Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

Country:

You searched for subject:( French theatre of the 18th century). Showing records 1 – 30 of 13246 total matches.

[1] [2] [3] [4] [5] … [442]

Search Limiters

Last 2 Years | English Only

Degrees

Levels

▼ Search Limiters


University of Western Australia

1. Hoareau, Thomas. Géricault's wounded male : an interpretation of the Raft of the Medusa (1819) within the context of the early French Restoration.

Degree: M.F.A., 2011, University of Western Australia

Géricault's wounded male : an enterpretation of the Raft of the Medusa (1819) within the context of the early French Restoration begins with a re-examination… (more)

Subjects/Keywords: Raft of the Medusa; Géricault; French romanticism; French neo-classicism; Nineteenth century painting; French restoration; Modern identity; Nude male

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hoareau, T. (2011). Géricault's wounded male : an interpretation of the Raft of the Medusa (1819) within the context of the early French Restoration. (Masters Thesis). University of Western Australia. Retrieved from http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=32617&local_base=GEN01-INS01

Chicago Manual of Style (16th Edition):

Hoareau, Thomas. “Géricault's wounded male : an interpretation of the Raft of the Medusa (1819) within the context of the early French Restoration.” 2011. Masters Thesis, University of Western Australia. Accessed September 18, 2019. http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=32617&local_base=GEN01-INS01.

MLA Handbook (7th Edition):

Hoareau, Thomas. “Géricault's wounded male : an interpretation of the Raft of the Medusa (1819) within the context of the early French Restoration.” 2011. Web. 18 Sep 2019.

Vancouver:

Hoareau T. Géricault's wounded male : an interpretation of the Raft of the Medusa (1819) within the context of the early French Restoration. [Internet] [Masters thesis]. University of Western Australia; 2011. [cited 2019 Sep 18]. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=32617&local_base=GEN01-INS01.

Council of Science Editors:

Hoareau T. Géricault's wounded male : an interpretation of the Raft of the Medusa (1819) within the context of the early French Restoration. [Masters Thesis]. University of Western Australia; 2011. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=32617&local_base=GEN01-INS01


University of Sydney

2. Cazzato, Elisa. An Italian Artist in Paris: The career and designs of Ignazio Degotti (1758–1824) .

Degree: 2017, University of Sydney

 This thesis aims to explore the ways in which, through a community of Franco-Italian artists, a tradition of innovative stage design took root in France… (more)

Subjects/Keywords: xviii century theatre; French Revolution; Napoleonic empire; stage design; Italian stage designers; prospettiva

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cazzato, E. (2017). An Italian Artist in Paris: The career and designs of Ignazio Degotti (1758–1824) . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/18587

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cazzato, Elisa. “An Italian Artist in Paris: The career and designs of Ignazio Degotti (1758–1824) .” 2017. Thesis, University of Sydney. Accessed September 18, 2019. http://hdl.handle.net/2123/18587.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cazzato, Elisa. “An Italian Artist in Paris: The career and designs of Ignazio Degotti (1758–1824) .” 2017. Web. 18 Sep 2019.

Vancouver:

Cazzato E. An Italian Artist in Paris: The career and designs of Ignazio Degotti (1758–1824) . [Internet] [Thesis]. University of Sydney; 2017. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/2123/18587.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cazzato E. An Italian Artist in Paris: The career and designs of Ignazio Degotti (1758–1824) . [Thesis]. University of Sydney; 2017. Available from: http://hdl.handle.net/2123/18587

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

3. Bruce, Peter, 1946-. Jean-Marie Collot d'Herbois dans son Théâtre Prérévolutionnaire .

Degree: 1998, University of Sydney

Subjects/Keywords: Collot d'Herbois, Jean-Marie, 1750-1796; Theater  – France  – History  – 18th century

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bruce, Peter, 1. (1998). Jean-Marie Collot d'Herbois dans son Théâtre Prérévolutionnaire . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/12695

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bruce, Peter, 1946-. “Jean-Marie Collot d'Herbois dans son Théâtre Prérévolutionnaire .” 1998. Thesis, University of Sydney. Accessed September 18, 2019. http://hdl.handle.net/2123/12695.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bruce, Peter, 1946-. “Jean-Marie Collot d'Herbois dans son Théâtre Prérévolutionnaire .” 1998. Web. 18 Sep 2019.

Vancouver:

Bruce, Peter 1. Jean-Marie Collot d'Herbois dans son Théâtre Prérévolutionnaire . [Internet] [Thesis]. University of Sydney; 1998. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/2123/12695.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bruce, Peter 1. Jean-Marie Collot d'Herbois dans son Théâtre Prérévolutionnaire . [Thesis]. University of Sydney; 1998. Available from: http://hdl.handle.net/2123/12695

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

4. Bishop, Patrick James, 1958-. The moment of criticism : the critical culture of Montersquieu, Voltaire and Diderot / Patrick James Bishop.

Degree: 1995, University of Adelaide

Subjects/Keywords: 194 20; Enlightenment France.; Criticism France.; Philosophy, French 18th century.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bishop, Patrick James, 1. (1995). The moment of criticism : the critical culture of Montersquieu, Voltaire and Diderot / Patrick James Bishop. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/18567

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bishop, Patrick James, 1958-. “The moment of criticism : the critical culture of Montersquieu, Voltaire and Diderot / Patrick James Bishop.” 1995. Thesis, University of Adelaide. Accessed September 18, 2019. http://hdl.handle.net/2440/18567.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bishop, Patrick James, 1958-. “The moment of criticism : the critical culture of Montersquieu, Voltaire and Diderot / Patrick James Bishop.” 1995. Web. 18 Sep 2019.

Vancouver:

Bishop, Patrick James 1. The moment of criticism : the critical culture of Montersquieu, Voltaire and Diderot / Patrick James Bishop. [Internet] [Thesis]. University of Adelaide; 1995. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/2440/18567.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bishop, Patrick James 1. The moment of criticism : the critical culture of Montersquieu, Voltaire and Diderot / Patrick James Bishop. [Thesis]. University of Adelaide; 1995. Available from: http://hdl.handle.net/2440/18567

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Australian National University

5. Jaireth, Subhash. Theatre of the times of Socrates, Lunin and Nero : Time and space in Edvard Radzinskii’s trilogy ‘Theatre of the Times …’ .

