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You searched for subject:( Monte Carlo M todo de). Showing records 1 – 22 of 22 total matches.

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University of Birmingham

1. Ryall, Nicholas J. MPhil musical composition: commentaries.

Degree: Department of Music, 2014, University of Birmingham

 My interest in musical composition covers a broad range of styles and genres and this MPhil Submission is designed to reflect that range by a… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Ryall, N. J. (2014). MPhil musical composition: commentaries. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5144/http://etheses.bham.ac.uk/5144/9/Storm_Ghosts.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ryall, Nicholas J. “MPhil musical composition: commentaries.” 2014. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/5144/http://etheses.bham.ac.uk/5144/9/Storm_Ghosts.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ryall, Nicholas J. “MPhil musical composition: commentaries.” 2014. Web. 20 Mar 2019.

Vancouver:

Ryall NJ. MPhil musical composition: commentaries. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/5144/http://etheses.bham.ac.uk/5144/9/Storm_Ghosts.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ryall NJ. MPhil musical composition: commentaries. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/5144/http://etheses.bham.ac.uk/5144/9/Storm_Ghosts.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

2. Grigoropoulos, Grigorios. Identity spaces music space as a medium for sound.

Degree: School of Languages, Cultures, Art History and Music, Department of Music, 2016, University of Birmingham

 The work completed for this thesis starts with my initial interest in spatial music and concludes by placing space at the forefront of compositional thought.… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Grigoropoulos, G. (2016). Identity spaces music space as a medium for sound. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6549/http://etheses.bham.ac.uk/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grigoropoulos, Grigorios. “Identity spaces music space as a medium for sound.” 2016. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6549/http://etheses.bham.ac.uk/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grigoropoulos, Grigorios. “Identity spaces music space as a medium for sound.” 2016. Web. 20 Mar 2019.

Vancouver:

Grigoropoulos G. Identity spaces music space as a medium for sound. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6549/http://etheses.bham.ac.uk/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grigoropoulos G. Identity spaces music space as a medium for sound. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk/6549/http://etheses.bham.ac.uk/6549/9/IDENTITY%20SPACES%20TO%20BURN/.DS_Store

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

3. Ward, Martin John. Analysis of five works by Herbert Howells, with reference to features of the composer’s style.

Degree: Music, 2006, University of Birmingham

 As much research into Herbert Howells to date has focused on the historical aspects of his life and works, the prime intention of this study… (more)

Subjects/Keywords: M Music

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APA (6th Edition):

Ward, M. J. (2006). Analysis of five works by Herbert Howells, with reference to features of the composer’s style. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/236/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ward, Martin John. “Analysis of five works by Herbert Howells, with reference to features of the composer’s style.” 2006. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/236/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ward, Martin John. “Analysis of five works by Herbert Howells, with reference to features of the composer’s style.” 2006. Web. 20 Mar 2019.

Vancouver:

Ward MJ. Analysis of five works by Herbert Howells, with reference to features of the composer’s style. [Internet] [Thesis]. University of Birmingham; 2006. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/236/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ward MJ. Analysis of five works by Herbert Howells, with reference to features of the composer’s style. [Thesis]. University of Birmingham; 2006. Available from: http://etheses.bham.ac.uk/236/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

4. Grammatopoulos, Ektor. A study of the effects of playing a wind instrument on the occlusion.

Degree: Department of Orthodontics, 2010, University of Birmingham

 Objectives: To investigate the effects of playing a wind instrument on the occlusion. Subjects and method: One hundred and seventy professional musicians were selected from… (more)

Subjects/Keywords: RK Dentistry; M Music

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APA (6th Edition):

Grammatopoulos, E. (2010). A study of the effects of playing a wind instrument on the occlusion. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/606/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Grammatopoulos, Ektor. “A study of the effects of playing a wind instrument on the occlusion.” 2010. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/606/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Grammatopoulos, Ektor. “A study of the effects of playing a wind instrument on the occlusion.” 2010. Web. 20 Mar 2019.

