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You searched for subject:( Medieval poetry). Showing records 1 – 30 of 104 total matches.

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Queen Mary, University of London

1. Sibson, Carol Anne. ‘Þys tale rymeth hou men in senne beþ’ : a study of vernacular verse pastoralia for the English laity c.1240 - c.1330.

Degree: PhD, 2013, Queen Mary, University of London

 The Fourth Lateran Council of 1215 promoted regular and effective religious instruction for the parish laity. This was facilitated by the development of preaching and… (more)

Subjects/Keywords: 942.03; Mediaeval History England; Mediaeval Religion; Mediaeval Religious instruction; Mediaeval Religious poetry English

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APA (6th Edition):

Sibson, C. A. (2013). ‘Þys tale rymeth hou men in senne beþ’ : a study of vernacular verse pastoralia for the English laity c.1240 - c.1330. (Doctoral Dissertation). Queen Mary, University of London. Retrieved from http://qmro.qmul.ac.uk/xmlui/handle/123456789/8631 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667081

Chicago Manual of Style (16th Edition):

Sibson, Carol Anne. “‘Þys tale rymeth hou men in senne beþ’ : a study of vernacular verse pastoralia for the English laity c.1240 - c.1330.” 2013. Doctoral Dissertation, Queen Mary, University of London. Accessed January 21, 2020. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8631 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667081.

MLA Handbook (7th Edition):

Sibson, Carol Anne. “‘Þys tale rymeth hou men in senne beþ’ : a study of vernacular verse pastoralia for the English laity c.1240 - c.1330.” 2013. Web. 21 Jan 2020.

Vancouver:

Sibson CA. ‘Þys tale rymeth hou men in senne beþ’ : a study of vernacular verse pastoralia for the English laity c.1240 - c.1330. [Internet] [Doctoral dissertation]. Queen Mary, University of London; 2013. [cited 2020 Jan 21]. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8631 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667081.

Council of Science Editors:

Sibson CA. ‘Þys tale rymeth hou men in senne beþ’ : a study of vernacular verse pastoralia for the English laity c.1240 - c.1330. [Doctoral Dissertation]. Queen Mary, University of London; 2013. Available from: http://qmro.qmul.ac.uk/xmlui/handle/123456789/8631 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.667081


University of St. Andrews

2. Mattioli, Vittorio. Grímnismál : a critical edition .

Degree: 2018, University of St. Andrews

 The purpose of this thesis is an in-depth analysis of the Eddic poem Grímnismál found in the manuscript known as Codex Regius (GKS 2365 4to),… (more)

Subjects/Keywords: Old Norse; History; Mediaeval; Scandinavian; Icelandic; Mythology; Poetry; Edition; Commentary; Eddic

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APA (6th Edition):

Mattioli, V. (2018). Grímnismál : a critical edition . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/12219

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mattioli, Vittorio. “Grímnismál : a critical edition .” 2018. Thesis, University of St. Andrews. Accessed January 21, 2020. http://hdl.handle.net/10023/12219.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mattioli, Vittorio. “Grímnismál : a critical edition .” 2018. Web. 21 Jan 2020.

Vancouver:

Mattioli V. Grímnismál : a critical edition . [Internet] [Thesis]. University of St. Andrews; 2018. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10023/12219.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mattioli V. Grímnismál : a critical edition . [Thesis]. University of St. Andrews; 2018. Available from: http://hdl.handle.net/10023/12219

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Waterloo

3. Voth, Helene. Die Motivik des mittelhochdeutschen Tageliedes in neuhochdeutscher Lyrik.

Degree: 2010, University of Waterloo

 This thesis investigates the medieval genre of the Tagelied or dawn-song to examine its diachronic development from the Middle Ages to today. The genre in… (more)

Subjects/Keywords: medieval; German poetry

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APA (6th Edition):

Voth, H. (2010). Die Motivik des mittelhochdeutschen Tageliedes in neuhochdeutscher Lyrik. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/5460

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Voth, Helene. “Die Motivik des mittelhochdeutschen Tageliedes in neuhochdeutscher Lyrik.” 2010. Thesis, University of Waterloo. Accessed January 21, 2020. http://hdl.handle.net/10012/5460.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Voth, Helene. “Die Motivik des mittelhochdeutschen Tageliedes in neuhochdeutscher Lyrik.” 2010. Web. 21 Jan 2020.

Vancouver:

Voth H. Die Motivik des mittelhochdeutschen Tageliedes in neuhochdeutscher Lyrik. [Internet] [Thesis]. University of Waterloo; 2010. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10012/5460.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Voth H. Die Motivik des mittelhochdeutschen Tageliedes in neuhochdeutscher Lyrik. [Thesis]. University of Waterloo; 2010. Available from: http://hdl.handle.net/10012/5460

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Minnesota

4. Robison, Katherine. The Path to Wholeness: The Therapeutic Potential of Bodily Writing in Late Medieval Dream Visions.

Degree: PhD, English, 2016, University of Minnesota

 This dissertation argues that late medieval dream poets viewed writing as a serious means of therapy, capable of healing both pscyhological and physiological ailments. Blending… (more)

Subjects/Keywords: dream poetry; dream vision; late medieval literature; medieval medicine; medieval poetry

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APA (6th Edition):

Robison, K. (2016). The Path to Wholeness: The Therapeutic Potential of Bodily Writing in Late Medieval Dream Visions. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/181655

Chicago Manual of Style (16th Edition):

Robison, Katherine. “The Path to Wholeness: The Therapeutic Potential of Bodily Writing in Late Medieval Dream Visions.” 2016. Doctoral Dissertation, University of Minnesota. Accessed January 21, 2020. http://hdl.handle.net/11299/181655.

MLA Handbook (7th Edition):

Robison, Katherine. “The Path to Wholeness: The Therapeutic Potential of Bodily Writing in Late Medieval Dream Visions.” 2016. Web. 21 Jan 2020.

Vancouver:

Robison K. The Path to Wholeness: The Therapeutic Potential of Bodily Writing in Late Medieval Dream Visions. [Internet] [Doctoral dissertation]. University of Minnesota; 2016. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/11299/181655.

