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You searched for subject:( Neo avant garde). Showing records 1 – 30 of 1967 total matches.

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Universidade do Minho

1. Oliveira, Márcia Cristina Almeida. Arte e feminismo em Portugal no contexto pós-Revolução .

Degree: 2013, Universidade do Minho

 Arte e Feminismo em Portugal no período pós-Revolução constitui-se como um estudo diacrónico da produção artística no feminino em Portugal nas décadas de 1960 e… (more)

Subjects/Keywords: Feminismo; Portugal; Artes plásticas; Neo-vanguarda; Feminism; Visual arts; Neo-avant-garde

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Oliveira, M. C. A. (2013). Arte e feminismo em Portugal no contexto pós-Revolução . (Doctoral Dissertation). Universidade do Minho. Retrieved from http://hdl.handle.net/1822/27607

Chicago Manual of Style (16th Edition):

Oliveira, Márcia Cristina Almeida. “Arte e feminismo em Portugal no contexto pós-Revolução .” 2013. Doctoral Dissertation, Universidade do Minho. Accessed January 29, 2020. http://hdl.handle.net/1822/27607.

MLA Handbook (7th Edition):

Oliveira, Márcia Cristina Almeida. “Arte e feminismo em Portugal no contexto pós-Revolução .” 2013. Web. 29 Jan 2020.

Vancouver:

Oliveira MCA. Arte e feminismo em Portugal no contexto pós-Revolução . [Internet] [Doctoral dissertation]. Universidade do Minho; 2013. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/1822/27607.

Council of Science Editors:

Oliveira MCA. Arte e feminismo em Portugal no contexto pós-Revolução . [Doctoral Dissertation]. Universidade do Minho; 2013. Available from: http://hdl.handle.net/1822/27607


Universiteit Utrecht

2. Winkler, Marieke. The metamorfoses van Laocoön. Woord & beeld interactie in De Schone Zakdoek (1941-43) en Barbarber (1958-71).

Degree: 2007, Universiteit Utrecht

 The general aim of this thesis is an attempt to insert art historical insights into the study of literary works. Considerable attention is paid to… (more)

Subjects/Keywords: Letteren; Word and Image studies; (neo) avant-garde; artist's book; conceptual art

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APA (6th Edition):

Winkler, M. (2007). The metamorfoses van Laocoön. Woord & beeld interactie in De Schone Zakdoek (1941-43) en Barbarber (1958-71). (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/24967

Chicago Manual of Style (16th Edition):

Winkler, Marieke. “The metamorfoses van Laocoön. Woord & beeld interactie in De Schone Zakdoek (1941-43) en Barbarber (1958-71).” 2007. Masters Thesis, Universiteit Utrecht. Accessed January 29, 2020. http://dspace.library.uu.nl:8080/handle/1874/24967.

MLA Handbook (7th Edition):

Winkler, Marieke. “The metamorfoses van Laocoön. Woord & beeld interactie in De Schone Zakdoek (1941-43) en Barbarber (1958-71).” 2007. Web. 29 Jan 2020.

Vancouver:

Winkler M. The metamorfoses van Laocoön. Woord & beeld interactie in De Schone Zakdoek (1941-43) en Barbarber (1958-71). [Internet] [Masters thesis]. Universiteit Utrecht; 2007. [cited 2020 Jan 29]. Available from: http://dspace.library.uu.nl:8080/handle/1874/24967.

Council of Science Editors:

Winkler M. The metamorfoses van Laocoön. Woord & beeld interactie in De Schone Zakdoek (1941-43) en Barbarber (1958-71). [Masters Thesis]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/24967


Universiteit Utrecht

3. Schumacher, R.W.G. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.

Degree: 2007, Universiteit Utrecht

 During the fortyone years of its existence the art magazine Museumjournaal (1955-1996) played a major role within the Netherlands artworld. Until the late seventies it… (more)

Subjects/Keywords: Letteren; Museumjournaal; art press; art magazines; art criticism; art theory; Neo-avant-garde

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APA (6th Edition):

Schumacher, R. W. G. (2007). Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. (Doctoral Dissertation). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/19081

Chicago Manual of Style (16th Edition):

Schumacher, R W G. “Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.” 2007. Doctoral Dissertation, Universiteit Utrecht. Accessed January 29, 2020. http://dspace.library.uu.nl:8080/handle/1874/19081.

MLA Handbook (7th Edition):

Schumacher, R W G. “Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.” 2007. Web. 29 Jan 2020.

Vancouver:

Schumacher RWG. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. [Internet] [Doctoral dissertation]. Universiteit Utrecht; 2007. [cited 2020 Jan 29]. Available from: http://dspace.library.uu.nl:8080/handle/1874/19081.

Council of Science Editors:

Schumacher RWG. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. [Doctoral Dissertation]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/19081


UCLA

4. Harren, Natilee Omann. Objects Without Object: The Artwork in Flux, 1958-1969.

Degree: Art History, 2013, UCLA

 This dissertation examines the late-20th-century transformation of the art object through the practice of Fluxus, an international, neo-avant-garde artist collective founded in 1962 and centered… (more)

Subjects/Keywords: Art history; Art criticism; Multimedia; event score; Fluxus; intermedia; multiple; neo-avant-garde; post-medium

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APA (6th Edition):

Harren, N. O. (2013). Objects Without Object: The Artwork in Flux, 1958-1969. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/57q9d2m9

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harren, Natilee Omann. “Objects Without Object: The Artwork in Flux, 1958-1969.” 2013. Thesis, UCLA. Accessed January 29, 2020. http://www.escholarship.org/uc/item/57q9d2m9.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harren, Natilee Omann. “Objects Without Object: The Artwork in Flux, 1958-1969.” 2013. Web. 29 Jan 2020.

Vancouver:

Harren NO. Objects Without Object: The Artwork in Flux, 1958-1969. [Internet] [Thesis]. UCLA; 2013. [cited 2020 Jan 29]. Available from: http://www.escholarship.org/uc/item/57q9d2m9.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harren NO. Objects Without Object: The Artwork in Flux, 1958-1969. [Thesis]. UCLA; 2013. Available from: http://www.escholarship.org/uc/item/57q9d2m9

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

5. Marre, Oriane. La réception de l’avant-garde artistique dans la presse politique en France, de l’impressionnisme au fauvisme (1874-1905) : The Reception of the avant-garde in the Political Press in France, from Impressionism to Fauvism (1874-1905).

