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University: University of Birmingham

You searched for subject:( N olib ralisme). Showing records 1 – 30 of 65 total matches.

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University of Birmingham

1. Konis, Polyvios. From the Resurrection to the Ascension : Christ's post Resurrection appearances in Byzantine Art.

Degree: PhD, 2010, University of Birmingham

 This thesis examines the evolution and dissemination of the iconography of the post-Resurrection appearances of Christ. Special attention is given to the association between word… (more)

Subjects/Keywords: 708; N Visual arts (General) For photography, see TR; BR Christianity

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Konis, P. (2010). From the Resurrection to the Ascension : Christ's post Resurrection appearances in Byzantine Art. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/663/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512524

Chicago Manual of Style (16th Edition):

Konis, Polyvios. “From the Resurrection to the Ascension : Christ's post Resurrection appearances in Byzantine Art.” 2010. Doctoral Dissertation, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/663/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512524.

MLA Handbook (7th Edition):

Konis, Polyvios. “From the Resurrection to the Ascension : Christ's post Resurrection appearances in Byzantine Art.” 2010. Web. 20 Mar 2019.

Vancouver:

Konis P. From the Resurrection to the Ascension : Christ's post Resurrection appearances in Byzantine Art. [Internet] [Doctoral dissertation]. University of Birmingham; 2010. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/663/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512524.

Council of Science Editors:

Konis P. From the Resurrection to the Ascension : Christ's post Resurrection appearances in Byzantine Art. [Doctoral Dissertation]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/663/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512524


University of Birmingham

2. MacCulloch, Laura. Ford Madox Brown : works on paper and archive material at Birmingham Museums and Art Gallery.

Degree: PhD, 2010, University of Birmingham

 This collaborative thesis focuses on the extensive collection of works on paper and related objects by Ford Madox Brown (1821-1893) held at Birmingham Museums and… (more)

Subjects/Keywords: 708; ND Painting; N Visual arts (General) For photography, see TR

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

MacCulloch, L. (2010). Ford Madox Brown : works on paper and archive material at Birmingham Museums and Art Gallery. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/611/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512398

Chicago Manual of Style (16th Edition):

MacCulloch, Laura. “Ford Madox Brown : works on paper and archive material at Birmingham Museums and Art Gallery.” 2010. Doctoral Dissertation, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/611/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512398.

MLA Handbook (7th Edition):

MacCulloch, Laura. “Ford Madox Brown : works on paper and archive material at Birmingham Museums and Art Gallery.” 2010. Web. 20 Mar 2019.

Vancouver:

MacCulloch L. Ford Madox Brown : works on paper and archive material at Birmingham Museums and Art Gallery. [Internet] [Doctoral dissertation]. University of Birmingham; 2010. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/611/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512398.

Council of Science Editors:

MacCulloch L. Ford Madox Brown : works on paper and archive material at Birmingham Museums and Art Gallery. [Doctoral Dissertation]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/611/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512398


University of Birmingham

3. Stent, Sabina Daniela. Women Surrealists : sexuality, fetish, femininity and female Surrealism.

Degree: 2012, University of Birmingham

 The objective of this thesis is to challenge the patriarchal traditions of Surrealism by examining the topic from the perspective of its women practitioners. Unlike… (more)

Subjects/Keywords: 708; N Visual arts (General) For photography, see TR; ND Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stent, S. D. (2012). Women Surrealists : sexuality, fetish, femininity and female Surrealism. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3718/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558946

Chicago Manual of Style (16th Edition):

Stent, Sabina Daniela. “Women Surrealists : sexuality, fetish, femininity and female Surrealism.” 2012. Doctoral Dissertation, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/3718/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558946.

MLA Handbook (7th Edition):

Stent, Sabina Daniela. “Women Surrealists : sexuality, fetish, femininity and female Surrealism.” 2012. Web. 20 Mar 2019.

Vancouver:

Stent SD. Women Surrealists : sexuality, fetish, femininity and female Surrealism. [Internet] [Doctoral dissertation]. University of Birmingham; 2012. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/3718/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558946.