Council of Science Editors:

Robison K. The Path to Wholeness: The Therapeutic Potential of Bodily Writing in Late Medieval Dream Visions. [Doctoral Dissertation]. University of Minnesota; 2016. Available from: http://hdl.handle.net/11299/181655


University of Notre Dame

5. Marjorie Harrington. Bilingual Form: Paired Translations of Latin and Vernacular Poetry, c. 1250-1350</h1>.

Degree: PhD, English, 2017, University of Notre Dame

Medieval languages existed in a state of constant contact and interaction with other languages. In this project, I argue that thirteenth- and fourteenth- century… (more)

Subjects/Keywords: multilingualism; medieval poetry; translation; Medieval literature

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APA (6th Edition):

Harrington, M. (2017). Bilingual Form: Paired Translations of Latin and Vernacular Poetry, c. 1250-1350</h1>. (Doctoral Dissertation). University of Notre Dame. Retrieved from https://curate.nd.edu/show/2z10wq00t7s

Chicago Manual of Style (16th Edition):

Harrington, Marjorie. “Bilingual Form: Paired Translations of Latin and Vernacular Poetry, c. 1250-1350</h1>.” 2017. Doctoral Dissertation, University of Notre Dame. Accessed January 21, 2020. https://curate.nd.edu/show/2z10wq00t7s.

MLA Handbook (7th Edition):

Harrington, Marjorie. “Bilingual Form: Paired Translations of Latin and Vernacular Poetry, c. 1250-1350</h1>.” 2017. Web. 21 Jan 2020.

Vancouver:

Harrington M. Bilingual Form: Paired Translations of Latin and Vernacular Poetry, c. 1250-1350</h1>. [Internet] [Doctoral dissertation]. University of Notre Dame; 2017. [cited 2020 Jan 21]. Available from: https://curate.nd.edu/show/2z10wq00t7s.

Council of Science Editors:

Harrington M. Bilingual Form: Paired Translations of Latin and Vernacular Poetry, c. 1250-1350</h1>. [Doctoral Dissertation]. University of Notre Dame; 2017. Available from: https://curate.nd.edu/show/2z10wq00t7s


Cornell University

6. Di Fenza, Antonio. LIKENESS, BEWILDERMENT, AND SWEETNESS: THE ITALIAN PATHWAY TO LYRICAL SCIENCE .

Degree: 2018, Cornell University

 Scholars have defined Guido Guinizzelli, Guido Cavalcanti, Dante Alighieri, and Michelangelo Buonarroti philosopher-poets, and yet, they have overlooked the implications of such articulation. In my… (more)

Subjects/Keywords: Medieval Literature; Guinizzelli; Cavalcanti; Dante; Italian; Love poetry; Lyric poetry; Medieval poetry; Italian literature; Philosophy

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APA (6th Edition):

Di Fenza, A. (2018). LIKENESS, BEWILDERMENT, AND SWEETNESS: THE ITALIAN PATHWAY TO LYRICAL SCIENCE . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/59432

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Di Fenza, Antonio. “LIKENESS, BEWILDERMENT, AND SWEETNESS: THE ITALIAN PATHWAY TO LYRICAL SCIENCE .” 2018. Thesis, Cornell University. Accessed January 21, 2020. http://hdl.handle.net/1813/59432.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Di Fenza, Antonio. “LIKENESS, BEWILDERMENT, AND SWEETNESS: THE ITALIAN PATHWAY TO LYRICAL SCIENCE .” 2018. Web. 21 Jan 2020.

Vancouver:

Di Fenza A. LIKENESS, BEWILDERMENT, AND SWEETNESS: THE ITALIAN PATHWAY TO LYRICAL SCIENCE . [Internet] [Thesis]. Cornell University; 2018. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/1813/59432.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Di Fenza A. LIKENESS, BEWILDERMENT, AND SWEETNESS: THE ITALIAN PATHWAY TO LYRICAL SCIENCE . [Thesis]. Cornell University; 2018. Available from: http://hdl.handle.net/1813/59432

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Georgia

7. Hannon, Timothy. The transforming self and otherworldly wisdom: sources of poetic inspiration in medieval northwest Europe.

Degree: MA, Comparative Literature, 2010, University of Georgia

 Certain tales of the medieval Norse, Anglo-Saxons, Irish and Welsh explain the source of poetic inspiration as existing in a world apart, whether that be… (more)

Subjects/Keywords: Medieval; Poetic inspiration; Inspiration; Poetry; Myth; Legend; Norse; Óðinn; Odin; Anglo-Saxon; Irish; Welsh; Medieval England; Medieval Ireland; Medieval Wales; Medieval Iceland; Medieval Scandinavia; Medieval poetry; Medieval Christianity; Taliesin

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APA (6th Edition):

Hannon, T. (2010). The transforming self and otherworldly wisdom: sources of poetic inspiration in medieval northwest Europe. (Masters Thesis). University of Georgia. Retrieved from http://purl.galileo.usg.edu/uga_etd/hannon_timothy_201005_ma

Chicago Manual of Style (16th Edition):

Hannon, Timothy. “The transforming self and otherworldly wisdom: sources of poetic inspiration in medieval northwest Europe.” 2010. Masters Thesis, University of Georgia. Accessed January 21, 2020. http://purl.galileo.usg.edu/uga_etd/hannon_timothy_201005_ma.

MLA Handbook (7th Edition):

Hannon, Timothy. “The transforming self and otherworldly wisdom: sources of poetic inspiration in medieval northwest Europe.” 2010. Web. 21 Jan 2020.

Vancouver:

Hannon T. The transforming self and otherworldly wisdom: sources of poetic inspiration in medieval northwest Europe. [Internet] [Masters thesis]. University of Georgia; 2010. [cited 2020 Jan 21]. Available from: http://purl.galileo.usg.edu/uga_etd/hannon_timothy_201005_ma.

Council of Science Editors:

Hannon T. The transforming self and otherworldly wisdom: sources of poetic inspiration in medieval northwest Europe. [Masters Thesis]. University of Georgia; 2010. Available from: http://purl.galileo.usg.edu/uga_etd/hannon_timothy_201005_ma


University of Minnesota

8. Parmley, Nicholas. Imagining the Mediterranean: Disruption and Connectivity in Medieval Iberian Tales of the Sea.

Degree: PhD, Hispanic and Luso-Brazilian Literatures and Linguistics, 2013, University of Minnesota

 Despite the importance of the Mediterranean Sea, much literary scholarship of the twentieth century has fixed its gaze on the ports and hinterlands that mark… (more)

Subjects/Keywords: al-Andalus; Iberia; medieval; Mediterranean; philosophy; poetry

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APA (6th Edition):

Parmley, N. (2013). Imagining the Mediterranean: Disruption and Connectivity in Medieval Iberian Tales of the Sea. (Doctoral Dissertation). University of Minnesota. Retrieved from http://hdl.handle.net/11299/175292

Chicago Manual of Style (16th Edition):

Parmley, Nicholas. “Imagining the Mediterranean: Disruption and Connectivity in Medieval Iberian Tales of the Sea.” 2013. Doctoral Dissertation, University of Minnesota. Accessed January 21, 2020. http://hdl.handle.net/11299/175292.

