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You searched for subject:( Monte Carlo M todo de). Showing records 1 – 30 of 88 total matches.

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University of Birmingham

1. Hindmarch, David. A portfolio of acousmatic compositions.

Degree: Department of Music, 2010, University of Birmingham

 This portfolio charts my development as a composer during a period of three years. The works it contains are all acousmatic; they investigate sonic material… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hindmarch, D. (2010). A portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/758/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hindmarch, David. “A portfolio of acousmatic compositions.” 2010. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/758/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hindmarch, David. “A portfolio of acousmatic compositions.” 2010. Web. 26 Mar 2019.

Vancouver:

Hindmarch D. A portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/758/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hindmarch D. A portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/758/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

2. Spearing, Robert. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].

Degree: Department of Music, 2010, University of Birmingham

Commentary Scores: 1 After Haydn’s ‘Farewell’ 2 She Solus 3 Two Pieces for clarinet and piano 4 Wings … dreams 5 Piano Symphony

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Spearing, R. (2010). [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/865/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spearing, Robert. “[A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].” 2010. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/865/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spearing, Robert. “[A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition].” 2010. Web. 26 Mar 2019.

Vancouver:

Spearing R. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/865/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spearing R. [A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition]. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/865/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

3. Scardanelli, Simon. A portfolio of electroacoustic and acousmatic compositions.

Degree: School of European Cultures and Languages, Department of Music, 2010, University of Birmingham

 A portfolio of electroacoustic and acousmatic compositions realised through a variety of audio and audio-visual media, and with a particular emphasis on using speech as… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Scardanelli, S. (2010). A portfolio of electroacoustic and acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/914/http://etheses.bham.ac.uk/914/2/ScardanelliCD1%2D01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk/914/3/ScardanelliCD1%2D02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk/914/4/ScardanelliCD1%2D03_dereconstruction.mp3 ; http://etheses.bham.ac.uk/914/5/ScardanelliCD1%2D04_Aqualogica.mp3 ; http://etheses.bham.ac.uk/914/6/ScardanelliCD1%2D05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk/914/7/ScardanelliCD2%2D01_LonelyBridgeSong%2DJunkie.mp3 ; http://etheses.bham.ac.uk/914/8/ScardanelliCD2%2D02_LonelyBridgeSong%2DBegging.mp3 ; http://etheses.bham.ac.uk/914/9/ScardanelliCD2%2D03_LonelyBridgeSong%2DBackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk/914/10/ScardanelliCD3%2D01_ThatDangerousSparkle%2DTheValentines.mp3 ; http://etheses.bham.ac.uk/914/11/ScardanelliCD3%2D02_ThatDangerousSparkle%2DLetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk/914/12/ScardanelliCD3%2D03_ThatDangerousSparkle%2DWhenYoureLying.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scardanelli, Simon. “A portfolio of electroacoustic and acousmatic compositions.” 2010. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/914/http://etheses.bham.ac.uk/914/2/ScardanelliCD1%2D01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk/914/3/ScardanelliCD1%2D02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk/914/4/ScardanelliCD1%2D03_dereconstruction.mp3 ; http://etheses.bham.ac.uk/914/5/ScardanelliCD1%2D04_Aqualogica.mp3 ; http://etheses.bham.ac.uk/914/6/ScardanelliCD1%2D05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk/914/7/ScardanelliCD2%2D01_LonelyBridgeSong%2DJunkie.mp3 ; http://etheses.bham.ac.uk/914/8/ScardanelliCD2%2D02_LonelyBridgeSong%2DBegging.mp3 ; http://etheses.bham.ac.uk/914/9/ScardanelliCD2%2D03_LonelyBridgeSong%2DBackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk/914/10/ScardanelliCD3%2D01_ThatDangerousSparkle%2DTheValentines.mp3 ; http://etheses.bham.ac.uk/914/11/ScardanelliCD3%2D02_ThatDangerousSparkle%2DLetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk/914/12/ScardanelliCD3%2D03_ThatDangerousSparkle%2DWhenYoureLying.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scardanelli, Simon. “A portfolio of electroacoustic and acousmatic compositions.” 2010. Web. 26 Mar 2019.

Vancouver:

Scardanelli S. A portfolio of electroacoustic and acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2010. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/914/http://etheses.bham.ac.uk/914/2/ScardanelliCD1%2D01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk/914/3/ScardanelliCD1%2D02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk/914/4/ScardanelliCD1%2D03_dereconstruction.mp3 ; http://etheses.bham.ac.uk/914/5/ScardanelliCD1%2D04_Aqualogica.mp3 ; http://etheses.bham.ac.uk/914/6/ScardanelliCD1%2D05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk/914/7/ScardanelliCD2%2D01_LonelyBridgeSong%2DJunkie.mp3 ; http://etheses.bham.ac.uk/914/8/ScardanelliCD2%2D02_LonelyBridgeSong%2DBegging.mp3 ; http://etheses.bham.ac.uk/914/9/ScardanelliCD2%2D03_LonelyBridgeSong%2DBackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk/914/10/ScardanelliCD3%2D01_ThatDangerousSparkle%2DTheValentines.mp3 ; http://etheses.bham.ac.uk/914/11/ScardanelliCD3%2D02_ThatDangerousSparkle%2DLetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk/914/12/ScardanelliCD3%2D03_ThatDangerousSparkle%2DWhenYoureLying.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scardanelli S. A portfolio of electroacoustic and acousmatic compositions. [Thesis]. University of Birmingham; 2010. Available from: http://etheses.bham.ac.uk/914/http://etheses.bham.ac.uk/914/2/ScardanelliCD1%2D01_A_Sharp_Intake_of_Breath.mp3 ; http://etheses.bham.ac.uk/914/3/ScardanelliCD1%2D02_Fragments_of_Democracy.mp3 ; http://etheses.bham.ac.uk/914/4/ScardanelliCD1%2D03_dereconstruction.mp3 ; http://etheses.bham.ac.uk/914/5/ScardanelliCD1%2D04_Aqualogica.mp3 ; http://etheses.bham.ac.uk/914/6/ScardanelliCD1%2D05_Guitar_equal_God.mp3 ; http://etheses.bham.ac.uk/914/7/ScardanelliCD2%2D01_LonelyBridgeSong%2DJunkie.mp3 ; http://etheses.bham.ac.uk/914/8/ScardanelliCD2%2D02_LonelyBridgeSong%2DBegging.mp3 ; http://etheses.bham.ac.uk/914/9/ScardanelliCD2%2D03_LonelyBridgeSong%2DBackgroundAmbienceExtract.mp3 ; http://etheses.bham.ac.uk/914/10/ScardanelliCD3%2D01_ThatDangerousSparkle%2DTheValentines.mp3 ; http://etheses.bham.ac.uk/914/11/ScardanelliCD3%2D02_ThatDangerousSparkle%2DLetThereBeAPlace.mp3 ; http://etheses.bham.ac.uk/914/12/ScardanelliCD3%2D03_ThatDangerousSparkle%2DWhenYoureLying.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

4. Hutchins, Charles Celeste. Portfolio of Compositions.

Degree: School of Music, 2012, University of Birmingham

 This portfolio of 19 compositions includes several short commissions intended to reach new listeners and address issues of sustainability and copyright. Two of the pieces… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hutchins, C. C. (2012). Portfolio of Compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3919/http://etheses.bham.ac.uk/3919/9/Archive%20created%20by%20free%20jZip.url

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hutchins, Charles Celeste. “Portfolio of Compositions.” 2012. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/3919/http://etheses.bham.ac.uk/3919/9/Archive%20created%20by%20free%20jZip.url.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hutchins, Charles Celeste. “Portfolio of Compositions.” 2012. Web. 26 Mar 2019.

Vancouver:

Hutchins CC. Portfolio of Compositions. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/3919/http://etheses.bham.ac.uk/3919/9/Archive%20created%20by%20free%20jZip.url.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hutchins CC. Portfolio of Compositions. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3919/http://etheses.bham.ac.uk/3919/9/Archive%20created%20by%20free%20jZip.url

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

5. Pinchbeck, Shawn William. A portfolio of compositions.

Degree: Department of Music, 2013, University of Birmingham

 This thesis describes a portfolio of musical compositions and artworks that explore the development of real-time acousmatic music composition, multimedia music and dance performances, interactive… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Pinchbeck, S. W. (2013). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4061/http://etheses.bham.ac.uk/4061/9/ShawnPinchbeck%2DCell.mp4 ; http://etheses.bham.ac.uk/4061/13/ShawnPinchbeck%2DTheBather.mp4 ; http://etheses.bham.ac.uk/4061/14/ShawnPinchbeck%2DTuLa%2D4%2DColdSteel.mp4 ; http://etheses.bham.ac.uk/4061/15/ShawnPinchbeck%2DGong.mp3 ; http://etheses.bham.ac.uk/4061/16/ShawnPinchbeck%2DKnowledgeBox.mp4 ; http://etheses.bham.ac.uk/4061/17/ShawnPinchbeck%2DPhases.mp4 ; http://etheses.bham.ac.uk/4061/18/ShawnPinchbeck%2DTuLa%2D1%2DLimbs.mp4 ; http://etheses.bham.ac.uk/4061/19/ShawnPinchbeck%2DTuLa%2D3%2DDuplex.mp4 ; http://etheses.bham.ac.uk/4061/20/ShawnPinchbeck%2DTuLa%2D2%2DInts.mp4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Pinchbeck, Shawn William. “A portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/4061/http://etheses.bham.ac.uk/4061/9/ShawnPinchbeck%2DCell.mp4 ; http://etheses.bham.ac.uk/4061/13/ShawnPinchbeck%2DTheBather.mp4 ; http://etheses.bham.ac.uk/4061/14/ShawnPinchbeck%2DTuLa%2D4%2DColdSteel.mp4 ; http://etheses.bham.ac.uk/4061/15/ShawnPinchbeck%2DGong.mp3 ; http://etheses.bham.ac.uk/4061/16/ShawnPinchbeck%2DKnowledgeBox.mp4 ; http://etheses.bham.ac.uk/4061/17/ShawnPinchbeck%2DPhases.mp4 ; http://etheses.bham.ac.uk/4061/18/ShawnPinchbeck%2DTuLa%2D1%2DLimbs.mp4 ; http://etheses.bham.ac.uk/4061/19/ShawnPinchbeck%2DTuLa%2D3%2DDuplex.mp4 ; http://etheses.bham.ac.uk/4061/20/ShawnPinchbeck%2DTuLa%2D2%2DInts.mp4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Pinchbeck, Shawn William. “A portfolio of compositions.” 2013. Web. 26 Mar 2019.

