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You searched for subject:( N olib ralisme). Showing records 1 – 28 of 28 total matches.

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University of Birmingham

1. MacCulloch, Laura. Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery.

Degree: Department of History of Art, 2010, University of Birmingham

 This collaborative thesis focuses on the extensive collection of works on paper and related objects by Ford Madox Brown (1821-1893) held at Birmingham Museums and… (more)

Subjects/Keywords: ND Painting; N Visual arts (General) For photography, see TR

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APA (6th Edition):

MacCulloch, L. (2010). Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/611/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

MacCulloch, Laura. “Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery.” 2010. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/611/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

MacCulloch, Laura. “Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery.” 2010. Web. 20 Mar 2019.

Vancouver:

MacCulloch L. Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/611/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

MacCulloch L. Ford Madox Brown: works on paper and archive material at Birmingham Museums and Art Gallery. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/611/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

2. Konis, Polyvios. From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art.

Degree: Institute of Archaelogy and Antiquity, 2010, University of Birmingham

 This thesis examines the evolution and dissemination of the iconography of the post-Resurrection appearances of Christ. Special attention is given to the association between word… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; BR Christianity

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APA (6th Edition):

Konis, P. (2010). From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/663/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Konis, Polyvios. “From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art.” 2010. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/663/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Konis, Polyvios. “From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art.” 2010. Web. 20 Mar 2019.

Vancouver:

Konis P. From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/663/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Konis P. From the Resurrection to the Ascension: Christ's post Resurrection appearances in Byzantine Art. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/663/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

3. Hausmann, Michael. Johanna Ey: a critical reappraisal.

Degree: Department of German Studies, 2011, University of Birmingham

 This study draws on and interprets an extensive corpus of archived materials, in particular from the Stadtmuseum Düsseldorf, to offer the first wide-ranging critical analysis… (more)

Subjects/Keywords: DD Germany; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Hausmann, M. (2011). Johanna Ey: a critical reappraisal. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/987/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hausmann, Michael. “Johanna Ey: a critical reappraisal.” 2011. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/987/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hausmann, Michael. “Johanna Ey: a critical reappraisal.” 2011. Web. 20 Mar 2019.

Vancouver:

Hausmann M. Johanna Ey: a critical reappraisal. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/987/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hausmann M. Johanna Ey: a critical reappraisal. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/987/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

4. Jones, Victoria Grace. Murky waters: the representation of negative and subversive actualities of the Royal Navy during the French wars 1793-1815.

Degree: Department of Art History, Film and Visual Studies, 2014, University of Birmingham

 This thesis explores the representation of negative and subversive aspects of the Royal Navy and its seamen during the French Wars, 1793-1815, in contemporary print… (more)

Subjects/Keywords: DA Great Britain; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Jones, V. G. (2014). Murky waters: the representation of negative and subversive actualities of the Royal Navy during the French wars 1793-1815. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5494/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jones, Victoria Grace. “Murky waters: the representation of negative and subversive actualities of the Royal Navy during the French wars 1793-1815.” 2014. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/5494/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jones, Victoria Grace. “Murky waters: the representation of negative and subversive actualities of the Royal Navy during the French wars 1793-1815.” 2014. Web. 20 Mar 2019.

Vancouver:

Jones VG. Murky waters: the representation of negative and subversive actualities of the Royal Navy during the French wars 1793-1815. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/5494/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jones VG. Murky waters: the representation of negative and subversive actualities of the Royal Navy during the French wars 1793-1815. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/5494/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

5. Moyers Jr., Timothy Scott. Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work.

Degree: Department of Music, 2016, University of Birmingham

 One of the primary focuses in the works presented and discussed herein is the juxtaposition of many disparate musical styles, recordings, and sound worlds within… (more)

Subjects/Keywords: M Music; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Moyers Jr., T. S. (2016). Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6697/http://etheses.bham.ac.uk/6697/8/TimMoyersThesisAudio/Coagulate.wav ; http://etheses.bham.ac.uk/6697/9/Coagulate8Channel.zip ; http://etheses.bham.ac.uk/6697/10/TimMoyersVideos.zip

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moyers Jr., Timothy Scott. “Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work.” 2016. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6697/http://etheses.bham.ac.uk/6697/8/TimMoyersThesisAudio/Coagulate.wav ; http://etheses.bham.ac.uk/6697/9/Coagulate8Channel.zip ; http://etheses.bham.ac.uk/6697/10/TimMoyersVideos.zip.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moyers Jr., Timothy Scott. “Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work.” 2016. Web. 20 Mar 2019.