Council of Science Editors:

Stent SD. Women Surrealists : sexuality, fetish, femininity and female Surrealism. [Doctoral Dissertation]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3718/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558946


University of Birmingham

4. Hussain, Muayad H. Modern art from Kuwait : Khalifa Qattan and Circulism.

Degree: PhD, 2012, University of Birmingham

 This thesis explores the life and work of the Kuwaiti artist Khalifa Qattan (1934-2003). The first chapter views Qattan in the context of twentieth-century visual… (more)

Subjects/Keywords: 700; N Visual arts (General) For photography, see TR; ND Painting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hussain, M. H. (2012). Modern art from Kuwait : Khalifa Qattan and Circulism. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3909/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.566102

Chicago Manual of Style (16th Edition):

Hussain, Muayad H. “Modern art from Kuwait : Khalifa Qattan and Circulism.” 2012. Doctoral Dissertation, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/3909/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.566102.

MLA Handbook (7th Edition):

Hussain, Muayad H. “Modern art from Kuwait : Khalifa Qattan and Circulism.” 2012. Web. 20 Mar 2019.

Vancouver:

Hussain MH. Modern art from Kuwait : Khalifa Qattan and Circulism. [Internet] [Doctoral dissertation]. University of Birmingham; 2012. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/3909/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.566102.

Council of Science Editors:

Hussain MH. Modern art from Kuwait : Khalifa Qattan and Circulism. [Doctoral Dissertation]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3909/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.566102


University of Birmingham

5. Sinniah, Virgine Jesica Antonet. Enhancing the Roman Catholic liturgy through art forms in India : to make a contribution to inculturation through Bharathanatyam.

Degree: PhD, 2013, University of Birmingham

 This study explores the possibilities of incorporating Bharathanatyam into the Roman Catholic Holy Mass in South India to enhance the liturgy. This thesis argues from… (more)

Subjects/Keywords: 793.3; N Visual arts (General) For photography, see TR

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sinniah, V. J. A. (2013). Enhancing the Roman Catholic liturgy through art forms in India : to make a contribution to inculturation through Bharathanatyam. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4663/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.583181

Chicago Manual of Style (16th Edition):

Sinniah, Virgine Jesica Antonet. “Enhancing the Roman Catholic liturgy through art forms in India : to make a contribution to inculturation through Bharathanatyam.” 2013. Doctoral Dissertation, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/4663/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.583181.

MLA Handbook (7th Edition):

Sinniah, Virgine Jesica Antonet. “Enhancing the Roman Catholic liturgy through art forms in India : to make a contribution to inculturation through Bharathanatyam.” 2013. Web. 20 Mar 2019.

Vancouver:

Sinniah VJA. Enhancing the Roman Catholic liturgy through art forms in India : to make a contribution to inculturation through Bharathanatyam. [Internet] [Doctoral dissertation]. University of Birmingham; 2013. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/4663/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.583181.

Council of Science Editors:

Sinniah VJA. Enhancing the Roman Catholic liturgy through art forms in India : to make a contribution to inculturation through Bharathanatyam. [Doctoral Dissertation]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4663/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.583181


University of Birmingham

6. Hausmann, Michael. Johanna Ey : a critical reappraisal.

Degree: PhD, 2011, University of Birmingham

 This study draws on and interprets an extensive corpus of archived materials, in particular from the Stadtmuseum Düsseldorf, to offer the first wide-ranging critical analysis… (more)

Subjects/Keywords: 708; DD Germany : N Visual arts (General) For photography, see TR

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hausmann, M. (2011). Johanna Ey : a critical reappraisal. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/987/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541285

Chicago Manual of Style (16th Edition):

Hausmann, Michael. “Johanna Ey : a critical reappraisal.” 2011. Doctoral Dissertation, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/987/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541285.

MLA Handbook (7th Edition):

Hausmann, Michael. “Johanna Ey : a critical reappraisal.” 2011. Web. 20 Mar 2019.

Vancouver:

Hausmann M. Johanna Ey : a critical reappraisal. [Internet] [Doctoral dissertation]. University of Birmingham; 2011. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/987/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541285.

Council of Science Editors:

Hausmann M. Johanna Ey : a critical reappraisal. [Doctoral Dissertation]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/987/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541285


University of Birmingham

7. MacCulloch, Laura. Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery.

Degree: Department of History of Art, 2010, University of Birmingham

 This collaborative thesis focuses on the extensive collection of works on paper and related objects by Ford Madox Brown (1821-1893) held at Birmingham Museums and… (more)

Subjects/Keywords: ND Painting; N Visual arts (General) For photography, see TR

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

MacCulloch, L. (2010). Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/611/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

MacCulloch, Laura. “Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery.” 2010. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/611/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

MacCulloch, Laura. “Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery.” 2010. Web. 20 Mar 2019.

