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You searched for subject:( French theatre of the 18th century). Showing records 1 – 30 of 69195 total matches.

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Bowling Green State University

1. Connick, Rob. Rethinking Artaud's Theoretical and Practical Works.

Degree: PhD, Theatre and Film, 2011, Bowling Green State University

 This study aims to counter the claims that Artaud was a practical failure and his theoretical writings had little value for theatre practice during his… (more)

Subjects/Keywords: Performing Arts; Theater; Theater History; Theater Studies; Antonin Artaud; Theatre of Cruelty; French Theatre; Alfred Jarry Theatre; The Cenci; 20th Century Theatre

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APA (6th Edition):

Connick, R. (2011). Rethinking Artaud's Theoretical and Practical Works. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063

Chicago Manual of Style (16th Edition):

Connick, Rob. “Rethinking Artaud's Theoretical and Practical Works.” 2011. Doctoral Dissertation, Bowling Green State University. Accessed August 17, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063.

MLA Handbook (7th Edition):

Connick, Rob. “Rethinking Artaud's Theoretical and Practical Works.” 2011. Web. 17 Aug 2019.

Vancouver:

Connick R. Rethinking Artaud's Theoretical and Practical Works. [Internet] [Doctoral dissertation]. Bowling Green State University; 2011. [cited 2019 Aug 17]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063.

Council of Science Editors:

Connick R. Rethinking Artaud's Theoretical and Practical Works. [Doctoral Dissertation]. Bowling Green State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063

2. Ocenas, Marek. Recherche de l’effet tragique à l’époque de la Régence : naissance de la tragédie philosophique : In search of tragical effect during Regency : the birth of philosophical tragedy.

Degree: Docteur es, Lettres et arts, 2014, Université Lumière – Lyon II

Dans le cadre général d’une interrogation sur le renouvellement de la tragédie classique française à l’époque de la Régence (1715-1723), le travail étudie plus spécifiquement… (more)

Subjects/Keywords: Théâtre du XVIIIe siècle; Tragédie française; Tragédie philosophique; Effet tragique; Voltaire; Régence; Émergence des Lumières; 18th century theatre; The French tragedy; Philosophical tragedy; Tragic effect; Voltaire; The Regency period; Birth of the Enlightenment

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APA (6th Edition):

Ocenas, M. (2014). Recherche de l’effet tragique à l’époque de la Régence : naissance de la tragédie philosophique : In search of tragical effect during Regency : the birth of philosophical tragedy. (Doctoral Dissertation). Université Lumière – Lyon II. Retrieved from http://www.theses.fr/2014LYO20066

Chicago Manual of Style (16th Edition):

Ocenas, Marek. “Recherche de l’effet tragique à l’époque de la Régence : naissance de la tragédie philosophique : In search of tragical effect during Regency : the birth of philosophical tragedy.” 2014. Doctoral Dissertation, Université Lumière – Lyon II. Accessed August 17, 2019. http://www.theses.fr/2014LYO20066.

MLA Handbook (7th Edition):

Ocenas, Marek. “Recherche de l’effet tragique à l’époque de la Régence : naissance de la tragédie philosophique : In search of tragical effect during Regency : the birth of philosophical tragedy.” 2014. Web. 17 Aug 2019.

Vancouver:

Ocenas M. Recherche de l’effet tragique à l’époque de la Régence : naissance de la tragédie philosophique : In search of tragical effect during Regency : the birth of philosophical tragedy. [Internet] [Doctoral dissertation]. Université Lumière – Lyon II; 2014. [cited 2019 Aug 17]. Available from: http://www.theses.fr/2014LYO20066.

Council of Science Editors:

Ocenas M. Recherche de l’effet tragique à l’époque de la Régence : naissance de la tragédie philosophique : In search of tragical effect during Regency : the birth of philosophical tragedy. [Doctoral Dissertation]. Université Lumière – Lyon II; 2014. Available from: http://www.theses.fr/2014LYO20066

3. Valipour, Valeska. La pratique théâtrale dans l’Allemagne de la seconde moitié du dix-huitième siècle (1760 – 1805) : Theatre practice in Germany during the second half of the 18th century (1760 – 1805).

Degree: Docteur es, Études théâtrales, 2011, Université Sorbonne Nouvelle – Paris III

L’Allemagne du dix-huitième siècle est composée de plus de 300 petits pays se différenciant en ce qui concerne la politique, la religion et la langue.… (more)

Subjects/Keywords: 18ème siècle; Actrice; Droit théâtral; Métiers du théâtre; Sociologie théâtrale; Théâtre allemand; 18th century; Actress; Theatre law; Theatre professions; Sociology of the theatre; German theatre

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APA (6th Edition):

Valipour, V. (2011). La pratique théâtrale dans l’Allemagne de la seconde moitié du dix-huitième siècle (1760 – 1805) : Theatre practice in Germany during the second half of the 18th century (1760 – 1805). (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2011PA030019

Chicago Manual of Style (16th Edition):

Valipour, Valeska. “La pratique théâtrale dans l’Allemagne de la seconde moitié du dix-huitième siècle (1760 – 1805) : Theatre practice in Germany during the second half of the 18th century (1760 – 1805).” 2011. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed August 17, 2019. http://www.theses.fr/2011PA030019.

MLA Handbook (7th Edition):

Valipour, Valeska. “La pratique théâtrale dans l’Allemagne de la seconde moitié du dix-huitième siècle (1760 – 1805) : Theatre practice in Germany during the second half of the 18th century (1760 – 1805).” 2011. Web. 17 Aug 2019.

Vancouver:

Valipour V. La pratique théâtrale dans l’Allemagne de la seconde moitié du dix-huitième siècle (1760 – 1805) : Theatre practice in Germany during the second half of the 18th century (1760 – 1805). [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2011. [cited 2019 Aug 17]. Available from: http://www.theses.fr/2011PA030019.

Council of Science Editors:

Valipour V. La pratique théâtrale dans l’Allemagne de la seconde moitié du dix-huitième siècle (1760 – 1805) : Theatre practice in Germany during the second half of the 18th century (1760 – 1805). [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2011. Available from: http://www.theses.fr/2011PA030019


University of Southern California

4. Rogers, Vanessa Lynn. Writing plays "in the sing-song way": Henry Fielding's ballad operas and early musical theater in eighteenth-century London.

Degree: PhD, Music (Historical Musicology), 2009, University of Southern California

 This study examines the ballad operas of Henry Fielding (1707-1754), known primarily as one of the greatest novelists and satirists of eighteenth-century England. Fielding's works… (more)

Subjects/Keywords: ballad opera; ballad operas; music theatre; musical theater; 18th century; England; Fielding, Henry; The Lottery; plays with music

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APA (6th Edition):

Rogers, V. L. (2009). Writing plays "in the sing-song way": Henry Fielding's ballad operas and early musical theater in eighteenth-century London. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/549419/rec/7968

Chicago Manual of Style (16th Edition):

Rogers, Vanessa Lynn. “Writing plays "in the sing-song way": Henry Fielding's ballad operas and early musical theater in eighteenth-century London.” 2009. Doctoral Dissertation, University of Southern California. Accessed August 17, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/549419/rec/7968.

MLA Handbook (7th Edition):

Rogers, Vanessa Lynn. “Writing plays "in the sing-song way": Henry Fielding's ballad operas and early musical theater in eighteenth-century London.” 2009. Web. 17 Aug 2019.

Vancouver:

Rogers VL. Writing plays "in the sing-song way": Henry Fielding's ballad operas and early musical theater in eighteenth-century London. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2019 Aug 17]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/549419/rec/7968.

Council of Science Editors:

Rogers VL. Writing plays "in the sing-song way": Henry Fielding's ballad operas and early musical theater in eighteenth-century London. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/549419/rec/7968


Université Paris-Sorbonne – Paris IV

5. Melai, Maurizio. Les derniers feux de la tragédie classique : étude du genre tragique en France sous la Restauration et la Monarchie de Juillet : The last manifestations of classical tragedy : a study of the tragic genre in France during the Restoration and the July Monarchy.