Vancouver:

Pinchbeck SW. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/4061/http://etheses.bham.ac.uk/4061/9/ShawnPinchbeck%2DCell.mp4 ; http://etheses.bham.ac.uk/4061/13/ShawnPinchbeck%2DTheBather.mp4 ; http://etheses.bham.ac.uk/4061/14/ShawnPinchbeck%2DTuLa%2D4%2DColdSteel.mp4 ; http://etheses.bham.ac.uk/4061/15/ShawnPinchbeck%2DGong.mp3 ; http://etheses.bham.ac.uk/4061/16/ShawnPinchbeck%2DKnowledgeBox.mp4 ; http://etheses.bham.ac.uk/4061/17/ShawnPinchbeck%2DPhases.mp4 ; http://etheses.bham.ac.uk/4061/18/ShawnPinchbeck%2DTuLa%2D1%2DLimbs.mp4 ; http://etheses.bham.ac.uk/4061/19/ShawnPinchbeck%2DTuLa%2D3%2DDuplex.mp4 ; http://etheses.bham.ac.uk/4061/20/ShawnPinchbeck%2DTuLa%2D2%2DInts.mp4.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pinchbeck SW. A portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4061/http://etheses.bham.ac.uk/4061/9/ShawnPinchbeck%2DCell.mp4 ; http://etheses.bham.ac.uk/4061/13/ShawnPinchbeck%2DTheBather.mp4 ; http://etheses.bham.ac.uk/4061/14/ShawnPinchbeck%2DTuLa%2D4%2DColdSteel.mp4 ; http://etheses.bham.ac.uk/4061/15/ShawnPinchbeck%2DGong.mp3 ; http://etheses.bham.ac.uk/4061/16/ShawnPinchbeck%2DKnowledgeBox.mp4 ; http://etheses.bham.ac.uk/4061/17/ShawnPinchbeck%2DPhases.mp4 ; http://etheses.bham.ac.uk/4061/18/ShawnPinchbeck%2DTuLa%2D1%2DLimbs.mp4 ; http://etheses.bham.ac.uk/4061/19/ShawnPinchbeck%2DTuLa%2D3%2DDuplex.mp4 ; http://etheses.bham.ac.uk/4061/20/ShawnPinchbeck%2DTuLa%2D2%2DInts.mp4

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

6. Gorb, Adam John. Anya 17, conception, collaboration and realisation.

Degree: Department of Music, 2013, University of Birmingham

 I consider my one act opera Anya 17 to be a summation of my compositional work so far, as well as a new direction in… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gorb, A. J. (2013). Anya 17, conception, collaboration and realisation. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4102/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gorb, Adam John. “Anya 17, conception, collaboration and realisation.” 2013. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/4102/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gorb, Adam John. “Anya 17, conception, collaboration and realisation.” 2013. Web. 26 Mar 2019.

Vancouver:

Gorb AJ. Anya 17, conception, collaboration and realisation. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/4102/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gorb AJ. Anya 17, conception, collaboration and realisation. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4102/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

7. Carpenter, James John. Portfolio of compositions.

Degree: Department of Music, 2013, University of Birmingham

 A portfolio of acousmatic and mixed compositions for stereophonic and multichannel formats. Particular focus is given to acousmatic music’s relationship with materials and features typically… (more)

Subjects/Keywords: M Music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carpenter, J. J. (2013). Portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4182/http://etheses.bham.ac.uk/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk/4182/7/Carpenter13Phd_pent%2Dup_2ch_Music.mp3 ; http://etheses.bham.ac.uk/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk/4182/9/Carpenter13Phd_sweet%2D01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk/4182/10/Carpenter13Phd_sweet%2D02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk/4182/11/Carpenter13Phd_sweet%2D03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carpenter, James John. “Portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/4182/http://etheses.bham.ac.uk/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk/4182/7/Carpenter13Phd_pent%2Dup_2ch_Music.mp3 ; http://etheses.bham.ac.uk/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk/4182/9/Carpenter13Phd_sweet%2D01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk/4182/10/Carpenter13Phd_sweet%2D02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk/4182/11/Carpenter13Phd_sweet%2D03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carpenter, James John. “Portfolio of compositions.” 2013. Web. 26 Mar 2019.

Vancouver:

Carpenter JJ. Portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/4182/http://etheses.bham.ac.uk/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk/4182/7/Carpenter13Phd_pent%2Dup_2ch_Music.mp3 ; http://etheses.bham.ac.uk/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk/4182/9/Carpenter13Phd_sweet%2D01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk/4182/10/Carpenter13Phd_sweet%2D02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk/4182/11/Carpenter13Phd_sweet%2D03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carpenter JJ. Portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4182/http://etheses.bham.ac.uk/4182/4/Carpenter13Phd_flux_panoramic_Music.mp3 ; http://etheses.bham.ac.uk/4182/5/Carpenter13Phd_halo_Music.mp3 ; http://etheses.bham.ac.uk/4182/6/Carpenter13Phd_mutable_musings_Music.mp3 ; http://etheses.bham.ac.uk/4182/7/Carpenter13Phd_pent%2Dup_2ch_Music.mp3 ; http://etheses.bham.ac.uk/4182/8/Carpenter13Phd_speckle_Music.mp3 ; http://etheses.bham.ac.uk/4182/9/Carpenter13Phd_sweet%2D01_grumpy_Music.mp3 ; http://etheses.bham.ac.uk/4182/10/Carpenter13Phd_sweet%2D02_crunchy_Music.mp3 ; http://etheses.bham.ac.uk/4182/11/Carpenter13Phd_sweet%2D03_pumpy_Music.mp3 ; http://etheses.bham.ac.uk/4182/12/Carpenter13Phd_tangle_2ch_Music.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

