Advanced search options

Advanced Search Options 🞨

Browse by author name (“Author name starts with…”).

Find ETDs with:

in
/  
in
/  
in
/  
in

Written in Published in Earliest date Latest date

Sorted by

Results per page:

Sorted by: relevance · author · university · dateNew search

Degree: DMA

You searched for subject:( Congolese literature French History AND criticism ). Showing records 1 – 23 of 23 total matches.

Search Limiters

Last 2 Years | English Only

No search limiters apply to these results.

▼ Search Limiters


University of Oklahoma

1. Moyer, Iain. An Analysis of Selected Percussion Ensemble Arrangements.

Degree: DMA, 2010, University of Oklahoma

 The commonalities and differences between these three arrangements will be scrutinized in order to understand basic principles of effective percussion arranging. These principles will be… (more)

Subjects/Keywords: Percussion ensembles – Analysis, appreciation; Percussion ensembles – History and criticism

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moyer, I. (2010). An Analysis of Selected Percussion Ensemble Arrangements. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/320243

Chicago Manual of Style (16th Edition):

Moyer, Iain. “An Analysis of Selected Percussion Ensemble Arrangements.” 2010. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/320243.

MLA Handbook (7th Edition):

Moyer, Iain. “An Analysis of Selected Percussion Ensemble Arrangements.” 2010. Web. 23 Aug 2019.

Vancouver:

Moyer I. An Analysis of Selected Percussion Ensemble Arrangements. [Internet] [Doctoral dissertation]. University of Oklahoma; 2010. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/320243.

Council of Science Editors:

Moyer I. An Analysis of Selected Percussion Ensemble Arrangements. [Doctoral Dissertation]. University of Oklahoma; 2010. Available from: http://hdl.handle.net/11244/320243


University of Oklahoma

2. Wilson, Ana Maria. Margery Aber and Her Contributions to the Suzuki Method in the United States.

Degree: DMA, 2011, University of Oklahoma

 The purpose of this study is to recognize the work that Margery Aber did to spread the Suzuki Method in the United States. She also… (more)

Subjects/Keywords: Music – History and criticism; Music – Instruction and study

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wilson, A. M. (2011). Margery Aber and Her Contributions to the Suzuki Method in the United States. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/320322

Chicago Manual of Style (16th Edition):

Wilson, Ana Maria. “Margery Aber and Her Contributions to the Suzuki Method in the United States.” 2011. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/320322.

MLA Handbook (7th Edition):

Wilson, Ana Maria. “Margery Aber and Her Contributions to the Suzuki Method in the United States.” 2011. Web. 23 Aug 2019.

Vancouver:

Wilson AM. Margery Aber and Her Contributions to the Suzuki Method in the United States. [Internet] [Doctoral dissertation]. University of Oklahoma; 2011. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/320322.

Council of Science Editors:

Wilson AM. Margery Aber and Her Contributions to the Suzuki Method in the United States. [Doctoral Dissertation]. University of Oklahoma; 2011. Available from: http://hdl.handle.net/11244/320322


University of Oklahoma

3. Morrison, Becky Lynn. THE CHEST VOICE FUNCTION IN THE CLASSICALLY TRAINED SOPRANO: A SURVEY OF SELECTED VOCAL PEDAGOGY TREATISES FROM THE SEVENTEENTH CENTURY THROUGH THE TWENTIETH CENTURY AND RECORDING ANALYSIS FROM 1900 TO THE PRESENT WITH DISCUSSION OF THE IMPLICATIONS FOR.

Degree: DMA, 2013, University of Oklahoma

 The purpose of this research is to document the use of chest voice in sound recordings of sopranos from the early 1900s through the twentieth… (more)

Subjects/Keywords: Vocal music – History and criticism; Singing – Interpretation (Phrasing, dynamics, etc.)

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Morrison, B. L. (2013). THE CHEST VOICE FUNCTION IN THE CLASSICALLY TRAINED SOPRANO: A SURVEY OF SELECTED VOCAL PEDAGOGY TREATISES FROM THE SEVENTEENTH CENTURY THROUGH THE TWENTIETH CENTURY AND RECORDING ANALYSIS FROM 1900 TO THE PRESENT WITH DISCUSSION OF THE IMPLICATIONS FOR. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/320311

Chicago Manual of Style (16th Edition):

Morrison, Becky Lynn. “THE CHEST VOICE FUNCTION IN THE CLASSICALLY TRAINED SOPRANO: A SURVEY OF SELECTED VOCAL PEDAGOGY TREATISES FROM THE SEVENTEENTH CENTURY THROUGH THE TWENTIETH CENTURY AND RECORDING ANALYSIS FROM 1900 TO THE PRESENT WITH DISCUSSION OF THE IMPLICATIONS FOR.” 2013. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/320311.