Vancouver:

MacCulloch L. Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/611/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MacCulloch L. Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/611/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

8. Konis, Polyvios. From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art.

Degree: Institute of Archaelogy and Antiquity, 2010, University of Birmingham

 This thesis examines the evolution and dissemination of the iconography of the post-Resurrection appearances of Christ. Special attention is given to the association between word… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; BR Christianity

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Konis, P. (2010). From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/663/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Konis, Polyvios. “From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art.” 2010. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/663/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Konis, Polyvios. “From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art.” 2010. Web. 20 Mar 2019.

Vancouver:

Konis P. From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/663/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Konis P. From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/663/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

9. Buttery, Ruth Marie. Tilman Riemenschneider's monochrome sculpture: an examination of its origin.

Degree: History of Art, 2010, University of Birmingham

 This thesis explores the origins of the monochrome works of Tilman Riemenschneider (c.1460-1531) to clarify if this was an intentional finish. It focuses on the… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; NB Sculpture

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Buttery, R. M. (2010). Tilman Riemenschneider's monochrome sculpture: an examination of its origin. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/665/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Buttery, Ruth Marie. “Tilman Riemenschneider's monochrome sculpture: an examination of its origin.” 2010. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/665/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Buttery, Ruth Marie. “Tilman Riemenschneider's monochrome sculpture: an examination of its origin.” 2010. Web. 20 Mar 2019.

Vancouver:

Buttery RM. Tilman Riemenschneider's monochrome sculpture: an examination of its origin. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/665/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Buttery RM. Tilman Riemenschneider's monochrome sculpture: an examination of its origin. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/665/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

10. Clancy, Hannah Elizabeth. The historical re-evaluation of cultural heritage in modern post conflict situations.

Degree: Institute of Archaeology & Antiquity, 2010, University of Birmingham

 The loss of cultural heritage is familiar to us all in both current times with the looting of the Iraqi Museum in Baghdad and in… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; DR Balkan Peninsula

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Clancy, H. E. (2010). The historical re-evaluation of cultural heritage in modern post conflict situations. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/943/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clancy, Hannah Elizabeth. “The historical re-evaluation of cultural heritage in modern post conflict situations.” 2010. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/943/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clancy, Hannah Elizabeth. “The historical re-evaluation of cultural heritage in modern post conflict situations.” 2010. Web. 20 Mar 2019.

Vancouver:

Clancy HE. The historical re-evaluation of cultural heritage in modern post conflict situations. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/943/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clancy HE. The historical re-evaluation of cultural heritage in modern post conflict situations. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/943/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

11. Hausmann, Michael. Johanna Ey: a critical reappraisal.

Degree: Department of German Studies, 2011, University of Birmingham

 This study draws on and interprets an extensive corpus of archived materials, in particular from the Stadtmuseum Düsseldorf, to offer the first wide-ranging critical analysis… (more)

Subjects/Keywords: DD Germany; N Visual arts (General) For photography, see TR

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hausmann, M. (2011). Johanna Ey: a critical reappraisal. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/987/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hausmann, Michael. “Johanna Ey: a critical reappraisal.” 2011. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/987/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hausmann, Michael. “Johanna Ey: a critical reappraisal.” 2011. Web. 20 Mar 2019.

Vancouver:

Hausmann M. Johanna Ey: a critical reappraisal. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/987/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hausmann M. Johanna Ey: a critical reappraisal. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/987/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

12. Fogarty, Barbara. Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781.

Degree: Department of Art History, 2011, University of Birmingham

 The mechanical paintings of Matthew Boulton and Francis Eginton have been the subject of few scholarly treatises since their invention in the 1770s. Such interest… (more)

Subjects/Keywords: ND Painting; N Visual arts (General) For photography, see TR

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fogarty, B. (2011). Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/1545/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fogarty, Barbara. “Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781.” 2011. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/1545/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fogarty, Barbara. “Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781.” 2011. Web. 20 Mar 2019.

