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University: RMIT University

You searched for subject:( Contemporary). Showing records 1 – 30 of 38 total matches.

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RMIT University

1. Ramsay, S. Reconfiguring the past through the photographic image.

Degree: 2010, RMIT University

 This research project examines the photographic image and how the medium of photography identifies with the themes of memory, place and past. Ideas have been… (more)

Subjects/Keywords: Fields of Research; Memory; Place; Photography; Memorial; Contemporary Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ramsay, S. (2010). Reconfiguring the past through the photographic image. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:15881

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ramsay, S. “Reconfiguring the past through the photographic image.” 2010. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:15881.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ramsay, S. “Reconfiguring the past through the photographic image.” 2010. Web. 22 Oct 2019.

Vancouver:

Ramsay S. Reconfiguring the past through the photographic image. [Internet] [Thesis]. RMIT University; 2010. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:15881.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ramsay S. Reconfiguring the past through the photographic image. [Thesis]. RMIT University; 2010. Available from: http://researchbank.rmit.edu.au/view/rmit:15881

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

2. Adamson-Pinczewski, S. Reflecting on pictorial spaces: an investigation into ambiguous spatial effects created through the use of reflective materials, fragmented abstract form and oblique linear structures.

Degree: 2013, RMIT University

 This practice-led art research project investigates the relationships between geometric abstract painting, architecture and urban space. The outcome of the research is an exhibition of… (more)

Subjects/Keywords: Fields of Research; Geometric Abstract Painting; Contemporary Painting

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APA (6th Edition):

Adamson-Pinczewski, S. (2013). Reflecting on pictorial spaces: an investigation into ambiguous spatial effects created through the use of reflective materials, fragmented abstract form and oblique linear structures. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160510

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Adamson-Pinczewski, S. “Reflecting on pictorial spaces: an investigation into ambiguous spatial effects created through the use of reflective materials, fragmented abstract form and oblique linear structures.” 2013. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:160510.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Adamson-Pinczewski, S. “Reflecting on pictorial spaces: an investigation into ambiguous spatial effects created through the use of reflective materials, fragmented abstract form and oblique linear structures.” 2013. Web. 22 Oct 2019.

Vancouver:

Adamson-Pinczewski S. Reflecting on pictorial spaces: an investigation into ambiguous spatial effects created through the use of reflective materials, fragmented abstract form and oblique linear structures. [Internet] [Thesis]. RMIT University; 2013. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:160510.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Adamson-Pinczewski S. Reflecting on pictorial spaces: an investigation into ambiguous spatial effects created through the use of reflective materials, fragmented abstract form and oblique linear structures. [Thesis]. RMIT University; 2013. Available from: http://researchbank.rmit.edu.au/view/rmit:160510

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

3. McGill, C. Out-of-Bounds: re-imagining the border through contemporary art narratives.

Degree: 2014, RMIT University

 The materiality of national borders is changing from structures of stone and steel to networks of ideas and understandings. Containment and exclusion, while still evident,… (more)

Subjects/Keywords: Fields of Research; Border; Art; Narratives; Contemporary; Citizen

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APA (6th Edition):

McGill, C. (2014). Out-of-Bounds: re-imagining the border through contemporary art narratives. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161204

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McGill, C. “Out-of-Bounds: re-imagining the border through contemporary art narratives.” 2014. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:161204.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McGill, C. “Out-of-Bounds: re-imagining the border through contemporary art narratives.” 2014. Web. 22 Oct 2019.

Vancouver:

McGill C. Out-of-Bounds: re-imagining the border through contemporary art narratives. [Internet] [Thesis]. RMIT University; 2014. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:161204.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McGill C. Out-of-Bounds: re-imagining the border through contemporary art narratives. [Thesis]. RMIT University; 2014. Available from: http://researchbank.rmit.edu.au/view/rmit:161204

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

4. Leach, S. Scientific imagining: studio based research into genre images of science and how art might interpret modern science.

Degree: 2016, RMIT University

 Art has an important role to play in providing a critical reception for science and in considering the way scientific findings affect us emotionally. Understanding… (more)

Subjects/Keywords: Fields of Research; Art; Painting; Art-science; Contemporary art; Modernism

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APA (6th Edition):

Leach, S. (2016). Scientific imagining: studio based research into genre images of science and how art might interpret modern science. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161610

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Leach, S. “Scientific imagining: studio based research into genre images of science and how art might interpret modern science.” 2016. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:161610.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Leach, S. “Scientific imagining: studio based research into genre images of science and how art might interpret modern science.” 2016. Web. 22 Oct 2019.

