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You searched for subject:( Communism AND art). Showing records 1 – 17 of 17 total matches.

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Rutgers University

1. Nouril, Ksenia Anastasia, 1987-. The afterlives of communism: the historical turn in contemporary art from Eastern Europe.

Degree: PhD, Art History, 2018, Rutgers University

This dissertation examines the phenomenon of the historical turn in contemporary Eastern European art as evinced in the cross-media works of Olga Chernysheva (b. 1962),… (more)

Subjects/Keywords: Communism and art; Post-communism – Europe, Eastern

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APA (6th Edition):

Nouril, Ksenia Anastasia, 1. (2018). The afterlives of communism: the historical turn in contemporary art from Eastern Europe. (Doctoral Dissertation). Rutgers University. Retrieved from https://rucore.libraries.rutgers.edu/rutgers-lib/59184/

Chicago Manual of Style (16th Edition):

Nouril, Ksenia Anastasia, 1987-. “The afterlives of communism: the historical turn in contemporary art from Eastern Europe.” 2018. Doctoral Dissertation, Rutgers University. Accessed February 26, 2020. https://rucore.libraries.rutgers.edu/rutgers-lib/59184/.

MLA Handbook (7th Edition):

Nouril, Ksenia Anastasia, 1987-. “The afterlives of communism: the historical turn in contemporary art from Eastern Europe.” 2018. Web. 26 Feb 2020.

Vancouver:

Nouril, Ksenia Anastasia 1. The afterlives of communism: the historical turn in contemporary art from Eastern Europe. [Internet] [Doctoral dissertation]. Rutgers University; 2018. [cited 2020 Feb 26]. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/59184/.

Council of Science Editors:

Nouril, Ksenia Anastasia 1. The afterlives of communism: the historical turn in contemporary art from Eastern Europe. [Doctoral Dissertation]. Rutgers University; 2018. Available from: https://rucore.libraries.rutgers.edu/rutgers-lib/59184/


University of Plymouth

2. McBride, Kenneth. Eastern European time-based art during and after Communism.

Degree: PhD, 2011, University of Plymouth

 Soviet-era Communism was a project of emergence that failed to realise its Utopian ambition. Nevertheless, it created an unprecedented simulacrum whose visual language was appropriated… (more)

Subjects/Keywords: 708; Eastern Europe, context responsive narratives, time-baes art, performance art, video art, installation, communism, post-communism, agora8

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APA (6th Edition):

McBride, K. (2011). Eastern European time-based art during and after Communism. (Doctoral Dissertation). University of Plymouth. Retrieved from http://hdl.handle.net/10026.1/486

Chicago Manual of Style (16th Edition):

McBride, Kenneth. “Eastern European time-based art during and after Communism.” 2011. Doctoral Dissertation, University of Plymouth. Accessed February 26, 2020. http://hdl.handle.net/10026.1/486.

MLA Handbook (7th Edition):

McBride, Kenneth. “Eastern European time-based art during and after Communism.” 2011. Web. 26 Feb 2020.

Vancouver:

McBride K. Eastern European time-based art during and after Communism. [Internet] [Doctoral dissertation]. University of Plymouth; 2011. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/10026.1/486.

Council of Science Editors:

McBride K. Eastern European time-based art during and after Communism. [Doctoral Dissertation]. University of Plymouth; 2011. Available from: http://hdl.handle.net/10026.1/486


UCLA

3. Baranello, Adriana Marie. Fillia's Futurism Writing, Politics, Gender and Art after the First World War.

Degree: Italian, 2014, UCLA

 Fillia (Luigi Colombo, 1904-1936) is one of the most significant and intriguing protagonists of the Italian futurist avant-garde in the period between the two World… (more)

Subjects/Keywords: Romance literature; History; Art history; communism; fascism; Fillia; futurism; Marinetti

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APA (6th Edition):

Baranello, A. M. (2014). Fillia's Futurism Writing, Politics, Gender and Art after the First World War. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/2r47405v

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baranello, Adriana Marie. “Fillia's Futurism Writing, Politics, Gender and Art after the First World War.” 2014. Thesis, UCLA. Accessed February 26, 2020. http://www.escholarship.org/uc/item/2r47405v.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baranello, Adriana Marie. “Fillia's Futurism Writing, Politics, Gender and Art after the First World War.” 2014. Web. 26 Feb 2020.