Degree: Docteur es, Littérature française, 2011, Université Paris-Sorbonne – Paris IV

La présente étude porte sur la pratique du genre de la tragédie classique au XIXe siècle, en particulier sous la Restauration et la Monarchie de… (more)

Subjects/Keywords: Tragédie française; Héritage classique; Théâtre du XIXe siècle; Drame romantique; French tragedy; Classical heritage; Theatre of the nineteenth century; Romantic drama

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APA (6th Edition):

Melai, M. (2011). Les derniers feux de la tragédie classique : étude du genre tragique en France sous la Restauration et la Monarchie de Juillet : The last manifestations of classical tragedy : a study of the tragic genre in France during the Restoration and the July Monarchy. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2011PA040038

Chicago Manual of Style (16th Edition):

Melai, Maurizio. “Les derniers feux de la tragédie classique : étude du genre tragique en France sous la Restauration et la Monarchie de Juillet : The last manifestations of classical tragedy : a study of the tragic genre in France during the Restoration and the July Monarchy.” 2011. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed August 17, 2019. http://www.theses.fr/2011PA040038.

MLA Handbook (7th Edition):

Melai, Maurizio. “Les derniers feux de la tragédie classique : étude du genre tragique en France sous la Restauration et la Monarchie de Juillet : The last manifestations of classical tragedy : a study of the tragic genre in France during the Restoration and the July Monarchy.” 2011. Web. 17 Aug 2019.

Vancouver:

Melai M. Les derniers feux de la tragédie classique : étude du genre tragique en France sous la Restauration et la Monarchie de Juillet : The last manifestations of classical tragedy : a study of the tragic genre in France during the Restoration and the July Monarchy. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2011. [cited 2019 Aug 17]. Available from: http://www.theses.fr/2011PA040038.

Council of Science Editors:

Melai M. Les derniers feux de la tragédie classique : étude du genre tragique en France sous la Restauration et la Monarchie de Juillet : The last manifestations of classical tragedy : a study of the tragic genre in France during the Restoration and the July Monarchy. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2011. Available from: http://www.theses.fr/2011PA040038

6. Bassène, Ignace. Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work.

Degree: Docteur es, Langue et littérature françaises, 2014, Aix-Marseille; Université de Saint-Louis (Sénégal)

Si d'aucuns pensent que la tragédie est morte, le tragique quant à lui reste une catégorie théâtrale toujours actuelle. Chez Eugène Ionesco, dramaturge de la… (more)

Subjects/Keywords: Eugène Ionesco; Tragique; Théâtre français du XXe siècle; Comique; Métaphysique; Eugène Ionesco; Tragic; French Theater of the XXth century; Funny; Metaphysical

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APA (6th Edition):

Bassène, I. (2014). Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work. (Doctoral Dissertation). Aix-Marseille; Université de Saint-Louis (Sénégal). Retrieved from http://www.theses.fr/2014AIXM3002

Chicago Manual of Style (16th Edition):

Bassène, Ignace. “Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work.” 2014. Doctoral Dissertation, Aix-Marseille; Université de Saint-Louis (Sénégal). Accessed August 17, 2019. http://www.theses.fr/2014AIXM3002.

MLA Handbook (7th Edition):

Bassène, Ignace. “Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work.” 2014. Web. 17 Aug 2019.

Vancouver:

Bassène I. Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work. [Internet] [Doctoral dissertation]. Aix-Marseille; Université de Saint-Louis (Sénégal); 2014. [cited 2019 Aug 17]. Available from: http://www.theses.fr/2014AIXM3002.

Council of Science Editors:

Bassène I. Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work. [Doctoral Dissertation]. Aix-Marseille; Université de Saint-Louis (Sénégal); 2014. Available from: http://www.theses.fr/2014AIXM3002


Princeton University

7. Verhey, Melissa. Life Writing As Care of the Self: Fictional Autobiographies in Nineteenth- and Twentieth-Century French Literature .

Degree: PhD, 2018, Princeton University

 This dissertation defines fictional autobiographies as novels featuring a fictional character writing an autobiography, and it argues that these novels contribute to autobiographical theory. Whereas… (more)

Subjects/Keywords: Autobiography; Care of the Self; Nineteenth-Century French Literature; Novel; Twentieth-Century French Literature

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APA (6th Edition):

Verhey, M. (2018). Life Writing As Care of the Self: Fictional Autobiographies in Nineteenth- and Twentieth-Century French Literature . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01rr1720903

Chicago Manual of Style (16th Edition):

Verhey, Melissa. “Life Writing As Care of the Self: Fictional Autobiographies in Nineteenth- and Twentieth-Century French Literature .” 2018. Doctoral Dissertation, Princeton University. Accessed August 17, 2019. http://arks.princeton.edu/ark:/88435/dsp01rr1720903.

MLA Handbook (7th Edition):

Verhey, Melissa. “Life Writing As Care of the Self: Fictional Autobiographies in Nineteenth- and Twentieth-Century French Literature .” 2018. Web. 17 Aug 2019.

Vancouver:

Verhey M. Life Writing As Care of the Self: Fictional Autobiographies in Nineteenth- and Twentieth-Century French Literature . [Internet] [Doctoral dissertation]. Princeton University; 2018. [cited 2019 Aug 17]. Available from: http://arks.princeton.edu/ark:/88435/dsp01rr1720903.

Council of Science Editors:

Verhey M. Life Writing As Care of the Self: Fictional Autobiographies in Nineteenth- and Twentieth-Century French Literature . [Doctoral Dissertation]. Princeton University; 2018. Available from: http://arks.princeton.edu/ark:/88435/dsp01rr1720903

8. Velescu, Elena. La représentation des catastrophes naturelles en littérature et peinture dans l’espace culturel franco-allemand entre la deuxième moitié du XVIIIe siècle et le début du XIXe siècle : The representation of natural disasters in literature and painting in the French and German cultural space between the second half of the eighteenth century and early nineteenth century.

Degree: Docteur es, Littératures et civilisations germaniques, 2015, Paris, EPHE

Ce travail vise à rendre compte des relations créées entre les événements naturels de forte intensité et dont les conséquences destructrices les ont fait nommer… (more)

Subjects/Keywords: Littérature allemande; Peinture; Littérature française; XVIIIe-XIXe siècle; German literature; Painting; French literature; 18th-19th century; Earthquake of Lisbon; Natural disasters

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APA (6th Edition):

Velescu, E. (2015). La représentation des catastrophes naturelles en littérature et peinture dans l’espace culturel franco-allemand entre la deuxième moitié du XVIIIe siècle et le début du XIXe siècle : The representation of natural disasters in literature and painting in the French and German cultural space between the second half of the eighteenth century and early nineteenth century. (Doctoral Dissertation). Paris, EPHE. Retrieved from http://www.theses.fr/2015EPHE4048

Chicago Manual of Style (16th Edition):

Velescu, Elena. “La représentation des catastrophes naturelles en littérature et peinture dans l’espace culturel franco-allemand entre la deuxième moitié du XVIIIe siècle et le début du XIXe siècle : The representation of natural disasters in literature and painting in the French and German cultural space between the second half of the eighteenth century and early nineteenth century.” 2015. Doctoral Dissertation, Paris, EPHE. Accessed August 17, 2019. http://www.theses.fr/2015EPHE4048.

MLA Handbook (7th Edition):

Velescu, Elena. “La représentation des catastrophes naturelles en littérature et peinture dans l’espace culturel franco-allemand entre la deuxième moitié du XVIIIe siècle et le début du XIXe siècle : The representation of natural disasters in literature and painting in the French and German cultural space between the second half of the eighteenth century and early nineteenth century.” 2015. Web. 17 Aug 2019.

Vancouver:

Velescu E. La représentation des catastrophes naturelles en littérature et peinture dans l’espace culturel franco-allemand entre la deuxième moitié du XVIIIe siècle et le début du XIXe siècle : The representation of natural disasters in literature and painting in the French and German cultural space between the second half of the eighteenth century and early nineteenth century. [Internet] [Doctoral dissertation]. Paris, EPHE; 2015. [cited 2019 Aug 17]. Available from: http://www.theses.fr/2015EPHE4048.