Vancouver:

Leach S. Scientific imagining: studio based research into genre images of science and how art might interpret modern science. [Internet] [Thesis]. RMIT University; 2016. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:161610.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Leach S. Scientific imagining: studio based research into genre images of science and how art might interpret modern science. [Thesis]. RMIT University; 2016. Available from: http://researchbank.rmit.edu.au/view/rmit:161610

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

5. Sangkhae, K. Being Thai: an exploration of the hybridity of Thai identity through contemporary art practice.

Degree: 2016, RMIT University

 This practice-led PhD research focuses on what I propose to be the inseparable relationship between my visual art practice and my understanding of social identity… (more)

Subjects/Keywords: Fields of Research; Contemporary Art; Thai Art; Thai Identity; Art

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APA (6th Edition):

Sangkhae, K. (2016). Being Thai: an exploration of the hybridity of Thai identity through contemporary art practice. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161672

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sangkhae, K. “Being Thai: an exploration of the hybridity of Thai identity through contemporary art practice.” 2016. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:161672.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sangkhae, K. “Being Thai: an exploration of the hybridity of Thai identity through contemporary art practice.” 2016. Web. 22 Oct 2019.

Vancouver:

Sangkhae K. Being Thai: an exploration of the hybridity of Thai identity through contemporary art practice. [Internet] [Thesis]. RMIT University; 2016. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:161672.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sangkhae K. Being Thai: an exploration of the hybridity of Thai identity through contemporary art practice. [Thesis]. RMIT University; 2016. Available from: http://researchbank.rmit.edu.au/view/rmit:161672

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

6. Kusumawardhani, E. Exploring the design potential of bamboo for contemporary furniture.

Degree: 2010, RMIT University

 The project has been conducted as an investigation into the design and making of furniture items, using bamboo in both the context of employing traditional… (more)

Subjects/Keywords: Fields of Research; furniture; bamboo; traditional crafts; contemporary design

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kusumawardhani, E. (2010). Exploring the design potential of bamboo for contemporary furniture. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:6124

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kusumawardhani, E. “Exploring the design potential of bamboo for contemporary furniture.” 2010. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:6124.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kusumawardhani, E. “Exploring the design potential of bamboo for contemporary furniture.” 2010. Web. 22 Oct 2019.

Vancouver:

Kusumawardhani E. Exploring the design potential of bamboo for contemporary furniture. [Internet] [Thesis]. RMIT University; 2010. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:6124.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kusumawardhani E. Exploring the design potential of bamboo for contemporary furniture. [Thesis]. RMIT University; 2010. Available from: http://researchbank.rmit.edu.au/view/rmit:6124

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

7. Polentas, N. Reinventing a sense of place. Crete and the jewellery object.

Degree: 2014, RMIT University

 Jewellery objects are often created within a context that mirrors the time and space in which they are made, and they increasingly contribute to practices… (more)

Subjects/Keywords: Fields of Research; contemporary jewellery; identity; Crete; narrative; sense of place

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APA (6th Edition):

Polentas, N. (2014). Reinventing a sense of place. Crete and the jewellery object. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161360

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Polentas, N. “Reinventing a sense of place. Crete and the jewellery object.” 2014. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:161360.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Polentas, N. “Reinventing a sense of place. Crete and the jewellery object.” 2014. Web. 22 Oct 2019.

Vancouver:

Polentas N. Reinventing a sense of place. Crete and the jewellery object. [Internet] [Thesis]. RMIT University; 2014. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:161360.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Polentas N. Reinventing a sense of place. Crete and the jewellery object. [Thesis]. RMIT University; 2014. Available from: http://researchbank.rmit.edu.au/view/rmit:161360

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

8. Dixon-Ward, B. The Grid Reimagined: The grid as a representation of the urban landscape in small and wearable objects.

Degree: 2017, RMIT University

 The Grid Reimagined is a practice-based research project. The practice-based research is contextualised in this dissertation through the fields of art history, urban planning, architecture,… (more)

Subjects/Keywords: Fields of Research; Grid; Urban grid; Contemporary jewellery; 3D printing; Wearable; Art

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APA (6th Edition):

Dixon-Ward, B. (2017). The Grid Reimagined: The grid as a representation of the urban landscape in small and wearable objects. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:162233

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dixon-Ward, B. “The Grid Reimagined: The grid as a representation of the urban landscape in small and wearable objects.” 2017. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:162233.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dixon-Ward, B. “The Grid Reimagined: The grid as a representation of the urban landscape in small and wearable objects.” 2017. Web. 22 Oct 2019.