Vancouver:

Grammatopoulos E. A study of the effects of playing a wind instrument on the occlusion. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/606/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Grammatopoulos E. A study of the effects of playing a wind instrument on the occlusion. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/606/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

5. Lockyer, Rebekah Lucy. The music of prose: a reading of Ford Madox Ford's Parade's End.

Degree: Department of English, 2014, University of Birmingham

 The artistic fields of music and literature have long been connected by metaphor, and combined through song. The late nineteenth century saw a significant revaluation… (more)

Subjects/Keywords: M Music; PR English literature

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APA (6th Edition):

Lockyer, R. L. (2014). The music of prose: a reading of Ford Madox Ford's Parade's End. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5437/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lockyer, Rebekah Lucy. “The music of prose: a reading of Ford Madox Ford's Parade's End.” 2014. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/5437/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lockyer, Rebekah Lucy. “The music of prose: a reading of Ford Madox Ford's Parade's End.” 2014. Web. 20 Mar 2019.

Vancouver:

Lockyer RL. The music of prose: a reading of Ford Madox Ford's Parade's End. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/5437/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lockyer RL. The music of prose: a reading of Ford Madox Ford's Parade's End. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/5437/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Ho, Sze-Hwei Grace. Changing Chopin: posthumous variants and performance approaches.

Degree: Department of Music, 2013, University of Birmingham

 This thesis aims to examine Chopin’s own style of playing and to trace some of the approaches taken by 19th and 20th century pianists in… (more)

Subjects/Keywords: M Music

…form of a rare privilege,19 as seen in his declaration to Juliette de Caraman: I give you… …in sets. A typical programme listing, from his 1842 Parisian recital, was ‘Suite de… …Souvenir de Paganini’ opens with three successive A major chords in the bass register of the… …increase the dramatic effect.64 Ex. 2.4. Chopin, Variations in A ‘Souvenir de Paganini’, opening… 

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APA (6th Edition):

Ho, S. G. (2013). Changing Chopin: posthumous variants and performance approaches. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4352/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ho, Sze-Hwei Grace. “Changing Chopin: posthumous variants and performance approaches.” 2013. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/4352/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ho, Sze-Hwei Grace. “Changing Chopin: posthumous variants and performance approaches.” 2013. Web. 20 Mar 2019.

Vancouver:

Ho SG. Changing Chopin: posthumous variants and performance approaches. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/4352/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ho SG. Changing Chopin: posthumous variants and performance approaches. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4352/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

7. Chaddock, Edward James Michael. Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary.

Degree: Department of Music, 2011, University of Birmingham

 The music of John Alcock (1715-1806) is not familiar to most musicians. However, he did produce some attractive works and is a significant figure in… (more)

Subjects/Keywords: M Music; ML Literature of music

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APA (6th Edition):

Chaddock, E. J. M. (2011). Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/1430/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chaddock, Edward James Michael. “Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary.” 2011. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/1430/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chaddock, Edward James Michael. “Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary.” 2011. Web. 20 Mar 2019.

Vancouver:

Chaddock EJM. Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/1430/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chaddock EJM. Two Orchestral Anthems by John Alcock (1715-1806): A critical edition with commentary. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/1430/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

8. Borin, Alessandro. Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary.

Degree: Department of Music, 2012, University of Birmingham

 Vivaldi’s Op. 6 concertos first appeared in 1719 under the imprint of Jeanne Roger. Though the engraved parts contain an unusually large number of errors… (more)

Subjects/Keywords: M Music; ML Literature of music

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APA (6th Edition):

Borin, A. (2012). Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3494/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Borin, Alessandro. “Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary.” 2012. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/3494/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Borin, Alessandro. “Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary.” 2012. Web. 20 Mar 2019.

