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You searched for subject:( Chamber Music). Showing records 1 – 30 of 449 total matches.

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1. Φούλιας, Ιωάννης. Αργά μέρη σε μορφές σονάτας στην κλασσική περίοδο: συμβολή στην εξέλιξη των ειδών και των δομικών τύπων μέσα από τα έργα των Haydn, Mozart και Beethoven (με εκτενή επισκόπηση της θεωρητικής εξέλιξης των μορφών σονάτας από τον 18ο έως τον 20ο αιώνα).

Degree: 2005, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)

Subjects/Keywords: Σονάτα; Είδη; Μορφές; Συμφωνία; Κοντσέρτο; Μουσική δωματίου; Μουσική θεωρία; Συνθετική πρακτική; Δομικός τύπος; Κλασικισμός; Έκθεση; Επεξεργασία; Επανέκθεση; Haydn; Mozart; Beethoven; Sonata; Genre; Form; Symphony; Concerto; Chamber music; Music theory; Compositional praxis; Structural type; Classic era; Classical period

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Φούλιας, . . (2005). Αργά μέρη σε μορφές σονάτας στην κλασσική περίοδο: συμβολή στην εξέλιξη των ειδών και των δομικών τύπων μέσα από τα έργα των Haydn, Mozart και Beethoven (με εκτενή επισκόπηση της θεωρητικής εξέλιξης των μορφών σονάτας από τον 18ο έως τον 20ο αιώνα). (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/19124

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Φούλιας, Ιωάννης. “Αργά μέρη σε μορφές σονάτας στην κλασσική περίοδο: συμβολή στην εξέλιξη των ειδών και των δομικών τύπων μέσα από τα έργα των Haydn, Mozart και Beethoven (με εκτενή επισκόπηση της θεωρητικής εξέλιξης των μορφών σονάτας από τον 18ο έως τον 20ο αιώνα).” 2005. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed October 23, 2019. http://hdl.handle.net/10442/hedi/19124.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Φούλιας, Ιωάννης. “Αργά μέρη σε μορφές σονάτας στην κλασσική περίοδο: συμβολή στην εξέλιξη των ειδών και των δομικών τύπων μέσα από τα έργα των Haydn, Mozart και Beethoven (με εκτενή επισκόπηση της θεωρητικής εξέλιξης των μορφών σονάτας από τον 18ο έως τον 20ο αιώνα).” 2005. Web. 23 Oct 2019.

Vancouver:

Φούλιας . Αργά μέρη σε μορφές σονάτας στην κλασσική περίοδο: συμβολή στην εξέλιξη των ειδών και των δομικών τύπων μέσα από τα έργα των Haydn, Mozart και Beethoven (με εκτενή επισκόπηση της θεωρητικής εξέλιξης των μορφών σονάτας από τον 18ο έως τον 20ο αιώνα). [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2005. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10442/hedi/19124.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Φούλιας . Αργά μέρη σε μορφές σονάτας στην κλασσική περίοδο: συμβολή στην εξέλιξη των ειδών και των δομικών τύπων μέσα από τα έργα των Haydn, Mozart και Beethoven (με εκτενή επισκόπηση της θεωρητικής εξέλιξης των μορφών σονάτας από τον 18ο έως τον 20ο αιώνα). [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2005. Available from: http://hdl.handle.net/10442/hedi/19124

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

2. -0936-4524. Antón García Abril: Alba de los Caminos and the Concept of Polimelodiosidad.

Degree: Music, Moores School of, University of Houston

 This essay is focused on investigating the ways in which Antón García Abril uses Polimelodiosidad in his 2007 piano quintet, Alba de los Caminos. Polimelodiosidad… (more)

Subjects/Keywords: Antón García Abril; Alba de los Caminos; Polimelodiosidad; García Abril; piano; music; chamber music; piano chamber music

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APA (6th Edition):

-0936-4524. (n.d.). Antón García Abril: Alba de los Caminos and the Concept of Polimelodiosidad. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2643

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

-0936-4524. “Antón García Abril: Alba de los Caminos and the Concept of Polimelodiosidad.” Thesis, University of Houston. Accessed October 23, 2019. http://hdl.handle.net/10657/2643.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

-0936-4524. “Antón García Abril: Alba de los Caminos and the Concept of Polimelodiosidad.” Web. 23 Oct 2019.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
No year of publication.

Vancouver:

-0936-4524. Antón García Abril: Alba de los Caminos and the Concept of Polimelodiosidad. [Internet] [Thesis]. University of Houston; [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10657/2643.

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

-0936-4524. Antón García Abril: Alba de los Caminos and the Concept of Polimelodiosidad. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2643

Note: this citation may be lacking information needed for this citation format:
Author name may be incomplete
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

3. Aillyn da Rocha Unglaub Schmitz. Reflexões sobre estratégias de estudo em música de câmara a partir do reconhecimento dos guias de execução musical.

Degree: 2010, Universidade do Estado de Santa Catarina

The present research, is a semi-experimental participant observation, presenting the processes of study in the Sonatas n1 and n4 I movement for Violin and Piano… (more)

Subjects/Keywords: Study strategies; Guias de execução musical; MUSICA; Estratégias de estudo; Música de câmara; Chamber music; Performance cues

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APA (6th Edition):

Schmitz, A. d. R. U. (2010). Reflexões sobre estratégias de estudo em música de câmara a partir do reconhecimento dos guias de execução musical. (Thesis). Universidade do Estado de Santa Catarina. Retrieved from http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=2016

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Schmitz, Aillyn da Rocha Unglaub. “Reflexões sobre estratégias de estudo em música de câmara a partir do reconhecimento dos guias de execução musical.” 2010. Thesis, Universidade do Estado de Santa Catarina. Accessed October 23, 2019. http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=2016.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Schmitz, Aillyn da Rocha Unglaub. “Reflexões sobre estratégias de estudo em música de câmara a partir do reconhecimento dos guias de execução musical.” 2010. Web. 23 Oct 2019.

