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You searched for subject:( Disordered porous media). Showing records 1 – 12 of 12 total matches.

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University of New South Wales

1. Belanger, Cynthia Joyce. [encapsulated self].

Degree: Media Arts, 2010, University of New South Wales

 The research project explores the concept of the self/other in contemporary art practice with its focal point as self-portrait and portraiture. The proposal sought to… (more)

Subjects/Keywords: Self; Media Arts; Portraiture

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APA (6th Edition):

Belanger, C. J. (2010). [encapsulated self]. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/45623 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8905/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Belanger, Cynthia Joyce. “[encapsulated self].” 2010. Masters Thesis, University of New South Wales. Accessed July 19, 2019. http://handle.unsw.edu.au/1959.4/45623 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8905/SOURCE02?view=true.

MLA Handbook (7th Edition):

Belanger, Cynthia Joyce. “[encapsulated self].” 2010. Web. 19 Jul 2019.

Vancouver:

Belanger CJ. [encapsulated self]. [Internet] [Masters thesis]. University of New South Wales; 2010. [cited 2019 Jul 19]. Available from: http://handle.unsw.edu.au/1959.4/45623 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8905/SOURCE02?view=true.

Council of Science Editors:

Belanger CJ. [encapsulated self]. [Masters Thesis]. University of New South Wales; 2010. Available from: http://handle.unsw.edu.au/1959.4/45623 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8905/SOURCE02?view=true


University of New South Wales

2. Haig, Ian. Dirty bodies and clean technologies: the absent abject body in media arts culture.

Degree: Media Arts, 2013, University of New South Wales

 My research explores why the abject body is not conceptualised within the idiomof media arts culture. Why is it missing and often edited out of… (more)

Subjects/Keywords: Abject; Media Art; Body; Visceral; Technology

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APA (6th Edition):

Haig, I. (2013). Dirty bodies and clean technologies: the absent abject body in media arts culture. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53361 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12055/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Haig, Ian. “Dirty bodies and clean technologies: the absent abject body in media arts culture.” 2013. Doctoral Dissertation, University of New South Wales. Accessed July 19, 2019. http://handle.unsw.edu.au/1959.4/53361 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12055/SOURCE02?view=true.

MLA Handbook (7th Edition):

Haig, Ian. “Dirty bodies and clean technologies: the absent abject body in media arts culture.” 2013. Web. 19 Jul 2019.

Vancouver:

Haig I. Dirty bodies and clean technologies: the absent abject body in media arts culture. [Internet] [Doctoral dissertation]. University of New South Wales; 2013. [cited 2019 Jul 19]. Available from: http://handle.unsw.edu.au/1959.4/53361 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12055/SOURCE02?view=true.

Council of Science Editors:

Haig I. Dirty bodies and clean technologies: the absent abject body in media arts culture. [Doctoral Dissertation]. University of New South Wales; 2013. Available from: http://handle.unsw.edu.au/1959.4/53361 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12055/SOURCE02?view=true


University of New South Wales

3. Davis, Anna Miriam. Screen personas, social anxiety and new media: a practice-led investigation.

Degree: Media Arts, 2010, University of New South Wales

 New media research has made significant contributions to our understanding of emotion in the digital arena. However it has tended to overlook painful emotions such… (more)

Subjects/Keywords: Social anxiety; New media; Art; Affect; Digital persona; Video art

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APA (6th Edition):

Davis, A. M. (2010). Screen personas, social anxiety and new media: a practice-led investigation. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/45679 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8961/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Davis, Anna Miriam. “Screen personas, social anxiety and new media: a practice-led investigation.” 2010. Doctoral Dissertation, University of New South Wales. Accessed July 19, 2019. http://handle.unsw.edu.au/1959.4/45679 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8961/SOURCE02?view=true.

MLA Handbook (7th Edition):

Davis, Anna Miriam. “Screen personas, social anxiety and new media: a practice-led investigation.” 2010. Web. 19 Jul 2019.

Vancouver:

Davis AM. Screen personas, social anxiety and new media: a practice-led investigation. [Internet] [Doctoral dissertation]. University of New South Wales; 2010. [cited 2019 Jul 19]. Available from: http://handle.unsw.edu.au/1959.4/45679 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8961/SOURCE02?view=true.