MLA Handbook (7th Edition):

Parmley, Nicholas. “Imagining the Mediterranean: Disruption and Connectivity in Medieval Iberian Tales of the Sea.” 2013. Web. 21 Jan 2020.

Vancouver:

Parmley N. Imagining the Mediterranean: Disruption and Connectivity in Medieval Iberian Tales of the Sea. [Internet] [Doctoral dissertation]. University of Minnesota; 2013. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/11299/175292.

Council of Science Editors:

Parmley N. Imagining the Mediterranean: Disruption and Connectivity in Medieval Iberian Tales of the Sea. [Doctoral Dissertation]. University of Minnesota; 2013. Available from: http://hdl.handle.net/11299/175292

9. FLETCHER, CLARE. 'The word this worldes cause entriketh': Negotiating Fallen Signs in John Gower's Confessio Amantis.

Degree: School of English. Discipline of English, 2018, Trinity College Dublin

 This thesis argues that the Confessio Amantis is a study in the inadequacy of language and its constructs. It asserts that, like his fourteenth-century contemporary… (more)

Subjects/Keywords: Poetry; Medieval Literature; Theology; Philosophy; Semiotics; History

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APA (6th Edition):

FLETCHER, C. (2018). 'The word this worldes cause entriketh': Negotiating Fallen Signs in John Gower's Confessio Amantis. (Thesis). Trinity College Dublin. Retrieved from http://hdl.handle.net/2262/82712

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

FLETCHER, CLARE. “'The word this worldes cause entriketh': Negotiating Fallen Signs in John Gower's Confessio Amantis.” 2018. Thesis, Trinity College Dublin. Accessed January 21, 2020. http://hdl.handle.net/2262/82712.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

FLETCHER, CLARE. “'The word this worldes cause entriketh': Negotiating Fallen Signs in John Gower's Confessio Amantis.” 2018. Web. 21 Jan 2020.

Vancouver:

FLETCHER C. 'The word this worldes cause entriketh': Negotiating Fallen Signs in John Gower's Confessio Amantis. [Internet] [Thesis]. Trinity College Dublin; 2018. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/2262/82712.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

FLETCHER C. 'The word this worldes cause entriketh': Negotiating Fallen Signs in John Gower's Confessio Amantis. [Thesis]. Trinity College Dublin; 2018. Available from: http://hdl.handle.net/2262/82712

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – Berkeley

10. Hench, Christopher Leo. Resonances in Middle High German: New Methodologies in Prosody.

Degree: German, 2017, University of California – Berkeley

 For years, scholars of medieval German have grappled with how to analyze formal characteristics of the lyric and epic poetry while taking into consideration performance,… (more)

Subjects/Keywords: German literature; Medieval literature; Linguistics; computational linguistics; epic poetry; love poetry; medieval German; scansion; syllabification

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APA (6th Edition):

Hench, C. L. (2017). Resonances in Middle High German: New Methodologies in Prosody. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/13c6h2z2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hench, Christopher Leo. “Resonances in Middle High German: New Methodologies in Prosody.” 2017. Thesis, University of California – Berkeley. Accessed January 21, 2020. http://www.escholarship.org/uc/item/13c6h2z2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hench, Christopher Leo. “Resonances in Middle High German: New Methodologies in Prosody.” 2017. Web. 21 Jan 2020.

Vancouver:

Hench CL. Resonances in Middle High German: New Methodologies in Prosody. [Internet] [Thesis]. University of California – Berkeley; 2017. [cited 2020 Jan 21]. Available from: http://www.escholarship.org/uc/item/13c6h2z2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hench CL. Resonances in Middle High German: New Methodologies in Prosody. [Thesis]. University of California – Berkeley; 2017. Available from: http://www.escholarship.org/uc/item/13c6h2z2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Rochester

11. McShane, Kara L. In the words of others : exotic documents and vernacular anxieties in medieval England.

Degree: PhD, 2014, University of Rochester

 In the Words of Others is part of a growing body of work that turns to medieval culture's multilingualism as a means of troubling the… (more)

Subjects/Keywords: Medieval literature; Medieval romance; Documentary culture; Alliterative poetry

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APA (6th Edition):

McShane, K. L. (2014). In the words of others : exotic documents and vernacular anxieties in medieval England. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/28498

Chicago Manual of Style (16th Edition):

McShane, Kara L. “In the words of others : exotic documents and vernacular anxieties in medieval England.” 2014. Doctoral Dissertation, University of Rochester. Accessed January 21, 2020. http://hdl.handle.net/1802/28498.

MLA Handbook (7th Edition):

McShane, Kara L. “In the words of others : exotic documents and vernacular anxieties in medieval England.” 2014. Web. 21 Jan 2020.

Vancouver:

McShane KL. In the words of others : exotic documents and vernacular anxieties in medieval England. [Internet] [Doctoral dissertation]. University of Rochester; 2014. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/1802/28498.

Council of Science Editors:

McShane KL. In the words of others : exotic documents and vernacular anxieties in medieval England. [Doctoral Dissertation]. University of Rochester; 2014. Available from: http://hdl.handle.net/1802/28498


University of Arizona

12. Tripp, Susan Jane, 1936-. "ALAMKARASASTRA" AND MEDIEVAL RHETORIC: A COMPARATIVE STUDY .

Degree: 1977, University of Arizona

Subjects/Keywords: Sanskrit poetry.; Poetry, Medieval.; Poetics.

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APA (6th Edition):

Tripp, Susan Jane, 1. (1977). "ALAMKARASASTRA" AND MEDIEVAL RHETORIC: A COMPARATIVE STUDY . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/290438

Chicago Manual of Style (16th Edition):

Tripp, Susan Jane, 1936-. “"ALAMKARASASTRA" AND MEDIEVAL RHETORIC: A COMPARATIVE STUDY .” 1977. Doctoral Dissertation, University of Arizona. Accessed January 21, 2020. http://hdl.handle.net/10150/290438.