Vancouver:

Dixon-Ward B. The Grid Reimagined: The grid as a representation of the urban landscape in small and wearable objects. [Internet] [Thesis]. RMIT University; 2017. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:162233.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dixon-Ward B. The Grid Reimagined: The grid as a representation of the urban landscape in small and wearable objects. [Thesis]. RMIT University; 2017. Available from: http://researchbank.rmit.edu.au/view/rmit:162233

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

9. Rainer, R. An exploratory study into magical realist narrative techniques in contemporary young adult literary fiction.

Degree: 2009, RMIT University

 In her work, Ordinary Enchantment: Magical Realism and the Remystification of Narrative (2004) Wendy B. Faris examines the narrative techniques underlying magical realism. In this… (more)

Subjects/Keywords: Fields of Research; Exploratory; Study; Magical; Realist; Narrative Techniques; Contemporary; Young; Adult; Literary; Fiction

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rainer, R. (2009). An exploratory study into magical realist narrative techniques in contemporary young adult literary fiction. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:15897

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rainer, R. “An exploratory study into magical realist narrative techniques in contemporary young adult literary fiction.” 2009. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:15897.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rainer, R. “An exploratory study into magical realist narrative techniques in contemporary young adult literary fiction.” 2009. Web. 22 Oct 2019.

Vancouver:

Rainer R. An exploratory study into magical realist narrative techniques in contemporary young adult literary fiction. [Internet] [Thesis]. RMIT University; 2009. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:15897.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rainer R. An exploratory study into magical realist narrative techniques in contemporary young adult literary fiction. [Thesis]. RMIT University; 2009. Available from: http://researchbank.rmit.edu.au/view/rmit:15897

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

10. Woulahan, M. System + Method: the datafication of self-knowledge contextualised through contemporary art practice.

Degree: 2015, RMIT University

 System + Method is a practice led inquiry into the datafication of self-knowledge, as seen in the increasing prevalence of lifelogging and self-surveillance technologies. The… (more)

Subjects/Keywords: Fields of Research; Contemporary Art; Electronic Art; Quantified Self; Lifelogging; Practice led research

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Woulahan, M. (2015). System + Method: the datafication of self-knowledge contextualised through contemporary art practice. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161471

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Woulahan, M. “System + Method: the datafication of self-knowledge contextualised through contemporary art practice.” 2015. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:161471.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Woulahan, M. “System + Method: the datafication of self-knowledge contextualised through contemporary art practice.” 2015. Web. 22 Oct 2019.

Vancouver:

Woulahan M. System + Method: the datafication of self-knowledge contextualised through contemporary art practice. [Internet] [Thesis]. RMIT University; 2015. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:161471.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Woulahan M. System + Method: the datafication of self-knowledge contextualised through contemporary art practice. [Thesis]. RMIT University; 2015. Available from: http://researchbank.rmit.edu.au/view/rmit:161471

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

11. Smith, D. Barefoot curating: contemporary art and the role of the freelance curator.

Degree: 2016, RMIT University

 Barefoot Curating: Contemporary Art and the Role of the Freelance Curator, examines the role of the freelance curator in contemporary art with initial focus on… (more)

Subjects/Keywords: Fields of Research; Barefoot Curating; Curating; Curatorial; Curating Contemporary Art; Curating Biennales

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Smith, D. (2016). Barefoot curating: contemporary art and the role of the freelance curator. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:162086

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Smith, D. “Barefoot curating: contemporary art and the role of the freelance curator.” 2016. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:162086.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Smith, D. “Barefoot curating: contemporary art and the role of the freelance curator.” 2016. Web. 22 Oct 2019.

Vancouver:

Smith D. Barefoot curating: contemporary art and the role of the freelance curator. [Internet] [Thesis]. RMIT University; 2016. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:162086.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Smith D. Barefoot curating: contemporary art and the role of the freelance curator. [Thesis]. RMIT University; 2016. Available from: http://researchbank.rmit.edu.au/view/rmit:162086

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

12. Cleary, S. The nature of things: reinterpreting the still life genre in the twenty first century.

Degree: 2014, RMIT University

 The different aspects of ecology, including human ecology and the impact of “man’s ecological footprint” on the natural native environment are the main themes of… (more)

Subjects/Keywords: Fields of Research; Still life; ecology; contemporary art; mixed media; craft practice; sculpture; instillation art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Cleary, S. (2014). The nature of things: reinterpreting the still life genre in the twenty first century. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161112

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cleary, S. “The nature of things: reinterpreting the still life genre in the twenty first century.” 2014. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:161112.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cleary, S. “The nature of things: reinterpreting the still life genre in the twenty first century.” 2014. Web. 22 Oct 2019.