Degree: Docteur es, Histoire de l'art, 2016, Université Paris-Sorbonne – Paris IV

Cette thèse a pour objet la réception de l’avant-garde artistique dans la presse politique pendant les trente premières années de la Troisième République en France.… (more)

Subjects/Keywords: Avant-garde; Presse politique; Impressionnisme; Post-impressionnisme; Troisième République; Critique d’art; Néo-impressionnisme; Symbolisme; Avant-garde; Political press; Impressionism; Post-Impressionism; Third Republic; Art critic; Neo-Impressionism; Symbolism

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APA (6th Edition):

Marre, O. (2016). La réception de l’avant-garde artistique dans la presse politique en France, de l’impressionnisme au fauvisme (1874-1905) : The Reception of the avant-garde in the Political Press in France, from Impressionism to Fauvism (1874-1905). (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2016PA040074

Chicago Manual of Style (16th Edition):

Marre, Oriane. “La réception de l’avant-garde artistique dans la presse politique en France, de l’impressionnisme au fauvisme (1874-1905) : The Reception of the avant-garde in the Political Press in France, from Impressionism to Fauvism (1874-1905).” 2016. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 29, 2020. http://www.theses.fr/2016PA040074.

MLA Handbook (7th Edition):

Marre, Oriane. “La réception de l’avant-garde artistique dans la presse politique en France, de l’impressionnisme au fauvisme (1874-1905) : The Reception of the avant-garde in the Political Press in France, from Impressionism to Fauvism (1874-1905).” 2016. Web. 29 Jan 2020.

Vancouver:

Marre O. La réception de l’avant-garde artistique dans la presse politique en France, de l’impressionnisme au fauvisme (1874-1905) : The Reception of the avant-garde in the Political Press in France, from Impressionism to Fauvism (1874-1905). [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2016. [cited 2020 Jan 29]. Available from: http://www.theses.fr/2016PA040074.

Council of Science Editors:

Marre O. La réception de l’avant-garde artistique dans la presse politique en France, de l’impressionnisme au fauvisme (1874-1905) : The Reception of the avant-garde in the Political Press in France, from Impressionism to Fauvism (1874-1905). [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2016. Available from: http://www.theses.fr/2016PA040074


University of Oxford

6. Robinson, Rachel Elizabeth. Brazilian concretism in Chilean neo-avant-garde poetry.

Degree: PhD, 2018, University of Oxford

 This thesis illuminates poetic works by three Chilean experimental poets, Cecilia Vicuña (1947-), Juan Luis Martínez (1942-1993) and Rodrigo Lira (1949-1981) by showing how they… (more)

Subjects/Keywords: Concrete poetry; Latin American poetry; Chilean poetry; Latin American Neo-Avant-Garde; Visual poetry; Brazilian poetry

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APA (6th Edition):

Robinson, R. E. (2018). Brazilian concretism in Chilean neo-avant-garde poetry. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:ea177bf8-6e66-4d8f-b5ea-c8858d87b92f ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.780569

Chicago Manual of Style (16th Edition):

Robinson, Rachel Elizabeth. “Brazilian concretism in Chilean neo-avant-garde poetry.” 2018. Doctoral Dissertation, University of Oxford. Accessed January 29, 2020. http://ora.ox.ac.uk/objects/uuid:ea177bf8-6e66-4d8f-b5ea-c8858d87b92f ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.780569.

MLA Handbook (7th Edition):

Robinson, Rachel Elizabeth. “Brazilian concretism in Chilean neo-avant-garde poetry.” 2018. Web. 29 Jan 2020.

Vancouver:

Robinson RE. Brazilian concretism in Chilean neo-avant-garde poetry. [Internet] [Doctoral dissertation]. University of Oxford; 2018. [cited 2020 Jan 29]. Available from: http://ora.ox.ac.uk/objects/uuid:ea177bf8-6e66-4d8f-b5ea-c8858d87b92f ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.780569.

Council of Science Editors:

Robinson RE. Brazilian concretism in Chilean neo-avant-garde poetry. [Doctoral Dissertation]. University of Oxford; 2018. Available from: http://ora.ox.ac.uk/objects/uuid:ea177bf8-6e66-4d8f-b5ea-c8858d87b92f ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.780569


University of Gothenburg / Göteborgs Universitet

7. Gardfors, Johan. Åke Hodell. Art and Writing in the Neo-Avant-Garde.

Degree: 2017, University of Gothenburg / Göteborgs Universitet

 Åke Hodell and the Art of Illegibility provides the first in-depth discussion in English of the concrete poet and neo-avant-garde artist Åke Hodell’s works from… (more)

Subjects/Keywords: Åke Hodell; neo-avant-garde; concrete poetry; illegibility; archive; conceptual writing; materiality; visual poetry; text-sound-composition; intermedia; technology and writing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gardfors, J. (2017). Åke Hodell. Art and Writing in the Neo-Avant-Garde. (Thesis). University of Gothenburg / Göteborgs Universitet. Retrieved from http://hdl.handle.net/2077/53649

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gardfors, Johan. “Åke Hodell. Art and Writing in the Neo-Avant-Garde.” 2017. Thesis, University of Gothenburg / Göteborgs Universitet. Accessed January 29, 2020. http://hdl.handle.net/2077/53649.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gardfors, Johan. “Åke Hodell. Art and Writing in the Neo-Avant-Garde.” 2017. Web. 29 Jan 2020.

Vancouver:

Gardfors J. Åke Hodell. Art and Writing in the Neo-Avant-Garde. [Internet] [Thesis]. University of Gothenburg / Göteborgs Universitet; 2017. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/2077/53649.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gardfors J. Åke Hodell. Art and Writing in the Neo-Avant-Garde. [Thesis]. University of Gothenburg / Göteborgs Universitet; 2017. Available from: http://hdl.handle.net/2077/53649

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Joaquim, Inês Isabel Bernardes. Organizações «inter-artes»: inovação ou reinvenção? O caso da cooperativa de comunicação e cultura.

