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You searched for subject:( Chamber Music). Showing records 1 – 30 of 448 total matches.

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University of Colorado

1. Eichhorn, John. Performing Musical Memoir: Autobiography, Narrative and Memory in Leoš Janáček’s Mládí.

Degree: MM, Music, 2019, University of Colorado

  Leoš Janáček writes in a letter to Kamila Stösslová, his paramour, dated July 24, 1924: “I have composed a sort of memoir of youth”… (more)

Subjects/Keywords: chamber music; wind music; Leoš Janáček; Mládí; narrative; memory; autobiography; memoir; performance; Music Theory

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APA (6th Edition):

Eichhorn, J. (2019). Performing Musical Memoir: Autobiography, Narrative and Memory in Leoš Janáček’s Mládí. (Thesis). University of Colorado. Retrieved from https://scholar.colorado.edu/mthe_gradetds/2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Eichhorn, John. “Performing Musical Memoir: Autobiography, Narrative and Memory in Leoš Janáček’s Mládí.” 2019. Thesis, University of Colorado. Accessed October 20, 2019. https://scholar.colorado.edu/mthe_gradetds/2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Eichhorn, John. “Performing Musical Memoir: Autobiography, Narrative and Memory in Leoš Janáček’s Mládí.” 2019. Web. 20 Oct 2019.

Vancouver:

Eichhorn J. Performing Musical Memoir: Autobiography, Narrative and Memory in Leoš Janáček’s Mládí. [Internet] [Thesis]. University of Colorado; 2019. [cited 2019 Oct 20]. Available from: https://scholar.colorado.edu/mthe_gradetds/2.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Eichhorn J. Performing Musical Memoir: Autobiography, Narrative and Memory in Leoš Janáček’s Mládí. [Thesis]. University of Colorado; 2019. Available from: https://scholar.colorado.edu/mthe_gradetds/2

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Washington

2. Stahl, Shayna. Wind Chamber Music by Women Composers - The Biographies, Compositional Techniques, and Perspectives of Jocelyn Morlock, Elizabeth Raum, Marilyn Shrude, and Augusta Read Thomas.

Degree: 2019, University of Washington

 The purpose of this dissertation is to explore the perspectives of four women composers to address the need for visibility of women composers and their… (more)

Subjects/Keywords: Augusta Read Thomas; Elizabeth Raum; Jocelyn Morlock; Marilyn Shrude; Wind Chamber Music; Women Composers; Music; Music

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APA (6th Edition):

Stahl, S. (2019). Wind Chamber Music by Women Composers - The Biographies, Compositional Techniques, and Perspectives of Jocelyn Morlock, Elizabeth Raum, Marilyn Shrude, and Augusta Read Thomas. (Thesis). University of Washington. Retrieved from http://hdl.handle.net/1773/44406

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stahl, Shayna. “Wind Chamber Music by Women Composers - The Biographies, Compositional Techniques, and Perspectives of Jocelyn Morlock, Elizabeth Raum, Marilyn Shrude, and Augusta Read Thomas.” 2019. Thesis, University of Washington. Accessed October 20, 2019. http://hdl.handle.net/1773/44406.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stahl, Shayna. “Wind Chamber Music by Women Composers - The Biographies, Compositional Techniques, and Perspectives of Jocelyn Morlock, Elizabeth Raum, Marilyn Shrude, and Augusta Read Thomas.” 2019. Web. 20 Oct 2019.

Vancouver:

Stahl S. Wind Chamber Music by Women Composers - The Biographies, Compositional Techniques, and Perspectives of Jocelyn Morlock, Elizabeth Raum, Marilyn Shrude, and Augusta Read Thomas. [Internet] [Thesis]. University of Washington; 2019. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/1773/44406.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stahl S. Wind Chamber Music by Women Composers - The Biographies, Compositional Techniques, and Perspectives of Jocelyn Morlock, Elizabeth Raum, Marilyn Shrude, and Augusta Read Thomas. [Thesis]. University of Washington; 2019. Available from: http://hdl.handle.net/1773/44406

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

3. Thomas, Zachariah. Seeing a Tree for the Forest.

Degree: MM, Music Composition, 2019, Bowling Green State University

 "Seeing a Tree for the Forest" is a composition for flute/piccolo, oboe/English horn, clarinet/bass clarinet, bassoon, horn, trumpet, trombone, harp, percussion, and strings (2 2… (more)

Subjects/Keywords: Music; Composition; twisted branches; chamber symphony; chamber orchestra; orchestra; sonfonietta; sound mass; mode; seive

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APA (6th Edition):

Thomas, Z. (2019). Seeing a Tree for the Forest. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1554911121221355

Chicago Manual of Style (16th Edition):

Thomas, Zachariah. “Seeing a Tree for the Forest.” 2019. Masters Thesis, Bowling Green State University. Accessed October 20, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1554911121221355.

MLA Handbook (7th Edition):

Thomas, Zachariah. “Seeing a Tree for the Forest.” 2019. Web. 20 Oct 2019.

Vancouver:

Thomas Z. Seeing a Tree for the Forest. [Internet] [Masters thesis]. Bowling Green State University; 2019. [cited 2019 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1554911121221355.

Council of Science Editors:

Thomas Z. Seeing a Tree for the Forest. [Masters Thesis]. Bowling Green State University; 2019. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1554911121221355

4. Koumoulas, Markos. Didgeridoo Notation.

Degree: MA -MA, Music, 2019, York University

 The didgeridoo is a unique musical instrument considered to be one of the worlds oldest instruments. It plays an integral part in Australian Aboriginal history,… (more)

Subjects/Keywords: Music Education; didgeridoo; aboriginal; australia; music; oceania; notation; performance; composition; chamber orchestra; instrumentation; orchestration; composers; musicology; ethnomusicology; dreamtime; david hudson; world music; music in australia; indigenous; indigenous music; australian music

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APA (6th Edition):

Koumoulas, M. (2019). Didgeridoo Notation. (Masters Thesis). York University. Retrieved from http://hdl.handle.net/10315/36211

Chicago Manual of Style (16th Edition):

Koumoulas, Markos. “Didgeridoo Notation.” 2019. Masters Thesis, York University. Accessed October 20, 2019. http://hdl.handle.net/10315/36211.