Vancouver:

Borin A. Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/3494/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Borin A. Critical edition of Antonio Vivaldi’s Op. 6 Concertos with introduction and critical commentary. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3494/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

9. Lucas, Flora May. Franz Keyper: Concerto No. 1 for double bass .

Degree: School of Languages, Cultures, Art History and Music, Department of Music, 2016, University of Birmingham

 Franz Keyper (c. 1756 – 1815), a double bassist in the Danish court orchestra, composed seven concertos for double bass. This thesis presents a critical… (more)

Subjects/Keywords: M Music; MT Musical instruction and study

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APA (6th Edition):

Lucas, F. M. (2016). Franz Keyper: Concerto No. 1 for double bass . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6444/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lucas, Flora May. “Franz Keyper: Concerto No. 1 for double bass .” 2016. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6444/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lucas, Flora May. “Franz Keyper: Concerto No. 1 for double bass .” 2016. Web. 20 Mar 2019.

Vancouver:

Lucas FM. Franz Keyper: Concerto No. 1 for double bass . [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6444/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lucas FM. Franz Keyper: Concerto No. 1 for double bass . [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk/6444/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

10. Cleobury, Sophie. The style and development of Herbert Howells' Evening Canticle settings.

Degree: Department of Music, 2007, University of Birmingham

 It is the aim of this dissertation to look at the style and development in style of Howells' evening canticles from the first set, written… (more)

Subjects/Keywords: BR Christianity; M Music

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APA (6th Edition):

Cleobury, S. (2007). The style and development of Herbert Howells' Evening Canticle settings. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5735/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cleobury, Sophie. “The style and development of Herbert Howells' Evening Canticle settings.” 2007. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/5735/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cleobury, Sophie. “The style and development of Herbert Howells' Evening Canticle settings.” 2007. Web. 20 Mar 2019.

Vancouver:

Cleobury S. The style and development of Herbert Howells' Evening Canticle settings. [Internet] [Thesis]. University of Birmingham; 2007. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/5735/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cleobury S. The style and development of Herbert Howells' Evening Canticle settings. [Thesis]. University of Birmingham; 2007. Available from: http://etheses.bham.ac.uk/5735/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

11. Miles, Natasha Frances. The baroque guitar as an accompaniment instrument for song, dance and theatre.

Degree: Department of Music, 2011, University of Birmingham

 The five-course ‘baroque’ guitar was regularly employed in the accompaniment of song and dance, and did so predominantly in the rasgueado style, a strummed practice… (more)

Subjects/Keywords: HT Communities. Classes. Races; M Music; MT Musical instruction and study; PN2000 Dramatic representation. The Theater

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APA (6th Edition):

Miles, N. F. (2011). The baroque guitar as an accompaniment instrument for song, dance and theatre. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/1600/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miles, Natasha Frances. “The baroque guitar as an accompaniment instrument for song, dance and theatre.” 2011. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/1600/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miles, Natasha Frances. “The baroque guitar as an accompaniment instrument for song, dance and theatre.” 2011. Web. 20 Mar 2019.

Vancouver:

Miles NF. The baroque guitar as an accompaniment instrument for song, dance and theatre. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/1600/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miles NF. The baroque guitar as an accompaniment instrument for song, dance and theatre. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/1600/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

12. Kendall White, Cecilia. 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005.

Degree: Department of English, 2014, University of Birmingham

 This thesis is an examination of the subject of music in original practices productions of Shakespeare at the Globe from the viewpoint of practical musicianship… (more)

Subjects/Keywords: M Music; PN2000 Dramatic representation. The Theater; PR English literature

…columns, a balcony and a central discovery space based partly on Johannes de Witt’s drawing of… 

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APA (6th Edition):

Kendall White, C. (2014). 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5335/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kendall White, Cecilia. “'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005.” 2014. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/5335/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kendall White, Cecilia. “'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005.” 2014. Web. 20 Mar 2019.