Degree: 2010, Australian National University

 This thesis attempts to unravel the nature of time in the trilogy and invokes Mikhail Bakhtin’s notion about the forms of time and the chronotope… (more)

Subjects/Keywords: theatre; forms of time; time-space; Edvard Radzinskii; “Theatre of the Times”; Mikhail Bakhtin; chronotope; literary narratives; dialogism; novelisation; socialist-realism

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jaireth, S. (2010). Theatre of the times of Socrates, Lunin and Nero : Time and space in Edvard Radzinskii’s trilogy ‘Theatre of the Times …’ . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/49343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jaireth, Subhash. “Theatre of the times of Socrates, Lunin and Nero : Time and space in Edvard Radzinskii’s trilogy ‘Theatre of the Times …’ .” 2010. Thesis, Australian National University. Accessed September 18, 2019. http://hdl.handle.net/1885/49343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jaireth, Subhash. “Theatre of the times of Socrates, Lunin and Nero : Time and space in Edvard Radzinskii’s trilogy ‘Theatre of the Times …’ .” 2010. Web. 18 Sep 2019.

Vancouver:

Jaireth S. Theatre of the times of Socrates, Lunin and Nero : Time and space in Edvard Radzinskii’s trilogy ‘Theatre of the Times …’ . [Internet] [Thesis]. Australian National University; 2010. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1885/49343.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jaireth S. Theatre of the times of Socrates, Lunin and Nero : Time and space in Edvard Radzinskii’s trilogy ‘Theatre of the Times …’ . [Thesis]. Australian National University; 2010. Available from: http://hdl.handle.net/1885/49343

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

6. Smith, Nichla. Hidden depths: cultural, political, and social commentary in eighteenth-century English comic opera libretti.

Degree: 2017, University of Melbourne

 In the late eighteenth century, comic opera was among London’s most popular and profitable musical cultures. Despite the extraordinary success of the genre, however, various… (more)

Subjects/Keywords: Eighteenth-century English opera; English opera; opera libretti; cultural criticism; English theatre; theatre music; eighteenth-century studies; ableism; disability literature; gleaning; theatre and racial tropes; theatre and otherness Samuel Arnold; William Shield; John O'Keeffe; Frederick Pilon; Frances Brooke; Francis; Drury Lane; Covent Garden; the Little Theatre; George Coleman

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, N. (2017). Hidden depths: cultural, political, and social commentary in eighteenth-century English comic opera libretti. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/190680

Chicago Manual of Style (16th Edition):

Smith, Nichla. “Hidden depths: cultural, political, and social commentary in eighteenth-century English comic opera libretti.” 2017. Masters Thesis, University of Melbourne. Accessed September 18, 2019. http://hdl.handle.net/11343/190680.

MLA Handbook (7th Edition):

Smith, Nichla. “Hidden depths: cultural, political, and social commentary in eighteenth-century English comic opera libretti.” 2017. Web. 18 Sep 2019.

Vancouver:

Smith N. Hidden depths: cultural, political, and social commentary in eighteenth-century English comic opera libretti. [Internet] [Masters thesis]. University of Melbourne; 2017. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/11343/190680.

Council of Science Editors:

Smith N. Hidden depths: cultural, political, and social commentary in eighteenth-century English comic opera libretti. [Masters Thesis]. University of Melbourne; 2017. Available from: http://hdl.handle.net/11343/190680


University of Melbourne

7. Macneil, Roderick Peter. Blackedout: the representation of Aboriginal people in Australian painting 1850-1900.

Degree: 1999, University of Melbourne

 This thesis examines the representation of Aboriginal people in Australian painting between 1850 and 1900. In particular, the thesis discusses and seeks to account for… (more)

Subjects/Keywords: Aboriginal Australians in art; Aboriginal Australian art; Australian painting in the 18th century.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Macneil, R. P. (1999). Blackedout: the representation of Aboriginal people in Australian painting 1850-1900. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/38917

Chicago Manual of Style (16th Edition):

Macneil, Roderick Peter. “Blackedout: the representation of Aboriginal people in Australian painting 1850-1900.” 1999. Doctoral Dissertation, University of Melbourne. Accessed September 18, 2019. http://hdl.handle.net/11343/38917.

MLA Handbook (7th Edition):

Macneil, Roderick Peter. “Blackedout: the representation of Aboriginal people in Australian painting 1850-1900.” 1999. Web. 18 Sep 2019.

Vancouver:

Macneil RP. Blackedout: the representation of Aboriginal people in Australian painting 1850-1900. [Internet] [Doctoral dissertation]. University of Melbourne; 1999. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/11343/38917.

Council of Science Editors:

Macneil RP. Blackedout: the representation of Aboriginal people in Australian painting 1850-1900. [Doctoral Dissertation]. University of Melbourne; 1999. Available from: http://hdl.handle.net/11343/38917


University of Tasmania

8. Yeoland, RH. Romain Rolland et L'Heroisme: une Perspective Musicale (Romain Rolland and Heroism: A Musical Perspective).

Degree: 2001, University of Tasmania

 The importance of heroism in the life of Romain Rolland, French author, historian and musicologist has previously been investigated as has been his love of… (more)

Subjects/Keywords: 420000 Language and Culture; Romain Rolland; Musicology; French Literature; History of the Twentieth Century; France

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Yeoland, R. (2001). Romain Rolland et L'Heroisme: une Perspective Musicale (Romain Rolland and Heroism: A Musical Perspective). (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/209/1/01Front.pdf ; https://eprints.utas.edu.au/209/2/02Whole.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Yeoland, RH. “Romain Rolland et L'Heroisme: une Perspective Musicale (Romain Rolland and Heroism: A Musical Perspective).” 2001. Thesis, University of Tasmania. Accessed September 18, 2019. https://eprints.utas.edu.au/209/1/01Front.pdf ; https://eprints.utas.edu.au/209/2/02Whole.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Yeoland, RH. “Romain Rolland et L'Heroisme: une Perspective Musicale (Romain Rolland and Heroism: A Musical Perspective).” 2001. Web. 18 Sep 2019.