Council of Science Editors:

Velescu E. La représentation des catastrophes naturelles en littérature et peinture dans l’espace culturel franco-allemand entre la deuxième moitié du XVIIIe siècle et le début du XIXe siècle : The representation of natural disasters in literature and painting in the French and German cultural space between the second half of the eighteenth century and early nineteenth century. [Doctoral Dissertation]. Paris, EPHE; 2015. Available from: http://www.theses.fr/2015EPHE4048

9. Ma, Li. Les représentations de l'art de gouverner chinois dans les périodiques de langue française de la seconde partie du XVIIIe siècle : Representations of the Chinese art of governing in the second part of the 18th century French-language periodicals.

Degree: Docteur es, LITTERATURES FRANCAISES, COMPAREES spécialité Littérature française, 2016, Université Paul Valéry – Montpellier III

Le dix-huitième siècle ouvre une nouvelle ère dans l’histoire des échanges culturels franco-chinois. La Chine apparaît non seulement comme un pays mystérieux, qui inspire les… (more)

Subjects/Keywords: Chine; France; XVIIIe siècle; Périodiques; Art de gouverner; China; French; 18th century; Periodicals; Art of governing

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APA (6th Edition):

Ma, L. (2016). Les représentations de l'art de gouverner chinois dans les périodiques de langue française de la seconde partie du XVIIIe siècle : Representations of the Chinese art of governing in the second part of the 18th century French-language periodicals. (Doctoral Dissertation). Université Paul Valéry – Montpellier III. Retrieved from http://www.theses.fr/2016MON30062

Chicago Manual of Style (16th Edition):

Ma, Li. “Les représentations de l'art de gouverner chinois dans les périodiques de langue française de la seconde partie du XVIIIe siècle : Representations of the Chinese art of governing in the second part of the 18th century French-language periodicals.” 2016. Doctoral Dissertation, Université Paul Valéry – Montpellier III. Accessed August 17, 2019. http://www.theses.fr/2016MON30062.

MLA Handbook (7th Edition):

Ma, Li. “Les représentations de l'art de gouverner chinois dans les périodiques de langue française de la seconde partie du XVIIIe siècle : Representations of the Chinese art of governing in the second part of the 18th century French-language periodicals.” 2016. Web. 17 Aug 2019.

Vancouver:

Ma L. Les représentations de l'art de gouverner chinois dans les périodiques de langue française de la seconde partie du XVIIIe siècle : Representations of the Chinese art of governing in the second part of the 18th century French-language periodicals. [Internet] [Doctoral dissertation]. Université Paul Valéry – Montpellier III; 2016. [cited 2019 Aug 17]. Available from: http://www.theses.fr/2016MON30062.

Council of Science Editors:

Ma L. Les représentations de l'art de gouverner chinois dans les périodiques de langue française de la seconde partie du XVIIIe siècle : Representations of the Chinese art of governing in the second part of the 18th century French-language periodicals. [Doctoral Dissertation]. Université Paul Valéry – Montpellier III; 2016. Available from: http://www.theses.fr/2016MON30062


University of Oxford

10. Cox Jensen, Oskar. Napoleon and British popular song, 1797-1822.

Degree: PhD, 2014, University of Oxford

 Existing studies of popular culture and popular politics in the long eighteenth century over-favour either the ‘culture’ or the ‘politics’. This thesis contributes to debates… (more)

Subjects/Keywords: 781.63094109033; History of Britain and Europe; Eighteenth-Century Britain and Europe; 18th Century music; 19th Century music; Performance; Napoleon I; ballads; broadsides; French Revolution; Napoleonic Wars; loyalism; Britons

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APA (6th Edition):

Cox Jensen, O. (2014). Napoleon and British popular song, 1797-1822. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:d47008a8-067c-4938-a59d-3d2027a74aa2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596016

Chicago Manual of Style (16th Edition):

Cox Jensen, Oskar. “Napoleon and British popular song, 1797-1822.” 2014. Doctoral Dissertation, University of Oxford. Accessed August 17, 2019. http://ora.ox.ac.uk/objects/uuid:d47008a8-067c-4938-a59d-3d2027a74aa2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596016.

MLA Handbook (7th Edition):

Cox Jensen, Oskar. “Napoleon and British popular song, 1797-1822.” 2014. Web. 17 Aug 2019.

Vancouver:

Cox Jensen O. Napoleon and British popular song, 1797-1822. [Internet] [Doctoral dissertation]. University of Oxford; 2014. [cited 2019 Aug 17]. Available from: http://ora.ox.ac.uk/objects/uuid:d47008a8-067c-4938-a59d-3d2027a74aa2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596016.

Council of Science Editors:

Cox Jensen O. Napoleon and British popular song, 1797-1822. [Doctoral Dissertation]. University of Oxford; 2014. Available from: http://ora.ox.ac.uk/objects/uuid:d47008a8-067c-4938-a59d-3d2027a74aa2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596016

11. Mathis, Thierry. Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques.

Degree: Docteur es, Musicologie, 2013, Université de Strasbourg

La musique française pour clavecin des XVIIe et XVIIIe siècles est-elle jouée de nos jours telle qu’elle devrait l’être ? De quelles sources disposent musicologues… (more)

Subjects/Keywords: Clavecin; Organologie; Interprétation; Esthétique musicale des XVIIe et XVIIIe siècles; Agrémentation et ornementation; Doigtés français anciens de clavecin; Musique baroque; Histoire de la musique; XVIIe siècle; XVIIIe siècle; Épinette; Instruments historiques à claviers; Harpsichord; Organology; Interpretation; Aesthetics of music of the 17th and 18th centuries; Music embellishments; Historical french keyboardfingerings; Baroque music; Music history; 17th century; 18th century; Spinett; Historical keyboard instruments; 786.4; 781

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APA (6th Edition):

Mathis, T. (2013). Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques. (Doctoral Dissertation). Université de Strasbourg. Retrieved from http://www.theses.fr/2013STRAC011

Chicago Manual of Style (16th Edition):

Mathis, Thierry. “Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques.” 2013. Doctoral Dissertation, Université de Strasbourg. Accessed August 17, 2019. http://www.theses.fr/2013STRAC011.

MLA Handbook (7th Edition):

Mathis, Thierry. “Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques.” 2013. Web. 17 Aug 2019.

Vancouver:

Mathis T. Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques. [Internet] [Doctoral dissertation]. Université de Strasbourg; 2013. [cited 2019 Aug 17]. Available from: http://www.theses.fr/2013STRAC011.

Council of Science Editors:

Mathis T. Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques. [Doctoral Dissertation]. Université de Strasbourg; 2013. Available from: http://www.theses.fr/2013STRAC011

12. Affolter, Andreas. Verhandeln mit Republiken : die Ambassade des Marquis d’Avaray und die französisch-eidgenössischen Beziehungen im frühen 18. Jahrhundert : Negotiating with Republics : the Embassy of the Marquis d’Avaray and the Franco-Swiss Relations in the Early 18th Century.

Degree: Docteur es, Histoire, 2015, Paris, EPHE; Université de Berne

La thèse examine les relations franco-suisses au début du XVIIIe siècle en s’interrogeant sur les pratiques et les canaux de négociation d’un côté, et celles… (more)

Subjects/Keywords: Histoire diplomatique; Histoire culturelle; Négociation; Diplomatic History; Cultural History; Negotiation; French-Swiss Relations; France 18th Century; Switzerland 18th Century

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APA (6th Edition):

Affolter, A. (2015). Verhandeln mit Republiken : die Ambassade des Marquis d’Avaray und die französisch-eidgenössischen Beziehungen im frühen 18. Jahrhundert : Negotiating with Republics : the Embassy of the Marquis d’Avaray and the Franco-Swiss Relations in the Early 18th Century. (Doctoral Dissertation). Paris, EPHE; Université de Berne. Retrieved from http://www.theses.fr/2015EPHE4044

Chicago Manual of Style (16th Edition):

Affolter, Andreas. “Verhandeln mit Republiken : die Ambassade des Marquis d’Avaray und die französisch-eidgenössischen Beziehungen im frühen 18. Jahrhundert : Negotiating with Republics : the Embassy of the Marquis d’Avaray and the Franco-Swiss Relations in the Early 18th Century.” 2015. Doctoral Dissertation, Paris, EPHE; Université de Berne. Accessed August 17, 2019. http://www.theses.fr/2015EPHE4044.