MLA Handbook (7th Edition):

Morrison, Becky Lynn. “THE CHEST VOICE FUNCTION IN THE CLASSICALLY TRAINED SOPRANO: A SURVEY OF SELECTED VOCAL PEDAGOGY TREATISES FROM THE SEVENTEENTH CENTURY THROUGH THE TWENTIETH CENTURY AND RECORDING ANALYSIS FROM 1900 TO THE PRESENT WITH DISCUSSION OF THE IMPLICATIONS FOR.” 2013. Web. 23 Aug 2019.

Vancouver:

Morrison BL. THE CHEST VOICE FUNCTION IN THE CLASSICALLY TRAINED SOPRANO: A SURVEY OF SELECTED VOCAL PEDAGOGY TREATISES FROM THE SEVENTEENTH CENTURY THROUGH THE TWENTIETH CENTURY AND RECORDING ANALYSIS FROM 1900 TO THE PRESENT WITH DISCUSSION OF THE IMPLICATIONS FOR. [Internet] [Doctoral dissertation]. University of Oklahoma; 2013. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/320311.

Council of Science Editors:

Morrison BL. THE CHEST VOICE FUNCTION IN THE CLASSICALLY TRAINED SOPRANO: A SURVEY OF SELECTED VOCAL PEDAGOGY TREATISES FROM THE SEVENTEENTH CENTURY THROUGH THE TWENTIETH CENTURY AND RECORDING ANALYSIS FROM 1900 TO THE PRESENT WITH DISCUSSION OF THE IMPLICATIONS FOR. [Doctoral Dissertation]. University of Oklahoma; 2013. Available from: http://hdl.handle.net/11244/320311


University of Oklahoma

4. Moore, Philip Arnold. An identification of a sacred repertoire for wind band and rationale for its performance in worship contexts by wind bands in the Council for Christian Colleges and Universities.

Degree: DMA, School of Music, 2001, University of Oklahoma

 A list of seventy-five pieces was compiled for the repertoire portion of the survey, and an additional seventy-two were added by respondents. A repertoire of… (more)

Subjects/Keywords: Music.; Sacred music History and criticism.; Wind instrument music History and criticism.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Moore, P. A. (2001). An identification of a sacred repertoire for wind band and rationale for its performance in worship contexts by wind bands in the Council for Christian Colleges and Universities. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/300

Chicago Manual of Style (16th Edition):

Moore, Philip Arnold. “An identification of a sacred repertoire for wind band and rationale for its performance in worship contexts by wind bands in the Council for Christian Colleges and Universities.” 2001. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/300.

MLA Handbook (7th Edition):

Moore, Philip Arnold. “An identification of a sacred repertoire for wind band and rationale for its performance in worship contexts by wind bands in the Council for Christian Colleges and Universities.” 2001. Web. 23 Aug 2019.

Vancouver:

Moore PA. An identification of a sacred repertoire for wind band and rationale for its performance in worship contexts by wind bands in the Council for Christian Colleges and Universities. [Internet] [Doctoral dissertation]. University of Oklahoma; 2001. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/300.

Council of Science Editors:

Moore PA. An identification of a sacred repertoire for wind band and rationale for its performance in worship contexts by wind bands in the Council for Christian Colleges and Universities. [Doctoral Dissertation]. University of Oklahoma; 2001. Available from: http://hdl.handle.net/11244/300


University of Oklahoma

5. Wollenberg, Célia Zambon. A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745).

Degree: DMA, 2012, University of Oklahoma

 This study investigates French eighteenth&ndashcentury musical aesthetics as they relate to style and performance practice in the early operas of Jean-Philippe Rameau. Through the analyses… (more)

Subjects/Keywords: Operas – Analysis, appreciation; Music – 18th century; Vocal music – History and criticism; Embellishment (Music) – 18th century

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wollenberg, C. Z. (2012). A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745). (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318949

Chicago Manual of Style (16th Edition):

Wollenberg, Célia Zambon. “A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745).” 2012. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/318949.

MLA Handbook (7th Edition):

Wollenberg, Célia Zambon. “A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745).” 2012. Web. 23 Aug 2019.

Vancouver:

Wollenberg CZ. A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745). [Internet] [Doctoral dissertation]. University of Oklahoma; 2012. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/318949.

