subject:( Criticism AND interpretation)

University of Johannesburg

1. Futter, Dylan Brian. Plato’s Meno : a commentary.

Degree: 2014, University of Johannesburg

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M.A. (Greek)

This text is divided into two basic parts. The first part gives an account of the function of the Platonic dialogue, how the… (more)

Subjects/Keywords: Plato. Meno - Criticism and interpretation

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APA (6^th Edition):

Futter, D. B. (2014). Plato’s Meno : a commentary. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/12576

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Futter, Dylan Brian. “Plato’s Meno : a commentary.” 2014. Thesis, University of Johannesburg. Accessed April 11, 2021. http://hdl.handle.net/10210/12576.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Futter, Dylan Brian. “Plato’s Meno : a commentary.” 2014. Web. 11 Apr 2021.

Vancouver:

Futter DB. Plato’s Meno : a commentary. [Internet] [Thesis]. University of Johannesburg; 2014. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10210/12576.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Futter DB. Plato’s Meno : a commentary. [Thesis]. University of Johannesburg; 2014. Available from: http://hdl.handle.net/10210/12576

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Johannesburg

2. Dube, Mmagauta Matilda Rosa. The autobiographical mode in the writings of Machabe Mofokeng.

Degree: 2014, University of Johannesburg

URL: http://hdl.handle.net/10210/12613

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D.Phil. (African Languages)

This study examines the works of one of the most gifted writers of Sesotho, Sophonia Machabe Mofokeng. He wrote SENKATANA, a drama,… (more)

Subjects/Keywords: Mofokeng; Machabe - Criticism and interpretation

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APA (6^th Edition):

Dube, M. M. R. (2014). The autobiographical mode in the writings of Machabe Mofokeng. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/12613

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Dube, Mmagauta Matilda Rosa. “The autobiographical mode in the writings of Machabe Mofokeng.” 2014. Thesis, University of Johannesburg. Accessed April 11, 2021. http://hdl.handle.net/10210/12613.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Dube, Mmagauta Matilda Rosa. “The autobiographical mode in the writings of Machabe Mofokeng.” 2014. Web. 11 Apr 2021.

Vancouver:

Dube MMR. The autobiographical mode in the writings of Machabe Mofokeng. [Internet] [Thesis]. University of Johannesburg; 2014. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10210/12613.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dube MMR. The autobiographical mode in the writings of Machabe Mofokeng. [Thesis]. University of Johannesburg; 2014. Available from: http://hdl.handle.net/10210/12613

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

3. McKay, Dana. Provocative writing : the disgusting and taboo fictional landscape in Chuck Palahniuk.

Degree: M.Res., 2019, Western Sydney University

URL: http://hdl.handle.net/1959.7/uws:56709

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The thesis discusses the ways in which Chuck Palahniuk, one of America’s most contentious authors, explores ideas of the taboo and unspeakable, and answers the… (more)

Subjects/Keywords: Palahniuk, Chuck; criticism and interpretation

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APA (6^th Edition):

McKay, D. (2019). Provocative writing : the disgusting and taboo fictional landscape in Chuck Palahniuk. (Masters Thesis). Western Sydney University. Retrieved from http://hdl.handle.net/1959.7/uws:56709

Chicago Manual of Style (16^th Edition):

McKay, Dana. “Provocative writing : the disgusting and taboo fictional landscape in Chuck Palahniuk.” 2019. Masters Thesis, Western Sydney University. Accessed April 11, 2021. http://hdl.handle.net/1959.7/uws:56709.

MLA Handbook (7^th Edition):

McKay, Dana. “Provocative writing : the disgusting and taboo fictional landscape in Chuck Palahniuk.” 2019. Web. 11 Apr 2021.

Vancouver:

McKay D. Provocative writing : the disgusting and taboo fictional landscape in Chuck Palahniuk. [Internet] [Masters thesis]. Western Sydney University; 2019. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/1959.7/uws:56709.

Council of Science Editors:

McKay D. Provocative writing : the disgusting and taboo fictional landscape in Chuck Palahniuk. [Masters Thesis]. Western Sydney University; 2019. Available from: http://hdl.handle.net/1959.7/uws:56709

Northeastern University

4. Papa, Victoria. The invention of survival: time and the transformation of trauma in American modernist literature.

Degree: PhD, Department of English, 2016, Northeastern University

URL: http://hdl.handle.net/2047/D20212380

► In its response to traumatic forms of oppression associated with race, gender, and sexuality, the literature of Langston Hughes, H.D., Djuna Barnes, and Zora Neale… (more)

▼ In its response to traumatic forms of oppression associated with race, gender, and sexuality, the literature of Langston Hughes, H.D., Djuna Barnes, and Zora Neale Hurston-the writers of this study-illuminates how survival narratives are dynamically linked to the present moment. Their work places emphasis upon readerly experience through a set of aesthetic strategies that compel readers to inhabit the present. Take, for instance, Hughes's appeal to jazz music in his poetry; he uses improvisational language and call-and-response techniques that prompt a reader's attention and response to the complex scenes of racial trauma at play in his poems. Just as a jazz musician is asked to improvise or invent in the moment of play, Hughes's reader is called upon as a creative witness whose own enlivened reading grants his poetry survival. Through critical reading of Hughes and the other writers of this study, I offer new ways of thinking about the temporal quality of readerly experience and its transformative power to bear witness to survival. If as traditional critiques of modernism suggest, "time" is war-weary and ruptured in high-modernist classics such as James Joyce's Ulysses and Virginia Woolf's Mrs. Dalloway, then in the literature of the periphery, broken time is reimagined as a source for creativity and transformation. By identifying the importance of alternative temporal imaginaries for marginalized populations, this dissertation contributes to new studies of time such as Elizabeth Freeman and José Muñoz's work on queer time, Alondra Nelson's study of "Afrofuturism," and Dana Luciano's work on sacred time. Furthermore, this project offers a critical intervention into trauma studies vis à vis the work of Cathy Caruth by arguing that the belated and repetitious impact of trauma is an imperative of survival aligned with present moment time. When we are present in our reading of stories about trauma, we participate as active witnesses to their survival; we partake-as the title of my study announces-in the "invention of survival" by transforming words on a page into living testimony.

Subjects/Keywords: literary theory; modernism; modernist; survival; time; trauma; Criticism and interpretation; Criticism and interpretation; Criticism and interpretation; Criticism and interpretation

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APA (6^th Edition):

Papa, V. (2016). The invention of survival: time and the transformation of trauma in American modernist literature. (Doctoral Dissertation). Northeastern University. Retrieved from http://hdl.handle.net/2047/D20212380

Chicago Manual of Style (16^th Edition):

Papa, Victoria. “The invention of survival: time and the transformation of trauma in American modernist literature.” 2016. Doctoral Dissertation, Northeastern University. Accessed April 11, 2021. http://hdl.handle.net/2047/D20212380.

MLA Handbook (7^th Edition):

Papa, Victoria. “The invention of survival: time and the transformation of trauma in American modernist literature.” 2016. Web. 11 Apr 2021.

Vancouver:

Papa V. The invention of survival: time and the transformation of trauma in American modernist literature. [Internet] [Doctoral dissertation]. Northeastern University; 2016. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/2047/D20212380.

Council of Science Editors:

Papa V. The invention of survival: time and the transformation of trauma in American modernist literature. [Doctoral Dissertation]. Northeastern University; 2016. Available from: http://hdl.handle.net/2047/D20212380

Massey University

5. Kelly, Daniel. The tao of magic : an exegesis presented in partial fulfilment of the requirements for the post-graduate degree of Master of Fine Arts at Massey University, Wellington, New Zealand .

Degree: 2015, Massey University

URL: http://hdl.handle.net/10179/7608

► This study examines an individual path through creative practice which draws from esoteric literature and builds upon a culture of contemporary relevance. Through the application… (more)

Subjects/Keywords: Kelly, Daniel; Criticism and interpretation

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APA (6^th Edition):

Kelly, D. (2015). The tao of magic : an exegesis presented in partial fulfilment of the requirements for the post-graduate degree of Master of Fine Arts at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/7608

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kelly, Daniel. “The tao of magic : an exegesis presented in partial fulfilment of the requirements for the post-graduate degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2015. Thesis, Massey University. Accessed April 11, 2021. http://hdl.handle.net/10179/7608.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kelly, Daniel. “The tao of magic : an exegesis presented in partial fulfilment of the requirements for the post-graduate degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2015. Web. 11 Apr 2021.

Vancouver:

Kelly D. The tao of magic : an exegesis presented in partial fulfilment of the requirements for the post-graduate degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2015. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10179/7608.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kelly D. The tao of magic : an exegesis presented in partial fulfilment of the requirements for the post-graduate degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2015. Available from: http://hdl.handle.net/10179/7608

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Shannon, Mollee Kaitlyn. Sapphic reflections of feminine creative power and male interruption in the works of Virginia Woolf.

