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You searched for subject:( Claude McKay). Showing records 1 – 9 of 9 total matches.

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University College Cork

1. Walsh, Bairbre Anne Patricia. Claude McKay and the transnational novel.

Degree: 2011, University College Cork

 This thesis considers the three works of fiction of the Jamaican author Claude McKay (1889-1948) as a coherent transnational trilogy which dramatises the semi-autobiographical complexities… (more)

Subjects/Keywords: Claude McKay; Transnationalism; Black Atlantic; Fiction; Trilogy; McKay, Claude, 1890-1948 – Criticism and interpretation

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APA (6th Edition):

Walsh, B. A. P. (2011). Claude McKay and the transnational novel. (Thesis). University College Cork. Retrieved from http://hdl.handle.net/10468/456

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Walsh, Bairbre Anne Patricia. “Claude McKay and the transnational novel.” 2011. Thesis, University College Cork. Accessed March 01, 2021. http://hdl.handle.net/10468/456.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Walsh, Bairbre Anne Patricia. “Claude McKay and the transnational novel.” 2011. Web. 01 Mar 2021.

Vancouver:

Walsh BAP. Claude McKay and the transnational novel. [Internet] [Thesis]. University College Cork; 2011. [cited 2021 Mar 01]. Available from: http://hdl.handle.net/10468/456.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Walsh BAP. Claude McKay and the transnational novel. [Thesis]. University College Cork; 2011. Available from: http://hdl.handle.net/10468/456

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Princeton University

2. Reuland, John Thomas. The Self Unenclosed: A New Literary History of Pragmatism, 1890-1940 .

Degree: PhD, 2013, Princeton University

 In The Self Unenclosed, I argue that pragmatist ideas of selfhood, action, and futurity guided Progressive Era writers as they pursed an ambitious goal: to… (more)

Subjects/Keywords: Charlotte Perkins Gilman; Claude McKay; George Herbert Mead; Henry James; John Dewey; pragmatism and literature

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APA (6th Edition):

Reuland, J. T. (2013). The Self Unenclosed: A New Literary History of Pragmatism, 1890-1940 . (Doctoral Dissertation). Princeton University. Retrieved from http://arks.princeton.edu/ark:/88435/dsp01kw52j8147

Chicago Manual of Style (16th Edition):

Reuland, John Thomas. “The Self Unenclosed: A New Literary History of Pragmatism, 1890-1940 .” 2013. Doctoral Dissertation, Princeton University. Accessed March 01, 2021. http://arks.princeton.edu/ark:/88435/dsp01kw52j8147.

MLA Handbook (7th Edition):

Reuland, John Thomas. “The Self Unenclosed: A New Literary History of Pragmatism, 1890-1940 .” 2013. Web. 01 Mar 2021.

Vancouver:

Reuland JT. The Self Unenclosed: A New Literary History of Pragmatism, 1890-1940 . [Internet] [Doctoral dissertation]. Princeton University; 2013. [cited 2021 Mar 01]. Available from: http://arks.princeton.edu/ark:/88435/dsp01kw52j8147.

Council of Science Editors:

Reuland JT. The Self Unenclosed: A New Literary History of Pragmatism, 1890-1940 . [Doctoral Dissertation]. Princeton University; 2013. Available from: http://arks.princeton.edu/ark:/88435/dsp01kw52j8147


Columbia University

3. Cloutier, Jean-Christophe. Archival Vagabonds: 20th-Century American Fiction and the Archive in Novelistic Practice.

Degree: 2013, Columbia University

 My research explores the interplay between the archival and aesthetic sensibilities of novelists not typically associated with archival practices – Claude McKay, Richard Wright, Ralph Ellison,… (more)

Subjects/Keywords: Archives; Fiction; Literature; American literature; French-Canadian literature; Wright, Richard, 1908-1960; Ellison, Ralph; Kerouac, Jack, 1922-1969; McKay, Claude, 1890-1948

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APA (6th Edition):

Cloutier, J. (2013). Archival Vagabonds: 20th-Century American Fiction and the Archive in Novelistic Practice. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D80K280Z

Chicago Manual of Style (16th Edition):

Cloutier, Jean-Christophe. “Archival Vagabonds: 20th-Century American Fiction and the Archive in Novelistic Practice.” 2013. Doctoral Dissertation, Columbia University. Accessed March 01, 2021. https://doi.org/10.7916/D80K280Z.

MLA Handbook (7th Edition):

Cloutier, Jean-Christophe. “Archival Vagabonds: 20th-Century American Fiction and the Archive in Novelistic Practice.” 2013. Web. 01 Mar 2021.