Vancouver:

Baranello AM. Fillia's Futurism Writing, Politics, Gender and Art after the First World War. [Internet] [Thesis]. UCLA; 2014. [cited 2020 Feb 26]. Available from: http://www.escholarship.org/uc/item/2r47405v.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baranello AM. Fillia's Futurism Writing, Politics, Gender and Art after the First World War. [Thesis]. UCLA; 2014. Available from: http://www.escholarship.org/uc/item/2r47405v

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

4. Spahiu, Anxhela. How Patriotic Are Albanians? The Comparative Study of Patriotic Attitudes in Albania and the Albanian Diaspora.

Degree: MAIS, International Studies, 2017, University of San Francisco

  In today’s post-modern digital world, patriotism may not be as prevalent as in the past. In this thesis, my principal aim is to investigate… (more)

Subjects/Keywords: Albanian diaspora; nationalism; patriotism; art; communism; identity; Eastern European Studies; International and Area Studies

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APA (6th Edition):

Spahiu, A. (2017). How Patriotic Are Albanians? The Comparative Study of Patriotic Attitudes in Albania and the Albanian Diaspora. (Thesis). University of San Francisco. Retrieved from https://repository.usfca.edu/thes/251

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Spahiu, Anxhela. “How Patriotic Are Albanians? The Comparative Study of Patriotic Attitudes in Albania and the Albanian Diaspora.” 2017. Thesis, University of San Francisco. Accessed February 26, 2020. https://repository.usfca.edu/thes/251.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Spahiu, Anxhela. “How Patriotic Are Albanians? The Comparative Study of Patriotic Attitudes in Albania and the Albanian Diaspora.” 2017. Web. 26 Feb 2020.

Vancouver:

Spahiu A. How Patriotic Are Albanians? The Comparative Study of Patriotic Attitudes in Albania and the Albanian Diaspora. [Internet] [Thesis]. University of San Francisco; 2017. [cited 2020 Feb 26]. Available from: https://repository.usfca.edu/thes/251.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Spahiu A. How Patriotic Are Albanians? The Comparative Study of Patriotic Attitudes in Albania and the Albanian Diaspora. [Thesis]. University of San Francisco; 2017. Available from: https://repository.usfca.edu/thes/251

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Sul

5. Figueiredo, Carolina Ferreira de. Traços de uma haifa vermelha : um estudo sobre a cultura visual da sociedade palestina/israelense através de charges e ilustrações do artista palestino Abed Abdi (1972-1982).

Degree: 2016, Universidade do Rio Grande do Sul

Este trabalho tem por objetivo analisar a cultura visual presente em Israel e na Palestina durante as décadas de 1970 e 1980, através da singular… (more)

Subjects/Keywords: Cultura visual; Palestinian art; Cartoon and illustration; Abdi, Abde, 1942-; Charge; Nation; Communism; Comunismo : Palestina; História : Palestina; Historia : Israel

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APA (6th Edition):

Figueiredo, C. F. d. (2016). Traços de uma haifa vermelha : um estudo sobre a cultura visual da sociedade palestina/israelense através de charges e ilustrações do artista palestino Abed Abdi (1972-1982). (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/142947

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Figueiredo, Carolina Ferreira de. “Traços de uma haifa vermelha : um estudo sobre a cultura visual da sociedade palestina/israelense através de charges e ilustrações do artista palestino Abed Abdi (1972-1982).” 2016. Thesis, Universidade do Rio Grande do Sul. Accessed February 26, 2020. http://hdl.handle.net/10183/142947.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Figueiredo, Carolina Ferreira de. “Traços de uma haifa vermelha : um estudo sobre a cultura visual da sociedade palestina/israelense através de charges e ilustrações do artista palestino Abed Abdi (1972-1982).” 2016. Web. 26 Feb 2020.

