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You searched for subject:( Op art). Showing records 1 – 23 of 23 total matches.

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Universidade de Lisboa

1. Sousa, Pedro Miguel Alegria Lobo Pereira de. A arte op na arte pública em Portugal.

Degree: 2008, Universidade de Lisboa

Tese de mestrado em Estudos Curatoriais - Temas de Arte Contemporâna, apresentada á Universidade de Lisboa através da Faculdade de Belas Artes, 2008

O 2º… (more)

Subjects/Keywords: Arte pública; Op art; Teses de mestrado

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APA (6th Edition):

Sousa, P. M. A. L. P. d. (2008). A arte op na arte pública em Portugal. (Thesis). Universidade de Lisboa. Retrieved from http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/639

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sousa, Pedro Miguel Alegria Lobo Pereira de. “A arte op na arte pública em Portugal.” 2008. Thesis, Universidade de Lisboa. Accessed January 18, 2020. http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/639.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sousa, Pedro Miguel Alegria Lobo Pereira de. “A arte op na arte pública em Portugal.” 2008. Web. 18 Jan 2020.

Vancouver:

Sousa PMALPd. A arte op na arte pública em Portugal. [Internet] [Thesis]. Universidade de Lisboa; 2008. [cited 2020 Jan 18]. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/639.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sousa PMALPd. A arte op na arte pública em Portugal. [Thesis]. Universidade de Lisboa; 2008. Available from: http://www.rcaap.pt/detail.jsp?id=oai:repositorio.ul.pt:10451/639

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universitat Politècnica de València

2. Alaman Garcera, Jorge. Intervenciones artísticas-gráficas sobre objeto de diseño y espacio. Op Art; la obra de Felice Varini y Georges Rousse y su posible aplicación al diseño de producto.

Degree: 2016, Universitat Politècnica de València

 [EN] ABSTRACT The development of this thesis supposes an opportunity of learning and a tool in the area of Industrial Design teaching. The experience of… (more)

Subjects/Keywords: Pedagogía; Percepción; Creatividad; Arte; Diseño; Op Art

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APA (6th Edition):

Alaman Garcera, J. (2016). Intervenciones artísticas-gráficas sobre objeto de diseño y espacio. Op Art; la obra de Felice Varini y Georges Rousse y su posible aplicación al diseño de producto. (Doctoral Dissertation). Universitat Politècnica de València. Retrieved from http://hdl.handle.net/10251/61303

Chicago Manual of Style (16th Edition):

Alaman Garcera, Jorge. “Intervenciones artísticas-gráficas sobre objeto de diseño y espacio. Op Art; la obra de Felice Varini y Georges Rousse y su posible aplicación al diseño de producto. ” 2016. Doctoral Dissertation, Universitat Politècnica de València. Accessed January 18, 2020. http://hdl.handle.net/10251/61303.

MLA Handbook (7th Edition):

Alaman Garcera, Jorge. “Intervenciones artísticas-gráficas sobre objeto de diseño y espacio. Op Art; la obra de Felice Varini y Georges Rousse y su posible aplicación al diseño de producto. ” 2016. Web. 18 Jan 2020.

Vancouver:

Alaman Garcera J. Intervenciones artísticas-gráficas sobre objeto de diseño y espacio. Op Art; la obra de Felice Varini y Georges Rousse y su posible aplicación al diseño de producto. [Internet] [Doctoral dissertation]. Universitat Politècnica de València; 2016. [cited 2020 Jan 18]. Available from: http://hdl.handle.net/10251/61303.

Council of Science Editors:

Alaman Garcera J. Intervenciones artísticas-gráficas sobre objeto de diseño y espacio. Op Art; la obra de Felice Varini y Georges Rousse y su posible aplicación al diseño de producto. [Doctoral Dissertation]. Universitat Politècnica de València; 2016. Available from: http://hdl.handle.net/10251/61303


Université Paris-Sorbonne – Paris IV

3. Mari, Pauline. Op art et cinéma : fascination visuelle et imaginaire social (1960-1975) : Op art and cinema : Visual fascination and social fantasy (1960-1975).

Degree: Docteur es, Histoire de l'art, 2016, Université Paris-Sorbonne – Paris IV

Adulé ou détesté, l’op art a marqué les esprits par son incroyable réception populaire. Damiers à renflements, moirage, jeux de trompe-l’œil, clignotements épileptiques… Avec son… (more)

Subjects/Keywords: Op art; Art optique; Art cinétique; Cinéma; Récupération; Études visuelles; Décor de cinéma; Années 1960; Op art; Optical art; Kinetic art; Cinema; Recovery; Visual studies; Set designing; Sixties

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APA (6th Edition):

Mari, P. (2016). Op art et cinéma : fascination visuelle et imaginaire social (1960-1975) : Op art and cinema : Visual fascination and social fantasy (1960-1975). (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2016PA040017

Chicago Manual of Style (16th Edition):

Mari, Pauline. “Op art et cinéma : fascination visuelle et imaginaire social (1960-1975) : Op art and cinema : Visual fascination and social fantasy (1960-1975).” 2016. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 18, 2020. http://www.theses.fr/2016PA040017.

MLA Handbook (7th Edition):

Mari, Pauline. “Op art et cinéma : fascination visuelle et imaginaire social (1960-1975) : Op art and cinema : Visual fascination and social fantasy (1960-1975).” 2016. Web. 18 Jan 2020.