Vancouver:

Fogarty B. Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/1545/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fogarty B. Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/1545/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

13. Abraham, Julia Ann Paige. Transformation and Defiance in the Art Establishment.

Degree: Department of History of Art, 2012, University of Birmingham

 The aim of the research is to examine the activist role of the BLK Art Group and argue that it fought against racial alienation in… (more)

Subjects/Keywords: N Visual arts (General) For photography; see TR

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Abraham, J. A. P. (2012). Transformation and Defiance in the Art Establishment. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3300/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Abraham, Julia Ann Paige. “Transformation and Defiance in the Art Establishment.” 2012. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/3300/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Abraham, Julia Ann Paige. “Transformation and Defiance in the Art Establishment.” 2012. Web. 20 Mar 2019.

Vancouver:

Abraham JAP. Transformation and Defiance in the Art Establishment. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/3300/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Abraham JAP. Transformation and Defiance in the Art Establishment. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3300/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

14. Dudley, Lauren Louise. France in ruins: paintings by Hubert Robert c.1786-1788.

Degree: Department of Art History, Film and Visual Studies, 2014, University of Birmingham

 This thesis considers French artist Hubert Robert’s (1733-1808) paintings from 1786-1788, including his contributions to the 1787 Salon exhibition. This study examines the artist’s major… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; ND Painting

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dudley, L. L. (2014). France in ruins: paintings by Hubert Robert c.1786-1788. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4887/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dudley, Lauren Louise. “France in ruins: paintings by Hubert Robert c.1786-1788.” 2014. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/4887/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dudley, Lauren Louise. “France in ruins: paintings by Hubert Robert c.1786-1788.” 2014. Web. 20 Mar 2019.

Vancouver:

Dudley LL. France in ruins: paintings by Hubert Robert c.1786-1788. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/4887/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dudley LL. France in ruins: paintings by Hubert Robert c.1786-1788. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/4887/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

15. Jones, Victoria Grace. Murky waters: the representation of negative and subversive actualities of the Royal Navy during the French wars 1793-1815.

Degree: Department of Art History, Film and Visual Studies, 2014, University of Birmingham

 This thesis explores the representation of negative and subversive aspects of the Royal Navy and its seamen during the French Wars, 1793-1815, in contemporary print… (more)

Subjects/Keywords: DA Great Britain; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Jones, V. G. (2014). Murky waters: the representation of negative and subversive actualities of the Royal Navy during the French wars 1793-1815. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5494/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jones, Victoria Grace. “Murky waters: the representation of negative and subversive actualities of the Royal Navy during the French wars 1793-1815.” 2014. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/5494/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jones, Victoria Grace. “Murky waters: the representation of negative and subversive actualities of the Royal Navy during the French wars 1793-1815.” 2014. Web. 20 Mar 2019.

Vancouver:

Jones VG. Murky waters: the representation of negative and subversive actualities of the Royal Navy during the French wars 1793-1815. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/5494/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jones VG. Murky waters: the representation of negative and subversive actualities of the Royal Navy during the French wars 1793-1815. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/5494/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

16. Cook, Catherine. The apocalyptic landscapes of Ludwig Meidner.

Degree: Department of Art History, Film and Visual Studies, 2015, University of Birmingham

 The thesis examines the apocalyptic landscape paintings of Ludwig Meidner (1884-1966), executed in Berlin between the years of 1911 and 1916. Meidner was an early… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; ND Painting

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APA (6th Edition):

Cook, C. (2015). The apocalyptic landscapes of Ludwig Meidner. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6107/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cook, Catherine. “The apocalyptic landscapes of Ludwig Meidner.” 2015. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6107/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cook, Catherine. “The apocalyptic landscapes of Ludwig Meidner.” 2015. Web. 20 Mar 2019.

Vancouver:

Cook C. The apocalyptic landscapes of Ludwig Meidner. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6107/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cook C. The apocalyptic landscapes of Ludwig Meidner. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk/6107/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

17. Attard, Angelica. Art and adaptation to psychosis: art therapy as a treatment method, drawings as a research method.

Degree: School of Psychology, 2015, University of Birmingham

 This thesis comprises two research papers. The first is a systematic review which examines the effectiveness of Art Therapy (AT) for people with psychosis, and… (more)

Subjects/Keywords: BF Psychology; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Attard, A. (2015). Art and adaptation to psychosis: art therapy as a treatment method, drawings as a research method. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6218/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Attard, Angelica. “Art and adaptation to psychosis: art therapy as a treatment method, drawings as a research method.” 2015. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6218/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Attard, Angelica. “Art and adaptation to psychosis: art therapy as a treatment method, drawings as a research method.” 2015. Web. 20 Mar 2019.