Vancouver:

Moyers Jr. TS. Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6697/http://etheses.bham.ac.uk/6697/8/TimMoyersThesisAudio/Coagulate.wav ; http://etheses.bham.ac.uk/6697/9/Coagulate8Channel.zip ; http://etheses.bham.ac.uk/6697/10/TimMoyersVideos.zip.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moyers Jr. TS. Pragmatism, eclecticism and accessibility in composing and improvising electroacoustic and audiovisual work. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk/6697/http://etheses.bham.ac.uk/6697/8/TimMoyersThesisAudio/Coagulate.wav ; http://etheses.bham.ac.uk/6697/9/Coagulate8Channel.zip ; http://etheses.bham.ac.uk/6697/10/TimMoyersVideos.zip

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

6. Edwards, Jamie Lee. Netherlandish vernacular narrative painting in the age of Bruegel: ‘entangling the eyes’ & ‘enlightening the mind’.

Degree: School of Languages, Cultures, Art History and Music, Department of Art History, Curating and Visual Studies, 2017, University of Birmingham

 This thesis sheds new light on the origins and significance of ‘compositional inversion’ in sixteenth-century Netherlandish art. Taking Pieter Bruegel’s inverted religious narratives as primary… (more)

Subjects/Keywords: N Visual arts (General) For photography; see TR

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APA (6th Edition):

Edwards, J. L. (2017). Netherlandish vernacular narrative painting in the age of Bruegel: ‘entangling the eyes’ & ‘enlightening the mind’. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/7703/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Edwards, Jamie Lee. “Netherlandish vernacular narrative painting in the age of Bruegel: ‘entangling the eyes’ & ‘enlightening the mind’.” 2017. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/7703/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Edwards, Jamie Lee. “Netherlandish vernacular narrative painting in the age of Bruegel: ‘entangling the eyes’ & ‘enlightening the mind’.” 2017. Web. 20 Mar 2019.

Vancouver:

Edwards JL. Netherlandish vernacular narrative painting in the age of Bruegel: ‘entangling the eyes’ & ‘enlightening the mind’. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/7703/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Edwards JL. Netherlandish vernacular narrative painting in the age of Bruegel: ‘entangling the eyes’ & ‘enlightening the mind’. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk/7703/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

7. Wassersug, Yolana. ‘My Picture I Enjoin Thee to Keep’: the function of portraits in English drama, 1558-1642.

Degree: School of English, The Shakespeare Institute, 2015, University of Birmingham

 This thesis considers how visual art is expressed within English drama during the Elizabethan, Jacobean, and Caroline periods, through studying how portraits are used in… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; PN2000 Dramatic representation. The Theater

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APA (6th Edition):

Wassersug, Y. (2015). ‘My Picture I Enjoin Thee to Keep’: the function of portraits in English drama, 1558-1642. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5935/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wassersug, Yolana. “‘My Picture I Enjoin Thee to Keep’: the function of portraits in English drama, 1558-1642.” 2015. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/5935/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wassersug, Yolana. “‘My Picture I Enjoin Thee to Keep’: the function of portraits in English drama, 1558-1642.” 2015. Web. 20 Mar 2019.

Vancouver:

Wassersug Y. ‘My Picture I Enjoin Thee to Keep’: the function of portraits in English drama, 1558-1642. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/5935/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wassersug Y. ‘My Picture I Enjoin Thee to Keep’: the function of portraits in English drama, 1558-1642. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk/5935/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

8. Rozier, Emily Jane. The galaunt tradition in England, c.1380–c.1550: the form and function of a satirical youth figure.