Vancouver:

Cloutier J. Archival Vagabonds: 20th-Century American Fiction and the Archive in Novelistic Practice. [Internet] [Doctoral dissertation]. Columbia University; 2013. [cited 2021 Mar 01]. Available from: https://doi.org/10.7916/D80K280Z.

Council of Science Editors:

Cloutier J. Archival Vagabonds: 20th-Century American Fiction and the Archive in Novelistic Practice. [Doctoral Dissertation]. Columbia University; 2013. Available from: https://doi.org/10.7916/D80K280Z

4. Leitner, David J. HARLEM IN SHAKESPEARE AND SHAKESPEARE IN HARLEM: THE SONNETS OF CLAUDE MCKAY, COUNTEE CULLEN, LANGSTON HUGHES, AND GWENDOLYN BROOKS.

Degree: PhD, English, 2015, Southern Illinois University

  This study responds to the need for an understanding of the relation of form and political critique within the sonnet form, and hopes to… (more)

Subjects/Keywords: Claude McKay; Countee Cullen; Gwendolyn Brooks; Langston Hughes; Poetry; Sonnets

Claude McKay (1889-1948) wrote formal, militant sonnets of racial protest. Countee… …the three-line blues form is more distinctly Black than a sonnet by Claude McKay, for… …white Americans together. The Period This study examines poems from 1917, when Claude McKay… …example of a single poem being used in various contexts is Claude McKay’s “If We Must Die… …McKay or Cullen, who were in fact raised on a diet of Romantic poetry, should not be allowed… 

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APA (6th Edition):

Leitner, D. J. (2015). HARLEM IN SHAKESPEARE AND SHAKESPEARE IN HARLEM: THE SONNETS OF CLAUDE MCKAY, COUNTEE CULLEN, LANGSTON HUGHES, AND GWENDOLYN BROOKS. (Doctoral Dissertation). Southern Illinois University. Retrieved from https://opensiuc.lib.siu.edu/dissertations/1012

Chicago Manual of Style (16th Edition):

Leitner, David J. “HARLEM IN SHAKESPEARE AND SHAKESPEARE IN HARLEM: THE SONNETS OF CLAUDE MCKAY, COUNTEE CULLEN, LANGSTON HUGHES, AND GWENDOLYN BROOKS.” 2015. Doctoral Dissertation, Southern Illinois University. Accessed March 01, 2021. https://opensiuc.lib.siu.edu/dissertations/1012.

MLA Handbook (7th Edition):

Leitner, David J. “HARLEM IN SHAKESPEARE AND SHAKESPEARE IN HARLEM: THE SONNETS OF CLAUDE MCKAY, COUNTEE CULLEN, LANGSTON HUGHES, AND GWENDOLYN BROOKS.” 2015. Web. 01 Mar 2021.

Vancouver:

Leitner DJ. HARLEM IN SHAKESPEARE AND SHAKESPEARE IN HARLEM: THE SONNETS OF CLAUDE MCKAY, COUNTEE CULLEN, LANGSTON HUGHES, AND GWENDOLYN BROOKS. [Internet] [Doctoral dissertation]. Southern Illinois University; 2015. [cited 2021 Mar 01]. Available from: https://opensiuc.lib.siu.edu/dissertations/1012.

Council of Science Editors:

Leitner DJ. HARLEM IN SHAKESPEARE AND SHAKESPEARE IN HARLEM: THE SONNETS OF CLAUDE MCKAY, COUNTEE CULLEN, LANGSTON HUGHES, AND GWENDOLYN BROOKS. [Doctoral Dissertation]. Southern Illinois University; 2015. Available from: https://opensiuc.lib.siu.edu/dissertations/1012


Clemson University

5. Williams, Cocoa. Uniting Octave and Sestet: Completing 'The Cycle' of McKay's Sequence.

Degree: MA, English, 2007, Clemson University

 This thesis examines Claude McKay's The Cycle (c. 1943) in relationship to how McKay's other sonnets have been received by scholars and the ways in… (more)

Subjects/Keywords: Claude McKay; The Cycle; Harlem Renaissance; Petrarch; sonnet sequence; American Literature

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APA (6th Edition):

Williams, C. (2007). Uniting Octave and Sestet: Completing 'The Cycle' of McKay's Sequence. (Masters Thesis). Clemson University. Retrieved from https://tigerprints.clemson.edu/all_theses/213

Chicago Manual of Style (16th Edition):

Williams, Cocoa. “Uniting Octave and Sestet: Completing 'The Cycle' of McKay's Sequence.” 2007. Masters Thesis, Clemson University. Accessed March 01, 2021. https://tigerprints.clemson.edu/all_theses/213.