Degree: 2013, University of Tennessee – Chattanooga

URL: https://scholar.utc.edu/theses/392

► With queer theory and gender studies, the knowledge that Virginia Woolf was probably bisexual has come to the forefront of scholarship concerning the writer and… (more)

Subjects/Keywords: Woolf, Virginia, 1882-1941 – Criticism and interpretation; Sappho – Criticism and interpretation

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APA (6^th Edition):

Shannon, M. K. (2013). Sapphic reflections of feminine creative power and male interruption in the works of Virginia Woolf. (Masters Thesis). University of Tennessee – Chattanooga. Retrieved from https://scholar.utc.edu/theses/392

Chicago Manual of Style (16^th Edition):

Shannon, Mollee Kaitlyn. “Sapphic reflections of feminine creative power and male interruption in the works of Virginia Woolf.” 2013. Masters Thesis, University of Tennessee – Chattanooga. Accessed April 11, 2021. https://scholar.utc.edu/theses/392.

MLA Handbook (7^th Edition):

Shannon, Mollee Kaitlyn. “Sapphic reflections of feminine creative power and male interruption in the works of Virginia Woolf.” 2013. Web. 11 Apr 2021.

Vancouver:

Shannon MK. Sapphic reflections of feminine creative power and male interruption in the works of Virginia Woolf. [Internet] [Masters thesis]. University of Tennessee – Chattanooga; 2013. [cited 2021 Apr 11]. Available from: https://scholar.utc.edu/theses/392.

Council of Science Editors:

Shannon MK. Sapphic reflections of feminine creative power and male interruption in the works of Virginia Woolf. [Masters Thesis]. University of Tennessee – Chattanooga; 2013. Available from: https://scholar.utc.edu/theses/392

7. Ferguson, Adam A. Terrible sonnets and performative bodies: approaching the poetry of Gerard Manley Hopkins .

Degree: 2012, SUNY College at Cortland

URL: http://hdl.handle.net/1951/65434

This thesis explores how Hopkins’ use of metaphor and imagery can be used to deploy specifically queer theoretical reading - particularly given Hopkins’ own sexuality, together with his repression of the same.

Subjects/Keywords: Sonnets – Criticism and interpretation.; Poetry – Criticism and interpretation.

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APA (6^th Edition):

Ferguson, A. A. (2012). Terrible sonnets and performative bodies: approaching the poetry of Gerard Manley Hopkins . (Masters Thesis). SUNY College at Cortland. Retrieved from http://hdl.handle.net/1951/65434

Chicago Manual of Style (16^th Edition):

Ferguson, Adam A. “Terrible sonnets and performative bodies: approaching the poetry of Gerard Manley Hopkins .” 2012. Masters Thesis, SUNY College at Cortland. Accessed April 11, 2021. http://hdl.handle.net/1951/65434.

MLA Handbook (7^th Edition):

Ferguson, Adam A. “Terrible sonnets and performative bodies: approaching the poetry of Gerard Manley Hopkins .” 2012. Web. 11 Apr 2021.

Vancouver:

Ferguson AA. Terrible sonnets and performative bodies: approaching the poetry of Gerard Manley Hopkins . [Internet] [Masters thesis]. SUNY College at Cortland; 2012. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/1951/65434.

Council of Science Editors:

Ferguson AA. Terrible sonnets and performative bodies: approaching the poetry of Gerard Manley Hopkins . [Masters Thesis]. SUNY College at Cortland; 2012. Available from: http://hdl.handle.net/1951/65434

Northeastern University

8. Hartmann-Villalta, Laura. Witness to war: photography, Anglophone women's writing, and the Spanish Civil War.

Degree: PhD, Department of English, 2016, Northeastern University

URL: http://hdl.handle.net/2047/D20211476

► This dissertation connects twentieth-century European and American women artists' documentations of the Spanish Civil War in photography, journalism, memoir, fiction, and poetry to a growing… (more)

Subjects/Keywords: human rights; poetry; Spanish Civil War; women; writer; Criticism and interpretation; Criticism and interpretation; Criticism and interpretation; Criticism and interpretation; Criticism and interpretation; Criticism and interpretation; Criticism and interpretation; Women and war; Humanitarianism; Spain; History; Photography; Spain; History; Literature and the war; Spain; History; Journalists

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APA (6^th Edition):

Hartmann-Villalta, L. (2016). Witness to war: photography, Anglophone women's writing, and the Spanish Civil War. (Doctoral Dissertation). Northeastern University. Retrieved from http://hdl.handle.net/2047/D20211476

Chicago Manual of Style (16^th Edition):

Hartmann-Villalta, Laura. “Witness to war: photography, Anglophone women's writing, and the Spanish Civil War.” 2016. Doctoral Dissertation, Northeastern University. Accessed April 11, 2021. http://hdl.handle.net/2047/D20211476.

MLA Handbook (7^th Edition):

Hartmann-Villalta, Laura. “Witness to war: photography, Anglophone women's writing, and the Spanish Civil War.” 2016. Web. 11 Apr 2021.

Vancouver:

Hartmann-Villalta L. Witness to war: photography, Anglophone women's writing, and the Spanish Civil War. [Internet] [Doctoral dissertation]. Northeastern University; 2016. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/2047/D20211476.

Council of Science Editors:

Hartmann-Villalta L. Witness to war: photography, Anglophone women's writing, and the Spanish Civil War. [Doctoral Dissertation]. Northeastern University; 2016. Available from: http://hdl.handle.net/2047/D20211476

University of North Texas

9. Pryor, Caitlin. Vanishing Act.

Degree: 2015, University of North Texas

URL: https://digital.library.unt.edu/ark:/67531/metadc801936/

► This dissertation is comprised of a collection of poems preceded by a critical preface. The preface reconsiders the value of discontinuous poetic forms and advocates… (more)

▼ This dissertation is comprised of a collection of poems preceded by a critical preface. The preface reconsiders the value of discontinuous poetic forms and advocates a return to lyric as an antidote to the toxic aspects of what Tony Hoagland terms “the skittery poem of our moment.” I consider poems by Wendy Xu, Kevin Prufer, Sharon Olds, and Stephen Dunn in depth to facilitate a discussion about the value of a more centrist position between the poles of supreme discontinuity and totalizing continuity. Though poets working in discontinuous forms are rightly skeptical of the hierarchies that govern narrative and linear forms, as Czesław Miłosz notes in The Witness of Poetry, “a poet discovers a secret, namely that he can be faithful to real things only by arranging them hierarchically.” In my own poems, I make use of the hierarchies of ordered perception in lyric and narrative forms to faithfully illuminate the collapsed structures of my own family history in the shadow of Detroit. I practice the principles I advocate in the preface, using a continuous form to address fractured realities in a busy, disordered age when poets often seek forms as fragmented as their perceptions. These poems are distinctly American, but because there is no true royalty in America, our great cultural and economic institutions—television, music, film, magazines, and big business—take the place of the castle (the book’s emblem) while Michael Jackson ultimately rises as the commanding dead king whose passing prompts contemplation of the viability of popular culture, family, history, and geography. The fallen structures that litter the work are many: the twin towers, chess rooks, bounce castles, nuclear families, the auto industry. However, the sole structure cohering the whole is that of a lyric voice whose authority is derived through lived experience and presented in rich, continuous poetic forms. Advisors/Committee Members: Bond, Bruce, Holdeman, David, Marks, Corey, Fairchild, B. H..

Subjects/Keywords: Poetry; discontinuity; structure; Lyric poetry – History and criticism.; Xu, Wendy, 1987- – Criticism and interpretation.; Prufer, Kevin – Criticism and interpretation.; Olds, Sharon – Criticism and interpretation.; Dunn, Stephen, 1939- – Criticism and interpretation.

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APA (6^th Edition):

Pryor, C. (2015). Vanishing Act. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc801936/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Pryor, Caitlin. “Vanishing Act.” 2015. Thesis, University of North Texas. Accessed April 11, 2021. https://digital.library.unt.edu/ark:/67531/metadc801936/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Pryor, Caitlin. “Vanishing Act.” 2015. Web. 11 Apr 2021.

Vancouver:

Pryor C. Vanishing Act. [Internet] [Thesis]. University of North Texas; 2015. [cited 2021 Apr 11]. Available from: https://digital.library.unt.edu/ark:/67531/metadc801936/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Pryor C. Vanishing Act. [Thesis]. University of North Texas; 2015. Available from: https://digital.library.unt.edu/ark:/67531/metadc801936/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rhodes University

10. Marais, Susan Jacqueline. (Re-)inventing our selves/ourselves : identity and community in contemporary South African short fiction cycles.