Vancouver:

Cleary S. The nature of things: reinterpreting the still life genre in the twenty first century. [Internet] [Thesis]. RMIT University; 2014. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:161112.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cleary S. The nature of things: reinterpreting the still life genre in the twenty first century. [Thesis]. RMIT University; 2014. Available from: http://researchbank.rmit.edu.au/view/rmit:161112

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

13. Lindsay, E. Visualising extinction: representing extinct and endangered species archived in global natural history museums.

Degree: 2016, RMIT University

 This studio-based doctoral research has investigated the gaps in visual culture pertaining to native Australian bird extinctions by critiquing representations of extinct species as they… (more)

Subjects/Keywords: Fields of Research; Australian birds; Extinct species; Museum specimens; Contemporary art; Extinction portraits

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lindsay, E. (2016). Visualising extinction: representing extinct and endangered species archived in global natural history museums. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161646

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lindsay, E. “Visualising extinction: representing extinct and endangered species archived in global natural history museums.” 2016. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:161646.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lindsay, E. “Visualising extinction: representing extinct and endangered species archived in global natural history museums.” 2016. Web. 22 Oct 2019.

Vancouver:

Lindsay E. Visualising extinction: representing extinct and endangered species archived in global natural history museums. [Internet] [Thesis]. RMIT University; 2016. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:161646.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lindsay E. Visualising extinction: representing extinct and endangered species archived in global natural history museums. [Thesis]. RMIT University; 2016. Available from: http://researchbank.rmit.edu.au/view/rmit:161646

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

14. Abu Hassan, S. Re-imagining Malay myth and legend in contemporary sculptural practices: creative representations through symbols and allegories.

Degree: 2012, RMIT University

 The research project titled `Re-imagining Malay myth and legend in Contemporary Sculptural practice’ is an investigation of creative activities influenced by the Minimalist approach with… (more)

Subjects/Keywords: Fields of Research; Contemporary sculpture; Malay myth; Cross culture; Cultural symbol; Allegories

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APA (6th Edition):

Abu Hassan, S. (2012). Re-imagining Malay myth and legend in contemporary sculptural practices: creative representations through symbols and allegories. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161732

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Abu Hassan, S. “Re-imagining Malay myth and legend in contemporary sculptural practices: creative representations through symbols and allegories.” 2012. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:161732.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Abu Hassan, S. “Re-imagining Malay myth and legend in contemporary sculptural practices: creative representations through symbols and allegories.” 2012. Web. 22 Oct 2019.

Vancouver:

Abu Hassan S. Re-imagining Malay myth and legend in contemporary sculptural practices: creative representations through symbols and allegories. [Internet] [Thesis]. RMIT University; 2012. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:161732.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Abu Hassan S. Re-imagining Malay myth and legend in contemporary sculptural practices: creative representations through symbols and allegories. [Thesis]. RMIT University; 2012. Available from: http://researchbank.rmit.edu.au/view/rmit:161732

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

15. Williamson, N. Drawn subject: meaning and the moving drawing.

Degree: 2007, RMIT University

 Using the vehicle of hand drawn animation, this is an ongoing reflection of instances that repeat themselves to a point beyond the humorous and back.… (more)

Subjects/Keywords: Fields of Research; Sisyphus; Animation; Drawing; Hand-drawn; Humour; Fine art; Traditional animation; Contemporary art; Contemporary drawing; Australian drawing; Contemporary animation; Moving drawing

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APA (6th Edition):

Williamson, N. (2007). Drawn subject: meaning and the moving drawing. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:6850

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Williamson, N. “Drawn subject: meaning and the moving drawing.” 2007. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:6850.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Williamson, N. “Drawn subject: meaning and the moving drawing.” 2007. Web. 22 Oct 2019.

Vancouver:

Williamson N. Drawn subject: meaning and the moving drawing. [Internet] [Thesis]. RMIT University; 2007. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:6850.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Williamson N. Drawn subject: meaning and the moving drawing. [Thesis]. RMIT University; 2007. Available from: http://researchbank.rmit.edu.au/view/rmit:6850

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

16. Chi, Y. Weaving from the margin: femininity in contemporary jewellery within a Taiwanese cultural context.

Degree: 2017, RMIT University

 This research project investigates the role of femininity in jewellery and its cultural connotations specific to Taiwan. It seeks to find out how jewellery may… (more)

Subjects/Keywords: Fields of Research; Contemporary jewellery; Écriture féminine (women’s writing); Femininity; Gender Study; Goldsmithing; Silversmithing; Practice-led; Taiwan; Textile; Body; Weaving; Margin

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APA (6th Edition):

Chi, Y. (2017). Weaving from the margin: femininity in contemporary jewellery within a Taiwanese cultural context. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:162324

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chi, Y. “Weaving from the margin: femininity in contemporary jewellery within a Taiwanese cultural context.” 2017. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:162324.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chi, Y. “Weaving from the margin: femininity in contemporary jewellery within a Taiwanese cultural context.” 2017. Web. 22 Oct 2019.