Vancouver:

Yeoland R. Romain Rolland et L'Heroisme: une Perspective Musicale (Romain Rolland and Heroism: A Musical Perspective). [Internet] [Thesis]. University of Tasmania; 2001. [cited 2019 Sep 18]. Available from: https://eprints.utas.edu.au/209/1/01Front.pdf ; https://eprints.utas.edu.au/209/2/02Whole.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Yeoland R. Romain Rolland et L'Heroisme: une Perspective Musicale (Romain Rolland and Heroism: A Musical Perspective). [Thesis]. University of Tasmania; 2001. Available from: https://eprints.utas.edu.au/209/1/01Front.pdf ; https://eprints.utas.edu.au/209/2/02Whole.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

9. McCredie, Andrew D. Instrumentarium and instrumentation in the north German baroque opera.

Degree: 1964, University of Melbourne

 The systematic study of orchestral practice and instrumentation in the German Baroque Opera has until now been assigned a relatively insignificant place in biographies of… (more)

Subjects/Keywords: instrumentation and orchestration; opera of Northern Germany; musical instruments of Germany; 18th century

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McCredie, A. D. (1964). Instrumentarium and instrumentation in the north German baroque opera. (Doctoral Dissertation). University of Melbourne. Retrieved from http://hdl.handle.net/11343/35185

Chicago Manual of Style (16th Edition):

McCredie, Andrew D. “Instrumentarium and instrumentation in the north German baroque opera.” 1964. Doctoral Dissertation, University of Melbourne. Accessed September 18, 2019. http://hdl.handle.net/11343/35185.

MLA Handbook (7th Edition):

McCredie, Andrew D. “Instrumentarium and instrumentation in the north German baroque opera.” 1964. Web. 18 Sep 2019.

Vancouver:

McCredie AD. Instrumentarium and instrumentation in the north German baroque opera. [Internet] [Doctoral dissertation]. University of Melbourne; 1964. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/11343/35185.

Council of Science Editors:

McCredie AD. Instrumentarium and instrumentation in the north German baroque opera. [Doctoral Dissertation]. University of Melbourne; 1964. Available from: http://hdl.handle.net/11343/35185


University of Tasmania

10. Angel, C. The Woman Who Did: Janet Achurch, Ibsen, and the New Woman, Australia 1889-1891.

Degree: 2014, University of Tasmania

 The Australian theatre in the late nineteenth century was in transition: it was, like the country, seeking its own identity in a period of social… (more)

Subjects/Keywords: Womens isssues; Australian theatre; late nineteenth century

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Angel, C. (2014). The Woman Who Did: Janet Achurch, Ibsen, and the New Woman, Australia 1889-1891. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/20830/1/Whole-Angel-thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Angel, C. “The Woman Who Did: Janet Achurch, Ibsen, and the New Woman, Australia 1889-1891.” 2014. Thesis, University of Tasmania. Accessed September 18, 2019. https://eprints.utas.edu.au/20830/1/Whole-Angel-thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Angel, C. “The Woman Who Did: Janet Achurch, Ibsen, and the New Woman, Australia 1889-1891.” 2014. Web. 18 Sep 2019.

Vancouver:

Angel C. The Woman Who Did: Janet Achurch, Ibsen, and the New Woman, Australia 1889-1891. [Internet] [Thesis]. University of Tasmania; 2014. [cited 2019 Sep 18]. Available from: https://eprints.utas.edu.au/20830/1/Whole-Angel-thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Angel C. The Woman Who Did: Janet Achurch, Ibsen, and the New Woman, Australia 1889-1891. [Thesis]. University of Tasmania; 2014. Available from: https://eprints.utas.edu.au/20830/1/Whole-Angel-thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Newcastle

11. Atkinson, Justine. The Society in Scotland for Propagating Christian Knowledge: establishing identity under the Union, 1709-1715.

Degree: MA, 2011, University of Newcastle

Masters Research - Master of Arts (MA)

Established only two years after the Union between England and Scotland of 1707, the Society in Scotland for… (more)

Subjects/Keywords: SSPCK; Union; education; 18th century; Scotland; Highlands; religion

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Atkinson, J. (2011). The Society in Scotland for Propagating Christian Knowledge: establishing identity under the Union, 1709-1715. (Masters Thesis). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/807539

Chicago Manual of Style (16th Edition):

Atkinson, Justine. “The Society in Scotland for Propagating Christian Knowledge: establishing identity under the Union, 1709-1715.” 2011. Masters Thesis, University of Newcastle. Accessed September 18, 2019. http://hdl.handle.net/1959.13/807539.

MLA Handbook (7th Edition):

Atkinson, Justine. “The Society in Scotland for Propagating Christian Knowledge: establishing identity under the Union, 1709-1715.” 2011. Web. 18 Sep 2019.

Vancouver:

Atkinson J. The Society in Scotland for Propagating Christian Knowledge: establishing identity under the Union, 1709-1715. [Internet] [Masters thesis]. University of Newcastle; 2011. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1959.13/807539.

Council of Science Editors:

Atkinson J. The Society in Scotland for Propagating Christian Knowledge: establishing identity under the Union, 1709-1715. [Masters Thesis]. University of Newcastle; 2011. Available from: http://hdl.handle.net/1959.13/807539


University of Western Sydney

12. Nidl-Taylor, Jaki Elizabeth. (W)rites of passage : kinds of (w)riting, kinds of (k)nowing.

Degree: 2000, University of Western Sydney

 This thesis documents a personal journey that asks the reader to consider the volatility of genres and their use value as a hierarchy and/or in… (more)

Subjects/Keywords: Doctor of Philosophy (PhD); travel writing; travel in literature; travel; 18th century; 19th century; voyages, imaginary

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nidl-Taylor, J. E. (2000). (W)rites of passage : kinds of (w)riting, kinds of (k)nowing. (Thesis). University of Western Sydney. Retrieved from http://handle.uws.edu.au:8081/1959.7/31059

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nidl-Taylor, Jaki Elizabeth. “(W)rites of passage : kinds of (w)riting, kinds of (k)nowing.” 2000. Thesis, University of Western Sydney. Accessed September 18, 2019. http://handle.uws.edu.au:8081/1959.7/31059.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nidl-Taylor, Jaki Elizabeth. “(W)rites of passage : kinds of (w)riting, kinds of (k)nowing.” 2000. Web. 18 Sep 2019.

