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You searched for subject:( Political art). Showing records 1 – 30 of 292 total matches.

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University of Sydney

1. Bailey, Stuart. Indirect Action: A Critique of Current Models of Political Art .

Degree: 2014, University of Sydney

 The current critical discourse surrounding the political in contemporary art is dominated by the notion that the efficacy of an artwork is narrowly defined through… (more)

Subjects/Keywords: Political art; participatory art; Printmaking; Political posters; Australian Political posters

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APA (6th Edition):

Bailey, S. (2014). Indirect Action: A Critique of Current Models of Political Art . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/15072

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bailey, Stuart. “Indirect Action: A Critique of Current Models of Political Art .” 2014. Thesis, University of Sydney. Accessed February 26, 2020. http://hdl.handle.net/2123/15072.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bailey, Stuart. “Indirect Action: A Critique of Current Models of Political Art .” 2014. Web. 26 Feb 2020.

Vancouver:

Bailey S. Indirect Action: A Critique of Current Models of Political Art . [Internet] [Thesis]. University of Sydney; 2014. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/2123/15072.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bailey S. Indirect Action: A Critique of Current Models of Political Art . [Thesis]. University of Sydney; 2014. Available from: http://hdl.handle.net/2123/15072

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Santa Cruz

2. Nelson, Rachel E. At the Edge of Ruin: Seeing Art Under Perpetual Conflict.

Degree: Visual Studies, 2016, University of California – Santa Cruz

 At the Edge of Ruin: Seeing Art Under Perpetual Conflict engages four different art practices that are embedded in current political conflicts and struggles over… (more)

Subjects/Keywords: Art history; art and activism; global art; political art

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APA (6th Edition):

Nelson, R. E. (2016). At the Edge of Ruin: Seeing Art Under Perpetual Conflict. (Thesis). University of California – Santa Cruz. Retrieved from http://www.escholarship.org/uc/item/5768k8tk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nelson, Rachel E. “At the Edge of Ruin: Seeing Art Under Perpetual Conflict.” 2016. Thesis, University of California – Santa Cruz. Accessed February 26, 2020. http://www.escholarship.org/uc/item/5768k8tk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nelson, Rachel E. “At the Edge of Ruin: Seeing Art Under Perpetual Conflict.” 2016. Web. 26 Feb 2020.

Vancouver:

Nelson RE. At the Edge of Ruin: Seeing Art Under Perpetual Conflict. [Internet] [Thesis]. University of California – Santa Cruz; 2016. [cited 2020 Feb 26]. Available from: http://www.escholarship.org/uc/item/5768k8tk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nelson RE. At the Edge of Ruin: Seeing Art Under Perpetual Conflict. [Thesis]. University of California – Santa Cruz; 2016. Available from: http://www.escholarship.org/uc/item/5768k8tk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

3. Kirkham, Nicola. J18 : movements towards an ethico-aesthetic paradigm.

Degree: 2009, University of the Arts London

 This thesis offers a materialist account of political action from the perspective of the aesthetic, focusing on a global day of action, protest and carnival… (more)

Subjects/Keywords: 708; Political Sociology : Fine Art

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APA (6th Edition):

Kirkham, N. (2009). J18 : movements towards an ethico-aesthetic paradigm. (Doctoral Dissertation). University of the Arts London. Retrieved from http://ualresearchonline.arts.ac.uk/5790/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543453

Chicago Manual of Style (16th Edition):

Kirkham, Nicola. “J18 : movements towards an ethico-aesthetic paradigm.” 2009. Doctoral Dissertation, University of the Arts London. Accessed February 26, 2020. http://ualresearchonline.arts.ac.uk/5790/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543453.

MLA Handbook (7th Edition):

Kirkham, Nicola. “J18 : movements towards an ethico-aesthetic paradigm.” 2009. Web. 26 Feb 2020.

Vancouver:

Kirkham N. J18 : movements towards an ethico-aesthetic paradigm. [Internet] [Doctoral dissertation]. University of the Arts London; 2009. [cited 2020 Feb 26]. Available from: http://ualresearchonline.arts.ac.uk/5790/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543453.

Council of Science Editors:

Kirkham N. J18 : movements towards an ethico-aesthetic paradigm. [Doctoral Dissertation]. University of the Arts London; 2009. Available from: http://ualresearchonline.arts.ac.uk/5790/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543453


Columbia University

4. Zarrillo, Taryn Marie. Artistic Patrimony and Cultural Politics in Early Seicento Venice.

Degree: 2016, Columbia University

 In the period following the Cinquecento Renaissance, contemporary seventeenth century Venetian artists were presented with two enormous challenges. The first was to attempt to reinterpret… (more)

Subjects/Keywords: Painting, Renaissance – Italian influences; Art – Political aspects; Art, Italian; Art; History

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APA (6th Edition):

Zarrillo, T. M. (2016). Artistic Patrimony and Cultural Politics in Early Seicento Venice. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D81G0M69

Chicago Manual of Style (16th Edition):

Zarrillo, Taryn Marie. “Artistic Patrimony and Cultural Politics in Early Seicento Venice.” 2016. Doctoral Dissertation, Columbia University. Accessed February 26, 2020. https://doi.org/10.7916/D81G0M69.

MLA Handbook (7th Edition):

Zarrillo, Taryn Marie. “Artistic Patrimony and Cultural Politics in Early Seicento Venice.” 2016. Web. 26 Feb 2020.

Vancouver:

Zarrillo TM. Artistic Patrimony and Cultural Politics in Early Seicento Venice. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2020 Feb 26]. Available from: https://doi.org/10.7916/D81G0M69.