MLA Handbook (7th Edition):

Koumoulas, Markos. “Didgeridoo Notation.” 2019. Web. 20 Oct 2019.

Vancouver:

Koumoulas M. Didgeridoo Notation. [Internet] [Masters thesis]. York University; 2019. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/10315/36211.

Council of Science Editors:

Koumoulas M. Didgeridoo Notation. [Masters Thesis]. York University; 2019. Available from: http://hdl.handle.net/10315/36211


University of Oklahoma

5. Tomlinson, Joshua. Theophany - Somewhere Between the Canyon and Stars.

Degree: DMA, 2019, University of Oklahoma

 Theophany: Somewhere Between the Canyon and Stars is a three-movement, electroacoustic work written for Bass Clarinet, Alto Flute, Soprano Saxophone, and Electronics. It is created… (more)

Subjects/Keywords: Electroacoustic; Symbolism; Messiaen; Bass Clarinet; Alto Flute; Soprano Saxophone; Live Electronics; Chamber Music; Des canyons aux etoiles...; Max/MSP; Ornithology; Theology; Asteroseismology

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APA (6th Edition):

Tomlinson, J. (2019). Theophany - Somewhere Between the Canyon and Stars. (Doctoral Dissertation). University of Oklahoma. Retrieved from http://hdl.handle.net/11244/319374

Chicago Manual of Style (16th Edition):

Tomlinson, Joshua. “Theophany - Somewhere Between the Canyon and Stars.” 2019. Doctoral Dissertation, University of Oklahoma. Accessed October 20, 2019. http://hdl.handle.net/11244/319374.

MLA Handbook (7th Edition):

Tomlinson, Joshua. “Theophany - Somewhere Between the Canyon and Stars.” 2019. Web. 20 Oct 2019.

Vancouver:

Tomlinson J. Theophany - Somewhere Between the Canyon and Stars. [Internet] [Doctoral dissertation]. University of Oklahoma; 2019. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/11244/319374.

Council of Science Editors:

Tomlinson J. Theophany - Somewhere Between the Canyon and Stars. [Doctoral Dissertation]. University of Oklahoma; 2019. Available from: http://hdl.handle.net/11244/319374


Rice University

6. Spitz, Brady Joseph. Lou Harrison's "Old Granddad": A Composer's Guide.

Degree: DMA, Music, 2019, Rice University

 American composer Lou Harrison was known for his activity in blending the music of the world’s cultures and, later in life, building instruments. An example… (more)

Subjects/Keywords: lou harrison; william colvig; bill colvig; old granddad; old grand dad; american gamelan; percussion; percussion ensemble; tuned pipes; gamelan; young caesar; puppet opera; puppet operas; la koro sutro; heart sutra; oratorio; choir; choral; choral masterwork; suite for violin and american gamelan; chamber music; violin; concerto for violin; tenor bells; raga mala; with original composition; american composer; instrument building; instrument builder; just intonation; percussion music; original composition; chamber opera; contemporary opera; world music; music composition

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APA (6th Edition):

Spitz, B. J. (2019). Lou Harrison's "Old Granddad": A Composer's Guide. (Doctoral Dissertation). Rice University. Retrieved from http://hdl.handle.net/1911/105320

Chicago Manual of Style (16th Edition):

Spitz, Brady Joseph. “Lou Harrison's "Old Granddad": A Composer's Guide.” 2019. Doctoral Dissertation, Rice University. Accessed October 20, 2019. http://hdl.handle.net/1911/105320.

MLA Handbook (7th Edition):

Spitz, Brady Joseph. “Lou Harrison's "Old Granddad": A Composer's Guide.” 2019. Web. 20 Oct 2019.

Vancouver:

Spitz BJ. Lou Harrison's "Old Granddad": A Composer's Guide. [Internet] [Doctoral dissertation]. Rice University; 2019. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/1911/105320.

Council of Science Editors:

Spitz BJ. Lou Harrison's "Old Granddad": A Composer's Guide. [Doctoral Dissertation]. Rice University; 2019. Available from: http://hdl.handle.net/1911/105320


Arizona State University

7. Brown, Jr., Fredrick Marcell. An Annotated Guide to Twenty-First Century Wind Chamber Music.

Degree: Music, 2019, Arizona State University

Subjects/Keywords: Music; Musical composition; chamber music; chamber winds; diversity; wind band; wind chamber music; wind ensemble

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APA (6th Edition):

Brown, Jr., F. M. (2019). An Annotated Guide to Twenty-First Century Wind Chamber Music. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/53695

Chicago Manual of Style (16th Edition):

Brown, Jr., Fredrick Marcell. “An Annotated Guide to Twenty-First Century Wind Chamber Music.” 2019. Doctoral Dissertation, Arizona State University. Accessed October 20, 2019. http://repository.asu.edu/items/53695.

MLA Handbook (7th Edition):

Brown, Jr., Fredrick Marcell. “An Annotated Guide to Twenty-First Century Wind Chamber Music.” 2019. Web. 20 Oct 2019.

Vancouver:

Brown, Jr. FM. An Annotated Guide to Twenty-First Century Wind Chamber Music. [Internet] [Doctoral dissertation]. Arizona State University; 2019. [cited 2019 Oct 20]. Available from: http://repository.asu.edu/items/53695.