Degree: Faculty of Humanities, English, 2014, Rhodes University

URL: http://hdl.handle.net/10962/d1016357

► In this study I focus on a number of collections of short fiction by the South African writers Joël Matlou, Sindiwe Magona, Zoë Wicomb and… (more)

▼ In this study I focus on a number of collections of short fiction by the South African writers Joël Matlou, Sindiwe Magona, Zoë Wicomb and Ivan Vladislavić, all of which evince certain of the characteristics of short story cycles or sequences. In other words, they display what Forrest L. Ingram describes as “a double tendency of asserting the individuality of [their] components on the one hand and of highlighting, on the other, the bonds of unity which make the many into a single whole”. The cycle form, thus defined, is characterised by a paradoxical yet productive and frequently unresolved tension between “the individuality of each of the stories and the necessities of the larger unit”, between “the one and the many”, and between cohesion and fragmentation. It is this “dynamic structure of connection and disconnection” which singularly equips the genre to represent the interrelationship of singular and collective identities, or the “coherent multiplicity of community”. Ingram, for example, asserts that “Numerous and varied connective strands draw the co-protagonists of any story cycle into a single community. … However this community may be achieved, it usually can be said to constitute the central character of a cycle”. Not unsurprisingly, then, in its dominant manifestations over much of the twentieth century the short story cycle demonstrated a marked inclination towards regionalism and the depiction of localised enclaves, and this tendency towards “place-based short story cycles” in which topographical unity is a conspicuous feature was as pronounced in South Africa as elsewhere. However, the specific collections which are my concern here increasingly employ innovative and self-reflexive narrative strategies that unsettle generic expectations and interrogate the notions of regionalism and community conventionally associated with the short story cycle. My investigation seeks to explain this shift in emphasis, and its particular significance within the South African context.

Subjects/Keywords: South African fiction (English) – History and criticism; Matlou, Joël – Criticism and interpretation; Magona, Sindiwe – Criticism and interpretation; Vladislavić, Ivan, 1957- – Criticism and interpretation; Wicomb, Zoë – Criticism and interpretation

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APA (6^th Edition):

Marais, S. J. (2014). (Re-)inventing our selves/ourselves : identity and community in contemporary South African short fiction cycles. (Thesis). Rhodes University. Retrieved from http://hdl.handle.net/10962/d1016357

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Marais, Susan Jacqueline. “(Re-)inventing our selves/ourselves : identity and community in contemporary South African short fiction cycles.” 2014. Thesis, Rhodes University. Accessed April 11, 2021. http://hdl.handle.net/10962/d1016357.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Marais, Susan Jacqueline. “(Re-)inventing our selves/ourselves : identity and community in contemporary South African short fiction cycles.” 2014. Web. 11 Apr 2021.

Vancouver:

Marais SJ. (Re-)inventing our selves/ourselves : identity and community in contemporary South African short fiction cycles. [Internet] [Thesis]. Rhodes University; 2014. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10962/d1016357.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Marais SJ. (Re-)inventing our selves/ourselves : identity and community in contemporary South African short fiction cycles. [Thesis]. Rhodes University; 2014. Available from: http://hdl.handle.net/10962/d1016357

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Rutgers University

11. Trauger, Mirna, 1972-. En los umbrales de la tardomodernidad: transformaciones discursivas en cinco novelas del Caribe insular.

Degree: PhD, Spanish, 2015, Rutgers University

URL: https://rucore.libraries.rutgers.edu/rutgers-lib/46447/

►

This dissertation explores the discursive transformations in five novels written after 1969 by Hispanic Caribbean writers. Through a focus on language, on the relationship between… (more)

▼

This dissertation explores the discursive transformations in five novels written after 1969 by Hispanic Caribbean writers. Through a focus on language, on the relationship between history and fiction, on collective memory, and on the body, the author aims to show that these twentieth century novels straddle both modernism and postmodernism, exploring new ways of expressing their concerns while remaining rooted in modernist traditions. The first chapter examines the subversive use of proverbs, gossip, and superstition as a means of challenging the phallocentric thinking that relegates women to a position of alterity in La casa de la laguna by Puerto Rican writer Rosario Ferré and in En el tiempo de las mariposas by Dominican writer Julia Álvarez. The second chapter analyzes how Canción de Rachel, a testimonial novel written by Cuban writer Miguel Barnet, employs strategies generally associated with postmodernism in order to reevaluate the past and break free from its racist and dogmatic legacy. Rachel’s testimonial voice shares the narrative space with a plethora of other voices including the author/ethnographer’s. Their versions of the past are individual, fragmented and incomplete. The third chapter focuses on the fictionalization of history in La llegada by Puerto Rican writer José Luis González. The author analyzes the dialogue that the novel undertakes with the visual intertext, images taken from Our Islands and Their People as Seen with Camera and Pencil (1899), in order to show that historical writing as well as the photographic image are neither objective nor complete truths. In the final chapter, the author examines the strategies of transgression that are articulated from the lens of the sick body. The playful use of parody, intertextuality, ambiguity, and dispersion that distinguish Severo Sarduy’s previous works are still detectable in his last novel although they are intermixed with a desperate search for order and meaning. Sarduy opens a new discursive space for the abject body, in this case, the ill and dying body, and calls for a reinterpretation of illness that does not treat body and person as separate entities.

Advisors/Committee Members: Narváez, Carlos Raúl (chair), Persin, Margaret (internal member), Marcone, Jorge (internal member), Maduro, Grisel (outside member).

Subjects/Keywords: Caribbean literature (Spanish) – History and criticism; Ferré, Rosario – Criticism and interpretation; Alvarez, Julia – Criticism and interpretation; Barnet, Miguel, 1940 – Criticism and interpretation; González, José Luis, 1926-1996 – Criticism and interpretation

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APA (6^th Edition):

Trauger, Mirna, 1. (2015). En los umbrales de la tardomodernidad: transformaciones discursivas en cinco novelas del Caribe insular. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/46447/

Chicago Manual of Style (16^th Edition):

Trauger, Mirna, 1972-. “En los umbrales de la tardomodernidad: transformaciones discursivas en cinco novelas del Caribe insular.” 2015. Doctoral Dissertation, Rutgers University. Accessed April 11, 2021. https://rucore.libraries.rutgers.edu/rutgers-lib/46447/.

MLA Handbook (7^th Edition):

Trauger, Mirna, 1972-. “En los umbrales de la tardomodernidad: transformaciones discursivas en cinco novelas del Caribe insular.” 2015. Web. 11 Apr 2021.

Vancouver:

Trauger, Mirna 1. En los umbrales de la tardomodernidad: transformaciones discursivas en cinco novelas del Caribe insular. [Internet] [Doctoral dissertation]. Rutgers University; 2015. [cited 2021 Apr 11]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/46447/.

Council of Science Editors:

Trauger, Mirna 1. En los umbrales de la tardomodernidad: transformaciones discursivas en cinco novelas del Caribe insular. [Doctoral Dissertation]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/46447/

Ryerson University

12. White, D'Arcy L. l. Photographic representations of 'truth': the history and contemporary practice of photographic narrative tableaux.

Degree: 2010, Ryerson University

URL: https://digital.library.ryerson.ca/islandora/object/RULA%3A6724

► This thesis explores the history of photographic narrative tableau from the Victorian era, through modernism, postmodernism, and postmodernism examining, as case studies, the contemporary work… (more)

Subjects/Keywords: Nagatani, Patrick,1945- – Criticism and interpretation.; Crewdson, Gregory – Criticism and interpretation; Staged photography – History.; Staged photography – Criticism and interpretation.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

White, D. L. l. (2010). Photographic representations of 'truth': the history and contemporary practice of photographic narrative tableaux. (Thesis). Ryerson University. Retrieved from https://digital.library.ryerson.ca/islandora/object/RULA%3A6724

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

White, D'Arcy L l. “Photographic representations of 'truth': the history and contemporary practice of photographic narrative tableaux.” 2010. Thesis, Ryerson University. Accessed April 11, 2021. https://digital.library.ryerson.ca/islandora/object/RULA%3A6724.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

White, D'Arcy L l. “Photographic representations of 'truth': the history and contemporary practice of photographic narrative tableaux.” 2010. Web. 11 Apr 2021.

Vancouver:

White DLl. Photographic representations of 'truth': the history and contemporary practice of photographic narrative tableaux. [Internet] [Thesis]. Ryerson University; 2010. [cited 2021 Apr 11]. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A6724.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

White DLl. Photographic representations of 'truth': the history and contemporary practice of photographic narrative tableaux. [Thesis]. Ryerson University; 2010. Available from: https://digital.library.ryerson.ca/islandora/object/RULA%3A6724

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Newton, Samuel Joseph Roy. The Spirit of Sonship in the Johannine Corpus.