Council of Science Editors:

Zarrillo TM. Artistic Patrimony and Cultural Politics in Early Seicento Venice. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D81G0M69


Columbia University

5. Frobes-Cross, Nicholas. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.

Degree: 2016, Columbia University

 This dissertation presents the early work of Martha Rosler, Allan Sekula and Fred Lonidier as an attempt to intertwine political and aesthetic practice that was… (more)

Subjects/Keywords: Conceptual art; Art – Political aspects; Art; Sekula, Allan

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APA (6th Edition):

Frobes-Cross, N. (2016). Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D88K794J

Chicago Manual of Style (16th Edition):

Frobes-Cross, Nicholas. “Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.” 2016. Doctoral Dissertation, Columbia University. Accessed February 26, 2020. https://doi.org/10.7916/D88K794J.

MLA Handbook (7th Edition):

Frobes-Cross, Nicholas. “Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976.” 2016. Web. 26 Feb 2020.

Vancouver:

Frobes-Cross N. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. [Internet] [Doctoral dissertation]. Columbia University; 2016. [cited 2020 Feb 26]. Available from: https://doi.org/10.7916/D88K794J.

Council of Science Editors:

Frobes-Cross N. Various Representational Tasks: Art and activism in the early work of Martha Rosler, Allan Sekula and Fred Lonidier, 1967-1976. [Doctoral Dissertation]. Columbia University; 2016. Available from: https://doi.org/10.7916/D88K794J

6. Zabolinezhad, Hoda. A la recherche de la figure de l'artiste contestataire contemporain, dans le cadre de la mondialisation : le cas particulier des artistes contestataires iraniens : In search of the figure of contemporary protest artist, in the context of Globalization : the particular case of Iranian artists.

Degree: Docteur es, Arts visuels, 2018, Université de Strasbourg

« Les philosophes analytiques de l'art et les artistes conceptuels ont en commun de refuser la théorisation et la recherche du beau comme idée ou… (more)

Subjects/Keywords: Art contemporain contestataire; Mondialisation; Art politique; Art propagandiste; Iran; Contentious contemporary art; Globalization; Political art; Propaganda art; Iran; 701.17

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APA (6th Edition):

Zabolinezhad, H. (2018). A la recherche de la figure de l'artiste contestataire contemporain, dans le cadre de la mondialisation : le cas particulier des artistes contestataires iraniens : In search of the figure of contemporary protest artist, in the context of Globalization : the particular case of Iranian artists. (Doctoral Dissertation). Université de Strasbourg. Retrieved from http://www.theses.fr/2018STRAC005

Chicago Manual of Style (16th Edition):

Zabolinezhad, Hoda. “A la recherche de la figure de l'artiste contestataire contemporain, dans le cadre de la mondialisation : le cas particulier des artistes contestataires iraniens : In search of the figure of contemporary protest artist, in the context of Globalization : the particular case of Iranian artists.” 2018. Doctoral Dissertation, Université de Strasbourg. Accessed February 26, 2020. http://www.theses.fr/2018STRAC005.

MLA Handbook (7th Edition):

Zabolinezhad, Hoda. “A la recherche de la figure de l'artiste contestataire contemporain, dans le cadre de la mondialisation : le cas particulier des artistes contestataires iraniens : In search of the figure of contemporary protest artist, in the context of Globalization : the particular case of Iranian artists.” 2018. Web. 26 Feb 2020.

Vancouver:

Zabolinezhad H. A la recherche de la figure de l'artiste contestataire contemporain, dans le cadre de la mondialisation : le cas particulier des artistes contestataires iraniens : In search of the figure of contemporary protest artist, in the context of Globalization : the particular case of Iranian artists. [Internet] [Doctoral dissertation]. Université de Strasbourg; 2018. [cited 2020 Feb 26]. Available from: http://www.theses.fr/2018STRAC005.

Council of Science Editors:

Zabolinezhad H. A la recherche de la figure de l'artiste contestataire contemporain, dans le cadre de la mondialisation : le cas particulier des artistes contestataires iraniens : In search of the figure of contemporary protest artist, in the context of Globalization : the particular case of Iranian artists. [Doctoral Dissertation]. Université de Strasbourg; 2018. Available from: http://www.theses.fr/2018STRAC005


Columbia University

7. Duong, Paloma. Amateur Citizens: Culture and Democracy in Contemporary Cuba.

Degree: 2014, Columbia University

 This dissertation studies the creative practices of citizens who use cultural resources to engage in political criticism in contemporary Cuba. I argue that, in order… (more)

Subjects/Keywords: Culture – Political aspects; Art – Political aspects; Performing arts – Political aspects; Political participation; Latin Americans

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APA (6th Edition):

Duong, P. (2014). Amateur Citizens: Culture and Democracy in Contemporary Cuba. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8J964WP

Chicago Manual of Style (16th Edition):

Duong, Paloma. “Amateur Citizens: Culture and Democracy in Contemporary Cuba.” 2014. Doctoral Dissertation, Columbia University. Accessed February 26, 2020. https://doi.org/10.7916/D8J964WP.

MLA Handbook (7th Edition):

Duong, Paloma. “Amateur Citizens: Culture and Democracy in Contemporary Cuba.” 2014. Web. 26 Feb 2020.

Vancouver:

Duong P. Amateur Citizens: Culture and Democracy in Contemporary Cuba. [Internet] [Doctoral dissertation]. Columbia University; 2014. [cited 2020 Feb 26]. Available from: https://doi.org/10.7916/D8J964WP.