Degree: School of English, Drama, American and Canadian Studies, Department of English, 2016, University of Birmingham

 The subject of this doctoral study is the satirical figure known as the ‘galaunt’, as depicted in English literature and visual art c.1380–c.1550. It combines… (more)

Subjects/Keywords: D111 Medieval History; N Visual arts (General) For photography, see TR; PR English literature

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APA (6th Edition):

Rozier, E. J. (2016). The galaunt tradition in England, c.1380–c.1550: the form and function of a satirical youth figure. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6656/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rozier, Emily Jane. “The galaunt tradition in England, c.1380–c.1550: the form and function of a satirical youth figure.” 2016. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6656/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rozier, Emily Jane. “The galaunt tradition in England, c.1380–c.1550: the form and function of a satirical youth figure.” 2016. Web. 20 Mar 2019.

Vancouver:

Rozier EJ. The galaunt tradition in England, c.1380–c.1550: the form and function of a satirical youth figure. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6656/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rozier EJ. The galaunt tradition in England, c.1380–c.1550: the form and function of a satirical youth figure. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk/6656/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

9. Hegenbarth, Carly Louise. Catholic emancipation and British print cultures, 1821-9.

Degree: School of Languages, Cultures, Art History and Music, Department of Art History, Curating and Visual Studies, 2016, University of Birmingham

 During the course of the Parliamentary debates about Catholic emancipation in 1829, around 120 original, single sheet prints were published in London on the topic… (more)

Subjects/Keywords: BX Christian Denominations; DA Great Britain; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Hegenbarth, C. L. (2016). Catholic emancipation and British print cultures, 1821-9. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6857/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hegenbarth, Carly Louise. “Catholic emancipation and British print cultures, 1821-9.” 2016. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6857/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hegenbarth, Carly Louise. “Catholic emancipation and British print cultures, 1821-9.” 2016. Web. 20 Mar 2019.

Vancouver:

Hegenbarth CL. Catholic emancipation and British print cultures, 1821-9. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6857/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hegenbarth CL. Catholic emancipation and British print cultures, 1821-9. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk/6857/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

10. Crilley, Rhys. The visual politics of legitimation in the digital age: the cases of the British Army and the Syrian Opposition .

Degree: School of Government and Society, Department of Political Science and International Studies, 2016, University of Birmingham

 In the discipline of International Relations, scholars have recently drawn attention to how political actors use narratives to claim legitimacy for themselves, their actions, and… (more)

Subjects/Keywords: HM Sociology; JZ International relations; N Visual arts (General) For photography, see TR; U Military Science (General)

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APA (6th Edition):

Crilley, R. (2016). The visual politics of legitimation in the digital age: the cases of the British Army and the Syrian Opposition . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6906/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Crilley, Rhys. “The visual politics of legitimation in the digital age: the cases of the British Army and the Syrian Opposition .” 2016. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6906/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Crilley, Rhys. “The visual politics of legitimation in the digital age: the cases of the British Army and the Syrian Opposition .” 2016. Web. 20 Mar 2019.

Vancouver:

Crilley R. The visual politics of legitimation in the digital age: the cases of the British Army and the Syrian Opposition . [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6906/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Crilley R. The visual politics of legitimation in the digital age: the cases of the British Army and the Syrian Opposition . [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk/6906/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

11. Wiltshire, Imogen. Therapeutic art concepts and practices in Britain and the United States (1937-1946).

Degree: School of Languages, Cultures, Art History and Music, Department of Art History, Curating and Visual Studies, 2017, University of Birmingham

 This thesis provides the first analysis of occupational therapy and art therapy from an art historical viewpoint. Based on archival material, it examines how modern… (more)

Subjects/Keywords: DA Great Britain; E151 United States (General); N Visual arts (General) For photography, see TR; NX Arts in general

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APA (6th Edition):

Wiltshire, I. (2017). Therapeutic art concepts and practices in Britain and the United States (1937-1946). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/7492/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wiltshire, Imogen. “Therapeutic art concepts and practices in Britain and the United States (1937-1946).” 2017. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/7492/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wiltshire, Imogen. “Therapeutic art concepts and practices in Britain and the United States (1937-1946).” 2017. Web. 20 Mar 2019.

