://etda.libraries.psu.edu/catalog/16247.

Council of Science Editors:

Mednicov ML. I Only Have Eyes For You: Three Case Studies in Rock 'n' Roll, Fandom, and Pop Art. [Doctoral Dissertation]. Penn State University; 2012. Available from: https://etda.libraries.psu.edu/catalog/16247


East Carolina University

23. French, Timothy Paul. Art From the Abyss.

Degree: 2011, East Carolina University

 This document is written in support of the thesis exhibition, Art from the Abyss, which represents and supports the idea of art-making as a catharsis.… (more)

Subjects/Keywords: Fine arts; Abyss; Art; Lowbrow; Painting; Pop; Surrealism; Emotions in art; Drawing, American; Painting, American

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APA (6th Edition):

French, T. P. (2011). Art From the Abyss. (Thesis). East Carolina University. Retrieved from http://hdl.handle.net/10342/3581

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

French, Timothy Paul. “Art From the Abyss.” 2011. Thesis, East Carolina University. Accessed April 08, 2020. http://hdl.handle.net/10342/3581.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

French, Timothy Paul. “Art From the Abyss.” 2011. Web. 08 Apr 2020.

Vancouver:

French TP. Art From the Abyss. [Internet] [Thesis]. East Carolina University; 2011. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/10342/3581.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

French TP. Art From the Abyss. [Thesis]. East Carolina University; 2011. Available from: http://hdl.handle.net/10342/3581

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

24. Ostrander, Dana. The Bonwit Teller Window: homoeroticism and gender play in Andy Warhol's early pop exhibition.

Degree: MA, 0250, 2013, University of Illinois – Urbana-Champaign

 In April of 1961 Andy Warhol exhibited five of his early Pop paintings in the Bonwit Teller window on East 57th Street in New York… (more)

Subjects/Keywords: Andy Warhol; Bonwit Teller; fashion; commercial illustration; fine art; Pop art; gender; sexuality

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APA (6th Edition):

Ostrander, D. (2013). The Bonwit Teller Window: homoeroticism and gender play in Andy Warhol's early pop exhibition. (Thesis). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/44462

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ostrander, Dana. “The Bonwit Teller Window: homoeroticism and gender play in Andy Warhol's early pop exhibition.” 2013. Thesis, University of Illinois – Urbana-Champaign. Accessed April 08, 2020. http://hdl.handle.net/2142/44462.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ostrander, Dana. “The Bonwit Teller Window: homoeroticism and gender play in Andy Warhol's early pop exhibition.” 2013. Web. 08 Apr 2020.

Vancouver:

Ostrander D. The Bonwit Teller Window: homoeroticism and gender play in Andy Warhol's early pop exhibition. [Internet] [Thesis]. University of Illinois – Urbana-Champaign; 2013. [cited 2020 Apr 08]. Available from: http://hdl.handle.net/2142/44462.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ostrander D. The Bonwit Teller Window: homoeroticism and gender play in Andy Warhol's early pop exhibition. [Thesis]. University of Illinois – Urbana-Champaign; 2013. Available from: http://hdl.handle.net/2142/44462

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Schütz, Marine. Entre les lignes : dessin, illustration et pratiques graphiques dans le Pop art (1950-1975) : Between the lines : drawing, illustration and graphic practices in Pop art (1950-1975).

Degree: Docteur es, Histoire de l'art, 2015, Aix Marseille Université

Dès l’apparition du Pop art autour de 1962, l’iconographie de l’illustration et de la publicité indique l’émergence d’une véritable esthétique graphique. La rencontre du Pop(more)

Subjects/Keywords: Dessin; Pop art; Culture populaire; Estampe; Illustration; Art anglais; Art américain; Art contemporain; Cultural studies; Drawing; Popular culture; Print; Illustration; English art; American art; Contemporary art; Cultural studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schütz, M. (2015). Entre les lignes : dessin, illustration et pratiques graphiques dans le Pop art (1950-1975) : Between the lines : drawing, illustration and graphic practices in Pop art (1950-1975). (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2015AIXM3104

Chicago Manual of Style (16th Edition):

Schütz, Marine. “Entre les lignes : dessin, illustration et pratiques graphiques dans le Pop art (1950-1975) : Between the lines : drawing, illustration and graphic practices in Pop art (1950-1975).” 2015. Doctoral Dissertation, Aix Marseille Université. Accessed April 08, 2020. http://www.theses.fr/2015AIXM3104.

MLA Handbook (7th Edition):

Schütz, Marine. “Entre les lignes : dessin, illustration et pratiques graphiques dans le Pop art (1950-1975) : Between the lines : drawing, illustration and graphic practices in Pop art (1950-1975).” 2015. Web. 08 Apr 2020.