Vancouver:

Attard A. Art and adaptation to psychosis: art therapy as a treatment method, drawings as a research method. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6218/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Attard A. Art and adaptation to psychosis: art therapy as a treatment method, drawings as a research method. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk/6218/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

18. Moyers Jr., Timothy Scott. Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work.

Degree: Department of Music, 2016, University of Birmingham

 One of the primary focuses in the works presented and discussed herein is the juxtaposition of many disparate musical styles, recordings, and sound worlds within… (more)

Subjects/Keywords: M Music; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Moyers Jr., T. S. (2016). Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6697/http://etheses.bham.ac.uk/6697/8/TimMoyersThesisAudio/Coagulate.wav ; http://etheses.bham.ac.uk/6697/9/Coagulate8Channel.zip ; http://etheses.bham.ac.uk/6697/10/TimMoyersVideos.zip

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moyers Jr., Timothy Scott. “Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work.” 2016. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6697/http://etheses.bham.ac.uk/6697/8/TimMoyersThesisAudio/Coagulate.wav ; http://etheses.bham.ac.uk/6697/9/Coagulate8Channel.zip ; http://etheses.bham.ac.uk/6697/10/TimMoyersVideos.zip.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moyers Jr., Timothy Scott. “Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work.” 2016. Web. 20 Mar 2019.

Vancouver:

Moyers Jr. TS. Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6697/http://etheses.bham.ac.uk/6697/8/TimMoyersThesisAudio/Coagulate.wav ; http://etheses.bham.ac.uk/6697/9/Coagulate8Channel.zip ; http://etheses.bham.ac.uk/6697/10/TimMoyersVideos.zip.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moyers Jr. TS. Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk/6697/http://etheses.bham.ac.uk/6697/8/TimMoyersThesisAudio/Coagulate.wav ; http://etheses.bham.ac.uk/6697/9/Coagulate8Channel.zip ; http://etheses.bham.ac.uk/6697/10/TimMoyersVideos.zip

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

19. Church, Chloe Alice. Modes of visual biblical interpretation in the Lutheran and Counter Reformations.

Degree: School of Philosophy, Theology and Religion, Department of Theology and Religion, 2017, University of Birmingham

 The images produced by artists during the Lutheran and Counter Reformations of the sixteenth century employed different modes of visually interpreting biblical texts. In Lutheran… (more)

Subjects/Keywords: BS The Bible; N Visual arts (General) For photography, see TR

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Church, C. A. (2017). Modes of visual biblical interpretation in the Lutheran and Counter Reformations. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/7816/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Church, Chloe Alice. “Modes of visual biblical interpretation in the Lutheran and Counter Reformations.” 2017. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/7816/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Church, Chloe Alice. “Modes of visual biblical interpretation in the Lutheran and Counter Reformations.” 2017. Web. 20 Mar 2019.

Vancouver:

Church CA. Modes of visual biblical interpretation in the Lutheran and Counter Reformations. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/7816/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Church CA. Modes of visual biblical interpretation in the Lutheran and Counter Reformations. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk/7816/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

20. Edwards, Jamie Lee. Netherlandish vernacular narrative painting in the age of Bruegel: ‘entangling the eyes’ & ‘enlightening the mind’.

Degree: School of Languages, Cultures, Art History and Music, Department of Art History, Curating and Visual Studies, 2017, University of Birmingham

 This thesis sheds new light on the origins and significance of ‘compositional inversion’ in sixteenth-century Netherlandish art. Taking Pieter Bruegel’s inverted religious narratives as primary… (more)

Subjects/Keywords: N Visual arts (General) For photography; see TR

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APA (6th Edition):

Edwards, J. L. (2017). Netherlandish vernacular narrative painting in the age of Bruegel: ‘entangling the eyes’ & ‘enlightening the mind’. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/7703/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Edwards, Jamie Lee. “Netherlandish vernacular narrative painting in the age of Bruegel: ‘entangling the eyes’ & ‘enlightening the mind’.” 2017. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/7703/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Edwards, Jamie Lee. “Netherlandish vernacular narrative painting in the age of Bruegel: ‘entangling the eyes’ & ‘enlightening the mind’.” 2017. Web. 20 Mar 2019.