Vancouver:

Wiltshire I. Therapeutic art concepts and practices in Britain and the United States (1937-1946). [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/7492/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wiltshire I. Therapeutic art concepts and practices in Britain and the United States (1937-1946). [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk/7492/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

12. Hemsoll, David E. Studies in architectural and artistic imitation during the time of Raphael and Michelangelo.

Degree: Department of Art History, Film and Visual Studies, 2015, University of Birmingham

 The work collected together here examines the distinctive conceptual approaches taken by Renaissance architects, during the period c. 1480-1550, towards the designing of their buildings.… (more)

Subjects/Keywords: DE The Mediterranean Region. The Greco-Roman World; N Visual arts (General) For photography, see TR; NA Architecture

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APA (6th Edition):

Hemsoll, D. E. (2015). Studies in architectural and artistic imitation during the time of Raphael and Michelangelo. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6053/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hemsoll, David E. “Studies in architectural and artistic imitation during the time of Raphael and Michelangelo.” 2015. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6053/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hemsoll, David E. “Studies in architectural and artistic imitation during the time of Raphael and Michelangelo.” 2015. Web. 20 Mar 2019.

Vancouver:

Hemsoll DE. Studies in architectural and artistic imitation during the time of Raphael and Michelangelo. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6053/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hemsoll DE. Studies in architectural and artistic imitation during the time of Raphael and Michelangelo. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk/6053/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Sinniah, Virgine Jesica Antonet. Enhancing the Roman Catholic liturgy through art forms in India:To make a contribution to inculturation through Bharathanatyam .

Degree: School of Philosophy, Theology and Religion, 2013, University of Birmingham

 This study explores the possibilities of incorporating Bharathanatyam into the Roman Catholic Holy Mass in South India to enhance the liturgy. This thesis argues from… (more)

Subjects/Keywords: N Visual arts (General) For photography; see TR

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APA (6th Edition):

Sinniah, V. J. A. (2013). Enhancing the Roman Catholic liturgy through art forms in India:To make a contribution to inculturation through Bharathanatyam . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4663/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sinniah, Virgine Jesica Antonet. “Enhancing the Roman Catholic liturgy through art forms in India:To make a contribution to inculturation through Bharathanatyam .” 2013. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/4663/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sinniah, Virgine Jesica Antonet. “Enhancing the Roman Catholic liturgy through art forms in India:To make a contribution to inculturation through Bharathanatyam .” 2013. Web. 20 Mar 2019.

Vancouver:

Sinniah VJA. Enhancing the Roman Catholic liturgy through art forms in India:To make a contribution to inculturation through Bharathanatyam . [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/4663/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sinniah VJA. Enhancing the Roman Catholic liturgy through art forms in India:To make a contribution to inculturation through Bharathanatyam . [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4663/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Hussain, Muayad H. Modern art from Kuwait: Khalifa Qattan and Circulism.

Degree: Department of History of Art, 2012, University of Birmingham

 This thesis explores the life and work of the Kuwaiti artist Khalifa Qattan (1934-2003). The first chapter views Qattan in the context of twentieth-century visual… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; ND Painting

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APA (6th Edition):

Hussain, M. H. (2012). Modern art from Kuwait: Khalifa Qattan and Circulism. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3909/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hussain, Muayad H. “Modern art from Kuwait: Khalifa Qattan and Circulism.” 2012. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/3909/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hussain, Muayad H. “Modern art from Kuwait: Khalifa Qattan and Circulism.” 2012. Web. 20 Mar 2019.

