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You searched for subject:( French theatre of the 18th century). Showing records 1 – 30 of 267401 total matches.

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Bowling Green State University

1. Connick, Rob. Rethinking Artaud's Theoretical and Practical Works.

Degree: PhD, Theatre and Film, 2011, Bowling Green State University

 This study aims to counter the claims that Artaud was a practical failure and his theoretical writings had little value for theatre practice during his… (more)

Subjects/Keywords: Performing Arts; Theater; Theater History; Theater Studies; Antonin Artaud; Theatre of Cruelty; French Theatre; Alfred Jarry Theatre; The Cenci; 20th Century Theatre

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Connick, R. (2011). Rethinking Artaud's Theoretical and Practical Works. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063

Chicago Manual of Style (16th Edition):

Connick, Rob. “Rethinking Artaud's Theoretical and Practical Works.” 2011. Doctoral Dissertation, Bowling Green State University. Accessed July 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063.

MLA Handbook (7th Edition):

Connick, Rob. “Rethinking Artaud's Theoretical and Practical Works.” 2011. Web. 22 Jul 2019.

Vancouver:

Connick R. Rethinking Artaud's Theoretical and Practical Works. [Internet] [Doctoral dissertation]. Bowling Green State University; 2011. [cited 2019 Jul 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063.

Council of Science Editors:

Connick R. Rethinking Artaud's Theoretical and Practical Works. [Doctoral Dissertation]. Bowling Green State University; 2011. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300457063

2. Ocenas, Marek. Recherche de l’effet tragique à l’époque de la Régence : naissance de la tragédie philosophique : In search of tragical effect during Regency : the birth of philosophical tragedy.

Degree: Docteur es, Lettres et arts, 2014, Université Lumière – Lyon II

Dans le cadre général d’une interrogation sur le renouvellement de la tragédie classique française à l’époque de la Régence (1715-1723), le travail étudie plus spécifiquement… (more)

Subjects/Keywords: Théâtre du XVIIIe siècle; Tragédie française; Tragédie philosophique; Effet tragique; Voltaire; Régence; Émergence des Lumières; 18th century theatre; The French tragedy; Philosophical tragedy; Tragic effect; Voltaire; The Regency period; Birth of the Enlightenment

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APA (6th Edition):

Ocenas, M. (2014). Recherche de l’effet tragique à l’époque de la Régence : naissance de la tragédie philosophique : In search of tragical effect during Regency : the birth of philosophical tragedy. (Doctoral Dissertation). Université Lumière – Lyon II. Retrieved from http://www.theses.fr/2014LYO20066

Chicago Manual of Style (16th Edition):

Ocenas, Marek. “Recherche de l’effet tragique à l’époque de la Régence : naissance de la tragédie philosophique : In search of tragical effect during Regency : the birth of philosophical tragedy.” 2014. Doctoral Dissertation, Université Lumière – Lyon II. Accessed July 22, 2019. http://www.theses.fr/2014LYO20066.

MLA Handbook (7th Edition):

Ocenas, Marek. “Recherche de l’effet tragique à l’époque de la Régence : naissance de la tragédie philosophique : In search of tragical effect during Regency : the birth of philosophical tragedy.” 2014. Web. 22 Jul 2019.

Vancouver:

Ocenas M. Recherche de l’effet tragique à l’époque de la Régence : naissance de la tragédie philosophique : In search of tragical effect during Regency : the birth of philosophical tragedy. [Internet] [Doctoral dissertation]. Université Lumière – Lyon II; 2014. [cited 2019 Jul 22]. Available from: http://www.theses.fr/2014LYO20066.

Council of Science Editors:

Ocenas M. Recherche de l’effet tragique à l’époque de la Régence : naissance de la tragédie philosophique : In search of tragical effect during Regency : the birth of philosophical tragedy. [Doctoral Dissertation]. Université Lumière – Lyon II; 2014. Available from: http://www.theses.fr/2014LYO20066

3. Valipour, Valeska. La pratique théâtrale dans l’Allemagne de la seconde moitié du dix-huitième siècle (1760 – 1805) : Theatre practice in Germany during the second half of the 18th century (1760 – 1805).

Degree: Docteur es, Études théâtrales, 2011, Université Sorbonne Nouvelle – Paris III

L’Allemagne du dix-huitième siècle est composée de plus de 300 petits pays se différenciant en ce qui concerne la politique, la religion et la langue.… (more)

Subjects/Keywords: 18ème siècle; Actrice; Droit théâtral; Métiers du théâtre; Sociologie théâtrale; Théâtre allemand; 18th century; Actress; Theatre law; Theatre professions; Sociology of the theatre; German theatre

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APA (6th Edition):

Valipour, V. (2011). La pratique théâtrale dans l’Allemagne de la seconde moitié du dix-huitième siècle (1760 – 1805) : Theatre practice in Germany during the second half of the 18th century (1760 – 1805). (Doctoral Dissertation). Université Sorbonne Nouvelle – Paris III. Retrieved from http://www.theses.fr/2011PA030019

Chicago Manual of Style (16th Edition):

Valipour, Valeska. “La pratique théâtrale dans l’Allemagne de la seconde moitié du dix-huitième siècle (1760 – 1805) : Theatre practice in Germany during the second half of the 18th century (1760 – 1805).” 2011. Doctoral Dissertation, Université Sorbonne Nouvelle – Paris III. Accessed July 22, 2019. http://www.theses.fr/2011PA030019.

MLA Handbook (7th Edition):

Valipour, Valeska. “La pratique théâtrale dans l’Allemagne de la seconde moitié du dix-huitième siècle (1760 – 1805) : Theatre practice in Germany during the second half of the 18th century (1760 – 1805).” 2011. Web. 22 Jul 2019.

Vancouver:

Valipour V. La pratique théâtrale dans l’Allemagne de la seconde moitié du dix-huitième siècle (1760 – 1805) : Theatre practice in Germany during the second half of the 18th century (1760 – 1805). [Internet] [Doctoral dissertation]. Université Sorbonne Nouvelle – Paris III; 2011. [cited 2019 Jul 22]. Available from: http://www.theses.fr/2011PA030019.

Council of Science Editors:

Valipour V. La pratique théâtrale dans l’Allemagne de la seconde moitié du dix-huitième siècle (1760 – 1805) : Theatre practice in Germany during the second half of the 18th century (1760 – 1805). [Doctoral Dissertation]. Université Sorbonne Nouvelle – Paris III; 2011. Available from: http://www.theses.fr/2011PA030019


Cornell University

4. Rosas, Luisa. Genealogies Of Cruelty: Alternative Theaters In An Early Modern World .

Degree: 2016, Cornell University

 My dissertation project is entitled Genealogies of Cruelty: Alternative Theaters in an Early Modern World and is directed by Mitchell Greenberg and Richard Klein. In… (more)

Subjects/Keywords: 17th Century, Travel Narratives, French; Spanish, Artaud, Theater of Cruelty,; 20th century French theater

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APA (6th Edition):

Rosas, L. (2016). Genealogies Of Cruelty: Alternative Theaters In An Early Modern World . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/43667

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rosas, Luisa. “Genealogies Of Cruelty: Alternative Theaters In An Early Modern World .” 2016. Thesis, Cornell University. Accessed July 22, 2019. http://hdl.handle.net/1813/43667.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rosas, Luisa. “Genealogies Of Cruelty: Alternative Theaters In An Early Modern World .” 2016. Web. 22 Jul 2019.