8. Davies, Rachel Lindley. Marian aspects of Montpellier Codex motets.

Degree: Department of Music, 2013, University of Birmingham

 This thesis explores the means by which, and the forms in which, the Virgin Mary and her medieval Cult are represented in the motets of… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Davies, R. L. (2013). Marian aspects of Montpellier Codex motets. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4453/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Davies, Rachel Lindley. “Marian aspects of Montpellier Codex motets.” 2013. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/4453/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Davies, Rachel Lindley. “Marian aspects of Montpellier Codex motets.” 2013. Web. 26 Mar 2019.

Vancouver:

Davies RL. Marian aspects of Montpellier Codex motets. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/4453/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Davies RL. Marian aspects of Montpellier Codex motets. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4453/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

9. Brodie, Val. The overlooked evidence: the use of music in productions of Henry V 1859-1916 .

Degree: English, 2013, University of Birmingham

 This thesis uses the joint approaches of theatre research and musicology to reveal the overlooked soundscape of productions of Shakespeare’s Henry V. The starting point… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brodie, V. (2013). The overlooked evidence: the use of music in productions of Henry V 1859-1916 . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4476/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brodie, Val. “The overlooked evidence: the use of music in productions of Henry V 1859-1916 .” 2013. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/4476/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brodie, Val. “The overlooked evidence: the use of music in productions of Henry V 1859-1916 .” 2013. Web. 26 Mar 2019.

Vancouver:

Brodie V. The overlooked evidence: the use of music in productions of Henry V 1859-1916 . [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/4476/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brodie V. The overlooked evidence: the use of music in productions of Henry V 1859-1916 . [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4476/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

10. Lorway, Norah. A portfolio of fixed electroacoustic and live laptop works.

Degree: Department of Music, 2014, University of Birmingham

 This PhD thesis includes a portfolio of electroacoustic and live electroacoustic compositions carried out at the electroacoustic music studios at the University of Birmingham. The… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lorway, N. (2014). A portfolio of fixed electroacoustic and live laptop works. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5183/http://etheses.bham.ac.uk/5183/9/Lorwar14PhD_blurspinFinal.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lorway, Norah. “A portfolio of fixed electroacoustic and live laptop works.” 2014. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/5183/http://etheses.bham.ac.uk/5183/9/Lorwar14PhD_blurspinFinal.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lorway, Norah. “A portfolio of fixed electroacoustic and live laptop works.” 2014. Web. 26 Mar 2019.

Vancouver:

Lorway N. A portfolio of fixed electroacoustic and live laptop works. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/5183/http://etheses.bham.ac.uk/5183/9/Lorwar14PhD_blurspinFinal.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lorway N. A portfolio of fixed electroacoustic and live laptop works. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/5183/http://etheses.bham.ac.uk/5183/9/Lorwar14PhD_blurspinFinal.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

11. Szwed, Katarzyna Zofia. A portfolio of compositions.

Degree: School of Music, 2015, University of Birmingham

 A portfolio of compositions with additional commentary and a contextual chapter. In the introduction chapter, particular focus is given to the individual approach to elements… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Szwed, K. Z. (2015). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5731/http://etheses.bham.ac.uk/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk/5731/18/08_No_Title_Yet%2C_sorry._(For_R.).mp3 ; http://etheses.bham.ac.uk/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk/5731/19/10_Close_Encounters.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Szwed, Katarzyna Zofia. “A portfolio of compositions.” 2015. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/5731/http://etheses.bham.ac.uk/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk/5731/18/08_No_Title_Yet%2C_sorry._(For_R.).mp3 ; http://etheses.bham.ac.uk/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk/5731/19/10_Close_Encounters.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Szwed, Katarzyna Zofia. “A portfolio of compositions.” 2015. Web. 26 Mar 2019.

Vancouver:

Szwed KZ. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/5731/http://etheses.bham.ac.uk/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk/5731/18/08_No_Title_Yet%2C_sorry._(For_R.).mp3 ; http://etheses.bham.ac.uk/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk/5731/19/10_Close_Encounters.mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Szwed KZ. A portfolio of compositions. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk/5731/http://etheses.bham.ac.uk/5731/12/01_Colours_of_Transgressing%2C_C.mp3 ; http://etheses.bham.ac.uk/5731/20/02_AlayaVijnana.mp4 ; http://etheses.bham.ac.uk/5731/13/03_OuterWorldsBikingConcert.mp3 ; http://etheses.bham.ac.uk/5731/14/04_Daytime.mp3 ; http://etheses.bham.ac.uk/5731/15/05_The_Early_Declining.mp3 ; http://etheses.bham.ac.uk/5731/16/06_Let_me_peacefully_remind_you.mp3 ; http://etheses.bham.ac.uk/5731/17/07_Cosmogonies.mp3 ; http://etheses.bham.ac.uk/5731/18/08_No_Title_Yet%2C_sorry._(For_R.).mp3 ; http://etheses.bham.ac.uk/5731/21/09_Empty_Things_with_film.mp4 ; http://etheses.bham.ac.uk/5731/19/10_Close_Encounters.mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