Vancouver:

Schmitz AdRU. Reflexões sobre estratégias de estudo em música de câmara a partir do reconhecimento dos guias de execução musical. [Internet] [Thesis]. Universidade do Estado de Santa Catarina; 2010. [cited 2019 Oct 23]. Available from: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=2016.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Schmitz AdRU. Reflexões sobre estratégias de estudo em música de câmara a partir do reconhecimento dos guias de execução musical. [Thesis]. Universidade do Estado de Santa Catarina; 2010. Available from: http://www.tede.udesc.br/tde_busca/arquivo.php?codArquivo=2016

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Houston

4. Alanis Barradas, Felix. Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado.

Degree: Music, Moores School of, University of Houston

 Mexican composer Gabriela Ortiz is establishing a personal and contemporary musical language through the combination of Mexican folk elements with twentieth- and twenty-first-century musical techniques.… (more)

Subjects/Keywords: Altar de Muertos; Aroma Foliado; Felix Alanis; Gabriela Ortiz; String Quartet; Chamber Music

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APA (6th Edition):

Alanis Barradas, F. (n.d.). Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado. (Thesis). University of Houston. Retrieved from http://hdl.handle.net/10657/2633

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alanis Barradas, Felix. “Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado.” Thesis, University of Houston. Accessed October 23, 2019. http://hdl.handle.net/10657/2633.

Note: this citation may be lacking information needed for this citation format:
No year of publication.
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alanis Barradas, Felix. “Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado.” Web. 23 Oct 2019.

Note: this citation may be lacking information needed for this citation format:
No year of publication.

Vancouver:

Alanis Barradas F. Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado. [Internet] [Thesis]. University of Houston; [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10657/2633.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.

Council of Science Editors:

Alanis Barradas F. Form, Melody, and Rhythm in Gabriela Ortiz’s Altar De Muertos and Aroma Foliado. [Thesis]. University of Houston; Available from: http://hdl.handle.net/10657/2633

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation
No year of publication.


University of North Texas

5. Aldag, Daniel J. The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone.

Degree: 2002, University of North Texas

 A significant body of solo literature for the trombone has been written in the last fifty years that draws as much from the jazz tradition… (more)

Subjects/Keywords: Trombone music.; Suderburg, Robert. Chamber music, no. 3.; Peaslee, Richard. Arrows of time.; Jazz  – History and criticism.; Timbre; jazz; trombone; Night Set (Chamber Music III); Arrows of Time; Robert Suderberg; Richard Peaslee

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Aldag, D. J. (2002). The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc3361/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aldag, Daniel J. “The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone.” 2002. Thesis, University of North Texas. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc3361/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aldag, Daniel J. “The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone.” 2002. Web. 23 Oct 2019.

Vancouver:

Aldag DJ. The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone. [Internet] [Thesis]. University of North Texas; 2002. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc3361/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aldag DJ. The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone. [Thesis]. University of North Texas; 2002. Available from: https://digital.library.unt.edu/ark:/67531/metadc3361/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Alencar, Henrique Villas Boas de. Estudos interpretativos  para a construção de uma edição crítica do concertino para clarineta de Francisco Mignone.

Degree: Mestrado, Processos de Criação Musical, 2014, University of São Paulo

O presente trabalho trata da investigação dos procedimentos composicionais utilizados no Concertino para Clarineta, de Francisco Mignone, por meio da identificação e da comparação das… (more)

Subjects/Keywords: Brazilian Music; Chamber Orchestra; Clarinet; Clarineta; Clarinete; Concertino; Concertino; Critical Edition; Edição Crítica; Mignone; Mignone; Música Brasileira; Orquestra de Câmara

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APA (6th Edition):

Alencar, H. V. B. d. (2014). Estudos interpretativos  para a construção de uma edição crítica do concertino para clarineta de Francisco Mignone. (Masters Thesis). University of São Paulo. Retrieved from http://www.teses.usp.br/teses/disponiveis/27/27158/tde-20012015-114928/ ;

Chicago Manual of Style (16th Edition):

Alencar, Henrique Villas Boas de. “Estudos interpretativos  para a construção de uma edição crítica do concertino para clarineta de Francisco Mignone.” 2014. Masters Thesis, University of São Paulo. Accessed October 23, 2019. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-20012015-114928/ ;.

MLA Handbook (7th Edition):

Alencar, Henrique Villas Boas de. “Estudos interpretativos  para a construção de uma edição crítica do concertino para clarineta de Francisco Mignone.” 2014. Web. 23 Oct 2019.

Vancouver:

Alencar HVBd. Estudos interpretativos  para a construção de uma edição crítica do concertino para clarineta de Francisco Mignone. [Internet] [Masters thesis]. University of São Paulo; 2014. [cited 2019 Oct 23]. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-20012015-114928/ ;.

Council of Science Editors:

Alencar HVBd. Estudos interpretativos  para a construção de uma edição crítica do concertino para clarineta de Francisco Mignone. [Masters Thesis]. University of São Paulo; 2014. Available from: http://www.teses.usp.br/teses/disponiveis/27/27158/tde-20012015-114928/ ;


University of Iowa

7. Allen, Jonathan Sayre. Mixed chamber music for trombone: an exploration of the genre through performance analyses of works by Roseman, Rush, and Kurtág.