Council of Science Editors:

Davis AM. Screen personas, social anxiety and new media: a practice-led investigation. [Doctoral Dissertation]. University of New South Wales; 2010. Available from: http://handle.unsw.edu.au/1959.4/45679 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8961/SOURCE02?view=true


University of New South Wales

4. Frost, Andrew. Science fictional: the aesthetics of science fiction beyond the limits of genre.

Degree: Media Arts, 2013, University of New South Wales

 Science Fictional: The Aesthetics of SF Beyond the Limits of Genre proposes that contemporary culture is a spatial experience dominated by an aesthetic of science… (more)

Subjects/Keywords: New media; Contemporary art; Science fiction; Video art; Science fiction illustration

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APA (6th Edition):

Frost, A. (2013). Science fictional: the aesthetics of science fiction beyond the limits of genre. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/52684 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11357/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Frost, Andrew. “Science fictional: the aesthetics of science fiction beyond the limits of genre.” 2013. Doctoral Dissertation, University of New South Wales. Accessed July 19, 2019. http://handle.unsw.edu.au/1959.4/52684 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11357/SOURCE01?view=true.

MLA Handbook (7th Edition):

Frost, Andrew. “Science fictional: the aesthetics of science fiction beyond the limits of genre.” 2013. Web. 19 Jul 2019.

Vancouver:

Frost A. Science fictional: the aesthetics of science fiction beyond the limits of genre. [Internet] [Doctoral dissertation]. University of New South Wales; 2013. [cited 2019 Jul 19]. Available from: http://handle.unsw.edu.au/1959.4/52684 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11357/SOURCE01?view=true.

Council of Science Editors:

Frost A. Science fictional: the aesthetics of science fiction beyond the limits of genre. [Doctoral Dissertation]. University of New South Wales; 2013. Available from: http://handle.unsw.edu.au/1959.4/52684 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11357/SOURCE01?view=true


University of New South Wales

5. Balmain, Justin. networked:// screen-space, the internet & virtual/physical communities.

Degree: Media Arts, 2012, University of New South Wales

 The Masters of Fine Art exegesis is an examination of the interrelationships between physical and virtual social models, anddemonstrates how a body of sculptural work… (more)

Subjects/Keywords: Subculture; Visual art; Media art; Internet; Social; Online; Virtual; Screen space; Emma Goldman

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APA (6th Edition):

Balmain, J. (2012). networked:// screen-space, the internet & virtual/physical communities. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/54219 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:13456/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Balmain, Justin. “networked:// screen-space, the internet & virtual/physical communities.” 2012. Masters Thesis, University of New South Wales. Accessed July 19, 2019. http://handle.unsw.edu.au/1959.4/54219 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:13456/SOURCE02?view=true.

MLA Handbook (7th Edition):

Balmain, Justin. “networked:// screen-space, the internet & virtual/physical communities.” 2012. Web. 19 Jul 2019.

Vancouver:

Balmain J. networked:// screen-space, the internet & virtual/physical communities. [Internet] [Masters thesis]. University of New South Wales; 2012. [cited 2019 Jul 19]. Available from: http://handle.unsw.edu.au/1959.4/54219 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:13456/SOURCE02?view=true.

Council of Science Editors:

Balmain J. networked:// screen-space, the internet & virtual/physical communities. [Masters Thesis]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/54219 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:13456/SOURCE02?view=true


University of New South Wales

6. Djonov, Atanas. Navigating viewers: montage, space and meta-art in new media video installation.

Degree: Media Arts, 2012, University of New South Wales

 A significant challenge for new media installation art is how to avoid overwhelming the audience with multiple modes, media, genres and interaction options that lack… (more)

Subjects/Keywords: Montage; New media art; Video installation art; Meta-art; Space; Compass; Multimodality

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APA (6th Edition):

Djonov, A. (2012). Navigating viewers: montage, space and meta-art in new media video installation. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/51991 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10661/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Djonov, Atanas. “Navigating viewers: montage, space and meta-art in new media video installation.” 2012. Doctoral Dissertation, University of New South Wales. Accessed July 19, 2019. http://handle.unsw.edu.au/1959.4/51991 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10661/SOURCE01?view=true.

MLA Handbook (7th Edition):

Djonov, Atanas. “Navigating viewers: montage, space and meta-art in new media video installation.” 2012. Web. 19 Jul 2019.

Vancouver:

Djonov A. Navigating viewers: montage, space and meta-art in new media video installation. [Internet] [Doctoral dissertation]. University of New South Wales; 2012. [cited 2019 Jul 19]. Available from: http://handle.unsw.edu.au/1959.4/51991 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10661/SOURCE01?view=true.

Council of Science Editors:

Djonov A. Navigating viewers: montage, space and meta-art in new media video installation. [Doctoral Dissertation]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/51991 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10661/SOURCE01?view=true


University of New South Wales

7. Ferris, Gregory. Every time I leave the room: image, time and metadata in off-screen space.

Degree: Media Arts, 2012, University of New South Wales

 Despite extensive media arts theory focusing on sound, the moving image andthe relationship between the audible and the visible, there has been scant researchinto how… (more)

Subjects/Keywords: Off-screen space; Media art; Digital technologies; Meaning; Image; Mise-en-scene

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APA (6th Edition):

Ferris, G. (2012). Every time I leave the room: image, time and metadata in off-screen space. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/52543 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11216/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Ferris, Gregory. “Every time I leave the room: image, time and metadata in off-screen space.” 2012. Doctoral Dissertation, University of New South Wales. Accessed July 19, 2019. http://handle.unsw.edu.au/1959.4/52543 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11216/SOURCE01?view=true.