Degree: 2018, Southern Baptist Theological Seminary

URL: http://hdl.handle.net/10392/5464

► The high Christology and unique pneumatology of John’s gospel has often eclipsed the apostle’s teaching on the relationship of the believer to Christ and the… (more)

▼ The high Christology and unique pneumatology of John’s gospel has often eclipsed the apostle’s teaching on the relationship of the believer to Christ and the Father through the Spirit in Johannine studies. This dissertation seeks to fill this gap by providing an exegetically-focused treatment of sonship in the Johannine corpus that gives special attention to the role of the Spirit in bringing God’s children to participate in the life of the Son and his relationship with the Father. The central thesis is that John, in a manner distinct from Paul’s metaphor of adoption, presents the sonship of believer’s as the result of the Spirit’s work of regeneration out of which flows faith and participation in Christ’s life as Son. At the heart of this study are eight Johannine passages––John 1:12–13; 3:3–8; 14:16–23; 20:17; 1 John 3:1–3, 24; 4:13; and Revelation 21:7––that provide the exegetical lens to view the Spirit of Sonship in John. Although the exegesis of chapter 3 forms the foundation of study, chapter 2 considers the eight Johannine passages through the eyes of John Calvin and John Gill––both instrumental in advancing the theology of the Spirit and providing an exegetical foundation for their theology. Chapter 4 identifies three primary themes––obedience, love, and life––drawn from the eight passages and briefly synthesizes and correlates these themes with other key texts in the Johannine corpus. A brief survey of literature on sonship is reviewed in chapter 1, setting the landscape to which this dissertation seeks to contribute. By focusing on the role of the Spirit the persons of the Father and Son are not diminished, but brought into clearer focus, which is consistent with the Spirit’s ministry to glorify the Son (John 16:14). The Father is the divine initiator, the Son the divine accomplisher, and the Spirit the divine mediator of every spiritual reality that is in and through the Son to the believer. At the center of the Spirit of sonship is the glory of the Son who reveals the glory of the Father in the hearts of the children. Advisors/Committee Members: Haykin, Michael A.G (advisor).

Subjects/Keywords: Bible. John – Criticism, interpretation, etc.; Holy Spirit.; Bible. Epistles of John – Criticism, interpretation, etc.; Bible. Revelation – Criticism, interpretation, etc.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Newton, S. J. R. (2018). The Spirit of Sonship in the Johannine Corpus. (Thesis). Southern Baptist Theological Seminary. Retrieved from http://hdl.handle.net/10392/5464

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Newton, Samuel Joseph Roy. “The Spirit of Sonship in the Johannine Corpus.” 2018. Thesis, Southern Baptist Theological Seminary. Accessed April 11, 2021. http://hdl.handle.net/10392/5464.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Newton, Samuel Joseph Roy. “The Spirit of Sonship in the Johannine Corpus.” 2018. Web. 11 Apr 2021.

Vancouver:

Newton SJR. The Spirit of Sonship in the Johannine Corpus. [Internet] [Thesis]. Southern Baptist Theological Seminary; 2018. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10392/5464.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Newton SJR. The Spirit of Sonship in the Johannine Corpus. [Thesis]. Southern Baptist Theological Seminary; 2018. Available from: http://hdl.handle.net/10392/5464

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Stellenbosch University

14. Slabbert, Sarel Johannes Petrus. Maranatha as a hermeneutical key to reinterpreting the imprecatory Psalms.

Degree: PhD, Old and New Testament, 2018, Stellenbosch University

URL: http://hdl.handle.net/10019.1/104865

►

ENGLISH ABSTRACT: Certain Psalms, known as Imprecatory Psalms, cause problems for both academic and devotional readers. They contain curses and prayers asking for vengeance, judgment,… (more)

▼

ENGLISH ABSTRACT: Certain Psalms, known as Imprecatory Psalms, cause problems for both academic and devotional readers. They contain curses and prayers asking for vengeance, judgment, and vindication. These Psalms are part of the Bible, creating the question if Christians today can read and study them. Through the years various attempts, ranging from ignoring, censoring, and defending these curses, have been attempted. However, no single methodology can effectively alleviate the problems and questions caused by the Imprecatory Psalms. This thesis looks at the Aramaic cry, Μαράνα θά, in 1 Corinthians 16 as a possible key to help understand the Imprecatory Psalms. Therefore three Imprecatory Psalms are studied to determine the motivations and context behind the vengeful prayers. Psalms 7, 35, and 59 were studied within their cultural and canonical settings according to the Three Dimensional Reading Methodology. The focus is on the inter-, intra-, and extra-textual aspects. It was determined that the psalmists did not curse for vengeful or personal reasons. The curses were expressed in a time of dire need when enemies were out to destroy the psalmists. Within the covenantal relationship between God and the psalmist, the only option left for the psalmist was to call on God to come to their aid: judging the enemies and vindicating the righteous. Studying the curse within the context of the Ancient Near East it became evident that the curse was commonly used in both Old and New Testament times. In the case of Biblical curses it also becomes clear that executing the curse or not was the sole prerogative of God; the psalmist could not enact vengeance himself. Curses are not only found in the Psalms, but also other books in the Old and New Testament. Μαράνα θά is found next to a curse in the New Testament. Although considered by some as separate, reading ἀνάθεμα Μαράνα θά as a unit echoes a similar essence than the imprecatory prayers: the desire that God will come and act. In the Psalms the desire is that God would come and judge the enemies and vindicate the righteous. Μαράνα θά should be read as an imperative, calling on the Lord to come and act. In the New Testament Μαράνα θά has the παρουσία in mind. Analogous to the Imprecatory Psalms, the παρουσία focuses on judgment of the enemies of God and the vindication of his people. Μαράνα θά can become a prayer that offer an analogy between the hopes and desires of the psalmists and the hopes and desires of those calling on the Lord to return.

AFRIKAANSE OPSOMMING: Sommige Psalms, bekend as Vloekpsalms, veroorsaak probleme vir beide akademiese en gewone lesers. Dit bevat vloeke en gebede van wraak, oordeel en vergelding. Hierdie Psalms vorm deel van die Bybel en skep die vraag of Christene hierdie gebede mag lees en bestudeer. Deur die jare is verskeie pogings, wat wissel vanaf ignorering, sensuur en verdediging van die vloeke, voorgestel. Daar is egter nie een metode wat die probleme en vraagstukke wat deur die Vloekpsalms veroorsaak word voldoende kan antwoord nie. Hierdie…

Advisors/Committee Members: Jonker, Louis C., Punt, Jeremy, Stellenbosch University. Faculty of Theology. Dept. of Old and New Testament..

Subjects/Keywords: Bible. Psalms, VII – Criticism, interpretation, etc.; Bible. Psalms, XXXV – Criticism, interpretation, etc.; Bible. Psalms, LIX – Criticism, interpretation, etc.; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Slabbert, S. J. P. (2018). Maranatha as a hermeneutical key to reinterpreting the imprecatory Psalms. (Doctoral Dissertation). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/104865

Chicago Manual of Style (16^th Edition):

Slabbert, Sarel Johannes Petrus. “Maranatha as a hermeneutical key to reinterpreting the imprecatory Psalms.” 2018. Doctoral Dissertation, Stellenbosch University. Accessed April 11, 2021. http://hdl.handle.net/10019.1/104865.

MLA Handbook (7^th Edition):

Slabbert, Sarel Johannes Petrus. “Maranatha as a hermeneutical key to reinterpreting the imprecatory Psalms.” 2018. Web. 11 Apr 2021.

Vancouver:

Slabbert SJP. Maranatha as a hermeneutical key to reinterpreting the imprecatory Psalms. [Internet] [Doctoral dissertation]. Stellenbosch University; 2018. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10019.1/104865.

Council of Science Editors:

Slabbert SJP. Maranatha as a hermeneutical key to reinterpreting the imprecatory Psalms. [Doctoral Dissertation]. Stellenbosch University; 2018. Available from: http://hdl.handle.net/10019.1/104865

Stellenbosch University

15. Vermeulen, Dalene. ’n Ondersoek na Ronelda Kamfer se poësie aan die hand van bell hooks se filosofie oor ras en taal.

Degree: MA, Afrikaans and Dutch, 2018, Stellenbosch University

URL: http://hdl.handle.net/10019.1/103340

►

ENGLISH ABSTRACT: With her debut collection Noudat slapende honde in 2008, Ronelda S. Kamfer became the first woman of colour to publish a complete volume… (more)

▼

ENGLISH ABSTRACT: With her debut collection Noudat slapende honde in 2008, Ronelda S. Kamfer became the first woman of colour to publish a complete volume of poetry through a mainstream Afrikaans publishing house. Despite the historical significance of this publication, copious media interest and multiple nominations for literary prizes, the fact remains that few academic analyses of Kamfer’s poetry have been undertaken. This study is based on the theorising of black American feminist and philosopher, bell hooks, whose work is, firstly, exposited and secondly, adapted for the interpretation of Kamfer’s poetry in the South African context. Emphasis is placed on the constructs of race and language, as discussed, among others, by hooks in her collection of essays Yearning: Race, gender and cultural politics (1990). Due to the intertwined nature of these concepts with the general discourse surrounding black feminist issues, other terms like gender and class are also employed where applicable. Research elucidating the South African and Afrikaans contexts is brought to light to span the divide between the American and South African contexts. Poems from all three volumes of Kamfer’s poetry – Noudat slapende honde (2008), grond/Santekraam (2011) and Hammie (2016) – are discussed. In investigating Kamfer’s poems, hooks’s theories prove to be a rewarding read and provide a framework for inter-preting Kamfer’s poems. Concerning race, a multiplicitous view on coloured identity and a critical engagement with whiteness are emphasised, with the goal of forming a radical coloured (female) subjectivity. The poet-speaker’s use of counter language and her implementation of Afrikaans forms an oppositional perspective, which is reminiscent of hooks. Various similarities between hooks and Kamfer are identitfied, most notably the use of accessible language, a critical perspective, and an interest in pop culture. One finally reaches the conclusion that this theoretical framework can be applied successfully not only to Kamfer’s work, but also to other coloured Afrikaans poets. It could also be adapted for interpretation in other literary fields such as prose, and more accessible forms such as slam poetry or rap.