Council of Science Editors:

Brown, Jr. FM. An Annotated Guide to Twenty-First Century Wind Chamber Music. [Doctoral Dissertation]. Arizona State University; 2019. Available from: http://repository.asu.edu/items/53695


Arizona State University

8. Strickland, Kiefer Philip. A Recording Project and Performance Guide for Three New Chamber Works Featuring Bassoon.

Degree: Performance, 2019, Arizona State University

 The main objective of this research project is to expand the bassoon repertoire with the addition of three pieces. The first composition, Rust for bassoon… (more)

Subjects/Keywords: Performing arts; Music; bassoon; chamber repertoire; commission; performance guide; woodwind quartet

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APA (6th Edition):

Strickland, K. P. (2019). A Recording Project and Performance Guide for Three New Chamber Works Featuring Bassoon. (Doctoral Dissertation). Arizona State University. Retrieved from http://repository.asu.edu/items/53575

Chicago Manual of Style (16th Edition):

Strickland, Kiefer Philip. “A Recording Project and Performance Guide for Three New Chamber Works Featuring Bassoon.” 2019. Doctoral Dissertation, Arizona State University. Accessed October 20, 2019. http://repository.asu.edu/items/53575.

MLA Handbook (7th Edition):

Strickland, Kiefer Philip. “A Recording Project and Performance Guide for Three New Chamber Works Featuring Bassoon.” 2019. Web. 20 Oct 2019.

Vancouver:

Strickland KP. A Recording Project and Performance Guide for Three New Chamber Works Featuring Bassoon. [Internet] [Doctoral dissertation]. Arizona State University; 2019. [cited 2019 Oct 20]. Available from: http://repository.asu.edu/items/53575.

Council of Science Editors:

Strickland KP. A Recording Project and Performance Guide for Three New Chamber Works Featuring Bassoon. [Doctoral Dissertation]. Arizona State University; 2019. Available from: http://repository.asu.edu/items/53575


University of Michigan

9. Tackitt, Elliott. Structures in Sound and Word: A Summary of Dissertation Recitals for Winds, Percussion, and Voice.

Degree: AMU, Music: Conducting, 2019, University of Michigan

 Three dissertation recitals were performed in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Music: Conducting) in the University of… (more)

Subjects/Keywords: wind band, wind repertoire, band, chamber music; Music and Dance; Arts

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APA (6th Edition):

Tackitt, E. (2019). Structures in Sound and Word: A Summary of Dissertation Recitals for Winds, Percussion, and Voice. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/150035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tackitt, Elliott. “Structures in Sound and Word: A Summary of Dissertation Recitals for Winds, Percussion, and Voice.” 2019. Thesis, University of Michigan. Accessed October 20, 2019. http://hdl.handle.net/2027.42/150035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tackitt, Elliott. “Structures in Sound and Word: A Summary of Dissertation Recitals for Winds, Percussion, and Voice.” 2019. Web. 20 Oct 2019.

Vancouver:

Tackitt E. Structures in Sound and Word: A Summary of Dissertation Recitals for Winds, Percussion, and Voice. [Internet] [Thesis]. University of Michigan; 2019. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/2027.42/150035.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tackitt E. Structures in Sound and Word: A Summary of Dissertation Recitals for Winds, Percussion, and Voice. [Thesis]. University of Michigan; 2019. Available from: http://hdl.handle.net/2027.42/150035

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Michigan

10. Fellman, Katie. Never Forget: Weary Air, And then I Saw the Sky, Red Snow.

Degree: AMU, Music: Composition, 2019, University of Michigan

 Never Forget is a 17-minute chamber piece in three movements. It illuminates the importance of keeping the memory alive for those who suffered in the… (more)

Subjects/Keywords: Holocaust memorial chamber piece; Music and Dance; Arts

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APA (6th Edition):

Fellman, K. (2019). Never Forget: Weary Air, And then I Saw the Sky, Red Snow. (Thesis). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/151566

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Fellman, Katie. “Never Forget: Weary Air, And then I Saw the Sky, Red Snow.” 2019. Thesis, University of Michigan. Accessed October 20, 2019. http://hdl.handle.net/2027.42/151566.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Fellman, Katie. “Never Forget: Weary Air, And then I Saw the Sky, Red Snow.” 2019. Web. 20 Oct 2019.

Vancouver:

Fellman K. Never Forget: Weary Air, And then I Saw the Sky, Red Snow. [Internet] [Thesis]. University of Michigan; 2019. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/2027.42/151566.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Fellman K. Never Forget: Weary Air, And then I Saw the Sky, Red Snow. [Thesis]. University of Michigan; 2019. Available from: http://hdl.handle.net/2027.42/151566

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Arizona

11. Kreiter, Kari Ann. Reverie of a Monk (for Chamber Ensemble and Dancer) .

Degree: 2019, University of Arizona

 “Reverie of a Monk” is a celebration of the arts. Composed for a chamber ensemble of nine players, dancer, and conductor, this programmatic work is… (more)

Subjects/Keywords: Chamber Ensemble; Chamber Music; Contemporary Classical; Dance; Euphonium; Mixed Media

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APA (6th Edition):

Kreiter, K. A. (2019). Reverie of a Monk (for Chamber Ensemble and Dancer) . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/634368

Chicago Manual of Style (16th Edition):

Kreiter, Kari Ann. “Reverie of a Monk (for Chamber Ensemble and Dancer) .” 2019. Doctoral Dissertation, University of Arizona. Accessed October 20, 2019. http://hdl.handle.net/10150/634368.

MLA Handbook (7th Edition):

Kreiter, Kari Ann. “Reverie of a Monk (for Chamber Ensemble and Dancer) .” 2019. Web. 20 Oct 2019.

Vancouver:

Kreiter KA. Reverie of a Monk (for Chamber Ensemble and Dancer) . [Internet] [Doctoral dissertation]. University of Arizona; 2019. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/10150/634368.

Council of Science Editors:

Kreiter KA. Reverie of a Monk (for Chamber Ensemble and Dancer) . [Doctoral Dissertation]. University of Arizona; 2019. Available from: http://hdl.handle.net/10150/634368


University of New Orleans

12. Malchow, William R. String Quartet in Three Movements.

Degree: M.F.A., Music, 2018, University of New Orleans

Subjects/Keywords: chamber music; violin; viola; cello; Composition

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APA (6th Edition):

Malchow, W. R. (2018). String Quartet in Three Movements. (Thesis). University of New Orleans. Retrieved from https://scholarworks.uno.edu/td/2572

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Malchow, William R. “String Quartet in Three Movements.” 2018. Thesis, University of New Orleans. Accessed October 20, 2019. https://scholarworks.uno.edu/td/2572.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Malchow, William R. “String Quartet in Three Movements.” 2018. Web. 20 Oct 2019.