Council of Science Editors:

Wollenberg CZ. A PERFORMANCE GUIDE OF LIGHT LYRIC COLORATURA SOPRANO REPERTOIRE IN FOUR EARLY OPERAS BY JEAN-PHILIPPE RAMEAU (1733-1745). [Doctoral Dissertation]. University of Oklahoma; 2012. Available from: http://hdl.handle.net/11244/318949


University of Oklahoma

6. Ford, Julie. A comparison of related performance practices of late Renaissance Italian madrigals and twentieth century choral jazz ballads.

Degree: DMA, School of Music, 2006, University of Oklahoma

 In conclusion, a comparison of late Renaissance Italian madrigal and twentieth-century choral jazz ballad performance practices is presented with similarities highlighted. The argument is made… (more)

Subjects/Keywords: Madrigals, Italian History and criticism.; Vocal music History and criticism.; Jazz vocals History and criticism.; Music.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ford, J. (2006). A comparison of related performance practices of late Renaissance Italian madrigals and twentieth century choral jazz ballads. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/1032

Chicago Manual of Style (16th Edition):

Ford, Julie. “A comparison of related performance practices of late Renaissance Italian madrigals and twentieth century choral jazz ballads.” 2006. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/1032.

MLA Handbook (7th Edition):

Ford, Julie. “A comparison of related performance practices of late Renaissance Italian madrigals and twentieth century choral jazz ballads.” 2006. Web. 23 Aug 2019.

Vancouver:

Ford J. A comparison of related performance practices of late Renaissance Italian madrigals and twentieth century choral jazz ballads. [Internet] [Doctoral dissertation]. University of Oklahoma; 2006. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/1032.

Council of Science Editors:

Ford J. A comparison of related performance practices of late Renaissance Italian madrigals and twentieth century choral jazz ballads. [Doctoral Dissertation]. University of Oklahoma; 2006. Available from: http://hdl.handle.net/11244/1032


University of Oklahoma

7. Siagian, Charmaine Blythe. Selected solo piano works by contemporary Malaysian and Indonesian composers from 1979 to 2007: An introduction.

Degree: DMA, School of Music, 2007, University of Oklahoma

 This study provides an introduction to contemporary solo piano works by seven Malaysian and Indonesian composers. The composers from Malaysia are Chong Kee Yong, Ng… (more)

Subjects/Keywords: Composers Malaysia.; Music.; Piano music Analysis, appreciation.; Music Southeast Asia History and criticism.; Composers Indonesia.; Piano music Malaysia History and criticism.; Piano music Indonesia History and criticism.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Siagian, C. B. (2007). Selected solo piano works by contemporary Malaysian and Indonesian composers from 1979 to 2007: An introduction. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/1275

Chicago Manual of Style (16th Edition):

Siagian, Charmaine Blythe. “Selected solo piano works by contemporary Malaysian and Indonesian composers from 1979 to 2007: An introduction.” 2007. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/1275.

MLA Handbook (7th Edition):

Siagian, Charmaine Blythe. “Selected solo piano works by contemporary Malaysian and Indonesian composers from 1979 to 2007: An introduction.” 2007. Web. 23 Aug 2019.

Vancouver:

Siagian CB. Selected solo piano works by contemporary Malaysian and Indonesian composers from 1979 to 2007: An introduction. [Internet] [Doctoral dissertation]. University of Oklahoma; 2007. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/1275.

Council of Science Editors:

Siagian CB. Selected solo piano works by contemporary Malaysian and Indonesian composers from 1979 to 2007: An introduction. [Doctoral Dissertation]. University of Oklahoma; 2007. Available from: http://hdl.handle.net/11244/1275


University of Oklahoma

8. Drege, Lance Mitchell. The University of Oklahoma Percussion Ensemble Commissioning Series and Percussion Press, 1978 – 1999: An examination of its history.

Degree: DMA, School of Music, 2000, University of Oklahoma

 In 1978, Dr. Richard C. Gipson commissioned John Beck, percussionist, composer, and professor at the Eastman School of Music, to write a new work for… (more)

Subjects/Keywords: Music.; Percussive Arts Society.; Percussion ensembles History and criticism.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Drege, L. M. (2000). The University of Oklahoma Percussion Ensemble Commissioning Series and Percussion Press, 1978 – 1999: An examination of its history. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/5948

Chicago Manual of Style (16th Edition):

Drege, Lance Mitchell. “The University of Oklahoma Percussion Ensemble Commissioning Series and Percussion Press, 1978 – 1999: An examination of its history.” 2000. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/5948.

MLA Handbook (7th Edition):

Drege, Lance Mitchell. “The University of Oklahoma Percussion Ensemble Commissioning Series and Percussion Press, 1978 – 1999: An examination of its history.” 2000. Web. 23 Aug 2019.