Council of Science Editors:

Duong P. Amateur Citizens: Culture and Democracy in Contemporary Cuba. [Doctoral Dissertation]. Columbia University; 2014. Available from: https://doi.org/10.7916/D8J964WP


University of Florida

8. Todd, Leslie E. Instruments of Expression Quito's Creole Elite and Eighteenth-Century Nativity Scenes.

Degree: MA, Art History - Art and Art History, 2013, University of Florida

 Throughout the colonial period, sculptural style and subject matter was principally guided by the widely disseminated religious intention to inspire and maintain Catholic devotion. Without… (more)

Subjects/Keywords: Art collecting; Art exhibitions; Art museums; Creoles; Nativity scenes; Political elites; Political reform; Rococo art; Sculpture; Viewers; colonial  – creole  – quito  – sculpture

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APA (6th Edition):

Todd, L. E. (2013). Instruments of Expression Quito's Creole Elite and Eighteenth-Century Nativity Scenes. (Masters Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/UFE0045496

Chicago Manual of Style (16th Edition):

Todd, Leslie E. “Instruments of Expression Quito's Creole Elite and Eighteenth-Century Nativity Scenes.” 2013. Masters Thesis, University of Florida. Accessed February 26, 2020. http://ufdc.ufl.edu/UFE0045496.

MLA Handbook (7th Edition):

Todd, Leslie E. “Instruments of Expression Quito's Creole Elite and Eighteenth-Century Nativity Scenes.” 2013. Web. 26 Feb 2020.

Vancouver:

Todd LE. Instruments of Expression Quito's Creole Elite and Eighteenth-Century Nativity Scenes. [Internet] [Masters thesis]. University of Florida; 2013. [cited 2020 Feb 26]. Available from: http://ufdc.ufl.edu/UFE0045496.

Council of Science Editors:

Todd LE. Instruments of Expression Quito's Creole Elite and Eighteenth-Century Nativity Scenes. [Masters Thesis]. University of Florida; 2013. Available from: http://ufdc.ufl.edu/UFE0045496


University of Hong Kong

9. Kalmanowitz, Debra. Inhabited studio : art therapy and mindfulness with survivors of political violence.

Degree: PhD, 2016, University of Hong Kong

The objective of this study is to understand the ways in which art therapy and mindfulness meditation form a working model specific to the context… (more)

Subjects/Keywords: Political refugees - Counseling of; Meditation; Art therapy

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APA (6th Edition):

Kalmanowitz, D. (2016). Inhabited studio : art therapy and mindfulness with survivors of political violence. (Doctoral Dissertation). University of Hong Kong. Retrieved from Kalmanowitz, D.. (2016). Inhabited studio : art therapy and mindfulness with survivors of political violence. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760935 ; http://hdl.handle.net/10722/226793

Chicago Manual of Style (16th Edition):

Kalmanowitz, Debra. “Inhabited studio : art therapy and mindfulness with survivors of political violence.” 2016. Doctoral Dissertation, University of Hong Kong. Accessed February 26, 2020. Kalmanowitz, D.. (2016). Inhabited studio : art therapy and mindfulness with survivors of political violence. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760935 ; http://hdl.handle.net/10722/226793.

MLA Handbook (7th Edition):

Kalmanowitz, Debra. “Inhabited studio : art therapy and mindfulness with survivors of political violence.” 2016. Web. 26 Feb 2020.

Vancouver:

Kalmanowitz D. Inhabited studio : art therapy and mindfulness with survivors of political violence. [Internet] [Doctoral dissertation]. University of Hong Kong; 2016. [cited 2020 Feb 26]. Available from: Kalmanowitz, D.. (2016). Inhabited studio : art therapy and mindfulness with survivors of political violence. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760935 ; http://hdl.handle.net/10722/226793.

Council of Science Editors:

Kalmanowitz D. Inhabited studio : art therapy and mindfulness with survivors of political violence. [Doctoral Dissertation]. University of Hong Kong; 2016. Available from: Kalmanowitz, D.. (2016). Inhabited studio : art therapy and mindfulness with survivors of political violence. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Retrieved from http://dx.doi.org/10.5353/th_b5760935 ; http://hdl.handle.net/10722/226793


San Jose State University

10. Chavez, Ricardo. Objects of Politics, Objects of Art: Three Studies on the Display of American Political Prints.

Degree: MA, Art and Art History, 2018, San Jose State University

  Fueled by the radical political thinking of the 1960s and beyond, people in the United States produced artistic responses in the form of political(more)

Subjects/Keywords: 1960s; Activism; Museums; Political Art; Posters; Printmaking

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APA (6th Edition):

Chavez, R. (2018). Objects of Politics, Objects of Art: Three Studies on the Display of American Political Prints. (Masters Thesis). San Jose State University. Retrieved from https://doi.org/10.31979/etd.5ya7-46ar ; https://scholarworks.sjsu.edu/etd_theses/4930

Chicago Manual of Style (16th Edition):

Chavez, Ricardo. “Objects of Politics, Objects of Art: Three Studies on the Display of American Political Prints.” 2018. Masters Thesis, San Jose State University. Accessed February 26, 2020. https://doi.org/10.31979/etd.5ya7-46ar ; https://scholarworks.sjsu.edu/etd_theses/4930.

MLA Handbook (7th Edition):

Chavez, Ricardo. “Objects of Politics, Objects of Art: Three Studies on the Display of American Political Prints.” 2018. Web. 26 Feb 2020.

Vancouver:

Chavez R. Objects of Politics, Objects of Art: Three Studies on the Display of American Political Prints. [Internet] [Masters thesis]. San Jose State University; 2018. [cited 2020 Feb 26]. Available from: https://doi.org/10.31979/etd.5ya7-46ar ; https://scholarworks.sjsu.edu/etd_theses/4930.