Vancouver:

Figueiredo CFd. Traços de uma haifa vermelha : um estudo sobre a cultura visual da sociedade palestina/israelense através de charges e ilustrações do artista palestino Abed Abdi (1972-1982). [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2016. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/10183/142947.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Figueiredo CFd. Traços de uma haifa vermelha : um estudo sobre a cultura visual da sociedade palestina/israelense através de charges e ilustrações do artista palestino Abed Abdi (1972-1982). [Thesis]. Universidade do Rio Grande do Sul; 2016. Available from: http://hdl.handle.net/10183/142947

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queens University

6. Antoncic, Debra. "Oddballs and Eccentrics" ("Les Hirsutes et Les Excentriques"): Visual Arts and Artists in the Popular Press in Post-War Canada .

Degree: Art History, 2011, Queens University

 This dissertation examines the representation of visual arts and artists in two popular Canadian magazines. It is based on case studies of the Montréal-based Le… (more)

Subjects/Keywords: Canadian Art History; Popular Press; Post-War Canadian History; Anti-Communism in Canada; Liberalism in Canada; Cultural Policy

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APA (6th Edition):

Antoncic, D. (2011). "Oddballs and Eccentrics" ("Les Hirsutes et Les Excentriques"): Visual Arts and Artists in the Popular Press in Post-War Canada . (Thesis). Queens University. Retrieved from http://hdl.handle.net/1974/6540

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Antoncic, Debra. “"Oddballs and Eccentrics" ("Les Hirsutes et Les Excentriques"): Visual Arts and Artists in the Popular Press in Post-War Canada .” 2011. Thesis, Queens University. Accessed February 26, 2020. http://hdl.handle.net/1974/6540.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Antoncic, Debra. “"Oddballs and Eccentrics" ("Les Hirsutes et Les Excentriques"): Visual Arts and Artists in the Popular Press in Post-War Canada .” 2011. Web. 26 Feb 2020.

Vancouver:

Antoncic D. "Oddballs and Eccentrics" ("Les Hirsutes et Les Excentriques"): Visual Arts and Artists in the Popular Press in Post-War Canada . [Internet] [Thesis]. Queens University; 2011. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/1974/6540.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Antoncic D. "Oddballs and Eccentrics" ("Les Hirsutes et Les Excentriques"): Visual Arts and Artists in the Popular Press in Post-War Canada . [Thesis]. Queens University; 2011. Available from: http://hdl.handle.net/1974/6540

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. M. Minga. KËNGË KORÇARE: SONG-MAKING AND MUSICAL CULTURE IN THE CITY OF KORÇË DURING THE TWENTIETH CENTURY.

Degree: 2013, Università degli Studi di Milano

 This research is placed in the city of Korça (southeastern Albania). It focuses on Këngë Korçare (Korça’s songs), a repertoire that anchored in place from… (more)

Subjects/Keywords: Urban Music; Popular Music Studies; Albanian Studies; Place; Oral History; Communism; Settore L-ART/07 - Musicologia e Storia della Musica; Settore L-ART/08 - Etnomusicologia

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APA (6th Edition):

Minga, M. (2013). KËNGË KORÇARE: SONG-MAKING AND MUSICAL CULTURE IN THE CITY OF KORÇË DURING THE TWENTIETH CENTURY. (Thesis). Università degli Studi di Milano. Retrieved from http://hdl.handle.net/2434/235675

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Minga, M.. “KËNGË KORÇARE: SONG-MAKING AND MUSICAL CULTURE IN THE CITY OF KORÇË DURING THE TWENTIETH CENTURY.” 2013. Thesis, Università degli Studi di Milano. Accessed February 26, 2020. http://hdl.handle.net/2434/235675.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Minga, M.. “KËNGË KORÇARE: SONG-MAKING AND MUSICAL CULTURE IN THE CITY OF KORÇË DURING THE TWENTIETH CENTURY.” 2013. Web. 26 Feb 2020.