Degree: DMA, Music, 2011, University of Iowa

  The essay: 1) Establishes that there is a tradition of employing trombone in mixed chamber works, 2) Shows that there is a large body… (more)

Subjects/Keywords: chamber; mixed; trombone; Music

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APA (6th Edition):

Allen, J. S. (2011). Mixed chamber music for trombone: an exploration of the genre through performance analyses of works by Roseman, Rush, and Kurtág. (Doctoral Dissertation). University of Iowa. Retrieved from https://ir.uiowa.edu/etd/916

Chicago Manual of Style (16th Edition):

Allen, Jonathan Sayre. “Mixed chamber music for trombone: an exploration of the genre through performance analyses of works by Roseman, Rush, and Kurtág.” 2011. Doctoral Dissertation, University of Iowa. Accessed October 23, 2019. https://ir.uiowa.edu/etd/916.

MLA Handbook (7th Edition):

Allen, Jonathan Sayre. “Mixed chamber music for trombone: an exploration of the genre through performance analyses of works by Roseman, Rush, and Kurtág.” 2011. Web. 23 Oct 2019.

Vancouver:

Allen JS. Mixed chamber music for trombone: an exploration of the genre through performance analyses of works by Roseman, Rush, and Kurtág. [Internet] [Doctoral dissertation]. University of Iowa; 2011. [cited 2019 Oct 23]. Available from: https://ir.uiowa.edu/etd/916.

Council of Science Editors:

Allen JS. Mixed chamber music for trombone: an exploration of the genre through performance analyses of works by Roseman, Rush, and Kurtág. [Doctoral Dissertation]. University of Iowa; 2011. Available from: https://ir.uiowa.edu/etd/916


University of Arizona

8. Amstutz, Scott Anthony. Mountain Views for Chamber Orchestra .

Degree: 2014, University of Arizona

 Mountain Views for Chamber Orchestra is a three-movement piece that evokes various geographic and aesthetic attributes of the Catalina Mountains in Tucson Arizona. It makes… (more)

Subjects/Keywords: Catalina Mountains; Chamber Orchestra; Tucson; Music; Arizona

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APA (6th Edition):

Amstutz, S. A. (2014). Mountain Views for Chamber Orchestra . (Doctoral Dissertation). University of Arizona. Retrieved from http://hdl.handle.net/10150/333460

Chicago Manual of Style (16th Edition):

Amstutz, Scott Anthony. “Mountain Views for Chamber Orchestra .” 2014. Doctoral Dissertation, University of Arizona. Accessed October 23, 2019. http://hdl.handle.net/10150/333460.

MLA Handbook (7th Edition):

Amstutz, Scott Anthony. “Mountain Views for Chamber Orchestra .” 2014. Web. 23 Oct 2019.

Vancouver:

Amstutz SA. Mountain Views for Chamber Orchestra . [Internet] [Doctoral dissertation]. University of Arizona; 2014. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10150/333460.

Council of Science Editors:

Amstutz SA. Mountain Views for Chamber Orchestra . [Doctoral Dissertation]. University of Arizona; 2014. Available from: http://hdl.handle.net/10150/333460

9. Anderberg, Elisabet. Hierarkin i orkestern : en kvalitativ studie i upplevelsen av hierarkisk och icke-hierarkisk orkestersteuktur.

Degree: Music Education, 2017, Royal College of Music in Stockholm

From a hermeneutic perspective, a qualitative study based on interviews of six musicians has been conducted. The informants work or have worked in orchestras… (more)

Subjects/Keywords: Hierarchy; orchestra structure; orchestra musicians; interplay; Chamber orchestra; conducting; music education.; Hierarki; orkesterstruktur; musiker; samspel; orkestermusiker; kammar-orkester; dirigering; musikpedagogik.; Music; Musik; Pedagogy; Pedagogik

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Anderberg, E. (2017). Hierarkin i orkestern : en kvalitativ studie i upplevelsen av hierarkisk och icke-hierarkisk orkestersteuktur. (Thesis). Royal College of Music in Stockholm. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2419

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Anderberg, Elisabet. “Hierarkin i orkestern : en kvalitativ studie i upplevelsen av hierarkisk och icke-hierarkisk orkestersteuktur.” 2017. Thesis, Royal College of Music in Stockholm. Accessed October 23, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2419.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Anderberg, Elisabet. “Hierarkin i orkestern : en kvalitativ studie i upplevelsen av hierarkisk och icke-hierarkisk orkestersteuktur.” 2017. Web. 23 Oct 2019.

Vancouver:

Anderberg E. Hierarkin i orkestern : en kvalitativ studie i upplevelsen av hierarkisk och icke-hierarkisk orkestersteuktur. [Internet] [Thesis]. Royal College of Music in Stockholm; 2017. [cited 2019 Oct 23]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2419.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Anderberg E. Hierarkin i orkestern : en kvalitativ studie i upplevelsen av hierarkisk och icke-hierarkisk orkestersteuktur. [Thesis]. Royal College of Music in Stockholm; 2017. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2419

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

10. ANDERSON, DIANNA. CHAMBER MUSIC IN EARLY PIANO STUDY: A GUIDE TO REPERTOIRE.

Degree: DMA, College-Conservatory of Music : Piano, 2004, University of Cincinnati

 The purpose of this thesis is to provide a resource from which piano teachers can obtain information about where to find appropriate chamber music literature… (more)

Subjects/Keywords: Music; Education, Music; chamber music; piano pedagogy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

ANDERSON, D. (2004). CHAMBER MUSIC IN EARLY PIANO STUDY: A GUIDE TO REPERTOIRE. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085758063

Chicago Manual of Style (16th Edition):

ANDERSON, DIANNA. “CHAMBER MUSIC IN EARLY PIANO STUDY: A GUIDE TO REPERTOIRE.” 2004. Doctoral Dissertation, University of Cincinnati. Accessed October 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085758063.