Vancouver:

Rosas L. Genealogies Of Cruelty: Alternative Theaters In An Early Modern World . [Internet] [Thesis]. Cornell University; 2016. [cited 2019 Jul 22]. Available from: http://hdl.handle.net/1813/43667.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rosas L. Genealogies Of Cruelty: Alternative Theaters In An Early Modern World . [Thesis]. Cornell University; 2016. Available from: http://hdl.handle.net/1813/43667

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

5. Rogers, Vanessa Lynn. Writing plays "in the sing-song way": Henry Fielding's ballad operas and early musical theater in eighteenth-century London.

Degree: PhD, Music (Historical Musicology), 2009, University of Southern California

 This study examines the ballad operas of Henry Fielding (1707-1754), known primarily as one of the greatest novelists and satirists of eighteenth-century England. Fielding's works… (more)

Subjects/Keywords: ballad opera; ballad operas; music theatre; musical theater; 18th century; England; Fielding, Henry; The Lottery; plays with music

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APA (6th Edition):

Rogers, V. L. (2009). Writing plays "in the sing-song way": Henry Fielding's ballad operas and early musical theater in eighteenth-century London. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/549419/rec/7968

Chicago Manual of Style (16th Edition):

Rogers, Vanessa Lynn. “Writing plays "in the sing-song way": Henry Fielding's ballad operas and early musical theater in eighteenth-century London.” 2009. Doctoral Dissertation, University of Southern California. Accessed July 22, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/549419/rec/7968.

MLA Handbook (7th Edition):

Rogers, Vanessa Lynn. “Writing plays "in the sing-song way": Henry Fielding's ballad operas and early musical theater in eighteenth-century London.” 2009. Web. 22 Jul 2019.

Vancouver:

Rogers VL. Writing plays "in the sing-song way": Henry Fielding's ballad operas and early musical theater in eighteenth-century London. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2019 Jul 22]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/549419/rec/7968.

Council of Science Editors:

Rogers VL. Writing plays "in the sing-song way": Henry Fielding's ballad operas and early musical theater in eighteenth-century London. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/549419/rec/7968


Univerzitet u Beogradu

6. Mihailović, Radmila. Uticaji moralizatorskih tema i školske drame na evropsku likovnu umetnost XVII i XVIII veka.

Degree: Filozofski fakultet, 2016, Univerzitet u Beogradu

Istorija umetnosti / History of Art

Autor prepoznaje i prati zajedničke imenitelje baroknog stila na fenomenološkom nivou sadržaja povezujući likovnu i pozorišnu umetnost u jednu… (more)

Subjects/Keywords: European fine arts of the 17th and the 18th century; moralizing themes; scenography of school theatre; iconographic templates; emblems; Serbian Baroque art

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APA (6th Edition):

Mihailović, R. (2016). Uticaji moralizatorskih tema i školske drame na evropsku likovnu umetnost XVII i XVIII veka. (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:14099/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mihailović, Radmila. “Uticaji moralizatorskih tema i školske drame na evropsku likovnu umetnost XVII i XVIII veka.” 2016. Thesis, Univerzitet u Beogradu. Accessed July 22, 2019. https://fedorabg.bg.ac.rs/fedora/get/o:14099/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mihailović, Radmila. “Uticaji moralizatorskih tema i školske drame na evropsku likovnu umetnost XVII i XVIII veka.” 2016. Web. 22 Jul 2019.

Vancouver:

Mihailović R. Uticaji moralizatorskih tema i školske drame na evropsku likovnu umetnost XVII i XVIII veka. [Internet] [Thesis]. Univerzitet u Beogradu; 2016. [cited 2019 Jul 22]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:14099/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mihailović R. Uticaji moralizatorskih tema i školske drame na evropsku likovnu umetnost XVII i XVIII veka. [Thesis]. Univerzitet u Beogradu; 2016. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:14099/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

7. Melai, Maurizio. Les derniers feux de la tragédie classique : étude du genre tragique en France sous la Restauration et la Monarchie de Juillet : The last manifestations of classical tragedy : a study of the tragic genre in France during the Restoration and the July Monarchy.

Degree: Docteur es, Littérature française, 2011, Université Paris-Sorbonne – Paris IV

La présente étude porte sur la pratique du genre de la tragédie classique au XIXe siècle, en particulier sous la Restauration et la Monarchie de… (more)

Subjects/Keywords: Tragédie française; Héritage classique; Théâtre du XIXe siècle; Drame romantique; French tragedy; Classical heritage; Theatre of the nineteenth century; Romantic drama

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APA (6th Edition):

Melai, M. (2011). Les derniers feux de la tragédie classique : étude du genre tragique en France sous la Restauration et la Monarchie de Juillet : The last manifestations of classical tragedy : a study of the tragic genre in France during the Restoration and the July Monarchy. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2011PA040038

Chicago Manual of Style (16th Edition):

Melai, Maurizio. “Les derniers feux de la tragédie classique : étude du genre tragique en France sous la Restauration et la Monarchie de Juillet : The last manifestations of classical tragedy : a study of the tragic genre in France during the Restoration and the July Monarchy.” 2011. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed July 22, 2019. http://www.theses.fr/2011PA040038.

MLA Handbook (7th Edition):

Melai, Maurizio. “Les derniers feux de la tragédie classique : étude du genre tragique en France sous la Restauration et la Monarchie de Juillet : The last manifestations of classical tragedy : a study of the tragic genre in France during the Restoration and the July Monarchy.” 2011. Web. 22 Jul 2019.

Vancouver:

Melai M. Les derniers feux de la tragédie classique : étude du genre tragique en France sous la Restauration et la Monarchie de Juillet : The last manifestations of classical tragedy : a study of the tragic genre in France during the Restoration and the July Monarchy. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2011. [cited 2019 Jul 22]. Available from: http://www.theses.fr/2011PA040038.

Council of Science Editors:

Melai M. Les derniers feux de la tragédie classique : étude du genre tragique en France sous la Restauration et la Monarchie de Juillet : The last manifestations of classical tragedy : a study of the tragic genre in France during the Restoration and the July Monarchy. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2011. Available from: http://www.theses.fr/2011PA040038


Université de Montréal

8. Bleau, Melynda. Vénus et Neptune en Crète : la fonction dramatique des divinités dans Idoménée de Danchet et Campra .

Degree: 2013, Université de Montréal

Subjects/Keywords: André Campra; Antoine Danchet; divinité; tragédie en musique; tragédie lyrique; dieux; opéra; structure dramatique; Vénus; théâtre; Neptune; French theatre of the 18th century; gods; dramatic structure

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APA (6th Edition):

Bleau, M. (2013). Vénus et Neptune en Crète : la fonction dramatique des divinités dans Idoménée de Danchet et Campra . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/9987

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bleau, Melynda. “Vénus et Neptune en Crète : la fonction dramatique des divinités dans Idoménée de Danchet et Campra .” 2013. Thesis, Université de Montréal. Accessed July 22, 2019. http://hdl.handle.net/1866/9987.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bleau, Melynda. “Vénus et Neptune en Crète : la fonction dramatique des divinités dans Idoménée de Danchet et Campra .” 2013. Web. 22 Jul 2019.