Vancouver:

Nidl-Taylor JE. (W)rites of passage : kinds of (w)riting, kinds of (k)nowing. [Internet] [Thesis]. University of Western Sydney; 2000. [cited 2019 Sep 18]. Available from: http://handle.uws.edu.au:8081/1959.7/31059.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nidl-Taylor JE. (W)rites of passage : kinds of (w)riting, kinds of (k)nowing. [Thesis]. University of Western Sydney; 2000. Available from: http://handle.uws.edu.au:8081/1959.7/31059

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

13. Murray, Peta. Things that fall over : Women's playwriting, poetics and the (anti-)musical.

Degree: 2012, Queensland University of Technology

 This study explores the contradictions and ambivalences experienced by a working artist at a time when her age, her gender, and broader cultural shifts are… (more)

Subjects/Keywords: Australian theatre; creative writing; feminist theatre; intertextuality; women’s playwriting; women’s theatre; queer theatre; the anti- musical; the creative process

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Murray, P. (2012). Things that fall over : Women's playwriting, poetics and the (anti-)musical. (Thesis). Queensland University of Technology. Retrieved from http://eprints.qut.edu.au/53579/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Murray, Peta. “Things that fall over : Women's playwriting, poetics and the (anti-)musical.” 2012. Thesis, Queensland University of Technology. Accessed September 18, 2019. http://eprints.qut.edu.au/53579/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Murray, Peta. “Things that fall over : Women's playwriting, poetics and the (anti-)musical.” 2012. Web. 18 Sep 2019.

Vancouver:

Murray P. Things that fall over : Women's playwriting, poetics and the (anti-)musical. [Internet] [Thesis]. Queensland University of Technology; 2012. [cited 2019 Sep 18]. Available from: http://eprints.qut.edu.au/53579/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murray P. Things that fall over : Women's playwriting, poetics and the (anti-)musical. [Thesis]. Queensland University of Technology; 2012. Available from: http://eprints.qut.edu.au/53579/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Adelaide

14. Millbank, John Francis. The Paris press and the social question under the Second French Republic, 1848-1852.

Degree: 1977, University of Adelaide

Subjects/Keywords: Press and politics France Paris History.; Government and the press France History 18th century.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Millbank, J. F. (1977). The Paris press and the social question under the Second French Republic, 1848-1852. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/21047

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Millbank, John Francis. “The Paris press and the social question under the Second French Republic, 1848-1852.” 1977. Thesis, University of Adelaide. Accessed September 18, 2019. http://hdl.handle.net/2440/21047.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Millbank, John Francis. “The Paris press and the social question under the Second French Republic, 1848-1852.” 1977. Web. 18 Sep 2019.

Vancouver:

Millbank JF. The Paris press and the social question under the Second French Republic, 1848-1852. [Internet] [Thesis]. University of Adelaide; 1977. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/2440/21047.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Millbank JF. The Paris press and the social question under the Second French Republic, 1848-1852. [Thesis]. University of Adelaide; 1977. Available from: http://hdl.handle.net/2440/21047

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

15. Lim, Bao Tung Michelle. Performing morality : a framework for assessing the moral significance of selected works of postdramatic performance.

Degree: 2014, Queensland University of Technology

 This study examines the relationship between aesthetic and moral dimensions of postdramatic performance (PdP) with specific reference to two case studies: The Power of Theatrical… (more)

Subjects/Keywords: Postdramatic Theatre; Postdramatic Performance; Morality; Moral Significance; Audience Reception; Inferno (Castellucci); The Power of Theatrical Madness

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lim, B. T. M. (2014). Performing morality : a framework for assessing the moral significance of selected works of postdramatic performance. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/76539/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lim, Bao Tung Michelle. “Performing morality : a framework for assessing the moral significance of selected works of postdramatic performance.” 2014. Thesis, Queensland University of Technology. Accessed September 18, 2019. https://eprints.qut.edu.au/76539/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lim, Bao Tung Michelle. “Performing morality : a framework for assessing the moral significance of selected works of postdramatic performance.” 2014. Web. 18 Sep 2019.

Vancouver:

Lim BTM. Performing morality : a framework for assessing the moral significance of selected works of postdramatic performance. [Internet] [Thesis]. Queensland University of Technology; 2014. [cited 2019 Sep 18]. Available from: https://eprints.qut.edu.au/76539/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lim BTM. Performing morality : a framework for assessing the moral significance of selected works of postdramatic performance. [Thesis]. Queensland University of Technology; 2014. Available from: https://eprints.qut.edu.au/76539/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Australian National University

16. Joseph, Belle Marie. Interior Freedom in the French-language Poetry Written in the Concentration Camps (1943-45) .

Degree: 2017, Australian National University

 Interior Freedom in the French-language Poetry Written in the Concentration Camps (1943-45) Abstract: Adorno’s controversial declaration that ‘to write poetry after Auschwitz is barbaric’ kindled… (more)

Subjects/Keywords: Holocaust literature; Holocaust poetry; writing in the concentration camps; French poetry; freedom; interior freedom; Communism; Catholicism; Christianity; Surrealism; Personalism; aesthetics; 20th century French literature; mysticism; André Ulmann; Maurice Honel; Gustave Leroy; André Verdet; Jean Cayrol

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Joseph, B. M. (2017). Interior Freedom in the French-language Poetry Written in the Concentration Camps (1943-45) . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/133824

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Joseph, Belle Marie. “Interior Freedom in the French-language Poetry Written in the Concentration Camps (1943-45) .” 2017. Thesis, Australian National University. Accessed September 18, 2019. http://hdl.handle.net/1885/133824.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Joseph, Belle Marie. “Interior Freedom in the French-language Poetry Written in the Concentration Camps (1943-45) .” 2017. Web. 18 Sep 2019.