Vancouver:

Chi Y. Weaving from the margin: femininity in contemporary jewellery within a Taiwanese cultural context. [Internet] [Thesis]. RMIT University; 2017. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:162324.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chi Y. Weaving from the margin: femininity in contemporary jewellery within a Taiwanese cultural context. [Thesis]. RMIT University; 2017. Available from: http://researchbank.rmit.edu.au/view/rmit:162324

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

17. Koon, W. Reworking the classics: revitalization of Guohua, traditional Chinese painting in search of contemporaneity.

Degree: 2011, RMIT University

 Since the early twentieth century a quest has been eagerly anticipated for Chinese painters to revive and rejuvenate the concept guohua, which literally means national… (more)

Subjects/Keywords: Fields of Research; classics; guohua; traditional Chinese painting; Chinse art; contemporary art; modern Chinese painting; contemporaneity; hybridity; bimo

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APA (6th Edition):

Koon, W. (2011). Reworking the classics: revitalization of Guohua, traditional Chinese painting in search of contemporaneity. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160187

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Koon, W. “Reworking the classics: revitalization of Guohua, traditional Chinese painting in search of contemporaneity.” 2011. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:160187.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Koon, W. “Reworking the classics: revitalization of Guohua, traditional Chinese painting in search of contemporaneity.” 2011. Web. 22 Oct 2019.

Vancouver:

Koon W. Reworking the classics: revitalization of Guohua, traditional Chinese painting in search of contemporaneity. [Internet] [Thesis]. RMIT University; 2011. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:160187.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Koon W. Reworking the classics: revitalization of Guohua, traditional Chinese painting in search of contemporaneity. [Thesis]. RMIT University; 2011. Available from: http://researchbank.rmit.edu.au/view/rmit:160187

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

18. Cotching, K. Cutting up the landscape: the construction and deconstruction of Australia’s physical, cultural and economic identity.

Degree: 2006, RMIT University

 The research project is an investigation of how paper-cutting techniques can be applied to depict the way in which people interact with their environment. This… (more)

Subjects/Keywords: Fields of Research; Paper cut; Landscape; contemporary art

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APA (6th Edition):

Cotching, K. (2006). Cutting up the landscape: the construction and deconstruction of Australia’s physical, cultural and economic identity. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160530

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Cotching, K. “Cutting up the landscape: the construction and deconstruction of Australia’s physical, cultural and economic identity.” 2006. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:160530.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Cotching, K. “Cutting up the landscape: the construction and deconstruction of Australia’s physical, cultural and economic identity.” 2006. Web. 22 Oct 2019.

Vancouver:

Cotching K. Cutting up the landscape: the construction and deconstruction of Australia’s physical, cultural and economic identity. [Internet] [Thesis]. RMIT University; 2006. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:160530.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Cotching K. Cutting up the landscape: the construction and deconstruction of Australia’s physical, cultural and economic identity. [Thesis]. RMIT University; 2006. Available from: http://researchbank.rmit.edu.au/view/rmit:160530

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

19. Sleeth, M. Representation and reproduction: a love story.

Degree: 2013, RMIT University

 Abstract This practice-led research project is a visual investigation into the aesthetic, technical and conceptual concerns of new media. The outcome of the research is… (more)

Subjects/Keywords: Fields of Research; sculpture; Matthew Sleeth; digital imaging; photography; new media; moving image; video art; 3D printing; contemporary art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Sleeth, M. (2013). Representation and reproduction: a love story. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160806

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Sleeth, M. “Representation and reproduction: a love story.” 2013. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:160806.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Sleeth, M. “Representation and reproduction: a love story.” 2013. Web. 22 Oct 2019.

Vancouver:

Sleeth M. Representation and reproduction: a love story. [Internet] [Thesis]. RMIT University; 2013. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:160806.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Sleeth M. Representation and reproduction: a love story. [Thesis]. RMIT University; 2013. Available from: http://researchbank.rmit.edu.au/view/rmit:160806

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

20. Lu, Y. The domesticated animal: reconfiguring human-animal relations through contemporary art.

Degree: 2014, RMIT University

 My interest in painting animals led me to explore human–animal relations through contemporary art. By examining the role of the domesticated animal in the broad… (more)

Subjects/Keywords: Fields of Research; Domesticated animal; animals; animals in Western art; human-animal relations; contemporary art; painting; oil painting; installation; human culture

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APA (6th Edition):

Lu, Y. (2014). The domesticated animal: reconfiguring human-animal relations through contemporary art. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161102

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lu, Y. “The domesticated animal: reconfiguring human-animal relations through contemporary art.” 2014. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:161102.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lu, Y. “The domesticated animal: reconfiguring human-animal relations through contemporary art.” 2014. Web. 22 Oct 2019.