Vancouver:

Bleau M. Vénus et Neptune en Crète : la fonction dramatique des divinités dans Idoménée de Danchet et Campra . [Internet] [Thesis]. Université de Montréal; 2013. [cited 2019 Jul 22]. Available from: http://hdl.handle.net/1866/9987.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bleau M. Vénus et Neptune en Crète : la fonction dramatique des divinités dans Idoménée de Danchet et Campra . [Thesis]. Université de Montréal; 2013. Available from: http://hdl.handle.net/1866/9987

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

9. Bassène, Ignace. Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work.

Degree: Docteur es, Langue et littérature françaises, 2014, Aix-Marseille; Université de Saint-Louis (Sénégal)

Si d'aucuns pensent que la tragédie est morte, le tragique quant à lui reste une catégorie théâtrale toujours actuelle. Chez Eugène Ionesco, dramaturge de la… (more)

Subjects/Keywords: Eugène Ionesco; Tragique; Théâtre français du XXe siècle; Comique; Métaphysique; Eugène Ionesco; Tragic; French Theater of the XXth century; Funny; Metaphysical

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APA (6th Edition):

Bassène, I. (2014). Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work. (Doctoral Dissertation). Aix-Marseille; Université de Saint-Louis (Sénégal). Retrieved from http://www.theses.fr/2014AIXM3002

Chicago Manual of Style (16th Edition):

Bassène, Ignace. “Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work.” 2014. Doctoral Dissertation, Aix-Marseille; Université de Saint-Louis (Sénégal). Accessed July 22, 2019. http://www.theses.fr/2014AIXM3002.

MLA Handbook (7th Edition):

Bassène, Ignace. “Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work.” 2014. Web. 22 Jul 2019.

Vancouver:

Bassène I. Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work. [Internet] [Doctoral dissertation]. Aix-Marseille; Université de Saint-Louis (Sénégal); 2014. [cited 2019 Jul 22]. Available from: http://www.theses.fr/2014AIXM3002.

Council of Science Editors:

Bassène I. Le Tragique dans l'oeuvre d' Eugène Ionesco : The Tragic in Eugene Ionesco's work. [Doctoral Dissertation]. Aix-Marseille; Université de Saint-Louis (Sénégal); 2014. Available from: http://www.theses.fr/2014AIXM3002


Duquesne University

10. Hancock, Sarah Rose. The Natural Embroidery of Thomas Southerne's Oroonoko.

Degree: MA, English, 2016, Duquesne University

 In this thesis, I plan to investigate the role of the landscape in Thomas Southerne's play Oroonoko. Most scholarship on Oroonoko focuses on the relationship… (more)

Subjects/Keywords: 18th Century; British Empire; British Theater; Gardening

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APA (6th Edition):

Hancock, S. R. (2016). The Natural Embroidery of Thomas Southerne's Oroonoko. (Masters Thesis). Duquesne University. Retrieved from https://dsc.duq.edu/etd/624

Chicago Manual of Style (16th Edition):

Hancock, Sarah Rose. “The Natural Embroidery of Thomas Southerne's Oroonoko.” 2016. Masters Thesis, Duquesne University. Accessed July 22, 2019. https://dsc.duq.edu/etd/624.

MLA Handbook (7th Edition):

Hancock, Sarah Rose. “The Natural Embroidery of Thomas Southerne's Oroonoko.” 2016. Web. 22 Jul 2019.

Vancouver:

Hancock SR. The Natural Embroidery of Thomas Southerne's Oroonoko. [Internet] [Masters thesis]. Duquesne University; 2016. [cited 2019 Jul 22]. Available from: https://dsc.duq.edu/etd/624.

Council of Science Editors:

Hancock SR. The Natural Embroidery of Thomas Southerne's Oroonoko. [Masters Thesis]. Duquesne University; 2016. Available from: https://dsc.duq.edu/etd/624


Cornell University

11. Brandenburg, Ashley. Explorations Of The Vernacular In Rabelais, Du Bellay, And Montaigne .

Degree: 2012, Cornell University

 In this study, I examine communication in the vernacular in the works of François Rabelais, Joachim Du Bellay, and Michel de Montaigne. I analyze these… (more)

Subjects/Keywords: sixteenth-century French literature; vernacular treatises; History of the French language

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APA (6th Edition):

Brandenburg, A. (2012). Explorations Of The Vernacular In Rabelais, Du Bellay, And Montaigne . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/31391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brandenburg, Ashley. “Explorations Of The Vernacular In Rabelais, Du Bellay, And Montaigne .” 2012. Thesis, Cornell University. Accessed July 22, 2019. http://hdl.handle.net/1813/31391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brandenburg, Ashley. “Explorations Of The Vernacular In Rabelais, Du Bellay, And Montaigne .” 2012. Web. 22 Jul 2019.

Vancouver:

Brandenburg A. Explorations Of The Vernacular In Rabelais, Du Bellay, And Montaigne . [Internet] [Thesis]. Cornell University; 2012. [cited 2019 Jul 22]. Available from: http://hdl.handle.net/1813/31391.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brandenburg A. Explorations Of The Vernacular In Rabelais, Du Bellay, And Montaigne . [Thesis]. Cornell University; 2012. Available from: http://hdl.handle.net/1813/31391

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Otago

12. Kennerley, Philippa Jane. "We always know when we are acting wong": Performance and Theatricality in Jane Austen's Works .

Degree: 2013, University of Otago

 This study examines how Jane Austen’s knowledge of theatricality and performance influenced her work. Scholarship of the last two decades has revised the once popular… (more)

Subjects/Keywords: Jane Austen; theatre; theater; 19th century theatre; 18th century theatre; 19th century; 18th century; Sense and Sensibility; Pride and Prejudice; Mansfield Park; music in Jane Austen; theatre in Jane Austen; theater in Jane Austen; illegitimate theatre; illegitimate theater; performance; theatricality; social performance; spectatorship; spectatorship in Jane Austen

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APA (6th Edition):

Kennerley, P. J. (2013). "We always know when we are acting wong": Performance and Theatricality in Jane Austen's Works . (Masters Thesis). University of Otago. Retrieved from http://hdl.handle.net/10523/3961

Chicago Manual of Style (16th Edition):

Kennerley, Philippa Jane. “"We always know when we are acting wong": Performance and Theatricality in Jane Austen's Works .” 2013. Masters Thesis, University of Otago. Accessed July 22, 2019. http://hdl.handle.net/10523/3961.

MLA Handbook (7th Edition):

Kennerley, Philippa Jane. “"We always know when we are acting wong": Performance and Theatricality in Jane Austen's Works .” 2013. Web. 22 Jul 2019.

Vancouver:

Kennerley PJ. "We always know when we are acting wong": Performance and Theatricality in Jane Austen's Works . [Internet] [Masters thesis]. University of Otago; 2013. [cited 2019 Jul 22]. Available from: http://hdl.handle.net/10523/3961.

Council of Science Editors:

Kennerley PJ. "We always know when we are acting wong": Performance and Theatricality in Jane Austen's Works . [Masters Thesis]. University of Otago; 2013. Available from: http://hdl.handle.net/10523/3961


Université de Montréal

13. Boucher, Geneviève. Histoire, Révolution et esthétique : le temps et ses représentations dans le Tableau de Paris et le Nouveau Paris de Louis Sébastien Mercier .