Vancouver:

Malchow WR. String Quartet in Three Movements. [Internet] [Thesis]. University of New Orleans; 2018. [cited 2019 Oct 20]. Available from: https://scholarworks.uno.edu/td/2572.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Malchow WR. String Quartet in Three Movements. [Thesis]. University of New Orleans; 2018. Available from: https://scholarworks.uno.edu/td/2572

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Kansas

13. Dowden, Jeremy Levi. A Survey and Performance Guide of Selected Chamber Works for Trombone by Frigyes Hidas.

Degree: DMA, Music, 2018, University of Kansas

 This paper focuses on three selected works for trombone ensemble written by Frigyes Hidas. At least two of the three were written with the purpose… (more)

Subjects/Keywords: Music; Brass; Chamber; Hidas; Quartet; Trio; Trombone

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APA (6th Edition):

Dowden, J. L. (2018). A Survey and Performance Guide of Selected Chamber Works for Trombone by Frigyes Hidas. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/27115

Chicago Manual of Style (16th Edition):

Dowden, Jeremy Levi. “A Survey and Performance Guide of Selected Chamber Works for Trombone by Frigyes Hidas.” 2018. Doctoral Dissertation, University of Kansas. Accessed October 20, 2019. http://hdl.handle.net/1808/27115.

MLA Handbook (7th Edition):

Dowden, Jeremy Levi. “A Survey and Performance Guide of Selected Chamber Works for Trombone by Frigyes Hidas.” 2018. Web. 20 Oct 2019.

Vancouver:

Dowden JL. A Survey and Performance Guide of Selected Chamber Works for Trombone by Frigyes Hidas. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/1808/27115.

Council of Science Editors:

Dowden JL. A Survey and Performance Guide of Selected Chamber Works for Trombone by Frigyes Hidas. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/27115


University of Kansas

14. Wang, Man. Chamber Music in the Early Twentieth Century: Features of Aram Khachaturian’s Trio for Clarinet, Violin, and Piano in G Minor and Béla Bartók’s Contrasts for Violin, Clarinet, and Piano.

Degree: DMA, Music, 2018, University of Kansas

 Abstract The beginning of the twentieth century saw the intensified development of chamber music, and trios deploying the clarinet, violin and piano gained growing popularity… (more)

Subjects/Keywords: Music; Bartok; Chamber Music; Early Twentieth Century; Khachaturian; Trio

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APA (6th Edition):

Wang, M. (2018). Chamber Music in the Early Twentieth Century: Features of Aram Khachaturian’s Trio for Clarinet, Violin, and Piano in G Minor and Béla Bartók’s Contrasts for Violin, Clarinet, and Piano. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/27103

Chicago Manual of Style (16th Edition):

Wang, Man. “Chamber Music in the Early Twentieth Century: Features of Aram Khachaturian’s Trio for Clarinet, Violin, and Piano in G Minor and Béla Bartók’s Contrasts for Violin, Clarinet, and Piano.” 2018. Doctoral Dissertation, University of Kansas. Accessed October 20, 2019. http://hdl.handle.net/1808/27103.

MLA Handbook (7th Edition):

Wang, Man. “Chamber Music in the Early Twentieth Century: Features of Aram Khachaturian’s Trio for Clarinet, Violin, and Piano in G Minor and Béla Bartók’s Contrasts for Violin, Clarinet, and Piano.” 2018. Web. 20 Oct 2019.

Vancouver:

Wang M. Chamber Music in the Early Twentieth Century: Features of Aram Khachaturian’s Trio for Clarinet, Violin, and Piano in G Minor and Béla Bartók’s Contrasts for Violin, Clarinet, and Piano. [Internet] [Doctoral dissertation]. University of Kansas; 2018. [cited 2019 Oct 20]. Available from: http://hdl.handle.net/1808/27103.

Council of Science Editors:

Wang M. Chamber Music in the Early Twentieth Century: Features of Aram Khachaturian’s Trio for Clarinet, Violin, and Piano in G Minor and Béla Bartók’s Contrasts for Violin, Clarinet, and Piano. [Doctoral Dissertation]. University of Kansas; 2018. Available from: http://hdl.handle.net/1808/27103


University of Cincinnati

15. Hwang, Mirae. The Blue Bird.

Degree: DMA, College-Conservatory of Music: Composition, 2018, University of Cincinnati

 The Blue Bird was inspired by a Korean traditional folk song called Saeya Saeya, Parang Saeya, literally "Bird, Bird, Blue Bird." The song is easily… (more)

Subjects/Keywords: Music; Chamber ensemble; Korean folk song; Korean traditional music; Bird, Bird, Blue Bird; Saeya Saeya Parang Saeya

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APA (6th Edition):

Hwang, M. (2018). The Blue Bird. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522319891865069

Chicago Manual of Style (16th Edition):

Hwang, Mirae. “The Blue Bird.” 2018. Doctoral Dissertation, University of Cincinnati. Accessed October 20, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522319891865069.

MLA Handbook (7th Edition):

Hwang, Mirae. “The Blue Bird.” 2018. Web. 20 Oct 2019.

Vancouver:

Hwang M. The Blue Bird. [Internet] [Doctoral dissertation]. University of Cincinnati; 2018. [cited 2019 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522319891865069.