Vancouver:

Minga M. KËNGË KORÇARE: SONG-MAKING AND MUSICAL CULTURE IN THE CITY OF KORÇË DURING THE TWENTIETH CENTURY. [Internet] [Thesis]. Università degli Studi di Milano; 2013. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/2434/235675.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Minga M. KËNGË KORÇARE: SONG-MAKING AND MUSICAL CULTURE IN THE CITY OF KORÇË DURING THE TWENTIETH CENTURY. [Thesis]. Università degli Studi di Milano; 2013. Available from: http://hdl.handle.net/2434/235675

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Universidade do Rio Grande do Sul

8. Duprat, Andréia Carolina Duarte. Clube de Gravura de Porto Alegre e revista Horizonte (1949-1956) : arte e projeto político.

Degree: 2017, Universidade do Rio Grande do Sul

A presente dissertação, Clube de Gravura de Porto Alegre e revista Horizonte (1949-1956): arte e projeto político, estuda a ação de um grupo de artistas… (more)

Subjects/Keywords: Social art; Clube de Gravura; Partido Comunista Brasileiro; Communism; Horizonte (Revista); Socialist realism; Horizonte magazine; Realismo socialista; Comunismo; Gravura; Porto Alegre (RS); Rio Grande do Sul

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APA (6th Edition):

Duprat, A. C. D. (2017). Clube de Gravura de Porto Alegre e revista Horizonte (1949-1956) : arte e projeto político. (Thesis). Universidade do Rio Grande do Sul. Retrieved from http://hdl.handle.net/10183/165312

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Duprat, Andréia Carolina Duarte. “Clube de Gravura de Porto Alegre e revista Horizonte (1949-1956) : arte e projeto político.” 2017. Thesis, Universidade do Rio Grande do Sul. Accessed February 26, 2020. http://hdl.handle.net/10183/165312.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Duprat, Andréia Carolina Duarte. “Clube de Gravura de Porto Alegre e revista Horizonte (1949-1956) : arte e projeto político.” 2017. Web. 26 Feb 2020.

Vancouver:

Duprat ACD. Clube de Gravura de Porto Alegre e revista Horizonte (1949-1956) : arte e projeto político. [Internet] [Thesis]. Universidade do Rio Grande do Sul; 2017. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/10183/165312.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Duprat ACD. Clube de Gravura de Porto Alegre e revista Horizonte (1949-1956) : arte e projeto político. [Thesis]. Universidade do Rio Grande do Sul; 2017. Available from: http://hdl.handle.net/10183/165312

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Pontifical Catholic University of Rio de Janeiro

9. CLARA CAVENDISH WANDERLEY ROTH. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.

Degree: 2018, Pontifical Catholic University of Rio de Janeiro

[pt] As obras dos dois artistas alemães Anselm Kiefer e Georg Baselitz e sua importância na retomada da arte germânica e européia no cenário da… (more)

Subjects/Keywords: [pt] O MOTIVO HISTORICO; [en] HISTORICAL MOTIVATION; [pt] ARTE - PINTURA ALEMA CONTEMPORANEA; [en] ART - CONTEMPORANEOUS GERMAN PAINTING; [pt] NAZISMO - COMUNISMO; [en] NAZISM - COMMUNISM; [pt] PATHOS ROMANTICO; [en] ROMANTIC PATHOS

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APA (6th Edition):

ROTH, C. C. W. (2018). [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. (Thesis). Pontifical Catholic University of Rio de Janeiro. Retrieved from http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

ROTH, CLARA CAVENDISH WANDERLEY. “[en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.” 2018. Thesis, Pontifical Catholic University of Rio de Janeiro. Accessed February 26, 2020. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

ROTH, CLARA CAVENDISH WANDERLEY. “[en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART.” 2018. Web. 26 Feb 2020.