Vancouver:

Joseph BM. Interior Freedom in the French-language Poetry Written in the Concentration Camps (1943-45) . [Internet] [Thesis]. Australian National University; 2017. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1885/133824.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Joseph BM. Interior Freedom in the French-language Poetry Written in the Concentration Camps (1943-45) . [Thesis]. Australian National University; 2017. Available from: http://hdl.handle.net/1885/133824

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

17. Morelos, Ronaldo. Symbols and power in the theatre of the oppressed.

Degree: 1999, Queensland University of Technology

 Augusto Boal developed Theatre of the Oppressed as a way of using the symbolic language of the dramatic arts in the examination of power relations… (more)

Subjects/Keywords: Theater Political aspects; Theater and society; thesis; masters; aesthetics; political aspects; Augusto Boal; cultural activism; drama; social aspects; drama in education; Edward Lansdale; human behaviour; persuasive communication; performing arts; philosophy; symbolism in art; power; theatre; Brazil; therapy; theatre and society; theatre of the oppressed; theatre studies; performance studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Morelos, R. (1999). Symbols and power in the theatre of the oppressed. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/35822/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Morelos, Ronaldo. “Symbols and power in the theatre of the oppressed.” 1999. Thesis, Queensland University of Technology. Accessed September 18, 2019. https://eprints.qut.edu.au/35822/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Morelos, Ronaldo. “Symbols and power in the theatre of the oppressed.” 1999. Web. 18 Sep 2019.

Vancouver:

Morelos R. Symbols and power in the theatre of the oppressed. [Internet] [Thesis]. Queensland University of Technology; 1999. [cited 2019 Sep 18]. Available from: https://eprints.qut.edu.au/35822/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Morelos R. Symbols and power in the theatre of the oppressed. [Thesis]. Queensland University of Technology; 1999. Available from: https://eprints.qut.edu.au/35822/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Latrobe University

18. Butcher, Michael. 'Not an ordinary man' : Donald Gilbert Kennedy in the Pacific.

Degree: 2010, Latrobe University

Thesis (Masters) - La Trobe University, 2010

Submission note: "A thesis [submitted] in total fulfillment of the requirements for the degree of Master of Arts… (more)

Subjects/Keywords: Kennedy, Donald Gilbert.; Pacific Islanders  – History  – 20th century.; Great Britain  – Colonies  – Oceania.; Islands of the Pacific  – History  – 20th century.; Oceania  – History  – 20th century.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Butcher, M. (2010). 'Not an ordinary man' : Donald Gilbert Kennedy in the Pacific. (Thesis). Latrobe University. Retrieved from http://hdl.handle.net/1959.9/530724

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Butcher, Michael. “'Not an ordinary man' : Donald Gilbert Kennedy in the Pacific.” 2010. Thesis, Latrobe University. Accessed September 18, 2019. http://hdl.handle.net/1959.9/530724.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Butcher, Michael. “'Not an ordinary man' : Donald Gilbert Kennedy in the Pacific.” 2010. Web. 18 Sep 2019.

Vancouver:

Butcher M. 'Not an ordinary man' : Donald Gilbert Kennedy in the Pacific. [Internet] [Thesis]. Latrobe University; 2010. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1959.9/530724.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Butcher M. 'Not an ordinary man' : Donald Gilbert Kennedy in the Pacific. [Thesis]. Latrobe University; 2010. Available from: http://hdl.handle.net/1959.9/530724

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

19. Samuel James, Gribble. The 'Radical Underworld' of the Mediterranean: William Eton, Malta, and the British Mediterranean Empire, 1770-1806 .

Degree: 2018, University of Sydney

 In 1806, the British protectorate of Malta was engulfed in political scandal when accusations of ‘despotism’, ‘tyranny’ and ‘torture’, were made against the island’s Civil… (more)

Subjects/Keywords: Biography 18th Century; Mediterranean Region History; Great Britain Colonies; Colonial Scandal; Enlightenment; Networks

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Samuel James, G. (2018). The 'Radical Underworld' of the Mediterranean: William Eton, Malta, and the British Mediterranean Empire, 1770-1806 . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/20065

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Samuel James, Gribble. “The 'Radical Underworld' of the Mediterranean: William Eton, Malta, and the British Mediterranean Empire, 1770-1806 .” 2018. Thesis, University of Sydney. Accessed September 18, 2019. http://hdl.handle.net/2123/20065.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Samuel James, Gribble. “The 'Radical Underworld' of the Mediterranean: William Eton, Malta, and the British Mediterranean Empire, 1770-1806 .” 2018. Web. 18 Sep 2019.

Vancouver:

Samuel James G. The 'Radical Underworld' of the Mediterranean: William Eton, Malta, and the British Mediterranean Empire, 1770-1806 . [Internet] [Thesis]. University of Sydney; 2018. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/2123/20065.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Samuel James G. The 'Radical Underworld' of the Mediterranean: William Eton, Malta, and the British Mediterranean Empire, 1770-1806 . [Thesis]. University of Sydney; 2018. Available from: http://hdl.handle.net/2123/20065

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Tasmania

20. Bain, Lauren Halligan. Performances of the post-New Order.

Degree: 2005, University of Tasmania

 Performances of the post -New Order explores the ways performances staged in Indonesia since 1998 have made sense of, and contested, the political and social… (more)

Subjects/Keywords: Theater; Women in the theater

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bain, L. H. (2005). Performances of the post-New Order. (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/19212/1/whole_BainLaurenHalligan2005_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bain, Lauren Halligan. “Performances of the post-New Order.” 2005. Thesis, University of Tasmania. Accessed September 18, 2019. https://eprints.utas.edu.au/19212/1/whole_BainLaurenHalligan2005_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bain, Lauren Halligan. “Performances of the post-New Order.” 2005. Web. 18 Sep 2019.

Vancouver:

Bain LH. Performances of the post-New Order. [Internet] [Thesis]. University of Tasmania; 2005. [cited 2019 Sep 18]. Available from: https://eprints.utas.edu.au/19212/1/whole_BainLaurenHalligan2005_thesis.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bain LH. Performances of the post-New Order. [Thesis]. University of Tasmania; 2005. Available from: https://eprints.utas.edu.au/19212/1/whole_BainLaurenHalligan2005_thesis.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Melbourne

21. Morelos, Ronaldo Jose. Symbols and power in Theatre of the Oppressed.

Degree: 1999, University of Melbourne

 Augusto Boal developed Theatre of the Oppressed as a way of using the symbolic language of the dramatic arts in the examination of power relations… (more)

Subjects/Keywords: aesthetics; political aspects; Augusto Boal; communications theory; cultural activism; drama; social aspects; drama in education; Edward Lansdale; human behaviour; persuasive communication; philosophy of performing arts; symbolism in art; power philosophy; theatre of Brazil; political aspects of theatre; philosophy of theatre; theatre as therapy; theatre and society; Theatre of the Oppressed; theatre studies; performance studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Morelos, R. J. (1999). Symbols and power in Theatre of the Oppressed. (Masters Thesis). University of Melbourne. Retrieved from http://hdl.handle.net/11343/38881

Chicago Manual of Style (16th Edition):

Morelos, Ronaldo Jose. “Symbols and power in Theatre of the Oppressed.” 1999. Masters Thesis, University of Melbourne. Accessed September 18, 2019. http://hdl.handle.net/11343/38881.