MLA Handbook (7th Edition):

Williams, Cocoa. “Uniting Octave and Sestet: Completing 'The Cycle' of McKay's Sequence.” 2007. Web. 01 Mar 2021.

Vancouver:

Williams C. Uniting Octave and Sestet: Completing 'The Cycle' of McKay's Sequence. [Internet] [Masters thesis]. Clemson University; 2007. [cited 2021 Mar 01]. Available from: https://tigerprints.clemson.edu/all_theses/213.

Council of Science Editors:

Williams C. Uniting Octave and Sestet: Completing 'The Cycle' of McKay's Sequence. [Masters Thesis]. Clemson University; 2007. Available from: https://tigerprints.clemson.edu/all_theses/213


University of Oregon

6. Upton, Corbett Earl, 1970-. Canon and corpus: The making of American poetry: Making of American poetry.

Degree: 2010, University of Oregon

 This dissertation argues that certain iconic poems have shaped the canon of American poetry. Not merely "canonical" in the usual sense, iconic poems enjoy a… (more)

Subjects/Keywords: Poetry; Longfellow, Henry Wadsworth, 1807-1882; Whitman, Walt, 1819-1892; Caribbean literature; McKay, Claude, 1890-1948; Jamaica; African American studies; Black studies; American literature  – History and criticism

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APA (6th Edition):

Upton, Corbett Earl, 1. (2010). Canon and corpus: The making of American poetry: Making of American poetry. (Thesis). University of Oregon. Retrieved from http://hdl.handle.net/1794/11286

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Upton, Corbett Earl, 1970-. “Canon and corpus: The making of American poetry: Making of American poetry.” 2010. Thesis, University of Oregon. Accessed March 01, 2021. http://hdl.handle.net/1794/11286.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Upton, Corbett Earl, 1970-. “Canon and corpus: The making of American poetry: Making of American poetry.” 2010. Web. 01 Mar 2021.

Vancouver:

Upton, Corbett Earl 1. Canon and corpus: The making of American poetry: Making of American poetry. [Internet] [Thesis]. University of Oregon; 2010. [cited 2021 Mar 01]. Available from: http://hdl.handle.net/1794/11286.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Upton, Corbett Earl 1. Canon and corpus: The making of American poetry: Making of American poetry. [Thesis]. University of Oregon; 2010. Available from: http://hdl.handle.net/1794/11286

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Central Connecticut State University

7. Ball, Karlene N. A comparative study of the poetry and politics of five poets that represent the afro voice in the literature across the Americas: Aim Cesaire, Nicols Guilln, Langston Hughes, Luis Pals Matos and Claude McKay.

Degree: Department of Modern Languages, 2006, Central Connecticut State University

 This research represents a comparative study of the poetry and politics of the afro voice in the literature across the Americas in the post-colonial period.… (more)

Subjects/Keywords: Césaire, Aimé  – Criticism and interpretation; Guillén, Nicolás, 1902-1989  – Criticism and interpretation; Hughes, Langston, 1902-1967  – Criticism and interpretation; Palés Matos, Luis  – Criticism and interpretation; McKay, Claude, 1890-1948  – Criticism and interpretation; African American poets

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APA (6th Edition):

Ball, K. N. (2006). A comparative study of the poetry and politics of five poets that represent the afro voice in the literature across the Americas: Aim Cesaire, Nicols Guilln, Langston Hughes, Luis Pals Matos and Claude McKay. (Thesis). Central Connecticut State University. Retrieved from http://content.library.ccsu.edu/u?/ccsutheses,849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ball, Karlene N. “A comparative study of the poetry and politics of five poets that represent the afro voice in the literature across the Americas: Aim Cesaire, Nicols Guilln, Langston Hughes, Luis Pals Matos and Claude McKay.” 2006. Thesis, Central Connecticut State University. Accessed March 01, 2021. http://content.library.ccsu.edu/u?/ccsutheses,849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ball, Karlene N. “A comparative study of the poetry and politics of five poets that represent the afro voice in the literature across the Americas: Aim Cesaire, Nicols Guilln, Langston Hughes, Luis Pals Matos and Claude McKay.” 2006. Web. 01 Mar 2021.