Council of Science Editors:

Chavez R. Objects of Politics, Objects of Art: Three Studies on the Display of American Political Prints. [Masters Thesis]. San Jose State University; 2018. Available from: https://doi.org/10.31979/etd.5ya7-46ar ; https://scholarworks.sjsu.edu/etd_theses/4930


University of Sydney

11. Wilken, Linda Cheryl. Porn identity: The sexualisation and objectification of young girls .

Degree: 2015, University of Sydney

 Over the past five years the increasingly explicit sexual nature of a range of clothing and toys for children, mainly girls, sold in Australian shops… (more)

Subjects/Keywords: Identity; society; political; gender; childhood; contemporary art

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APA (6th Edition):

Wilken, L. C. (2015). Porn identity: The sexualisation and objectification of young girls . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/14545

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wilken, Linda Cheryl. “Porn identity: The sexualisation and objectification of young girls .” 2015. Thesis, University of Sydney. Accessed February 26, 2020. http://hdl.handle.net/2123/14545.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wilken, Linda Cheryl. “Porn identity: The sexualisation and objectification of young girls .” 2015. Web. 26 Feb 2020.

Vancouver:

Wilken LC. Porn identity: The sexualisation and objectification of young girls . [Internet] [Thesis]. University of Sydney; 2015. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/2123/14545.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wilken LC. Porn identity: The sexualisation and objectification of young girls . [Thesis]. University of Sydney; 2015. Available from: http://hdl.handle.net/2123/14545

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Georgetown University

12. [No author]. THE PALESTINE POSTER PROJECT ARCHIVES: ORIGINS, EVOLUTION, AND POTENTIAL .

Degree: 2011, Georgetown University

 Focusing on the more than 6,000 posters now on view at the Palestine Poster Project Archives Website ("Website"), I will outline its evolution from a… (more)

Subjects/Keywords: culture; curriculum; Palestine; political art; posters; Zionism

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APA (6th Edition):

author], [. (2011). THE PALESTINE POSTER PROJECT ARCHIVES: ORIGINS, EVOLUTION, AND POTENTIAL . (Thesis). Georgetown University. Retrieved from http://hdl.handle.net/10822/557921

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

author], [No. “THE PALESTINE POSTER PROJECT ARCHIVES: ORIGINS, EVOLUTION, AND POTENTIAL .” 2011. Thesis, Georgetown University. Accessed February 26, 2020. http://hdl.handle.net/10822/557921.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

author], [No. “THE PALESTINE POSTER PROJECT ARCHIVES: ORIGINS, EVOLUTION, AND POTENTIAL .” 2011. Web. 26 Feb 2020.

Vancouver:

author] [. THE PALESTINE POSTER PROJECT ARCHIVES: ORIGINS, EVOLUTION, AND POTENTIAL . [Internet] [Thesis]. Georgetown University; 2011. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/10822/557921.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

author] [. THE PALESTINE POSTER PROJECT ARCHIVES: ORIGINS, EVOLUTION, AND POTENTIAL . [Thesis]. Georgetown University; 2011. Available from: http://hdl.handle.net/10822/557921

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Virginia Commonwealth University

13. Thompson, Kylene. The Things You Never Did Because You Might Die Trying.

Degree: Master of Interdisciplinary Studies, Interdisciplinary Studies, 2009, Virginia Commonwealth University

 Artist Statement My work is about the military. I represent my views of the military from my perspective as a military wife, sister, and daughter.… (more)

Subjects/Keywords: Military/Political Art

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APA (6th Edition):

Thompson, K. (2009). The Things You Never Did Because You Might Die Trying. (Thesis). Virginia Commonwealth University. Retrieved from https://doi.org/10.25772/MCQ1-0M52 ; https://scholarscompass.vcu.edu/etd/1961

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Thompson, Kylene. “The Things You Never Did Because You Might Die Trying.” 2009. Thesis, Virginia Commonwealth University. Accessed February 26, 2020. https://doi.org/10.25772/MCQ1-0M52 ; https://scholarscompass.vcu.edu/etd/1961.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Thompson, Kylene. “The Things You Never Did Because You Might Die Trying.” 2009. Web. 26 Feb 2020.

Vancouver:

Thompson K. The Things You Never Did Because You Might Die Trying. [Internet] [Thesis]. Virginia Commonwealth University; 2009. [cited 2020 Feb 26]. Available from: https://doi.org/10.25772/MCQ1-0M52 ; https://scholarscompass.vcu.edu/etd/1961.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Thompson K. The Things You Never Did Because You Might Die Trying. [Thesis]. Virginia Commonwealth University; 2009. Available from: https://doi.org/10.25772/MCQ1-0M52 ; https://scholarscompass.vcu.edu/etd/1961

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Minnesota

14. Rounthwaite, Vanessa. Rearrangements: Participation and Politics at the Dia Art Foundation, 1988-89.

Degree: PhD, Art History, 2013, University of Minnesota

 This dissertation deals with audience experience in contemporary participatory art. It approaches this topic both in terms of the changing conditions that produce certain forms… (more)

Subjects/Keywords: Audience; Dia Art Foundation; Group Material; Martha Rosler; Participation; Political art

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APA (6th Edition):

Rounthwaite, V. (2013). Rearrangements: Participation and Politics at the Dia Art Foundation, 1988-89. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/173945

Chicago Manual of Style (16th Edition):

Rounthwaite, Vanessa. “Rearrangements: Participation and Politics at the Dia Art Foundation, 1988-89.” 2013. Doctoral Dissertation, University of Minnesota. Accessed February 26, 2020. http://hdl.handle.net/11299/173945.

