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You searched for subject:( N olib ralisme). Showing records 1 – 12 of 12 total matches.

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University of Birmingham

1. Buttery, Ruth Marie. Tilman Riemenschneider's monochrome sculpture: an examination of its origin.

Degree: History of Art, 2010, University of Birmingham

 This thesis explores the origins of the monochrome works of Tilman Riemenschneider (c.1460-1531) to clarify if this was an intentional finish. It focuses on the… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; NB Sculpture

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APA (6th Edition):

Buttery, R. M. (2010). Tilman Riemenschneider's monochrome sculpture: an examination of its origin. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/665/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Buttery, Ruth Marie. “Tilman Riemenschneider's monochrome sculpture: an examination of its origin.” 2010. Thesis, University of Birmingham. Accessed March 21, 2019. http://etheses.bham.ac.uk/665/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Buttery, Ruth Marie. “Tilman Riemenschneider's monochrome sculpture: an examination of its origin.” 2010. Web. 21 Mar 2019.

Vancouver:

Buttery RM. Tilman Riemenschneider's monochrome sculpture: an examination of its origin. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 21]. Available from: http://etheses.bham.ac.uk/665/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Buttery RM. Tilman Riemenschneider's monochrome sculpture: an examination of its origin. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/665/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

2. Clancy, Hannah Elizabeth. The historical re-evaluation of cultural heritage in modern post conflict situations.

Degree: Institute of Archaeology & Antiquity, 2010, University of Birmingham

 The loss of cultural heritage is familiar to us all in both current times with the looting of the Iraqi Museum in Baghdad and in… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; DR Balkan Peninsula

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APA (6th Edition):

Clancy, H. E. (2010). The historical re-evaluation of cultural heritage in modern post conflict situations. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/943/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clancy, Hannah Elizabeth. “The historical re-evaluation of cultural heritage in modern post conflict situations.” 2010. Thesis, University of Birmingham. Accessed March 21, 2019. http://etheses.bham.ac.uk/943/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clancy, Hannah Elizabeth. “The historical re-evaluation of cultural heritage in modern post conflict situations.” 2010. Web. 21 Mar 2019.

Vancouver:

Clancy HE. The historical re-evaluation of cultural heritage in modern post conflict situations. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 21]. Available from: http://etheses.bham.ac.uk/943/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clancy HE. The historical re-evaluation of cultural heritage in modern post conflict situations. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/943/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

3. Fogarty, Barbara. Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781.

Degree: Department of Art History, 2011, University of Birmingham

 The mechanical paintings of Matthew Boulton and Francis Eginton have been the subject of few scholarly treatises since their invention in the 1770s. Such interest… (more)

Subjects/Keywords: ND Painting; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Fogarty, B. (2011). Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/1545/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fogarty, Barbara. “Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781.” 2011. Thesis, University of Birmingham. Accessed March 21, 2019. http://etheses.bham.ac.uk/1545/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fogarty, Barbara. “Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781.” 2011. Web. 21 Mar 2019.

Vancouver:

Fogarty B. Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Mar 21]. Available from: http://etheses.bham.ac.uk/1545/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fogarty B. Matthew Boulton and Francis Eginton’s mechanical paintings: production and consumption 1777 to 1781. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/1545/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

4. Abraham, Julia Ann Paige. Transformation and Defiance in the Art Establishment.

Degree: Department of History of Art, 2012, University of Birmingham

 The aim of the research is to examine the activist role of the BLK Art Group and argue that it fought against racial alienation in… (more)

Subjects/Keywords: N Visual arts (General) For photography; see TR

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APA (6th Edition):

Abraham, J. A. P. (2012). Transformation and Defiance in the Art Establishment. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3300/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Abraham, Julia Ann Paige. “Transformation and Defiance in the Art Establishment.” 2012. Thesis, University of Birmingham. Accessed March 21, 2019. http://etheses.bham.ac.uk/3300/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Abraham, Julia Ann Paige. “Transformation and Defiance in the Art Establishment.” 2012. Web. 21 Mar 2019.