AFRIKAANSE OPSOMMING: Ronelda S. Kamfer word met die verskyning van haar debuutbundel, Noudat slapende honde, in 2008 die eerste bruin/swart vroueskrywer wat ’n volledige Afrikaanse digbundel by ’n hoofstroomuitgewery publiseer. Ten spyte van die historiese belang van hierdie ge-beurtenis, die groot belangstelling in die media en verskeie nominasies vir literêre pryse, is daar nog betreklik min akademiese studies oor Kamfer se werk onderneem. In hierdie tesis word die teoretisering van die swart Amerikaanse feminis en filosoof bell hooks eerstens uiteengesit en tweedens aangepas vir die interpretasie van Kamfer se ge-digte in die Suid-Afrikaanse konteks. Die klem val op die konstrukte ras en taal, soos deur hooks onder meer bespreek in die bundel essays getiteld Yearning: Race, gender and cultural politics (1990). Weens die…

Advisors/Committee Members: Foster, P. H., Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of Afrikaans and Dutch..

Subjects/Keywords: Afrikaans poetry – Criticism and interpretation; Kamfer, Ronelda – Poetry – Criticism and interpretation; Hooks, Bell, 1952- – Criticism and interpretation; UCTD

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Vermeulen, D. (2018). ’n Ondersoek na Ronelda Kamfer se poësie aan die hand van bell hooks se filosofie oor ras en taal. (Masters Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/103340

Chicago Manual of Style (16^th Edition):

Vermeulen, Dalene. “’n Ondersoek na Ronelda Kamfer se poësie aan die hand van bell hooks se filosofie oor ras en taal.” 2018. Masters Thesis, Stellenbosch University. Accessed April 11, 2021. http://hdl.handle.net/10019.1/103340.

MLA Handbook (7^th Edition):

Vermeulen, Dalene. “’n Ondersoek na Ronelda Kamfer se poësie aan die hand van bell hooks se filosofie oor ras en taal.” 2018. Web. 11 Apr 2021.

Vancouver:

Vermeulen D. ’n Ondersoek na Ronelda Kamfer se poësie aan die hand van bell hooks se filosofie oor ras en taal. [Internet] [Masters thesis]. Stellenbosch University; 2018. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10019.1/103340.

Council of Science Editors:

Vermeulen D. ’n Ondersoek na Ronelda Kamfer se poësie aan die hand van bell hooks se filosofie oor ras en taal. [Masters Thesis]. Stellenbosch University; 2018. Available from: http://hdl.handle.net/10019.1/103340

16. Russo, Carolyn. ALFRED STIEGLITZ’S EQUIVALENTS: LANDSCAPE IN THE AVIATION AGE.

Degree: 2020, American University

URL: http://hdl.handle.net/1961/auislandora:85174

►

Between the years 1922 and 1935, American photographer Alfred Stieglitz (1864–1946) photographed over 300 images of clouds from his family’s property at Lake George in… (more)

Subjects/Keywords: Clouds – Photographs – Criticism and interpretation – 20th century; Landscape photography – Criticism and interpretation – 20th century; Stieglitz, Alfred, 1864-1946 – Criticism and interpretation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Russo, C. (2020). ALFRED STIEGLITZ’S EQUIVALENTS: LANDSCAPE IN THE AVIATION AGE. (Thesis). American University. Retrieved from http://hdl.handle.net/1961/auislandora:85174

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Russo, Carolyn. “ALFRED STIEGLITZ’S EQUIVALENTS: LANDSCAPE IN THE AVIATION AGE.” 2020. Thesis, American University. Accessed April 11, 2021. http://hdl.handle.net/1961/auislandora:85174.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Russo, Carolyn. “ALFRED STIEGLITZ’S EQUIVALENTS: LANDSCAPE IN THE AVIATION AGE.” 2020. Web. 11 Apr 2021.

Vancouver:

Russo C. ALFRED STIEGLITZ’S EQUIVALENTS: LANDSCAPE IN THE AVIATION AGE. [Internet] [Thesis]. American University; 2020. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/1961/auislandora:85174.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Russo C. ALFRED STIEGLITZ’S EQUIVALENTS: LANDSCAPE IN THE AVIATION AGE. [Thesis]. American University; 2020. Available from: http://hdl.handle.net/1961/auislandora:85174

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Duncan, Laura. "Believe in these things": magical realism's postmodern use of religious language.

Degree: 2015, University of Tennessee – Chattanooga

URL: https://scholar.utc.edu/theses/165

► Magical realism has expanded from a genre squarely located within postcolonialism to one that includes many non-colonial, Western writers such as Karen Russell and Helen… (more)

Subjects/Keywords: Magical realism (Literature); Russell, Karen, 1981- – Criticism and interpretation; Rushdie, Salman, 1947- – Criticism and interpretation; Oyeyemi, Helen – Criticism and interpretation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Duncan, L. (2015). "Believe in these things": magical realism's postmodern use of religious language. (Masters Thesis). University of Tennessee – Chattanooga. Retrieved from https://scholar.utc.edu/theses/165

Chicago Manual of Style (16^th Edition):

Duncan, Laura. “"Believe in these things": magical realism's postmodern use of religious language.” 2015. Masters Thesis, University of Tennessee – Chattanooga. Accessed April 11, 2021. https://scholar.utc.edu/theses/165.

MLA Handbook (7^th Edition):

Duncan, Laura. “"Believe in these things": magical realism's postmodern use of religious language.” 2015. Web. 11 Apr 2021.

Vancouver:

Duncan L. "Believe in these things": magical realism's postmodern use of religious language. [Internet] [Masters thesis]. University of Tennessee – Chattanooga; 2015. [cited 2021 Apr 11]. Available from: https://scholar.utc.edu/theses/165.

Council of Science Editors:

Duncan L. "Believe in these things": magical realism's postmodern use of religious language. [Masters Thesis]. University of Tennessee – Chattanooga; 2015. Available from: https://scholar.utc.edu/theses/165

Rutgers University

18. Russell, Shana A. Domestic workers, sex workers, and the movement: reimagining black working-class resistance in the work of William Attaway, Richard Wright, and Alice Childress, 1935-1960.

Degree: PhD, American Studies, 2015, Rutgers University

URL: https://rucore.libraries.rutgers.edu/rutgers-lib/48783/

►

To novelists, short story writers, poets, and playwrights of the early twentieth century, works of fiction provided spaces to explore the ways that black women… (more)

Subjects/Keywords: Household employees; Attaway, William – Criticism and interpretation; Wright, Richard, 1908-1960 – Criticism and interpretation; Childress, Alice – Criticism and interpretation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Russell, S. A. (2015). Domestic workers, sex workers, and the movement: reimagining black working-class resistance in the work of William Attaway, Richard Wright, and Alice Childress, 1935-1960. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/48783/

Chicago Manual of Style (16^th Edition):

Russell, Shana A. “Domestic workers, sex workers, and the movement: reimagining black working-class resistance in the work of William Attaway, Richard Wright, and Alice Childress, 1935-1960.” 2015. Doctoral Dissertation, Rutgers University. Accessed April 11, 2021. https://rucore.libraries.rutgers.edu/rutgers-lib/48783/.

MLA Handbook (7^th Edition):

Russell, Shana A. “Domestic workers, sex workers, and the movement: reimagining black working-class resistance in the work of William Attaway, Richard Wright, and Alice Childress, 1935-1960.” 2015. Web. 11 Apr 2021.

Vancouver:

Russell SA. Domestic workers, sex workers, and the movement: reimagining black working-class resistance in the work of William Attaway, Richard Wright, and Alice Childress, 1935-1960. [Internet] [Doctoral dissertation]. Rutgers University; 2015. [cited 2021 Apr 11]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/48783/.