Degree: 2015, RCAAP

Na era do progresso e do digital, em que cada vez mais prevalecem tendências economicistas e tecnocratas, nomeadamente na abordagem de conceitos como a inovação,… (more)

Subjects/Keywords: Inovação; Reinvenção; Organizações de artes; Cultura sem fins lucrativos; Inter-artes; Ecletismo; Ação diferida; Vanguarda; Neo-vanguarda; Innovation; Reinvention; Not-for-profit arts; cultural organizations; Inter-arts; Eclecticism; Deferred action; Avant-garde; Neo-avant-garde

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APA (6th Edition):

Joaquim, I. I. B. (2015). Organizações «inter-artes»: inovação ou reinvenção? O caso da cooperativa de comunicação e cultura. (Thesis). RCAAP. Retrieved from https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/11029

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Joaquim, Inês Isabel Bernardes. “Organizações «inter-artes»: inovação ou reinvenção? O caso da cooperativa de comunicação e cultura.” 2015. Thesis, RCAAP. Accessed January 29, 2020. https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/11029.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Joaquim, Inês Isabel Bernardes. “Organizações «inter-artes»: inovação ou reinvenção? O caso da cooperativa de comunicação e cultura.” 2015. Web. 29 Jan 2020.

Vancouver:

Joaquim IIB. Organizações «inter-artes»: inovação ou reinvenção? O caso da cooperativa de comunicação e cultura. [Internet] [Thesis]. RCAAP; 2015. [cited 2020 Jan 29]. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/11029.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Joaquim IIB. Organizações «inter-artes»: inovação ou reinvenção? O caso da cooperativa de comunicação e cultura. [Thesis]. RCAAP; 2015. Available from: https://www.rcaap.pt/detail.jsp?id=oai:repositorio.iscte-iul.pt:10071/11029

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Manigot, Vincent. Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde.

Degree: Docteur es, Arts, 2018, Sorbonne Paris Cité

Durant la première moitié du XXᵉ siècle, divers mouvements d’avant-garde occidentaux sont introduits au Japon et s’y développent dans un court intervalle de temps, menant… (more)

Subjects/Keywords: Art; Avant-Gardes; Art; Avant-Garde

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APA (6th Edition):

Manigot, V. (2018). Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2018USPCF001

Chicago Manual of Style (16th Edition):

Manigot, Vincent. “Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde.” 2018. Doctoral Dissertation, Sorbonne Paris Cité. Accessed January 29, 2020. http://www.theses.fr/2018USPCF001.

MLA Handbook (7th Edition):

Manigot, Vincent. “Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde.” 2018. Web. 29 Jan 2020.

Vancouver:

Manigot V. Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2018. [cited 2020 Jan 29]. Available from: http://www.theses.fr/2018USPCF001.

Council of Science Editors:

Manigot V. Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde. [Doctoral Dissertation]. Sorbonne Paris Cité; 2018. Available from: http://www.theses.fr/2018USPCF001


Victoria University of Wellington

10. Sleigh, Thomasin. Neither Here nor There: The Writing of Wystan Curnow 1961-1984.

Degree: 2010, Victoria University of Wellington

 This thesis addresses the writing of Wystan Curnow from 1961 to 1984. Curnow has written a great deal throughout his life, and the challenge of… (more)

Subjects/Keywords: Art criticism; Poetry; Avant-garde

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APA (6th Edition):

Sleigh, T. (2010). Neither Here nor There: The Writing of Wystan Curnow 1961-1984. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/4480

Chicago Manual of Style (16th Edition):

Sleigh, Thomasin. “Neither Here nor There: The Writing of Wystan Curnow 1961-1984.” 2010. Masters Thesis, Victoria University of Wellington. Accessed January 29, 2020. http://hdl.handle.net/10063/4480.

MLA Handbook (7th Edition):

Sleigh, Thomasin. “Neither Here nor There: The Writing of Wystan Curnow 1961-1984.” 2010. Web. 29 Jan 2020.

Vancouver:

Sleigh T. Neither Here nor There: The Writing of Wystan Curnow 1961-1984. [Internet] [Masters thesis]. Victoria University of Wellington; 2010. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/10063/4480.

Council of Science Editors:

Sleigh T. Neither Here nor There: The Writing of Wystan Curnow 1961-1984. [Masters Thesis]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/4480

11. Furuhata, Yuriko. Refiguring Actuality: Japan's Film Theory and Avant-Garde Documentary Movement, 1950s-1960s.

Degree: PhD, Comparative Literature, 2008, Brown University

 The aim of this dissertation is to bring to light innovative ? and until recently, thoroughly ignored ? theoretical discussions of the concepts of "actuality"… (more)

Subjects/Keywords: Avant-garde

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APA (6th Edition):

Furuhata, Y. (2008). Refiguring Actuality: Japan's Film Theory and Avant-Garde Documentary Movement, 1950s-1960s. (Doctoral Dissertation). Brown University. Retrieved from https://repository.library.brown.edu/studio/item/bdr:22/

Chicago Manual of Style (16th Edition):

Furuhata, Yuriko. “Refiguring Actuality: Japan's Film Theory and Avant-Garde Documentary Movement, 1950s-1960s.” 2008. Doctoral Dissertation, Brown University. Accessed January 29, 2020. https://repository.library.brown.edu/studio/item/bdr:22/.

MLA Handbook (7th Edition):

Furuhata, Yuriko. “Refiguring Actuality: Japan's Film Theory and Avant-Garde Documentary Movement, 1950s-1960s.” 2008. Web. 29 Jan 2020.

Vancouver:

Furuhata Y. Refiguring Actuality: Japan's Film Theory and Avant-Garde Documentary Movement, 1950s-1960s. [Internet] [Doctoral dissertation]. Brown University; 2008. [cited 2020 Jan 29]. Available from: https://repository.library.brown.edu/studio/item/bdr:22/.

Council of Science Editors:

Furuhata Y. Refiguring Actuality: Japan's Film Theory and Avant-Garde Documentary Movement, 1950s-1960s. [Doctoral Dissertation]. Brown University; 2008. Available from: https://repository.library.brown.edu/studio/item/bdr:22/


University of Notre Dame

12. Quinn Darlington. Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>.

Degree: MA, Art, Art History and Design, 2012, University of Notre Dame

  Carrie Stettheimer’s Dollhouse was created over the course of almost twenty years (from 1916-1935) and was inspired in part by the Stettheimers’ luxurious homes,… (more)

Subjects/Keywords: domesticity; avant-garde; art; femininity

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APA (6th Edition):

Darlington, Q. (2012). Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>. (Masters Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/n296ww74n5t

Chicago Manual of Style (16th Edition):

Darlington, Quinn. “Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>.” 2012. Masters Thesis, University of Notre Dame. Accessed January 29, 2020. https://curate.nd.edu/show/n296ww74n5t.

MLA Handbook (7th Edition):

Darlington, Quinn. “Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>.” 2012. Web. 29 Jan 2020.

Vancouver:

Darlington Q. Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>. [Internet] [Masters thesis]. University of Notre Dame; 2012. [cited 2020 Jan 29]. Available from: https://curate.nd.edu/show/n296ww74n5t.