Vancouver:

Abraham JAP. Transformation and Defiance in the Art Establishment. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Mar 21]. Available from: http://etheses.bham.ac.uk/3300/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Abraham JAP. Transformation and Defiance in the Art Establishment. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3300/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

5. Dudley, Lauren Louise. France in ruins: paintings by Hubert Robert c.1786-1788.

Degree: Department of Art History, Film and Visual Studies, 2014, University of Birmingham

 This thesis considers French artist Hubert Robert’s (1733-1808) paintings from 1786-1788, including his contributions to the 1787 Salon exhibition. This study examines the artist’s major… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; ND Painting

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APA (6th Edition):

Dudley, L. L. (2014). France in ruins: paintings by Hubert Robert c.1786-1788. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4887/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dudley, Lauren Louise. “France in ruins: paintings by Hubert Robert c.1786-1788.” 2014. Thesis, University of Birmingham. Accessed March 21, 2019. http://etheses.bham.ac.uk/4887/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dudley, Lauren Louise. “France in ruins: paintings by Hubert Robert c.1786-1788.” 2014. Web. 21 Mar 2019.

Vancouver:

Dudley LL. France in ruins: paintings by Hubert Robert c.1786-1788. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 21]. Available from: http://etheses.bham.ac.uk/4887/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dudley LL. France in ruins: paintings by Hubert Robert c.1786-1788. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/4887/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

6. Dai, Lisi. The Chinese Little Theatre movement from 1980s to present.

Degree: School of English, 2012, University of Birmingham

 Chinese Little Theatre first emerged more than twenty years ago in the 1980s, following liberalisation under the Open Door Policy. It developed rapidly and is… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; PN2000 Dramatic representation. The Theater

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APA (6th Edition):

Dai, L. (2012). The Chinese Little Theatre movement from 1980s to present. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dai, Lisi. “The Chinese Little Theatre movement from 1980s to present.” 2012. Thesis, University of Birmingham. Accessed March 21, 2019. http://etheses.bham.ac.uk/3220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dai, Lisi. “The Chinese Little Theatre movement from 1980s to present.” 2012. Web. 21 Mar 2019.

Vancouver:

Dai L. The Chinese Little Theatre movement from 1980s to present. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Mar 21]. Available from: http://etheses.bham.ac.uk/3220/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dai L. The Chinese Little Theatre movement from 1980s to present. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3220/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

7. Beddoes, Emalee. The art of tea: late Victorian visual culture and the normalization of an international national icon.

Degree: School of Art History, Film and Visual Studies, 2014, University of Birmingham

 The association between tea and Britishness is a long established concept which has received considerable scholarly and popular attention. How this association came to be… (more)

Subjects/Keywords: DA Great Britain; GT Manners and customs; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Beddoes, E. (2014). The art of tea: late Victorian visual culture and the normalization of an international national icon. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4915/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Beddoes, Emalee. “The art of tea: late Victorian visual culture and the normalization of an international national icon.” 2014. Thesis, University of Birmingham. Accessed March 21, 2019. http://etheses.bham.ac.uk/4915/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Beddoes, Emalee. “The art of tea: late Victorian visual culture and the normalization of an international national icon.” 2014. Web. 21 Mar 2019.

Vancouver:

Beddoes E. The art of tea: late Victorian visual culture and the normalization of an international national icon. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 21]. Available from: http://etheses.bham.ac.uk/4915/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Beddoes E. The art of tea: late Victorian visual culture and the normalization of an international national icon. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/4915/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

8. Greensted, Mary. The Arts and Crafts movement: exchanges between Greece and Britain (1876-1930).

Degree: School of History and Cultures, Department of Classics, Ancient History and Archaeology, 2010, University of Birmingham

 This thesis discusses exchanges between Britain and Greece as part of the Arts and Crafts Movement which took shape in England in the 1880s. It… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; NK Decorative arts Applied arts Decoration and ornament

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APA (6th Edition):

Greensted, M. (2010). The Arts and Crafts movement: exchanges between Greece and Britain (1876-1930). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/1110/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Greensted, Mary. “The Arts and Crafts movement: exchanges between Greece and Britain (1876-1930).” 2010. Thesis, University of Birmingham. Accessed March 21, 2019. http://etheses.bham.ac.uk/1110/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Greensted, Mary. “The Arts and Crafts movement: exchanges between Greece and Britain (1876-1930).” 2010. Web. 21 Mar 2019.