Vancouver:

Hussain MH. Modern art from Kuwait: Khalifa Qattan and Circulism. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/3909/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hussain MH. Modern art from Kuwait: Khalifa Qattan and Circulism. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3909/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

15. Stent, Sabina Daniela. Women Surrealists: sexuality, fetish, femininity and female Surrealism .

Degree: School of Languages, Culture, Art History and Music, 2012, University of Birmingham

 The objective of this thesis is to challenge the patriarchal traditions of Surrealism by examining the topic from the perspective of its women practitioners. Unlike… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; ND Painting

…Hommes n'en sauront rien) (1923) Max Ernst Oil on canvas 803 x 638 mm frame… 

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APA (6th Edition):

Stent, S. D. (2012). Women Surrealists: sexuality, fetish, femininity and female Surrealism . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3718/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stent, Sabina Daniela. “Women Surrealists: sexuality, fetish, femininity and female Surrealism .” 2012. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/3718/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stent, Sabina Daniela. “Women Surrealists: sexuality, fetish, femininity and female Surrealism .” 2012. Web. 20 Mar 2019.

Vancouver:

Stent SD. Women Surrealists: sexuality, fetish, femininity and female Surrealism . [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/3718/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stent SD. Women Surrealists: sexuality, fetish, femininity and female Surrealism . [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3718/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

16. Straw, Mark Christopher. The damaged male and the contemporary American war film: masochism, ethics, and spectatorship.

Degree: Department of American and Canadian Studies, 2011, University of Birmingham

 This thesis is about the depiction of the damaged male in contemporary American war films in the period 1990 to 2010. All the films in… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; D501 World War I; HV Social pathology. Social and public welfare; E11 America (General); PS American literature; D731 World War II

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APA (6th Edition):

Straw, M. C. (2011). The damaged male and the contemporary American war film: masochism, ethics, and spectatorship. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/1711/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Straw, Mark Christopher. “The damaged male and the contemporary American war film: masochism, ethics, and spectatorship.” 2011. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/1711/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Straw, Mark Christopher. “The damaged male and the contemporary American war film: masochism, ethics, and spectatorship.” 2011. Web. 20 Mar 2019.

Vancouver:

Straw MC. The damaged male and the contemporary American war film: masochism, ethics, and spectatorship. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/1711/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Straw MC. The damaged male and the contemporary American war film: masochism, ethics, and spectatorship. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/1711/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

17. Georgiou, Andriani. The cult of Flavia Iulia Helena in Byzantium: an analysis of authority and perception through the study of textual and visual sources from the fourth to the fifteenth century.

Degree: Centre for Byzantine, Ottoman and Modern Greek Studies, 2013, University of Birmingham

 The symbolic role of Helena throughout the Byzantine period has never been considered in any detail. Many of the literary sources, particularly historiographical and hagiological… (more)

Subjects/Keywords: BR Christianity; C Auxiliary sciences of history (General); D051 Ancient History; D111 Medieval History; DE The Mediterranean Region. The Greco-Roman World; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Georgiou, A. (2013). The cult of Flavia Iulia Helena in Byzantium: an analysis of authority and perception through the study of textual and visual sources from the fourth to the fifteenth century. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4175/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Georgiou, Andriani. “The cult of Flavia Iulia Helena in Byzantium: an analysis of authority and perception through the study of textual and visual sources from the fourth to the fifteenth century.” 2013. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/4175/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Georgiou, Andriani. “The cult of Flavia Iulia Helena in Byzantium: an analysis of authority and perception through the study of textual and visual sources from the fourth to the fifteenth century.” 2013. Web. 20 Mar 2019.

Vancouver:

Georgiou A. The cult of Flavia Iulia Helena in Byzantium: an analysis of authority and perception through the study of textual and visual sources from the fourth to the fifteenth century. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/4175/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Georgiou A. The cult of Flavia Iulia Helena in Byzantium: an analysis of authority and perception through the study of textual and visual sources from the fourth to the fifteenth century. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4175/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

18. Cowley, Robert L.S. A review of William Hogarth's Marriage à la Mode with particular reference to character and setting.