Council of Science Editors:

Darlington Q. Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>. [Masters Thesis]. University of Notre Dame; 2012. Available from: https://curate.nd.edu/show/n296ww74n5t


University of Western Australia

13. O'Regan, Eve-Anne. Art, advertising and modernism : the transfiguration of the artist in the age of capitalism.

Degree: PhD, 2012, University of Western Australia

This dissertation analyses advertising as a "species of social communication" and "narrative" (Wick, 1988) that has been entwined with avant-garde art in a complex relationship… (more)

Subjects/Keywords: Advertising; Art; Avant-garde; Branding

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APA (6th Edition):

O'Regan, E. (2012). Art, advertising and modernism : the transfiguration of the artist in the age of capitalism. (Doctoral Dissertation). University of Western Australia. Retrieved from http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=34887&local_base=GEN01-INS01

Chicago Manual of Style (16th Edition):

O'Regan, Eve-Anne. “Art, advertising and modernism : the transfiguration of the artist in the age of capitalism.” 2012. Doctoral Dissertation, University of Western Australia. Accessed January 29, 2020. http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=34887&local_base=GEN01-INS01.

MLA Handbook (7th Edition):

O'Regan, Eve-Anne. “Art, advertising and modernism : the transfiguration of the artist in the age of capitalism.” 2012. Web. 29 Jan 2020.

Vancouver:

O'Regan E. Art, advertising and modernism : the transfiguration of the artist in the age of capitalism. [Internet] [Doctoral dissertation]. University of Western Australia; 2012. [cited 2020 Jan 29]. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=34887&local_base=GEN01-INS01.

Council of Science Editors:

O'Regan E. Art, advertising and modernism : the transfiguration of the artist in the age of capitalism. [Doctoral Dissertation]. University of Western Australia; 2012. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=34887&local_base=GEN01-INS01


Universiteit Utrecht

14. Winter, C.M. Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu.

Degree: 2011, Universiteit Utrecht

Onderzoek naar de positie van Vera Ermolaeva, Nina Kogan, Varvara Stepanova en Liubov Popova in twee belangrijke centra van de Russische avant-garde en hun bekendheid nu. Advisors/Committee Members: Boersma, Linda S..

Subjects/Keywords: Russische avant-garde; kunstenaressen

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APA (6th Edition):

Winter, C. M. (2011). Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu. (Masters Thesis). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/208148

Chicago Manual of Style (16th Edition):

Winter, C M. “Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu.” 2011. Masters Thesis, Universiteit Utrecht. Accessed January 29, 2020. http://dspace.library.uu.nl:8080/handle/1874/208148.

MLA Handbook (7th Edition):

Winter, C M. “Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu.” 2011. Web. 29 Jan 2020.

Vancouver:

Winter CM. Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu. [Internet] [Masters thesis]. Universiteit Utrecht; 2011. [cited 2020 Jan 29]. Available from: http://dspace.library.uu.nl:8080/handle/1874/208148.

Council of Science Editors:

Winter CM. Tussen avant-garde en vergetelheid. Vier vooraanstaande kunstenaressen van de Russische avant-garde, hun positie toen en nu. [Masters Thesis]. Universiteit Utrecht; 2011. Available from: http://dspace.library.uu.nl:8080/handle/1874/208148

15. Twitchin, Mischa. The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?.

Degree: PhD, 2013, Queen Mary, University of London

 The aim of this thesis is to explore an heuristic analogy as proposed in its very title: how does a concept of the “uncanny in… (more)

Subjects/Keywords: 792; Drama; Avant-Garde

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APA (6th Edition):

Twitchin, M. (2013). The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/8626 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667207

Chicago Manual of Style (16th Edition):

Twitchin, Mischa. “The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?.” 2013. Doctoral Dissertation, Queen Mary, University of London. Accessed January 29, 2020. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8626 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667207.

MLA Handbook (7th Edition):

Twitchin, Mischa. “The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?.” 2013. Web. 29 Jan 2020.

Vancouver:

Twitchin M. The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2013. [cited 2020 Jan 29]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8626 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667207.

Council of Science Editors:

Twitchin M. The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead?. [Doctoral Dissertation]. Queen Mary, University of London; 2013. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8626 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667207

16. Miller, Tyler. Winds of change.

Degree: 2013, NC Docks

 Winds of Change attempts to build upon the recent tradition of monophonic compositional practice by combining techniques directed at setting a central musical line to… (more)

Subjects/Keywords: Composition (Music); Avant-garde (Music)

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APA (6th Edition):

Miller, T. (2013). Winds of change. (Thesis). NC Docks. Retrieved from http://libres.uncg.edu/ir/uncg/f/MillerT_uncg_0154M_11225.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miller, Tyler. “Winds of change.” 2013. Thesis, NC Docks. Accessed January 29, 2020. http://libres.uncg.edu/ir/uncg/f/MillerT_uncg_0154M_11225.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miller, Tyler. “Winds of change.” 2013. Web. 29 Jan 2020.

Vancouver:

Miller T. Winds of change. [Internet] [Thesis]. NC Docks; 2013. [cited 2020 Jan 29]. Available from: http://libres.uncg.edu/ir/uncg/f/MillerT_uncg_0154M_11225.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miller T. Winds of change. [Thesis]. NC Docks; 2013. Available from: http://libres.uncg.edu/ir/uncg/f/MillerT_uncg_0154M_11225.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

17. Breckenridge, Mark A. “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S.

Degree: 2012, University of North Texas

 In “Sounds for Adventurous Listeners,” I argue that Conover’s role in the dissemination of jazz through the Music USA Jazz Hour was more influential on… (more)

Subjects/Keywords: Conover; avant-garde; jazz

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APA (6th Edition):

Breckenridge, M. A. (2012). “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc149564/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Breckenridge, Mark A. ““Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S.” 2012. Thesis, University of North Texas. Accessed January 29, 2020. https://digital.library.unt.edu/ark:/67531/metadc149564/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Breckenridge, Mark A. ““Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S.” 2012. Web. 29 Jan 2020.