Council of Science Editors:

Hwang M. The Blue Bird. [Doctoral Dissertation]. University of Cincinnati; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522319891865069


University of Louisville

16. May, James. When the ground shakes.

Degree: M.M., 2018, University of Louisville

  In the spring of 2017, I approached friend and writer Mickey Osthimer about collaborating on text for a song cycle. I was concerned about… (more)

Subjects/Keywords: song cycle; chamber orchestra; contemporary music; gun violence; experimental music; Composition

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APA (6th Edition):

May, J. (2018). When the ground shakes. (Masters Thesis). University of Louisville. Retrieved from 10.18297/etd/2920 ; https://ir.library.louisville.edu/etd/2920

Chicago Manual of Style (16th Edition):

May, James. “When the ground shakes.” 2018. Masters Thesis, University of Louisville. Accessed October 20, 2019. 10.18297/etd/2920 ; https://ir.library.louisville.edu/etd/2920.

MLA Handbook (7th Edition):

May, James. “When the ground shakes.” 2018. Web. 20 Oct 2019.

Vancouver:

May J. When the ground shakes. [Internet] [Masters thesis]. University of Louisville; 2018. [cited 2019 Oct 20]. Available from: 10.18297/etd/2920 ; https://ir.library.louisville.edu/etd/2920.

Council of Science Editors:

May J. When the ground shakes. [Masters Thesis]. University of Louisville; 2018. Available from: 10.18297/etd/2920 ; https://ir.library.louisville.edu/etd/2920


University of North Carolina – Greensboro

17. McLaughlin, Robin E. The world in color for chamber orchestra.

Degree: 2018, University of North Carolina – Greensboro

 My chamber orchestra piece The World in Color uses orchestrational devices that produce shifts in timbre that musically structure the piece around moments of “bloom.”… (more)

Subjects/Keywords: Chamber orchestra music – Scores; Color blindness – Songs and music; Color – Songs and music

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APA (6th Edition):

McLaughlin, R. E. (2018). The world in color for chamber orchestra. (Masters Thesis). University of North Carolina – Greensboro. Retrieved from http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23192

Chicago Manual of Style (16th Edition):

McLaughlin, Robin E. “The world in color for chamber orchestra.” 2018. Masters Thesis, University of North Carolina – Greensboro. Accessed October 20, 2019. http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23192.

MLA Handbook (7th Edition):

McLaughlin, Robin E. “The world in color for chamber orchestra.” 2018. Web. 20 Oct 2019.

Vancouver:

McLaughlin RE. The world in color for chamber orchestra. [Internet] [Masters thesis]. University of North Carolina – Greensboro; 2018. [cited 2019 Oct 20]. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23192.

Council of Science Editors:

McLaughlin RE. The world in color for chamber orchestra. [Masters Thesis]. University of North Carolina – Greensboro; 2018. Available from: http://libres.uncg.edu/ir/listing.aspx?styp=ti&id=23192


University of Western Ontario

18. Whiting, Willyn. Six Blake Songs.

Degree: 2018, University of Western Ontario

 Six Blake Songs is a song cycle for Soprano and mixed chamber ensemble (Flute, Clarinet, Saxophone, Violin and Viola). The work sets several texts by… (more)

Subjects/Keywords: chamber music; vocal music; song cycle; William Blake; Spectralism; Composition

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APA (6th Edition):

Whiting, W. (2018). Six Blake Songs. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5337

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Whiting, Willyn. “Six Blake Songs.” 2018. Thesis, University of Western Ontario. Accessed October 20, 2019. https://ir.lib.uwo.ca/etd/5337.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Whiting, Willyn. “Six Blake Songs.” 2018. Web. 20 Oct 2019.

Vancouver:

Whiting W. Six Blake Songs. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2019 Oct 20]. Available from: https://ir.lib.uwo.ca/etd/5337.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Whiting W. Six Blake Songs. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5337

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

19. Scangas, Alexis. Forget the Familiar: The Feminist Voice in Contemporary Dramatic Song.

Degree: MM, Music History, 2018, Bowling Green State University

 Female figures are rarely prominent characters in classic literature, nor are they featured in history. Many of them are often remembered only in relation to… (more)

Subjects/Keywords: Music; History; Gender Studies; feminist; feminism; voice; opera; contemporary; song; chamber opera; music theater; song cycle; Amy Beth Kirsten; Kate Soper; Libby Larsen; Ophelia; sirens; wives of Henry VIII

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APA (6th Edition):

Scangas, A. (2018). Forget the Familiar: The Feminist Voice in Contemporary Dramatic Song. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522672693855537

Chicago Manual of Style (16th Edition):

Scangas, Alexis. “Forget the Familiar: The Feminist Voice in Contemporary Dramatic Song.” 2018. Masters Thesis, Bowling Green State University. Accessed October 20, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522672693855537.

MLA Handbook (7th Edition):

Scangas, Alexis. “Forget the Familiar: The Feminist Voice in Contemporary Dramatic Song.” 2018. Web. 20 Oct 2019.

Vancouver:

Scangas A. Forget the Familiar: The Feminist Voice in Contemporary Dramatic Song. [Internet] [Masters thesis]. Bowling Green State University; 2018. [cited 2019 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522672693855537.

Council of Science Editors:

Scangas A. Forget the Familiar: The Feminist Voice in Contemporary Dramatic Song. [Masters Thesis]. Bowling Green State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522672693855537


University of Western Ontario

20. Swiatoschik, Eric. The Old House.

Degree: 2018, University of Western Ontario

 The Old House is a programmatic children's suite in four movements based on a short story of the same name by Hans Christian Andersen. The… (more)

Subjects/Keywords: program music; children's music; Canadian Music; composition; chamber music; Composition

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APA (6th Edition):

Swiatoschik, E. (2018). The Old House. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5300

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Swiatoschik, Eric. “The Old House.” 2018. Thesis, University of Western Ontario. Accessed October 20, 2019. https://ir.lib.uwo.ca/etd/5300.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Swiatoschik, Eric. “The Old House.” 2018. Web. 20 Oct 2019.