MLA Handbook (7th Edition):

Tripp, Susan Jane, 1936-. “"ALAMKARASASTRA" AND MEDIEVAL RHETORIC: A COMPARATIVE STUDY .” 1977. Web. 21 Jan 2020.

Vancouver:

Tripp, Susan Jane 1. "ALAMKARASASTRA" AND MEDIEVAL RHETORIC: A COMPARATIVE STUDY . [Internet] [Doctoral dissertation]. University of Arizona; 1977. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/10150/290438.

Council of Science Editors:

Tripp, Susan Jane 1. "ALAMKARASASTRA" AND MEDIEVAL RHETORIC: A COMPARATIVE STUDY . [Doctoral Dissertation]. University of Arizona; 1977. Available from: http://hdl.handle.net/10150/290438


University of California – Berkeley

13. Cruz, Anna Celeste. Modes of Loss: al-Andalus in the Arabic Poetic Imagination.

Degree: Near Eastern Studies, 2016, University of California – Berkeley

 This dissertation examines the ways medieval and modern Arab poets utilize the space and image of al-Andalus to express nostalgia, mourning, and loss. This project… (more)

Subjects/Keywords: Language; Literature; al-andalus; arabic; medieval arabic poetry; modern arabic poetry

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APA (6th Edition):

Cruz, A. C. (2016). Modes of Loss: al-Andalus in the Arabic Poetic Imagination. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/881872pm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cruz, Anna Celeste. “Modes of Loss: al-Andalus in the Arabic Poetic Imagination.” 2016. Thesis, University of California – Berkeley. Accessed January 21, 2020. http://www.escholarship.org/uc/item/881872pm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cruz, Anna Celeste. “Modes of Loss: al-Andalus in the Arabic Poetic Imagination.” 2016. Web. 21 Jan 2020.

Vancouver:

Cruz AC. Modes of Loss: al-Andalus in the Arabic Poetic Imagination. [Internet] [Thesis]. University of California – Berkeley; 2016. [cited 2020 Jan 21]. Available from: http://www.escholarship.org/uc/item/881872pm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cruz AC. Modes of Loss: al-Andalus in the Arabic Poetic Imagination. [Thesis]. University of California – Berkeley; 2016. Available from: http://www.escholarship.org/uc/item/881872pm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Missouri – Columbia

14. Henderson, Dave, 1956-. The medieval English begging poem.

Degree: PhD, 2008, University of Missouri – Columbia

 Since the only consistent feature of medieval English begging poems is the fact that they beg, usually for funds due, the form cannot quite be… (more)

Subjects/Keywords: Poetry, Medieval; Begging  – Poetry

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APA (6th Edition):

Henderson, Dave, 1. (2008). The medieval English begging poem. (Doctoral Dissertation). University of Missouri – Columbia. Retrieved from https://doi.org/10.32469/10355/5580

Chicago Manual of Style (16th Edition):

Henderson, Dave, 1956-. “The medieval English begging poem.” 2008. Doctoral Dissertation, University of Missouri – Columbia. Accessed January 21, 2020. https://doi.org/10.32469/10355/5580.

MLA Handbook (7th Edition):

Henderson, Dave, 1956-. “The medieval English begging poem.” 2008. Web. 21 Jan 2020.

Vancouver:

Henderson, Dave 1. The medieval English begging poem. [Internet] [Doctoral dissertation]. University of Missouri – Columbia; 2008. [cited 2020 Jan 21]. Available from: https://doi.org/10.32469/10355/5580.

Council of Science Editors:

Henderson, Dave 1. The medieval English begging poem. [Doctoral Dissertation]. University of Missouri – Columbia; 2008. Available from: https://doi.org/10.32469/10355/5580

15. Caliendo, Luis Claudio Kinker. Orelhas de elefante, olhos de coruja, dentes de javali: maravilhoso e descritivo em Yvain ou le chevalier au lion, de Chrétien de Troyes.

Degree: Mestrado, Língua e Literatura Francesa, 2009, University of São Paulo

No final do século XII, Chrétien de Troyes considerado por muitos críticos o maior poeta francês da chamada Idade Média compõe um poema narrativo Yvain… (more)

Subjects/Keywords: "Literatura" medieval; Chrétien de Troyes; Chrétien de Troyes; Descrição; Description; Descriptive; Descritivo; Maravilhoso; Marvelous; Medieval "literature"; Medieval poetry; Poesia medieval

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Caliendo, L. C. K. (2009). Orelhas de elefante, olhos de coruja, dentes de javali: maravilhoso e descritivo em Yvain ou le chevalier au lion, de Chrétien de Troyes. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/8/8146/tde-22022010-163214/ ;

Chicago Manual of Style (16th Edition):

Caliendo, Luis Claudio Kinker. “Orelhas de elefante, olhos de coruja, dentes de javali: maravilhoso e descritivo em Yvain ou le chevalier au lion, de Chrétien de Troyes.” 2009. Masters Thesis, University of São Paulo. Accessed January 21, 2020. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-22022010-163214/ ;.

MLA Handbook (7th Edition):

Caliendo, Luis Claudio Kinker. “Orelhas de elefante, olhos de coruja, dentes de javali: maravilhoso e descritivo em Yvain ou le chevalier au lion, de Chrétien de Troyes.” 2009. Web. 21 Jan 2020.

Vancouver:

Caliendo LCK. Orelhas de elefante, olhos de coruja, dentes de javali: maravilhoso e descritivo em Yvain ou le chevalier au lion, de Chrétien de Troyes. [Internet] [Masters thesis]. University of São Paulo; 2009. [cited 2020 Jan 21]. Available from: http://www.teses.usp.br/teses/disponiveis/8/8146/tde-22022010-163214/ ;.