Vancouver:

Breckenridge MA. “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S. [Internet] [Thesis]. University of North Texas; 2012. [cited 2020 Jan 29]. Available from: https://digital.library.unt.edu/ark:/67531/metadc149564/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Breckenridge MA. “Sounds for Adventurous Listeners”: Willis Conover, the Voice of America, and the International Reception of Avant-garde Jazz in the 1960S. [Thesis]. University of North Texas; 2012. Available from: https://digital.library.unt.edu/ark:/67531/metadc149564/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Univerzitet u Beogradu

18. Saveski, Zoran M., 1959-. Савремена филмска култура: авангардни приступи и алтернативни избори.

Degree: Fakultet političkih nauka, 2016, Univerzitet u Beogradu

Политичке науке - Теорија културе / Political Sciences - Culture Theory

Појам савремена филмска култура подразумева ону културу која тежи да укаже на самосвојност филмског… (more)

Subjects/Keywords: film; avant-garde; avant-garde Film; alternative culture; alternative film

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APA (6th Edition):

Saveski, Zoran M., 1. (2016). Савремена филмска култура: авангардни приступи и алтернативни избори. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:13759/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Saveski, Zoran M., 1959-. “Савремена филмска култура: авангардни приступи и алтернативни избори.” 2016. Thesis, Univerzitet u Beogradu. Accessed January 29, 2020. https://fedorabg.bg.ac.rs/fedora/get/o:13759/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Saveski, Zoran M., 1959-. “Савремена филмска култура: авангардни приступи и алтернативни избори.” 2016. Web. 29 Jan 2020.

Vancouver:

Saveski, Zoran M. 1. Савремена филмска култура: авангардни приступи и алтернативни избори. [Internet] [Thesis]. Univerzitet u Beogradu; 2016. [cited 2020 Jan 29]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:13759/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Saveski, Zoran M. 1. Савремена филмска култура: авангардни приступи и алтернативни избори. [Thesis]. Univerzitet u Beogradu; 2016. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:13759/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Rochard, Marine. Une avant-garde à réaction : gestualité, lyrisme et autopromotion chez Georges Mathieu (1944-1975) : A reaction avant-garde : gesture, lyricism and selfpromotion in Georges Mathieu's work (1944-1975).

Degree: Docteur es, Histoire de l'Art, 2014, Université François-Rabelais de Tours

L’étude de l’œuvre de Georges Mathieu, artiste controversé dont les activités s’étendent sur les décennies suivant la Seconde Guerre Mondiale, vise à éclairer un parcours… (more)

Subjects/Keywords: Avant-garde; Lyrisme; Gestualité; Autopromotion; Avant-garde; Lyricism; Gesture; Selfpromotion

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APA (6th Edition):

Rochard, M. (2014). Une avant-garde à réaction : gestualité, lyrisme et autopromotion chez Georges Mathieu (1944-1975) : A reaction avant-garde : gesture, lyricism and selfpromotion in Georges Mathieu's work (1944-1975). (Doctoral Dissertation). Université François-Rabelais de Tours. Retrieved from http://www.theses.fr/2014TOUR2005

Chicago Manual of Style (16th Edition):

Rochard, Marine. “Une avant-garde à réaction : gestualité, lyrisme et autopromotion chez Georges Mathieu (1944-1975) : A reaction avant-garde : gesture, lyricism and selfpromotion in Georges Mathieu's work (1944-1975).” 2014. Doctoral Dissertation, Université François-Rabelais de Tours. Accessed January 29, 2020. http://www.theses.fr/2014TOUR2005.

MLA Handbook (7th Edition):

Rochard, Marine. “Une avant-garde à réaction : gestualité, lyrisme et autopromotion chez Georges Mathieu (1944-1975) : A reaction avant-garde : gesture, lyricism and selfpromotion in Georges Mathieu's work (1944-1975).” 2014. Web. 29 Jan 2020.

Vancouver:

Rochard M. Une avant-garde à réaction : gestualité, lyrisme et autopromotion chez Georges Mathieu (1944-1975) : A reaction avant-garde : gesture, lyricism and selfpromotion in Georges Mathieu's work (1944-1975). [Internet] [Doctoral dissertation]. Université François-Rabelais de Tours; 2014. [cited 2020 Jan 29]. Available from: http://www.theses.fr/2014TOUR2005.

Council of Science Editors:

Rochard M. Une avant-garde à réaction : gestualité, lyrisme et autopromotion chez Georges Mathieu (1944-1975) : A reaction avant-garde : gesture, lyricism and selfpromotion in Georges Mathieu's work (1944-1975). [Doctoral Dissertation]. Université François-Rabelais de Tours; 2014. Available from: http://www.theses.fr/2014TOUR2005


Université Paris-Sorbonne – Paris IV

20. Joly, Noémi. ZERO et le devenir immatériel de l’art à l’épreuve de la technique, 1958-1964 : ZERO and the dematerialization of art through the prism of technology, 1958-1964.

Degree: Docteur es, Histoire de l'art, 2017, Université Paris-Sorbonne – Paris IV

ZERO apparaît le 24 avril 1958 à l’occasion de la septième « exposition d’un soir » qui a lieu à Düsseldorf, dans l’atelier d’Otto Piene… (more)

Subjects/Keywords: Zero; Immatériel; Art et technique; Art cinétique; Néo-Avant-Garde des années 1950-1960; Critique d’art; Politiques de la perception; Zero; Immaterial; Art and technology; Kinetic art; Neo-Avant-Garde of the 1950s and 1960s; Art criticism

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APA (6th Edition):

Joly, N. (2017). ZERO et le devenir immatériel de l’art à l’épreuve de la technique, 1958-1964 : ZERO and the dematerialization of art through the prism of technology, 1958-1964. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2017PA040048

Chicago Manual of Style (16th Edition):

Joly, Noémi. “ZERO et le devenir immatériel de l’art à l’épreuve de la technique, 1958-1964 : ZERO and the dematerialization of art through the prism of technology, 1958-1964.” 2017. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed January 29, 2020. http://www.theses.fr/2017PA040048.

MLA Handbook (7th Edition):

Joly, Noémi. “ZERO et le devenir immatériel de l’art à l’épreuve de la technique, 1958-1964 : ZERO and the dematerialization of art through the prism of technology, 1958-1964.” 2017. Web. 29 Jan 2020.

Vancouver:

Joly N. ZERO et le devenir immatériel de l’art à l’épreuve de la technique, 1958-1964 : ZERO and the dematerialization of art through the prism of technology, 1958-1964. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2017. [cited 2020 Jan 29]. Available from: http://www.theses.fr/2017PA040048.