MLA Handbook (7th Edition):

Ferris, Gregory. “Every time I leave the room: image, time and metadata in off-screen space.” 2012. Web. 19 Jul 2019.

Vancouver:

Ferris G. Every time I leave the room: image, time and metadata in off-screen space. [Internet] [Doctoral dissertation]. University of New South Wales; 2012. [cited 2019 Jul 19]. Available from: http://handle.unsw.edu.au/1959.4/52543 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11216/SOURCE01?view=true.

Council of Science Editors:

Ferris G. Every time I leave the room: image, time and metadata in off-screen space. [Doctoral Dissertation]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/52543 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:11216/SOURCE01?view=true


University of New South Wales

8. Charuk, Peter Eugene. glacies lux: ice as moving image.

Degree: Media Arts, 2011, University of New South Wales

 Ice is one substance in which we can observe temporality in terms of climate change. glacies lux is an immersive time-based digital work, submitted as… (more)

Subjects/Keywords: Moving image; Ice; Climate change; Video installation; Practice-based; Art/science; Media arts

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APA (6th Edition):

Charuk, P. E. (2011). glacies lux: ice as moving image. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/51264 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:9945/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Charuk, Peter Eugene. “glacies lux: ice as moving image.” 2011. Doctoral Dissertation, University of New South Wales. Accessed July 19, 2019. http://handle.unsw.edu.au/1959.4/51264 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:9945/SOURCE02?view=true.

MLA Handbook (7th Edition):

Charuk, Peter Eugene. “glacies lux: ice as moving image.” 2011. Web. 19 Jul 2019.

Vancouver:

Charuk PE. glacies lux: ice as moving image. [Internet] [Doctoral dissertation]. University of New South Wales; 2011. [cited 2019 Jul 19]. Available from: http://handle.unsw.edu.au/1959.4/51264 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:9945/SOURCE02?view=true.

Council of Science Editors:

Charuk PE. glacies lux: ice as moving image. [Doctoral Dissertation]. University of New South Wales; 2011. Available from: http://handle.unsw.edu.au/1959.4/51264 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:9945/SOURCE02?view=true


University of New South Wales

9. Winesmith, Keir Blake Charles. Iterative aesthetics: computer-mediated interactive artmaking.

Degree: Media Arts, 2008, University of New South Wales

 This dissertation poses and seeks to answer the following question: what are the research processes used by computer technologists to examine the nature of human… (more)

Subjects/Keywords: Human-computer interaction; Media art; Interactive art

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APA (6th Edition):

Winesmith, K. B. C. (2008). Iterative aesthetics: computer-mediated interactive artmaking. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/45016 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8312/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Winesmith, Keir Blake Charles. “Iterative aesthetics: computer-mediated interactive artmaking.” 2008. Doctoral Dissertation, University of New South Wales. Accessed July 19, 2019. http://handle.unsw.edu.au/1959.4/45016 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8312/SOURCE02?view=true.

MLA Handbook (7th Edition):

Winesmith, Keir Blake Charles. “Iterative aesthetics: computer-mediated interactive artmaking.” 2008. Web. 19 Jul 2019.

Vancouver:

Winesmith KBC. Iterative aesthetics: computer-mediated interactive artmaking. [Internet] [Doctoral dissertation]. University of New South Wales; 2008. [cited 2019 Jul 19]. Available from: http://handle.unsw.edu.au/1959.4/45016 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8312/SOURCE02?view=true.

Council of Science Editors:

Winesmith KBC. Iterative aesthetics: computer-mediated interactive artmaking. [Doctoral Dissertation]. University of New South Wales; 2008. Available from: http://handle.unsw.edu.au/1959.4/45016 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:8312/SOURCE02?view=true


University of New South Wales

10. Flynn, Bernadette Mary. In search of a body: the somatisation of digital cultural heritage.

Degree: Media Arts, 2012, University of New South Wales

 The focus of the thesis is embodied practice within digital cultural heritage. Digital environments that take into account the somatic framework of inquiry have been… (more)

Subjects/Keywords: Mnajdra Temples; Digital Cultural Heritage; Embodiment; Malta Neolithic; Prehistory; Presence; Interactive Media; Somatic; Interpretative archaeology; Phenomenological archaeology; AVIE; Responsive environment; Motion Tracking

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APA (6th Edition):

Flynn, B. M. (2012). In search of a body: the somatisation of digital cultural heritage. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/51614 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10281/SOURCE1?view=true

Chicago Manual of Style (16th Edition):

Flynn, Bernadette Mary. “In search of a body: the somatisation of digital cultural heritage.” 2012. Doctoral Dissertation, University of New South Wales. Accessed July 19, 2019. http://handle.unsw.edu.au/1959.4/51614 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10281/SOURCE1?view=true.