Vancouver:

ROTH CCW. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. [Internet] [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. [cited 2020 Feb 26]. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

ROTH CCW. [en] GEORG BASELITZ AND ANSELM KIEFER: LEITMOTIV AND HISTORY: ROMANTIC RETRIEVAL OF GERMAN ART. [Thesis]. Pontifical Catholic University of Rio de Janeiro; 2018. Available from: http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

10. Videkanic, Bojana. Non-Aligned Modernism: Yugoslavian Art and Culture from 1945-1990.

Degree: PhD, Social & Political Thought, 2014, York University

 This thesis seeks to understand and recover contemporary social, political and aesthetic value from the often dismissed or marginalized history of Yugoslavian modernism. The significance… (more)

Subjects/Keywords: Art history; East European studies; Fine arts; Socialist cultural studies; Socialist modernism; Non-alignment; East European modernist art; Yugoslavian modernism; Visual culture; Modernist art history; Socialist era monuments; Utopian architecture,; Public rituals; Yugoslavian communism; Self-management; President Tito

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APA (6th Edition):

Videkanic, B. (2014). Non-Aligned Modernism: Yugoslavian Art and Culture from 1945-1990. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/27595

Chicago Manual of Style (16th Edition):

Videkanic, Bojana. “Non-Aligned Modernism: Yugoslavian Art and Culture from 1945-1990.” 2014. Doctoral Dissertation, York University. Accessed February 26, 2020. http://hdl.handle.net/10315/27595.

MLA Handbook (7th Edition):

Videkanic, Bojana. “Non-Aligned Modernism: Yugoslavian Art and Culture from 1945-1990.” 2014. Web. 26 Feb 2020.

Vancouver:

Videkanic B. Non-Aligned Modernism: Yugoslavian Art and Culture from 1945-1990. [Internet] [Doctoral dissertation]. York University; 2014. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/10315/27595.

Council of Science Editors:

Videkanic B. Non-Aligned Modernism: Yugoslavian Art and Culture from 1945-1990. [Doctoral Dissertation]. York University; 2014. Available from: http://hdl.handle.net/10315/27595

11. Lazarescu, Irene. En diktator, en vampyr och färgen grå : Förutsättningar för rumänsk samtidskonst före och efter 1989.

Degree: The School of Culture and Communication, 2008, Södertörn University College

  The conditions for art in Romania have gone through big changes since the collapse of the regime in December of 1989. Under the Communist… (more)

Subjects/Keywords: Contemporary Romanian art; Communism; Actionism; Constantin Mara; Ion Grigorescu; Matei Lazarescu; Kuki Constantinescu; Stefan Constantinescu; Nicolae Ceausescu.; Art; Konstvetenskap

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APA (6th Edition):

Lazarescu, I. (2008). En diktator, en vampyr och färgen grå : Förutsättningar för rumänsk samtidskonst före och efter 1989. (Thesis). Södertörn University College. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1525

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Lazarescu, Irene. “En diktator, en vampyr och färgen grå : Förutsättningar för rumänsk samtidskonst före och efter 1989.” 2008. Thesis, Södertörn University College. Accessed February 26, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1525.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Lazarescu, Irene. “En diktator, en vampyr och färgen grå : Förutsättningar för rumänsk samtidskonst före och efter 1989.” 2008. Web. 26 Feb 2020.