Vancouver:

Mari P. Op art et cinéma : fascination visuelle et imaginaire social (1960-1975) : Op art and cinema : Visual fascination and social fantasy (1960-1975). [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2016. [cited 2020 Jan 18]. Available from: http://www.theses.fr/2016PA040017.

Council of Science Editors:

Mari P. Op art et cinéma : fascination visuelle et imaginaire social (1960-1975) : Op art and cinema : Visual fascination and social fantasy (1960-1975). [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2016. Available from: http://www.theses.fr/2016PA040017


Rochester Institute of Technology

4. Wu, Guan-Huei. C H R O N O S P A C E Living in the Moment: Metaphorical Motion Design.

Degree: MFA, School of Design (CIAS), 2018, Rochester Institute of Technology

  Live in the present. People often put too much emphasis on their past mistakes or planning for what their future may hold. We are… (more)

Subjects/Keywords: Metaphors; Motion graphics; Op art; Present; Storytelling; Typography

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APA (6th Edition):

Wu, G. (2018). C H R O N O S P A C E Living in the Moment: Metaphorical Motion Design. (Thesis). Rochester Institute of Technology. Retrieved from https://scholarworks.rit.edu/theses/9719

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wu, Guan-Huei. “C H R O N O S P A C E Living in the Moment: Metaphorical Motion Design.” 2018. Thesis, Rochester Institute of Technology. Accessed January 18, 2020. https://scholarworks.rit.edu/theses/9719.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wu, Guan-Huei. “C H R O N O S P A C E Living in the Moment: Metaphorical Motion Design.” 2018. Web. 18 Jan 2020.

Vancouver:

Wu G. C H R O N O S P A C E Living in the Moment: Metaphorical Motion Design. [Internet] [Thesis]. Rochester Institute of Technology; 2018. [cited 2020 Jan 18]. Available from: https://scholarworks.rit.edu/theses/9719.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wu G. C H R O N O S P A C E Living in the Moment: Metaphorical Motion Design. [Thesis]. Rochester Institute of Technology; 2018. Available from: https://scholarworks.rit.edu/theses/9719

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Louisville

5. Graham, McKenna. Leo Wrye Zimmerman : return to Main Street.

Degree: MA, 2011, University of Louisville

  Leo Zimmerman is a contradiction: A man who was both highly collaborative and deeply influential in the Louisville art scene but was a misanthrope… (more)

Subjects/Keywords: Geometric abstraction; Op-art; Kinetic art; Pillet; Edgard; Zimmerman; Leo; Louisville artist

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APA (6th Edition):

Graham, M. (2011). Leo Wrye Zimmerman : return to Main Street. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/522 ; https://ir.library.louisville.edu/etd/522

Chicago Manual of Style (16th Edition):

Graham, McKenna. “Leo Wrye Zimmerman : return to Main Street.” 2011. Masters Thesis, University of Louisville. Accessed January 18, 2020. 10.18297/etd/522 ; https://ir.library.louisville.edu/etd/522.

MLA Handbook (7th Edition):

Graham, McKenna. “Leo Wrye Zimmerman : return to Main Street.” 2011. Web. 18 Jan 2020.

Vancouver:

Graham M. Leo Wrye Zimmerman : return to Main Street. [Internet] [Masters thesis]. University of Louisville; 2011. [cited 2020 Jan 18]. Available from: 10.18297/etd/522 ; https://ir.library.louisville.edu/etd/522.

Council of Science Editors:

Graham M. Leo Wrye Zimmerman : return to Main Street. [Masters Thesis]. University of Louisville; 2011. Available from: 10.18297/etd/522 ; https://ir.library.louisville.edu/etd/522


Open Universiteit Nederland

6. Syrier, Raoul. Windenergie op zee en Natura 2000 .

Degree: 2016, Open Universiteit Nederland

 In het huidige wettelijk kader voor windenergie op zee zijn de Vogel- en Habitatrichtlijnen en de SMB- en MER-richtlijnen steviger dan voorheen verankerd. Dat heeft… (more)

Subjects/Keywords: Wet windenergie op zee; ecologische effecten; Natura 2000; art. 6 Habitatrichtlijn; mileueffectrapportage; exclusieve economische zone op de Noordzee

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APA (6th Edition):

Syrier, R. (2016). Windenergie op zee en Natura 2000 . (Masters Thesis). Open Universiteit Nederland. Retrieved from http://hdl.handle.net/1820/7715

Chicago Manual of Style (16th Edition):

Syrier, Raoul. “Windenergie op zee en Natura 2000 .” 2016. Masters Thesis, Open Universiteit Nederland. Accessed January 18, 2020. http://hdl.handle.net/1820/7715.

MLA Handbook (7th Edition):

Syrier, Raoul. “Windenergie op zee en Natura 2000 .” 2016. Web. 18 Jan 2020.

Vancouver:

Syrier R. Windenergie op zee en Natura 2000 . [Internet] [Masters thesis]. Open Universiteit Nederland; 2016. [cited 2020 Jan 18]. Available from: http://hdl.handle.net/1820/7715.

Council of Science Editors:

Syrier R. Windenergie op zee en Natura 2000 . [Masters Thesis]. Open Universiteit Nederland; 2016. Available from: http://hdl.handle.net/1820/7715


Rhodes University

7. Heymans, Simone. Habitual transience : orientation and disorientation within non-places.

Degree: Faculty of Humanities, Fine Art, 2014, Rhodes University

 This mini-thesis is a supporting document to the exhibition titled via: a phenomenological site-specific series of intermedia interventions and installations at the 1820 Settlers National… (more)

Subjects/Keywords: Beeck, Hans Op de, 1969-; Space perception; Place (Philosophy); Liminality; Art and society; Art, Modern  – 21st century; Art, Abstract  – 21st century

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APA (6th Edition):

Heymans, S. (2014). Habitual transience : orientation and disorientation within non-places. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1013141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Heymans, Simone. “Habitual transience : orientation and disorientation within non-places.” 2014. Thesis, Rhodes University. Accessed January 18, 2020. http://hdl.handle.net/10962/d1013141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Heymans, Simone. “Habitual transience : orientation and disorientation within non-places.” 2014. Web. 18 Jan 2020.