Council of Science Editors:

Caliendo LCK. Orelhas de elefante, olhos de coruja, dentes de javali: maravilhoso e descritivo em Yvain ou le chevalier au lion, de Chrétien de Troyes. [Masters Thesis]. University of São Paulo; 2009. Available from: http://www.teses.usp.br/teses/disponiveis/8/8146/tde-22022010-163214/ ;

16. Doclar, Sister John Ellen. Pearl as consolatio.

Degree: 1981, Texas Woman's University

Subjects/Keywords: Poetry, medieval  – Themes, motives; Literature, medieval

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Doclar, S. J. E. (1981). Pearl as consolatio. (Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/8420

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Doclar, Sister John Ellen. “Pearl as consolatio.” 1981. Thesis, Texas Woman's University. Accessed January 21, 2020. http://hdl.handle.net/11274/8420.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Doclar, Sister John Ellen. “Pearl as consolatio.” 1981. Web. 21 Jan 2020.

Vancouver:

Doclar SJE. Pearl as consolatio. [Internet] [Thesis]. Texas Woman's University; 1981. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/11274/8420.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Doclar SJE. Pearl as consolatio. [Thesis]. Texas Woman's University; 1981. Available from: http://hdl.handle.net/11274/8420

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Sanford, Kay Calvin. Bird imagery in the works of Geoffrey Chaucer: A study of the bird image as a guide to Chaucer's concept of the role of the poet.

Degree: MA, English, 1977, Texas Woman's University

Subjects/Keywords: Medieval literature; Medieval poetry; British literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sanford, K. C. (1977). Bird imagery in the works of Geoffrey Chaucer: A study of the bird image as a guide to Chaucer's concept of the role of the poet. (Masters Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/11355

Chicago Manual of Style (16th Edition):

Sanford, Kay Calvin. “Bird imagery in the works of Geoffrey Chaucer: A study of the bird image as a guide to Chaucer's concept of the role of the poet.” 1977. Masters Thesis, Texas Woman's University. Accessed January 21, 2020. http://hdl.handle.net/11274/11355.

MLA Handbook (7th Edition):

Sanford, Kay Calvin. “Bird imagery in the works of Geoffrey Chaucer: A study of the bird image as a guide to Chaucer's concept of the role of the poet.” 1977. Web. 21 Jan 2020.

Vancouver:

Sanford KC. Bird imagery in the works of Geoffrey Chaucer: A study of the bird image as a guide to Chaucer's concept of the role of the poet. [Internet] [Masters thesis]. Texas Woman's University; 1977. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/11274/11355.

Council of Science Editors:

Sanford KC. Bird imagery in the works of Geoffrey Chaucer: A study of the bird image as a guide to Chaucer's concept of the role of the poet. [Masters Thesis]. Texas Woman's University; 1977. Available from: http://hdl.handle.net/11274/11355


University of North Texas

18. Ward, Jessica D. Conjugal Rights in Flux in Medieval Poetry.

Degree: 2014, University of North Texas

 This study explores how four medieval poems—the Junius manuscript’s Genesis B and Christ and Satan and Geoffrey Chaucer’s Troilus and Criseyde and The Parliament of… (more)

Subjects/Keywords: Chaucer; law; medieval poetry; gender; marriage; Women's rights in literature.; Married women in literature.; Poetry, Medieval  – History and criticism.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ward, J. D. (2014). Conjugal Rights in Flux in Medieval Poetry. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc500176/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ward, Jessica D. “Conjugal Rights in Flux in Medieval Poetry.” 2014. Thesis, University of North Texas. Accessed January 21, 2020. https://digital.library.unt.edu/ark:/67531/metadc500176/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ward, Jessica D. “Conjugal Rights in Flux in Medieval Poetry.” 2014. Web. 21 Jan 2020.

Vancouver:

Ward JD. Conjugal Rights in Flux in Medieval Poetry. [Internet] [Thesis]. University of North Texas; 2014. [cited 2020 Jan 21]. Available from: https://digital.library.unt.edu/ark:/67531/metadc500176/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ward JD. Conjugal Rights in Flux in Medieval Poetry. [Thesis]. University of North Texas; 2014. Available from: https://digital.library.unt.edu/ark:/67531/metadc500176/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Temple University

19. Maravi, Pilar L. Del cielo a la tierra: Gonzalo de Berceo, Signos que aparecerán antes del Juicio Final, y sus nexos con la arquitectura medieval española.

Degree: PhD, 2013, Temple University

Spanish

This dissertation is a study of the links between the poem Signos que aparecerán antes del juicio final of Gonzalo de Berceo and the… (more)

Subjects/Keywords: Medieval literature; Literature; Language arts;

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APA (6th Edition):

Maravi, P. L. (2013). Del cielo a la tierra: Gonzalo de Berceo, Signos que aparecerán antes del Juicio Final, y sus nexos con la arquitectura medieval española. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,272222

Chicago Manual of Style (16th Edition):

Maravi, Pilar L. “Del cielo a la tierra: Gonzalo de Berceo, Signos que aparecerán antes del Juicio Final, y sus nexos con la arquitectura medieval española.” 2013. Doctoral Dissertation, Temple University. Accessed January 21, 2020. http://digital.library.temple.edu/u?/p245801coll10,272222.

MLA Handbook (7th Edition):

Maravi, Pilar L. “Del cielo a la tierra: Gonzalo de Berceo, Signos que aparecerán antes del Juicio Final, y sus nexos con la arquitectura medieval española.” 2013. Web. 21 Jan 2020.

Vancouver:

Maravi PL. Del cielo a la tierra: Gonzalo de Berceo, Signos que aparecerán antes del Juicio Final, y sus nexos con la arquitectura medieval española. [Internet] [Doctoral dissertation]. Temple University; 2013. [cited 2020 Jan 21]. Available from: http://digital.library.temple.edu/u?/p245801coll10,272222.

Council of Science Editors:

Maravi PL. Del cielo a la tierra: Gonzalo de Berceo, Signos que aparecerán antes del Juicio Final, y sus nexos con la arquitectura medieval española. [Doctoral Dissertation]. Temple University; 2013. Available from: http://digital.library.temple.edu/u?/p245801coll10,272222


University of Pennsylvania

20. Karjoo-Ravary, Ali. Becoming A King Of Islam: The Imperial Project Of Qadi Burhan Al-Din Of Sivas (1345-1398 Ce).

Degree: 2018, University of Pennsylvania

 This dissertation analyzes the conjunction of Islamic (especially Sufi) cosmology, metaphysics, political ideology, aesthetic production, and religious law in the life of of Burhan al-Din… (more)

Subjects/Keywords: Islam; Kingship; Monarchy; Persianate; Poetry; Sufism; Islamic Studies; Medieval History; Religion

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Karjoo-Ravary, A. (2018). Becoming A King Of Islam: The Imperial Project Of Qadi Burhan Al-Din Of Sivas (1345-1398 Ce). (Thesis). University of Pennsylvania. Retrieved from https://repository.upenn.edu/edissertations/2807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Karjoo-Ravary, Ali. “Becoming A King Of Islam: The Imperial Project Of Qadi Burhan Al-Din Of Sivas (1345-1398 Ce).” 2018. Thesis, University of Pennsylvania. Accessed January 21, 2020. https://repository.upenn.edu/edissertations/2807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Karjoo-Ravary, Ali. “Becoming A King Of Islam: The Imperial Project Of Qadi Burhan Al-Din Of Sivas (1345-1398 Ce).” 2018. Web. 21 Jan 2020.