MLA Handbook (7th Edition):

Rounthwaite, Vanessa. “Rearrangements: Participation and Politics at the Dia Art Foundation, 1988-89.” 2013. Web. 26 Feb 2020.

Vancouver:

Rounthwaite V. Rearrangements: Participation and Politics at the Dia Art Foundation, 1988-89. [Internet] [Doctoral dissertation]. University of Minnesota; 2013. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/11299/173945.

Council of Science Editors:

Rounthwaite V. Rearrangements: Participation and Politics at the Dia Art Foundation, 1988-89. [Doctoral Dissertation]. University of Minnesota; 2013. Available from: http://hdl.handle.net/11299/173945


University of Ottawa

15. Brown, Adam. Pythagoras Unchained .

Degree: 2014, University of Ottawa

 Recounts the author’s trajectory in the Masters of Fine Arts program. Describes the nature of his early practice in interactive sound art and its later… (more)

Subjects/Keywords: social practice; visual art; participation; interaction; political art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brown, A. (2014). Pythagoras Unchained . (Thesis). University of Ottawa. Retrieved from http://hdl.handle.net/10393/31643

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brown, Adam. “Pythagoras Unchained .” 2014. Thesis, University of Ottawa. Accessed February 26, 2020. http://hdl.handle.net/10393/31643.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brown, Adam. “Pythagoras Unchained .” 2014. Web. 26 Feb 2020.

Vancouver:

Brown A. Pythagoras Unchained . [Internet] [Thesis]. University of Ottawa; 2014. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/10393/31643.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown A. Pythagoras Unchained . [Thesis]. University of Ottawa; 2014. Available from: http://hdl.handle.net/10393/31643

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

16. Mansour, Marcelle. Threshold .

Degree: 2013, University of Sydney

 Threshold is the topic of my research. It aims to establish the authenticity and the validity of spirituality within contemporary political art where its purposive… (more)

Subjects/Keywords: Contemporary political art; Spirituality in art; Light perception; Lived experience

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mansour, M. (2013). Threshold . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/10228

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mansour, Marcelle. “Threshold .” 2013. Thesis, University of Sydney. Accessed February 26, 2020. http://hdl.handle.net/2123/10228.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mansour, Marcelle. “Threshold .” 2013. Web. 26 Feb 2020.

Vancouver:

Mansour M. Threshold . [Internet] [Thesis]. University of Sydney; 2013. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/2123/10228.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mansour M. Threshold . [Thesis]. University of Sydney; 2013. Available from: http://hdl.handle.net/2123/10228

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Rupers, Benjamin. High School Visual Arts and Student Civic Engagement.

Degree: MS, Education, 2018, Dominican University of California

  A democracy is healthiest when civic engagement is valued and demonstrated by its citizens. Although many have studied ways to increase civic engagement, the… (more)

Subjects/Keywords: Civic engagement; Visual art students; Citizenship; Political art; Civic education; Art Education; Secondary Education

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rupers, B. (2018). High School Visual Arts and Student Civic Engagement. (Masters Thesis). Dominican University of California. Retrieved from https://scholar.dominican.edu/masters-theses/311

Chicago Manual of Style (16th Edition):

Rupers, Benjamin. “High School Visual Arts and Student Civic Engagement.” 2018. Masters Thesis, Dominican University of California. Accessed February 26, 2020. https://scholar.dominican.edu/masters-theses/311.

MLA Handbook (7th Edition):

Rupers, Benjamin. “High School Visual Arts and Student Civic Engagement.” 2018. Web. 26 Feb 2020.

Vancouver:

Rupers B. High School Visual Arts and Student Civic Engagement. [Internet] [Masters thesis]. Dominican University of California; 2018. [cited 2020 Feb 26]. Available from: https://scholar.dominican.edu/masters-theses/311.

Council of Science Editors:

Rupers B. High School Visual Arts and Student Civic Engagement. [Masters Thesis]. Dominican University of California; 2018. Available from: https://scholar.dominican.edu/masters-theses/311


Western Carolina University

18. Richardson, Janet Marie. Brutal world.

Degree: 2016, Western Carolina University

 History repeats itself. My large scale paintings and small ceramic sculptures embrace historical and fictional characters from past and present, powerful/powerless, good/evil, humorous and satiric.… (more)

Subjects/Keywords: Culture in art; Art and society; Art  – Political aspects; Painting; Large-scale drawing; Ceramic sculpture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Richardson, J. M. (2016). Brutal world. (Masters Thesis). Western Carolina University. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21203

Chicago Manual of Style (16th Edition):

Richardson, Janet Marie. “Brutal world.” 2016. Masters Thesis, Western Carolina University. Accessed February 26, 2020. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21203.

MLA Handbook (7th Edition):

Richardson, Janet Marie. “Brutal world.” 2016. Web. 26 Feb 2020.

Vancouver:

Richardson JM. Brutal world. [Internet] [Masters thesis]. Western Carolina University; 2016. [cited 2020 Feb 26]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21203.

Council of Science Editors:

Richardson JM. Brutal world. [Masters Thesis]. Western Carolina University; 2016. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=21203


Texas State University – San Marcos

19. Weeks, Steven Douglas. Art Activism in Guatemala.

Degree: MS, Sustainability Studies, 2018, Texas State University – San Marcos

 Guatemala is a small Central American country with a long history of violence in the 20th century. In 1996 after 36 years of civil war,… (more)

Subjects/Keywords: Art Activism; Guatemala; Performance art – Political aspects – Guatemala; Art and social action – Guatemala

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Weeks, S. D. (2018). Art Activism in Guatemala. (Masters Thesis). Texas State University – San Marcos. Retrieved from https://digital.library.txstate.edu/handle/10877/7372

Chicago Manual of Style (16th Edition):

Weeks, Steven Douglas. “Art Activism in Guatemala.” 2018. Masters Thesis, Texas State University – San Marcos. Accessed February 26, 2020. https://digital.library.txstate.edu/handle/10877/7372.