MLA Handbook (7th Edition):

Morelos, Ronaldo Jose. “Symbols and power in Theatre of the Oppressed.” 1999. Web. 18 Sep 2019.

Vancouver:

Morelos RJ. Symbols and power in Theatre of the Oppressed. [Internet] [Masters thesis]. University of Melbourne; 1999. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/11343/38881.

Council of Science Editors:

Morelos RJ. Symbols and power in Theatre of the Oppressed. [Masters Thesis]. University of Melbourne; 1999. Available from: http://hdl.handle.net/11343/38881


University of Tasmania

22. Fraser, ABG (nee Badcock). Interpreting the flute works of Jean Francaix (1912-1997).

Degree: 2011, University of Tasmania

 There is surprisingly little written about French composer Jean Françaix (1912-1997), considering his prolific output of around 200 works. In addition to his numerous compositions,… (more)

Subjects/Keywords: Jean Francaix; twentieth century; French flute; intrepretation; music

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Fraser, A. (. B. (2011). Interpreting the flute works of Jean Francaix (1912-1997). (Thesis). University of Tasmania. Retrieved from https://eprints.utas.edu.au/12441/1/Whole_Fraser.pdf ; https://eprints.utas.edu.au/12441/2/Interpreting_the_Flute_Works_of_Jean_Fran%C3%A7aix_-Fraser.pdf ; https://eprints.utas.edu.au/12441/3/Fraser-disc_1.zip ; https://eprints.utas.edu.au/12441/4/fraser-disc_2.zip ; https://eprints.utas.edu.au/12441/5/fraser-disc_3.zip ; https://eprints.utas.edu.au/12441/6/fraser-disc_4.zip ; https://eprints.utas.edu.au/12441/7/fraser-disc_5.zip ; https://eprints.utas.edu.au/12441/8/fraser-disc_6.zip ; https://eprints.utas.edu.au/12441/9/fraser-disc_7.zip ; https://eprints.utas.edu.au/12441/10/fraser-disc_8.zip

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fraser, ABG (nee Badcock). “Interpreting the flute works of Jean Francaix (1912-1997).” 2011. Thesis, University of Tasmania. Accessed September 18, 2019. https://eprints.utas.edu.au/12441/1/Whole_Fraser.pdf ; https://eprints.utas.edu.au/12441/2/Interpreting_the_Flute_Works_of_Jean_Fran%C3%A7aix_-Fraser.pdf ; https://eprints.utas.edu.au/12441/3/Fraser-disc_1.zip ; https://eprints.utas.edu.au/12441/4/fraser-disc_2.zip ; https://eprints.utas.edu.au/12441/5/fraser-disc_3.zip ; https://eprints.utas.edu.au/12441/6/fraser-disc_4.zip ; https://eprints.utas.edu.au/12441/7/fraser-disc_5.zip ; https://eprints.utas.edu.au/12441/8/fraser-disc_6.zip ; https://eprints.utas.edu.au/12441/9/fraser-disc_7.zip ; https://eprints.utas.edu.au/12441/10/fraser-disc_8.zip.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fraser, ABG (nee Badcock). “Interpreting the flute works of Jean Francaix (1912-1997).” 2011. Web. 18 Sep 2019.

Vancouver:

Fraser A(B. Interpreting the flute works of Jean Francaix (1912-1997). [Internet] [Thesis]. University of Tasmania; 2011. [cited 2019 Sep 18]. Available from: https://eprints.utas.edu.au/12441/1/Whole_Fraser.pdf ; https://eprints.utas.edu.au/12441/2/Interpreting_the_Flute_Works_of_Jean_Fran%C3%A7aix_-Fraser.pdf ; https://eprints.utas.edu.au/12441/3/Fraser-disc_1.zip ; https://eprints.utas.edu.au/12441/4/fraser-disc_2.zip ; https://eprints.utas.edu.au/12441/5/fraser-disc_3.zip ; https://eprints.utas.edu.au/12441/6/fraser-disc_4.zip ; https://eprints.utas.edu.au/12441/7/fraser-disc_5.zip ; https://eprints.utas.edu.au/12441/8/fraser-disc_6.zip ; https://eprints.utas.edu.au/12441/9/fraser-disc_7.zip ; https://eprints.utas.edu.au/12441/10/fraser-disc_8.zip.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fraser A(B. Interpreting the flute works of Jean Francaix (1912-1997). [Thesis]. University of Tasmania; 2011. Available from: https://eprints.utas.edu.au/12441/1/Whole_Fraser.pdf ; https://eprints.utas.edu.au/12441/2/Interpreting_the_Flute_Works_of_Jean_Fran%C3%A7aix_-Fraser.pdf ; https://eprints.utas.edu.au/12441/3/Fraser-disc_1.zip ; https://eprints.utas.edu.au/12441/4/fraser-disc_2.zip ; https://eprints.utas.edu.au/12441/5/fraser-disc_3.zip ; https://eprints.utas.edu.au/12441/6/fraser-disc_4.zip ; https://eprints.utas.edu.au/12441/7/fraser-disc_5.zip ; https://eprints.utas.edu.au/12441/8/fraser-disc_6.zip ; https://eprints.utas.edu.au/12441/9/fraser-disc_7.zip ; https://eprints.utas.edu.au/12441/10/fraser-disc_8.zip

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

23. Zabala, Gabriela. The Politics of Drama: The Relationship Between the Communist Party of Australia and New Theatre Writers 1932-1980s.