Vancouver:

Lu Y. The domesticated animal: reconfiguring human-animal relations through contemporary art. [Internet] [Thesis]. RMIT University; 2014. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:161102.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lu Y. The domesticated animal: reconfiguring human-animal relations through contemporary art. [Thesis]. RMIT University; 2014. Available from: http://researchbank.rmit.edu.au/view/rmit:161102

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

21. Joannides, A. Material bodies and the complications of desire.

Degree: 2017, RMIT University

 This practice-led research project investigates visual representations of female sexual identity within Western popular culture. It draws on a broad range of sources including historical… (more)

Subjects/Keywords: Fields of Research; Art; Feminism; Gender; Sexuality; Body; Materials; Affordance; Cultural Gaze; Interdisciplinary Art; Contemporary Craft; Fashion and Textiles

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Joannides, A. (2017). Material bodies and the complications of desire. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:162071

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Joannides, A. “Material bodies and the complications of desire.” 2017. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:162071.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Joannides, A. “Material bodies and the complications of desire.” 2017. Web. 22 Oct 2019.

Vancouver:

Joannides A. Material bodies and the complications of desire. [Internet] [Thesis]. RMIT University; 2017. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:162071.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Joannides A. Material bodies and the complications of desire. [Thesis]. RMIT University; 2017. Available from: http://researchbank.rmit.edu.au/view/rmit:162071

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

22. Hilli, L. Remaking Middi: reclaiming and re-contextualising Tolai materiality and cultural histories into the contemporary.

Degree: 2016, RMIT University

 The effect of trade, religion and colonialism upon Pacific people during the 19th century changed the material and spiritual culture of the Pacific region. As… (more)

Subjects/Keywords: Fields of Research; Middi; Tolai; Papua New Guinea; Pacific; Contemporary Art; Materiality; Identity; Photography; Embodiment; Adornment

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APA (6th Edition):

Hilli, L. (2016). Remaking Middi: reclaiming and re-contextualising Tolai materiality and cultural histories into the contemporary. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161865

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hilli, L. “Remaking Middi: reclaiming and re-contextualising Tolai materiality and cultural histories into the contemporary.” 2016. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:161865.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hilli, L. “Remaking Middi: reclaiming and re-contextualising Tolai materiality and cultural histories into the contemporary.” 2016. Web. 22 Oct 2019.

Vancouver:

Hilli L. Remaking Middi: reclaiming and re-contextualising Tolai materiality and cultural histories into the contemporary. [Internet] [Thesis]. RMIT University; 2016. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:161865.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hilli L. Remaking Middi: reclaiming and re-contextualising Tolai materiality and cultural histories into the contemporary. [Thesis]. RMIT University; 2016. Available from: http://researchbank.rmit.edu.au/view/rmit:161865

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

23. Kelly, J. Exhibition design + contemporary encounters.

Degree: 2012, RMIT University

 This research is practice-based and explores the role of exhibition designer, the parameters of exhibition design and the exhibition design techniques that affect the experience… (more)

Subjects/Keywords: Fields of Research; Interior Design; Exhibition Design; Contemporary Encounters; Manifold Engagement; Art Gallery; Art Exhibition; Art Display

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kelly, J. (2012). Exhibition design + contemporary encounters. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160318

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kelly, J. “Exhibition design + contemporary encounters.” 2012. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:160318.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kelly, J. “Exhibition design + contemporary encounters.” 2012. Web. 22 Oct 2019.

Vancouver:

Kelly J. Exhibition design + contemporary encounters. [Internet] [Thesis]. RMIT University; 2012. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:160318.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kelly J. Exhibition design + contemporary encounters. [Thesis]. RMIT University; 2012. Available from: http://researchbank.rmit.edu.au/view/rmit:160318

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

24. Wilson, B. Extreme weather conditions in regional Victoria: a reflection and response through painting and sound.

Degree: 2018, RMIT University

 Through the creation of paintings, drawings, digital images and sound art, I combined my own memories of regional living with selected personal and historical accounts… (more)

Subjects/Keywords: Fields of Research; Contemporary Art; Landscape painting; Extreme weather; Visual arts; Painting; Drawing; Digital Art; Fine Art

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APA (6th Edition):

Wilson, B. (2018). Extreme weather conditions in regional Victoria: a reflection and response through painting and sound. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:162512

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wilson, B. “Extreme weather conditions in regional Victoria: a reflection and response through painting and sound.” 2018. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:162512.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wilson, B. “Extreme weather conditions in regional Victoria: a reflection and response through painting and sound.” 2018. Web. 22 Oct 2019.