Degree: 2010, Université de Montréal

 Cette thèse a pour objectif d’analyser les représentations du temps historique dans le Tableau de Paris (1781-1788) et le Nouveau Paris (1798) de Louis Sébastien… (more)

Subjects/Keywords: Littérature française du XVIIIe siècle; Tournant des Lumières; Louis Sébastien Mercier (1740-1814); Représentations du temps; Révolution française; Esthétique; Histoire des représentations; Sociocritique; French literature of the 18th Century; Late Enlightenment; Louis Sébastien Mercier (1740-1814); Representation of time; French Revolution; Aesthetics; History of representations; Sociocriticism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Boucher, G. (2010). Histoire, Révolution et esthétique : le temps et ses représentations dans le Tableau de Paris et le Nouveau Paris de Louis Sébastien Mercier . (Thesis). Université de Montréal. Retrieved from http://hdl.handle.net/1866/3854

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Boucher, Geneviève. “Histoire, Révolution et esthétique : le temps et ses représentations dans le Tableau de Paris et le Nouveau Paris de Louis Sébastien Mercier .” 2010. Thesis, Université de Montréal. Accessed July 22, 2019. http://hdl.handle.net/1866/3854.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Boucher, Geneviève. “Histoire, Révolution et esthétique : le temps et ses représentations dans le Tableau de Paris et le Nouveau Paris de Louis Sébastien Mercier .” 2010. Web. 22 Jul 2019.

Vancouver:

Boucher G. Histoire, Révolution et esthétique : le temps et ses représentations dans le Tableau de Paris et le Nouveau Paris de Louis Sébastien Mercier . [Internet] [Thesis]. Université de Montréal; 2010. [cited 2019 Jul 22]. Available from: http://hdl.handle.net/1866/3854.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Boucher G. Histoire, Révolution et esthétique : le temps et ses représentations dans le Tableau de Paris et le Nouveau Paris de Louis Sébastien Mercier . [Thesis]. Université de Montréal; 2010. Available from: http://hdl.handle.net/1866/3854

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Princeton University

14. Verhey, Melissa. Life Writing As Care of the Self: Fictional Autobiographies in Nineteenth- and Twentieth-Century French Literature .

Degree: PhD, 2018, Princeton University

 This dissertation defines fictional autobiographies as novels featuring a fictional character writing an autobiography, and it argues that these novels contribute to autobiographical theory. Whereas… (more)

Subjects/Keywords: Autobiography; Care of the Self; Nineteenth-Century French Literature; Novel; Twentieth-Century French Literature

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APA (6th Edition):

Verhey, M. (2018). Life Writing As Care of the Self: Fictional Autobiographies in Nineteenth- and Twentieth-Century French Literature . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01rr1720903

Chicago Manual of Style (16th Edition):

Verhey, Melissa. “Life Writing As Care of the Self: Fictional Autobiographies in Nineteenth- and Twentieth-Century French Literature .” 2018. Doctoral Dissertation, Princeton University. Accessed July 22, 2019. http://arks.princeton.edu/ark:/88435/dsp01rr1720903.

MLA Handbook (7th Edition):

Verhey, Melissa. “Life Writing As Care of the Self: Fictional Autobiographies in Nineteenth- and Twentieth-Century French Literature .” 2018. Web. 22 Jul 2019.

Vancouver:

Verhey M. Life Writing As Care of the Self: Fictional Autobiographies in Nineteenth- and Twentieth-Century French Literature . [Internet] [Doctoral dissertation]. Princeton University; 2018. [cited 2019 Jul 22]. Available from: http://arks.princeton.edu/ark:/88435/dsp01rr1720903.

Council of Science Editors:

Verhey M. Life Writing As Care of the Self: Fictional Autobiographies in Nineteenth- and Twentieth-Century French Literature . [Doctoral Dissertation]. Princeton University; 2018. Available from: http://arks.princeton.edu/ark:/88435/dsp01rr1720903

15. Stehouwer, Brendan. Le Libertin moraliste. Une pièce historique en deux actes précédée d’un essai critique traitant du contexte de production et de réception des Liaisons dangereuses (1782) de Choderlos de Laclos.

Degree: 2017, University of Waterloo

 Cette thèse de maîtrise prend la forme d’un travail de création littéraire – une pièce de théâtre (Le Libertin moraliste) traitant de la vie de… (more)

Subjects/Keywords: Choderlos de Laclos; Les Liaisons Dangereuses; 18th Century France; French Military History; The French Revolution; Marie-Soulange Duperré; Theatre; Dramaturgy

…x28;Laclos par lui-même, 1953), Dorothy Thelander (Laclos and the epistolary novel… 

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APA (6th Edition):

Stehouwer, B. (2017). Le Libertin moraliste. Une pièce historique en deux actes précédée d’un essai critique traitant du contexte de production et de réception des Liaisons dangereuses (1782) de Choderlos de Laclos. (Thesis). University of Waterloo. Retrieved from http://hdl.handle.net/10012/12443

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stehouwer, Brendan. “Le Libertin moraliste. Une pièce historique en deux actes précédée d’un essai critique traitant du contexte de production et de réception des Liaisons dangereuses (1782) de Choderlos de Laclos.” 2017. Thesis, University of Waterloo. Accessed July 22, 2019. http://hdl.handle.net/10012/12443.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stehouwer, Brendan. “Le Libertin moraliste. Une pièce historique en deux actes précédée d’un essai critique traitant du contexte de production et de réception des Liaisons dangereuses (1782) de Choderlos de Laclos.” 2017. Web. 22 Jul 2019.

Vancouver:

Stehouwer B. Le Libertin moraliste. Une pièce historique en deux actes précédée d’un essai critique traitant du contexte de production et de réception des Liaisons dangereuses (1782) de Choderlos de Laclos. [Internet] [Thesis]. University of Waterloo; 2017. [cited 2019 Jul 22]. Available from: http://hdl.handle.net/10012/12443.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stehouwer B. Le Libertin moraliste. Une pièce historique en deux actes précédée d’un essai critique traitant du contexte de production et de réception des Liaisons dangereuses (1782) de Choderlos de Laclos. [Thesis]. University of Waterloo; 2017. Available from: http://hdl.handle.net/10012/12443

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

16. Ma, Li. Les représentations de l'art de gouverner chinois dans les périodiques de langue française de la seconde partie du XVIIIe siècle : Representations of the Chinese art of governing in the second part of the 18th century French-language periodicals.

Degree: Docteur es, LITTERATURES FRANCAISES, COMPAREES spécialité Littérature française, 2016, Université Paul Valéry – Montpellier III

Le dix-huitième siècle ouvre une nouvelle ère dans l’histoire des échanges culturels franco-chinois. La Chine apparaît non seulement comme un pays mystérieux, qui inspire les… (more)

Subjects/Keywords: Chine; France; XVIIIe siècle; Périodiques; Art de gouverner; China; French; 18th century; Periodicals; Art of governing

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APA (6th Edition):

Ma, L. (2016). Les représentations de l'art de gouverner chinois dans les périodiques de langue française de la seconde partie du XVIIIe siècle : Representations of the Chinese art of governing in the second part of the 18th century French-language periodicals. (Doctoral Dissertation). Université Paul Valéry – Montpellier III. Retrieved from http://www.theses.fr/2016MON30062

Chicago Manual of Style (16th Edition):

Ma, Li. “Les représentations de l'art de gouverner chinois dans les périodiques de langue française de la seconde partie du XVIIIe siècle : Representations of the Chinese art of governing in the second part of the 18th century French-language periodicals.” 2016. Doctoral Dissertation, Université Paul Valéry – Montpellier III. Accessed July 22, 2019. http://www.theses.fr/2016MON30062.