Vancouver:

Heymans S. Habitual transience : orientation and disorientation within non-places. [Internet] [Thesis]. Rhodes University; 2014. [cited 2020 Jan 18]. Available from: http://hdl.handle.net/10962/d1013141.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Heymans S. Habitual transience : orientation and disorientation within non-places. [Thesis]. Rhodes University; 2014. Available from: http://hdl.handle.net/10962/d1013141

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Helsinki

8. Immonen-Lindberg, Helka. Bridget Rileyn mustavalkoiset maalaukset 1961–1966.

Degree: Department of Philosophy, History, Culture and Art Studies; Helsingfors universitet, Humanistiska fakulteten, Institutionen för filosofi, historia, kultur- och konstforskning, 2016, University of Helsinki

 Tutkielmani käsittelee taidemaalari Bridget Rileyn vuosina 1961–1966 maalattuja mustavalkoisia maalauksia. Tarkoitukseni on selvittää Rileyn mustavalkoisten maalausten lähtökohtia ja erilaisia vaikutteita, joiden pohjalta hän kehitti työskentelytapansa… (more)

Subjects/Keywords: Bridget Riley; maalaustaide; op-taide; 1960-luku; The Responsive Eye -näyttely; Art History; Taidehistoria; Konsthistoria; Bridget Riley; maalaustaide; op-taide; 1960-luku; The Responsive Eye -näyttely

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APA (6th Edition):

Immonen-Lindberg, H. (2016). Bridget Rileyn mustavalkoiset maalaukset 1961–1966. (Masters Thesis). University of Helsinki. Retrieved from http://hdl.handle.net/10138/163249

Chicago Manual of Style (16th Edition):

Immonen-Lindberg, Helka. “Bridget Rileyn mustavalkoiset maalaukset 1961–1966.” 2016. Masters Thesis, University of Helsinki. Accessed January 18, 2020. http://hdl.handle.net/10138/163249.

MLA Handbook (7th Edition):

Immonen-Lindberg, Helka. “Bridget Rileyn mustavalkoiset maalaukset 1961–1966.” 2016. Web. 18 Jan 2020.

Vancouver:

Immonen-Lindberg H. Bridget Rileyn mustavalkoiset maalaukset 1961–1966. [Internet] [Masters thesis]. University of Helsinki; 2016. [cited 2020 Jan 18]. Available from: http://hdl.handle.net/10138/163249.

Council of Science Editors:

Immonen-Lindberg H. Bridget Rileyn mustavalkoiset maalaukset 1961–1966. [Masters Thesis]. University of Helsinki; 2016. Available from: http://hdl.handle.net/10138/163249


Luleå University of Technology

9. Holmgren, Carl. Beethovens pianosonat nr 32 i c-moll, op. 111, sats I : en analys i interpretationens tjänst.

Degree: 2007, Luleå University of Technology

Validerat; 20101217 (root)

Subjects/Keywords: Fine Art; Konstnärligt arbete; Beethoven; op. 111; pianosonat; interpretation

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APA (6th Edition):

Holmgren, C. (2007). Beethovens pianosonat nr 32 i c-moll, op. 111, sats I : en analys i interpretationens tjänst. (Thesis). Luleå University of Technology. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-47359

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Holmgren, Carl. “Beethovens pianosonat nr 32 i c-moll, op. 111, sats I : en analys i interpretationens tjänst.” 2007. Thesis, Luleå University of Technology. Accessed January 18, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-47359.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Holmgren, Carl. “Beethovens pianosonat nr 32 i c-moll, op. 111, sats I : en analys i interpretationens tjänst.” 2007. Web. 18 Jan 2020.

Vancouver:

Holmgren C. Beethovens pianosonat nr 32 i c-moll, op. 111, sats I : en analys i interpretationens tjänst. [Internet] [Thesis]. Luleå University of Technology; 2007. [cited 2020 Jan 18]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-47359.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Holmgren C. Beethovens pianosonat nr 32 i c-moll, op. 111, sats I : en analys i interpretationens tjänst. [Thesis]. Luleå University of Technology; 2007. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-47359

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Mlakar, Sabina. Dojemanje optičnih iluzij pri pouku likovne umetnosti, učencev v 6. in 7. razredu redne osnovne šole in osnovne šole s prilagojenim programom.