Vancouver:

Kendall White C. 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/5335/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kendall White C. 'Enter Ofelia playing on a lute, and her haire downe singing' - music in the performance of Shakespeare at the Globe, 1997-2005. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/5335/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

13. Heath, Annabel Jane Elizabeth. Ancient Greek Tragedy: a study on the nature of Dystopianism.

Degree: Institute of Archaeology and Antiquity, 2010, University of Birmingham

 This thesis concerns dystopianism on the Athenian Tragic stage in the fifth century BC. It reconsiders Zeitlin's view that Thebes was the mirror image of… (more)

Subjects/Keywords: DE The Mediterranean Region. The Greco-Roman World; DF Greece

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APA (6th Edition):

Heath, A. J. E. (2010). Ancient Greek Tragedy: a study on the nature of Dystopianism. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/1138/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Heath, Annabel Jane Elizabeth. “Ancient Greek Tragedy: a study on the nature of Dystopianism.” 2010. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/1138/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Heath, Annabel Jane Elizabeth. “Ancient Greek Tragedy: a study on the nature of Dystopianism.” 2010. Web. 20 Mar 2019.

Vancouver:

Heath AJE. Ancient Greek Tragedy: a study on the nature of Dystopianism. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/1138/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Heath AJE. Ancient Greek Tragedy: a study on the nature of Dystopianism. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/1138/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

14. Wren, Fanny Mary Howard. A discussion of the influence of antiquty in the art and architecture produced during the reign of emperor Napoleon 1st.

Degree: Institute of Archaeology and Antiquity, 2010, University of Birmingham

 This work examines the effect of antiquity on the production of art and architecture during Napoleon’s reign. Two ancient civilisations, Egypt and Rome, are used… (more)

Subjects/Keywords: DE The Mediterranean Region. The Greco-Roman World; DC France; NX Arts in general

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APA (6th Edition):

Wren, F. M. H. (2010). A discussion of the influence of antiquty in the art and architecture produced during the reign of emperor Napoleon 1st. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/617/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wren, Fanny Mary Howard. “A discussion of the influence of antiquty in the art and architecture produced during the reign of emperor Napoleon 1st.” 2010. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/617/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wren, Fanny Mary Howard. “A discussion of the influence of antiquty in the art and architecture produced during the reign of emperor Napoleon 1st.” 2010. Web. 20 Mar 2019.

Vancouver:

Wren FMH. A discussion of the influence of antiquty in the art and architecture produced during the reign of emperor Napoleon 1st. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/617/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wren FMH. A discussion of the influence of antiquty in the art and architecture produced during the reign of emperor Napoleon 1st. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/617/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

15. Mohammed, Anwaar. The decline of the military's political influence in Turkey.

Degree: Institute of Archaeology and Antiquity, 2015, University of Birmingham

 The political role of Turkey’s military has been declining with the strengthening of the civilian institutions and the introduction of new political factors. Turkey’s political… (more)

Subjects/Keywords: DE The Mediterranean Region. The Greco-Roman World; JQ Political institutions Asia

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APA (6th Edition):

Mohammed, A. (2015). The decline of the military's political influence in Turkey. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6140/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mohammed, Anwaar. “The decline of the military's political influence in Turkey.” 2015. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/6140/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mohammed, Anwaar. “The decline of the military's political influence in Turkey.” 2015. Web. 20 Mar 2019.

Vancouver:

Mohammed A. The decline of the military's political influence in Turkey. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/6140/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mohammed A. The decline of the military's political influence in Turkey. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk/6140/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

16. Tanswell, Grace. A documentation and critical reflection of my original script, “With New Eyes”, from original concept to its submitted form.

Degree: School of English, Drama, American & Canadian Studies; Department of Drama and Theatre Arts, 2011, University of Birmingham

"With New Eyes" is a reexamination of the Oedipus myth and its core themes, placing it in different historical, geographical and theatrical locations.

Subjects/Keywords: DE The Mediterranean Region. The Greco-Roman World; GR Folklore; PN0441 Literary History; PN2000 Dramatic representation. The Theater

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APA (6th Edition):

Tanswell, G. (2011). A documentation and critical reflection of my original script, “With New Eyes”, from original concept to its submitted form. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/1513/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tanswell, Grace. “A documentation and critical reflection of my original script, “With New Eyes”, from original concept to its submitted form.” 2011. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/1513/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tanswell, Grace. “A documentation and critical reflection of my original script, “With New Eyes”, from original concept to its submitted form.” 2011. Web. 20 Mar 2019.