Vancouver:

Edwards JL. Netherlandish vernacular narrative painting in the age of Bruegel: ‘entangling the eyes’ & ‘enlightening the mind’. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/7703/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Edwards JL. Netherlandish vernacular narrative painting in the age of Bruegel: ‘entangling the eyes’ & ‘enlightening the mind’. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk/7703/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

21. Edwards, Jamie Lee. Netherlandish vernacular narrative painting in the age of Bruegel : 'entangling the eyes' & 'enlightening the mind'.

Degree: PhD, 2017, University of Birmingham

 This thesis sheds new light on the origins and significance of ‘compositional inversion’ in sixteenth-century Netherlandish art. Taking Pieter Bruegel’s inverted religious narratives as primary… (more)

Subjects/Keywords: 759.92; N Visual arts (General) For photography, see TR

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Edwards, J. L. (2017). Netherlandish vernacular narrative painting in the age of Bruegel : 'entangling the eyes' & 'enlightening the mind'. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/7703/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.723373

Chicago Manual of Style (16th Edition):

Edwards, Jamie Lee. “Netherlandish vernacular narrative painting in the age of Bruegel : 'entangling the eyes' & 'enlightening the mind'.” 2017. Doctoral Dissertation, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/7703/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.723373.

MLA Handbook (7th Edition):

Edwards, Jamie Lee. “Netherlandish vernacular narrative painting in the age of Bruegel : 'entangling the eyes' & 'enlightening the mind'.” 2017. Web. 20 Mar 2019.

Vancouver:

Edwards JL. Netherlandish vernacular narrative painting in the age of Bruegel : 'entangling the eyes' & 'enlightening the mind'. [Internet] [Doctoral dissertation]. University of Birmingham; 2017. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/7703/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.723373.

Council of Science Editors:

Edwards JL. Netherlandish vernacular narrative painting in the age of Bruegel : 'entangling the eyes' & 'enlightening the mind'. [Doctoral Dissertation]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk/7703/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.723373


University of Birmingham

22. Roberts, Richenda M. 'Art of a second order' : the First World War from the British home front perspective.

Degree: PhD, 2013, University of Birmingham

 Little art-historical scholarship has been dedicated to fine art responding to the British home front during the First World War. Within pre-war British society concepts… (more)

Subjects/Keywords: 941.082; D501 World War I; N Visual arts (General) For photography; see TR

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APA (6th Edition):

Roberts, R. M. (2013). 'Art of a second order' : the First World War from the British home front perspective. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4008/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567780

Chicago Manual of Style (16th Edition):

Roberts, Richenda M. “'Art of a second order' : the First World War from the British home front perspective.” 2013. Doctoral Dissertation, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/4008/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567780.

MLA Handbook (7th Edition):

Roberts, Richenda M. “'Art of a second order' : the First World War from the British home front perspective.” 2013. Web. 20 Mar 2019.

Vancouver:

Roberts RM. 'Art of a second order' : the First World War from the British home front perspective. [Internet] [Doctoral dissertation]. University of Birmingham; 2013. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/4008/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567780.

Council of Science Editors:

Roberts RM. 'Art of a second order' : the First World War from the British home front perspective. [Doctoral Dissertation]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4008/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.567780


University of Birmingham

23. Ireson, Lucinda. Cracked mirrors and petrifying vision : negotiating femininity as spectacle within the Victorian cultural sphere.

Degree: PhD, 2014, University of Birmingham

 Taking as it basis the longstanding alignment of men with an active, eroticised gaze and women with visual spectacle within Western culture, this thesis demonstrates… (more)

Subjects/Keywords: BF Psychology; N Visual arts (General) For photography; see TR; ND Painting; PR English literature

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APA (6th Edition):

Ireson, L. (2014). Cracked mirrors and petrifying vision : negotiating femininity as spectacle within the Victorian cultural sphere. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4796/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.589704

Chicago Manual of Style (16th Edition):

Ireson, Lucinda. “Cracked mirrors and petrifying vision : negotiating femininity as spectacle within the Victorian cultural sphere.” 2014. Doctoral Dissertation, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/4796/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.589704.