Vancouver:

Swiatoschik E. The Old House. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2019 Oct 20]. Available from: https://ir.lib.uwo.ca/etd/5300.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Swiatoschik E. The Old House. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5300

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

21. McEvenue, André. Capriccio for Mixed Ensemble and Piano.

Degree: 2018, University of Western Ontario

 Capriccio is a 12 minute, single movement “mini concerto” for piano and small chamber ensemble. The music is of a virtuosic and capricious nature; at… (more)

Subjects/Keywords: Capriccio; piano; chamber music; Canadian music; Pitch symmetry; Composition

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APA (6th Edition):

McEvenue, A. (2018). Capriccio for Mixed Ensemble and Piano. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5336

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McEvenue, André. “Capriccio for Mixed Ensemble and Piano.” 2018. Thesis, University of Western Ontario. Accessed October 20, 2019. https://ir.lib.uwo.ca/etd/5336.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McEvenue, André. “Capriccio for Mixed Ensemble and Piano.” 2018. Web. 20 Oct 2019.

Vancouver:

McEvenue A. Capriccio for Mixed Ensemble and Piano. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2019 Oct 20]. Available from: https://ir.lib.uwo.ca/etd/5336.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McEvenue A. Capriccio for Mixed Ensemble and Piano. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5336

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

22. Richardson, Joshua L. The Donnelly Opera.

Degree: 2018, University of Western Ontario

 The Donnelly Opera is a one-act chamber opera based on an infamous Southwestern Ontario event: the murder of the Donnelly family in 1880. The libretto… (more)

Subjects/Keywords: Music; opera; Canadian Opera; the Donnellys; Canadian history; chamber music; Composition

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APA (6th Edition):

Richardson, J. L. (2018). The Donnelly Opera. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5316

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Richardson, Joshua L. “The Donnelly Opera.” 2018. Thesis, University of Western Ontario. Accessed October 20, 2019. https://ir.lib.uwo.ca/etd/5316.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Richardson, Joshua L. “The Donnelly Opera.” 2018. Web. 20 Oct 2019.

Vancouver:

Richardson JL. The Donnelly Opera. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2019 Oct 20]. Available from: https://ir.lib.uwo.ca/etd/5316.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Richardson JL. The Donnelly Opera. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5316

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Western Ontario

23. Gibson, Kevin. Job: An Oratorio for Voices and Chamber Ensemble.

Degree: 2018, University of Western Ontario

 Job is a dramatic oratorio consisting of twelve individual movements, with an approximate duration of twenty minutes. It is a summarization of the plot and… (more)

Subjects/Keywords: Oratorio; Chamber Music; Vocal Music; Theology; Interval; Job; Composition

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APA (6th Edition):

Gibson, K. (2018). Job: An Oratorio for Voices and Chamber Ensemble. (Thesis). University of Western Ontario. Retrieved from https://ir.lib.uwo.ca/etd/5315

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gibson, Kevin. “Job: An Oratorio for Voices and Chamber Ensemble.” 2018. Thesis, University of Western Ontario. Accessed October 20, 2019. https://ir.lib.uwo.ca/etd/5315.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gibson, Kevin. “Job: An Oratorio for Voices and Chamber Ensemble.” 2018. Web. 20 Oct 2019.

Vancouver:

Gibson K. Job: An Oratorio for Voices and Chamber Ensemble. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2019 Oct 20]. Available from: https://ir.lib.uwo.ca/etd/5315.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gibson K. Job: An Oratorio for Voices and Chamber Ensemble. [Thesis]. University of Western Ontario; 2018. Available from: https://ir.lib.uwo.ca/etd/5315

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Bowling Green State University

24. Haering, Nathaniel James, Haering. Dissever.

Degree: MM, Music Composition, 2018, Bowling Green State University

 Dissever is a large chamber work for flute, contrabass clarinet, soprano, tenor, and bass saxophone, horn, two percussionists, piano, and violin. Totaling twelve minutes in… (more)

Subjects/Keywords: Music; Dissever; chamber ensemble; Music

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APA (6th Edition):

Haering, Nathaniel James, H. (2018). Dissever. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522270077284752

Chicago Manual of Style (16th Edition):

Haering, Nathaniel James, Haering. “Dissever.” 2018. Masters Thesis, Bowling Green State University. Accessed October 20, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522270077284752.

MLA Handbook (7th Edition):

Haering, Nathaniel James, Haering. “Dissever.” 2018. Web. 20 Oct 2019.

Vancouver:

Haering, Nathaniel James H. Dissever. [Internet] [Masters thesis]. Bowling Green State University; 2018. [cited 2019 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522270077284752.

Council of Science Editors:

Haering, Nathaniel James H. Dissever. [Masters Thesis]. Bowling Green State University; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1522270077284752


Louisiana State University

25. Urdea Marcus, Hannah Phyllis. Klezmer Elements in Paul Schoenfield’s Trio for Clarinet, Violin, and Piano: A Violinist’s Perspective.

Degree: DMA, Jewish Studies, 2018, Louisiana State University

  Paul Schoenfield’s Trio for Clarinet, Violin, and Piano draws extensively on the traditional Klezmer music of the Ashkenazi Jewish people of Eastern Europe. The… (more)

Subjects/Keywords: Klezmer; Chamber music; Paul Schoenfield; Clarinet; Violin; Piano

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APA (6th Edition):

Urdea Marcus, H. P. (2018). Klezmer Elements in Paul Schoenfield’s Trio for Clarinet, Violin, and Piano: A Violinist’s Perspective. (Doctoral Dissertation). Louisiana State University. Retrieved from https://digitalcommons.lsu.edu/gradschool_dissertations/4194

Chicago Manual of Style (16th Edition):

Urdea Marcus, Hannah Phyllis. “Klezmer Elements in Paul Schoenfield’s Trio for Clarinet, Violin, and Piano: A Violinist’s Perspective.” 2018. Doctoral Dissertation, Louisiana State University. Accessed October 20, 2019. https://digitalcommons.lsu.edu/gradschool_dissertations/4194.