12. Carrasco García, Teresa. ...in confidence: Portfolio of musical compositions.

Degree: School of Languages, Cultures, Art History and Music, 2015, University of Birmingham

 My work during the last few years, parallel to teaching and concert management, has been focused on instrumental composition, composition with electronic media, sound design… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carrasco García, T. (2015). ...in confidence: Portfolio of musical compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6214/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Carrasco García, Teresa. “...in confidence: Portfolio of musical compositions.” 2015. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/6214/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Carrasco García, Teresa. “...in confidence: Portfolio of musical compositions.” 2015. Web. 26 Mar 2019.

Vancouver:

Carrasco García T. ...in confidence: Portfolio of musical compositions. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/6214/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Carrasco García T. ...in confidence: Portfolio of musical compositions. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk/6214/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

13. Ibbett, David Roger. Towards an integrated art music.

Degree: School of Languages, Cultures, Art History and Music, Department of Music, 2015, University of Birmingham

 This thesis consists of a portfolio of compositions in acoustic and electronic media with an accompanying commentary. The central theme of these works is the… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ibbett, D. R. (2015). Towards an integrated art music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6485/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ibbett, David Roger. “Towards an integrated art music.” 2015. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/6485/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ibbett, David Roger. “Towards an integrated art music.” 2015. Web. 26 Mar 2019.

Vancouver:

Ibbett DR. Towards an integrated art music. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/6485/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ibbett DR. Towards an integrated art music. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk/6485/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

14. Kontos, Constantinos. A portfolio of acousmatic compositions.

Degree: School of Languages, Cultures, Art History and Music, Department of Music, 2016, University of Birmingham

 This portfolio consists of a series of acousmatic compositions presented in stereophonic and multichannel formats. The works in this portfolio reflect a variety of different… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kontos, C. (2016). A portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6591/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kontos, Constantinos. “A portfolio of acousmatic compositions.” 2016. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/6591/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kontos, Constantinos. “A portfolio of acousmatic compositions.” 2016. Web. 26 Mar 2019.

Vancouver:

Kontos C. A portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2016. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/6591/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kontos C. A portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2016. Available from: http://etheses.bham.ac.uk/6591/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

15. Clemente, Manfredi. Between space and evocation: a portfolio of acousmatic compositions.

Degree: School of Languages, Cultures, Art History and Music, Department of Music, 2017, University of Birmingham

 This commentary consists of an attempt to discuss the problems raised by the way I approach composition and sound in general. My argument is based… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Clemente, M. (2017). Between space and evocation: a portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/7642/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Clemente, Manfredi. “Between space and evocation: a portfolio of acousmatic compositions.” 2017. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/7642/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Clemente, Manfredi. “Between space and evocation: a portfolio of acousmatic compositions.” 2017. Web. 26 Mar 2019.

Vancouver:

Clemente M. Between space and evocation: a portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/7642/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Clemente M. Between space and evocation: a portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk/7642/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

16. Kuoppala, Visa Tapani. Composition in no-mind’s land: a portfolio of electroacoustic music.

Degree: School of Languages, Cultures, Art History and Music, Department of Music, 2017, University of Birmingham

 This PhD thesis comprises a portfolio of electroacoustic music and a written commentary. The portfolio consists of ten acousmatic compositions, two of which are collaborative… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kuoppala, V. T. (2017). Composition in no-mind’s land: a portfolio of electroacoustic music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/7747/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kuoppala, Visa Tapani. “Composition in no-mind’s land: a portfolio of electroacoustic music.” 2017. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/7747/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kuoppala, Visa Tapani. “Composition in no-mind’s land: a portfolio of electroacoustic music.” 2017. Web. 26 Mar 2019.

Vancouver:

Kuoppala VT. Composition in no-mind’s land: a portfolio of electroacoustic music. [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/7747/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kuoppala VT. Composition in no-mind’s land: a portfolio of electroacoustic music. [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk/7747/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

17. El-Turk, Bushra. Bleeding through… compositional processes in the integration of Middle Eastern and Western art music.

Degree: Department of Music, 2018, University of Birmingham

 This thesis consists of a portfolio of 10 compositions accompanied by a written commentary with audio and video recordings of my works. These compositions span… (more)

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

El-Turk, B. (2018). Bleeding through… compositional processes in the integration of Middle Eastern and Western art music. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/7900/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

El-Turk, Bushra. “Bleeding through… compositional processes in the integration of Middle Eastern and Western art music.” 2018. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/7900/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

El-Turk, Bushra. “Bleeding through… compositional processes in the integration of Middle Eastern and Western art music.” 2018. Web. 26 Mar 2019.

