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You searched for subject:( Database cinema). Showing records 1 – 3 of 3 total matches.

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University of Southern California

1. Shembel, Daria. The cine-eye goes digital: Vertov, Paradjanov and the poetic database.

Degree: PhD, Slavic Languages & Literatures, 2009, University of Southern California

"The Cine-Eye Goes Digital" provides a revisionist study of poetic film through the concept of "poetic database" and examines how the theory and practice of poetry/film convergence laid the groundwork for the development of new media "database aesthetics" (Manovich). The project focuses on the experimental cinema of Dziga Vertov and Sergei Paradjanov and explores how the search for poetic sensibility in their works has led to the strategies of interchangeability, interactivity and virtuality that represent an essential part of their "poetic databases" and further define the logic of digital environments as a whole.; Sustaining the links between theory and practice of poetic cinema, the films of Vertov and Paradjanov are placed within the specific theoretical approaches: the Formalist (pre)-semiotic and Western "ocularcentic" tradition (Pasolini, Deleuze) that inform the sources of their "poetic databases" and provide the basis for the narratological and rhizomatic methods of the analysis of digital environments.; The study also investigates the tension between totalizing ideology and the utopian liberation of perception in Vertov's work and the paradoxical effect it has on limitations that cultural production encounters in the age of digital media. My approach is partly based on the film theory of the late French philosopher Gilles Deleuze, whose analysis of virtuality and the senses is applied to Paradjanov's tableaux aesthetics, while Deleuze's work on de/re-territorialization, in collaboration with Felix Guattari, is used to underscore Vertov's conflict between liberated perception and the politics of form. By examining how different approaches to poetic cinema led to the logic of the "poetic database" the dissertation reveals the internal paradoxes within the database culture: on the one hand, it may release new creative energy and freedom, and, on the other, due to its reliance on the maximum efficiency of communication, it could just as well function as the source of new restrictions. Advisors/Committee Members: Levitt, Marcus (Committee Chair), Zholkovsky, Alexander (Committee Member), Pratt, Sarah (Committee Member), Imre, Aniko (Committee Member).

Subjects/Keywords: database; cinema; Vertov; Paradjanov; poetic film

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Shembel, D. (2009). The cine-eye goes digital: Vertov, Paradjanov and the poetic database. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/218000/rec/6511

Chicago Manual of Style (16th Edition):

Shembel, Daria. “The cine-eye goes digital: Vertov, Paradjanov and the poetic database.” 2009. Doctoral Dissertation, University of Southern California. Accessed December 03, 2020. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/218000/rec/6511.

MLA Handbook (7th Edition):

Shembel, Daria. “The cine-eye goes digital: Vertov, Paradjanov and the poetic database.” 2009. Web. 03 Dec 2020.

Vancouver:

Shembel D. The cine-eye goes digital: Vertov, Paradjanov and the poetic database. [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2020 Dec 03]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/218000/rec/6511.

Council of Science Editors:

Shembel D. The cine-eye goes digital: Vertov, Paradjanov and the poetic database. [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/218000/rec/6511


Massey University

2. Turnidge, Tim. Hypervideo : interface design for collaborative documentaries : exegesis submitted in partial fulfilment of the Master of Design at Massey University, Wellington, New Zealand .

Degree: 2014, Massey University

Hypervideo is developed in response to the collaborative mobile-mentary 24 Frames 24 Hours. Through practice-led research an online interface is designed that creates a dynamic remix of user submitted and workshop generated videos. By means of leveraging contemporary web technologies such as APIs, metadata and video databases the interface presents an interactive documentary as a way of exploring innovative possibilities of web 2.0. The interface facilitates a unique viewing experience, which encourages new ways of experiencing and inspires the creation of mobile movies. This interactive documentary film form is influenced by Soft Cinema (Manovich, 2002) and the Korsakow system (Thalhofer, 2000). The interface is developed through an iterative design process in response to the emerging significance of metadata in online viewing formats and the vertical/horizontal video design problem.

Subjects/Keywords: User interfaces (Computer systems); Documentary films; Production and direction; Interface design; Database cinema; Interactive documentary; Metadata; Web APIs; Mobile media

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Turnidge, T. (2014). Hypervideo : interface design for collaborative documentaries : exegesis submitted in partial fulfilment of the Master of Design at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/5532

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Turnidge, Tim. “Hypervideo : interface design for collaborative documentaries : exegesis submitted in partial fulfilment of the Master of Design at Massey University, Wellington, New Zealand .” 2014. Thesis, Massey University. Accessed December 03, 2020. http://hdl.handle.net/10179/5532.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Turnidge, Tim. “Hypervideo : interface design for collaborative documentaries : exegesis submitted in partial fulfilment of the Master of Design at Massey University, Wellington, New Zealand .” 2014. Web. 03 Dec 2020.

Vancouver:

Turnidge T. Hypervideo : interface design for collaborative documentaries : exegesis submitted in partial fulfilment of the Master of Design at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2014. [cited 2020 Dec 03]. Available from: http://hdl.handle.net/10179/5532.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Turnidge T. Hypervideo : interface design for collaborative documentaries : exegesis submitted in partial fulfilment of the Master of Design at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2014. Available from: http://hdl.handle.net/10179/5532

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Brno University of Technology

3. Kupka, Stanisław. Informační systém pro filmový festival: Information System for Film Festival.

Degree: 2019, Brno University of Technology

Film is cultural piece which has quickly become as phenomena of Twentieth Century. Film festivals are celebration of all spectrum of works and theirs authors. Festivals contributes to development of film industry and cinematography. Endeavor to improve organization's effectiveness of this social event can be done by establishing an information system which can help to reach higher attendance and satisfaction of visitors. Advisors/Committee Members: Koch, Miloš (advisor), Jonszta, Václav (referee).

Subjects/Keywords: Film; festival; informační systém; návštěvnost; organizace; financování; návštěvník; kino; informace; databáze; internet; registrace; vstupenka.; Film; festival; information system; attendance; organization; financing; visitor; cinema; information; database; internet; registration; ticket.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kupka, S. (2019). Informační systém pro filmový festival: Information System for Film Festival. (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/11286

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kupka, Stanisław. “Informační systém pro filmový festival: Information System for Film Festival.” 2019. Thesis, Brno University of Technology. Accessed December 03, 2020. http://hdl.handle.net/11012/11286.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kupka, Stanisław. “Informační systém pro filmový festival: Information System for Film Festival.” 2019. Web. 03 Dec 2020.

Vancouver:

Kupka S. Informační systém pro filmový festival: Information System for Film Festival. [Internet] [Thesis]. Brno University of Technology; 2019. [cited 2020 Dec 03]. Available from: http://hdl.handle.net/11012/11286.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kupka S. Informační systém pro filmový festival: Information System for Film Festival. [Thesis]. Brno University of Technology; 2019. Available from: http://hdl.handle.net/11012/11286

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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