Vancouver:

Karjoo-Ravary A. Becoming A King Of Islam: The Imperial Project Of Qadi Burhan Al-Din Of Sivas (1345-1398 Ce). [Internet] [Thesis]. University of Pennsylvania; 2018. [cited 2020 Jan 21]. Available from: https://repository.upenn.edu/edissertations/2807.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Karjoo-Ravary A. Becoming A King Of Islam: The Imperial Project Of Qadi Burhan Al-Din Of Sivas (1345-1398 Ce). [Thesis]. University of Pennsylvania; 2018. Available from: https://repository.upenn.edu/edissertations/2807

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Notre Dame

21. Stephen Michael Little. The Sacramental Poetics of Dante's Commedia</h1>.

Degree: PhD, Literature, 2010, University of Notre Dame

  My interdisciplinary study uses the medieval sacramental theology of double signification to integrate two contemporary conversations in Dante scholarship: the question of how to… (more)

Subjects/Keywords: italian; sacraments; dante’s ulysses; literature; eucharist; dante’s adam; medieval; poetry; epic

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Little, S. M. (2010). The Sacramental Poetics of Dante's Commedia</h1>. (Doctoral Dissertation). University of Notre Dame. Retrieved from https://curate.nd.edu/show/np19377495n

Chicago Manual of Style (16th Edition):

Little, Stephen Michael. “The Sacramental Poetics of Dante's Commedia</h1>.” 2010. Doctoral Dissertation, University of Notre Dame. Accessed January 21, 2020. https://curate.nd.edu/show/np19377495n.

MLA Handbook (7th Edition):

Little, Stephen Michael. “The Sacramental Poetics of Dante's Commedia</h1>.” 2010. Web. 21 Jan 2020.

Vancouver:

Little SM. The Sacramental Poetics of Dante's Commedia</h1>. [Internet] [Doctoral dissertation]. University of Notre Dame; 2010. [cited 2020 Jan 21]. Available from: https://curate.nd.edu/show/np19377495n.

Council of Science Editors:

Little SM. The Sacramental Poetics of Dante's Commedia</h1>. [Doctoral Dissertation]. University of Notre Dame; 2010. Available from: https://curate.nd.edu/show/np19377495n


University of Manchester

22. Mitchell, Robert. Guilt and creativity in the works of Geoffrey Chaucer.

Degree: PhD, 2013, University of Manchester

 The late Middles Ages saw the development in Europe of increasingly complex, ambitious, and self-conscious forms of creative literature. In the works of poets such… (more)

Subjects/Keywords: 821; Chaucer; Guilt; Allegory; Comedy; Religion; Dante; Late Medieval Poetry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Mitchell, R. (2013). Guilt and creativity in the works of Geoffrey Chaucer. (Doctoral Dissertation). University of Manchester. Retrieved from https://www.research.manchester.ac.uk/portal/en/theses/guilt-and-creativity-in-the-works-of-geoffrey-chaucer(188c155f-69f0-432e-a5cb-aaad3d920e23).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607135

Chicago Manual of Style (16th Edition):

Mitchell, Robert. “Guilt and creativity in the works of Geoffrey Chaucer.” 2013. Doctoral Dissertation, University of Manchester. Accessed January 21, 2020. https://www.research.manchester.ac.uk/portal/en/theses/guilt-and-creativity-in-the-works-of-geoffrey-chaucer(188c155f-69f0-432e-a5cb-aaad3d920e23).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607135.

MLA Handbook (7th Edition):

Mitchell, Robert. “Guilt and creativity in the works of Geoffrey Chaucer.” 2013. Web. 21 Jan 2020.

Vancouver:

Mitchell R. Guilt and creativity in the works of Geoffrey Chaucer. [Internet] [Doctoral dissertation]. University of Manchester; 2013. [cited 2020 Jan 21]. Available from: https://www.research.manchester.ac.uk/portal/en/theses/guilt-and-creativity-in-the-works-of-geoffrey-chaucer(188c155f-69f0-432e-a5cb-aaad3d920e23).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607135.

Council of Science Editors:

Mitchell R. Guilt and creativity in the works of Geoffrey Chaucer. [Doctoral Dissertation]. University of Manchester; 2013. Available from: https://www.research.manchester.ac.uk/portal/en/theses/guilt-and-creativity-in-the-works-of-geoffrey-chaucer(188c155f-69f0-432e-a5cb-aaad3d920e23).html ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607135


University of California – Berkeley

23. Fockele, Kenneth Elswick. Songs of the Self: Authorship and Mastery in Minnesang.

Degree: German, 2016, University of California – Berkeley

 Despite the centrality of medieval courtly love lyric, or Minnesang, to the canon of German literature, its interpretation has been shaped in large degree by… (more)

Subjects/Keywords: German literature; Medieval literature; author; authorship; lyric; Minnesang; mouvance; poetry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fockele, K. E. (2016). Songs of the Self: Authorship and Mastery in Minnesang. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/87n0t2tm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fockele, Kenneth Elswick. “Songs of the Self: Authorship and Mastery in Minnesang.” 2016. Thesis, University of California – Berkeley. Accessed January 21, 2020. http://www.escholarship.org/uc/item/87n0t2tm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fockele, Kenneth Elswick. “Songs of the Self: Authorship and Mastery in Minnesang.” 2016. Web. 21 Jan 2020.