Vancouver:

Lazarescu I. En diktator, en vampyr och färgen grå : Förutsättningar för rumänsk samtidskonst före och efter 1989. [Internet] [Thesis]. Södertörn University College; 2008. [cited 2020 Feb 26]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1525.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Lazarescu I. En diktator, en vampyr och färgen grå : Förutsättningar för rumänsk samtidskonst före och efter 1989. [Thesis]. Södertörn University College; 2008. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1525

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of St. Andrews

12. Glomm, Anna Sandaker. Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS .

Degree: 2012, University of St. Andrews

 This thesis examines the relationship between the three artists’ workshops Røde Mor (Red Mother), Folkets Ateljé (The People’s Studio) and GRAS, who worked between 1968… (more)

Subjects/Keywords: Poster art in the twentieth-century; Political art; Propaganda; Social realism; Socialist realism; Røde Mor; GRAS; Folkets Ateljé; Norwegian twentieth-century art; Danish twentieth-century art; Swedish twentieth-century art; Scandinavian twentieth-century art; Pop art; Conceptual art; Figuration; Abstraction; 1968; Popular movements; Transnational study; Op-art; EEC 1972; Communism and art; Marxist-Leninism and art; Underground and sub culture; 1970s Scandinavia; Marxism and art; Grassroot movements; Collectivism; Graphic art; Silkscreen; Serigraphy; Lino-cuts; Offset print; Linoleum print; Atelier Populaire; Art Workers Coalition; Modernism; Postmodernism; Social art history; Russian avant garde poster art; Neo-avant garde; Activism and art; Comparative study of art; Non-figuration; Scandinavian 1968; European 1968; Political pop-art; Youth rebellion and uprising; Capitalism and art; Street art; Scandinavian model and art; Nordic model and art; Social democracy and art; Globalisation; Chinese Cultural Revolution; Third World and anti-imperialism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Glomm, A. S. (2012). Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS . (Thesis). University of St. Andrews. Retrieved from http://hdl.handle.net/10023/3171

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Glomm, Anna Sandaker. “Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS .” 2012. Thesis, University of St. Andrews. Accessed February 26, 2020. http://hdl.handle.net/10023/3171.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Glomm, Anna Sandaker. “Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS .” 2012. Web. 26 Feb 2020.

Vancouver:

Glomm AS. Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS . [Internet] [Thesis]. University of St. Andrews; 2012. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/10023/3171.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Glomm AS. Graphic revolt! Scandinavian artists' workshops, 1968-1975 : Røde Mor, Folkets Ateljé and GRAS . [Thesis]. University of St. Andrews; 2012. Available from: http://hdl.handle.net/10023/3171

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of New South Wales

13. Gardner, Anthony Marshall. Politically unbecoming: critiques of "democracy" and postsocialist art from Europe.

Degree: Art, 2008, University of New South Wales

 This thesis presents a theoretical and historical account of how artists have responded to politics of democracy since the late-1980s. Three questions guide the direction… (more)

Subjects/Keywords: Post-socialism; Contemporary Art; Democracy; Post-communism; Ilya Kabakov; Manifesta Biennial; IRWIN; Thomas Hirschhorn; Christoph Büchel; Gianni Motti; Perjovschi

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APA (6th Edition):

Gardner, A. M. (2008). Politically unbecoming: critiques of "democracy" and postsocialist art from Europe. (Doctoral Dissertation). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/42880 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:4399/SOURCE1?view=true

Chicago Manual of Style (16th Edition):

Gardner, Anthony Marshall. “Politically unbecoming: critiques of "democracy" and postsocialist art from Europe.” 2008. Doctoral Dissertation, University of New South Wales. Accessed February 26, 2020. http://handle.unsw.edu.au/1959.4/42880 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:4399/SOURCE1?view=true.

MLA Handbook (7th Edition):

Gardner, Anthony Marshall. “Politically unbecoming: critiques of "democracy" and postsocialist art from Europe.” 2008. Web. 26 Feb 2020.