MLA Handbook (7th Edition):

Urdea Marcus, Hannah Phyllis. “Klezmer Elements in Paul Schoenfield’s Trio for Clarinet, Violin, and Piano: A Violinist’s Perspective.” 2018. Web. 20 Oct 2019.

Vancouver:

Urdea Marcus HP. Klezmer Elements in Paul Schoenfield’s Trio for Clarinet, Violin, and Piano: A Violinist’s Perspective. [Internet] [Doctoral dissertation]. Louisiana State University; 2018. [cited 2019 Oct 20]. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4194.

Council of Science Editors:

Urdea Marcus HP. Klezmer Elements in Paul Schoenfield’s Trio for Clarinet, Violin, and Piano: A Violinist’s Perspective. [Doctoral Dissertation]. Louisiana State University; 2018. Available from: https://digitalcommons.lsu.edu/gradschool_dissertations/4194

26. Nowlain, Kristine. Collaborative Storytelling through Contemporary Composition : Examining participation in the creation and performance of meaningful works through Judith Weir’s woman.life.song.

Degree: Classical Music, 2018, Royal College of Music in Stockholm

Through examining Judith Weir’s woman.life.song (2000), the work presented in this written reflection is centered on the power of collaboration and context to create… (more)

Subjects/Keywords: feminism; intersectionality; gender; contemporary music; female composer; chamber orchestra; text; song cycle; collaboration; genus; kvinnlig tonsättare; sångcykel; samarbete; feminismen; intersektionalitet; Music; Musik

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APA (6th Edition):

Nowlain, K. (2018). Collaborative Storytelling through Contemporary Composition : Examining participation in the creation and performance of meaningful works through Judith Weir’s woman.life.song. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2791

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nowlain, Kristine. “Collaborative Storytelling through Contemporary Composition : Examining participation in the creation and performance of meaningful works through Judith Weir’s woman.life.song.” 2018. Thesis, Royal College of Music in Stockholm. Accessed October 20, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2791.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nowlain, Kristine. “Collaborative Storytelling through Contemporary Composition : Examining participation in the creation and performance of meaningful works through Judith Weir’s woman.life.song.” 2018. Web. 20 Oct 2019.

Vancouver:

Nowlain K. Collaborative Storytelling through Contemporary Composition : Examining participation in the creation and performance of meaningful works through Judith Weir’s woman.life.song. [Internet] [Thesis]. Royal College of Music in Stockholm; 2018. [cited 2019 Oct 20]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2791.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nowlain K. Collaborative Storytelling through Contemporary Composition : Examining participation in the creation and performance of meaningful works through Judith Weir’s woman.life.song. [Thesis]. Royal College of Music in Stockholm; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2791

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Temple University

27. Davis, Mitchell Ross. THE EFFECTS OF AN INDEPENDENT CHAMBER MUSIC EXPERIENCE ON BAND STUDENTS’ CREATVITY AS EXPRESSED THROUGH MUSICAL INTERPRETATION.

Degree: PhD, 2018, Temple University

Music Education

The purpose of this research was to determine whether an autonomous chamber music project would have a positive effect on band students’ creativity.… (more)

Subjects/Keywords: Music education;

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APA (6th Edition):

Davis, M. R. (2018). THE EFFECTS OF AN INDEPENDENT CHAMBER MUSIC EXPERIENCE ON BAND STUDENTS’ CREATVITY AS EXPRESSED THROUGH MUSICAL INTERPRETATION. (Doctoral Dissertation). Temple University. Retrieved from http://digital.library.temple.edu/u?/p245801coll10,498696

Chicago Manual of Style (16th Edition):

Davis, Mitchell Ross. “THE EFFECTS OF AN INDEPENDENT CHAMBER MUSIC EXPERIENCE ON BAND STUDENTS’ CREATVITY AS EXPRESSED THROUGH MUSICAL INTERPRETATION.” 2018. Doctoral Dissertation, Temple University. Accessed October 20, 2019. http://digital.library.temple.edu/u?/p245801coll10,498696.

MLA Handbook (7th Edition):

Davis, Mitchell Ross. “THE EFFECTS OF AN INDEPENDENT CHAMBER MUSIC EXPERIENCE ON BAND STUDENTS’ CREATVITY AS EXPRESSED THROUGH MUSICAL INTERPRETATION.” 2018. Web. 20 Oct 2019.

Vancouver:

Davis MR. THE EFFECTS OF AN INDEPENDENT CHAMBER MUSIC EXPERIENCE ON BAND STUDENTS’ CREATVITY AS EXPRESSED THROUGH MUSICAL INTERPRETATION. [Internet] [Doctoral dissertation]. Temple University; 2018. [cited 2019 Oct 20]. Available from: http://digital.library.temple.edu/u?/p245801coll10,498696.

Council of Science Editors:

Davis MR. THE EFFECTS OF AN INDEPENDENT CHAMBER MUSIC EXPERIENCE ON BAND STUDENTS’ CREATVITY AS EXPRESSED THROUGH MUSICAL INTERPRETATION. [Doctoral Dissertation]. Temple University; 2018. Available from: http://digital.library.temple.edu/u?/p245801coll10,498696

28. Mastovaara, Teemu. Mit Inniger Empfindung : In-between stylistic pluralism.

Degree: Composition and Conducting, 2018, Royal College of Music in Stockholm

Subjects/Keywords: Stylistic pluralism; polystylism; postmodernism; modernism; Schumann; Korean music; soundscape; rock; cello; chamber music; CoPeCo; artistic research; live painting; Music; Musik

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APA (6th Edition):

Mastovaara, T. (2018). Mit Inniger Empfindung : In-between stylistic pluralism. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2883

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Mastovaara, Teemu. “Mit Inniger Empfindung : In-between stylistic pluralism.” 2018. Thesis, Royal College of Music in Stockholm. Accessed October 20, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2883.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Mastovaara, Teemu. “Mit Inniger Empfindung : In-between stylistic pluralism.” 2018. Web. 20 Oct 2019.