Vancouver:

Fockele KE. Songs of the Self: Authorship and Mastery in Minnesang. [Internet] [Thesis]. University of California – Berkeley; 2016. [cited 2020 Jan 21]. Available from: http://www.escholarship.org/uc/item/87n0t2tm.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fockele KE. Songs of the Self: Authorship and Mastery in Minnesang. [Thesis]. University of California – Berkeley; 2016. Available from: http://www.escholarship.org/uc/item/87n0t2tm

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

24. Morell, Virginia L. Water as a symbol of transcendence and renewal in medieval poetry.

Degree: MA, Department of English, 1973, McGill University

Subjects/Keywords: Poetry; Medieval  – History and criticism

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APA (6th Edition):

Morell, V. L. (1973). Water as a symbol of transcendence and renewal in medieval poetry. (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile48340.pdf

Chicago Manual of Style (16th Edition):

Morell, Virginia L. “Water as a symbol of transcendence and renewal in medieval poetry.” 1973. Masters Thesis, McGill University. Accessed January 21, 2020. http://digitool.library.mcgill.ca/thesisfile48340.pdf.

MLA Handbook (7th Edition):

Morell, Virginia L. “Water as a symbol of transcendence and renewal in medieval poetry.” 1973. Web. 21 Jan 2020.

Vancouver:

Morell VL. Water as a symbol of transcendence and renewal in medieval poetry. [Internet] [Masters thesis]. McGill University; 1973. [cited 2020 Jan 21]. Available from: http://digitool.library.mcgill.ca/thesisfile48340.pdf.

Council of Science Editors:

Morell VL. Water as a symbol of transcendence and renewal in medieval poetry. [Masters Thesis]. McGill University; 1973. Available from: http://digitool.library.mcgill.ca/thesisfile48340.pdf


University of Connecticut

25. Sanchez-Reyes, Maria G. De négation et Création dans la Poésie Lyrique Amoureuse Occitane et Française au Moyen Âge.

Degree: MA, French, 2014, University of Connecticut

Subjects/Keywords: French Occitan Medieval Poetry

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sanchez-Reyes, M. G. (2014). De négation et Création dans la Poésie Lyrique Amoureuse Occitane et Française au Moyen Âge. (Masters Thesis). University of Connecticut. Retrieved from https://opencommons.uconn.edu/gs_theses/616

Chicago Manual of Style (16th Edition):

Sanchez-Reyes, Maria G. “De négation et Création dans la Poésie Lyrique Amoureuse Occitane et Française au Moyen Âge.” 2014. Masters Thesis, University of Connecticut. Accessed January 21, 2020. https://opencommons.uconn.edu/gs_theses/616.

MLA Handbook (7th Edition):

Sanchez-Reyes, Maria G. “De négation et Création dans la Poésie Lyrique Amoureuse Occitane et Française au Moyen Âge.” 2014. Web. 21 Jan 2020.

Vancouver:

Sanchez-Reyes MG. De négation et Création dans la Poésie Lyrique Amoureuse Occitane et Française au Moyen Âge. [Internet] [Masters thesis]. University of Connecticut; 2014. [cited 2020 Jan 21]. Available from: https://opencommons.uconn.edu/gs_theses/616.

Council of Science Editors:

Sanchez-Reyes MG. De négation et Création dans la Poésie Lyrique Amoureuse Occitane et Française au Moyen Âge. [Masters Thesis]. University of Connecticut; 2014. Available from: https://opencommons.uconn.edu/gs_theses/616


University of Cambridge

26. Schorn, Brittany Erin. 'How can his word be trusted?' : speaker and authority in Old Norse wisdom poetry.

Degree: PhD, 2012, University of Cambridge

 In the eddic poem Hávamál, the god Óðinn gives advice, including a warning about the fickleness of human, and divine, nature. He cites his own… (more)

Subjects/Keywords: 839; Old Norse; Eddic poetry; Wisdom literature; Medieval literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Schorn, B. E. (2012). 'How can his word be trusted?' : speaker and authority in Old Norse wisdom poetry. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/241661 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546640

Chicago Manual of Style (16th Edition):

Schorn, Brittany Erin. “'How can his word be trusted?' : speaker and authority in Old Norse wisdom poetry.” 2012. Doctoral Dissertation, University of Cambridge. Accessed January 21, 2020. https://www.repository.cam.ac.uk/handle/1810/241661 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546640.

MLA Handbook (7th Edition):

Schorn, Brittany Erin. “'How can his word be trusted?' : speaker and authority in Old Norse wisdom poetry.” 2012. Web. 21 Jan 2020.

Vancouver:

Schorn BE. 'How can his word be trusted?' : speaker and authority in Old Norse wisdom poetry. [Internet] [Doctoral dissertation]. University of Cambridge; 2012. [cited 2020 Jan 21]. Available from: https://www.repository.cam.ac.uk/handle/1810/241661 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546640.

Council of Science Editors:

Schorn BE. 'How can his word be trusted?' : speaker and authority in Old Norse wisdom poetry. [Doctoral Dissertation]. University of Cambridge; 2012. Available from: https://www.repository.cam.ac.uk/handle/1810/241661 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546640

27. Schorn, Brittany Erin. 'How can his word be trusted?': speaker and authority in Old Norse wisdom poetry.

Degree: PhD, 2012, University of Cambridge

 In the eddic poem Hávamál, the god Óðinn gives advice, including a warning about the fickleness of human, and divine, nature. He cites his own… (more)

Subjects/Keywords: Old Norse; Eddic poetry; Wisdom literature; Medieval literature

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Schorn, B. E. (2012). 'How can his word be trusted?': speaker and authority in Old Norse wisdom poetry. (Doctoral Dissertation). University of Cambridge. Retrieved from http://www.dspace.cam.ac.uk/handle/1810/241661https://www.repository.cam.ac.uk/bitstream/1810/241661/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/241661/5/BESchorn_PhD_Thesis.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/241661/6/BESchorn_PhD_Thesis.pdf.jpg

Chicago Manual of Style (16th Edition):

Schorn, Brittany Erin. “'How can his word be trusted?': speaker and authority in Old Norse wisdom poetry.” 2012. Doctoral Dissertation, University of Cambridge. Accessed January 21, 2020. http://www.dspace.cam.ac.uk/handle/1810/241661https://www.repository.cam.ac.uk/bitstream/1810/241661/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/241661/5/BESchorn_PhD_Thesis.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/241661/6/BESchorn_PhD_Thesis.pdf.jpg.