MLA Handbook (7th Edition):

Affolter, Andreas. “Verhandeln mit Republiken : die Ambassade des Marquis d’Avaray und die französisch-eidgenössischen Beziehungen im frühen 18. Jahrhundert : Negotiating with Republics : the Embassy of the Marquis d’Avaray and the Franco-Swiss Relations in the Early 18th Century.” 2015. Web. 17 Aug 2019.

Vancouver:

Affolter A. Verhandeln mit Republiken : die Ambassade des Marquis d’Avaray und die französisch-eidgenössischen Beziehungen im frühen 18. Jahrhundert : Negotiating with Republics : the Embassy of the Marquis d’Avaray and the Franco-Swiss Relations in the Early 18th Century. [Internet] [Doctoral dissertation]. Paris, EPHE; Université de Berne; 2015. [cited 2019 Aug 17]. Available from: http://www.theses.fr/2015EPHE4044.

Council of Science Editors:

Affolter A. Verhandeln mit Republiken : die Ambassade des Marquis d’Avaray und die französisch-eidgenössischen Beziehungen im frühen 18. Jahrhundert : Negotiating with Republics : the Embassy of the Marquis d’Avaray and the Franco-Swiss Relations in the Early 18th Century. [Doctoral Dissertation]. Paris, EPHE; Université de Berne; 2015. Available from: http://www.theses.fr/2015EPHE4044


Louisiana State University

13. O'Connor, Carrie L. Metamorphoses of the Pygmalion Myth in French Literature 1771 – 1886.

Degree: PhD, French and Francophone Language and Literature, 2015, Louisiana State University

 Writers have long explored and attempted to portray the visual artist’s challenge of creating the ideal in the real world through art. My thesis asserts… (more)

Subjects/Keywords: Pygmalion; myth; adaptation; Venus; creator; art; nineteenth-century French literature; eighteenth-century French theater

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APA (6th Edition):

O'Connor, C. L. (2015). Metamorphoses of the Pygmalion Myth in French Literature 1771 – 1886. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-11032015-151713 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2304

Chicago Manual of Style (16th Edition):

O'Connor, Carrie L. “Metamorphoses of the Pygmalion Myth in French Literature 1771 – 1886.” 2015. Doctoral Dissertation, Louisiana State University. Accessed August 17, 2019. etd-11032015-151713 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2304.

MLA Handbook (7th Edition):

O'Connor, Carrie L. “Metamorphoses of the Pygmalion Myth in French Literature 1771 – 1886.” 2015. Web. 17 Aug 2019.

Vancouver:

O'Connor CL. Metamorphoses of the Pygmalion Myth in French Literature 1771 – 1886. [Internet] [Doctoral dissertation]. Louisiana State University; 2015. [cited 2019 Aug 17]. Available from: etd-11032015-151713 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2304.

Council of Science Editors:

O'Connor CL. Metamorphoses of the Pygmalion Myth in French Literature 1771 – 1886. [Doctoral Dissertation]. Louisiana State University; 2015. Available from: etd-11032015-151713 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2304


University of Oxford

14. Breen, Mary Catherine. The making and unmaking of an Irish woman of letters.

Degree: PhD, 2012, University of Oxford

 Dorothea Herbert was an Irish provincial writer who did not publish during her lifetime. Only three of her manuscripts are now extant: a collection of… (more)

Subjects/Keywords: 820.9; History of the book; English Language and Literature; Dorothea Herbert; life-writing; 18th century writing; women's writing

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APA (6th Edition):

Breen, M. C. (2012). The making and unmaking of an Irish woman of letters. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:83af4e95-c26a-4bf2-a319-bb2a1240c55d ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580967

Chicago Manual of Style (16th Edition):

Breen, Mary Catherine. “The making and unmaking of an Irish woman of letters.” 2012. Doctoral Dissertation, University of Oxford. Accessed August 17, 2019. http://ora.ox.ac.uk/objects/uuid:83af4e95-c26a-4bf2-a319-bb2a1240c55d ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580967.

MLA Handbook (7th Edition):

Breen, Mary Catherine. “The making and unmaking of an Irish woman of letters.” 2012. Web. 17 Aug 2019.

Vancouver:

Breen MC. The making and unmaking of an Irish woman of letters. [Internet] [Doctoral dissertation]. University of Oxford; 2012. [cited 2019 Aug 17]. Available from: http://ora.ox.ac.uk/objects/uuid:83af4e95-c26a-4bf2-a319-bb2a1240c55d ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580967.

Council of Science Editors:

Breen MC. The making and unmaking of an Irish woman of letters. [Doctoral Dissertation]. University of Oxford; 2012. Available from: http://ora.ox.ac.uk/objects/uuid:83af4e95-c26a-4bf2-a319-bb2a1240c55d ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580967

15. Galand, David. Poétique de l'élégie moderne, de C.-H. de Millevoye à J. Reda : The Poetics of modern elegy, from Ch.-H. Millevoye to J. Réda.

Degree: Docteur es, Littérature et civilisation françaises, 2015, Sorbonne Paris Cité

L’élégie connaît une vogue manifeste à l’aube de notre modernité, au sein de ce qu’il est convenu d’appeler le préromantisme et le romantisme. Mais cet… (more)

Subjects/Keywords: Poésie française 19e siècle; Poésie française 20e siècle; Elégie; Elégiaque; Poétique; Modernité; French poetry of the XIXth century; French poetry of the XXth century; Elegy; Elegiac; Poetics; Modernity; 840.900 7

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APA (6th Edition):

Galand, D. (2015). Poétique de l'élégie moderne, de C.-H. de Millevoye à J. Reda : The Poetics of modern elegy, from Ch.-H. Millevoye to J. Réda. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2015USPCA066

Chicago Manual of Style (16th Edition):

Galand, David. “Poétique de l'élégie moderne, de C.-H. de Millevoye à J. Reda : The Poetics of modern elegy, from Ch.-H. Millevoye to J. Réda.” 2015. Doctoral Dissertation, Sorbonne Paris Cité. Accessed August 17, 2019. http://www.theses.fr/2015USPCA066.

MLA Handbook (7th Edition):

Galand, David. “Poétique de l'élégie moderne, de C.-H. de Millevoye à J. Reda : The Poetics of modern elegy, from Ch.-H. Millevoye to J. Réda.” 2015. Web. 17 Aug 2019.

Vancouver:

Galand D. Poétique de l'élégie moderne, de C.-H. de Millevoye à J. Reda : The Poetics of modern elegy, from Ch.-H. Millevoye to J. Réda. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2015. [cited 2019 Aug 17]. Available from: http://www.theses.fr/2015USPCA066.

Council of Science Editors:

Galand D. Poétique de l'élégie moderne, de C.-H. de Millevoye à J. Reda : The Poetics of modern elegy, from Ch.-H. Millevoye to J. Réda. [Doctoral Dissertation]. Sorbonne Paris Cité; 2015. Available from: http://www.theses.fr/2015USPCA066


University of Lund

16. Nordland, Hugo. Känslor i krig. Sensibilitet och emotionella strategier bland svenska officerare 1788–1814.

Degree: 2015, University of Lund

 Emotions at War: Sensibility and emotional strategies among Swedish officers, 1788-1814 This thesis studies the relationship between the emotional sufferings of Swedish officers in wartime… (more)

Subjects/Keywords: Historia och arkeologi; 19th century; 18th century; honor; friendship; hope; emotional narratives; emotional strategies; suffering; homesickness; letters; diaries; Military officers; the Swedish army; the history of emotions; new military history

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APA (6th Edition):

Nordland, H. (2015). Känslor i krig. Sensibilitet och emotionella strategier bland svenska officerare 1788–1814. (Doctoral Dissertation). University of Lund. Retrieved from http://lup.lub.lu.se/record/7854475 ; http://portal.research.lu.se/ws/files/5545896/7854490.pdf

Chicago Manual of Style (16th Edition):

Nordland, Hugo. “Känslor i krig. Sensibilitet och emotionella strategier bland svenska officerare 1788–1814.” 2015. Doctoral Dissertation, University of Lund. Accessed August 17, 2019. http://lup.lub.lu.se/record/7854475 ; http://portal.research.lu.se/ws/files/5545896/7854490.pdf.