Council of Science Editors:

Russell SA. Domestic workers, sex workers, and the movement: reimagining black working-class resistance in the work of William Attaway, Richard Wright, and Alice Childress, 1935-1960. [Doctoral Dissertation]. Rutgers University; 2015. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/48783/

University of North Texas

19. Murray, Jessica. "Notes for the Manual Assembly".

Degree: 2018, University of North Texas

URL: https://digital.library.unt.edu/ark:/67531/metadc1157616/

► A collection of poems that seeks the balance between imagination and reality that Wallace Stevens calls for in art, with a preface exploring Elaine Scarry's… (more)

Subjects/Keywords: Literature, English; poetry; Scarry, Elaine – Criticism and interpretation.; Moxley, Jennifer,, 1964- – Criticism and interpretation.; Solie, Karen,, 1966- – Criticism and interpretation.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Murray, J. (2018). "Notes for the Manual Assembly". (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1157616/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Murray, Jessica. “"Notes for the Manual Assembly".” 2018. Thesis, University of North Texas. Accessed April 11, 2021. https://digital.library.unt.edu/ark:/67531/metadc1157616/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Murray, Jessica. “"Notes for the Manual Assembly".” 2018. Web. 11 Apr 2021.

Vancouver:

Murray J. "Notes for the Manual Assembly". [Internet] [Thesis]. University of North Texas; 2018. [cited 2021 Apr 11]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1157616/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murray J. "Notes for the Manual Assembly". [Thesis]. University of North Texas; 2018. Available from: https://digital.library.unt.edu/ark:/67531/metadc1157616/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Oregon State University

20. Gallup, Sarah E. Learning by imitation : the scholarly works of David Bartholomae.

Degree: MA, English, 2008, Oregon State University

URL: http://hdl.handle.net/1957/9362

► This thesis examines the scholarship in pedagogical theory and practice of David Bartholomae over the past thirty-five years, in particular examining the role that the… (more)

Subjects/Keywords: Bartholomae; Bartholomae, David – Criticism and interpretation

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APA (6^th Edition):

Gallup, S. E. (2008). Learning by imitation : the scholarly works of David Bartholomae. (Masters Thesis). Oregon State University. Retrieved from http://hdl.handle.net/1957/9362

Chicago Manual of Style (16^th Edition):

Gallup, Sarah E. “Learning by imitation : the scholarly works of David Bartholomae.” 2008. Masters Thesis, Oregon State University. Accessed April 11, 2021. http://hdl.handle.net/1957/9362.

MLA Handbook (7^th Edition):

Gallup, Sarah E. “Learning by imitation : the scholarly works of David Bartholomae.” 2008. Web. 11 Apr 2021.

Vancouver:

Gallup SE. Learning by imitation : the scholarly works of David Bartholomae. [Internet] [Masters thesis]. Oregon State University; 2008. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/1957/9362.

Council of Science Editors:

Gallup SE. Learning by imitation : the scholarly works of David Bartholomae. [Masters Thesis]. Oregon State University; 2008. Available from: http://hdl.handle.net/1957/9362

University of Alberta

21. Sabo, Peter. Impossible mourning: Lamentations as a text of melancholia.

Degree: MA, Religious Studies, 2010, University of Alberta

URL: https://era.library.ualberta.ca/files/mc87pq87t

► The connecting thread that runs through this thesis is the attempt to read the text of Lamentations as representing a melancholic who suffers from several… (more)

Subjects/Keywords: Bible. – O.T. – Lamentations – Criticism, interpretation, etc.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Sabo, P. (2010). Impossible mourning: Lamentations as a text of melancholia. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/mc87pq87t

Chicago Manual of Style (16^th Edition):

Sabo, Peter. “Impossible mourning: Lamentations as a text of melancholia.” 2010. Masters Thesis, University of Alberta. Accessed April 11, 2021. https://era.library.ualberta.ca/files/mc87pq87t.

MLA Handbook (7^th Edition):

Sabo, Peter. “Impossible mourning: Lamentations as a text of melancholia.” 2010. Web. 11 Apr 2021.

Vancouver:

Sabo P. Impossible mourning: Lamentations as a text of melancholia. [Internet] [Masters thesis]. University of Alberta; 2010. [cited 2021 Apr 11]. Available from: https://era.library.ualberta.ca/files/mc87pq87t.

Council of Science Editors:

Sabo P. Impossible mourning: Lamentations as a text of melancholia. [Masters Thesis]. University of Alberta; 2010. Available from: https://era.library.ualberta.ca/files/mc87pq87t

Oregon State University

22. Collins, Harold R. (Harold Richard). LSD, Mules and Men : Hypermediation in Hunter S. Thompson and Zora Neale Hurston.

Degree: MA, English, 2016, Oregon State University

URL: http://hdl.handle.net/1957/59290

► Hypermediation, as described by Jay Bolter and Richard Grusin in their book Remediation, is a style of writing, recording, presenting, etc. that "makes us aware… (more)

Subjects/Keywords: hypermediation; Thompson, Hunter S. – Criticism and interpretation

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APA (6^th Edition):

Collins, H. R. (. R. (2016). LSD, Mules and Men : Hypermediation in Hunter S. Thompson and Zora Neale Hurston. (Masters Thesis). Oregon State University. Retrieved from http://hdl.handle.net/1957/59290

Chicago Manual of Style (16^th Edition):

Collins, Harold R (Harold Richard). “LSD, Mules and Men : Hypermediation in Hunter S. Thompson and Zora Neale Hurston.” 2016. Masters Thesis, Oregon State University. Accessed April 11, 2021. http://hdl.handle.net/1957/59290.

MLA Handbook (7^th Edition):

Collins, Harold R (Harold Richard). “LSD, Mules and Men : Hypermediation in Hunter S. Thompson and Zora Neale Hurston.” 2016. Web. 11 Apr 2021.

Vancouver:

Collins HR(R. LSD, Mules and Men : Hypermediation in Hunter S. Thompson and Zora Neale Hurston. [Internet] [Masters thesis]. Oregon State University; 2016. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/1957/59290.

Council of Science Editors:

Collins HR(R. LSD, Mules and Men : Hypermediation in Hunter S. Thompson and Zora Neale Hurston. [Masters Thesis]. Oregon State University; 2016. Available from: http://hdl.handle.net/1957/59290

Nelson Mandela Metropolitan University

23. Stoltz, Wessel. 'n Analise van die gebruik van satire in enkele tekste van Marlene van Niekerk.

Degree: Faculty of Arts, 2011, Nelson Mandela Metropolitan University

URL: http://hdl.handle.net/10948/d1018804

► Through the ages satirists have exposed and ridiculed certain malpractices in society in their texts. They have often done so in a language filled with… (more)

Subjects/Keywords: Van Niekerk, Marlene – Criticism and interpretation; Satire

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APA (6^th Edition):

Stoltz, W. (2011). 'n Analise van die gebruik van satire in enkele tekste van Marlene van Niekerk. (Thesis). Nelson Mandela Metropolitan University. Retrieved from http://hdl.handle.net/10948/d1018804

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Stoltz, Wessel. “'n Analise van die gebruik van satire in enkele tekste van Marlene van Niekerk.” 2011. Thesis, Nelson Mandela Metropolitan University. Accessed April 11, 2021. http://hdl.handle.net/10948/d1018804.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Stoltz, Wessel. “'n Analise van die gebruik van satire in enkele tekste van Marlene van Niekerk.” 2011. Web. 11 Apr 2021.

Vancouver:

Stoltz W. 'n Analise van die gebruik van satire in enkele tekste van Marlene van Niekerk. [Internet] [Thesis]. Nelson Mandela Metropolitan University; 2011. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10948/d1018804.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stoltz W. 'n Analise van die gebruik van satire in enkele tekste van Marlene van Niekerk. [Thesis]. Nelson Mandela Metropolitan University; 2011. Available from: http://hdl.handle.net/10948/d1018804

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

24. Wehrle, Christopher Frederick. Adoption and the Formation of Eschatological Identity: An Exegetical Study of Huiothesia.