Vancouver:

Ball KN. A comparative study of the poetry and politics of five poets that represent the afro voice in the literature across the Americas: Aim Cesaire, Nicols Guilln, Langston Hughes, Luis Pals Matos and Claude McKay. [Internet] [Thesis]. Central Connecticut State University; 2006. [cited 2021 Mar 01]. Available from: http://content.library.ccsu.edu/u?/ccsutheses,849.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ball KN. A comparative study of the poetry and politics of five poets that represent the afro voice in the literature across the Americas: Aim Cesaire, Nicols Guilln, Langston Hughes, Luis Pals Matos and Claude McKay. [Thesis]. Central Connecticut State University; 2006. Available from: http://content.library.ccsu.edu/u?/ccsutheses,849

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Florida

8. Manolova, Velina. Anti-Assimilationist Politics in Nella Larsen's Quicksand and Claude McKay's Home to Harlem and Banjo.

Degree: MA, English, 2008, University of Florida

 This thesis examines the gender, racial, class, and sexual politics of Nella Larsen's Quicksand (1928) and Claude McKay's Home to Harlem (1928) and Banjo: A… (more)

Subjects/Keywords: African Americans; Banjos; Bourgeois; Men; Novels; Prostitution; Quicksand; Sex workers; White people; Women; assimilationism, banjo, bois, class, claude, colonialism, du, gender, harlem, heteronormativity, home, hysteria, interpellation, larsen, mckay, nella, performance, performativity, prostitute, queer, quicksand, race, renaissance, sexuality, uplift, vagabond

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APA (6th Edition):

Manolova, V. (2008). Anti-Assimilationist Politics in Nella Larsen's Quicksand and Claude McKay's Home to Harlem and Banjo. (Masters Thesis). University of Florida. Retrieved from https://ufdc.ufl.edu/UFE0022170

Chicago Manual of Style (16th Edition):

Manolova, Velina. “Anti-Assimilationist Politics in Nella Larsen's Quicksand and Claude McKay's Home to Harlem and Banjo.” 2008. Masters Thesis, University of Florida. Accessed March 01, 2021. https://ufdc.ufl.edu/UFE0022170.

MLA Handbook (7th Edition):

Manolova, Velina. “Anti-Assimilationist Politics in Nella Larsen's Quicksand and Claude McKay's Home to Harlem and Banjo.” 2008. Web. 01 Mar 2021.

Vancouver:

Manolova V. Anti-Assimilationist Politics in Nella Larsen's Quicksand and Claude McKay's Home to Harlem and Banjo. [Internet] [Masters thesis]. University of Florida; 2008. [cited 2021 Mar 01]. Available from: https://ufdc.ufl.edu/UFE0022170.

Council of Science Editors:

Manolova V. Anti-Assimilationist Politics in Nella Larsen's Quicksand and Claude McKay's Home to Harlem and Banjo. [Masters Thesis]. University of Florida; 2008. Available from: https://ufdc.ufl.edu/UFE0022170


University of Alberta

9. Halil, Karen. Conjuring power in Caribbean and African-American literature.

Degree: PhD, Department of English, 1999, University of Alberta

Subjects/Keywords: Brodber, Erna – Criticism and interpretation.; Harris, Wilson – Palace of the peacock.; Magic in literature.; Morrison, Toni – Song of Solomon.; McKay, Claude, 1890-1948 – Criticism and interpretation.; Hurston, Zora Neale – Criticism and interpretation.; Caribbean literature.; Morrison, Toni – Criticism and interpretation.; Harris, Wilson – Criticism and interpretation.; Johnson, Charles, 1948-  – Criticism and interpretation.; American literature – African American authors.; Folklore in literature.; Religion in literature.

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APA (6th Edition):

Halil, K. (1999). Conjuring power in Caribbean and African-American literature. (Doctoral Dissertation). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/mc87pt14x

Chicago Manual of Style (16th Edition):

Halil, Karen. “Conjuring power in Caribbean and African-American literature.” 1999. Doctoral Dissertation, University of Alberta. Accessed March 01, 2021. https://era.library.ualberta.ca/files/mc87pt14x.

MLA Handbook (7th Edition):

Halil, Karen. “Conjuring power in Caribbean and African-American literature.” 1999. Web. 01 Mar 2021.

Vancouver:

Halil K. Conjuring power in Caribbean and African-American literature. [Internet] [Doctoral dissertation]. University of Alberta; 1999. [cited 2021 Mar 01]. Available from: https://era.library.ualberta.ca/files/mc87pt14x.

Council of Science Editors:

Halil K. Conjuring power in Caribbean and African-American literature. [Doctoral Dissertation]. University of Alberta; 1999. Available from: https://era.library.ualberta.ca/files/mc87pt14x

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