MLA Handbook (7th Edition):

Ireson, Lucinda. “Cracked mirrors and petrifying vision : negotiating femininity as spectacle within the Victorian cultural sphere.” 2014. Web. 20 Mar 2019.

Vancouver:

Ireson L. Cracked mirrors and petrifying vision : negotiating femininity as spectacle within the Victorian cultural sphere. [Internet] [Doctoral dissertation]. University of Birmingham; 2014. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/4796/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.589704.

Council of Science Editors:

Ireson L. Cracked mirrors and petrifying vision : negotiating femininity as spectacle within the Victorian cultural sphere. [Doctoral Dissertation]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/4796/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.589704


University of Birmingham

24. Barnett, Katie. Fathering the future : masculine survival and paternal restoration in 1990s Hollywood.

Degree: PhD, 2013, University of Birmingham

 The 1990s in the United States saw a particular cultural anxiety manifested in the crisis of masculinity, in which American men were perceived to be… (more)

Subjects/Keywords: 791.43; E151 United States (General); N Visual arts (General) For photography; see TR

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barnett, K. (2013). Fathering the future : masculine survival and paternal restoration in 1990s Hollywood. (Doctoral Dissertation). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4488/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577875

Chicago Manual of Style (16th Edition):

Barnett, Katie. “Fathering the future : masculine survival and paternal restoration in 1990s Hollywood.” 2013. Doctoral Dissertation, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/4488/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577875.

MLA Handbook (7th Edition):

Barnett, Katie. “Fathering the future : masculine survival and paternal restoration in 1990s Hollywood.” 2013. Web. 20 Mar 2019.

Vancouver:

Barnett K. Fathering the future : masculine survival and paternal restoration in 1990s Hollywood. [Internet] [Doctoral dissertation]. University of Birmingham; 2013. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/4488/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577875.

Council of Science Editors:

Barnett K. Fathering the future : masculine survival and paternal restoration in 1990s Hollywood. [Doctoral Dissertation]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4488/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577875


University of Birmingham

25. Dai, Lisi. The Chinese Little Theatre movement from 1980s to present.

Degree: School of English, 2012, University of Birmingham

 Chinese Little Theatre first emerged more than twenty years ago in the 1980s, following liberalisation under the Open Door Policy. It developed rapidly and is… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; PN2000 Dramatic representation. The Theater

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Dai, L. (2012). The Chinese Little Theatre movement from 1980s to present. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dai, Lisi. “The Chinese Little Theatre movement from 1980s to present.” 2012. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/3220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dai, Lisi. “The Chinese Little Theatre movement from 1980s to present.” 2012. Web. 20 Mar 2019.

Vancouver:

Dai L. The Chinese Little Theatre movement from 1980s to present. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/3220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dai L. The Chinese Little Theatre movement from 1980s to present. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

26. Beddoes, Emalee. The art of tea: late Victorian visual culture and the normalization of an international national icon.

Degree: School of Art History, Film and Visual Studies, 2014, University of Birmingham

 The association between tea and Britishness is a long established concept which has received considerable scholarly and popular attention. How this association came to be… (more)

Subjects/Keywords: DA Great Britain; GT Manners and customs; N Visual arts (General) For photography, see TR

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Beddoes, E. (2014). The art of tea: late Victorian visual culture and the normalization of an international national icon. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4915/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beddoes, Emalee. “The art of tea: late Victorian visual culture and the normalization of an international national icon.” 2014. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/4915/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beddoes, Emalee. “The art of tea: late Victorian visual culture and the normalization of an international national icon.” 2014. Web. 20 Mar 2019.