MLA Handbook (7th Edition):

Nordland, Hugo. “Känslor i krig. Sensibilitet och emotionella strategier bland svenska officerare 1788–1814.” 2015. Web. 17 Aug 2019.

Vancouver:

Nordland H. Känslor i krig. Sensibilitet och emotionella strategier bland svenska officerare 1788–1814. [Internet] [Doctoral dissertation]. University of Lund; 2015. [cited 2019 Aug 17]. Available from: http://lup.lub.lu.se/record/7854475 ; http://portal.research.lu.se/ws/files/5545896/7854490.pdf.

Council of Science Editors:

Nordland H. Känslor i krig. Sensibilitet och emotionella strategier bland svenska officerare 1788–1814. [Doctoral Dissertation]. University of Lund; 2015. Available from: http://lup.lub.lu.se/record/7854475 ; http://portal.research.lu.se/ws/files/5545896/7854490.pdf


Université Toulouse II – Le Mirail

17. Blanchard, Pierre. La satire poétique de Thermidor à l’Empire : crépuscule d’un genre au couchant des Lumières : Poetical satire between Thermidor and the Empire : the twilight of a genre at the end of the Enlightenment.

Degree: Docteur es, Lettres modernes, 2013, Université Toulouse II – Le Mirail

À la charnière des XVIIIe et XIXe siècles, une ample production satirique témoigne d’un mouvement de défiance à l’endroit de la philosophie des Lumières, accusée… (more)

Subjects/Keywords: Le Procès des Lumières; Satire; Fin d'un genre; Poésie du XVIIIe siècle; Philosophie; The Enlightenment on trial; Satire; The end of a genre; Poetry of the 18th century; Philosophy

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APA (6th Edition):

Blanchard, P. (2013). La satire poétique de Thermidor à l’Empire : crépuscule d’un genre au couchant des Lumières : Poetical satire between Thermidor and the Empire : the twilight of a genre at the end of the Enlightenment. (Doctoral Dissertation). Université Toulouse II – Le Mirail. Retrieved from http://www.theses.fr/2013TOU20086

Chicago Manual of Style (16th Edition):

Blanchard, Pierre. “La satire poétique de Thermidor à l’Empire : crépuscule d’un genre au couchant des Lumières : Poetical satire between Thermidor and the Empire : the twilight of a genre at the end of the Enlightenment.” 2013. Doctoral Dissertation, Université Toulouse II – Le Mirail. Accessed August 17, 2019. http://www.theses.fr/2013TOU20086.

MLA Handbook (7th Edition):

Blanchard, Pierre. “La satire poétique de Thermidor à l’Empire : crépuscule d’un genre au couchant des Lumières : Poetical satire between Thermidor and the Empire : the twilight of a genre at the end of the Enlightenment.” 2013. Web. 17 Aug 2019.

Vancouver:

Blanchard P. La satire poétique de Thermidor à l’Empire : crépuscule d’un genre au couchant des Lumières : Poetical satire between Thermidor and the Empire : the twilight of a genre at the end of the Enlightenment. [Internet] [Doctoral dissertation]. Université Toulouse II – Le Mirail; 2013. [cited 2019 Aug 17]. Available from: http://www.theses.fr/2013TOU20086.

Council of Science Editors:

Blanchard P. La satire poétique de Thermidor à l’Empire : crépuscule d’un genre au couchant des Lumières : Poetical satire between Thermidor and the Empire : the twilight of a genre at the end of the Enlightenment. [Doctoral Dissertation]. Université Toulouse II – Le Mirail; 2013. Available from: http://www.theses.fr/2013TOU20086


McGill University

18. Nadeau, Martin. Theatre et esprit public : le role du Theatre-Italien dans la culture politique parisienne a l'ere des revolutions (1770-1799).

Degree: PhD, Department of History., 2001, McGill University

Taking as a case study the Theatre-Italien, here considered both as a particular theatrical practice and as a specific stage in Paris – one of the… (more)

Subjects/Keywords: Theater  – France  – History  – 18th century.; Theater and society  – France  – History  – 18th century.

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APA (6th Edition):

Nadeau, M. (2001). Theatre et esprit public : le role du Theatre-Italien dans la culture politique parisienne a l'ere des revolutions (1770-1799). (Doctoral Dissertation). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile37795.pdf

Chicago Manual of Style (16th Edition):

Nadeau, Martin. “Theatre et esprit public : le role du Theatre-Italien dans la culture politique parisienne a l'ere des revolutions (1770-1799).” 2001. Doctoral Dissertation, McGill University. Accessed August 17, 2019. http://digitool.library.mcgill.ca/thesisfile37795.pdf.

MLA Handbook (7th Edition):

Nadeau, Martin. “Theatre et esprit public : le role du Theatre-Italien dans la culture politique parisienne a l'ere des revolutions (1770-1799).” 2001. Web. 17 Aug 2019.

Vancouver:

Nadeau M. Theatre et esprit public : le role du Theatre-Italien dans la culture politique parisienne a l'ere des revolutions (1770-1799). [Internet] [Doctoral dissertation]. McGill University; 2001. [cited 2019 Aug 17]. Available from: http://digitool.library.mcgill.ca/thesisfile37795.pdf.

Council of Science Editors:

Nadeau M. Theatre et esprit public : le role du Theatre-Italien dans la culture politique parisienne a l'ere des revolutions (1770-1799). [Doctoral Dissertation]. McGill University; 2001. Available from: http://digitool.library.mcgill.ca/thesisfile37795.pdf

19. Chapin, Carole. "Le journal est un théâtre ouvert" : les débats sur le théâtre dans la presse russe des Lumières et leur contexte européen : "Le journal est un théâtre ouvert" : the Debates on Theater in Russian periodicals of the Enlightenment and their European Context.

Degree: Docteur es, Littérature française et comparée, 2015, Sorbonne Paris Cité

Depuis le début du XVIII siècle, la société russe a connu des évolutions très rapides. L’entrée de la Russie sur la scène politique européenne a… (more)

Subjects/Keywords: Théâtre; Russie; Périodiques; XVIIIe siècle; Critique théâtrale; Theater; Russia; 18th Century; Periodicals; Critique; 077.090 33

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APA (6th Edition):

Chapin, C. (2015). "Le journal est un théâtre ouvert" : les débats sur le théâtre dans la presse russe des Lumières et leur contexte européen : "Le journal est un théâtre ouvert" : the Debates on Theater in Russian periodicals of the Enlightenment and their European Context. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2015USPCA191

Chicago Manual of Style (16th Edition):

Chapin, Carole. “"Le journal est un théâtre ouvert" : les débats sur le théâtre dans la presse russe des Lumières et leur contexte européen : "Le journal est un théâtre ouvert" : the Debates on Theater in Russian periodicals of the Enlightenment and their European Context.” 2015. Doctoral Dissertation, Sorbonne Paris Cité. Accessed August 17, 2019. http://www.theses.fr/2015USPCA191.

MLA Handbook (7th Edition):

Chapin, Carole. “"Le journal est un théâtre ouvert" : les débats sur le théâtre dans la presse russe des Lumières et leur contexte européen : "Le journal est un théâtre ouvert" : the Debates on Theater in Russian periodicals of the Enlightenment and their European Context.” 2015. Web. 17 Aug 2019.

Vancouver:

Chapin C. "Le journal est un théâtre ouvert" : les débats sur le théâtre dans la presse russe des Lumières et leur contexte européen : "Le journal est un théâtre ouvert" : the Debates on Theater in Russian periodicals of the Enlightenment and their European Context. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2015. [cited 2019 Aug 17]. Available from: http://www.theses.fr/2015USPCA191.