Vancouver:

El-Turk B. Bleeding through… compositional processes in the integration of Middle Eastern and Western art music. [Internet] [Thesis]. University of Birmingham; 2018. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/7900/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

El-Turk B. Bleeding through… compositional processes in the integration of Middle Eastern and Western art music. [Thesis]. University of Birmingham; 2018. Available from: http://etheses.bham.ac.uk/7900/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

18. Luque Ancona, Sergio. Portfolio of compositions.

Degree: Department of Music, School of Languages, Cultures, Art History and Music, 2012, University of Birmingham

 A portfolio of compositions for acoustic instruments, electronic resources alone, and for acoustic instruments and live electronics. The accompanying commentary describes the aesthetic and the… (more)

Subjects/Keywords: M Music; QA76 Computer software

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Luque Ancona, S. (2012). Portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3491/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Luque Ancona, Sergio. “Portfolio of compositions.” 2012. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/3491/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Luque Ancona, Sergio. “Portfolio of compositions.” 2012. Web. 26 Mar 2019.

Vancouver:

Luque Ancona S. Portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2012. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/3491/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Luque Ancona S. Portfolio of compositions. [Thesis]. University of Birmingham; 2012. Available from: http://etheses.bham.ac.uk/3491/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

19. Shih, Pei-Yu. Portfolio.

Degree: Department of Music, 2014, University of Birmingham

The thesis is the explanation/record of my musical composition.

Subjects/Keywords: M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shih, P. (2014). Portfolio. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5022/http://etheses.bham.ac.uk/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk/5022/11/Shih14PhD_03__F's_65.mp3 ; http://etheses.bham.ac.uk/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk/5022/21/Shih14PhD_09__RC__7_(1).mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Shih, Pei-Yu. “Portfolio.” 2014. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/5022/http://etheses.bham.ac.uk/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk/5022/11/Shih14PhD_03__F's_65.mp3 ; http://etheses.bham.ac.uk/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk/5022/21/Shih14PhD_09__RC__7_(1).mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Shih, Pei-Yu. “Portfolio.” 2014. Web. 26 Mar 2019.

Vancouver:

Shih P. Portfolio. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/5022/http://etheses.bham.ac.uk/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk/5022/11/Shih14PhD_03__F's_65.mp3 ; http://etheses.bham.ac.uk/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk/5022/21/Shih14PhD_09__RC__7_(1).mp3.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Shih P. Portfolio. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/5022/http://etheses.bham.ac.uk/5022/9/Shih14PhD_01_Film_music.mp3 ; http://etheses.bham.ac.uk/5022/10/Shih14PhD_02_Red_Chamber.mp3 ; http://etheses.bham.ac.uk/5022/11/Shih14PhD_03__F's_65.mp3 ; http://etheses.bham.ac.uk/5022/12/Shih14PhD_04_Milchstra%C3%9Fe.mp3 ; http://etheses.bham.ac.uk/5022/13/Shih14PhD_05_Lieder_Ohne_Wort.mp3 ; http://etheses.bham.ac.uk/5022/14/Shih14PhD_06__%E5%A4%9C%E8%A1%8C%E8%80%85.mp3 ; http://etheses.bham.ac.uk/5022/15/Shih14PhD_07_1_One_sentence.mp3 ; http://etheses.bham.ac.uk/5022/16/Shih14PhD_07_2_Dialog.mp3 ; http://etheses.bham.ac.uk/5022/17/Shih14PhD_07_3_Singing.mp3 ; http://etheses.bham.ac.uk/5022/22/Shih14PhD_07_4_Playing.mp3 ; http://etheses.bham.ac.uk/5022/18/Shih14PhD_07_5_Disscussing.mp3 ; http://etheses.bham.ac.uk/5022/20/Shih14PhD_08_Dreieckige_Beziehungen.mp3 ; http://etheses.bham.ac.uk/5022/21/Shih14PhD_09__RC__7_(1).mp3

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

20. Vaughan, Stephen Benson. The influence of music on the development of the Church of God (Cleveland, Tennessee).

Degree: School of Philosophy, Theology and Religion, 2015, University of Birmingham

 This thesis examines the (influence) of music on the development of the Church of God (Cleveland, Tennessee). The dissertation is historically driven, but relies upon… (more)

Subjects/Keywords: BR Christianity; M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Vaughan, S. B. (2015). The influence of music on the development of the Church of God (Cleveland, Tennessee). (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/6165/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vaughan, Stephen Benson. “The influence of music on the development of the Church of God (Cleveland, Tennessee).” 2015. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/6165/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vaughan, Stephen Benson. “The influence of music on the development of the Church of God (Cleveland, Tennessee).” 2015. Web. 26 Mar 2019.

Vancouver:

Vaughan SB. The influence of music on the development of the Church of God (Cleveland, Tennessee). [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/6165/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vaughan SB. The influence of music on the development of the Church of God (Cleveland, Tennessee). [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk/6165/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Guillamat, Julien. A portfolio of electroacoustic compositions.