Degree: Shakespeare Institute, 1977, University of Birmingham

 The thesis has been prepared on the assumption that Hogarth's picture series are essentially narrative works. They are considered in the Introduction in the light… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; PN Literature (General)

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APA (6th Edition):

Cowley, R. L. S. (1977). A review of William Hogarth's Marriage à la Mode with particular reference to character and setting. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5590/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cowley, Robert L S. “A review of William Hogarth's Marriage à la Mode with particular reference to character and setting.” 1977. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/5590/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cowley, Robert L S. “A review of William Hogarth's Marriage à la Mode with particular reference to character and setting.” 1977. Web. 20 Mar 2019.

Vancouver:

Cowley RLS. A review of William Hogarth's Marriage à la Mode with particular reference to character and setting. [Internet] [Thesis]. University of Birmingham; 1977. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/5590/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cowley RLS. A review of William Hogarth's Marriage à la Mode with particular reference to character and setting. [Thesis]. University of Birmingham; 1977. Available from: http://etheses.bham.ac.uk/5590/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

19. Michael, Georgia. Imaging divinity: the ‘invisible’ Godhead in early Christian art c.300-c.730.

Degree: School of History and Cultures, Centre for Byzantine, Ottoman and Modern Greek Studies, 2017, University of Birmingham

 Representations of the Holy Trinity have increasingly come under scrutiny, exposing two competing paradigms at opposite ends of the theological spectrum: the legitimacy and the… (more)

Subjects/Keywords: BR Christianity; BT Doctrinal Theology; DE The Mediterranean Region. The Greco-Roman World; N Visual arts (General) For photography, see TR; ND Painting

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APA (6th Edition):

Michael, G. (2017). Imaging divinity: the ‘invisible’ Godhead in early Christian art c.300-c.730. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/7318/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Michael, Georgia. “Imaging divinity: the ‘invisible’ Godhead in early Christian art c.300-c.730.” 2017. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/7318/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Michael, Georgia. “Imaging divinity: the ‘invisible’ Godhead in early Christian art c.300-c.730.” 2017. Web. 20 Mar 2019.

Vancouver:

Michael G. Imaging divinity: the ‘invisible’ Godhead in early Christian art c.300-c.730. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/7318/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Michael G. Imaging divinity: the ‘invisible’ Godhead in early Christian art c.300-c.730. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk/7318/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

20. Phillips, Henrietta Phillipa Anne Malion. Cultural representations of the Moors Murderers and Yorkshire Ripper cases.

Degree: School of Languages, Cultures, Art History and Music, Department of Modern Languages, 2017, University of Birmingham

 This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the… (more)

Subjects/Keywords: HT Communities. Classes. Races; HV Social pathology. Social and public welfare; N Visual arts (General) For photography, see TR; NX Arts in general; PN2000 Dramatic representation. The Theater

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APA (6th Edition):

Phillips, H. P. A. M. (2017). Cultural representations of the Moors Murderers and Yorkshire Ripper cases. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/7380/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Phillips, Henrietta Phillipa Anne Malion. “Cultural representations of the Moors Murderers and Yorkshire Ripper cases.” 2017. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/7380/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Phillips, Henrietta Phillipa Anne Malion. “Cultural representations of the Moors Murderers and Yorkshire Ripper cases.” 2017. Web. 20 Mar 2019.

Vancouver:

Phillips HPAM. Cultural representations of the Moors Murderers and Yorkshire Ripper cases. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/7380/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Phillips HPAM. Cultural representations of the Moors Murderers and Yorkshire Ripper cases. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk/7380/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Ireson, Lucinda. Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere.

Degree: Department of English, 2014, University of Birmingham

 Taking as it basis the longstanding alignment of men with an active, eroticised gaze and women with visual spectacle within Western culture, this thesis demonstrates… (more)

Subjects/Keywords: BF Psychology; N Visual arts (General) For photography, see TR; ND Painting; PR English literature

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APA (6th Edition):

Ireson, L. (2014). Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4796/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ireson, Lucinda. “Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere.” 2014. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/4796/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ireson, Lucinda. “Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere.” 2014. Web. 20 Mar 2019.