MLA Handbook (7th Edition):

Weeks, Steven Douglas. “Art Activism in Guatemala.” 2018. Web. 26 Feb 2020.

Vancouver:

Weeks SD. Art Activism in Guatemala. [Internet] [Masters thesis]. Texas State University – San Marcos; 2018. [cited 2020 Feb 26]. Available from: https://digital.library.txstate.edu/handle/10877/7372.

Council of Science Editors:

Weeks SD. Art Activism in Guatemala. [Masters Thesis]. Texas State University – San Marcos; 2018. Available from: https://digital.library.txstate.edu/handle/10877/7372

20. NC DOCKS at Western Carolina University; Richardson, Janet Marie. Brutal world.

Degree: 2016, NC Docks

 History repeats itself. My large scale paintings and small ceramic sculptures embrace historical and fictional characters from past and present, powerful/powerless, good/evil, humorous and satiric.… (more)

Subjects/Keywords: Culture in art; Art and society; Art  – Political aspects; Painting; Large-scale drawing; Ceramic sculpture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

NC DOCKS at Western Carolina University; Richardson, J. M. (2016). Brutal world. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/wcu/f/Richardson2016.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

NC DOCKS at Western Carolina University; Richardson, Janet Marie. “Brutal world.” 2016. Thesis, NC Docks. Accessed February 26, 2020. http://libres.uncg.edu/ir/wcu/f/Richardson2016.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

NC DOCKS at Western Carolina University; Richardson, Janet Marie. “Brutal world.” 2016. Web. 26 Feb 2020.

Vancouver:

NC DOCKS at Western Carolina University; Richardson JM. Brutal world. [Internet] [Thesis]. NC Docks; 2016. [cited 2020 Feb 26]. Available from: http://libres.uncg.edu/ir/wcu/f/Richardson2016.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

NC DOCKS at Western Carolina University; Richardson JM. Brutal world. [Thesis]. NC Docks; 2016. Available from: http://libres.uncg.edu/ir/wcu/f/Richardson2016.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Drexel University

21. Tarkulich, Karen. Arts and Activism: Examining the relationship between activism, the institution, and the arts administrator.

Degree: 2018, Drexel University

This thesis examines the relationship between art institutions and activism through the eyes of artists creating work that is socially minded with a particular emphasis… (more)

Subjects/Keywords: Arts – Management; Art; Arts administrators; Political participation; Artists – Political activity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tarkulich, K. (2018). Arts and Activism: Examining the relationship between activism, the institution, and the arts administrator. (Thesis). Drexel University. Retrieved from http://hdl.handle.net/1860/idea:7816

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tarkulich, Karen. “Arts and Activism: Examining the relationship between activism, the institution, and the arts administrator.” 2018. Thesis, Drexel University. Accessed February 26, 2020. http://hdl.handle.net/1860/idea:7816.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tarkulich, Karen. “Arts and Activism: Examining the relationship between activism, the institution, and the arts administrator.” 2018. Web. 26 Feb 2020.

Vancouver:

Tarkulich K. Arts and Activism: Examining the relationship between activism, the institution, and the arts administrator. [Internet] [Thesis]. Drexel University; 2018. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/1860/idea:7816.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tarkulich K. Arts and Activism: Examining the relationship between activism, the institution, and the arts administrator. [Thesis]. Drexel University; 2018. Available from: http://hdl.handle.net/1860/idea:7816

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University College Cork

22. Paris, Dorone. A philosophy of performance, politics and composition.

Degree: 2016, University College Cork

 This thesis discusses socio-political issues worldwide through philosophical approaches to performance, politics and composition. My research also discuss sound decisions which I regard to be… (more)

Subjects/Keywords: Composition; Political music; Political art; Philosophy and music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Paris, D. (2016). A philosophy of performance, politics and composition. (Thesis). University College Cork. Retrieved from http://hdl.handle.net/10468/2783

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Paris, Dorone. “A philosophy of performance, politics and composition.” 2016. Thesis, University College Cork. Accessed February 26, 2020. http://hdl.handle.net/10468/2783.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Paris, Dorone. “A philosophy of performance, politics and composition.” 2016. Web. 26 Feb 2020.

Vancouver:

Paris D. A philosophy of performance, politics and composition. [Internet] [Thesis]. University College Cork; 2016. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/10468/2783.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Paris D. A philosophy of performance, politics and composition. [Thesis]. University College Cork; 2016. Available from: http://hdl.handle.net/10468/2783

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

23. Driscoll, Megan Philipa. Art on the Internet and the Digital Public Sphere, 1994 - 2003.

Degree: Art History, 2018, UCLA

 This dissertation narrates the development of internet art, a diverse set of practices united by their interrogation of the technological, social, and/or political bases of… (more)

Subjects/Keywords: Art history; Web studies; Political science; contemporary art; internet; internet art; mass media; public art; public sphere

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Driscoll, M. P. (2018). Art on the Internet and the Digital Public Sphere, 1994 - 2003. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/5kf3x456

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Driscoll, Megan Philipa. “Art on the Internet and the Digital Public Sphere, 1994 - 2003.” 2018. Thesis, UCLA. Accessed February 26, 2020. http://www.escholarship.org/uc/item/5kf3x456.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Driscoll, Megan Philipa. “Art on the Internet and the Digital Public Sphere, 1994 - 2003.” 2018. Web. 26 Feb 2020.