MLA Handbook (7th Edition):

Ma, Li. “Les représentations de l'art de gouverner chinois dans les périodiques de langue française de la seconde partie du XVIIIe siècle : Representations of the Chinese art of governing in the second part of the 18th century French-language periodicals.” 2016. Web. 22 Jul 2019.

Vancouver:

Ma L. Les représentations de l'art de gouverner chinois dans les périodiques de langue française de la seconde partie du XVIIIe siècle : Representations of the Chinese art of governing in the second part of the 18th century French-language periodicals. [Internet] [Doctoral dissertation]. Université Paul Valéry – Montpellier III; 2016. [cited 2019 Jul 22]. Available from: http://www.theses.fr/2016MON30062.

Council of Science Editors:

Ma L. Les représentations de l'art de gouverner chinois dans les périodiques de langue française de la seconde partie du XVIIIe siècle : Representations of the Chinese art of governing in the second part of the 18th century French-language periodicals. [Doctoral Dissertation]. Université Paul Valéry – Montpellier III; 2016. Available from: http://www.theses.fr/2016MON30062

17. Velescu, Elena. La représentation des catastrophes naturelles en littérature et peinture dans l’espace culturel franco-allemand entre la deuxième moitié du XVIIIe siècle et le début du XIXe siècle : The representation of natural disasters in literature and painting in the French and German cultural space between the second half of the eighteenth century and early nineteenth century.

Degree: Docteur es, Littératures et civilisations germaniques, 2015, Paris, EPHE

Ce travail vise à rendre compte des relations créées entre les événements naturels de forte intensité et dont les conséquences destructrices les ont fait nommer… (more)

Subjects/Keywords: Littérature allemande; Peinture; Littérature française; XVIIIe-XIXe siècle; German literature; Painting; French literature; 18th-19th century; Earthquake of Lisbon; Natural disasters

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APA (6th Edition):

Velescu, E. (2015). La représentation des catastrophes naturelles en littérature et peinture dans l’espace culturel franco-allemand entre la deuxième moitié du XVIIIe siècle et le début du XIXe siècle : The representation of natural disasters in literature and painting in the French and German cultural space between the second half of the eighteenth century and early nineteenth century. (Doctoral Dissertation). Paris, EPHE. Retrieved from http://www.theses.fr/2015EPHE4048

Chicago Manual of Style (16th Edition):

Velescu, Elena. “La représentation des catastrophes naturelles en littérature et peinture dans l’espace culturel franco-allemand entre la deuxième moitié du XVIIIe siècle et le début du XIXe siècle : The representation of natural disasters in literature and painting in the French and German cultural space between the second half of the eighteenth century and early nineteenth century.” 2015. Doctoral Dissertation, Paris, EPHE. Accessed July 22, 2019. http://www.theses.fr/2015EPHE4048.

MLA Handbook (7th Edition):

Velescu, Elena. “La représentation des catastrophes naturelles en littérature et peinture dans l’espace culturel franco-allemand entre la deuxième moitié du XVIIIe siècle et le début du XIXe siècle : The representation of natural disasters in literature and painting in the French and German cultural space between the second half of the eighteenth century and early nineteenth century.” 2015. Web. 22 Jul 2019.

Vancouver:

Velescu E. La représentation des catastrophes naturelles en littérature et peinture dans l’espace culturel franco-allemand entre la deuxième moitié du XVIIIe siècle et le début du XIXe siècle : The representation of natural disasters in literature and painting in the French and German cultural space between the second half of the eighteenth century and early nineteenth century. [Internet] [Doctoral dissertation]. Paris, EPHE; 2015. [cited 2019 Jul 22]. Available from: http://www.theses.fr/2015EPHE4048.

Council of Science Editors:

Velescu E. La représentation des catastrophes naturelles en littérature et peinture dans l’espace culturel franco-allemand entre la deuxième moitié du XVIIIe siècle et le début du XIXe siècle : The representation of natural disasters in literature and painting in the French and German cultural space between the second half of the eighteenth century and early nineteenth century. [Doctoral Dissertation]. Paris, EPHE; 2015. Available from: http://www.theses.fr/2015EPHE4048


University of Oxford

18. Cox Jensen, Oskar. Napoleon and British popular song, 1797-1822.

Degree: PhD, 2014, University of Oxford

 Existing studies of popular culture and popular politics in the long eighteenth century over-favour either the ‘culture’ or the ‘politics’. This thesis contributes to debates… (more)

Subjects/Keywords: 781.63094109033; History of Britain and Europe; Eighteenth-Century Britain and Europe; 18th Century music; 19th Century music; Performance; Napoleon I; ballads; broadsides; French Revolution; Napoleonic Wars; loyalism; Britons

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APA (6th Edition):

Cox Jensen, O. (2014). Napoleon and British popular song, 1797-1822. (Doctoral Dissertation). University of Oxford. Retrieved from http://ora.ox.ac.uk/objects/uuid:d47008a8-067c-4938-a59d-3d2027a74aa2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596016

Chicago Manual of Style (16th Edition):

Cox Jensen, Oskar. “Napoleon and British popular song, 1797-1822.” 2014. Doctoral Dissertation, University of Oxford. Accessed July 22, 2019. http://ora.ox.ac.uk/objects/uuid:d47008a8-067c-4938-a59d-3d2027a74aa2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596016.

MLA Handbook (7th Edition):

Cox Jensen, Oskar. “Napoleon and British popular song, 1797-1822.” 2014. Web. 22 Jul 2019.

Vancouver:

Cox Jensen O. Napoleon and British popular song, 1797-1822. [Internet] [Doctoral dissertation]. University of Oxford; 2014. [cited 2019 Jul 22]. Available from: http://ora.ox.ac.uk/objects/uuid:d47008a8-067c-4938-a59d-3d2027a74aa2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596016.

Council of Science Editors:

Cox Jensen O. Napoleon and British popular song, 1797-1822. [Doctoral Dissertation]. University of Oxford; 2014. Available from: http://ora.ox.ac.uk/objects/uuid:d47008a8-067c-4938-a59d-3d2027a74aa2 ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596016


Queens University

19. Oryschak, Breanne. The Author's Farce: Satiric Agency, Authority, and the Performance of Eighteenth-Century Satire on Film and the Stage .

Degree: English, 2016, Queens University

 This dissertation investigates how dramatic performance affects satire, its forms of authorisation, adaptation, and interpretation. Focusing on Restoration and eighteenth-century dramatic satires and film adaptations… (more)

Subjects/Keywords: Satire; Restoration and 18th-Century Literature; Performance; Film; Theatre

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APA (6th Edition):

Oryschak, B. (2016). The Author's Farce: Satiric Agency, Authority, and the Performance of Eighteenth-Century Satire on Film and the Stage . (Thesis). Queens University. Retrieved from http://hdl.handle.net/1974/13934

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Oryschak, Breanne. “The Author's Farce: Satiric Agency, Authority, and the Performance of Eighteenth-Century Satire on Film and the Stage .” 2016. Thesis, Queens University. Accessed July 22, 2019. http://hdl.handle.net/1974/13934.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Oryschak, Breanne. “The Author's Farce: Satiric Agency, Authority, and the Performance of Eighteenth-Century Satire on Film and the Stage .” 2016. Web. 22 Jul 2019.