Vancouver:

Drege LM. The University of Oklahoma Percussion Ensemble Commissioning Series and Percussion Press, 1978 – 1999: An examination of its history. [Internet] [Doctoral dissertation]. University of Oklahoma; 2000. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/5948.

Council of Science Editors:

Drege LM. The University of Oklahoma Percussion Ensemble Commissioning Series and Percussion Press, 1978 – 1999: An examination of its history. [Doctoral Dissertation]. University of Oklahoma; 2000. Available from: http://hdl.handle.net/11244/5948


University of Oklahoma

9. Iida, Mari. The Acceptance of Western Piano Music in Japan and the Career of Takahiro Sonoda.

Degree: DMA, 2009, University of Oklahoma

 The author found that the accomplishment of Western music acceptance and popularization was a natural outcome of the trajectory that began with the Meiji restoration… (more)

Subjects/Keywords: Piano music – History and criticism; Piano music – Japan

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Iida, M. (2009). The Acceptance of Western Piano Music in Japan and the Career of Takahiro Sonoda. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318664

Chicago Manual of Style (16th Edition):

Iida, Mari. “The Acceptance of Western Piano Music in Japan and the Career of Takahiro Sonoda.” 2009. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/318664.

MLA Handbook (7th Edition):

Iida, Mari. “The Acceptance of Western Piano Music in Japan and the Career of Takahiro Sonoda.” 2009. Web. 23 Aug 2019.

Vancouver:

Iida M. The Acceptance of Western Piano Music in Japan and the Career of Takahiro Sonoda. [Internet] [Doctoral dissertation]. University of Oklahoma; 2009. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/318664.

Council of Science Editors:

Iida M. The Acceptance of Western Piano Music in Japan and the Career of Takahiro Sonoda. [Doctoral Dissertation]. University of Oklahoma; 2009. Available from: http://hdl.handle.net/11244/318664


University of Oklahoma

10. Bubar, Cheryl Ann. Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types.

Degree: DMA, School of Music, 2003, University of Oklahoma

 The study of the alto solo cantatas is of particular importance, since today the word "alto" is often applied without distinction to both the contralto… (more)

Subjects/Keywords: Music.; Arias History and criticism.; Cantatas History and criticism.; Bach, Johann Sebastian, 1685-1750. Cantatas.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bubar, C. A. (2003). Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/577

Chicago Manual of Style (16th Edition):

Bubar, Cheryl Ann. “Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types.” 2003. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/577.

MLA Handbook (7th Edition):

Bubar, Cheryl Ann. “Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types.” 2003. Web. 23 Aug 2019.

Vancouver:

Bubar CA. Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. [Internet] [Doctoral dissertation]. University of Oklahoma; 2003. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/577.

Council of Science Editors:

Bubar CA. Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. [Doctoral Dissertation]. University of Oklahoma; 2003. Available from: http://hdl.handle.net/11244/577


University of Oklahoma

11. Madsen, Wanda Jean. Mexican mission music :.

Degree: DMA, School of Music, 1984, University of Oklahoma

 The study of the Antiphonale and Graduale revealed that the manuscripts are Dominican. The inscription in the Graduale is signed by Andres Garcia, servent of… (more)

Subjects/Keywords: Service books (Music) Catholic Church.; Church music New Spain.; Missions Mexico Hymns History and criticism.; Gregorian chants 17th century History and criticism.; Music.; Catholic Church New Spain Liturgy.; Missions New Spain Music History and criticism.; Antiphonaries.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Madsen, W. J. (1984). Mexican mission music :. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/5237

Chicago Manual of Style (16th Edition):

Madsen, Wanda Jean. “Mexican mission music :.” 1984. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/5237.

MLA Handbook (7th Edition):

Madsen, Wanda Jean. “Mexican mission music :.” 1984. Web. 23 Aug 2019.

Vancouver:

Madsen WJ. Mexican mission music :. [Internet] [Doctoral dissertation]. University of Oklahoma; 1984. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/5237.

Council of Science Editors:

Madsen WJ. Mexican mission music :. [Doctoral Dissertation]. University of Oklahoma; 1984. Available from: http://hdl.handle.net/11244/5237


University of Oklahoma

12. Romero, Frank Edward. Morceaux de concours pour trompette et cornet :.

Degree: DMA, School of Music, 2001, University of Oklahoma

 Over the past two centuries, Paris has been engaged in several conflicts in government and a foreign occupation. Many documents archived by the Biblioteque National… (more)

Subjects/Keywords: Conservatoire national supÔΩ̜rieur de musique.; Music.; Cornet and trumpet music History and criticism.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Romero, F. E. (2001). Morceaux de concours pour trompette et cornet :. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/298

Chicago Manual of Style (16th Edition):

Romero, Frank Edward. “Morceaux de concours pour trompette et cornet :.” 2001. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/298.