Council of Science Editors:

Chapin C. "Le journal est un théâtre ouvert" : les débats sur le théâtre dans la presse russe des Lumières et leur contexte européen : "Le journal est un théâtre ouvert" : the Debates on Theater in Russian periodicals of the Enlightenment and their European Context. [Doctoral Dissertation]. Sorbonne Paris Cité; 2015. Available from: http://www.theses.fr/2015USPCA191

20. Dagnet, Sévrine. Le nom dans les grammaires françaises des XVIIème et XVIIIème siècles : définitions, classements et détermination : Noun in 17th century and 18th century French grammars.

Degree: Docteur es, Sciences du langage, 2015, Sorbonne Paris Cité

S’intéresser au nom, objet d’étude interdisciplinaire, peut faire figure de lieu commun, à plus forte raison dans le domaine grammatical. Nous partons néanmoins de l’hypothèse… (more)

Subjects/Keywords: Nom; Adjectif; Article; Parties d'oraison; Grammaires générales; Grammaires particulières; Grammaires françaises du XVIIe siècle; Grammaires françaises du XVIIIe siècle; Noun; Adjective; Article; Parts of speech; General grammars; Special grammars; 17th-Century French grammars; 18th-Century French grammars; 410.18

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APA (6th Edition):

Dagnet, S. (2015). Le nom dans les grammaires françaises des XVIIème et XVIIIème siècles : définitions, classements et détermination : Noun in 17th century and 18th century French grammars. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2015USPCA034

Chicago Manual of Style (16th Edition):

Dagnet, Sévrine. “Le nom dans les grammaires françaises des XVIIème et XVIIIème siècles : définitions, classements et détermination : Noun in 17th century and 18th century French grammars.” 2015. Doctoral Dissertation, Sorbonne Paris Cité. Accessed August 17, 2019. http://www.theses.fr/2015USPCA034.

MLA Handbook (7th Edition):

Dagnet, Sévrine. “Le nom dans les grammaires françaises des XVIIème et XVIIIème siècles : définitions, classements et détermination : Noun in 17th century and 18th century French grammars.” 2015. Web. 17 Aug 2019.

Vancouver:

Dagnet S. Le nom dans les grammaires françaises des XVIIème et XVIIIème siècles : définitions, classements et détermination : Noun in 17th century and 18th century French grammars. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2015. [cited 2019 Aug 17]. Available from: http://www.theses.fr/2015USPCA034.

Council of Science Editors:

Dagnet S. Le nom dans les grammaires françaises des XVIIème et XVIIIème siècles : définitions, classements et détermination : Noun in 17th century and 18th century French grammars. [Doctoral Dissertation]. Sorbonne Paris Cité; 2015. Available from: http://www.theses.fr/2015USPCA034

21. Souchier, Marine. Le statut de grand dramaturge au XVIIe siècle : Corneille, Racine et Molière, figures vedettes d’une histoire littéraire en construction (1640-1729) : The great playwright status in the 17th century : Corneille, Racine, Molière, stars of literary history in the making (1640-1729).

Degree: Docteur es, Littérature et civilisation française, 2018, Sorbonne université

Dès la fin du XVIIe siècle, Corneille, Racine et Molière se voient attribuer une supériorité indiscutable sur l’ensemble des autres dramaturges contemporains. Cette hiérarchie dont… (more)

Subjects/Keywords: Littérature française des XVIIe et XVIIIe siècles; Grand dramaturge; Majoration; Minoration; Histoire du théâtre; Histoire littéraire; Classicisation; Auctorialité; 17th and 18th century French literature; Great playwright; Majoration; Minoration; Theater history; Literary history; Classicization; Auctoriality

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APA (6th Edition):

Souchier, M. (2018). Le statut de grand dramaturge au XVIIe siècle : Corneille, Racine et Molière, figures vedettes d’une histoire littéraire en construction (1640-1729) : The great playwright status in the 17th century : Corneille, Racine, Molière, stars of literary history in the making (1640-1729). (Doctoral Dissertation). Sorbonne université. Retrieved from http://www.theses.fr/2018SORUL121

Chicago Manual of Style (16th Edition):

Souchier, Marine. “Le statut de grand dramaturge au XVIIe siècle : Corneille, Racine et Molière, figures vedettes d’une histoire littéraire en construction (1640-1729) : The great playwright status in the 17th century : Corneille, Racine, Molière, stars of literary history in the making (1640-1729).” 2018. Doctoral Dissertation, Sorbonne université. Accessed August 17, 2019. http://www.theses.fr/2018SORUL121.

MLA Handbook (7th Edition):

Souchier, Marine. “Le statut de grand dramaturge au XVIIe siècle : Corneille, Racine et Molière, figures vedettes d’une histoire littéraire en construction (1640-1729) : The great playwright status in the 17th century : Corneille, Racine, Molière, stars of literary history in the making (1640-1729).” 2018. Web. 17 Aug 2019.

Vancouver:

Souchier M. Le statut de grand dramaturge au XVIIe siècle : Corneille, Racine et Molière, figures vedettes d’une histoire littéraire en construction (1640-1729) : The great playwright status in the 17th century : Corneille, Racine, Molière, stars of literary history in the making (1640-1729). [Internet] [Doctoral dissertation]. Sorbonne université; 2018. [cited 2019 Aug 17]. Available from: http://www.theses.fr/2018SORUL121.

Council of Science Editors:

Souchier M. Le statut de grand dramaturge au XVIIe siècle : Corneille, Racine et Molière, figures vedettes d’une histoire littéraire en construction (1640-1729) : The great playwright status in the 17th century : Corneille, Racine, Molière, stars of literary history in the making (1640-1729). [Doctoral Dissertation]. Sorbonne université; 2018. Available from: http://www.theses.fr/2018SORUL121


Arizona State University

22. Schoenfelder, Joseph Walter. Mobilizing Hope: An Applied Drama Approach Toward Building Protective Factors in Behavioral Health.

Degree: Theatre, 2018, Arizona State University

 The purpose of this mixed methods case study was to evaluate a dramatic arts curriculum focused on building protective factors including resiliency, cognitive flexibility, self-efficacy,… (more)

Subjects/Keywords: Theater; Behavioral psychology; Applied Theatre; Hope; Performance; Resilience; Self-Efficacy; Theatre of the Oppressed

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APA (6th Edition):

Schoenfelder, J. W. (2018). Mobilizing Hope: An Applied Drama Approach Toward Building Protective Factors in Behavioral Health. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/49354

Chicago Manual of Style (16th Edition):

Schoenfelder, Joseph Walter. “Mobilizing Hope: An Applied Drama Approach Toward Building Protective Factors in Behavioral Health.” 2018. Doctoral Dissertation, Arizona State University. Accessed August 17, 2019. http://repository.asu.edu/items/49354.

MLA Handbook (7th Edition):

Schoenfelder, Joseph Walter. “Mobilizing Hope: An Applied Drama Approach Toward Building Protective Factors in Behavioral Health.” 2018. Web. 17 Aug 2019.

Vancouver:

Schoenfelder JW. Mobilizing Hope: An Applied Drama Approach Toward Building Protective Factors in Behavioral Health. [Internet] [Doctoral dissertation]. Arizona State University; 2018. [cited 2019 Aug 17]. Available from: http://repository.asu.edu/items/49354.

Council of Science Editors:

Schoenfelder JW. Mobilizing Hope: An Applied Drama Approach Toward Building Protective Factors in Behavioral Health. [Doctoral Dissertation]. Arizona State University; 2018. Available from: http://repository.asu.edu/items/49354


University of Oxford

23. Joncus, Berta. A star is born : Kitty Clive and female representation in eighteenth-century English musical theatre.

Degree: 2004, University of Oxford

 Catherine ('Kitty') Clive (1711-1785) was the most famous singer-actress of mideighteenth century London, and one of the first women whom Drury Lane managers sought to… (more)

Subjects/Keywords: 792.6028092; Musical theater : History : Women in the theater : Women singers : England : 18th century : Biography

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APA (6th Edition):

Joncus, B. (2004). A star is born : Kitty Clive and female representation in eighteenth-century English musical theatre. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:1e03037b-89a3-4b00-a5ae-81229ccdf5c7 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413099

Chicago Manual of Style (16th Edition):

Joncus, Berta. “A star is born : Kitty Clive and female representation in eighteenth-century English musical theatre.” 2004. Doctoral Dissertation, University of Oxford. Accessed August 17, 2019. http://ora.ox.ac.uk/objects/uuid:1e03037b-89a3-4b00-a5ae-81229ccdf5c7 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413099.