Vancouver:

Oryschak B. The Author's Farce: Satiric Agency, Authority, and the Performance of Eighteenth-Century Satire on Film and the Stage . [Internet] [Thesis]. Queens University; 2016. [cited 2019 Jul 22]. Available from: http://hdl.handle.net/1974/13934.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Oryschak B. The Author's Farce: Satiric Agency, Authority, and the Performance of Eighteenth-Century Satire on Film and the Stage . [Thesis]. Queens University; 2016. Available from: http://hdl.handle.net/1974/13934

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Australia

20. Hoareau, Thomas. Géricault's wounded male : an interpretation of the Raft of the Medusa (1819) within the context of the early French Restoration.

Degree: M.F.A., 2011, University of Western Australia

Géricault's wounded male : an enterpretation of the Raft of the Medusa (1819) within the context of the early French Restoration begins with a re-examination… (more)

Subjects/Keywords: Raft of the Medusa; Géricault; French romanticism; French neo-classicism; Nineteenth century painting; French restoration; Modern identity; Nude male

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APA (6th Edition):

Hoareau, T. (2011). Géricault's wounded male : an interpretation of the Raft of the Medusa (1819) within the context of the early French Restoration. (Masters Thesis). University of Western Australia. Retrieved from http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=32617&local_base=GEN01-INS01

Chicago Manual of Style (16th Edition):

Hoareau, Thomas. “Géricault's wounded male : an interpretation of the Raft of the Medusa (1819) within the context of the early French Restoration.” 2011. Masters Thesis, University of Western Australia. Accessed July 22, 2019. http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=32617&local_base=GEN01-INS01.

MLA Handbook (7th Edition):

Hoareau, Thomas. “Géricault's wounded male : an interpretation of the Raft of the Medusa (1819) within the context of the early French Restoration.” 2011. Web. 22 Jul 2019.

Vancouver:

Hoareau T. Géricault's wounded male : an interpretation of the Raft of the Medusa (1819) within the context of the early French Restoration. [Internet] [Masters thesis]. University of Western Australia; 2011. [cited 2019 Jul 22]. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=32617&local_base=GEN01-INS01.

Council of Science Editors:

Hoareau T. Géricault's wounded male : an interpretation of the Raft of the Medusa (1819) within the context of the early French Restoration. [Masters Thesis]. University of Western Australia; 2011. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=32617&local_base=GEN01-INS01

21. Mathis, Thierry. Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques.

Degree: Docteur es, Musicologie, 2013, Université de Strasbourg

La musique française pour clavecin des XVIIe et XVIIIe siècles est-elle jouée de nos jours telle qu’elle devrait l’être ? De quelles sources disposent musicologues… (more)

Subjects/Keywords: Clavecin; Organologie; Interprétation; Esthétique musicale des XVIIe et XVIIIe siècles; Agrémentation et ornementation; Doigtés français anciens de clavecin; Musique baroque; Histoire de la musique; XVIIe siècle; XVIIIe siècle; Épinette; Instruments historiques à claviers; Harpsichord; Organology; Interpretation; Aesthetics of music of the 17th and 18th centuries; Music embellishments; Historical french keyboardfingerings; Baroque music; Music history; 17th century; 18th century; Spinett; Historical keyboard instruments; 786.4; 781

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APA (6th Edition):

Mathis, T. (2013). Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques. (Doctoral Dissertation). Université de Strasbourg. Retrieved from http://www.theses.fr/2013STRAC011

Chicago Manual of Style (16th Edition):

Mathis, Thierry. “Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques.” 2013. Doctoral Dissertation, Université de Strasbourg. Accessed July 22, 2019. http://www.theses.fr/2013STRAC011.

MLA Handbook (7th Edition):

Mathis, Thierry. “Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques.” 2013. Web. 22 Jul 2019.

Vancouver:

Mathis T. Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques. [Internet] [Doctoral dissertation]. Université de Strasbourg; 2013. [cited 2019 Jul 22]. Available from: http://www.theses.fr/2013STRAC011.

Council of Science Editors:

Mathis T. Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation : The harpsichord in France in the 17th and 18th centuries : organological discoveries and new playing techniques. [Doctoral Dissertation]. Université de Strasbourg; 2013. Available from: http://www.theses.fr/2013STRAC011


Victoria University of Wellington

22. Morrell, Vivienne Ruth. 'To the Curious Enquirer': Depictions of Pacific Peoples in Popular Illustrated Books from Paris and London c.1775-1810.

Degree: 2010, Victoria University of Wellington

 This study considers a range of illustrated encyclopaedias published in London and Paris in the late eighteenth and early nineteenth centuries depicting peoples of the… (more)

Subjects/Keywords: 18th century; Illustration of books; Pacific Islanders

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APA (6th Edition):

Morrell, V. R. (2010). 'To the Curious Enquirer': Depictions of Pacific Peoples in Popular Illustrated Books from Paris and London c.1775-1810. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/3747

Chicago Manual of Style (16th Edition):

Morrell, Vivienne Ruth. “'To the Curious Enquirer': Depictions of Pacific Peoples in Popular Illustrated Books from Paris and London c.1775-1810.” 2010. Masters Thesis, Victoria University of Wellington. Accessed July 22, 2019. http://hdl.handle.net/10063/3747.

MLA Handbook (7th Edition):

Morrell, Vivienne Ruth. “'To the Curious Enquirer': Depictions of Pacific Peoples in Popular Illustrated Books from Paris and London c.1775-1810.” 2010. Web. 22 Jul 2019.

Vancouver:

Morrell VR. 'To the Curious Enquirer': Depictions of Pacific Peoples in Popular Illustrated Books from Paris and London c.1775-1810. [Internet] [Masters thesis]. Victoria University of Wellington; 2010. [cited 2019 Jul 22]. Available from: http://hdl.handle.net/10063/3747.

Council of Science Editors:

Morrell VR. 'To the Curious Enquirer': Depictions of Pacific Peoples in Popular Illustrated Books from Paris and London c.1775-1810. [Masters Thesis]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/3747

23. Affolter, Andreas. Verhandeln mit Republiken : die Ambassade des Marquis d’Avaray und die französisch-eidgenössischen Beziehungen im frühen 18. Jahrhundert : Negotiating with Republics : the Embassy of the Marquis d’Avaray and the Franco-Swiss Relations in the Early 18th Century.

Degree: Docteur es, Histoire, 2015, Paris, EPHE; Université de Berne

La thèse examine les relations franco-suisses au début du XVIIIe siècle en s’interrogeant sur les pratiques et les canaux de négociation d’un côté, et celles… (more)

Subjects/Keywords: Histoire diplomatique; Histoire culturelle; Négociation; Diplomatic History; Cultural History; Negotiation; French-Swiss Relations; France 18th Century; Switzerland 18th Century

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APA (6th Edition):

Affolter, A. (2015). Verhandeln mit Republiken : die Ambassade des Marquis d’Avaray und die französisch-eidgenössischen Beziehungen im frühen 18. Jahrhundert : Negotiating with Republics : the Embassy of the Marquis d’Avaray and the Franco-Swiss Relations in the Early 18th Century. (Doctoral Dissertation). Paris, EPHE; Université de Berne. Retrieved from http://www.theses.fr/2015EPHE4044

Chicago Manual of Style (16th Edition):

Affolter, Andreas. “Verhandeln mit Republiken : die Ambassade des Marquis d’Avaray und die französisch-eidgenössischen Beziehungen im frühen 18. Jahrhundert : Negotiating with Republics : the Embassy of the Marquis d’Avaray and the Franco-Swiss Relations in the Early 18th Century.” 2015. Doctoral Dissertation, Paris, EPHE; Université de Berne. Accessed July 22, 2019. http://www.theses.fr/2015EPHE4044.