MLA Handbook (7th Edition):

Romero, Frank Edward. “Morceaux de concours pour trompette et cornet :.” 2001. Web. 23 Aug 2019.

Vancouver:

Romero FE. Morceaux de concours pour trompette et cornet :. [Internet] [Doctoral dissertation]. University of Oklahoma; 2001. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/298.

Council of Science Editors:

Romero FE. Morceaux de concours pour trompette et cornet :. [Doctoral Dissertation]. University of Oklahoma; 2001. Available from: http://hdl.handle.net/11244/298


University of Oklahoma

13. Bishop, D. Jason. Omnes compleant: A conductor's resource guide to the Office of Compline.

Degree: DMA, School of Music, 2006, University of Oklahoma

 Compline is the last of the liturgical celebrations within the daily cycle of the Roman Catholic Divine Office. Intended for observance at the completion of… (more)

Subjects/Keywords: Choral conducting.; Compline music History and criticism.; Religion, General.; Music.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bishop, D. J. (2006). Omnes compleant: A conductor's resource guide to the Office of Compline. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/1120

Chicago Manual of Style (16th Edition):

Bishop, D Jason. “Omnes compleant: A conductor's resource guide to the Office of Compline.” 2006. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/1120.

MLA Handbook (7th Edition):

Bishop, D Jason. “Omnes compleant: A conductor's resource guide to the Office of Compline.” 2006. Web. 23 Aug 2019.

Vancouver:

Bishop DJ. Omnes compleant: A conductor's resource guide to the Office of Compline. [Internet] [Doctoral dissertation]. University of Oklahoma; 2006. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/1120.

Council of Science Editors:

Bishop DJ. Omnes compleant: A conductor's resource guide to the Office of Compline. [Doctoral Dissertation]. University of Oklahoma; 2006. Available from: http://hdl.handle.net/11244/1120


University of Oklahoma

14. Reid, Susanne Marie (pugh). Sieben Lehmannlieder by Thomas Pasatieri :.

Degree: DMA, School of Music, 2000, University of Oklahoma

 This document is designed to be "A Performer's Preparation Guide, " providing groundwork for vocal recital programming of Sieben Lehmannlieder. In 1988, Thomas Pasatieri was… (more)

Subjects/Keywords: Lehmann, Lotte.; Pasatieri, Thomas. Lehmannlieder. History and criticism.; Vocal music Performance.; Music.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Reid, S. M. (. (2000). Sieben Lehmannlieder by Thomas Pasatieri :. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/5940

Chicago Manual of Style (16th Edition):

Reid, Susanne Marie (pugh). “Sieben Lehmannlieder by Thomas Pasatieri :.” 2000. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/5940.

MLA Handbook (7th Edition):

Reid, Susanne Marie (pugh). “Sieben Lehmannlieder by Thomas Pasatieri :.” 2000. Web. 23 Aug 2019.

Vancouver:

Reid SM(. Sieben Lehmannlieder by Thomas Pasatieri :. [Internet] [Doctoral dissertation]. University of Oklahoma; 2000. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/5940.

Council of Science Editors:

Reid SM(. Sieben Lehmannlieder by Thomas Pasatieri :. [Doctoral Dissertation]. University of Oklahoma; 2000. Available from: http://hdl.handle.net/11244/5940


University of Oklahoma

15. Saunders, Martin Wesley. NAT ADDERLEY (1931-2000) AND WORK SONG: AN ANALYSIS OF IMPROVISATIONAL STYLE AND EVOLUTION.

Degree: DMA, 2008, University of Oklahoma

Supplementary materials include biographies of Nat Adderley, both professional and personal, and a record discography of Work Song and his complete recorded albums. Advisors/Committee Members: Wagner, Irvin||Sievers, Karl (advisor).

Subjects/Keywords: Jazz musicians – United States; Jazz – History and criticism; Improvisation (Music)

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Saunders, M. W. (2008). NAT ADDERLEY (1931-2000) AND WORK SONG: AN ANALYSIS OF IMPROVISATIONAL STYLE AND EVOLUTION. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/318993

Chicago Manual of Style (16th Edition):

Saunders, Martin Wesley. “NAT ADDERLEY (1931-2000) AND WORK SONG: AN ANALYSIS OF IMPROVISATIONAL STYLE AND EVOLUTION.” 2008. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/318993.

MLA Handbook (7th Edition):

Saunders, Martin Wesley. “NAT ADDERLEY (1931-2000) AND WORK SONG: AN ANALYSIS OF IMPROVISATIONAL STYLE AND EVOLUTION.” 2008. Web. 23 Aug 2019.