Vancouver:

Mastovaara T. Mit Inniger Empfindung : In-between stylistic pluralism. [Internet] [Thesis]. Royal College of Music in Stockholm; 2018. [cited 2019 Oct 20]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2883.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Mastovaara T. Mit Inniger Empfindung : In-between stylistic pluralism. [Thesis]. Royal College of Music in Stockholm; 2018. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2883

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université du Luxembourg

29. Dimitrakoulakos, Demosthenes. AN INVESTIGATION INTO THE LIFE AND WORKS OF RICHARD LANE, MEMBER OF THE YOUNG COMPOSERS PROJECT: A COMPARATIVE STYLISTIC ANALYSIS OF CHORAL, CHAMBER ENSEMBLE, STRING ORCHESTRA, AND WIND BAND WORKS.

Degree: 2018, Université du Luxembourg

 Richard Lane (1933-2004) was a prolific American composer from Paterson, New Jersey with approximately five-hundred pieces in his oeuvre. The primary research contribution of this… (more)

Subjects/Keywords: Richard Lane; American Composer; Eastman School of Music; Louis Mennini; Howard Hanson; Young Composers Project; Music Education; Community Music; Professional Music; Solo Literature; Chamber Ensemble Music; Choral Music; String Orchestra Music; Orchestra Music; Wind Band Music; Concert Band Music; Ridgewood Concert Band; Ridgewood Symphony; Adelphi Orchestra; Lexington Philharmonic; Pittsburgh Symphony; Philadelphia Orchestra; New York Philharmonic; Metropolitan Opera; Carnegie Hall; Arts & humanities :: Performing arts [A07]; Arts & sciences humaines :: Arts du spectacle [A07]

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APA (6th Edition):

Dimitrakoulakos, D. (2018). AN INVESTIGATION INTO THE LIFE AND WORKS OF RICHARD LANE, MEMBER OF THE YOUNG COMPOSERS PROJECT: A COMPARATIVE STYLISTIC ANALYSIS OF CHORAL, CHAMBER ENSEMBLE, STRING ORCHESTRA, AND WIND BAND WORKS. (Doctoral Dissertation). Université du Luxembourg. Retrieved from http://orbilu.uni.lu/handle/10993/37075

Chicago Manual of Style (16th Edition):

Dimitrakoulakos, Demosthenes. “AN INVESTIGATION INTO THE LIFE AND WORKS OF RICHARD LANE, MEMBER OF THE YOUNG COMPOSERS PROJECT: A COMPARATIVE STYLISTIC ANALYSIS OF CHORAL, CHAMBER ENSEMBLE, STRING ORCHESTRA, AND WIND BAND WORKS.” 2018. Doctoral Dissertation, Université du Luxembourg. Accessed October 20, 2019. http://orbilu.uni.lu/handle/10993/37075.

MLA Handbook (7th Edition):

Dimitrakoulakos, Demosthenes. “AN INVESTIGATION INTO THE LIFE AND WORKS OF RICHARD LANE, MEMBER OF THE YOUNG COMPOSERS PROJECT: A COMPARATIVE STYLISTIC ANALYSIS OF CHORAL, CHAMBER ENSEMBLE, STRING ORCHESTRA, AND WIND BAND WORKS.” 2018. Web. 20 Oct 2019.

Vancouver:

Dimitrakoulakos D. AN INVESTIGATION INTO THE LIFE AND WORKS OF RICHARD LANE, MEMBER OF THE YOUNG COMPOSERS PROJECT: A COMPARATIVE STYLISTIC ANALYSIS OF CHORAL, CHAMBER ENSEMBLE, STRING ORCHESTRA, AND WIND BAND WORKS. [Internet] [Doctoral dissertation]. Université du Luxembourg; 2018. [cited 2019 Oct 20]. Available from: http://orbilu.uni.lu/handle/10993/37075.

Council of Science Editors:

Dimitrakoulakos D. AN INVESTIGATION INTO THE LIFE AND WORKS OF RICHARD LANE, MEMBER OF THE YOUNG COMPOSERS PROJECT: A COMPARATIVE STYLISTIC ANALYSIS OF CHORAL, CHAMBER ENSEMBLE, STRING ORCHESTRA, AND WIND BAND WORKS. [Doctoral Dissertation]. Université du Luxembourg; 2018. Available from: http://orbilu.uni.lu/handle/10993/37075


University of Cincinnati

30. Lim, Ahrhim. The Romances for Violin and Piano by Robert and Clara Schumann: A Comparison and Contextualization.

Degree: DMA, College-Conservatory of Music: Violin, 2018, University of Cincinnati

 The purpose of this document is to compare and contrast the compositional style of Robert and Clara Schumann through a detailed exploration of similar sets… (more)

Subjects/Keywords: Performing Arts; Three Romances for Violin and Piano; Drei Romanzen fur Violine und Klavieru; Hausmusik; Instrumental Chamber music; Nineteenth-century Violin Romances; Robert and Clara Schumann

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Lim, A. (2018). The Romances for Violin and Piano by Robert and Clara Schumann: A Comparison and Contextualization. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1543579293352703

Chicago Manual of Style (16th Edition):

Lim, Ahrhim. “The Romances for Violin and Piano by Robert and Clara Schumann: A Comparison and Contextualization.” 2018. Doctoral Dissertation, University of Cincinnati. Accessed October 20, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1543579293352703.

MLA Handbook (7th Edition):

Lim, Ahrhim. “The Romances for Violin and Piano by Robert and Clara Schumann: A Comparison and Contextualization.” 2018. Web. 20 Oct 2019.

Vancouver:

Lim A. The Romances for Violin and Piano by Robert and Clara Schumann: A Comparison and Contextualization. [Internet] [Doctoral dissertation]. University of Cincinnati; 2018. [cited 2019 Oct 20]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1543579293352703.

Council of Science Editors:

Lim A. The Romances for Violin and Piano by Robert and Clara Schumann: A Comparison and Contextualization. [Doctoral Dissertation]. University of Cincinnati; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1543579293352703

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