Vancouver:

Ireson L. Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/4796/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ireson L. Cracked mirrors and petrifying vision: negotiating femininity as spectacle within the Victorian cultural sphere. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/4796/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Barnett, Katie. Fathering the future: masculine survival and paternal restoration in 1990s Hollywood.

Degree: Department of American and Canadian Studies, 2013, University of Birmingham

 The 1990s in the United States saw a particular cultural anxiety manifested in the crisis of masculinity, in which American men were perceived to be… (more)

Subjects/Keywords: E151 United States (General); N Visual arts (General) For photography, see TR

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APA (6th Edition):

Barnett, K. (2013). Fathering the future: masculine survival and paternal restoration in 1990s Hollywood. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4488/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barnett, Katie. “Fathering the future: masculine survival and paternal restoration in 1990s Hollywood.” 2013. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/4488/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barnett, Katie. “Fathering the future: masculine survival and paternal restoration in 1990s Hollywood.” 2013. Web. 20 Mar 2019.

Vancouver:

Barnett K. Fathering the future: masculine survival and paternal restoration in 1990s Hollywood. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/4488/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barnett K. Fathering the future: masculine survival and paternal restoration in 1990s Hollywood. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4488/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Roberts, Richenda M. 'Art of a second order': the First World War from the British home front perspective.

Degree: Department of Art History, Film and Visual Studies, 2013, University of Birmingham

 Little art-historical scholarship has been dedicated to fine art responding to the British home front during the First World War. Within pre-war British society concepts… (more)

Subjects/Keywords: D501 World War I; N Visual arts (General) For photography, see TR

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APA (6th Edition):

Roberts, R. M. (2013). 'Art of a second order': the First World War from the British home front perspective. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4008/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roberts, Richenda M. “'Art of a second order': the First World War from the British home front perspective.” 2013. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/4008/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roberts, Richenda M. “'Art of a second order': the First World War from the British home front perspective.” 2013. Web. 20 Mar 2019.

Vancouver:

Roberts RM. 'Art of a second order': the First World War from the British home front perspective. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/4008/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roberts RM. 'Art of a second order': the First World War from the British home front perspective. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4008/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

24. Moore, Daniel Thomas. "There are yet other kinds of work which may be done?" : aesthetic history and the representation of the Italian past, 1850-1935.

Degree: Department of English, 2008, University of Birmingham

 This thesis explores a number of interdisciplinary writings on the Italian past by later nineteenth- and early twentieth-century artistically minded critics and cultural commentators, with… (more)

Subjects/Keywords: BH Aesthetics; DG Italy; N Visual arts (General) For photography, see TR; PN Literature (General)

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APA (6th Edition):

Moore, D. T. (2008). "There are yet other kinds of work which may be done?" : aesthetic history and the representation of the Italian past, 1850-1935. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6150/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Moore, Daniel Thomas. “"There are yet other kinds of work which may be done?" : aesthetic history and the representation of the Italian past, 1850-1935.” 2008. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6150/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Moore, Daniel Thomas. “"There are yet other kinds of work which may be done?" : aesthetic history and the representation of the Italian past, 1850-1935.” 2008. Web. 20 Mar 2019.

Vancouver:

Moore DT. "There are yet other kinds of work which may be done?" : aesthetic history and the representation of the Italian past, 1850-1935. [Internet] [Thesis]. University of Birmingham; 2008. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6150/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Moore DT. "There are yet other kinds of work which may be done?" : aesthetic history and the representation of the Italian past, 1850-1935. [Thesis]. University of Birmingham; 2008. Available from: http://etheses.bham.ac.uk/6150/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

25. Justice, Rebecca Claire. Falling through the meshwork: images of falling through 9/11 and beyond.

Degree: School of English, Drama, American & Canadian Studies, American and Canadian Studies Centre, 2017, University of Birmingham