MLA Handbook (7th Edition):

ANDERSON, DIANNA. “CHAMBER MUSIC IN EARLY PIANO STUDY: A GUIDE TO REPERTOIRE.” 2004. Web. 23 Oct 2019.

Vancouver:

ANDERSON D. CHAMBER MUSIC IN EARLY PIANO STUDY: A GUIDE TO REPERTOIRE. [Internet] [Doctoral dissertation]. University of Cincinnati; 2004. [cited 2019 Oct 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085758063.

Council of Science Editors:

ANDERSON D. CHAMBER MUSIC IN EARLY PIANO STUDY: A GUIDE TO REPERTOIRE. [Doctoral Dissertation]. University of Cincinnati; 2004. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085758063

11. Arndorfer, Richard. Degrees of Turpitude.

Degree: MM, Music Composition, 2017, Bowling Green State University

 Degrees of Turpitude is a chamber opera for five sopranos (who also play percussion instruments) and piano. It is comprised of three scenes, each of… (more)

Subjects/Keywords: Music; music; composition; chamber opera; opera; microopera; voice

…x29; Music and words by Richard Arndorfer (inspired by David Foster Wallace, David Lang… …ə œ #˙ 3 "Music and shadow passed over me" 3 w ə 3 b˙ "Gone." n… 

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APA (6th Edition):

Arndorfer, R. (2017). Degrees of Turpitude. (Masters Thesis). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1490289930149143

Chicago Manual of Style (16th Edition):

Arndorfer, Richard. “Degrees of Turpitude.” 2017. Masters Thesis, Bowling Green State University. Accessed October 23, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1490289930149143.

MLA Handbook (7th Edition):

Arndorfer, Richard. “Degrees of Turpitude.” 2017. Web. 23 Oct 2019.

Vancouver:

Arndorfer R. Degrees of Turpitude. [Internet] [Masters thesis]. Bowling Green State University; 2017. [cited 2019 Oct 23]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1490289930149143.

Council of Science Editors:

Arndorfer R. Degrees of Turpitude. [Masters Thesis]. Bowling Green State University; 2017. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1490289930149143


University of Kentucky

12. Arnold, Daniel. April: A Song Cycle for Low Voice and Chamber Orchestra.

Degree: 2012, University of Kentucky

An original composition in five movements for voice and a chamber orchestra of eleven instruments. The first movement is an overture; the second and fifth movements have text by Sara Teasdale; the third and fourth movements have text by Edna St. Vincent Millay.

Subjects/Keywords: music composition; chamber music; song cycle; musical score; chamber orchestra; Composition

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APA (6th Edition):

Arnold, D. (2012). April: A Song Cycle for Low Voice and Chamber Orchestra. (Masters Thesis). University of Kentucky. Retrieved from http://uknowledge.uky.edu/music_etds/11

Chicago Manual of Style (16th Edition):

Arnold, Daniel. “April: A Song Cycle for Low Voice and Chamber Orchestra.” 2012. Masters Thesis, University of Kentucky. Accessed October 23, 2019. http://uknowledge.uky.edu/music_etds/11.

MLA Handbook (7th Edition):

Arnold, Daniel. “April: A Song Cycle for Low Voice and Chamber Orchestra.” 2012. Web. 23 Oct 2019.

Vancouver:

Arnold D. April: A Song Cycle for Low Voice and Chamber Orchestra. [Internet] [Masters thesis]. University of Kentucky; 2012. [cited 2019 Oct 23]. Available from: http://uknowledge.uky.edu/music_etds/11.

Council of Science Editors:

Arnold D. April: A Song Cycle for Low Voice and Chamber Orchestra. [Masters Thesis]. University of Kentucky; 2012. Available from: http://uknowledge.uky.edu/music_etds/11

13. Arredondo, Daniel II. Doctoral thesis recital (conducting).

Degree: DMA, Conducting, 2014, University of Texas – Austin

Wie schon leuchtet der Morgenstern, BWV 1. Advisors/Committee Members: Unable to Determine (advisor).

Subjects/Keywords: Chamber music; Cantatas

Page 1

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APA (6th Edition):

Arredondo, D. I. (2014). Doctoral thesis recital (conducting). (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/24493

Chicago Manual of Style (16th Edition):

Arredondo, Daniel II. “Doctoral thesis recital (conducting).” 2014. Doctoral Dissertation, University of Texas – Austin. Accessed October 23, 2019. http://hdl.handle.net/2152/24493.

MLA Handbook (7th Edition):

Arredondo, Daniel II. “Doctoral thesis recital (conducting).” 2014. Web. 23 Oct 2019.

Vancouver:

Arredondo DI. Doctoral thesis recital (conducting). [Internet] [Doctoral dissertation]. University of Texas – Austin; 2014. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/2152/24493.

Council of Science Editors:

Arredondo DI. Doctoral thesis recital (conducting). [Doctoral Dissertation]. University of Texas – Austin; 2014. Available from: http://hdl.handle.net/2152/24493


University of Lund

14. Arvidson, Mats. Ett tonalt välordnat samhälle eller anarki? : estetiska och sociala aspekter på svensk konstmusik 1945-1960.