MLA Handbook (7th Edition):

Joncus, Berta. “A star is born : Kitty Clive and female representation in eighteenth-century English musical theatre.” 2004. Web. 17 Aug 2019.

Vancouver:

Joncus B. A star is born : Kitty Clive and female representation in eighteenth-century English musical theatre. [Internet] [Doctoral dissertation]. University of Oxford; 2004. [cited 2019 Aug 17]. Available from: http://ora.ox.ac.uk/objects/uuid:1e03037b-89a3-4b00-a5ae-81229ccdf5c7 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413099.

Council of Science Editors:

Joncus B. A star is born : Kitty Clive and female representation in eighteenth-century English musical theatre. [Doctoral Dissertation]. University of Oxford; 2004. Available from: http://ora.ox.ac.uk/objects/uuid:1e03037b-89a3-4b00-a5ae-81229ccdf5c7 ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413099


Vilnius University

24. Stankevič, Adam. Activities of the Lithuanian Supreme Tribunal in the latter half of the 18th century: application of the nobility law.

Degree: PhD, History, 2013, Vilnius University

The dissertation examines the central judicial institution of the Grand Duchy of Lithuania: the Supreme Tribunal and its functioning in the latter half of the… (more)

Subjects/Keywords: Supreme Tribunal of Lithuania; Latter half of the 18th century; Activities of court; History of legal profession; Lietuvos Vyriausiasis Tribunolas; XVIII a. II pusė; Teismo veikla; Teisininko profesijos istorija

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APA (6th Edition):

Stankevič, A. (2013). Activities of the Lithuanian Supreme Tribunal in the latter half of the 18th century: application of the nobility law. (Doctoral Dissertation). Vilnius University. Retrieved from http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20131028_141026-77345 ;

Chicago Manual of Style (16th Edition):

Stankevič, Adam. “Activities of the Lithuanian Supreme Tribunal in the latter half of the 18th century: application of the nobility law.” 2013. Doctoral Dissertation, Vilnius University. Accessed August 17, 2019. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20131028_141026-77345 ;.

MLA Handbook (7th Edition):

Stankevič, Adam. “Activities of the Lithuanian Supreme Tribunal in the latter half of the 18th century: application of the nobility law.” 2013. Web. 17 Aug 2019.

Vancouver:

Stankevič A. Activities of the Lithuanian Supreme Tribunal in the latter half of the 18th century: application of the nobility law. [Internet] [Doctoral dissertation]. Vilnius University; 2013. [cited 2019 Aug 17]. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20131028_141026-77345 ;.

Council of Science Editors:

Stankevič A. Activities of the Lithuanian Supreme Tribunal in the latter half of the 18th century: application of the nobility law. [Doctoral Dissertation]. Vilnius University; 2013. Available from: http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20131028_141026-77345 ;


Université Paris-Sorbonne – Paris IV

25. Bocianowski, Cécile. Les dramaturgies du grotesque en Europe au XXe siècle : Grotesque Dramaturgies in Europe in the 20th century.

Degree: Docteur es, Littérature comparée, 2015, Université Paris-Sorbonne – Paris IV

La thèse propose une lecture comparée de l’emploi du grotesque dans les théâtres français, polonais, belge francophone, germanophone, italien et espagnol. L’analyse comparée des écritures… (more)

Subjects/Keywords: Grotesque; Théâtre européen; XXe siècle; Théâtre polonais; Théâtre francophone; Théâtre italien; Théâtre espagnol; Théâtre allemand; Grotesque; European theatre; XXth century; Polish theatre; French theatre; Italian theatre; Spanish theatre; German theatre

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APA (6th Edition):

Bocianowski, C. (2015). Les dramaturgies du grotesque en Europe au XXe siècle : Grotesque Dramaturgies in Europe in the 20th century. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2015PA040066

Chicago Manual of Style (16th Edition):

Bocianowski, Cécile. “Les dramaturgies du grotesque en Europe au XXe siècle : Grotesque Dramaturgies in Europe in the 20th century.” 2015. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed August 17, 2019. http://www.theses.fr/2015PA040066.

MLA Handbook (7th Edition):

Bocianowski, Cécile. “Les dramaturgies du grotesque en Europe au XXe siècle : Grotesque Dramaturgies in Europe in the 20th century.” 2015. Web. 17 Aug 2019.

Vancouver:

Bocianowski C. Les dramaturgies du grotesque en Europe au XXe siècle : Grotesque Dramaturgies in Europe in the 20th century. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2015. [cited 2019 Aug 17]. Available from: http://www.theses.fr/2015PA040066.

Council of Science Editors:

Bocianowski C. Les dramaturgies du grotesque en Europe au XXe siècle : Grotesque Dramaturgies in Europe in the 20th century. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2015. Available from: http://www.theses.fr/2015PA040066


Louisiana State University

26. Connors, Logan James. Staging polemics: Charles Palissot, Voltaire, and the "theatrical event" in eighteenth-century France.

Degree: PhD, French and Francophone Language and Literature, 2010, Louisiana State University

 This dissertation explores the exciting world of eighteenth-century French dramatic writing, performance and criticism from the point of view of the theatrical spectator. Instead of… (more)

Subjects/Keywords: Pre-Revolutionary Pamphlets; French Enlightenment Theater; French theater; Voltaire; Eighteenth-Century France; dramatic criticism; Charles Palissot; philosophes

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APA (6th Edition):

Connors, L. J. (2010). Staging polemics: Charles Palissot, Voltaire, and the "theatrical event" in eighteenth-century France. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-03082010-094758 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3051

Chicago Manual of Style (16th Edition):

Connors, Logan James. “Staging polemics: Charles Palissot, Voltaire, and the "theatrical event" in eighteenth-century France.” 2010. Doctoral Dissertation, Louisiana State University. Accessed August 17, 2019. etd-03082010-094758 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3051.

MLA Handbook (7th Edition):

Connors, Logan James. “Staging polemics: Charles Palissot, Voltaire, and the "theatrical event" in eighteenth-century France.” 2010. Web. 17 Aug 2019.

Vancouver:

Connors LJ. Staging polemics: Charles Palissot, Voltaire, and the "theatrical event" in eighteenth-century France. [Internet] [Doctoral dissertation]. Louisiana State University; 2010. [cited 2019 Aug 17]. Available from: etd-03082010-094758 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3051.

Council of Science Editors:

Connors LJ. Staging polemics: Charles Palissot, Voltaire, and the "theatrical event" in eighteenth-century France. [Doctoral Dissertation]. Louisiana State University; 2010. Available from: etd-03082010-094758 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3051

27. Slinger, Lee Stewart. The Purchase of the Past: The Elizabethan Past and the uses of History in Eighteenth-Century Britain.

Degree: PhD, History, 2015, York University

 “The Purchase of the Past: The Elizabethan past and the uses of history in eighteenth-century Britain” examines the place of the late sixteenth-century Elizabethan and… (more)

Subjects/Keywords: European history; British and Irish literature; Theater history; Britain; British History; 18th century; Uses of the past; Elizabethan history; Queen Elizabeth I; William Shakespeare; David Garrick; David Hume; Robert Walpole; Richard Brinsley Sheridan; Thomas King; London; Public space; Private sphere; Modernity; Historical narratives; Newspapers; Theatre; Plays; Stratford-upon-Avon; Shakespeare Jubilee; Westminster Abbey; Westminster School; Jest books; Statues; Imperialism; Entertainment; Popular discourse; Popular politics; Anglo-Spanish War; Seven Years’ War; War of American Independence; Licensing Act; Ladies’ Shakspeare Club; William-Henry Ireland; Performance history; Effigies; Funeral effigy

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APA (6th Edition):

Slinger, L. S. (2015). The Purchase of the Past: The Elizabethan Past and the uses of History in Eighteenth-Century Britain. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/29998

Chicago Manual of Style (16th Edition):

Slinger, Lee Stewart. “The Purchase of the Past: The Elizabethan Past and the uses of History in Eighteenth-Century Britain.” 2015. Doctoral Dissertation, York University. Accessed August 17, 2019. http://hdl.handle.net/10315/29998.