Vancouver:

Schütz M. Entre les lignes : dessin, illustration et pratiques graphiques dans le Pop art (1950-1975) : Between the lines : drawing, illustration and graphic practices in Pop art (1950-1975). [Internet] [Doctoral dissertation]. Aix Marseille Université 2015. [cited 2020 Apr 08]. Available from: http://www.theses.fr/2015AIXM3104.

Council of Science Editors:

Schütz M. Entre les lignes : dessin, illustration et pratiques graphiques dans le Pop art (1950-1975) : Between the lines : drawing, illustration and graphic practices in Pop art (1950-1975). [Doctoral Dissertation]. Aix Marseille Université 2015. Available from: http://www.theses.fr/2015AIXM3104


Université Paris-Sorbonne – Paris IV

26. Guyodo, Rochdi. Warhol et le pop art : entre ambivalences instables et duels des contraires : Warhol and pop art : between unstable ambivalences and opposite duels.

Degree: Docteur es, Philosophie, 2014, Université Paris-Sorbonne – Paris IV

Le grand projet à l’origine de la réalisation de cette thèse est de proposer une nouvelle manière de comprendre la nature instable et décloisonnée du… (more)

Subjects/Keywords: Pop art; Warhol; Lichtenstein; Ambivalence instable; Œuvre d’art; Désacralisation; Littéralité; Coïncidence des opposés; Pop art; Warhol; Lichtenstein; Unstable ambivalences; Masterpiece; Desecration; Literalism; Coincidence of opposites; 700

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Guyodo, R. (2014). Warhol et le pop art : entre ambivalences instables et duels des contraires : Warhol and pop art : between unstable ambivalences and opposite duels. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2014PA040047

Chicago Manual of Style (16th Edition):

Guyodo, Rochdi. “Warhol et le pop art : entre ambivalences instables et duels des contraires : Warhol and pop art : between unstable ambivalences and opposite duels.” 2014. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed April 08, 2020. http://www.theses.fr/2014PA040047.

MLA Handbook (7th Edition):

Guyodo, Rochdi. “Warhol et le pop art : entre ambivalences instables et duels des contraires : Warhol and pop art : between unstable ambivalences and opposite duels.” 2014. Web. 08 Apr 2020.

Vancouver:

Guyodo R. Warhol et le pop art : entre ambivalences instables et duels des contraires : Warhol and pop art : between unstable ambivalences and opposite duels. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2014. [cited 2020 Apr 08]. Available from: http://www.theses.fr/2014PA040047.

Council of Science Editors:

Guyodo R. Warhol et le pop art : entre ambivalences instables et duels des contraires : Warhol and pop art : between unstable ambivalences and opposite duels. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2014. Available from: http://www.theses.fr/2014PA040047


Université du Québec à Montréal

27. Noury, Cynthia. Rencontre(s) : élaboration d'une manœuvre radiophonique en direct médiatisant le phénomène de la rencontre à travers la pratique de l'entrevue de rue.

Degree: 2017, Université du Québec à Montréal

 Ce mémoire de recherche-création retrace l'élaboration de la manœuvre radiophonique diffusée en direct Rencontre(s) d'un point de vue théorique, esthétique et pratique. Cette dernière s'est… (more)

Subjects/Keywords: Interviews; Vox pop; Rencontre; Art furtif; Manœuvre artistique; Radiodiffusion; Mémoires et thèses de création

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Noury, C. (2017). Rencontre(s) : élaboration d'une manœuvre radiophonique en direct médiatisant le phénomène de la rencontre à travers la pratique de l'entrevue de rue. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/9656/1/M14818.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Noury, Cynthia. “Rencontre(s) : élaboration d'une manœuvre radiophonique en direct médiatisant le phénomène de la rencontre à travers la pratique de l'entrevue de rue.” 2017. Thesis, Université du Québec à Montréal. Accessed April 08, 2020. http://archipel.uqam.ca/9656/1/M14818.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Noury, Cynthia. “Rencontre(s) : élaboration d'une manœuvre radiophonique en direct médiatisant le phénomène de la rencontre à travers la pratique de l'entrevue de rue.” 2017. Web. 08 Apr 2020.

Vancouver:

Noury C. Rencontre(s) : élaboration d'une manœuvre radiophonique en direct médiatisant le phénomène de la rencontre à travers la pratique de l'entrevue de rue. [Internet] [Thesis]. Université du Québec à Montréal; 2017. [cited 2020 Apr 08]. Available from: http://archipel.uqam.ca/9656/1/M14818.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Noury C. Rencontre(s) : élaboration d'une manœuvre radiophonique en direct médiatisant le phénomène de la rencontre à travers la pratique de l'entrevue de rue. [Thesis]. Université du Québec à Montréal; 2017. Available from: http://archipel.uqam.ca/9656/1/M14818.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Québec à Montréal

28. Noury, Cynthia. Rencontre(s) : élaboration d'une manœuvre radiophonique en direct médiatisant le phénomène de la rencontre à travers la pratique de l'entrevue de rue.