Vancouver:

Beddoes E. The art of tea: late Victorian visual culture and the normalization of an international national icon. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/4915/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beddoes E. The art of tea: late Victorian visual culture and the normalization of an international national icon. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/4915/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

27. Wassersug, Yolana. ‘My Picture I Enjoin Thee to Keep’: the function of portraits in English drama, 1558-1642.

Degree: School of English, The Shakespeare Institute, 2015, University of Birmingham

 This thesis considers how visual art is expressed within English drama during the Elizabethan, Jacobean, and Caroline periods, through studying how portraits are used in… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; PN2000 Dramatic representation. The Theater

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wassersug, Y. (2015). ‘My Picture I Enjoin Thee to Keep’: the function of portraits in English drama, 1558-1642. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5935/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wassersug, Yolana. “‘My Picture I Enjoin Thee to Keep’: the function of portraits in English drama, 1558-1642.” 2015. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/5935/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wassersug, Yolana. “‘My Picture I Enjoin Thee to Keep’: the function of portraits in English drama, 1558-1642.” 2015. Web. 20 Mar 2019.

Vancouver:

Wassersug Y. ‘My Picture I Enjoin Thee to Keep’: the function of portraits in English drama, 1558-1642. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/5935/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wassersug Y. ‘My Picture I Enjoin Thee to Keep’: the function of portraits in English drama, 1558-1642. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk/5935/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

28. Pearce, Katherine Louise. Animal representation in nature documentaries narrated by David Attenborough, 1950s-2000s: a multimodal approach.

Degree: School of Humanities, Department of English, 2016, University of Birmingham

 This thesis will analyse the historical change in animal representation from 1950-2000 in wildlife films narrated by David Attenborough. The two series I have chosen… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; P Philology. Linguistics; PN1990 Broadcasting

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pearce, K. L. (2016). Animal representation in nature documentaries narrated by David Attenborough, 1950s-2000s: a multimodal approach. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6478/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pearce, Katherine Louise. “Animal representation in nature documentaries narrated by David Attenborough, 1950s-2000s: a multimodal approach.” 2016. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6478/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pearce, Katherine Louise. “Animal representation in nature documentaries narrated by David Attenborough, 1950s-2000s: a multimodal approach.” 2016. Web. 20 Mar 2019.

Vancouver:

Pearce KL. Animal representation in nature documentaries narrated by David Attenborough, 1950s-2000s: a multimodal approach. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6478/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pearce KL. Animal representation in nature documentaries narrated by David Attenborough, 1950s-2000s: a multimodal approach. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk/6478/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

29. Rozier, Emily Jane. The galaunt tradition in England, c.1380–c.1550: the form and function of a satirical youth figure.

Degree: School of English, Drama, American and Canadian Studies, Department of English, 2016, University of Birmingham

 The subject of this doctoral study is the satirical figure known as the ‘galaunt’, as depicted in English literature and visual art c.1380–c.1550. It combines… (more)

Subjects/Keywords: D111 Medieval History; N Visual arts (General) For photography, see TR; PR English literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rozier, E. J. (2016). The galaunt tradition in England, c.1380–c.1550: the form and function of a satirical youth figure. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6656/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rozier, Emily Jane. “The galaunt tradition in England, c.1380–c.1550: the form and function of a satirical youth figure.” 2016. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6656/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rozier, Emily Jane. “The galaunt tradition in England, c.1380–c.1550: the form and function of a satirical youth figure.” 2016. Web. 20 Mar 2019.

Vancouver:

Rozier EJ. The galaunt tradition in England, c.1380–c.1550: the form and function of a satirical youth figure. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6656/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rozier EJ. The galaunt tradition in England, c.1380–c.1550: the form and function of a satirical youth figure. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk/6656/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

30. Hegenbarth, Carly Louise. Catholic emancipation and British print cultures, 1821-9.

Degree: School of Languages, Cultures, Art History and Music, Department of Art History, Curating and Visual Studies, 2016, University of Birmingham

 During the course of the Parliamentary debates about Catholic emancipation in 1829, around 120 original, single sheet prints were published in London on the topic… (more)

Subjects/Keywords: BX Christian Denominations; DA Great Britain; N Visual arts (General) For photography, see TR

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hegenbarth, C. L. (2016). Catholic emancipation and British print cultures, 1821-9. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6857/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hegenbarth, Carly Louise. “Catholic emancipation and British print cultures, 1821-9.” 2016. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6857/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hegenbarth, Carly Louise. “Catholic emancipation and British print cultures, 1821-9.” 2016. Web. 20 Mar 2019.

Vancouver:

Hegenbarth CL. Catholic emancipation and British print cultures, 1821-9. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6857/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hegenbarth CL. Catholic emancipation and British print cultures, 1821-9. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk/6857/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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