Degree: 2018, Univerza v Mariboru

Magistrska naloga obravnava problematiko optičnih iluzij, njihovo dojemanje in predstavlja razlike med redno osnovno šolo ter osnovno šolo s prilagojenim programom z nižjim izobrazbenim standardom,… (more)

Subjects/Keywords: optične iluzije; »op art«; otroci s posebnimi potrebami; senzorične in nevrološke zaznave; terapije; kurikul; optical illusions; »op art«; children with special needs; sensory and neurological perceptions; therapies; curriculum; info:eu-repo/classification/udc/615.851.8:7.017.9(043.2)

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APA (6th Edition):

Mlakar, S. (2018). Dojemanje optičnih iluzij pri pouku likovne umetnosti, učencev v 6. in 7. razredu redne osnovne šole in osnovne šole s prilagojenim programom. (Masters Thesis). Univerza v Mariboru. Retrieved from https://dk.um.si/IzpisGradiva.php?id=70741 ; https://dk.um.si/Dokument.php?id=125498&dn= ; https://plus.si.cobiss.net/opac7/bib/23991816?lang=sl

Chicago Manual of Style (16th Edition):

Mlakar, Sabina. “Dojemanje optičnih iluzij pri pouku likovne umetnosti, učencev v 6. in 7. razredu redne osnovne šole in osnovne šole s prilagojenim programom.” 2018. Masters Thesis, Univerza v Mariboru. Accessed January 18, 2020. https://dk.um.si/IzpisGradiva.php?id=70741 ; https://dk.um.si/Dokument.php?id=125498&dn= ; https://plus.si.cobiss.net/opac7/bib/23991816?lang=sl.

MLA Handbook (7th Edition):

Mlakar, Sabina. “Dojemanje optičnih iluzij pri pouku likovne umetnosti, učencev v 6. in 7. razredu redne osnovne šole in osnovne šole s prilagojenim programom.” 2018. Web. 18 Jan 2020.

Vancouver:

Mlakar S. Dojemanje optičnih iluzij pri pouku likovne umetnosti, učencev v 6. in 7. razredu redne osnovne šole in osnovne šole s prilagojenim programom. [Internet] [Masters thesis]. Univerza v Mariboru; 2018. [cited 2020 Jan 18]. Available from: https://dk.um.si/IzpisGradiva.php?id=70741 ; https://dk.um.si/Dokument.php?id=125498&dn= ; https://plus.si.cobiss.net/opac7/bib/23991816?lang=sl.

Council of Science Editors:

Mlakar S. Dojemanje optičnih iluzij pri pouku likovne umetnosti, učencev v 6. in 7. razredu redne osnovne šole in osnovne šole s prilagojenim programom. [Masters Thesis]. Univerza v Mariboru; 2018. Available from: https://dk.um.si/IzpisGradiva.php?id=70741 ; https://dk.um.si/Dokument.php?id=125498&dn= ; https://plus.si.cobiss.net/opac7/bib/23991816?lang=sl


Université Paris-Sorbonne – Paris IV

11. Poirier, Matthieu. Une abstraction perceptuelle. Seuils de la vision et phénoménologie dans l’art optique et cinétique depuis 1950 : A Perceptual Abstraction : Limits of Vision and Phenomenology in Optical and Kinetic Art Since 1950.

Degree: Docteur es, Histoire de l'art, 2012, Université Paris-Sorbonne – Paris IV

La notion d’« abstraction perceptuelle (perceptual abstraction) » apparaît dans le domaine de la psychologie cognitive avant d’être associée à l’art optique et cinétique dans… (more)

Subjects/Keywords: Art abstrait (XXe-XXIe siècles); Phénoménologie de la perception; Art optique et cinétique; Mouvement; Spectateur; Abstract Art (XXth-XXIst Century); Phenomenology of Perception; Kinetic Art and Op Art (optical art); Movement; Spectator

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APA (6th Edition):

Poirier, M. (2012). Une abstraction perceptuelle. Seuils de la vision et phénoménologie dans l’art optique et cinétique depuis 1950 : A Perceptual Abstraction : Limits of Vision and Phenomenology in Optical and Kinetic Art Since 1950. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2012PA040235

Chicago Manual of Style (16th Edition):

Poirier, Matthieu. “Une abstraction perceptuelle. Seuils de la vision et phénoménologie dans l’art optique et cinétique depuis 1950 : A Perceptual Abstraction : Limits of Vision and Phenomenology in Optical and Kinetic Art Since 1950.” 2012. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 18, 2020. http://www.theses.fr/2012PA040235.

MLA Handbook (7th Edition):

Poirier, Matthieu. “Une abstraction perceptuelle. Seuils de la vision et phénoménologie dans l’art optique et cinétique depuis 1950 : A Perceptual Abstraction : Limits of Vision and Phenomenology in Optical and Kinetic Art Since 1950.” 2012. Web. 18 Jan 2020.

Vancouver:

Poirier M. Une abstraction perceptuelle. Seuils de la vision et phénoménologie dans l’art optique et cinétique depuis 1950 : A Perceptual Abstraction : Limits of Vision and Phenomenology in Optical and Kinetic Art Since 1950. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2012. [cited 2020 Jan 18]. Available from: http://www.theses.fr/2012PA040235.

Council of Science Editors:

Poirier M. Une abstraction perceptuelle. Seuils de la vision et phénoménologie dans l’art optique et cinétique depuis 1950 : A Perceptual Abstraction : Limits of Vision and Phenomenology in Optical and Kinetic Art Since 1950. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2012. Available from: http://www.theses.fr/2012PA040235

12. Richards, Christopher. Ed Mieczkowski's Contradictory Cues in Dimensionality in Painting and Sculpture.

Degree: MA, College of the Arts / School of Art, 2016, Kent State University

 The aim of this thesis is to show how Edwin Mieczkowski’s exploration of visual perception created contradictory dimensional cues in painting and sculpture. By utilizing… (more)

Subjects/Keywords: Art History; Art Criticism; Ed Mieczkowski; Op Art; Geometric Abstraction; Dimensionality in Art; Anonima Group

…Francis Hewitt and Ernst Benkert.4 Although their works were often considered part of the Op Art… …of the Anonima Group’s program within the context of Op Art. I will show how the Anonima… …paintings based on these concepts, Mieczkowski and the others distanced themselves from Op Art and… …which was given the name of Op Art.15 Like many of the artists involved in Op Art, the Anonima… …Art critic John Canaday’s response to The Responsive Eye suggested that Op Art was too… 

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APA (6th Edition):

Richards, C. (2016). Ed Mieczkowski's Contradictory Cues in Dimensionality in Painting and Sculpture. (Masters Thesis). Kent State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=kent1467906772

Chicago Manual of Style (16th Edition):

Richards, Christopher. “Ed Mieczkowski's Contradictory Cues in Dimensionality in Painting and Sculpture.” 2016. Masters Thesis, Kent State University. Accessed January 18, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1467906772.