Degree: 2007, University of Lund

 The period between 1945 and 1960 is in many ways interesting. It is a period in Sweden, which is characterized by modernity. It is also… (more)

Subjects/Keywords: Kulturstudier; Sven-Eric Johanson; Yngve Flyckt; Hans Eklund; Jan Carlstedt; Sven-Erik Bäck; Karl-Birger Blomdahl; Ingmar Bengtsson; Klas-Thure (Claude Loyolla) Allgén; Chamber Music Association Samtida Musik; Chamber Music Association Fylkingen; Monday Group; Discourse; Historiography; Intellectual History; Swedish Art Music; Swedish Music History; Maurice Karkoff; Hans Leygraf; Ingvar Lidholm; Bo Linde; Quentin Skinner; Alf Thoor; Bo Wallner.

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APA (6th Edition):

Arvidson, M. (2007). Ett tonalt välordnat samhälle eller anarki? : estetiska och sociala aspekter på svensk konstmusik 1945-1960. (Doctoral Dissertation). University of Lund. Retrieved from http://lup.lub.lu.se/record/1236295 ; http://portal.research.lu.se/ws/files/4747227/1457974.pdf

Chicago Manual of Style (16th Edition):

Arvidson, Mats. “Ett tonalt välordnat samhälle eller anarki? : estetiska och sociala aspekter på svensk konstmusik 1945-1960.” 2007. Doctoral Dissertation, University of Lund. Accessed October 23, 2019. http://lup.lub.lu.se/record/1236295 ; http://portal.research.lu.se/ws/files/4747227/1457974.pdf.

MLA Handbook (7th Edition):

Arvidson, Mats. “Ett tonalt välordnat samhälle eller anarki? : estetiska och sociala aspekter på svensk konstmusik 1945-1960.” 2007. Web. 23 Oct 2019.

Vancouver:

Arvidson M. Ett tonalt välordnat samhälle eller anarki? : estetiska och sociala aspekter på svensk konstmusik 1945-1960. [Internet] [Doctoral dissertation]. University of Lund; 2007. [cited 2019 Oct 23]. Available from: http://lup.lub.lu.se/record/1236295 ; http://portal.research.lu.se/ws/files/4747227/1457974.pdf.

Council of Science Editors:

Arvidson M. Ett tonalt välordnat samhälle eller anarki? : estetiska och sociala aspekter på svensk konstmusik 1945-1960. [Doctoral Dissertation]. University of Lund; 2007. Available from: http://lup.lub.lu.se/record/1236295 ; http://portal.research.lu.se/ws/files/4747227/1457974.pdf


University of North Texas

15. Assid, Tonya. The Early Music Ensemble in 21st Century America.

Degree: 2003, University of North Texas

 The early music ensemble has evolved from a counterculture to a mainstream musical genre. Because of this early music is having to learn arts management.… (more)

Subjects/Keywords: Chamber music groups  – Finance.; Early-music groups.; Nonprofit organizations  – Management.; Non-profit; arts; management

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APA (6th Edition):

Assid, T. (2003). The Early Music Ensemble in 21st Century America. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc4440/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Assid, Tonya. “The Early Music Ensemble in 21st Century America.” 2003. Thesis, University of North Texas. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc4440/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Assid, Tonya. “The Early Music Ensemble in 21st Century America.” 2003. Web. 23 Oct 2019.

Vancouver:

Assid T. The Early Music Ensemble in 21st Century America. [Internet] [Thesis]. University of North Texas; 2003. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc4440/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Assid T. The Early Music Ensemble in 21st Century America. [Thesis]. University of North Texas; 2003. Available from: https://digital.library.unt.edu/ark:/67531/metadc4440/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

16. Audubert, Louise. Musique et musiciens à la cour de Charles Quint : étude socio-culturelle : Music and musicians at the court of Charles V : socio-cultural study.

Degree: Docteur es, Études romanes. Espagnol, 2014, Université Paris-Sorbonne – Paris IV

L’analyse approfondie des vastes archives de la cour de Charles Quint (1500-1556) permet de retracer les activités musicales financées par ce prince de la Renaissance,… (more)

Subjects/Keywords: Charles Quint; Musique; Musiciens; Institutions; Mécénat; Chapelle; Écurie; Chambre; Renaissance; Charles V; Music; Musicians; Institutions; Patronage; Chapel; Stable; Chamber; Renaissance

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APA (6th Edition):

Audubert, L. (2014). Musique et musiciens à la cour de Charles Quint : étude socio-culturelle : Music and musicians at the court of Charles V : socio-cultural study. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2014PA040222

Chicago Manual of Style (16th Edition):

Audubert, Louise. “Musique et musiciens à la cour de Charles Quint : étude socio-culturelle : Music and musicians at the court of Charles V : socio-cultural study.” 2014. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed October 23, 2019. http://www.theses.fr/2014PA040222.

MLA Handbook (7th Edition):

Audubert, Louise. “Musique et musiciens à la cour de Charles Quint : étude socio-culturelle : Music and musicians at the court of Charles V : socio-cultural study.” 2014. Web. 23 Oct 2019.

Vancouver:

Audubert L. Musique et musiciens à la cour de Charles Quint : étude socio-culturelle : Music and musicians at the court of Charles V : socio-cultural study. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2014. [cited 2019 Oct 23]. Available from: http://www.theses.fr/2014PA040222.