Vancouver:

Saunders MW. NAT ADDERLEY (1931-2000) AND WORK SONG: AN ANALYSIS OF IMPROVISATIONAL STYLE AND EVOLUTION. [Internet] [Doctoral dissertation]. University of Oklahoma; 2008. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/318993.

Council of Science Editors:

Saunders MW. NAT ADDERLEY (1931-2000) AND WORK SONG: AN ANALYSIS OF IMPROVISATIONAL STYLE AND EVOLUTION. [Doctoral Dissertation]. University of Oklahoma; 2008. Available from: http://hdl.handle.net/11244/318993


Michigan State University

16. Kennard, Jennifer Christine. Neglected chamber works for the flute and the correlating historical background.

Degree: DMA, Department of Music, 2006, Michigan State University

Subjects/Keywords: Chamber music – History and criticism; Flute with chamber orchestra; Flute with instrumental ensemble

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kennard, J. C. (2006). Neglected chamber works for the flute and the correlating historical background. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:10192

Chicago Manual of Style (16th Edition):

Kennard, Jennifer Christine. “Neglected chamber works for the flute and the correlating historical background.” 2006. Doctoral Dissertation, Michigan State University. Accessed August 23, 2019. http://etd.lib.msu.edu/islandora/object/etd:10192.

MLA Handbook (7th Edition):

Kennard, Jennifer Christine. “Neglected chamber works for the flute and the correlating historical background.” 2006. Web. 23 Aug 2019.

Vancouver:

Kennard JC. Neglected chamber works for the flute and the correlating historical background. [Internet] [Doctoral dissertation]. Michigan State University; 2006. [cited 2019 Aug 23]. Available from: http://etd.lib.msu.edu/islandora/object/etd:10192.

Council of Science Editors:

Kennard JC. Neglected chamber works for the flute and the correlating historical background. [Doctoral Dissertation]. Michigan State University; 2006. Available from: http://etd.lib.msu.edu/islandora/object/etd:10192


Michigan State University

17. Procopio, Mary J. Haitian classical music, vodou and cultural identity : an examination of the classical flute compositions of Haitian composer Werner A. Jaegerhuber.

Degree: DMA, Department of Music, 2005, Michigan State University

Subjects/Keywords: Jægerhuber, Werner A. (Werner Anton), 1900-1953; Music – Haiti – History and criticism; Composers – Haiti; Vodou music – Haiti – History and criticism; Songs, Creole – Haiti

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Procopio, M. J. (2005). Haitian classical music, vodou and cultural identity : an examination of the classical flute compositions of Haitian composer Werner A. Jaegerhuber. (Doctoral Dissertation). Michigan State University. Retrieved from http://etd.lib.msu.edu/islandora/object/etd:10211

Chicago Manual of Style (16th Edition):

Procopio, Mary J. “Haitian classical music, vodou and cultural identity : an examination of the classical flute compositions of Haitian composer Werner A. Jaegerhuber.” 2005. Doctoral Dissertation, Michigan State University. Accessed August 23, 2019. http://etd.lib.msu.edu/islandora/object/etd:10211.

MLA Handbook (7th Edition):

Procopio, Mary J. “Haitian classical music, vodou and cultural identity : an examination of the classical flute compositions of Haitian composer Werner A. Jaegerhuber.” 2005. Web. 23 Aug 2019.

Vancouver:

Procopio MJ. Haitian classical music, vodou and cultural identity : an examination of the classical flute compositions of Haitian composer Werner A. Jaegerhuber. [Internet] [Doctoral dissertation]. Michigan State University; 2005. [cited 2019 Aug 23]. Available from: http://etd.lib.msu.edu/islandora/object/etd:10211.

Council of Science Editors:

Procopio MJ. Haitian classical music, vodou and cultural identity : an examination of the classical flute compositions of Haitian composer Werner A. Jaegerhuber. [Doctoral Dissertation]. Michigan State University; 2005. Available from: http://etd.lib.msu.edu/islandora/object/etd:10211


University of Oklahoma

18. Casal, Luis Enrique. Panamanian art music for strings: Works for violin/piano and viola/piano by Roque Cordero, Eduardo Charpentier, and Fermin Castanedas.