Vancouver:

Wilson B. Extreme weather conditions in regional Victoria: a reflection and response through painting and sound. [Internet] [Thesis]. RMIT University; 2018. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:162512.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wilson B. Extreme weather conditions in regional Victoria: a reflection and response through painting and sound. [Thesis]. RMIT University; 2018. Available from: http://researchbank.rmit.edu.au/view/rmit:162512

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

25. Chan, J. Jewellery in the urban milieu: explorations in emergence.

Degree: 2014, RMIT University

 Jewellery in the urban milieu is a practice-led PhD that explores connections between jewellery and the city. This research positions jewellery – as a practice… (more)

Subjects/Keywords: Fields of Research; jewellery,; contemporary jewellery; craft; urban; city; milieu; process; wearing; participation; emergence; saprophyte; ecology; Ramallah; Melbourne; Christchurch earthquake

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chan, J. (2014). Jewellery in the urban milieu: explorations in emergence. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:160918

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chan, J. “Jewellery in the urban milieu: explorations in emergence.” 2014. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:160918.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chan, J. “Jewellery in the urban milieu: explorations in emergence.” 2014. Web. 22 Oct 2019.

Vancouver:

Chan J. Jewellery in the urban milieu: explorations in emergence. [Internet] [Thesis]. RMIT University; 2014. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:160918.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chan J. Jewellery in the urban milieu: explorations in emergence. [Thesis]. RMIT University; 2014. Available from: http://researchbank.rmit.edu.au/view/rmit:160918

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

26. Watson, L. Australian self-taught contemporary professional musicians: biographies, learning sources and experiences.

Degree: 2018, RMIT University

 This study examines the sources of learning identified in the music learning biographies of ten self-taught musicians who are currently working in contemporary music genres,… (more)

Subjects/Keywords: Fields of Research; Self-taught; Informal learning; Contemporary musician; Sources of learning; Professional musician; Collaborative learning; Learning experiances; Garage band

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APA (6th Edition):

Watson, L. (2018). Australian self-taught contemporary professional musicians: biographies, learning sources and experiences. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:162731

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Watson, L. “Australian self-taught contemporary professional musicians: biographies, learning sources and experiences.” 2018. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:162731.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Watson, L. “Australian self-taught contemporary professional musicians: biographies, learning sources and experiences.” 2018. Web. 22 Oct 2019.

Vancouver:

Watson L. Australian self-taught contemporary professional musicians: biographies, learning sources and experiences. [Internet] [Thesis]. RMIT University; 2018. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:162731.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Watson L. Australian self-taught contemporary professional musicians: biographies, learning sources and experiences. [Thesis]. RMIT University; 2018. Available from: http://researchbank.rmit.edu.au/view/rmit:162731

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

27. Jagiello, P. Remains to be seen, worn and heard. An inquiry into anthropogenic debris investigated through contemporary jewellery objects.

Degree: 2017, RMIT University

 This research project explores the negative environmental impacts of anthropogenic debris by investigating these found materials within the medium of contemporary jewellery objects. Contemporary jewellery… (more)

Subjects/Keywords: Fields of Research; adornment; anthropogenic; art science; Australian; consumerism; contemporary; craft; debris; environment; Jewellery; landscape; marine debris; materiality; objects; plastic pollution; second nature

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APA (6th Edition):

Jagiello, P. (2017). Remains to be seen, worn and heard. An inquiry into anthropogenic debris investigated through contemporary jewellery objects. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:162193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jagiello, P. “Remains to be seen, worn and heard. An inquiry into anthropogenic debris investigated through contemporary jewellery objects.” 2017. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:162193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jagiello, P. “Remains to be seen, worn and heard. An inquiry into anthropogenic debris investigated through contemporary jewellery objects.” 2017. Web. 22 Oct 2019.

Vancouver:

Jagiello P. Remains to be seen, worn and heard. An inquiry into anthropogenic debris investigated through contemporary jewellery objects. [Internet] [Thesis]. RMIT University; 2017. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:162193.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jagiello P. Remains to be seen, worn and heard. An inquiry into anthropogenic debris investigated through contemporary jewellery objects. [Thesis]. RMIT University; 2017. Available from: http://researchbank.rmit.edu.au/view/rmit:162193

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

28. Hong, J. Landscapes of the mind, inside and out: representation of subjective feeling in the contemporary world through symbols, patterns and signs in 2D artworks with an emphasis on Korean and Western practice.