Vancouver:

Gardner AM. Politically unbecoming: critiques of "democracy" and postsocialist art from Europe. [Internet] [Doctoral dissertation]. University of New South Wales; 2008. [cited 2020 Feb 26]. Available from: http://handle.unsw.edu.au/1959.4/42880 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:4399/SOURCE1?view=true.

Council of Science Editors:

Gardner AM. Politically unbecoming: critiques of "democracy" and postsocialist art from Europe. [Doctoral Dissertation]. University of New South Wales; 2008. Available from: http://handle.unsw.edu.au/1959.4/42880 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:4399/SOURCE1?view=true


Brno University of Technology

14. Kořínková, Jana. Výtvarné umění v prostoru brněnských sídlišť (1945–1989) .

Degree: 2017, Brno University of Technology

 Disertační práce je zaměřena na problematiku začleňování výtvarného umění do architektury v poválečném Československu se zvláštním zřetelem k vývoji v městě Brně. Hlavní výzkumné otázky… (more)

Subjects/Keywords: výtvarné umění; architektura; socialismus; umění ve veřejném prostoru; Brno; Československo; sídliště; legislativa; socialistický realismus; normalizace; gesamtkunstwerk; visual arts; architecture; communism; public art; Brno; Czechoslovakia; housing estates; legislation; socialist realism; normalisation; Gesamtkunstwerk

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kořínková, J. (2017). Výtvarné umění v prostoru brněnských sídlišť (1945–1989) . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/64753

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kořínková, Jana. “Výtvarné umění v prostoru brněnských sídlišť (1945–1989) .” 2017. Thesis, Brno University of Technology. Accessed February 26, 2020. http://hdl.handle.net/11012/64753.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kořínková, Jana. “Výtvarné umění v prostoru brněnských sídlišť (1945–1989) .” 2017. Web. 26 Feb 2020.

Vancouver:

Kořínková J. Výtvarné umění v prostoru brněnských sídlišť (1945–1989) . [Internet] [Thesis]. Brno University of Technology; 2017. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/11012/64753.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kořínková J. Výtvarné umění v prostoru brněnských sídlišť (1945–1989) . [Thesis]. Brno University of Technology; 2017. Available from: http://hdl.handle.net/11012/64753

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Boston University

15. Carstocea, George. Reality, language, and history: three facets of contemporary Romanian cinema.

Degree: MFA, Film and Television Studies, 2012, Boston University

 The purpose of this thesis is to closely analyze some of the individual authorial voices that have emerged from contemporary Romanian cinema. Billed by the… (more)

Subjects/Keywords: Puiu, Cristi; Porumboiu, Corneliu; Utica, Andrei; Romanian New Wave; Mungiu; Communism; Akerman; Godard; Tarantino; Caragiale; Realism; Cinema; Film; Translation; Language; History; Art; Reality; Reception; Stuff and Dough; Lazarescu; Aurora; 12:08 East of Bucharest (2006); Police, Adjective (2010); Nicolae Ceausescu

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Carstocea, G. (2012). Reality, language, and history: three facets of contemporary Romanian cinema. (Masters Thesis). Boston University. Retrieved from http://hdl.handle.net/2144/12312

Chicago Manual of Style (16th Edition):

Carstocea, George. “Reality, language, and history: three facets of contemporary Romanian cinema.” 2012. Masters Thesis, Boston University. Accessed February 26, 2020. http://hdl.handle.net/2144/12312.

MLA Handbook (7th Edition):

Carstocea, George. “Reality, language, and history: three facets of contemporary Romanian cinema.” 2012. Web. 26 Feb 2020.

Vancouver:

Carstocea G. Reality, language, and history: three facets of contemporary Romanian cinema. [Internet] [Masters thesis]. Boston University; 2012. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/2144/12312.