MLA Handbook (7th Edition):

Affolter, Andreas. “Verhandeln mit Republiken : die Ambassade des Marquis d’Avaray und die französisch-eidgenössischen Beziehungen im frühen 18. Jahrhundert : Negotiating with Republics : the Embassy of the Marquis d’Avaray and the Franco-Swiss Relations in the Early 18th Century.” 2015. Web. 22 Jul 2019.

Vancouver:

Affolter A. Verhandeln mit Republiken : die Ambassade des Marquis d’Avaray und die französisch-eidgenössischen Beziehungen im frühen 18. Jahrhundert : Negotiating with Republics : the Embassy of the Marquis d’Avaray and the Franco-Swiss Relations in the Early 18th Century. [Internet] [Doctoral dissertation]. Paris, EPHE; Université de Berne; 2015. [cited 2019 Jul 22]. Available from: http://www.theses.fr/2015EPHE4044.

Council of Science Editors:

Affolter A. Verhandeln mit Republiken : die Ambassade des Marquis d’Avaray und die französisch-eidgenössischen Beziehungen im frühen 18. Jahrhundert : Negotiating with Republics : the Embassy of the Marquis d’Avaray and the Franco-Swiss Relations in the Early 18th Century. [Doctoral Dissertation]. Paris, EPHE; Université de Berne; 2015. Available from: http://www.theses.fr/2015EPHE4044


Univerzitet u Beogradu

24. Točanac Radović, Isidora B., 1972-. Реформа Српске православне цркве у Хабзбуршкој монархији за време владавине Марије Терезије и Јосифа II : (1740-1790).

Degree: Filozofski fakultet, 2015, Univerzitet u Beogradu

Историја - Историја српског народа 16-18. века / History - History of the Serbian people in the period ranging from the 16th to the 18th(more)

Subjects/Keywords: Serbian Orthodox Church; Metropolis of Karlovci; Church reform; 18th century; monasteries; parishes; school reform; reduction of the feast days; catechesis; consistories

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Točanac Radović, Isidora B., 1. (2015). Реформа Српске православне цркве у Хабзбуршкој монархији за време владавине Марије Терезије и Јосифа II : (1740-1790). (Thesis). Univerzitet u Beogradu. Retrieved from https://fedorabg.bg.ac.rs/fedora/get/o:9335/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Točanac Radović, Isidora B., 1972-. “Реформа Српске православне цркве у Хабзбуршкој монархији за време владавине Марије Терезије и Јосифа II : (1740-1790).” 2015. Thesis, Univerzitet u Beogradu. Accessed July 22, 2019. https://fedorabg.bg.ac.rs/fedora/get/o:9335/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Točanac Radović, Isidora B., 1972-. “Реформа Српске православне цркве у Хабзбуршкој монархији за време владавине Марије Терезије и Јосифа II : (1740-1790).” 2015. Web. 22 Jul 2019.

Vancouver:

Točanac Radović, Isidora B. 1. Реформа Српске православне цркве у Хабзбуршкој монархији за време владавине Марије Терезије и Јосифа II : (1740-1790). [Internet] [Thesis]. Univerzitet u Beogradu; 2015. [cited 2019 Jul 22]. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:9335/bdef:Content/get.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Točanac Radović, Isidora B. 1. Реформа Српске православне цркве у Хабзбуршкој монархији за време владавине Марије Терезије и Јосифа II : (1740-1790). [Thesis]. Univerzitet u Beogradu; 2015. Available from: https://fedorabg.bg.ac.rs/fedora/get/o:9335/bdef:Content/get

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Paschidi, Evaggelia. Η συνέχεια του ησυχασμού στη μεταβυζαντινή περίοδο (μέχρι τα τέλη του 18ου αιώνα).

Degree: 2017, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

The aim of present thesis is to show that during the post Byzantine period the substance of Hesychasm is the base of Christian Orthodoxy. This… (more)

Subjects/Keywords: Συνέχεια Ησυχασμού έως τα τέλη του 18ου αιώνα; continuation of Hesychasm until the end of 18th century

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Paschidi, E. (2017). Η συνέχεια του ησυχασμού στη μεταβυζαντινή περίοδο (μέχρι τα τέλη του 18ου αιώνα). (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/43889

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Paschidi, Evaggelia. “Η συνέχεια του ησυχασμού στη μεταβυζαντινή περίοδο (μέχρι τα τέλη του 18ου αιώνα).” 2017. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed July 22, 2019. http://hdl.handle.net/10442/hedi/43889.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Paschidi, Evaggelia. “Η συνέχεια του ησυχασμού στη μεταβυζαντινή περίοδο (μέχρι τα τέλη του 18ου αιώνα).” 2017. Web. 22 Jul 2019.

Vancouver:

Paschidi E. Η συνέχεια του ησυχασμού στη μεταβυζαντινή περίοδο (μέχρι τα τέλη του 18ου αιώνα). [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2017. [cited 2019 Jul 22]. Available from: http://hdl.handle.net/10442/hedi/43889.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Paschidi E. Η συνέχεια του ησυχασμού στη μεταβυζαντινή περίοδο (μέχρι τα τέλη του 18ου αιώνα). [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2017. Available from: http://hdl.handle.net/10442/hedi/43889

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


AUT University

26. Cooke, Alana. The Country of the Past: an exegesis to 'Great and Glorious Intent' .

Degree: 2011, AUT University

 This novel, "Great and Glorious Intent" is historical biographical fiction fashioned around the early life of Richard Molesworth who took part in the War of… (more)

Subjects/Keywords: 18th Century Military History; Molesworth; 1st Duke of Marlborough; Blenheim; War of the Spanish Succession; Richard Molesworth

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APA (6th Edition):

Cooke, A. (2011). The Country of the Past: an exegesis to 'Great and Glorious Intent' . (Thesis). AUT University. Retrieved from http://hdl.handle.net/10292/2639

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cooke, Alana. “The Country of the Past: an exegesis to 'Great and Glorious Intent' .” 2011. Thesis, AUT University. Accessed July 22, 2019. http://hdl.handle.net/10292/2639.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cooke, Alana. “The Country of the Past: an exegesis to 'Great and Glorious Intent' .” 2011. Web. 22 Jul 2019.