MLA Handbook (7th Edition):

Schorn, Brittany Erin. “'How can his word be trusted?': speaker and authority in Old Norse wisdom poetry.” 2012. Web. 21 Jan 2020.

Vancouver:

Schorn BE. 'How can his word be trusted?': speaker and authority in Old Norse wisdom poetry. [Internet] [Doctoral dissertation]. University of Cambridge; 2012. [cited 2020 Jan 21]. Available from: http://www.dspace.cam.ac.uk/handle/1810/241661https://www.repository.cam.ac.uk/bitstream/1810/241661/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/241661/5/BESchorn_PhD_Thesis.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/241661/6/BESchorn_PhD_Thesis.pdf.jpg.

Council of Science Editors:

Schorn BE. 'How can his word be trusted?': speaker and authority in Old Norse wisdom poetry. [Doctoral Dissertation]. University of Cambridge; 2012. Available from: http://www.dspace.cam.ac.uk/handle/1810/241661https://www.repository.cam.ac.uk/bitstream/1810/241661/2/license.txt ; https://www.repository.cam.ac.uk/bitstream/1810/241661/5/BESchorn_PhD_Thesis.pdf.txt ; https://www.repository.cam.ac.uk/bitstream/1810/241661/6/BESchorn_PhD_Thesis.pdf.jpg


Columbia University

28. Barlow, Gania. Revisionary Retelling: The Metapoetics of Authorship in Medieval England.

Degree: 2014, Columbia University

 When Geoffrey Chaucer depicts characters debating the flaws of his works in The Legend of Good Women, or when Marie de France tells histories of… (more)

Subjects/Keywords: Poetry – Authorship; English literature; Literature, Medieval; British literature; Irish literature

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barlow, G. (2014). Revisionary Retelling: The Metapoetics of Authorship in Medieval England. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8MW2F9R

Chicago Manual of Style (16th Edition):

Barlow, Gania. “Revisionary Retelling: The Metapoetics of Authorship in Medieval England.” 2014. Doctoral Dissertation, Columbia University. Accessed January 21, 2020. https://doi.org/10.7916/D8MW2F9R.

MLA Handbook (7th Edition):

Barlow, Gania. “Revisionary Retelling: The Metapoetics of Authorship in Medieval England.” 2014. Web. 21 Jan 2020.

Vancouver:

Barlow G. Revisionary Retelling: The Metapoetics of Authorship in Medieval England. [Internet] [Doctoral dissertation]. Columbia University; 2014. [cited 2020 Jan 21]. Available from: https://doi.org/10.7916/D8MW2F9R.

Council of Science Editors:

Barlow G. Revisionary Retelling: The Metapoetics of Authorship in Medieval England. [Doctoral Dissertation]. Columbia University; 2014. Available from: https://doi.org/10.7916/D8MW2F9R


University of Michigan

29. Lackie, Craig. For the Love of God and Myself: Erotic Love in the Pearl Poems.

Degree: MA, English Language and Literature, 2015, University of Michigan

 Portion of Introduction: The Pearl of Poems of Cotton Nero A.x offer four very medieval poems: two homiletic poems on how to please God, a… (more)

Subjects/Keywords: Cotton Nero A.x; medieval poetry; Middle English; erotic love

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lackie, C. (2015). For the Love of God and Myself: Erotic Love in the Pearl Poems. (Masters Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/112024

Chicago Manual of Style (16th Edition):

Lackie, Craig. “For the Love of God and Myself: Erotic Love in the Pearl Poems.” 2015. Masters Thesis, University of Michigan. Accessed January 21, 2020. http://hdl.handle.net/2027.42/112024.

MLA Handbook (7th Edition):

Lackie, Craig. “For the Love of God and Myself: Erotic Love in the Pearl Poems.” 2015. Web. 21 Jan 2020.

Vancouver:

Lackie C. For the Love of God and Myself: Erotic Love in the Pearl Poems. [Internet] [Masters thesis]. University of Michigan; 2015. [cited 2020 Jan 21]. Available from: http://hdl.handle.net/2027.42/112024.

Council of Science Editors:

Lackie C. For the Love of God and Myself: Erotic Love in the Pearl Poems. [Masters Thesis]. University of Michigan; 2015. Available from: http://hdl.handle.net/2027.42/112024

30. De Simone, Vito A., 1938-. The tenso and Dante: the “evolution” of the tenso from the Medieval time through Dante’s Devine Comedy, with lists of Provençal tensos pertaining to Italian historic events, and the Italian tensos.

Degree: Italian, 2012, Rutgers University

Subjects/Keywords: Poetry, Medieval; Tensons, Italian

…The highly integrative tendency in the medieval thinking may be difficult for us to… …tendency is to accept one and reject the other .... The medieval drive, however, was always to… …harmonize and interrelate, to approach a problem from all sides. A medieval person’s instictive… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

De Simone, Vito A., 1. (2012). The tenso and Dante: the “evolution” of the tenso from the Medieval time through Dante’s Devine Comedy, with lists of Provençal tensos pertaining to Italian historic events, and the Italian tensos. (Thesis). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000065119

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

De Simone, Vito A., 1938-. “The tenso and Dante: the “evolution” of the tenso from the Medieval time through Dante’s Devine Comedy, with lists of Provençal tensos pertaining to Italian historic events, and the Italian tensos.” 2012. Thesis, Rutgers University. Accessed January 21, 2020. http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000065119.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

De Simone, Vito A., 1938-. “The tenso and Dante: the “evolution” of the tenso from the Medieval time through Dante’s Devine Comedy, with lists of Provençal tensos pertaining to Italian historic events, and the Italian tensos.” 2012. Web. 21 Jan 2020.

Vancouver:

De Simone, Vito A. 1. The tenso and Dante: the “evolution” of the tenso from the Medieval time through Dante’s Devine Comedy, with lists of Provençal tensos pertaining to Italian historic events, and the Italian tensos. [Internet] [Thesis]. Rutgers University; 2012. [cited 2020 Jan 21]. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000065119.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

De Simone, Vito A. 1. The tenso and Dante: the “evolution” of the tenso from the Medieval time through Dante’s Devine Comedy, with lists of Provençal tensos pertaining to Italian historic events, and the Italian tensos. [Thesis]. Rutgers University; 2012. Available from: http://hdl.rutgers.edu/1782.1/rucore10001600001.ETD.000065119

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3] [4]

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