Degree: 2016, Southern Baptist Theological Seminary

URL: http://hdl.handle.net/10392/5260

► ABSTRACT ADOPTION AND THE FORMATION OF ESCHATOLOGICAL IDENTITY: AN EXEGETICAL STUDY OF HUIOTHESIA Christopher Frederick Wehrle, PhD The Southern Baptist Theological Seminary, 2016 Chair: Dr.… (more)

▼ ABSTRACT ADOPTION AND THE FORMATION OF ESCHATOLOGICAL IDENTITY: AN EXEGETICAL STUDY OF HUIOTHESIA Christopher Frederick Wehrle, PhD The Southern Baptist Theological Seminary, 2016 Chair: Dr. Mark A. Seifrid Paul used divine adoption (υἱοθεσία) as a religious metaphor in a rich and diverse way. The variety of approaches to this theme in scholarship attests to this depth and richness. This study argues that the most important purpose of υἱοθεσία within the Pauline correspondence was to help create, define, and ground the identity of believers in Jesus Christ in the early church, especially in the face of difficult and disconcerting questions regarding the role of ethnicity within the eschatological people of God. To this end, this study combines the modern tool of Social Identity Theory with detailed exegesis of key texts in Galatians in order to demonstrate that υἱοθεσία is an eschatological event which creates a new identity for believers in Jesus Christ and functions as a resolution to difficult questions regarding ethnicity and membership in the people of God. Chapter 1 provides a summary and critique of the most important recent studies of υἱοθεσία, followed by a brief outline of the contours of Social Identity Theory. Chapter 2 gives an introduction to the historical and theological background to Paul's letter to the Galatians. This includes an exegetical overview of Galatians 2:15-21, along with an introductory summary of how Social Identity Theory relates to Paul's rhetorical strategy in the epistle. Chapters 3, 4, and 5 supply detailed exegesis of key passages within Galatians, with specific reference to how they contribute to the theme of adoption within the epistle, and noting how Paul follows patterns recognizable to the categories of modern sociology. Chapter 6 addresses the four other occurrences of υἱοθεσία within the Pauline corpus (Rom 8:15, 23; 9:4; Eph 1:5). It offers a brief analysis of the background and purpose of these epistles, and supply an introductory foray into the adoption pericopae. Finally, it will give a synopsis of primary conclusions from each of the texts, and attempt a synthesis of these results. Advisors/Committee Members: Seifrid, Mark A (advisor).

Subjects/Keywords: Bible. Galatians – Criticism, interpretation.; Adoption (Theology)

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APA (6^th Edition):

Wehrle, C. F. (2016). Adoption and the Formation of Eschatological Identity: An Exegetical Study of Huiothesia. (Thesis). Southern Baptist Theological Seminary. Retrieved from http://hdl.handle.net/10392/5260

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Wehrle, Christopher Frederick. “Adoption and the Formation of Eschatological Identity: An Exegetical Study of Huiothesia.” 2016. Thesis, Southern Baptist Theological Seminary. Accessed April 11, 2021. http://hdl.handle.net/10392/5260.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Wehrle, Christopher Frederick. “Adoption and the Formation of Eschatological Identity: An Exegetical Study of Huiothesia.” 2016. Web. 11 Apr 2021.

Vancouver:

Wehrle CF. Adoption and the Formation of Eschatological Identity: An Exegetical Study of Huiothesia. [Internet] [Thesis]. Southern Baptist Theological Seminary; 2016. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10392/5260.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wehrle CF. Adoption and the Formation of Eschatological Identity: An Exegetical Study of Huiothesia. [Thesis]. Southern Baptist Theological Seminary; 2016. Available from: http://hdl.handle.net/10392/5260

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

25. Graham, Wyatt A. Psalm 108’s Canonical Placement and Use of Earlier Psalms.

Degree: 2018, Southern Baptist Theological Seminary

URL: http://hdl.handle.net/10392/5602

► This dissertation argues that Psalm 108 introduces the eschatological notions of the king and of the kingdom into its canonical group (Pss 108–110) through its… (more)

▼ This dissertation argues that Psalm 108 introduces the eschatological notions of the king and of the kingdom into its canonical group (Pss 108–110) through its inclusion of a non-historically specific superscription, its quotation and paraphrase of earlier psalmic material (Pss 57 and 60), and its canonical placement in Book V of the Psalter. Chapter 1 presents this study’s thesis along with three undergirding assumptions: (1) the Psalter is a book; (2) individual psalms should be read in sequence; and (3) the Psalter progressively tells a story along redemptive-historical lines. Chapter 2 provides histories of interpretation of Psalm 108 and of research into inner-biblical exegesis and canonical approaches to the Psalter. This chapter shows differences among interpreters’ views of Psalm 108. It also shows how this work’s approach engages inner-biblical exegesis and Psalter exegesis (a canonical approach) to clarify the meaning of Psalm 108. Chapter 3 interprets Psalm 108 in its canonical context. It reveals how Psalm 108 participates in the narrative flow of the Psalter. The chapter concludes that Psalm 108 continues the story of eschatological redemption that began in Psalm 107, which records the eschatological return of Israel to the land. In continuation of this story, Psalm 108 bespeaks the eschatological conquest of the land. In response to the king’s prayer, God will go out with Israel’s armies and conquer the land, and through the king’s prayer, the kingdom comes. Chapter 4 compares Psalm 108 with Psalms 57 and 60 to clarify the message that Psalm 108 conveys by its quotation and paraphrase of these two earlier psalms. Chapter 5 highlights certain themes that Psalm 108 shares with Psalms 109 and 110, noting the development of these themes across the three psalms. Psalm 108 introduces the eschatological notions of the king and the kingdom to this Davidic triptych (Pss 108–110). Before discussing these psalms, this chapter also explores the theoretical tools of willed types and pregnant meaning to explain how the Psalter’s editor(s) could have organized Davidic psalms into a sequence while honoring David’s authorial intent. Finally, Chapter 6 concludes the dissertation. Advisors/Committee Members: Hamilton, James M (advisor).

Subjects/Keywords: Bible. Psalms; CVIII – Criticism; interpretation; etc.

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APA (6^th Edition):

Graham, W. A. (2018). Psalm 108’s Canonical Placement and Use of Earlier Psalms. (Thesis). Southern Baptist Theological Seminary. Retrieved from http://hdl.handle.net/10392/5602

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Graham, Wyatt A. “Psalm 108’s Canonical Placement and Use of Earlier Psalms.” 2018. Thesis, Southern Baptist Theological Seminary. Accessed April 11, 2021. http://hdl.handle.net/10392/5602.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Graham, Wyatt A. “Psalm 108’s Canonical Placement and Use of Earlier Psalms.” 2018. Web. 11 Apr 2021.

Vancouver:

Graham WA. Psalm 108’s Canonical Placement and Use of Earlier Psalms. [Internet] [Thesis]. Southern Baptist Theological Seminary; 2018. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10392/5602.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Graham WA. Psalm 108’s Canonical Placement and Use of Earlier Psalms. [Thesis]. Southern Baptist Theological Seminary; 2018. Available from: http://hdl.handle.net/10392/5602

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Stellenbosch University

26. Kirsten, Elzet. Tussen tale : oortekening as vertaalstrategie in Breyten Breytenbach se bundel Oorblyfsel/ Voice Over.

Degree: MPhil, Afrikaans and Dutch, 2012, Stellenbosch University

URL: http://hdl.handle.net/10019.1/71886

►

ENGLISH ABSTRACT: This study investigates the translation strategy oortekening (Afrikaans for “resigning” or “redrawing”) as it is found in the bilingual context of Breytenbach’s volume… (more)

▼

ENGLISH ABSTRACT: This study investigates the translation strategy oortekening (Afrikaans for “resigning” or “redrawing”) as it is found in the bilingual context of Breytenbach’s volume of poems Oorblyfsel/ Voice Over (2009). The term oortekening (retracing), coined by Odendaal (2011), refers to corresponding parts of the Afrikaans and English versions in the volume which differs semantically but which are alike phonologically and orthographically. The argument is made that, in the context of the bilingual layout of the volume, the translation strategy oortekening invites bilingual readers to take part in an interpretative game as they read the two versions side-by-side. It is further argued that currently there are not adequate theories in translation studies to describe and understand this interpretative play. This study therefore uses theories from outside translation studies to describe the translation phenomenon in this volume and in this way provide a theoretical framework in which the unusual nature of the translation of the volume can be understood. Chapter one, an introduction, is followed by Chapter two which gives an overview of the main approaches in translation theory, describing how the problem statement would be described and understood by each. The linguistic approaches which are covered includes structural linguistics, text and sociolinguistics and functionalism. The literary approaches include descriptive translation studies and more ideologically orientated approaches. Enquiry is made into which aspects of each approach are useful to explain the volume and which are not. Chapter three applies three concepts from outside translation studies to oortekening in the context of the bilingual layout of the volume: Pratt’s contact zone (1987, 1991, 1992, 1996), Bhabha’s in-between (1993) and Lecercle’s remainder (1990). These concepts are used to analyse examples of oortekening from the volume. In the last chapter the findings of the study are discussed. The relationship between the two languages in the volume is compared to the historical and current relationship between Afrikaans and English. The chapter ends with a discussion of the variety of possible further studies based on this volume and this study.

AFRIKAANSE OPSOMMING: Hierdie studie ondersoek die vertaalstrategie oortekening soos wat dit in die tweetalige konteks van Breytenbach se bundel Oorblyfsel/ Voice Over (2009) voorkom. Die term oortekening is aan Pieter Odendaal (2011) ontleen en verwys na ooreenkomstige dele van die Afrikaanse en Engelse weergawes in die bundel wat semanties verskil maar fonologies en ortografies ooreenkom. Daar word geargumenteer dat die vertaalstrategie oortekening in die konteks van die tweetalige uitleg van die bundel tweetalige lesers nooi om aan ’n interpretatiewe spel deel te neem soos wat hulle die twee weergawes saam lees. Daar word verder geargumenteer dat daar tans in die vertaalkunde nie gepaste teorieë is om die interpretatiewe spel te beskryf en te begryp nie. Die studie…

Advisors/Committee Members: Feinauer, A. E., Viljoen, L., Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of Afrikaans and Dutch..