Council of Science Editors:

Joly N. ZERO et le devenir immatériel de l’art à l’épreuve de la technique, 1958-1964 : ZERO and the dematerialization of art through the prism of technology, 1958-1964. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2017. Available from: http://www.theses.fr/2017PA040048


Pontifical Catholic University of Rio de Janeiro

21. ROBERTA ELLEN CANUTO. [en] ALBERTO CAVALCANTI: CINEMA-MAN.

Degree: 2018, Pontifical Catholic University of Rio de Janeiro

[pt] Esta pesquisa investiga o cinema realizado por Alberto Cavalcanti, sua herança e a presença de traços conceituais e estéticos de sua obra na cinematografia… (more)

Subjects/Keywords: [pt] DOCUMENTARIO; [en] DOCUMENTARY; [pt] ALBERTO CAVALCANTI; [en] ALBERTO CAVALCANTI; [pt] CINEMA DOCUMENTAL INGLES; [en] ENGLISH DOCUMENTARY CINEMA; [pt] AVANT-GARDE; [en] AVANT-GARDE; [pt] NEORREALISMO ITALIANO; [en] ITALIAN NEO-REALISM

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APA (6th Edition):

CANUTO, R. E. (2018). [en] ALBERTO CAVALCANTI: CINEMA-MAN. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=35350

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

CANUTO, ROBERTA ELLEN. “[en] ALBERTO CAVALCANTI: CINEMA-MAN.” 2018. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed January 29, 2020. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=35350.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

CANUTO, ROBERTA ELLEN. “[en] ALBERTO CAVALCANTI: CINEMA-MAN.” 2018. Web. 29 Jan 2020.

Vancouver:

CANUTO RE. [en] ALBERTO CAVALCANTI: CINEMA-MAN. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. [cited 2020 Jan 29]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=35350.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

CANUTO RE. [en] ALBERTO CAVALCANTI: CINEMA-MAN. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=35350

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Troin-Guis, Marie Anysia. Pratiques et poésies expérimentales de1960 à 1980 : enjeux esthétiques, éthiques et politiques : Julien Blaine, William S. Burroughs, Eugenio Miccini : Experimental poetry from 1960 to 1980 : aesthetic, ethical and political issues : Julien Blaine, William S. Burroughs and Eugenio Miccini.

Degree: Docteur es, Littérature générale et comparée, 2017, Aix Marseille Université

Cette thèse se propose de dégager les enjeux esthétiques, éthiques et politiques des poésies et pratiques expérimentales de 1960 à 1980, à partir de l’étude… (more)

Subjects/Keywords: Julien Blaine; William S. Burroughs; Eugenio Miccini; Poésie expérimentale; Néo-Avant-Garde; Étude texte/image; Image; Montage; Cut-Up; Engagement; Politique; Julien Blaine; William S. Burroughs; Eugenio Miccini; Experimental poetry; Neo-Avant-Garde; Word & image studies; Picture; Montage; Cut-Up; Commitment; Politics

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APA (6th Edition):

Troin-Guis, M. A. (2017). Pratiques et poésies expérimentales de1960 à 1980 : enjeux esthétiques, éthiques et politiques : Julien Blaine, William S. Burroughs, Eugenio Miccini : Experimental poetry from 1960 to 1980 : aesthetic, ethical and political issues : Julien Blaine, William S. Burroughs and Eugenio Miccini. (Doctoral Dissertation). Aix Marseille Université. Retrieved from http://www.theses.fr/2017AIXM0457

Chicago Manual of Style (16th Edition):

Troin-Guis, Marie Anysia. “Pratiques et poésies expérimentales de1960 à 1980 : enjeux esthétiques, éthiques et politiques : Julien Blaine, William S. Burroughs, Eugenio Miccini : Experimental poetry from 1960 to 1980 : aesthetic, ethical and political issues : Julien Blaine, William S. Burroughs and Eugenio Miccini.” 2017. Doctoral Dissertation, Aix Marseille Université. Accessed January 29, 2020. http://www.theses.fr/2017AIXM0457.

MLA Handbook (7th Edition):

Troin-Guis, Marie Anysia. “Pratiques et poésies expérimentales de1960 à 1980 : enjeux esthétiques, éthiques et politiques : Julien Blaine, William S. Burroughs, Eugenio Miccini : Experimental poetry from 1960 to 1980 : aesthetic, ethical and political issues : Julien Blaine, William S. Burroughs and Eugenio Miccini.” 2017. Web. 29 Jan 2020.

Vancouver:

Troin-Guis MA. Pratiques et poésies expérimentales de1960 à 1980 : enjeux esthétiques, éthiques et politiques : Julien Blaine, William S. Burroughs, Eugenio Miccini : Experimental poetry from 1960 to 1980 : aesthetic, ethical and political issues : Julien Blaine, William S. Burroughs and Eugenio Miccini. [Internet] [Doctoral dissertation]. Aix Marseille Université 2017. [cited 2020 Jan 29]. Available from: http://www.theses.fr/2017AIXM0457.

Council of Science Editors:

Troin-Guis MA. Pratiques et poésies expérimentales de1960 à 1980 : enjeux esthétiques, éthiques et politiques : Julien Blaine, William S. Burroughs, Eugenio Miccini : Experimental poetry from 1960 to 1980 : aesthetic, ethical and political issues : Julien Blaine, William S. Burroughs and Eugenio Miccini. [Doctoral Dissertation]. Aix Marseille Université 2017. Available from: http://www.theses.fr/2017AIXM0457

23. Harvey, Sarah Elizabeth. Late Surrealist Exhibitions and the Question of the Neo-Avant-Garde.

Degree: 2013, University of Washington

 This thesis seeks to extend the critical discussion of Surrealism and its exhibitions into the post-war period to resist the popular notion that Surrealism died… (more)

Subjects/Keywords: Avant-garde; Exhibitions; Neo-avant-garde; Post-war Surrealism; Surrealism; Art history; fine arts

…status is heightened by the presence of neo-avant-garde artists such as Robert Rauschenberg and… …often associated with neoDada and proto-Pop, represent a transition from avant-garde to neo… …Surrealism’s interest in the erotic encounter. However, the possibility that the neo-avant-garde… …look at how strategies of visual display overlapped with neo-avant-garde practice. I believe… …for the Surrealist avant-garde’s intersection with American neo-avant-garde artists Johns… 

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APA (6th Edition):

Harvey, S. E. (2013). Late Surrealist Exhibitions and the Question of the Neo-Avant-Garde. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/23638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harvey, Sarah Elizabeth. “Late Surrealist Exhibitions and the Question of the Neo-Avant-Garde.” 2013. Thesis, University of Washington. Accessed January 29, 2020. http://hdl.handle.net/1773/23638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harvey, Sarah Elizabeth. “Late Surrealist Exhibitions and the Question of the Neo-Avant-Garde.” 2013. Web. 29 Jan 2020.