Vancouver:

Tanswell G. A documentation and critical reflection of my original script, “With New Eyes”, from original concept to its submitted form. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/1513/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tanswell G. A documentation and critical reflection of my original script, “With New Eyes”, from original concept to its submitted form. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/1513/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

17. Rickhuss, Claire Louisa. Identifying the Theran wall painters.

Degree: Department of Classics, Ancient History and Archaeology, 2014, University of Birmingham

 My intention is to identify the individuals responsible for the wall paintings from Akrotiri on Thera. I have considered the paintings within a chronological and… (more)

Subjects/Keywords: CC Archaeology; DE The Mediterranean Region. The Greco-Roman World; NK Decorative arts Applied arts Decoration and ornament

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APA (6th Edition):

Rickhuss, C. L. (2014). Identifying the Theran wall painters. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5545/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rickhuss, Claire Louisa. “Identifying the Theran wall painters.” 2014. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/5545/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rickhuss, Claire Louisa. “Identifying the Theran wall painters.” 2014. Web. 20 Mar 2019.

Vancouver:

Rickhuss CL. Identifying the Theran wall painters. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/5545/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rickhuss CL. Identifying the Theran wall painters. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/5545/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

18. Evans, Rhoda Jayne Nemur. Towards a discovery of 'missing' voices: social forces and the police response to Malta's 6th May 1891 disorder.

Degree: Birmingham Law School, 2012, University of Birmingham

 The aims of this thesis were two-fold. Firstly, to examine the class relations and social forces at play surrounding an incident of disorder which took… (more)

Subjects/Keywords: DE The Mediterranean Region. The Greco-Roman World; HN Social history and conditions. Social problems. Social reform; HT Communities. Classes. Races; K Law (General)

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APA (6th Edition):

Evans, R. J. N. (2012). Towards a discovery of 'missing' voices: social forces and the police response to Malta's 6th May 1891 disorder. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3925/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Evans, Rhoda Jayne Nemur. “Towards a discovery of 'missing' voices: social forces and the police response to Malta's 6th May 1891 disorder.” 2012. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/3925/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Evans, Rhoda Jayne Nemur. “Towards a discovery of 'missing' voices: social forces and the police response to Malta's 6th May 1891 disorder.” 2012. Web. 20 Mar 2019.

Vancouver:

Evans RJN. Towards a discovery of 'missing' voices: social forces and the police response to Malta's 6th May 1891 disorder. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/3925/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Evans RJN. Towards a discovery of 'missing' voices: social forces and the police response to Malta's 6th May 1891 disorder. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3925/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

19. Billson, Bjorn Marc. Two aspects of Middle Kingdom Funerary culture from two different Middle Egyptian Nomes.

Degree: Department of Ancient History and Antiquity, 2012, University of Birmingham

 This thesis aims to further the understanding of the cultural and social history of the Middle Kingdom nomes. Two different approaches have been taken. The… (more)

Subjects/Keywords: DE The Mediterranean Region. The Greco-Roman World

…effectiveness (pers. comm. M. Bommas). 18 found in all of Willems‟s (1988)… 

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APA (6th Edition):

Billson, B. M. (2012). Two aspects of Middle Kingdom Funerary culture from two different Middle Egyptian Nomes. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3304/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Billson, Bjorn Marc. “Two aspects of Middle Kingdom Funerary culture from two different Middle Egyptian Nomes.” 2012. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/3304/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Billson, Bjorn Marc. “Two aspects of Middle Kingdom Funerary culture from two different Middle Egyptian Nomes.” 2012. Web. 20 Mar 2019.