Vancouver:

Driscoll MP. Art on the Internet and the Digital Public Sphere, 1994 - 2003. [Internet] [Thesis]. UCLA; 2018. [cited 2020 Feb 26]. Available from: http://www.escholarship.org/uc/item/5kf3x456.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Driscoll MP. Art on the Internet and the Digital Public Sphere, 1994 - 2003. [Thesis]. UCLA; 2018. Available from: http://www.escholarship.org/uc/item/5kf3x456

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rhodes University

24. Koekemoer, Carmen. Political grey : areas of ambiguity and contradiction.

Degree: Faculty of Humanities, Fine Art, 2014, Rhodes University

 This Master of Fine Arts submission, consisting of a thesis titled ‘Political Grey: Areas of Ambiguity and Contradiction’ accompanied by an exhibition titled ‘Positions’, encompasses… (more)

Subjects/Keywords: Politics in art; Art  – Political aspects  – South Africa; Leadership in art; Portraits, African; Portraits, European; Art and revolutions  – South Africa

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Koekemoer, C. (2014). Political grey : areas of ambiguity and contradiction. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1013136

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Koekemoer, Carmen. “Political grey : areas of ambiguity and contradiction.” 2014. Thesis, Rhodes University. Accessed February 26, 2020. http://hdl.handle.net/10962/d1013136.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Koekemoer, Carmen. “Political grey : areas of ambiguity and contradiction.” 2014. Web. 26 Feb 2020.

Vancouver:

Koekemoer C. Political grey : areas of ambiguity and contradiction. [Internet] [Thesis]. Rhodes University; 2014. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/10962/d1013136.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Koekemoer C. Political grey : areas of ambiguity and contradiction. [Thesis]. Rhodes University; 2014. Available from: http://hdl.handle.net/10962/d1013136

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

25. Kosinski, Megan. Addressing the Viewer: The Use of Text in the First International Dada Fair.

Degree: 2012, University of Florida

 While a visual assault by the Dadaists was maintained throughout the gallery space of the First International Dada Fair through the numerous Dada works, one… (more)

Subjects/Keywords: Advertising; Art exhibitions; Art festivals; Dadaism; Graphics; Political advertising; Posters; Typographic fonts; Viewers; World wars; Art and text; Art – Exhibitions; Dadaism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kosinski, M. (2012). Addressing the Viewer: The Use of Text in the First International Dada Fair. (Thesis). University of Florida. Retrieved from http://ufdc.ufl.edu/AA00057273

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kosinski, Megan. “Addressing the Viewer: The Use of Text in the First International Dada Fair.” 2012. Thesis, University of Florida. Accessed February 26, 2020. http://ufdc.ufl.edu/AA00057273.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kosinski, Megan. “Addressing the Viewer: The Use of Text in the First International Dada Fair.” 2012. Web. 26 Feb 2020.

Vancouver:

Kosinski M. Addressing the Viewer: The Use of Text in the First International Dada Fair. [Internet] [Thesis]. University of Florida; 2012. [cited 2020 Feb 26]. Available from: http://ufdc.ufl.edu/AA00057273.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kosinski M. Addressing the Viewer: The Use of Text in the First International Dada Fair. [Thesis]. University of Florida; 2012. Available from: http://ufdc.ufl.edu/AA00057273

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Leiden University

26. Bottacini, Giovanni. Censorship in Consistency: The Case of Chinese Contemporary Art (2004-2014).

Degree: 2018, Leiden University

 Artistic freedom of expression has always been a hot topic both in the West and in the East. It is enough to think about the… (more)

Subjects/Keywords: contemporary art; Chinese art; Chinese; Art censorship; China; contemporary Chinese art; harmonious society; pornography; violence; political criticism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bottacini, G. (2018). Censorship in Consistency: The Case of Chinese Contemporary Art (2004-2014). (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/64581

Chicago Manual of Style (16th Edition):

Bottacini, Giovanni. “Censorship in Consistency: The Case of Chinese Contemporary Art (2004-2014).” 2018. Masters Thesis, Leiden University. Accessed February 26, 2020. http://hdl.handle.net/1887/64581.

MLA Handbook (7th Edition):

Bottacini, Giovanni. “Censorship in Consistency: The Case of Chinese Contemporary Art (2004-2014).” 2018. Web. 26 Feb 2020.

Vancouver:

Bottacini G. Censorship in Consistency: The Case of Chinese Contemporary Art (2004-2014). [Internet] [Masters thesis]. Leiden University; 2018. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/1887/64581.

Council of Science Editors:

Bottacini G. Censorship in Consistency: The Case of Chinese Contemporary Art (2004-2014). [Masters Thesis]. Leiden University; 2018. Available from: http://hdl.handle.net/1887/64581

27. Tezkan, Ayse Melis. De l'intime au politique à l'identité à travers l'art vidéo en France, en Turquie et au Brésil : From intimate to political : identity through the video art in France, Turkey and Brazil.

Degree: Docteur es, Arts plastiques, 2012, Université Sorbonne Nouvelle – Paris III

Cette thèse traite de la définition et des prolongements politiques de l’identité, questionnés à travers la manifestation de l’intime dans l’art vidéo des années 1970… (more)

Subjects/Keywords: Identité; Art vidéo; Intime; Politique; Migration; Identity; Video art; Intimate; Political; Displacement; 777; 791.43

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tezkan, A. M. (2012). De l'intime au politique à l'identité à travers l'art vidéo en France, en Turquie et au Brésil : From intimate to political : identity through the video art in France, Turkey and Brazil. (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2012PA030056

Chicago Manual of Style (16th Edition):

Tezkan, Ayse Melis. “De l'intime au politique à l'identité à travers l'art vidéo en France, en Turquie et au Brésil : From intimate to political : identity through the video art in France, Turkey and Brazil.” 2012. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed February 26, 2020. http://www.theses.fr/2012PA030056.