Council of Science Editors:

Audubert L. Musique et musiciens à la cour de Charles Quint : étude socio-culturelle : Music and musicians at the court of Charles V : socio-cultural study. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2014. Available from: http://www.theses.fr/2014PA040222


University of Adelaide

17. Aué, Johannes. (E)merging idioms: integrating jazz and classical ensembles.

Degree: 2010, University of Adelaide

 The study centers on a folio of compositions in the jazz idiom that calls for the combination of one or two classical chamber groups with… (more)

Subjects/Keywords: musical composition; jazz; Composition (Music); Jazz.; Chamber music

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APA (6th Edition):

Aué, J. (2010). (E)merging idioms: integrating jazz and classical ensembles. (Thesis). University of Adelaide. Retrieved from http://hdl.handle.net/2440/65483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Aué, Johannes. “(E)merging idioms: integrating jazz and classical ensembles.” 2010. Thesis, University of Adelaide. Accessed October 23, 2019. http://hdl.handle.net/2440/65483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Aué, Johannes. “(E)merging idioms: integrating jazz and classical ensembles.” 2010. Web. 23 Oct 2019.

Vancouver:

Aué J. (E)merging idioms: integrating jazz and classical ensembles. [Internet] [Thesis]. University of Adelaide; 2010. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/2440/65483.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Aué J. (E)merging idioms: integrating jazz and classical ensembles. [Thesis]. University of Adelaide; 2010. Available from: http://hdl.handle.net/2440/65483

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

18. Bader, Kathleen Marie. Tentative Embrace .

Degree: 2010, Duke University

  Tentative Embrace is a composition in five movements for flute, clarinet, saxophone quartet, vibraphone, piano, string quartet and tape track. The tape track features… (more)

Subjects/Keywords: Music; Chamber Ensemble; Composition; Sonoran Desert; Soundscapes; Spoken Text

…the idiosyncrasies of my species. I can feel the human species as a species. The music also… …music itself. Some of these structural inspirations will be more obvious than others, but all… …this work sonically, grounding the instrumental music and the text in a record of the space… 

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APA (6th Edition):

Bader, K. M. (2010). Tentative Embrace . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/2396

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bader, Kathleen Marie. “Tentative Embrace .” 2010. Thesis, Duke University. Accessed October 23, 2019. http://hdl.handle.net/10161/2396.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bader, Kathleen Marie. “Tentative Embrace .” 2010. Web. 23 Oct 2019.

Vancouver:

Bader KM. Tentative Embrace . [Internet] [Thesis]. Duke University; 2010. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10161/2396.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bader KM. Tentative Embrace . [Thesis]. Duke University; 2010. Available from: http://hdl.handle.net/10161/2396

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


McGill University

19. Baker, Robert A., 1970-. Time fields : chamber concerto3 for fifteen instruments.

Degree: MM, Faculty of Music., 2004, McGill University

 Time Fields: Chamber Concerto3 for fifteen players (2004) is a composition for five woodwinds, three brass, one percussionist, piano, string quartet and double bass with… (more)

Subjects/Keywords: Baker, Robert A., 1970- Time fields : chamber concerto3 for fifteen instruments; Concertos (Instrumental ensemble)  – Scores; Chamber music  – Scores; Concertos (Instrumental ensemble)  – Analysis, appreciation.; Chamber music  – Analysis, appreciation.

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APA (6th Edition):

Baker, Robert A., 1. (2004). Time fields : chamber concerto3 for fifteen instruments. (Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile81475.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Baker, Robert A., 1970-. “Time fields : chamber concerto3 for fifteen instruments.” 2004. Thesis, McGill University. Accessed October 23, 2019. http://digitool.library.mcgill.ca/thesisfile81475.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Baker, Robert A., 1970-. “Time fields : chamber concerto3 for fifteen instruments.” 2004. Web. 23 Oct 2019.

Vancouver:

Baker, Robert A. 1. Time fields : chamber concerto3 for fifteen instruments. [Internet] [Thesis]. McGill University; 2004. [cited 2019 Oct 23]. Available from: http://digitool.library.mcgill.ca/thesisfile81475.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Baker, Robert A. 1. Time fields : chamber concerto3 for fifteen instruments. [Thesis]. McGill University; 2004. Available from: http://digitool.library.mcgill.ca/thesisfile81475.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Montana Tech

20. Ballas, Barbara. Childhood Suite for Chamber Orchestra.

Degree: MM, 1979, Montana Tech

Subjects/Keywords: Chamber orchestra music.

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APA (6th Edition):

Ballas, B. (1979). Childhood Suite for Chamber Orchestra. (Thesis). Montana Tech. Retrieved from https://scholarworks.umt.edu/etd/9349

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ballas, Barbara. “Childhood Suite for Chamber Orchestra.” 1979. Thesis, Montana Tech. Accessed October 23, 2019. https://scholarworks.umt.edu/etd/9349.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ballas, Barbara. “Childhood Suite for Chamber Orchestra.” 1979. Web. 23 Oct 2019.

Vancouver:

Ballas B. Childhood Suite for Chamber Orchestra. [Internet] [Thesis]. Montana Tech; 1979. [cited 2019 Oct 23]. Available from: https://scholarworks.umt.edu/etd/9349.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ballas B. Childhood Suite for Chamber Orchestra. [Thesis]. Montana Tech; 1979. Available from: https://scholarworks.umt.edu/etd/9349

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Louisiana State University

21. Barber, Susan Nita. A performance edition of the opera Kaspar der Fagottist by Wenzel Müller (1767-1835), as arranged for Harmonie by Georg Druschetzky (1745-1819).