Degree: Arts and Media, 2012, University of New South Wales

 One of the longest running theatre companies in Australia, New Theatre began life as the Workers’ Art Club in Sydney in 1932 as a Communist… (more)

Subjects/Keywords: Australian theatre; New Theatre; Communist Party of Australia

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Zabala, G. (2012). The Politics of Drama: The Relationship Between the Communist Party of Australia and New Theatre Writers 1932-1980s. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/51946 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10616/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Zabala, Gabriela. “The Politics of Drama: The Relationship Between the Communist Party of Australia and New Theatre Writers 1932-1980s.” 2012. Doctoral Dissertation, University of New South Wales. Accessed September 18, 2019. http://handle.unsw.edu.au/1959.4/51946 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10616/SOURCE02?view=true.

MLA Handbook (7th Edition):

Zabala, Gabriela. “The Politics of Drama: The Relationship Between the Communist Party of Australia and New Theatre Writers 1932-1980s.” 2012. Web. 18 Sep 2019.

Vancouver:

Zabala G. The Politics of Drama: The Relationship Between the Communist Party of Australia and New Theatre Writers 1932-1980s. [Internet] [Doctoral dissertation]. University of New South Wales; 2012. [cited 2019 Sep 18]. Available from: http://handle.unsw.edu.au/1959.4/51946 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10616/SOURCE02?view=true.

Council of Science Editors:

Zabala G. The Politics of Drama: The Relationship Between the Communist Party of Australia and New Theatre Writers 1932-1980s. [Doctoral Dissertation]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/51946 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10616/SOURCE02?view=true


University of Adelaide

24. Kenny, Virginia Christine. Tenants at will : the country-house ethos as a unifying motif in works that deal with both personal retreat and national expansion in early eighteenth-century English literature, 1688-1750.

Degree: 1975, University of Adelaide

Subjects/Keywords: English literature 18th century History and criticism.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kenny, V. C. (1975). Tenants at will : the country-house ethos as a unifying motif in works that deal with both personal retreat and national expansion in early eighteenth-century English literature, 1688-1750. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/20924

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kenny, Virginia Christine. “Tenants at will : the country-house ethos as a unifying motif in works that deal with both personal retreat and national expansion in early eighteenth-century English literature, 1688-1750.” 1975. Thesis, University of Adelaide. Accessed September 18, 2019. http://hdl.handle.net/2440/20924.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kenny, Virginia Christine. “Tenants at will : the country-house ethos as a unifying motif in works that deal with both personal retreat and national expansion in early eighteenth-century English literature, 1688-1750.” 1975. Web. 18 Sep 2019.

Vancouver:

Kenny VC. Tenants at will : the country-house ethos as a unifying motif in works that deal with both personal retreat and national expansion in early eighteenth-century English literature, 1688-1750. [Internet] [Thesis]. University of Adelaide; 1975. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/2440/20924.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kenny VC. Tenants at will : the country-house ethos as a unifying motif in works that deal with both personal retreat and national expansion in early eighteenth-century English literature, 1688-1750. [Thesis]. University of Adelaide; 1975. Available from: http://hdl.handle.net/2440/20924

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

25. Albinger, Dawn. Diva Voce : reimagining the diva in contemporary feminist performance.

Degree: 2012, Edith Cowan University

 This practice-led contemporary performance study investigates and invigorates the diva icon’s usefulness to feminist theatre praxis. It traces the research journey from an unexamined belief… (more)

Subjects/Keywords: feminism and theater; feminist theater; women in the theater; feminist criticism; feminism; poststructuralism; contemporary performance; breath; voice; Performance Studies

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Albinger, D. (2012). Diva Voce : reimagining the diva in contemporary feminist performance. (Thesis). Edith Cowan University. Retrieved from http://ro.ecu.edu.au/theses/538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Albinger, Dawn. “Diva Voce : reimagining the diva in contemporary feminist performance.” 2012. Thesis, Edith Cowan University. Accessed September 18, 2019. http://ro.ecu.edu.au/theses/538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Albinger, Dawn. “Diva Voce : reimagining the diva in contemporary feminist performance.” 2012. Web. 18 Sep 2019.

Vancouver:

Albinger D. Diva Voce : reimagining the diva in contemporary feminist performance. [Internet] [Thesis]. Edith Cowan University; 2012. [cited 2019 Sep 18]. Available from: http://ro.ecu.edu.au/theses/538.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Albinger D. Diva Voce : reimagining the diva in contemporary feminist performance. [Thesis]. Edith Cowan University; 2012. Available from: http://ro.ecu.edu.au/theses/538

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

26. Tan, Rosalind. The Politeness Ethic and the Development of the Public Sphere in Eighteenth-Century England.

Degree: Social Sciences, 2015, University of New South Wales

 The transition of the age of enlightenment has been interrogated in several ways. Weber traces the relationship between asceticism and the rise of capitalism in… (more)

Subjects/Keywords: 18th Century England; Politeness; Public sphere; Asceticism; Ethics; Aesthetics; Eighteenth-century England; Public sphere; Rationality; Sociability; Conversation; Coffee houses; Bluestockings; Salon; Shaftesburry; Wedgwood

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tan, R. (2015). The Politeness Ethic and the Development of the Public Sphere in Eighteenth-Century England. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/54799 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35949/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Tan, Rosalind. “The Politeness Ethic and the Development of the Public Sphere in Eighteenth-Century England.” 2015. Doctoral Dissertation, University of New South Wales. Accessed September 18, 2019. http://handle.unsw.edu.au/1959.4/54799 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35949/SOURCE02?view=true.

MLA Handbook (7th Edition):

Tan, Rosalind. “The Politeness Ethic and the Development of the Public Sphere in Eighteenth-Century England.” 2015. Web. 18 Sep 2019.

Vancouver:

Tan R. The Politeness Ethic and the Development of the Public Sphere in Eighteenth-Century England. [Internet] [Doctoral dissertation]. University of New South Wales; 2015. [cited 2019 Sep 18]. Available from: http://handle.unsw.edu.au/1959.4/54799 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35949/SOURCE02?view=true.