Subjects/Keywords: Afrikaans language; Breytenbach, Breyten – Criticism and interpretation

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APA (6^th Edition):

Kirsten, E. (2012). Tussen tale : oortekening as vertaalstrategie in Breyten Breytenbach se bundel Oorblyfsel/ Voice Over. (Thesis). Stellenbosch University. Retrieved from http://hdl.handle.net/10019.1/71886

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kirsten, Elzet. “Tussen tale : oortekening as vertaalstrategie in Breyten Breytenbach se bundel Oorblyfsel/ Voice Over.” 2012. Thesis, Stellenbosch University. Accessed April 11, 2021. http://hdl.handle.net/10019.1/71886.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kirsten, Elzet. “Tussen tale : oortekening as vertaalstrategie in Breyten Breytenbach se bundel Oorblyfsel/ Voice Over.” 2012. Web. 11 Apr 2021.

Vancouver:

Kirsten E. Tussen tale : oortekening as vertaalstrategie in Breyten Breytenbach se bundel Oorblyfsel/ Voice Over. [Internet] [Thesis]. Stellenbosch University; 2012. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10019.1/71886.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kirsten E. Tussen tale : oortekening as vertaalstrategie in Breyten Breytenbach se bundel Oorblyfsel/ Voice Over. [Thesis]. Stellenbosch University; 2012. Available from: http://hdl.handle.net/10019.1/71886

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Johannesburg

27. Kekana, Molatelo Agnes. A discussion of B.N. Tseke's poetic art form.

Degree: 2014, University of Johannesburg

URL: http://hdl.handle.net/10210/12160

►

M.A. (African Languages)

Poetry is an art form beyond other genres. It is superior because it is tied up with deep feelings. "It is an… (more)

Subjects/Keywords: Tseke; B. N. - Criticism and interpretation

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APA (6^th Edition):

Kekana, M. A. (2014). A discussion of B.N. Tseke's poetic art form. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/12160

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Kekana, Molatelo Agnes. “A discussion of B.N. Tseke's poetic art form.” 2014. Thesis, University of Johannesburg. Accessed April 11, 2021. http://hdl.handle.net/10210/12160.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Kekana, Molatelo Agnes. “A discussion of B.N. Tseke's poetic art form.” 2014. Web. 11 Apr 2021.

Vancouver:

Kekana MA. A discussion of B.N. Tseke's poetic art form. [Internet] [Thesis]. University of Johannesburg; 2014. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10210/12160.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kekana MA. A discussion of B.N. Tseke's poetic art form. [Thesis]. University of Johannesburg; 2014. Available from: http://hdl.handle.net/10210/12160

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Johannesburg

28. Murray, E.M. The significance of utterance and silence in the shift from rebellion to continuity in George Eliot's novels.

Degree: 2014, University of Johannesburg

URL: http://hdl.handle.net/10210/9383

►

D.Litt. et Phil. (English)

This study investigates George Eliot's approach to the existential dilemma of her times, the collision of the individual with the general.… (more)

▼

D.Litt. et Phil. (English)

This study investigates George Eliot's approach to the existential dilemma of her times, the collision of the individual with the general. It takes into account the historical context in which political radicalism and religious controversy threatened the stability and continuity of the individual and of society. The novels fictionalize the philosophical ideas expressed in earlier writings in terms of the individual experience of the characters. Each of the eight chapters is devoted to one ofthe novels and is discussed in chronological order of publication. Reference is made to George Eliot's letters and essays where relevant. The affinities of George Eliot with Auguste Comte and with Wordsworth are also considered. The nature and extent of a protagonist's rebellion is defined as it appears in each specific novel. The forms of active and passive rebellion are diverse. An utterance, usually an extended speech act made in complete sincerity, is a visible sign of the shift of consciousness which occurs when the individual moves from a state of rebellion to one of continuity of being. The two main categories of utterance are those of confession and those of commitment. The continuity of being towards which the individual strives consists of a belief in the innate goodness of the individual and trust in another sympathetic human being to release the good. Chapter One, Scenes of Clerical Life and Chapter Two, Adam Bede, emphasize the ceI,ltral role of a confessional utterance in the attainment of coherence of self. Chapters Three to Six focus on the novels published between 1860 and 1866 that are marked by key utterances of commitment and belief, arising from a sympathetic feeling towards another person. In The Mill on the Floss, Silas Marner and Romola, the pervasive Antigone theme is evaluated in which there is an opposition of two equally valid claims proposed by characters uttering contrary points of view in their expression of a rebellion against accepted norms. With the novel Felix Holt in Chapter Six, a political dimension appears and is further emphasized in the criticism of contemporary mores of the last two...

Subjects/Keywords: Eliot; George; 1819-1880 - Criticism and interpretation

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APA (6^th Edition):

Murray, E. M. (2014). The significance of utterance and silence in the shift from rebellion to continuity in George Eliot's novels. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/9383

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Murray, E M. “The significance of utterance and silence in the shift from rebellion to continuity in George Eliot's novels.” 2014. Thesis, University of Johannesburg. Accessed April 11, 2021. http://hdl.handle.net/10210/9383.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Murray, E M. “The significance of utterance and silence in the shift from rebellion to continuity in George Eliot's novels.” 2014. Web. 11 Apr 2021.

Vancouver:

Murray EM. The significance of utterance and silence in the shift from rebellion to continuity in George Eliot's novels. [Internet] [Thesis]. University of Johannesburg; 2014. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10210/9383.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Murray EM. The significance of utterance and silence in the shift from rebellion to continuity in George Eliot's novels. [Thesis]. University of Johannesburg; 2014. Available from: http://hdl.handle.net/10210/9383

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Johannesburg

29. Tshauke, Maisaya H. The poetry of N.S. Puleng.

Degree: 2014, University of Johannesburg

URL: http://hdl.handle.net/10210/12136

M.A. (African Languages)

The purpose of this study is to analyze the poetry of Puleng. There is no work done on Puleng to date which reveals his thoughts, ideas, memories and creativity. This study will enlighten interested readers especially budding poets and students of literature...

Subjects/Keywords: Puleng; N. S. - Criticism and interpretation

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6^th Edition):

Tshauke, M. H. (2014). The poetry of N.S. Puleng. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/12136

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Tshauke, Maisaya H. “The poetry of N.S. Puleng.” 2014. Thesis, University of Johannesburg. Accessed April 11, 2021. http://hdl.handle.net/10210/12136.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Tshauke, Maisaya H. “The poetry of N.S. Puleng.” 2014. Web. 11 Apr 2021.

Vancouver:

Tshauke MH. The poetry of N.S. Puleng. [Internet] [Thesis]. University of Johannesburg; 2014. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10210/12136.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tshauke MH. The poetry of N.S. Puleng. [Thesis]. University of Johannesburg; 2014. Available from: http://hdl.handle.net/10210/12136

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

University of Johannesburg

30. Maphiri, Albina Morakane Bathsheba. Naming plots in drama with reference to the works of R.J.R. Masiea.

Degree: 2014, University of Johannesburg

URL: http://hdl.handle.net/10210/12025

►

M.A. (African Languages)

Philosophical opinions on the status of proper names are widely divergent. They range from one extreme, expressed by Mills (1986:19), that proper… (more)

Subjects/Keywords: Masiea; R. J. R. - Criticism and interpretation

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APA (6^th Edition):

Maphiri, A. M. B. (2014). Naming plots in drama with reference to the works of R.J.R. Masiea. (Thesis). University of Johannesburg. Retrieved from http://hdl.handle.net/10210/12025

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16^th Edition):

Maphiri, Albina Morakane Bathsheba. “Naming plots in drama with reference to the works of R.J.R. Masiea.” 2014. Thesis, University of Johannesburg. Accessed April 11, 2021. http://hdl.handle.net/10210/12025.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7^th Edition):

Maphiri, Albina Morakane Bathsheba. “Naming plots in drama with reference to the works of R.J.R. Masiea.” 2014. Web. 11 Apr 2021.

Vancouver:

Maphiri AMB. Naming plots in drama with reference to the works of R.J.R. Masiea. [Internet] [Thesis]. University of Johannesburg; 2014. [cited 2021 Apr 11]. Available from: http://hdl.handle.net/10210/12025.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Maphiri AMB. Naming plots in drama with reference to the works of R.J.R. Masiea. [Thesis]. University of Johannesburg; 2014. Available from: http://hdl.handle.net/10210/12025

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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Open Access Theses and Dissertations