MLA Handbook (7th Edition):

Richards, Christopher. “Ed Mieczkowski's Contradictory Cues in Dimensionality in Painting and Sculpture.” 2016. Web. 18 Jan 2020.

Vancouver:

Richards C. Ed Mieczkowski's Contradictory Cues in Dimensionality in Painting and Sculpture. [Internet] [Masters thesis]. Kent State University; 2016. [cited 2020 Jan 18]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1467906772.

Council of Science Editors:

Richards C. Ed Mieczkowski's Contradictory Cues in Dimensionality in Painting and Sculpture. [Masters Thesis]. Kent State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=kent1467906772


Virginia Commonwealth University

13. Ricketts, Amee. Green Beans - The Neighborhood Co-Op, Cooking, and Nutritional Living Center.

Degree: MFA, Interior Design, 2008, Virginia Commonwealth University

 Taking the time to learn how to eat healthfully and prepare nutritious meals has become a problem in today's modern living. 66 percent of American… (more)

Subjects/Keywords: neighborhood nutrition center; co-op; interactive cafe; Art and Design; Arts and Humanities

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APA (6th Edition):

Ricketts, A. (2008). Green Beans - The Neighborhood Co-Op, Cooking, and Nutritional Living Center. (Thesis). Virginia Commonwealth University. Retrieved from https://scholarscompass.vcu.edu/etd/1383

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ricketts, Amee. “Green Beans - The Neighborhood Co-Op, Cooking, and Nutritional Living Center.” 2008. Thesis, Virginia Commonwealth University. Accessed January 18, 2020. https://scholarscompass.vcu.edu/etd/1383.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ricketts, Amee. “Green Beans - The Neighborhood Co-Op, Cooking, and Nutritional Living Center.” 2008. Web. 18 Jan 2020.

Vancouver:

Ricketts A. Green Beans - The Neighborhood Co-Op, Cooking, and Nutritional Living Center. [Internet] [Thesis]. Virginia Commonwealth University; 2008. [cited 2020 Jan 18]. Available from: https://scholarscompass.vcu.edu/etd/1383.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ricketts A. Green Beans - The Neighborhood Co-Op, Cooking, and Nutritional Living Center. [Thesis]. Virginia Commonwealth University; 2008. Available from: https://scholarscompass.vcu.edu/etd/1383

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Murphy, Jacqueline. Colorscapes: Marko Spalatin 1970-2001.

Degree: MA, Art History, 2016, University of Wisconsin – Milwaukee

  Artist and printmaker Marko Spalatin (b. 1945) is known for his ability to capture the transitory optical effect of color and light through the… (more)

Subjects/Keywords: Geometric Abstraction; Marko Spalatin; Op Art; Optical Art; History of Art, Architecture, and Archaeology

…similar fashion when comparing his work to the art of the Op artists. These differences further… …specific movement. Op Art The term ‘Op art’ first appeared in an unsigned Time article in October… …critics or even artists were aware of its popularity.26 Op art was founded in Europe but moved… …creating the movement, Victor Vasarely. Op art, along with its predecessors Pop and Minimalism… …geometric patterns and optical illusions that simulated movement. Op art drew on the efforts of… 

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APA (6th Edition):

Murphy, J. (2016). Colorscapes: Marko Spalatin 1970-2001. (Thesis). University of Wisconsin – Milwaukee. Retrieved from https://dc.uwm.edu/etd/1182

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murphy, Jacqueline. “Colorscapes: Marko Spalatin 1970-2001.” 2016. Thesis, University of Wisconsin – Milwaukee. Accessed January 18, 2020. https://dc.uwm.edu/etd/1182.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murphy, Jacqueline. “Colorscapes: Marko Spalatin 1970-2001.” 2016. Web. 18 Jan 2020.

Vancouver:

Murphy J. Colorscapes: Marko Spalatin 1970-2001. [Internet] [Thesis]. University of Wisconsin – Milwaukee; 2016. [cited 2020 Jan 18]. Available from: https://dc.uwm.edu/etd/1182.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murphy J. Colorscapes: Marko Spalatin 1970-2001. [Thesis]. University of Wisconsin – Milwaukee; 2016. Available from: https://dc.uwm.edu/etd/1182

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Australia

15. McNamara, Phillip,1962-. A modernist sensibility and Christian wit in the work of Tom Gibbons.

Degree: PhD, 2006, University of Western Australia

This thesis is an investigation of how spiritual ideas have contributed to West Australian academic and artist Tom Gibbons’s approach to Modernism. Against the backdrop… (more)

Subjects/Keywords: Wilbur, Ken; Art, Modern; Modernism (Art); Immanence of God; Pop and Op; Perth Group; Integral studies

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APA (6th Edition):

McNamara, P. (2006). A modernist sensibility and Christian wit in the work of Tom Gibbons. (Doctoral Dissertation). University of Western Australia. Retrieved from http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=7404&local_base=GEN01-INS01

Chicago Manual of Style (16th Edition):

McNamara, Phillip,1962-. “A modernist sensibility and Christian wit in the work of Tom Gibbons.” 2006. Doctoral Dissertation, University of Western Australia. Accessed January 18, 2020. http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=7404&local_base=GEN01-INS01.