Vancouver:

Cooke A. The Country of the Past: an exegesis to 'Great and Glorious Intent' . [Internet] [Thesis]. AUT University; 2011. [cited 2019 Jul 22]. Available from: http://hdl.handle.net/10292/2639.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cooke A. The Country of the Past: an exegesis to 'Great and Glorious Intent' . [Thesis]. AUT University; 2011. Available from: http://hdl.handle.net/10292/2639

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duke University

27. Desplanque, Kathryn. Art, Commerce, and Caricature: Satirical Images of Artistic Life in Paris, 1750-1850 .

Degree: 2017, Duke University

  This dissertation examines a corpus of 486 satirical images of artistic life in Paris. The Parisian art-world was regularly the subject of a form… (more)

Subjects/Keywords: Art history; History; Theater history; 18th century; 19th century; Art world; Caricature; France; Political cartoons

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Desplanque, K. (2017). Art, Commerce, and Caricature: Satirical Images of Artistic Life in Paris, 1750-1850 . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/14461

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Desplanque, Kathryn. “Art, Commerce, and Caricature: Satirical Images of Artistic Life in Paris, 1750-1850 .” 2017. Thesis, Duke University. Accessed July 22, 2019. http://hdl.handle.net/10161/14461.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Desplanque, Kathryn. “Art, Commerce, and Caricature: Satirical Images of Artistic Life in Paris, 1750-1850 .” 2017. Web. 22 Jul 2019.

Vancouver:

Desplanque K. Art, Commerce, and Caricature: Satirical Images of Artistic Life in Paris, 1750-1850 . [Internet] [Thesis]. Duke University; 2017. [cited 2019 Jul 22]. Available from: http://hdl.handle.net/10161/14461.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Desplanque K. Art, Commerce, and Caricature: Satirical Images of Artistic Life in Paris, 1750-1850 . [Thesis]. Duke University; 2017. Available from: http://hdl.handle.net/10161/14461

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Μηνάογλου, Χαράλαμπος. Έλληνες διπλωμάτες στήν Οθωμανική αυτοκρατορία: ο Κωνσταντίνος Καρατζάς ο Μπάνος καί το ταξίδι του στήν Πρωσία (1790-1792).

Degree: 2012, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

My PhD thesis under the title “Greek diplomats in the Ottoman Empire: Constantine Caratzas the Ban and his journey to Prussia (1790-1792)” emerged as an… (more)

Subjects/Keywords: Οθωμανική διπλωματία (18ος αι.); Προϊστορία ελληνικής διπλωματίας; Απαρχές ελληνικής πολιτικής σκέψης; Ελληνικά περιηγητικά κείμενα (18ος αι.); Πολιτικά δίκτυα (18ος αι.); Phanariots; Ottoman diplomacy (18th century); Pre-history of the Greek diplomacy; Greek travel accounts (18th century); Greek political networks (18th century)

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Μηνάογλου, . . (2012). Έλληνες διπλωμάτες στήν Οθωμανική αυτοκρατορία: ο Κωνσταντίνος Καρατζάς ο Μπάνος καί το ταξίδι του στήν Πρωσία (1790-1792). (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/26340

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Μηνάογλου, Χαράλαμπος. “Έλληνες διπλωμάτες στήν Οθωμανική αυτοκρατορία: ο Κωνσταντίνος Καρατζάς ο Μπάνος καί το ταξίδι του στήν Πρωσία (1790-1792).” 2012. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed July 22, 2019. http://hdl.handle.net/10442/hedi/26340.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Μηνάογλου, Χαράλαμπος. “Έλληνες διπλωμάτες στήν Οθωμανική αυτοκρατορία: ο Κωνσταντίνος Καρατζάς ο Μπάνος καί το ταξίδι του στήν Πρωσία (1790-1792).” 2012. Web. 22 Jul 2019.

Vancouver:

Μηνάογλου . Έλληνες διπλωμάτες στήν Οθωμανική αυτοκρατορία: ο Κωνσταντίνος Καρατζάς ο Μπάνος καί το ταξίδι του στήν Πρωσία (1790-1792). [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2012. [cited 2019 Jul 22]. Available from: http://hdl.handle.net/10442/hedi/26340.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Μηνάογλου . Έλληνες διπλωμάτες στήν Οθωμανική αυτοκρατορία: ο Κωνσταντίνος Καρατζάς ο Μπάνος καί το ταξίδι του στήν Πρωσία (1790-1792). [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2012. Available from: http://hdl.handle.net/10442/hedi/26340

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

29. O'Connor, Carrie L. Metamorphoses of the Pygmalion Myth in French Literature 1771 – 1886.

Degree: PhD, French and Francophone Language and Literature, 2015, Louisiana State University

 Writers have long explored and attempted to portray the visual artist’s challenge of creating the ideal in the real world through art. My thesis asserts… (more)

Subjects/Keywords: Pygmalion; myth; adaptation; Venus; creator; art; nineteenth-century French literature; eighteenth-century French theater

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APA (6th Edition):

O'Connor, C. L. (2015). Metamorphoses of the Pygmalion Myth in French Literature 1771 – 1886. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-11032015-151713 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2304

Chicago Manual of Style (16th Edition):

O'Connor, Carrie L. “Metamorphoses of the Pygmalion Myth in French Literature 1771 – 1886.” 2015. Doctoral Dissertation, Louisiana State University. Accessed July 22, 2019. etd-11032015-151713 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2304.

MLA Handbook (7th Edition):

O'Connor, Carrie L. “Metamorphoses of the Pygmalion Myth in French Literature 1771 – 1886.” 2015. Web. 22 Jul 2019.

Vancouver:

O'Connor CL. Metamorphoses of the Pygmalion Myth in French Literature 1771 – 1886. [Internet] [Doctoral dissertation]. Louisiana State University; 2015. [cited 2019 Jul 22]. Available from: etd-11032015-151713 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2304.

Council of Science Editors:

O'Connor CL. Metamorphoses of the Pygmalion Myth in French Literature 1771 – 1886. [Doctoral Dissertation]. Louisiana State University; 2015. Available from: etd-11032015-151713 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2304


Linköping University

30. Erlander, Lillemor. Moi et Desprez: : Om Louis Jean Desprez’ teaterdekorationer och Gustaf III:s nationella projekt.

Degree: Culture and Communication, 2008, Linköping University

En studie av teaterdekoratören, konstnären och arkitekten Louis Jean Desprez' betydelse för Gustaf III nationella projekt, att förena sitt folk och skapa en nationell… (more)

Subjects/Keywords: Louis Jean Desprez; Gustaf III; theatre painting; National Project of Gustaf III; Gustag III:s opera; opera; 18th century theater and opera in Sweden; Louis Jean Desprez; Gustaf III; teaterdekoration; Gustaf III nationella project; Gustaf III : s opera; opera; 1700-talets opera och teater i Sverige; Art; Konstvetenskap

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Erlander, L. (2008). Moi et Desprez: : Om Louis Jean Desprez’ teaterdekorationer och Gustaf III:s nationella projekt. (Thesis). Linköping University. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-19289

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Erlander, Lillemor. “Moi et Desprez: : Om Louis Jean Desprez’ teaterdekorationer och Gustaf III:s nationella projekt.” 2008. Thesis, Linköping University. Accessed July 22, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-19289.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Erlander, Lillemor. “Moi et Desprez: : Om Louis Jean Desprez’ teaterdekorationer och Gustaf III:s nationella projekt.” 2008. Web. 22 Jul 2019.

Vancouver:

Erlander L. Moi et Desprez: : Om Louis Jean Desprez’ teaterdekorationer och Gustaf III:s nationella projekt. [Internet] [Thesis]. Linköping University; 2008. [cited 2019 Jul 22]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-19289.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Erlander L. Moi et Desprez: : Om Louis Jean Desprez’ teaterdekorationer och Gustaf III:s nationella projekt. [Thesis]. Linköping University; 2008. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-19289

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

[1] [2] [3] [4] [5] … [8914]

.