MLA Handbook (7th Edition):

Tezkan, Ayse Melis. “De l'intime au politique à l'identité à travers l'art vidéo en France, en Turquie et au Brésil : From intimate to political : identity through the video art in France, Turkey and Brazil.” 2012. Web. 26 Feb 2020.

Vancouver:

Tezkan AM. De l'intime au politique à l'identité à travers l'art vidéo en France, en Turquie et au Brésil : From intimate to political : identity through the video art in France, Turkey and Brazil. [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2012. [cited 2020 Feb 26]. Available from: http://www.theses.fr/2012PA030056.

Council of Science Editors:

Tezkan AM. De l'intime au politique à l'identité à travers l'art vidéo en France, en Turquie et au Brésil : From intimate to political : identity through the video art in France, Turkey and Brazil. [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2012. Available from: http://www.theses.fr/2012PA030056


Drexel University

28. Wang, Chenyu. Chinese artists and contemporary art under the influence of Tiananmen Square event of June, 1989.

Degree: 2017, Drexel University

In the year of 1989, the appalling Tiananmen Square Event happened in China, becoming a large topic of social and political research. This period became… (more)

Subjects/Keywords: Arts – Management; Artists; Art – Political aspects; Art, Chinese; Tiananmen Square Incident (China : 1989)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wang, C. (2017). Chinese artists and contemporary art under the influence of Tiananmen Square event of June, 1989. (Thesis). Drexel University. Retrieved from http://hdl.handle.net/1860/idea:7693

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wang, Chenyu. “Chinese artists and contemporary art under the influence of Tiananmen Square event of June, 1989.” 2017. Thesis, Drexel University. Accessed February 26, 2020. http://hdl.handle.net/1860/idea:7693.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wang, Chenyu. “Chinese artists and contemporary art under the influence of Tiananmen Square event of June, 1989.” 2017. Web. 26 Feb 2020.

Vancouver:

Wang C. Chinese artists and contemporary art under the influence of Tiananmen Square event of June, 1989. [Internet] [Thesis]. Drexel University; 2017. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/1860/idea:7693.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wang C. Chinese artists and contemporary art under the influence of Tiananmen Square event of June, 1989. [Thesis]. Drexel University; 2017. Available from: http://hdl.handle.net/1860/idea:7693

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

29. Rudd, Van Thanh. Van Thanh Rudd vs Julia Gillard: art as politics?.

Degree: 2011, University of Melbourne

 Much of the history of avant-garde art has been defined by whether the conflation of art and life is possible. From this predicament stems the… (more)

Subjects/Keywords: Van Thanh Rudd; Julia Gillard; Australian Federal Election; art and politics; political art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rudd, V. T. (2011). Van Thanh Rudd vs Julia Gillard: art as politics?. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/37178

Chicago Manual of Style (16th Edition):

Rudd, Van Thanh. “Van Thanh Rudd vs Julia Gillard: art as politics?.” 2011. Masters Thesis, University of Melbourne. Accessed February 26, 2020. http://hdl.handle.net/11343/37178.

MLA Handbook (7th Edition):

Rudd, Van Thanh. “Van Thanh Rudd vs Julia Gillard: art as politics?.” 2011. Web. 26 Feb 2020.

Vancouver:

Rudd VT. Van Thanh Rudd vs Julia Gillard: art as politics?. [Internet] [Masters thesis]. University of Melbourne; 2011. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/11343/37178.

Council of Science Editors:

Rudd VT. Van Thanh Rudd vs Julia Gillard: art as politics?. [Masters Thesis]. University of Melbourne; 2011. Available from: http://hdl.handle.net/11343/37178


Arizona State University

30. Ferrell, Rebecca Anne. Patting Down the Burn Bag: The Declassification of Impressive Mastermind.

Degree: M.F.A., Dance, 2011, Arizona State University

 This thesis, Impressive Mastermind, examines notions of privacy and the law, particularly with regard to the USA Patriot Act implemented following the events of 9/11.… (more)

Subjects/Keywords: Dance; Performing Arts; dance; intervention art; Patriot Act; performing arts; political art; privacy

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APA (6th Edition):

Ferrell, R. A. (2011). Patting Down the Burn Bag: The Declassification of Impressive Mastermind. (Masters Thesis). Arizona State University. Retrieved from http://repository.asu.edu/items/9130

Chicago Manual of Style (16th Edition):

Ferrell, Rebecca Anne. “Patting Down the Burn Bag: The Declassification of Impressive Mastermind.” 2011. Masters Thesis, Arizona State University. Accessed February 26, 2020. http://repository.asu.edu/items/9130.

MLA Handbook (7th Edition):

Ferrell, Rebecca Anne. “Patting Down the Burn Bag: The Declassification of Impressive Mastermind.” 2011. Web. 26 Feb 2020.

Vancouver:

Ferrell RA. Patting Down the Burn Bag: The Declassification of Impressive Mastermind. [Internet] [Masters thesis]. Arizona State University; 2011. [cited 2020 Feb 26]. Available from: http://repository.asu.edu/items/9130.

Council of Science Editors:

Ferrell RA. Patting Down the Burn Bag: The Declassification of Impressive Mastermind. [Masters Thesis]. Arizona State University; 2011. Available from: http://repository.asu.edu/items/9130

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