MLA Handbook (7th Edition):

McNamara, Phillip,1962-. “A modernist sensibility and Christian wit in the work of Tom Gibbons.” 2006. Web. 18 Jan 2020.

Vancouver:

McNamara P. A modernist sensibility and Christian wit in the work of Tom Gibbons. [Internet] [Doctoral dissertation]. University of Western Australia; 2006. [cited 2020 Jan 18]. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=7404&local_base=GEN01-INS01.

Council of Science Editors:

McNamara P. A modernist sensibility and Christian wit in the work of Tom Gibbons. [Doctoral Dissertation]. University of Western Australia; 2006. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=7404&local_base=GEN01-INS01


University of St. Andrews

16. Glomm, Anna Sandaker. Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS .

Degree: 2012, University of St. Andrews

 This thesis examines the relationship between the three artists’ workshops Røde Mor (Red Mother), Folkets Ateljé (The People’s Studio) and GRAS, who worked between 1968… (more)

Subjects/Keywords: Poster art in the twentieth-century; Political art; Propaganda; Social realism; Socialist realism; Røde Mor; GRAS; Folkets Ateljé; Norwegian twentieth-century art; Danish twentieth-century art; Swedish twentieth-century art; Scandinavian twentieth-century art; Pop art; Conceptual art; Figuration; Abstraction; 1968; Popular movements; Transnational study; Op-art; EEC 1972; Communism and art; Marxist-Leninism and art; Underground and sub culture; 1970s Scandinavia; Marxism and art; Grassroot movements; Collectivism; Graphic art; Silkscreen; Serigraphy; Lino-cuts; Offset print; Linoleum print; Atelier Populaire; Art Workers Coalition; Modernism; Postmodernism; Social art history; Russian avant garde poster art; Neo-avant garde; Activism and art; Comparative study of art; Non-figuration; Scandinavian 1968; European 1968; Political pop-art; Youth rebellion and uprising; Capitalism and art; Street art; Scandinavian model and art; Nordic model and art; Social democracy and art; Globalisation; Chinese Cultural Revolution; Third World and anti-imperialism

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APA (6th Edition):

Glomm, A. S. (2012). Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/3171

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Glomm, Anna Sandaker. “Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS .” 2012. Thesis, University of St. Andrews. Accessed January 18, 2020. http://hdl.handle.net/10023/3171.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Glomm, Anna Sandaker. “Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS .” 2012. Web. 18 Jan 2020.

Vancouver:

Glomm AS. Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS . [Internet] [Thesis]. University of St. Andrews; 2012. [cited 2020 Jan 18]. Available from: http://hdl.handle.net/10023/3171.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Glomm AS. Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS . [Thesis]. University of St. Andrews; 2012. Available from: http://hdl.handle.net/10023/3171

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Pretoria

17. Lemmer, Elise. The historical and pedagogical relevance of the 24 Grandes Études op. 125 by Johann Nepomuk Hummel (1778-1837).

Degree: Music, 2014, University of Pretoria

 This study investigates the importance of Hummel as a transitional composer, pedagogue and pianist between the Classical and Romantic periods, his contribution to the development… (more)

Subjects/Keywords: Johann Nepomuk Hummel; Transitional composer/pianist/pedagogue; Piano pedagogy; A complete theoretical and practical course on the art of piano playing by Hummel; Étude; Moscheles; 24 Grandes Études op. 125 by Hummel; 24 major and minor keys; Intertextuality; Chopin; Schumann; Liszt; UCTD

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APA (6th Edition):

Lemmer, E. (2014). The historical and pedagogical relevance of the 24 Grandes Études op. 125 by Johann Nepomuk Hummel (1778-1837). (Doctoral Dissertation). University of Pretoria. Retrieved from http://hdl.handle.net/2263/40243

Chicago Manual of Style (16th Edition):

Lemmer, Elise. “The historical and pedagogical relevance of the 24 Grandes Études op. 125 by Johann Nepomuk Hummel (1778-1837).” 2014. Doctoral Dissertation, University of Pretoria. Accessed January 18, 2020. http://hdl.handle.net/2263/40243.

MLA Handbook (7th Edition):

Lemmer, Elise. “The historical and pedagogical relevance of the 24 Grandes Études op. 125 by Johann Nepomuk Hummel (1778-1837).” 2014. Web. 18 Jan 2020.

Vancouver:

Lemmer E. The historical and pedagogical relevance of the 24 Grandes Études op. 125 by Johann Nepomuk Hummel (1778-1837). [Internet] [Doctoral dissertation]. University of Pretoria; 2014. [cited 2020 Jan 18]. Available from: http://hdl.handle.net/2263/40243.