MLA Handbook (7th Edition):

Flynn, Bernadette Mary. “In search of a body: the somatisation of digital cultural heritage.” 2012. Web. 19 Jul 2019.

Vancouver:

Flynn BM. In search of a body: the somatisation of digital cultural heritage. [Internet] [Doctoral dissertation]. University of New South Wales; 2012. [cited 2019 Jul 19]. Available from: http://handle.unsw.edu.au/1959.4/51614 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10281/SOURCE1?view=true.

Council of Science Editors:

Flynn BM. In search of a body: the somatisation of digital cultural heritage. [Doctoral Dissertation]. University of New South Wales; 2012. Available from: http://handle.unsw.edu.au/1959.4/51614 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:10281/SOURCE1?view=true


University of New South Wales

11. Wallace, Thomas Owen. Complex by composite - A comparative analysis of pop songs and observational photographs.

Degree: Media Arts, 2014, University of New South Wales

 This paper supports the contemporary relevance of the traditional method, ofobservational, street photography, and relates the weakened status of thismethod in contemporary art discourse to… (more)

Subjects/Keywords: Street photography; Traditional photography; Observational photography; Formal beauty; Popular music; Pop songs; Popular aesthetic; Populism; Popular culture; Mass culture; Mass media; John Baldessari; Edward Ruscha; Artist books; Formalism; Photo-conceptualism; Photo-text; Conceptual art; Conceptualism; Beauty; Anti-aesthetic; Dave Hickey; Robert Adams; Patrick Pound; Edward Steichen; Aby Warburg

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APA (6th Edition):

Wallace, T. O. (2014). Complex by composite - A comparative analysis of pop songs and observational photographs. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/53835 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12548/SOURCE02?view=true

Chicago Manual of Style (16th Edition):

Wallace, Thomas Owen. “Complex by composite - A comparative analysis of pop songs and observational photographs.” 2014. Masters Thesis, University of New South Wales. Accessed July 19, 2019. http://handle.unsw.edu.au/1959.4/53835 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12548/SOURCE02?view=true.

MLA Handbook (7th Edition):

Wallace, Thomas Owen. “Complex by composite - A comparative analysis of pop songs and observational photographs.” 2014. Web. 19 Jul 2019.

Vancouver:

Wallace TO. Complex by composite - A comparative analysis of pop songs and observational photographs. [Internet] [Masters thesis]. University of New South Wales; 2014. [cited 2019 Jul 19]. Available from: http://handle.unsw.edu.au/1959.4/53835 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12548/SOURCE02?view=true.

Council of Science Editors:

Wallace TO. Complex by composite - A comparative analysis of pop songs and observational photographs. [Masters Thesis]. University of New South Wales; 2014. Available from: http://handle.unsw.edu.au/1959.4/53835 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:12548/SOURCE02?view=true


University of New South Wales

12. Wise, Gianni Ian. Scenario House.

Degree: Media Arts, 2006, University of New South Wales

 Scenario House, a gallery based installation, is comprised of a room constructed as a ‘family room’ within a domestic space, a television with a looped… (more)

Subjects/Keywords: Terrorism in art; Fear in art; Mass media and art; Installations (Art); Installations (Art)  – 21st century  – Australia; Art, Modern  – 21st century  – Political aspects

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APA (6th Edition):

Wise, G. I. (2006). Scenario House. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/26230 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1133/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Wise, Gianni Ian. “Scenario House.” 2006. Masters Thesis, University of New South Wales. Accessed July 19, 2019. http://handle.unsw.edu.au/1959.4/26230 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1133/SOURCE01?view=true.

MLA Handbook (7th Edition):

Wise, Gianni Ian. “Scenario House.” 2006. Web. 19 Jul 2019.

Vancouver:

Wise GI. Scenario House. [Internet] [Masters thesis]. University of New South Wales; 2006. [cited 2019 Jul 19]. Available from: http://handle.unsw.edu.au/1959.4/26230 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1133/SOURCE01?view=true.

Council of Science Editors:

Wise GI. Scenario House. [Masters Thesis]. University of New South Wales; 2006. Available from: http://handle.unsw.edu.au/1959.4/26230 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:1133/SOURCE01?view=true

.