Council of Science Editors:

Carstocea G. Reality, language, and history: three facets of contemporary Romanian cinema. [Masters Thesis]. Boston University; 2012. Available from: http://hdl.handle.net/2144/12312

16. Nelson, Grace Elizabeth. Embodied Memory and Viewer Engagement: Prague's Memorial to the Victims of Communism.

Degree: MA, Art/Art History, 2019, Bowling Green State University

 Completed and dedicated in 2002, Prague's Memorial to the Victims of Communism, an immersive installation relies on the performative body of its viewers to make… (more)

Subjects/Keywords: Art History; Prague; Memorial to the Victims of Communism; Olbram Zoubek; Jan Palach; Antimonumental; lieux de memoire; embodied memory; performative viewer; viewer engagement; communism; memorials

…the efficacy of installation art to communicate political messaging associated with the… …memorial to victims of communism took place shortly before the Czech Republic’s induction into… …Memorial to the Victims of Communism are not positioned to a single point of view on the outside… …Communism) 1948-1989” (Fig. 6). The plaques give the numbers of those who were… …to be 2 Widrich, Mechtild. Performative Monuments: The Rematerialisation of Public Art… 

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Nelson, G. E. (2019). Embodied Memory and Viewer Engagement: Prague's Memorial to the Victims of Communism. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555678731352293

Chicago Manual of Style (16th Edition):

Nelson, Grace Elizabeth. “Embodied Memory and Viewer Engagement: Prague's Memorial to the Victims of Communism.” 2019. Masters Thesis, Bowling Green State University. Accessed February 26, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555678731352293.

MLA Handbook (7th Edition):

Nelson, Grace Elizabeth. “Embodied Memory and Viewer Engagement: Prague's Memorial to the Victims of Communism.” 2019. Web. 26 Feb 2020.

Vancouver:

Nelson GE. Embodied Memory and Viewer Engagement: Prague's Memorial to the Victims of Communism. [Internet] [Masters thesis]. Bowling Green State University; 2019. [cited 2020 Feb 26]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555678731352293.

Council of Science Editors:

Nelson GE. Embodied Memory and Viewer Engagement: Prague's Memorial to the Victims of Communism. [Masters Thesis]. Bowling Green State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1555678731352293


Brno University of Technology

17. Růžičková, Martina. UNIVERSAL BASIC OPRESSION .

Degree: 2017, Brno University of Technology

 Diplomový projekt Polyamory Design Unit, (ďalej už PDU), skúma možnosti spolupráce odborníkov pôsobiacich na poli umenia, produktového, grafického designu, architektúry a filozofie pri tvorbe špekulatívneho… (more)

Subjects/Keywords: polyamoria; výtvarné umenie; dizajn; architektúra; filozofia; medzioborová kolaborácia; spoločnosť po práci; plná automatizácia; plne automatizovaný luxusný komunizmus; nepodmienený základný prijem; umelá inteligencia; nový expresionizmus; reakcionár; technokratická vláda; polyamory; fine art; design; architecture; phillosophy; collaboration between experts; post-work society; full automation; fully automated luxury communism; universal basic income; artificial intelligence; new expressionism; reactionary; technocratic governance

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Růžičková, M. (2017). UNIVERSAL BASIC OPRESSION . (Thesis). Brno University of Technology. Retrieved from http://hdl.handle.net/11012/64874

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Růžičková, Martina. “UNIVERSAL BASIC OPRESSION .” 2017. Thesis, Brno University of Technology. Accessed February 26, 2020. http://hdl.handle.net/11012/64874.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Růžičková, Martina. “UNIVERSAL BASIC OPRESSION .” 2017. Web. 26 Feb 2020.

Vancouver:

Růžičková M. UNIVERSAL BASIC OPRESSION . [Internet] [Thesis]. Brno University of Technology; 2017. [cited 2020 Feb 26]. Available from: http://hdl.handle.net/11012/64874.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Růžičková M. UNIVERSAL BASIC OPRESSION . [Thesis]. Brno University of Technology; 2017. Available from: http://hdl.handle.net/11012/64874

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

.