Degree: DMA, Music, 2002, Louisiana State University

 This document contains a score of the opera transcription for Harmonie that has been compiled from a manuscript collection currently in the holdings of the… (more)

Subjects/Keywords: harmoniemusik; wind chamber music; opera arrangement for sextet

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APA (6th Edition):

Barber, S. N. (2002). A performance edition of the opera Kaspar der Fagottist by Wenzel Müller (1767-1835), as arranged for Harmonie by Georg Druschetzky (1745-1819). (Doctoral Dissertation). Louisiana State University. Retrieved from etd-0111103-123017 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2272

Chicago Manual of Style (16th Edition):

Barber, Susan Nita. “A performance edition of the opera Kaspar der Fagottist by Wenzel Müller (1767-1835), as arranged for Harmonie by Georg Druschetzky (1745-1819).” 2002. Doctoral Dissertation, Louisiana State University. Accessed October 23, 2019. etd-0111103-123017 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2272.

MLA Handbook (7th Edition):

Barber, Susan Nita. “A performance edition of the opera Kaspar der Fagottist by Wenzel Müller (1767-1835), as arranged for Harmonie by Georg Druschetzky (1745-1819).” 2002. Web. 23 Oct 2019.

Vancouver:

Barber SN. A performance edition of the opera Kaspar der Fagottist by Wenzel Müller (1767-1835), as arranged for Harmonie by Georg Druschetzky (1745-1819). [Internet] [Doctoral dissertation]. Louisiana State University; 2002. [cited 2019 Oct 23]. Available from: etd-0111103-123017 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2272.

Council of Science Editors:

Barber SN. A performance edition of the opera Kaspar der Fagottist by Wenzel Müller (1767-1835), as arranged for Harmonie by Georg Druschetzky (1745-1819). [Doctoral Dissertation]. Louisiana State University; 2002. Available from: etd-0111103-123017 ; https://digitalcommons.lsu.edu/gradschool_dissertations/2272

22. Bardin, Charles Randall. Songs of Praise.

Degree: 1983, North Texas State University

 Songs of Praise is a setting of four passages from the Psalms for soprano and chamber orchestra. The text is taken from Psalms 96, 114,… (more)

Subjects/Keywords: music composition; sacred songs; psalms music; Sacred songs (High voice) with chamber orchestra  – Scores.; Psalms (Music)

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APA (6th Edition):

Bardin, C. R. (1983). Songs of Praise. (Thesis). North Texas State University. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc663549/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bardin, Charles Randall. “Songs of Praise.” 1983. Thesis, North Texas State University. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc663549/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bardin, Charles Randall. “Songs of Praise.” 1983. Web. 23 Oct 2019.

Vancouver:

Bardin CR. Songs of Praise. [Internet] [Thesis]. North Texas State University; 1983. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc663549/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bardin CR. Songs of Praise. [Thesis]. North Texas State University; 1983. Available from: https://digital.library.unt.edu/ark:/67531/metadc663549/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

23. Barroso Merino, Edgar Arturo. Transdisciplinary Collaboration, Gestural Embodiment of Sound and Social Context. A Framework for a Sonic Portfolio.

Degree: PhD, Music, 2014, Harvard University

This portfolio of compositions is a logbook on how trans-disciplinary collaboration, gestural embodiment of sound and social context influenced my work as a composer between… (more)

Subjects/Keywords: Music; Chamber music; Contemporary; Gestural Embodiment of sound; New Music; Social Context; Transdisciplinary Collaboration

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APA (6th Edition):

Barroso Merino, E. A. (2014). Transdisciplinary Collaboration, Gestural Embodiment of Sound and Social Context. A Framework for a Sonic Portfolio. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274141

Chicago Manual of Style (16th Edition):

Barroso Merino, Edgar Arturo. “Transdisciplinary Collaboration, Gestural Embodiment of Sound and Social Context. A Framework for a Sonic Portfolio.” 2014. Doctoral Dissertation, Harvard University. Accessed October 23, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274141.

MLA Handbook (7th Edition):

Barroso Merino, Edgar Arturo. “Transdisciplinary Collaboration, Gestural Embodiment of Sound and Social Context. A Framework for a Sonic Portfolio.” 2014. Web. 23 Oct 2019.

Vancouver:

Barroso Merino EA. Transdisciplinary Collaboration, Gestural Embodiment of Sound and Social Context. A Framework for a Sonic Portfolio. [Internet] [Doctoral dissertation]. Harvard University; 2014. [cited 2019 Oct 23]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274141.

Council of Science Editors:

Barroso Merino EA. Transdisciplinary Collaboration, Gestural Embodiment of Sound and Social Context. A Framework for a Sonic Portfolio. [Doctoral Dissertation]. Harvard University; 2014. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274141

24. Bauschka, Conrad Romuald. The Trumpet in Chamber Music During the 20th Century.

Degree: 1958, North Texas State College

 The purpose of this thesis is to trace the history of the trumpet in chamber music through the first half of the 20th century. It… (more)

Subjects/Keywords: trumpet; chamber music; music history; 20th century chamber music; Trumpet music  – 20th century  – History and criticism.

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APA (6th Edition):

Bauschka, C. R. (1958). The Trumpet in Chamber Music During the 20th Century. (Thesis). North Texas State College. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc798249/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bauschka, Conrad Romuald. “The Trumpet in Chamber Music During the 20th Century.” 1958. Thesis, North Texas State College. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc798249/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bauschka, Conrad Romuald. “The Trumpet in Chamber Music During the 20th Century.” 1958. Web. 23 Oct 2019.