Degree: DMA, School of Music, 2006, University of Oklahoma

 The dissertation also includes a section on Panamanian folk music and a section about the compositional techniques that Cordero, Charpentier and Castanedas apply to their… (more)

Subjects/Keywords: Folk music Panama.; Violin and piano music History and criticism.; Viola and piano music History and criticism.; Music.; Cordero, Roque, 1917-2008.; Charpentier De Castro, Eduardo.; Music Panama.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Casal, L. E. (2006). Panamanian art music for strings: Works for violin/piano and viola/piano by Roque Cordero, Eduardo Charpentier, and Fermin Castanedas. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/1093

Chicago Manual of Style (16th Edition):

Casal, Luis Enrique. “Panamanian art music for strings: Works for violin/piano and viola/piano by Roque Cordero, Eduardo Charpentier, and Fermin Castanedas.” 2006. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/1093.

MLA Handbook (7th Edition):

Casal, Luis Enrique. “Panamanian art music for strings: Works for violin/piano and viola/piano by Roque Cordero, Eduardo Charpentier, and Fermin Castanedas.” 2006. Web. 23 Aug 2019.

Vancouver:

Casal LE. Panamanian art music for strings: Works for violin/piano and viola/piano by Roque Cordero, Eduardo Charpentier, and Fermin Castanedas. [Internet] [Doctoral dissertation]. University of Oklahoma; 2006. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/1093.

Council of Science Editors:

Casal LE. Panamanian art music for strings: Works for violin/piano and viola/piano by Roque Cordero, Eduardo Charpentier, and Fermin Castanedas. [Doctoral Dissertation]. University of Oklahoma; 2006. Available from: http://hdl.handle.net/11244/1093


University of Oklahoma

19. Park, Jin Young. A reinvestigation of early Mozart: The three keyboard concertos, K. 107.

Degree: DMA, School of Music, 2002, University of Oklahoma

 This study explores the context of the K. 107 concertos in order to examine historical and stylistic features and to seek their relationship to Mozart's… (more)

Subjects/Keywords: Mozart, Wolfgang Amadeus, 1756-1791.; Music.; Concertos (Piano with string orchestra) History and criticism.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Park, J. Y. (2002). A reinvestigation of early Mozart: The three keyboard concertos, K. 107. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/444

Chicago Manual of Style (16th Edition):

Park, Jin Young. “A reinvestigation of early Mozart: The three keyboard concertos, K. 107.” 2002. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/444.

MLA Handbook (7th Edition):

Park, Jin Young. “A reinvestigation of early Mozart: The three keyboard concertos, K. 107.” 2002. Web. 23 Aug 2019.

Vancouver:

Park JY. A reinvestigation of early Mozart: The three keyboard concertos, K. 107. [Internet] [Doctoral dissertation]. University of Oklahoma; 2002. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/444.

Council of Science Editors:

Park JY. A reinvestigation of early Mozart: The three keyboard concertos, K. 107. [Doctoral Dissertation]. University of Oklahoma; 2002. Available from: http://hdl.handle.net/11244/444


University of Oklahoma

20. Brennan, Adam Francis. An investigation of the relationship between wind and percussion scoring in selected twentieth-century wind ensemble literature: Interpretive options for the conductor.

Degree: DMA, School of Music, 2000, University of Oklahoma

 The purpose of this study was to investigate the relationship between wind and percussion scoring in selected twentieth-century wind ensemble literature and to offer interpretive… (more)

Subjects/Keywords: Education, Music.; Wind ensembles 20th century History and criticism.; Music.; Conducting Instruction and study.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brennan, A. F. (2000). An investigation of the relationship between wind and percussion scoring in selected twentieth-century wind ensemble literature: Interpretive options for the conductor. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/5923

Chicago Manual of Style (16th Edition):

Brennan, Adam Francis. “An investigation of the relationship between wind and percussion scoring in selected twentieth-century wind ensemble literature: Interpretive options for the conductor.” 2000. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/5923.

MLA Handbook (7th Edition):

Brennan, Adam Francis. “An investigation of the relationship between wind and percussion scoring in selected twentieth-century wind ensemble literature: Interpretive options for the conductor.” 2000. Web. 23 Aug 2019.

Vancouver:

Brennan AF. An investigation of the relationship between wind and percussion scoring in selected twentieth-century wind ensemble literature: Interpretive options for the conductor. [Internet] [Doctoral dissertation]. University of Oklahoma; 2000. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/5923.