Vancouver:

Harvey SE. Late Surrealist Exhibitions and the Question of the Neo-Avant-Garde. [Internet] [Thesis]. University of Washington; 2013. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/1773/23638.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harvey SE. Late Surrealist Exhibitions and the Question of the Neo-Avant-Garde. [Thesis]. University of Washington; 2013. Available from: http://hdl.handle.net/1773/23638

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

24. Παπακώστα, Αγνή. Όψεις της νεωτερικότητας και της πρωτοπορίας στην μεταπολεμική πεζογραφία (δεκαετίες 1960 και 1970): οι περιπτώσεις των Σ. Πλασκοβίτη, Α. Αλεξάνδρου, Γ. Χειμωνά και Α. Εμπειρικού.

Degree: 2009, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ)

Subjects/Keywords: Πρωτοπορία; Νεωτερικότητα; Πεζογραφία δεκαετιών 1960 και 1970; Ουτοπία; Χωρικότητα; Αυτοαναφορικότητα; Αισθητική πρωτοπορία; Πολιτική πρωτοπορία; Πολιτιστική πρωτοπορία; Ιστορική πρωτοπορία; Νέα ελληνική πρωτοπορία; Avant-garde; Greek novels during the decades 1960 and 1970; Utopia; Spatial form; Self-reference; Aesthetic avant-garde; Political avant-garde; Cultural avant-garde; Historic avant-garde; Neo avant-garde; Modernism; Post modernism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Παπακώστα, . . (2009). Όψεις της νεωτερικότητας και της πρωτοπορίας στην μεταπολεμική πεζογραφία (δεκαετίες 1960 και 1970): οι περιπτώσεις των Σ. Πλασκοβίτη, Α. Αλεξάνδρου, Γ. Χειμωνά και Α. Εμπειρικού. (Thesis). Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Retrieved from http://hdl.handle.net/10442/hedi/18702

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Παπακώστα, Αγνή. “Όψεις της νεωτερικότητας και της πρωτοπορίας στην μεταπολεμική πεζογραφία (δεκαετίες 1960 και 1970): οι περιπτώσεις των Σ. Πλασκοβίτη, Α. Αλεξάνδρου, Γ. Χειμωνά και Α. Εμπειρικού.” 2009. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed January 29, 2020. http://hdl.handle.net/10442/hedi/18702.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Παπακώστα, Αγνή. “Όψεις της νεωτερικότητας και της πρωτοπορίας στην μεταπολεμική πεζογραφία (δεκαετίες 1960 και 1970): οι περιπτώσεις των Σ. Πλασκοβίτη, Α. Αλεξάνδρου, Γ. Χειμωνά και Α. Εμπειρικού.” 2009. Web. 29 Jan 2020.

Vancouver:

Παπακώστα . Όψεις της νεωτερικότητας και της πρωτοπορίας στην μεταπολεμική πεζογραφία (δεκαετίες 1960 και 1970): οι περιπτώσεις των Σ. Πλασκοβίτη, Α. Αλεξάνδρου, Γ. Χειμωνά και Α. Εμπειρικού. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2009. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/10442/hedi/18702.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Παπακώστα . Όψεις της νεωτερικότητας και της πρωτοπορίας στην μεταπολεμική πεζογραφία (δεκαετίες 1960 και 1970): οι περιπτώσεις των Σ. Πλασκοβίτη, Α. Αλεξάνδρου, Γ. Χειμωνά και Α. Εμπειρικού. [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2009. Available from: http://hdl.handle.net/10442/hedi/18702

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

25. Kienle, Miriam. Community at a distance: Ray Johnson's correspondence art network, 1955-75.

Degree: PhD, 0250, 2015, University of Illinois – Urbana-Champaign

 During the 1960s, as the US Post Office underwent a radical restructuring, the artist Ray Johnson (1927-1995) initiated a new mode of artistic practice that… (more)

Subjects/Keywords: Ray Johnson; New York Correspondance School; network society; neo-avant-garde; mail art; correspondence art; postal art; interpersonal communication; Cold War America

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kienle, M. (2015). Community at a distance: Ray Johnson's correspondence art network, 1955-75. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/73071

Chicago Manual of Style (16th Edition):

Kienle, Miriam. “Community at a distance: Ray Johnson's correspondence art network, 1955-75.” 2015. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed January 29, 2020. http://hdl.handle.net/2142/73071.

MLA Handbook (7th Edition):

Kienle, Miriam. “Community at a distance: Ray Johnson's correspondence art network, 1955-75.” 2015. Web. 29 Jan 2020.

Vancouver:

Kienle M. Community at a distance: Ray Johnson's correspondence art network, 1955-75. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2015. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/2142/73071.

Council of Science Editors:

Kienle M. Community at a distance: Ray Johnson's correspondence art network, 1955-75. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2015. Available from: http://hdl.handle.net/2142/73071

26. Schumacher, R.W.G. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.

Degree: 2007, University Utrecht

 During the fortyone years of its existence the art magazine Museumjournaal (1955-1996) played a major role within the Netherlands artworld. Until the late seventies it… (more)

Subjects/Keywords: Museumjournaal; art press; art magazines; art criticism; art theory; Neo-avant-garde

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schumacher, R. W. G. (2007). Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. (Doctoral Dissertation). University Utrecht. Retrieved from http://dspace.library.uu.nl/handle/1874/19081 ; URN:NBN:NL:UI:10-1874-19081 ; URN:NBN:NL:UI:10-1874-19081 ; http://dspace.library.uu.nl/handle/1874/19081

Chicago Manual of Style (16th Edition):

Schumacher, R W G. “Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.” 2007. Doctoral Dissertation, University Utrecht. Accessed January 29, 2020. http://dspace.library.uu.nl/handle/1874/19081 ; URN:NBN:NL:UI:10-1874-19081 ; URN:NBN:NL:UI:10-1874-19081 ; http://dspace.library.uu.nl/handle/1874/19081.

MLA Handbook (7th Edition):

Schumacher, R W G. “Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.” 2007. Web. 29 Jan 2020.

Vancouver:

Schumacher RWG. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. [Internet] [Doctoral dissertation]. University Utrecht; 2007. [cited 2020 Jan 29]. Available from: http://dspace.library.uu.nl/handle/1874/19081 ; URN:NBN:NL:UI:10-1874-19081 ; URN:NBN:NL:UI:10-1874-19081 ; http://dspace.library.uu.nl/handle/1874/19081.