Degree: 2017, Université du Québec à Montréal

 Ce mémoire de recherche-création retrace l'élaboration de la manœuvre radiophonique diffusée en direct Rencontre(s) d'un point de vue théorique, esthétique et pratique. Cette dernière s'est… (more)

Subjects/Keywords: Interviews; Vox pop; Rencontre; Art furtif; Manœuvre artistique; Radiodiffusion; Mémoires et thèses de création

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Noury, C. (2017). Rencontre(s) : élaboration d'une manœuvre radiophonique en direct médiatisant le phénomène de la rencontre à travers la pratique de l'entrevue de rue. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/9656/1/M14818.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Noury, Cynthia. “Rencontre(s) : élaboration d'une manœuvre radiophonique en direct médiatisant le phénomène de la rencontre à travers la pratique de l'entrevue de rue.” 2017. Thesis, Université du Québec à Montréal. Accessed April 08, 2020. http://www.archipel.uqam.ca/9656/1/M14818.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Noury, Cynthia. “Rencontre(s) : élaboration d'une manœuvre radiophonique en direct médiatisant le phénomène de la rencontre à travers la pratique de l'entrevue de rue.” 2017. Web. 08 Apr 2020.

Vancouver:

Noury C. Rencontre(s) : élaboration d'une manœuvre radiophonique en direct médiatisant le phénomène de la rencontre à travers la pratique de l'entrevue de rue. [Internet] [Thesis]. Université du Québec à Montréal; 2017. [cited 2020 Apr 08]. Available from: http://www.archipel.uqam.ca/9656/1/M14818.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Noury C. Rencontre(s) : élaboration d'une manœuvre radiophonique en direct médiatisant le phénomène de la rencontre à travers la pratique de l'entrevue de rue. [Thesis]. Université du Québec à Montréal; 2017. Available from: http://www.archipel.uqam.ca/9656/1/M14818.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

29. Flanery, Donna. All Grown-Up.

Degree: 2013, University of Florida

 All Grown-Up visualizes childlike attitudes which can be adapted for use in the adult world. Through illustrating the character of Betsy, I show a young… (more)

Subjects/Keywords: Adults; Art sketches; Child psychology; Childhood; Comic books; Drawing; Frit; Narratives; Pop up books; Viewers

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Flanery, D. (2013). All Grown-Up. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00017791

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Flanery, Donna. “All Grown-Up.” 2013. Thesis, University of Florida. Accessed April 08, 2020. http://ufdc.ufl.edu/AA00017791.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Flanery, Donna. “All Grown-Up.” 2013. Web. 08 Apr 2020.

Vancouver:

Flanery D. All Grown-Up. [Internet] [Thesis]. University of Florida; 2013. [cited 2020 Apr 08]. Available from: http://ufdc.ufl.edu/AA00017791.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Flanery D. All Grown-Up. [Thesis]. University of Florida; 2013. Available from: http://ufdc.ufl.edu/AA00017791

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Vienna

30. Haslinger, Sophie Carolin. Brand-Art.

Degree: 2010, University of Vienna

Die vorliegende Arbeit befasst sich mit zeitgenössischen Künstlern, die mit den visuell-kommunikativen Strategien des Branding arbeiten. Marken haben eine starke visuelle Komponente und schaffen ein… (more)

Subjects/Keywords: 05.99 Kommunikationswissenschaft: Sonstiges; 20.99 Kunstwissenschaften: Sonstiges; zeitgenössische Kunst / Branding / Marken / moderne Kunst / Pop Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Haslinger, S. C. (2010). Brand-Art. (Thesis). University of Vienna. Retrieved from http://othes.univie.ac.at/11873/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Haslinger, Sophie Carolin. “Brand-Art.” 2010. Thesis, University of Vienna. Accessed April 08, 2020. http://othes.univie.ac.at/11873/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Haslinger, Sophie Carolin. “Brand-Art.” 2010. Web. 08 Apr 2020.

Vancouver:

Haslinger SC. Brand-Art. [Internet] [Thesis]. University of Vienna; 2010. [cited 2020 Apr 08]. Available from: http://othes.univie.ac.at/11873/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Haslinger SC. Brand-Art. [Thesis]. University of Vienna; 2010. Available from: http://othes.univie.ac.at/11873/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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