Vancouver:

Greensted M. The Arts and Crafts movement: exchanges between Greece and Britain (1876-1930). [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 21]. Available from: http://etheses.bham.ac.uk/1110/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Greensted M. The Arts and Crafts movement: exchanges between Greece and Britain (1876-1930). [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/1110/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Kekis, Olga. MEDEA adapted: the Subaltern Barbarian speaks.

Degree: School of English, Drama, and American and Canadian Studies, 2010, University of Birmingham

 This thesis examines three contemporary adaptations of Euripides’ Medea which reveal her as the ultimate subaltern heroine who comes face to face with imperial colonialism… (more)

Subjects/Keywords: N Visual arts (General) For photography; see TR

…Medea in Performance 1500-2000. Oxford: Legenda. Kaye, N. (1994) Postmodernism and… 

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APA (6th Edition):

Kekis, O. (2010). MEDEA adapted: the Subaltern Barbarian speaks. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/498/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kekis, Olga. “MEDEA adapted: the Subaltern Barbarian speaks.” 2010. Thesis, University of Birmingham. Accessed March 21, 2019. http://etheses.bham.ac.uk/498/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kekis, Olga. “MEDEA adapted: the Subaltern Barbarian speaks.” 2010. Web. 21 Mar 2019.

Vancouver:

Kekis O. MEDEA adapted: the Subaltern Barbarian speaks. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 21]. Available from: http://etheses.bham.ac.uk/498/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kekis O. MEDEA adapted: the Subaltern Barbarian speaks. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/498/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Cox, Pamela. An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night.

Degree: School of Languages, Cultures, Art History and Music, 2014, University of Birmingham

 The reason for this dissertation is to highlight the Barber Institute of Arts exceptional double-faced panel, Joseph and the Suitors and the Nativity at Night,… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; ND Painting; NX Arts in general

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Cox, P. (2014). An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4968/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cox, Pamela. “An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night.” 2014. Thesis, University of Birmingham. Accessed March 21, 2019. http://etheses.bham.ac.uk/4968/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cox, Pamela. “An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night.” 2014. Web. 21 Mar 2019.

Vancouver:

Cox P. An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 21]. Available from: http://etheses.bham.ac.uk/4968/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cox P. An open and shut case? An investigation into Jan de Beer’s Joseph and the Suitors and the Nativity at Night. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/4968/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Sladen, Anna. The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay.

Degree: Department of English and Drama, 2011, University of Birmingham

 The Sometime Husband of Three Katherines, Two Annes and One Jane is a retelling of the Six Wives of Henry VIII story through memory and… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; DA Great Britain; NX Arts in general

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Sample image

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APA (6th Edition):

Sladen, A. (2011). The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/1340/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sladen, Anna. “The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay.” 2011. Thesis, University of Birmingham. Accessed March 21, 2019. http://etheses.bham.ac.uk/1340/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sladen, Anna. “The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay.” 2011. Web. 21 Mar 2019.

Vancouver:

Sladen A. The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Mar 21]. Available from: http://etheses.bham.ac.uk/1340/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sladen A. The Sometime Husband of Three Katherines, Two Annes and One Jane: Play and Critical Essay. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/1340/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Bicknell, Samuel. (Re)presenting drama: adaptation in postdramatic theatre.

Degree: Department of Drama and Theatre Arts, School of English, Drama, American and Canadian Studies, 2011, University of Birmingham

 This thesis examines three adaptations of dramatic texts for postdramatic performance by two experimental theatre companies: the Wooster Group’s L.S.D. (1984) and Brace Up! (1991),… (more)

Subjects/Keywords: BH Aesthetics; GV Recreation Leisure; N Visual arts (General) For photography, see TR; NX Arts in general; T Technology (General)

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APA (6th Edition):

Bicknell, S. (2011). (Re)presenting drama: adaptation in postdramatic theatre. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/2965/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bicknell, Samuel. “(Re)presenting drama: adaptation in postdramatic theatre.” 2011. Thesis, University of Birmingham. Accessed March 21, 2019. http://etheses.bham.ac.uk/2965/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bicknell, Samuel. “(Re)presenting drama: adaptation in postdramatic theatre.” 2011. Web. 21 Mar 2019.

Vancouver:

Bicknell S. (Re)presenting drama: adaptation in postdramatic theatre. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Mar 21]. Available from: http://etheses.bham.ac.uk/2965/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bicknell S. (Re)presenting drama: adaptation in postdramatic theatre. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/2965/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.