Vancouver:

Billson BM. Two aspects of Middle Kingdom Funerary culture from two different Middle Egyptian Nomes. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/3304/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Billson BM. Two aspects of Middle Kingdom Funerary culture from two different Middle Egyptian Nomes. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3304/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

20. Holland, John. Was Constantinople founded as a Christian capital?.

Degree: Institute of Ancient Antiquity, 2004, University of Birmingham

 This thesis examines the theory of Krautheimer that Constantinople was founded as a Christian Capital. This theory is compared to the work of Dagron who… (more)

Subjects/Keywords: BR Christianity; D051 Ancient History; DE The Mediterranean Region. The Greco-Roman World; DR Balkan Peninsula

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APA (6th Edition):

Holland, J. (2004). Was Constantinople founded as a Christian capital?. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5090/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Holland, John. “Was Constantinople founded as a Christian capital?.” 2004. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/5090/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Holland, John. “Was Constantinople founded as a Christian capital?.” 2004. Web. 20 Mar 2019.

Vancouver:

Holland J. Was Constantinople founded as a Christian capital?. [Internet] [Thesis]. University of Birmingham; 2004. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/5090/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Holland J. Was Constantinople founded as a Christian capital?. [Thesis]. University of Birmingham; 2004. Available from: http://etheses.bham.ac.uk/5090/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Toro, Benjamin. The Hebrew myths and the Neo-Assyrian empire.

Degree: School of Historical Studies, Institute of Archaeology and Antiquity, 2011, University of Birmingham

 This project seeks to study the first expression of Israelite literature which would was elaborated under the shadow of the Neo-Assyrian cultural influence. This occurred… (more)

Subjects/Keywords: DE The Mediterranean Region. The Greco-Roman World; D History (General)

M. L. de Wette, H. Ewald and, specially, the German erudite Julius Wellhausen (1844… …as G. Gunkel, G. Von Rad and M. Noth have brought forward the question about the gaps… …historical reports and poetry). For this reason, they were able to de associated with some… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Toro, B. (2011). The Hebrew myths and the Neo-Assyrian empire. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/1722/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Toro, Benjamin. “The Hebrew myths and the Neo-Assyrian empire.” 2011. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/1722/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Toro, Benjamin. “The Hebrew myths and the Neo-Assyrian empire.” 2011. Web. 20 Mar 2019.

Vancouver:

Toro B. The Hebrew myths and the Neo-Assyrian empire. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/1722/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Toro B. The Hebrew myths and the Neo-Assyrian empire. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/1722/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Driver, Ruth Elizabeth. Temple conversion and cultural, ritual and topographic memory in Alexandria, Cyrene and Carthage .

Degree: Institute of Archaeology and Antiquity, 2014, University of Birmingham

 This thesis examines temple conversion in the cities of Alexandria, Cyrene and Carthage during the 4th and 5th centuries A.D. with particular reference to how… (more)

Subjects/Keywords: BL Religion; CC Archaeology; D051 Ancient History; DE The Mediterranean Region. The Greco-Roman World

…from new perspectives, leaving behind ideas such as 'coercion' as the primary, de… …memory works hand in hand with Pierre Nora's concept of 'Lieux de Mémoire', a… …site of memory.26 Nora developed 'Lieux de Mémoire' as a way to give French memory… …the Panthéon and Bastille Day. These symbols become 'Lieux de Mémoire'. They are… …formed to replace 'Milieux de Mémoire', physical environments of memory, at the very… 

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APA (6th Edition):

Driver, R. E. (2014). Temple conversion and cultural, ritual and topographic memory in Alexandria, Cyrene and Carthage . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5528/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Driver, Ruth Elizabeth. “Temple conversion and cultural, ritual and topographic memory in Alexandria, Cyrene and Carthage .” 2014. Thesis, University of Birmingham. Accessed March 20, 2019. http://etheses.bham.ac.uk/5528/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Driver, Ruth Elizabeth. “Temple conversion and cultural, ritual and topographic memory in Alexandria, Cyrene and Carthage .” 2014. Web. 20 Mar 2019.

Vancouver:

Driver RE. Temple conversion and cultural, ritual and topographic memory in Alexandria, Cyrene and Carthage . [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 20]. Available from: http://etheses.bham.ac.uk/5528/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Driver RE. Temple conversion and cultural, ritual and topographic memory in Alexandria, Cyrene and Carthage . [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/5528/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.