MLA Handbook (7th Edition):

Slinger, Lee Stewart. “The Purchase of the Past: The Elizabethan Past and the uses of History in Eighteenth-Century Britain.” 2015. Web. 17 Aug 2019.

Vancouver:

Slinger LS. The Purchase of the Past: The Elizabethan Past and the uses of History in Eighteenth-Century Britain. [Internet] [Doctoral dissertation]. York University; 2015. [cited 2019 Aug 17]. Available from: http://hdl.handle.net/10315/29998.

Council of Science Editors:

Slinger LS. The Purchase of the Past: The Elizabethan Past and the uses of History in Eighteenth-Century Britain. [Doctoral Dissertation]. York University; 2015. Available from: http://hdl.handle.net/10315/29998


University of Washington

28. Guthu, Sarah Elizabeth. European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970.

Degree: PhD, 2013, University of Washington

 This dissertation offers a cultural history of the arrival of the second wave of European modernist drama in America in the postwar period, 1950-1970. European… (more)

Subjects/Keywords: Epic Theatre; Modernist Drama; Regional Theatre; Theatre of the Absurd; United States; Theater history; Modern literature; American studies; drama

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APA (6th Edition):

Guthu, S. E. (2013). European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970. (Doctoral Dissertation). University of Washington. Retrieved from http://hdl.handle.net/1773/23358

Chicago Manual of Style (16th Edition):

Guthu, Sarah Elizabeth. “European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970.” 2013. Doctoral Dissertation, University of Washington. Accessed August 17, 2019. http://hdl.handle.net/1773/23358.

MLA Handbook (7th Edition):

Guthu, Sarah Elizabeth. “European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970.” 2013. Web. 17 Aug 2019.

Vancouver:

Guthu SE. European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970. [Internet] [Doctoral dissertation]. University of Washington; 2013. [cited 2019 Aug 17]. Available from: http://hdl.handle.net/1773/23358.

Council of Science Editors:

Guthu SE. European Modernism and the Resident Theatre Movement: The Transformation of American Theatre between 1950 and 1970. [Doctoral Dissertation]. University of Washington; 2013. Available from: http://hdl.handle.net/1773/23358


Università Cattolica del Sacro Cuore

29. BENEDETTI, MARTA. I classici attraverso l'Atlantico: la ricezione dei Padri Fondatori e Thomas Jefferson.

Degree: 2016, Università Cattolica del Sacro Cuore

La tesi si occupa di verificare l’influenza che i classici greci e latini hanno esercitato su i padri fondatori americani e più in particolare su… (more)

Subjects/Keywords: L-LIN/11: LINGUE E LETTERATURE ANGLO-AMERICANE; L-FIL-LET/14: CRITICA LETTERARIA E LETTERATURE COMPARATE; L-FIL-LET/05: FILOLOGIA CLASSICA; Tradizione dei classici greci e latini, Padri fondatori americani, America rivoluzionaria, Storia dell’educazione, Oxford e Cambridge tra Seicento e Settecento, Università scozzesi tra Seicento e Settecento, Illuminismo scozzese, I college nell’America coloniale, L’educazione di Thomas Jefferson Il Commonplace Book di Thomas Jefferson, L’illuminismo francese, L’Università della Virginia e l’insegnamento delle lingue classiche, L’insegnamento del greco e del latino tra Seicento e Settecento, I classici di Thomas Jefferson, Fragilità e mortalità dell’uomo, Morte, Eternità, Concezione del tempo, La ricezione epicurea tra Seicento e Settecento, La ricezione stoica tra Seicento e Settecento, La ricezione di epicureismo e stoicismo in Jefferson, Classical Tradition, American Founding Fathers, Revolutionary America, History of Education, 17th and 18th Century Oxford and Cambridge, 17th and 18th Century Scottish Universities, Scottish Enlightenment, American Colonial Colleges, The Education of the Founding Fathers, Jefferson’s Education, Jefferson’s Literary Commonplace Book, French Enlightenment, Jefferson’s University and the Classical Languages, The Teaching of Greek and Latin in 17th and 18th Centuries, Jefferson’s Classics, Jefferson’s Libraries, Human Fragility and Mortality, Death, Afterlife, Conception of time, Epicurean Reception in the 17th and 18th Centuries, Stoic Reception in the 17th and 18th Centuries, Jefferson’s Reception of Epicureanism and Stoicism

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APA (6th Edition):

BENEDETTI, M. (2016). I classici attraverso l'Atlantico: la ricezione dei Padri Fondatori e Thomas Jefferson. (Doctoral Dissertation). Università Cattolica del Sacro Cuore. Retrieved from http://hdl.handle.net/10280/10784

Chicago Manual of Style (16th Edition):

BENEDETTI, MARTA. “I classici attraverso l'Atlantico: la ricezione dei Padri Fondatori e Thomas Jefferson.” 2016. Doctoral Dissertation, Università Cattolica del Sacro Cuore. Accessed August 17, 2019. http://hdl.handle.net/10280/10784.

MLA Handbook (7th Edition):

BENEDETTI, MARTA. “I classici attraverso l'Atlantico: la ricezione dei Padri Fondatori e Thomas Jefferson.” 2016. Web. 17 Aug 2019.

Vancouver:

BENEDETTI M. I classici attraverso l'Atlantico: la ricezione dei Padri Fondatori e Thomas Jefferson. [Internet] [Doctoral dissertation]. Università Cattolica del Sacro Cuore; 2016. [cited 2019 Aug 17]. Available from: http://hdl.handle.net/10280/10784.

Council of Science Editors:

BENEDETTI M. I classici attraverso l'Atlantico: la ricezione dei Padri Fondatori e Thomas Jefferson. [Doctoral Dissertation]. Università Cattolica del Sacro Cuore; 2016. Available from: http://hdl.handle.net/10280/10784


University of Cambridge

30. Morriello, Francesco Anthony. The Atlantic Revolutions and the movement of information in the British and French Caribbean, c. 1763-1804.

Degree: PhD, 2018, University of Cambridge

 This dissertation examines how news and information circulated among select colonies in the British and French Caribbean during a series of military conflicts from 1763… (more)

Subjects/Keywords: Empire; Colonialism; Europe; Caribbean; England; France; Communications; Mail; Post; Print Culture; Slavery; Newspapers; News; Missionaries; Catholic Church; Christianity; Missions; History of Christianity; Atlantic World; Book History; Literature; 18th Century; 19th Century; Information; Networks; Correspondence; British Caribbean; French Caribbean

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APA (6th Edition):

Morriello, F. A. (2018). The Atlantic Revolutions and the movement of information in the British and French Caribbean, c. 1763-1804. (Doctoral Dissertation). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/274901 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.744679

Chicago Manual of Style (16th Edition):

Morriello, Francesco Anthony. “The Atlantic Revolutions and the movement of information in the British and French Caribbean, c. 1763-1804.” 2018. Doctoral Dissertation, University of Cambridge. Accessed August 17, 2019. https://www.repository.cam.ac.uk/handle/1810/274901 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.744679.

MLA Handbook (7th Edition):

Morriello, Francesco Anthony. “The Atlantic Revolutions and the movement of information in the British and French Caribbean, c. 1763-1804.” 2018. Web. 17 Aug 2019.

Vancouver:

Morriello FA. The Atlantic Revolutions and the movement of information in the British and French Caribbean, c. 1763-1804. [Internet] [Doctoral dissertation]. University of Cambridge; 2018. [cited 2019 Aug 17]. Available from: https://www.repository.cam.ac.uk/handle/1810/274901 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.744679.

Council of Science Editors:

Morriello FA. The Atlantic Revolutions and the movement of information in the British and French Caribbean, c. 1763-1804. [Doctoral Dissertation]. University of Cambridge; 2018. Available from: https://www.repository.cam.ac.uk/handle/1810/274901 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.744679

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