Council of Science Editors:

Lemmer E. The historical and pedagogical relevance of the 24 Grandes Études op. 125 by Johann Nepomuk Hummel (1778-1837). [Doctoral Dissertation]. University of Pretoria; 2014. Available from: http://hdl.handle.net/2263/40243


AUT University

18. Ceccato, Rudy. The spaces in between .

Degree: AUT University

 This exegesis reports the approach and describes the various aspects involved in the realization of a project submitted for the Master of Creative Technologies at… (more)

Subjects/Keywords: Moiré patterns; Moiré effect; Web application; Processing; Op art; Phenomenological approach; Notan; Binaural beats

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APA (6th Edition):

Ceccato, R. (n.d.). The spaces in between . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/7794

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ceccato, Rudy. “The spaces in between .” Thesis, AUT University. Accessed January 18, 2020. http://hdl.handle.net/10292/7794.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ceccato, Rudy. “The spaces in between .” Web. 18 Jan 2020.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Ceccato R. The spaces in between . [Internet] [Thesis]. AUT University; [cited 2020 Jan 18]. Available from: http://hdl.handle.net/10292/7794.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Ceccato R. The spaces in between . [Thesis]. AUT University; Available from: http://hdl.handle.net/10292/7794

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

19. Price, Carmen S. Conscious Living: A Look at Two Low-Impact Intentional Communities.

Degree: MFA, Art and Design, 2011, Georgia State University

  Conscious Living is a series of visual solutions to a current and escalating problem in increasingly populated modern societies between its citizens and the… (more)

Subjects/Keywords: Sustainable; Intentional; Low-impact; Community; Tribe; Environment; Permaculture; Alternative; Off-grid; Co-op; Art and Design

…collaboration with The Canary Project. They use art as a means of addressing the current environmental… …social awareness of ecological problems.5 Chin is motivated by the idea that art has the… …has pursued could easily fall into categories other than art, like science or architecture… …However, labeling them as art has proved beneficial because art is free from government… …ideas into an ecoartistic reality and accomplishing more than just a piece of art that aims to… 

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APA (6th Edition):

Price, C. S. (2011). Conscious Living: A Look at Two Low-Impact Intentional Communities. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/art_design_theses/81

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Price, Carmen S. “Conscious Living: A Look at Two Low-Impact Intentional Communities.” 2011. Thesis, Georgia State University. Accessed January 18, 2020. https://scholarworks.gsu.edu/art_design_theses/81.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Price, Carmen S. “Conscious Living: A Look at Two Low-Impact Intentional Communities.” 2011. Web. 18 Jan 2020.

Vancouver:

Price CS. Conscious Living: A Look at Two Low-Impact Intentional Communities. [Internet] [Thesis]. Georgia State University; 2011. [cited 2020 Jan 18]. Available from: https://scholarworks.gsu.edu/art_design_theses/81.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Price CS. Conscious Living: A Look at Two Low-Impact Intentional Communities. [Thesis]. Georgia State University; 2011. Available from: https://scholarworks.gsu.edu/art_design_theses/81

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

20. Holmgren, Carl. Agogiska aspekter i Beethovens pianosonat nr 31 i Ass-dur, op. 110, sats I : egen interpretation samt analys av fonogram.

Degree: 2015, Luleå University of Technology

Validerat; 20150615 (global_studentproject_submitter)

Subjects/Keywords: Fine Art; Konstnärligt arbete; Beethoven; op. 110; pianosonat; interpretation; instudering; inspelningsanalys; agogik; tempo; interpretationsparameter; interpretationstradition

Op. Op. Op. Op. Op. Op. Op. Op. Op. Op. Op. Op. Op. Op. 110, 110, 110, 110, 110, 110, 110… …op. 110 så avser jag utgåvan från G. Henle Verlag (1975) om inget annat anges… …om att det första framförande av hans nionde symfoni, op. 125, i Berlin blev väl mottaget… …op. 95 (Quartetto serioso); septetten op. 20; pianosonaten op. 106 (… …något av Beethovens pianostycken är dem för sonaten op. 106 (Rosenblum, 1988, s. 59)… 

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APA (6th Edition):

Holmgren, C. (2015). Agogiska aspekter i Beethovens pianosonat nr 31 i Ass-dur, op. 110, sats I : egen interpretation samt analys av fonogram. (Thesis). Luleå University of Technology. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-46413

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Holmgren, Carl. “Agogiska aspekter i Beethovens pianosonat nr 31 i Ass-dur, op. 110, sats I : egen interpretation samt analys av fonogram.” 2015. Thesis, Luleå University of Technology. Accessed January 18, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-46413.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Holmgren, Carl. “Agogiska aspekter i Beethovens pianosonat nr 31 i Ass-dur, op. 110, sats I : egen interpretation samt analys av fonogram.” 2015. Web. 18 Jan 2020.

Vancouver:

Holmgren C. Agogiska aspekter i Beethovens pianosonat nr 31 i Ass-dur, op. 110, sats I : egen interpretation samt analys av fonogram. [Internet] [Thesis]. Luleå University of Technology; 2015. [cited 2020 Jan 18]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-46413.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Holmgren C. Agogiska aspekter i Beethovens pianosonat nr 31 i Ass-dur, op. 110, sats I : egen interpretation samt analys av fonogram. [Thesis]. Luleå University of Technology; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-46413

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Australia

21. Kuronen, Suzanne. Figuring space : considering the figure in the construction of space as materialist film.

Degree: M.F.A., 2004, University of Western Australia

Figuring Space; considering the figure in the construction of space in materialist film is an analysis of film space that uses either the image of… (more)

Subjects/Keywords: Snow, Michael; London Filmmaker's Co-op (England); Cinematography, Abstract; Experimental films; Materialist film; Artists' film and video; Time based art; Screen based art

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APA (6th Edition):

Kuronen, S. (2004). Figuring space : considering the figure in the construction of space as materialist film. (Masters Thesis). University of Western Australia. Retrieved from http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=7582&local_base=GEN01-INS01

Chicago Manual of Style (16th Edition):

Kuronen, Suzanne. “Figuring space : considering the figure in the construction of space as materialist film.” 2004. Masters Thesis, University of Western Australia. Accessed January 18, 2020. http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=7582&local_base=GEN01-INS01.