Council of Science Editors:

Tan R. The Politeness Ethic and the Development of the Public Sphere in Eighteenth-Century England. [Doctoral Dissertation]. University of New South Wales; 2015. Available from: http://handle.unsw.edu.au/1959.4/54799 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:35949/SOURCE02?view=true


Australian National University

27. Marshall, Sylvia Gertrude. Which Way to Magna Hungaria? The Application of Social Stratigraphic Mapping and Analysis to an Ethnic Origin Theory .

Degree: 2017, Australian National University

 This dissertation provides the results of a study that reflected on how the creation and dissemination of knowledge about the past was handled by researchers… (more)

Subjects/Keywords: Hungary; Hungarian; Magyar; Finno-Ugric; Magna Hungaria; Ethnogenesis; Ethnogenetic Determination; Social Stratigraphic Mapping and Analysis; SSMA; Archaeologists; Linguists; Antiquarian; 18th Century; 19th Century; Archaeological Reporting

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Marshall, S. G. (2017). Which Way to Magna Hungaria? The Application of Social Stratigraphic Mapping and Analysis to an Ethnic Origin Theory . (Thesis). Australian National University. Retrieved from http://hdl.handle.net/1885/142524

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Marshall, Sylvia Gertrude. “Which Way to Magna Hungaria? The Application of Social Stratigraphic Mapping and Analysis to an Ethnic Origin Theory .” 2017. Thesis, Australian National University. Accessed September 18, 2019. http://hdl.handle.net/1885/142524.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Marshall, Sylvia Gertrude. “Which Way to Magna Hungaria? The Application of Social Stratigraphic Mapping and Analysis to an Ethnic Origin Theory .” 2017. Web. 18 Sep 2019.

Vancouver:

Marshall SG. Which Way to Magna Hungaria? The Application of Social Stratigraphic Mapping and Analysis to an Ethnic Origin Theory . [Internet] [Thesis]. Australian National University; 2017. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/1885/142524.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marshall SG. Which Way to Magna Hungaria? The Application of Social Stratigraphic Mapping and Analysis to an Ethnic Origin Theory . [Thesis]. Australian National University; 2017. Available from: http://hdl.handle.net/1885/142524

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Edith Cowan University

28. Tuffin, Zoe. Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century.

Degree: 2014, Edith Cowan University

 Shakespeare has been performed on Australian stages for over two hundred years, yet despite this fact, in Australia we still treat Shakespeare as a revered… (more)

Subjects/Keywords: Shakespeare; William; 1564-1616 - Dramatic production - 21st century; Shakespeare; William; 1564-1616 - Stage history - Taiwan - 21st century; Shakespeare; Australian theatre; Intercultural theatrel; Tiawanese theatre; Asian Shakespeare; Zen Zen Zo Physical Theatre; John Bell; Contemporary Legend Theatre; Wu Hsing-Ko; Other Theatre and Performance Studies; Performance Studies; Theatre History

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Tuffin, Z. (2014). Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century. (Thesis). Edith Cowan University. Retrieved from https://ro.ecu.edu.au/theses/1285

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tuffin, Zoe. “Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century.” 2014. Thesis, Edith Cowan University. Accessed September 18, 2019. https://ro.ecu.edu.au/theses/1285.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tuffin, Zoe. “Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century.” 2014. Web. 18 Sep 2019.

Vancouver:

Tuffin Z. Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century. [Internet] [Thesis]. Edith Cowan University; 2014. [cited 2019 Sep 18]. Available from: https://ro.ecu.edu.au/theses/1285.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tuffin Z. Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century. [Thesis]. Edith Cowan University; 2014. Available from: https://ro.ecu.edu.au/theses/1285

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

29. Touma, Josephine. Painting performance: art and theatricality in the work of Antoine Watteau (1684-1721) .

Degree: 2014, University of Sydney

 This thesis focuses on the artistic oeuvre of Antoine Watteau (1684-1721), reassessing the artist’s practice in light of eighteenth-century French theatrical culture. Watteau’s singular aesthetic… (more)

Subjects/Keywords: Theatricality; Antoine Watteau (1684-1721); Theatre in art; Eighteenth-century painting; Mimesis

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Touma, J. (2014). Painting performance: art and theatricality in the work of Antoine Watteau (1684-1721) . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/11858

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Touma, Josephine. “Painting performance: art and theatricality in the work of Antoine Watteau (1684-1721) .” 2014. Thesis, University of Sydney. Accessed September 18, 2019. http://hdl.handle.net/2123/11858.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Touma, Josephine. “Painting performance: art and theatricality in the work of Antoine Watteau (1684-1721) .” 2014. Web. 18 Sep 2019.

Vancouver:

Touma J. Painting performance: art and theatricality in the work of Antoine Watteau (1684-1721) . [Internet] [Thesis]. University of Sydney; 2014. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/2123/11858.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Touma J. Painting performance: art and theatricality in the work of Antoine Watteau (1684-1721) . [Thesis]. University of Sydney; 2014. Available from: http://hdl.handle.net/2123/11858

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Sydney

30. Quilty, Mary. British economic thought and colonization in Southeast Asia, 1776-1850 .

Degree: 2001, University of Sydney

Subjects/Keywords: Economics  – Philosophy  – History  – 18th century.; Economics  – Great Britain  – History  – 18th century.; Economics  – Great Britain  – History  – 19th century.; Economics  – Philosophy  – History  – 19th century.; Southeast Asia  – Colonization.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Quilty, M. (2001). British economic thought and colonization in Southeast Asia, 1776-1850 . (Thesis). University of Sydney. Retrieved from http://hdl.handle.net/2123/5672

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Quilty, Mary. “British economic thought and colonization in Southeast Asia, 1776-1850 .” 2001. Thesis, University of Sydney. Accessed September 18, 2019. http://hdl.handle.net/2123/5672.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Quilty, Mary. “British economic thought and colonization in Southeast Asia, 1776-1850 .” 2001. Web. 18 Sep 2019.

Vancouver:

Quilty M. British economic thought and colonization in Southeast Asia, 1776-1850 . [Internet] [Thesis]. University of Sydney; 2001. [cited 2019 Sep 18]. Available from: http://hdl.handle.net/2123/5672.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Quilty M. British economic thought and colonization in Southeast Asia, 1776-1850 . [Thesis]. University of Sydney; 2001. Available from: http://hdl.handle.net/2123/5672

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3] [4] [5] … [442]

.