 This thesis considers images of the falling body after the terrorist attacks of 11 September 2001, starting with Associated Press photographer Richard Drew’s photograph of… (more)

Subjects/Keywords: E11 America (General); E151 United States (General); HV Social pathology. Social and public welfare; N Visual arts (General) For photography, see TR; PN1990 Broadcasting; PN1993 Motion Pictures; PS American literature; TR Photography

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APA (6th Edition):

Justice, R. C. (2017). Falling through the meshwork: images of falling through 9/11 and beyond. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/7339/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Justice, Rebecca Claire. “Falling through the meshwork: images of falling through 9/11 and beyond.” 2017. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/7339/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Justice, Rebecca Claire. “Falling through the meshwork: images of falling through 9/11 and beyond.” 2017. Web. 20 Mar 2019.

Vancouver:

Justice RC. Falling through the meshwork: images of falling through 9/11 and beyond. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/7339/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Justice RC. Falling through the meshwork: images of falling through 9/11 and beyond. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk/7339/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

26. Miao, Hui. In-visibility: the sentimental in Chinese cinema since the 1990s.

Degree: Department of American and Canadian Studies, School of Historical Studies, 2012, University of Birmingham

 The greater visibility of Chinese films brought by the wider global access and circulation has not satisfied the culturally specific understanding of Chinese cinema. The… (more)

Subjects/Keywords: BH Aesthetics; DS Asia; HT Communities. Classes. Races; N Visual arts (General) For photography, see TR

…cultural belonging. Chow acknowledges that ‘[i]n Chinese language, as can be expected… …important element of Chinese culture. For instance Xie Youwei observes that ‘[i]n a… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Miao, H. (2012). In-visibility: the sentimental in Chinese cinema since the 1990s. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3256/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miao, Hui. “In-visibility: the sentimental in Chinese cinema since the 1990s.” 2012. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/3256/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miao, Hui. “In-visibility: the sentimental in Chinese cinema since the 1990s.” 2012. Web. 20 Mar 2019.

Vancouver:

Miao H. In-visibility: the sentimental in Chinese cinema since the 1990s. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/3256/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miao H. In-visibility: the sentimental in Chinese cinema since the 1990s. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3256/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

27. Carta, Silvio. Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology.

Degree: Department of Modern Languages and Cultures, 2012, University of Birmingham

 This study explores issues of technique, methodology and style in ethnographic/documentary films, with a focus on Sardinia. How are cultural realities constructed in documentary and… (more)

Subjects/Keywords: N Visual arts (General) For photography, see TR; NX Arts in general; PN1993 Motion Pictures

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carta, S. (2012). Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3674/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carta, Silvio. “Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology.” 2012. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/3674/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carta, Silvio. “Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology.” 2012. Web. 20 Mar 2019.

Vancouver:

Carta S. Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/3674/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carta S. Documentary film, observational style and postmodern anthropology in Sardinia: a visual anthropology. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3674/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Langley, Richard Mark. Ameritocracy: Hollywood blockbusters and the universalisation of American values.

Degree: American and Canadian Studies, 2012, University of Birmingham

 The thesis contends that there is a dominant strand of thinking driving the prevailing metanarrative of American global hegemony. This strand, constructed here as Ameritocracy,… (more)

Subjects/Keywords: E11 America (General); E151 United States (General); N Visual arts (General) For photography, see TR; PN1993 Motion Pictures

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Langley, R. M. (2012). Ameritocracy: Hollywood blockbusters and the universalisation of American values. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3376/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Langley, Richard Mark. “Ameritocracy: Hollywood blockbusters and the universalisation of American values.” 2012. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/3376/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Langley, Richard Mark. “Ameritocracy: Hollywood blockbusters and the universalisation of American values.” 2012. Web. 20 Mar 2019.

Vancouver:

Langley RM. Ameritocracy: Hollywood blockbusters and the universalisation of American values. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/3376/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Langley RM. Ameritocracy: Hollywood blockbusters and the universalisation of American values. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3376/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.