Degree: Department of Music, 2014, University of Birmingham

 This Portfolio is formed of 9 compositions that have been selected in order to reflect the variety of the music I write. It is a… (more)

Subjects/Keywords: M Music

…It was when I completed my Masters degree (M Phil) in electroacoustic 1 Keith… …Trevor Wishart3 among others developed 2 Makis Solomos, Xenakis-Varèse et la question de… …the project. In January 2011, Jorge M. Garcia, Les Hutchins, Shelly Knotts, Norah Lorway… …everyone. 19 COMPOSITIONS: COMMENTARY OF WORKS ∑ Vallée de Glace (2007) Tape, 8… …channel, 8:40 ∑ Petites Bêt(is)es (2008) Tape, 8-channel, 8:25 ∑ De… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Guillamat, J. (2014). A portfolio of electroacoustic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5085/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Guillamat, Julien. “A portfolio of electroacoustic compositions.” 2014. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/5085/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Guillamat, Julien. “A portfolio of electroacoustic compositions.” 2014. Web. 26 Mar 2019.

Vancouver:

Guillamat J. A portfolio of electroacoustic compositions. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/5085/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Guillamat J. A portfolio of electroacoustic compositions. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/5085/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

22. Cormac, Joanne. Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage.

Degree: Department of Music, 2013, University of Birmingham

 Little research has been carried out into Liszt’s work as Kapellmeister of the Weimar Court Theatre. The nature and extent of his duties, his involvement… (more)

Subjects/Keywords: M Music

…Correspondance de Liszt et de la Comtesse d’Agoult Vol. ii (Paris, 1933-4), 354-8. 6 Adam… …marry Liszt, and the most complete information regarding the thwarted wedding see Donna M. Di… …Nicolas Dufetel, Lettres de Franz Liszt la Princesse Marie de HohenloheSchillingsfürst née de… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cormac, J. (2013). Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/3966/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cormac, Joanne. “Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage.” 2013. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/3966/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cormac, Joanne. “Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage.” 2013. Web. 26 Mar 2019.

Vancouver:

Cormac J. Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/3966/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cormac J. Liszt as Kapellmeister: the development of the symphonic poems on the Weimar stage. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/3966/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

23. Andrikopoulos, Dimitrios. A portfolio of compositions.

Degree: Department of Music, 2013, University of Birmingham

 This portfolio contains five works written for different instruments, ensembles and combinations of acoustic instruments with live electronics and fixed media, composed during the period… (more)

Subjects/Keywords: M Music

…Stravinsky, L. Berio and M. Lindberg, and their ways of dealing with their basic material and their… …spectral music transformations (Agon, C., Assayag, G., Laurson, M., Rueda, C., 1998)… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Andrikopoulos, D. (2013). A portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4704/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Andrikopoulos, Dimitrios. “A portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/4704/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Andrikopoulos, Dimitrios. “A portfolio of compositions.” 2013. Web. 26 Mar 2019.

Vancouver:

Andrikopoulos D. A portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/4704/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Andrikopoulos D. A portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4704/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Malavasi, Matteo. Portfolio of compositions.

Degree: Department of Music, 2013, University of Birmingham

 This text contains a short general description of my experience at the University of Birmingham. This is an attempt to communicate how my perception in… (more)

Subjects/Keywords: M Music

…process with a greater understanding. In De Natura Sonorum, this natural/artificial dualism… …which rises from the composition Transit in Tremblement de terre très doux and the general… …Parmegiani's work La Creation du Monde and De Natura Sonorum. Géologie sonore appears to be… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Malavasi, M. (2013). Portfolio of compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4238/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malavasi, Matteo. “Portfolio of compositions.” 2013. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/4238/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malavasi, Matteo. “Portfolio of compositions.” 2013. Web. 26 Mar 2019.

Vancouver:

Malavasi M. Portfolio of compositions. [Internet] [Thesis]. University of Birmingham; 2013. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/4238/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malavasi M. Portfolio of compositions. [Thesis]. University of Birmingham; 2013. Available from: http://etheses.bham.ac.uk/4238/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Bumstead, Eric Walter Reginald. A portfolio of electroacoustic and live electronic compositions with research into stochastic synthesis.

Degree: Department of Music, 2011, University of Birmingham

 This thesis includes a portfolio of electroacoustic and live electronic compositions consisting of multichannel fixed media works and pieces that include instruments, real time computer… (more)

Subjects/Keywords: M Music

…Conv. M. to 8 Ch. Time Stretch Decorrelation & Convolution Decorrelation Mono to 8 Ch… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bumstead, E. W. R. (2011). A portfolio of electroacoustic and live electronic compositions with research into stochastic synthesis. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/894/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bumstead, Eric Walter Reginald. “A portfolio of electroacoustic and live electronic compositions with research into stochastic synthesis.” 2011. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/894/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bumstead, Eric Walter Reginald. “A portfolio of electroacoustic and live electronic compositions with research into stochastic synthesis.” 2011. Web. 26 Mar 2019.

Vancouver:

Bumstead EWR. A portfolio of electroacoustic and live electronic compositions with research into stochastic synthesis. [Internet] [Thesis]. University of Birmingham; 2011. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/894/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bumstead EWR. A portfolio of electroacoustic and live electronic compositions with research into stochastic synthesis. [Thesis]. University of Birmingham; 2011. Available from: http://etheses.bham.ac.uk/894/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

26. Arthur, Peter. The textuality of contemporary hiplife lyrics .

Degree: Centre of West African Studies, 2014, University of Birmingham

 This research looks at the textuality of hiplife – the Ghanaian version of hip hop – by investigating the hiplife discursive and non discursive practices.… (more)

Subjects/Keywords: DT Africa; GR Folklore; M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Arthur, P. (2014). The textuality of contemporary hiplife lyrics . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/4889/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Arthur, Peter. “The textuality of contemporary hiplife lyrics .” 2014. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/4889/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Arthur, Peter. “The textuality of contemporary hiplife lyrics .” 2014. Web. 26 Mar 2019.