Council of Science Editors:

Brennan AF. An investigation of the relationship between wind and percussion scoring in selected twentieth-century wind ensemble literature: Interpretive options for the conductor. [Doctoral Dissertation]. University of Oklahoma; 2000. Available from: http://hdl.handle.net/11244/5923


University of Oklahoma

21. Batcheller, James Christopher. Waking angels, a light unto the darkness, and a crescent still abides :.

Degree: DMA, School of Music, 2000, University of Oklahoma

 Separate chapters contain the background and analysis of each work. Analyses and comparisons revealed a purposeful attempt to elicit certain general emotional responses to materials… (more)

Subjects/Keywords: Gillingham, David History and criticism.; Anthropology, Cultural.; Conducting Instruction and study.; Education, Music.; Music.; Wind ensembles Instruction and study.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Batcheller, J. C. (2000). Waking angels, a light unto the darkness, and a crescent still abides :. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/5936

Chicago Manual of Style (16th Edition):

Batcheller, James Christopher. “Waking angels, a light unto the darkness, and a crescent still abides :.” 2000. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/5936.

MLA Handbook (7th Edition):

Batcheller, James Christopher. “Waking angels, a light unto the darkness, and a crescent still abides :.” 2000. Web. 23 Aug 2019.

Vancouver:

Batcheller JC. Waking angels, a light unto the darkness, and a crescent still abides :. [Internet] [Doctoral dissertation]. University of Oklahoma; 2000. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/5936.

Council of Science Editors:

Batcheller JC. Waking angels, a light unto the darkness, and a crescent still abides :. [Doctoral Dissertation]. University of Oklahoma; 2000. Available from: http://hdl.handle.net/11244/5936


University of Oklahoma

22. Guerra, Dahlia Ann. Manuel M. Ponce: A study of his solo piano works and his relationship to Mexican musical nationalism.

Degree: DMA, School of Music, 1997, University of Oklahoma

 The purpose of this document is to study selected solo piano works of Manuel M. Ponce in order to encourage interest, interpretive understanding, and performance… (more)

Subjects/Keywords: Piano music Analysis, appreciation.; Music.; Music Mexico 20th century History and criticism.; Ponce, Manuel M. (Manuel MariÔΩ̜), 1822-1948. Piano music.; Folklore.

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Guerra, D. A. (1997). Manuel M. Ponce: A study of his solo piano works and his relationship to Mexican musical nationalism. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/5462

Chicago Manual of Style (16th Edition):

Guerra, Dahlia Ann. “Manuel M. Ponce: A study of his solo piano works and his relationship to Mexican musical nationalism.” 1997. Doctoral Dissertation, University of Oklahoma. Accessed August 23, 2019. http://hdl.handle.net/11244/5462.

MLA Handbook (7th Edition):

Guerra, Dahlia Ann. “Manuel M. Ponce: A study of his solo piano works and his relationship to Mexican musical nationalism.” 1997. Web. 23 Aug 2019.

Vancouver:

Guerra DA. Manuel M. Ponce: A study of his solo piano works and his relationship to Mexican musical nationalism. [Internet] [Doctoral dissertation]. University of Oklahoma; 1997. [cited 2019 Aug 23]. Available from: http://hdl.handle.net/11244/5462.

Council of Science Editors:

Guerra DA. Manuel M. Ponce: A study of his solo piano works and his relationship to Mexican musical nationalism. [Doctoral Dissertation]. University of Oklahoma; 1997. Available from: http://hdl.handle.net/11244/5462


The Ohio State University

23. Peersen, Hild Breien. Franz Berwald and his quartet for piano and winds: its historical, stylistic, and social context.

Degree: DMA, Music, 2005, The Ohio State University

  The Quartet in E¿ for Piano and Winds by Franz Berwald (1796-1868) was written during a period and in a country that is under-represented… (more)

Subjects/Keywords: Fine Arts; Music; Franz Berwald; 19th century Stockholm; wind chamber music; Henrik Bernard Crusell; Frans Preumayr; Johan Michael Hirschfeld; clarinet repertoire; 19th century chamber music; Scandinavian clarinet music; music criticism; Swedish music history

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Peersen, H. B. (2005). Franz Berwald and his quartet for piano and winds: its historical, stylistic, and social context. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1104257313

Chicago Manual of Style (16th Edition):

Peersen, Hild Breien. “Franz Berwald and his quartet for piano and winds: its historical, stylistic, and social context.” 2005. Doctoral Dissertation, The Ohio State University. Accessed August 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1104257313.

MLA Handbook (7th Edition):

Peersen, Hild Breien. “Franz Berwald and his quartet for piano and winds: its historical, stylistic, and social context.” 2005. Web. 23 Aug 2019.

Vancouver:

Peersen HB. Franz Berwald and his quartet for piano and winds: its historical, stylistic, and social context. [Internet] [Doctoral dissertation]. The Ohio State University; 2005. [cited 2019 Aug 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1104257313.

Council of Science Editors:

Peersen HB. Franz Berwald and his quartet for piano and winds: its historical, stylistic, and social context. [Doctoral Dissertation]. The Ohio State University; 2005. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1104257313

.