Degree: 2016, RMIT University

 This dissertation explores notions of mindscape through practice-based artistic research. The project utilises intercultural dialogue and novel methodologies in order to generate new artwork and… (more)

Subjects/Keywords: Fields of Research; Contemporary painting and installation practice; Mindscape; Natural symbol; Korean art; Automatism; Taoism; Ki; Moo-Wei-Ja-Yeon; Hwek; Daily drawing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hong, J. (2016). Landscapes of the mind, inside and out: representation of subjective feeling in the contemporary world through symbols, patterns and signs in 2D artworks with an emphasis on Korean and Western practice. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:161663

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hong, J. “Landscapes of the mind, inside and out: representation of subjective feeling in the contemporary world through symbols, patterns and signs in 2D artworks with an emphasis on Korean and Western practice.” 2016. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:161663.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hong, J. “Landscapes of the mind, inside and out: representation of subjective feeling in the contemporary world through symbols, patterns and signs in 2D artworks with an emphasis on Korean and Western practice.” 2016. Web. 22 Oct 2019.

Vancouver:

Hong J. Landscapes of the mind, inside and out: representation of subjective feeling in the contemporary world through symbols, patterns and signs in 2D artworks with an emphasis on Korean and Western practice. [Internet] [Thesis]. RMIT University; 2016. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:161663.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hong J. Landscapes of the mind, inside and out: representation of subjective feeling in the contemporary world through symbols, patterns and signs in 2D artworks with an emphasis on Korean and Western practice. [Thesis]. RMIT University; 2016. Available from: http://researchbank.rmit.edu.au/view/rmit:161663

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

29. Gural, J. Save as Buddha.tif: Buddhist iconography and the Australian Sangha imaged through digital transformation.

Degree: 2008, RMIT University

 This research encompasses a body of photographic work that documents and artistically interprets Buddhist influences in Australia by using digital photography, both in manipulated and… (more)

Subjects/Keywords: Fields of Research; Digital; photography; Buddhism; Australia; contemporary; art; manipulated; imagery; documentary; Western Buddhism; iconography; kitsch; popular; spirituality; critical theory; technology; Photoshop; multiculturalism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gural, J. (2008). Save as Buddha.tif: Buddhist iconography and the Australian Sangha imaged through digital transformation. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:10197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gural, J. “Save as Buddha.tif: Buddhist iconography and the Australian Sangha imaged through digital transformation.” 2008. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:10197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gural, J. “Save as Buddha.tif: Buddhist iconography and the Australian Sangha imaged through digital transformation.” 2008. Web. 22 Oct 2019.

Vancouver:

Gural J. Save as Buddha.tif: Buddhist iconography and the Australian Sangha imaged through digital transformation. [Internet] [Thesis]. RMIT University; 2008. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:10197.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gural J. Save as Buddha.tif: Buddhist iconography and the Australian Sangha imaged through digital transformation. [Thesis]. RMIT University; 2008. Available from: http://researchbank.rmit.edu.au/view/rmit:10197

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


RMIT University

30. Kilby, J. The Parallaxis: a game of walking between worlds.

Degree: 2017, RMIT University

 The Parallaxis is an exploration of resonance and possibility within the landscape of the everyday. It is an experiment in calibrating our senses to more… (more)

Subjects/Keywords: Fields of Research; Creativity; Ambiguity; Play; Landscape; Place; Phenomenology; Creative practice; Photography; Creative writing; Walking; Contemporary art; Non-representational theory; Human geography

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kilby, J. (2017). The Parallaxis: a game of walking between worlds. (Thesis). RMIT University. Retrieved from http://researchbank.rmit.edu.au/view/rmit:162041

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kilby, J. “The Parallaxis: a game of walking between worlds.” 2017. Thesis, RMIT University. Accessed October 22, 2019. http://researchbank.rmit.edu.au/view/rmit:162041.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kilby, J. “The Parallaxis: a game of walking between worlds.” 2017. Web. 22 Oct 2019.

Vancouver:

Kilby J. The Parallaxis: a game of walking between worlds. [Internet] [Thesis]. RMIT University; 2017. [cited 2019 Oct 22]. Available from: http://researchbank.rmit.edu.au/view/rmit:162041.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kilby J. The Parallaxis: a game of walking between worlds. [Thesis]. RMIT University; 2017. Available from: http://researchbank.rmit.edu.au/view/rmit:162041

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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