Vancouver:

Arthur P. The textuality of contemporary hiplife lyrics . [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/4889/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Arthur P. The textuality of contemporary hiplife lyrics . [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/4889/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

27. Miles, Natasha Frances. Approaches to accompaniment on the baroque guitar c.1590-c.1730.

Degree: Department of Music, 2014, University of Birmingham

 The five-course guitar was used as an instrument of accompaniment from the mid-sixteenth to the late-eighteenth century, yet its importance in this role has largely… (more)

Subjects/Keywords: M Music; MT Musical instruction and study

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APA (6th Edition):

Miles, N. F. (2014). Approaches to accompaniment on the baroque guitar c.1590-c.1730. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5149/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Miles, Natasha Frances. “Approaches to accompaniment on the baroque guitar c.1590-c.1730.” 2014. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/5149/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Miles, Natasha Frances. “Approaches to accompaniment on the baroque guitar c.1590-c.1730.” 2014. Web. 26 Mar 2019.

Vancouver:

Miles NF. Approaches to accompaniment on the baroque guitar c.1590-c.1730. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/5149/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Miles NF. Approaches to accompaniment on the baroque guitar c.1590-c.1730. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/5149/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

28. Tarren, Christopher James. Time, Space, Memory: A portfolio of acousmatic compositions.

Degree: Department of Music, 2014, University of Birmingham

 This portfolio comprises of a collection of acousmatic works which investigate the role of source bonding in music – the tendency of listeners to relate… (more)

Subjects/Keywords: M Music; MT Musical instruction and study

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tarren, C. J. (2014). Time, Space, Memory: A portfolio of acousmatic compositions. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5208/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tarren, Christopher James. “Time, Space, Memory: A portfolio of acousmatic compositions.” 2014. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/5208/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tarren, Christopher James. “Time, Space, Memory: A portfolio of acousmatic compositions.” 2014. Web. 26 Mar 2019.

Vancouver:

Tarren CJ. Time, Space, Memory: A portfolio of acousmatic compositions. [Internet] [Thesis]. University of Birmingham; 2014. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/5208/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tarren CJ. Time, Space, Memory: A portfolio of acousmatic compositions. [Thesis]. University of Birmingham; 2014. Available from: http://etheses.bham.ac.uk/5208/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

29. Roberts, Darren. Music and the city: normalisation, marginalisation, and resistance in Birmingham’s musicscape.

Degree: School of Geography, Earth and Environmental Sciences, 2015, University of Birmingham

 Drawing on qualitative research conducted in Birmingham (2009-2014), this thesis explores the role music plays in shaping and producing the urban environment via a focus… (more)

Subjects/Keywords: GF Human ecology. Anthropogeography; M Music

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Roberts, D. (2015). Music and the city: normalisation, marginalisation, and resistance in Birmingham’s musicscape. (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/5709/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Roberts, Darren. “Music and the city: normalisation, marginalisation, and resistance in Birmingham’s musicscape.” 2015. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/5709/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Roberts, Darren. “Music and the city: normalisation, marginalisation, and resistance in Birmingham’s musicscape.” 2015. Web. 26 Mar 2019.

Vancouver:

Roberts D. Music and the city: normalisation, marginalisation, and resistance in Birmingham’s musicscape. [Internet] [Thesis]. University of Birmingham; 2015. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/5709/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Roberts D. Music and the city: normalisation, marginalisation, and resistance in Birmingham’s musicscape. [Thesis]. University of Birmingham; 2015. Available from: http://etheses.bham.ac.uk/5709/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Birmingham

30. Dunster-Sigtermans, Richard. Developments in British organ design 1945-1970: a player’s perspective .

Degree: School of Languages, Cultures, Art History and Music, Department of Music, 2017, University of Birmingham

 This research forms part of a performance practice degree and focuses on the performance of British organ music written in the period 1945 to 1970.… (more)

Subjects/Keywords: M Music; MT Musical instruction and study

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APA (6th Edition):

Dunster-Sigtermans, R. (2017). Developments in British organ design 1945-1970: a player’s perspective . (Thesis). University of Birmingham. Retrieved from http://etheses.bham.ac.uk/7217/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dunster-Sigtermans, Richard. “Developments in British organ design 1945-1970: a player’s perspective .” 2017. Thesis, University of Birmingham. Accessed March 26, 2019. http://etheses.bham.ac.uk/7217/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dunster-Sigtermans, Richard. “Developments in British organ design 1945-1970: a player’s perspective .” 2017. Web. 26 Mar 2019.

Vancouver:

Dunster-Sigtermans R. Developments in British organ design 1945-1970: a player’s perspective . [Internet] [Thesis]. University of Birmingham; 2017. [cited 2019 Mar 26]. Available from: http://etheses.bham.ac.uk/7217/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dunster-Sigtermans R. Developments in British organ design 1945-1970: a player’s perspective . [Thesis]. University of Birmingham; 2017. Available from: http://etheses.bham.ac.uk/7217/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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