MLA Handbook (7th Edition):

Kuronen, Suzanne. “Figuring space : considering the figure in the construction of space as materialist film.” 2004. Web. 18 Jan 2020.

Vancouver:

Kuronen S. Figuring space : considering the figure in the construction of space as materialist film. [Internet] [Masters thesis]. University of Western Australia; 2004. [cited 2020 Jan 18]. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=7582&local_base=GEN01-INS01.

Council of Science Editors:

Kuronen S. Figuring space : considering the figure in the construction of space as materialist film. [Masters Thesis]. University of Western Australia; 2004. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=7582&local_base=GEN01-INS01

22. Norden van der Zalm, Anneke van. Is een echtgenoot voldoende beschermd tegen nadelige gevolgen van door de andere echtgenoot aangegane verbintenissen? .

Degree: 2015, Open Universiteit Nederland

 Tijdens de aandelenlease affaire zijn door Dexia vanaf het begin van de jaren negentig veel WinstVerDriedubbelaar-overeenkomsten (verder WVD-overeenkomsten) verkocht. Omtrent dit Dexia product ontstaat maatschappelijke… (more)

Subjects/Keywords: aandelenlease; artikel 1:88 BW; bescherming huurkoop van niet meegetekend hebbende echtgenoot; huwelijksvermogensrecht; huurkoop; verjaring beroep op art. 1:88 BW

…echtgenoot behoeft de toestemming van de andere echtgenoot voor overeenkomsten van koop op… …drietal wijzigingen van artikel 88 Boek 1 BW doorgevoerd, deze hebben echter geen betrekking op… …wetten.overheid.nl/zoeken/burgerlijk wetboek/art. 88/wetstechnische informatie> Klaassen, Eggens & Luyten… …1999, p. 40. Pagina | 8 een verschil op in de rechtsgevolgen: het ontbreken van… …op grond van de in artikel 1:102 BW geregelde hoofdelijkheid voor het geheel aansprakelijk… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Norden van der Zalm, A. v. (2015). Is een echtgenoot voldoende beschermd tegen nadelige gevolgen van door de andere echtgenoot aangegane verbintenissen? . (Masters Thesis). Open Universiteit Nederland. Retrieved from http://hdl.handle.net/1820/5975

Chicago Manual of Style (16th Edition):

Norden van der Zalm, Anneke van. “Is een echtgenoot voldoende beschermd tegen nadelige gevolgen van door de andere echtgenoot aangegane verbintenissen? .” 2015. Masters Thesis, Open Universiteit Nederland. Accessed January 18, 2020. http://hdl.handle.net/1820/5975.

MLA Handbook (7th Edition):

Norden van der Zalm, Anneke van. “Is een echtgenoot voldoende beschermd tegen nadelige gevolgen van door de andere echtgenoot aangegane verbintenissen? .” 2015. Web. 18 Jan 2020.

Vancouver:

Norden van der Zalm Av. Is een echtgenoot voldoende beschermd tegen nadelige gevolgen van door de andere echtgenoot aangegane verbintenissen? . [Internet] [Masters thesis]. Open Universiteit Nederland; 2015. [cited 2020 Jan 18]. Available from: http://hdl.handle.net/1820/5975.

Council of Science Editors:

Norden van der Zalm Av. Is een echtgenoot voldoende beschermd tegen nadelige gevolgen van door de andere echtgenoot aangegane verbintenissen? . [Masters Thesis]. Open Universiteit Nederland; 2015. Available from: http://hdl.handle.net/1820/5975


Luleå University of Technology

23. Fabian, Martin. ”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter.

Degree: 2015, Luleå University of Technology

An attempt were made to record the 1st movement of Beethoven’s Op. 57, with the objective of performing it as close to Beethoven’s will… (more)

Subjects/Keywords: Fine Art; Konstnärligt arbete; agogics; Appassionata; authenticity; Beethoven; HIP; historically informed performance; Ludwig van Beethoven; metronome; op. 57; performance study; piano sonata; rubato; source relevance; source reliability; tempi; tempo; tempo aspects; tempo attributes; tempo analysis; tempo flexibility; tempo fluctuation; tempo measurement; trill speed; Agogik; autenticitet; historiskt informerat framförande; metronom; framförandestudie; framförandestudium; pianosonat; källrelevans; källreliabilitet; tempoaspekter; tempoattribut; tempoanalys; tempoflexibilitet; tempofluktuation; tempomätning; drillhastighet; tempo extrapolation; tempoextrapolering

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APA (6th Edition):

Fabian, M. (2015). ”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter. (Thesis). Luleå University of Technology. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42786

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fabian, Martin. “”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter.” 2015. Thesis, Luleå University of Technology. Accessed January 18, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42786.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fabian, Martin. “”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter.” 2015. Web. 18 Jan 2020.

Vancouver:

Fabian M. ”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter. [Internet] [Thesis]. Luleå University of Technology; 2015. [cited 2020 Jan 18]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42786.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fabian M. ”Wie waren die Tempi?” : Ett försök till ett ”historiskt informerat” framförande av Ludwig van Beethovens op. 57, första satsen, i avseende på hans vilja rörande tempoaspekter. [Thesis]. Luleå University of Technology; 2015. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-42786

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.