Council of Science Editors:

Schumacher RWG. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. [Doctoral Dissertation]. University Utrecht; 2007. Available from: http://dspace.library.uu.nl/handle/1874/19081 ; URN:NBN:NL:UI:10-1874-19081 ; URN:NBN:NL:UI:10-1874-19081 ; http://dspace.library.uu.nl/handle/1874/19081


The Ohio State University

27. Papalas, Mary Laura. A Changing of the Guard: The Evolution of the French Avant-Garde from Italian Futurism, to Surrealism, to Situationism, to the Writers of the Literary Journal Tel Quel.

Degree: PhD, French and Italian, 2008, The Ohio State University

 The avant-garde is an aesthetic movement that spanned the twentieth century. It is made up of writers and artists that rebelled against art and against… (more)

Subjects/Keywords: Literature; French Avant-Garde; European Avant-Garde; Literary Avant-Garde; Futurism; Surrealism; Situationism; Tel Quel; Joyce Mansour

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Papalas, M. L. (2008). A Changing of the Guard: The Evolution of the French Avant-Garde from Italian Futurism, to Surrealism, to Situationism, to the Writers of the Literary Journal Tel Quel. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1211977685

Chicago Manual of Style (16th Edition):

Papalas, Mary Laura. “A Changing of the Guard: The Evolution of the French Avant-Garde from Italian Futurism, to Surrealism, to Situationism, to the Writers of the Literary Journal Tel Quel.” 2008. Doctoral Dissertation, The Ohio State University. Accessed January 29, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1211977685.

MLA Handbook (7th Edition):

Papalas, Mary Laura. “A Changing of the Guard: The Evolution of the French Avant-Garde from Italian Futurism, to Surrealism, to Situationism, to the Writers of the Literary Journal Tel Quel.” 2008. Web. 29 Jan 2020.

Vancouver:

Papalas ML. A Changing of the Guard: The Evolution of the French Avant-Garde from Italian Futurism, to Surrealism, to Situationism, to the Writers of the Literary Journal Tel Quel. [Internet] [Doctoral dissertation]. The Ohio State University; 2008. [cited 2020 Jan 29]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1211977685.

Council of Science Editors:

Papalas ML. A Changing of the Guard: The Evolution of the French Avant-Garde from Italian Futurism, to Surrealism, to Situationism, to the Writers of the Literary Journal Tel Quel. [Doctoral Dissertation]. The Ohio State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1211977685


Leiden University

28. Vlies, Roel van der. Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger.

Degree: 2016, Leiden University

 This study analyzes the relation between avant-garde and the autonomy of art. Although the phenomenon of avant-garde is widely discussed, there is no agreement about… (more)

Subjects/Keywords: avant-garde; autonomy; Clement Greenberg; Peter Bürger

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APA (6th Edition):

Vlies, R. v. d. (2016). Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger. (Masters Thesis). Leiden University. Retrieved from http://hdl.handle.net/1887/37422

Chicago Manual of Style (16th Edition):

Vlies, Roel van der. “Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger.” 2016. Masters Thesis, Leiden University. Accessed January 29, 2020. http://hdl.handle.net/1887/37422.

MLA Handbook (7th Edition):

Vlies, Roel van der. “Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger.” 2016. Web. 29 Jan 2020.

Vancouver:

Vlies Rvd. Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger. [Internet] [Masters thesis]. Leiden University; 2016. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/1887/37422.

Council of Science Editors:

Vlies Rvd. Pro- or Anti-Autonomy: A Comparative Study of Notions of Avant-Garde by Clement Greenberg and Peter Bürger. [Masters Thesis]. Leiden University; 2016. Available from: http://hdl.handle.net/1887/37422


Université du Québec à Montréal

29. Legault, Jean-François. Manipulation de code et avant-garde : pour une littérature hackée.

Degree: 2012, Université du Québec à Montréal

 Dans le cyberespace, les distinctions entre les différentes acceptions du mot code deviennent poreuses : le code juridique cède le pas au code informatique dans… (more)

Subjects/Keywords: Avant-garde (Art); Code; Cyberespace; Hacker; Internet

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APA (6th Edition):

Legault, J. (2012). Manipulation de code et avant-garde : pour une littérature hackée. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/5076/1/M12627.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Legault, Jean-François. “Manipulation de code et avant-garde : pour une littérature hackée.” 2012. Thesis, Université du Québec à Montréal. Accessed January 29, 2020. http://archipel.uqam.ca/5076/1/M12627.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Legault, Jean-François. “Manipulation de code et avant-garde : pour une littérature hackée.” 2012. Web. 29 Jan 2020.

Vancouver:

Legault J. Manipulation de code et avant-garde : pour une littérature hackée. [Internet] [Thesis]. Université du Québec à Montréal; 2012. [cited 2020 Jan 29]. Available from: http://archipel.uqam.ca/5076/1/M12627.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Legault J. Manipulation de code et avant-garde : pour une littérature hackée. [Thesis]. Université du Québec à Montréal; 2012. Available from: http://archipel.uqam.ca/5076/1/M12627.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Newcastle

30. Chapman, Michael. Disfigured ground: architectures of Dada and surrealism.

Degree: PhD, 2011, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

In his 1974 work, Theory of the Avant-Garde, Peter Bürger developed a sociological argument that the practices of… (more)

Subjects/Keywords: avant-garde; architecture; surrealism; art theory

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APA (6th Edition):

Chapman, M. (2011). Disfigured ground: architectures of Dada and surrealism. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/919742

Chicago Manual of Style (16th Edition):

Chapman, Michael. “Disfigured ground: architectures of Dada and surrealism.” 2011. Doctoral Dissertation, University of Newcastle. Accessed January 29, 2020. http://hdl.handle.net/1959.13/919742.

MLA Handbook (7th Edition):

Chapman, Michael. “Disfigured ground: architectures of Dada and surrealism.” 2011. Web. 29 Jan 2020.

Vancouver:

Chapman M. Disfigured ground: architectures of Dada and surrealism. [Internet] [Doctoral dissertation]. University of Newcastle; 2011. [cited 2020 Jan 29]. Available from: http://hdl.handle.net/1959.13/919742.

Council of Science Editors:

Chapman M. Disfigured ground: architectures of Dada and surrealism. [Doctoral Dissertation]. University of Newcastle; 2011. Available from: http://hdl.handle.net/1959.13/919742

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