Vancouver:

Bauschka CR. The Trumpet in Chamber Music During the 20th Century. [Internet] [Thesis]. North Texas State College; 1958. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc798249/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bauschka CR. The Trumpet in Chamber Music During the 20th Century. [Thesis]. North Texas State College; 1958. Available from: https://digital.library.unt.edu/ark:/67531/metadc798249/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Saskatchewan

25. Becker, Matthew. Thinking Through Collage: An Approach in "Collage Suite".

Degree: 2012, University of Saskatchewan

 This thesis consists of two parts: the first part being a composition of three movements for a chamber ensemble, and the second part being the… (more)

Subjects/Keywords: Composition; Collage; Chamber Music

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APA (6th Edition):

Becker, M. (2012). Thinking Through Collage: An Approach in "Collage Suite". (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/ETD-2012-11-797

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Becker, Matthew. “Thinking Through Collage: An Approach in "Collage Suite".” 2012. Thesis, University of Saskatchewan. Accessed October 23, 2019. http://hdl.handle.net/10388/ETD-2012-11-797.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Becker, Matthew. “Thinking Through Collage: An Approach in "Collage Suite".” 2012. Web. 23 Oct 2019.

Vancouver:

Becker M. Thinking Through Collage: An Approach in "Collage Suite". [Internet] [Thesis]. University of Saskatchewan; 2012. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/10388/ETD-2012-11-797.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Becker M. Thinking Through Collage: An Approach in "Collage Suite". [Thesis]. University of Saskatchewan; 2012. Available from: http://hdl.handle.net/10388/ETD-2012-11-797

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of North Texas

26. Bejo, Ermir. Postmodern Multiplicities in Three Original Works.

Degree: 2017, University of North Texas

 My recent compositions are situated within a postmodern theoretical framework. The heterogeneity of materials and hybridity of musical formation in these works are interpreted and… (more)

Subjects/Keywords: composition; postmodernism; chamber music; richard rorty; italo calvino; julius t. fraser

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bejo, E. (2017). Postmodern Multiplicities in Three Original Works. (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc1062830/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bejo, Ermir. “Postmodern Multiplicities in Three Original Works.” 2017. Thesis, University of North Texas. Accessed October 23, 2019. https://digital.library.unt.edu/ark:/67531/metadc1062830/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bejo, Ermir. “Postmodern Multiplicities in Three Original Works.” 2017. Web. 23 Oct 2019.

Vancouver:

Bejo E. Postmodern Multiplicities in Three Original Works. [Internet] [Thesis]. University of North Texas; 2017. [cited 2019 Oct 23]. Available from: https://digital.library.unt.edu/ark:/67531/metadc1062830/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bejo E. Postmodern Multiplicities in Three Original Works. [Thesis]. University of North Texas; 2017. Available from: https://digital.library.unt.edu/ark:/67531/metadc1062830/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Queensland University of Technology

27. Bentley, Danielle Sarah. Restrung new chamber festival : an exploration of contemporary string practice.

Degree: 2011, Queensland University of Technology

 The Restrung New Chamber Festival was a practice-led research project which explored the intricacies of musical relationships. Specifically, it investigated the nature of contemporary string… (more)

Subjects/Keywords: new music; classical music; string music; hybrid arts; Brisbane; Queensland; festival; Restrung New Chamber Festival; Creative Industries; practice-led research

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bentley, D. S. (2011). Restrung new chamber festival : an exploration of contemporary string practice. (Thesis). Queensland University of Technology. Retrieved from https://eprints.qut.edu.au/49582/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Bentley, Danielle Sarah. “Restrung new chamber festival : an exploration of contemporary string practice.” 2011. Thesis, Queensland University of Technology. Accessed October 23, 2019. https://eprints.qut.edu.au/49582/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Bentley, Danielle Sarah. “Restrung new chamber festival : an exploration of contemporary string practice.” 2011. Web. 23 Oct 2019.

Vancouver:

Bentley DS. Restrung new chamber festival : an exploration of contemporary string practice. [Internet] [Thesis]. Queensland University of Technology; 2011. [cited 2019 Oct 23]. Available from: https://eprints.qut.edu.au/49582/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Bentley DS. Restrung new chamber festival : an exploration of contemporary string practice. [Thesis]. Queensland University of Technology; 2011. Available from: https://eprints.qut.edu.au/49582/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Bentley, Marjorie Helen Tullis. Chamber music for gifted high school students.

Degree: MA, Music Education, 1972, Texas Woman's University

Subjects/Keywords: Chamber music; Music education; Music in schools

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bentley, M. H. T. (1972). Chamber music for gifted high school students. (Masters Thesis). Texas Woman's University. Retrieved from http://hdl.handle.net/11274/313

Chicago Manual of Style (16th Edition):

Bentley, Marjorie Helen Tullis. “Chamber music for gifted high school students.” 1972. Masters Thesis, Texas Woman's University. Accessed October 23, 2019. http://hdl.handle.net/11274/313.

MLA Handbook (7th Edition):

Bentley, Marjorie Helen Tullis. “Chamber music for gifted high school students.” 1972. Web. 23 Oct 2019.

Vancouver:

Bentley MHT. Chamber music for gifted high school students. [Internet] [Masters thesis]. Texas Woman's University; 1972. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/11274/313.

Council of Science Editors:

Bentley MHT. Chamber music for gifted high school students. [Masters Thesis]. Texas Woman's University; 1972. Available from: http://hdl.handle.net/11274/313


University of British Columbia

29. Berger, Steven. Compositions [Instrumental music. Selections] .

Degree: 1992, University of British Columbia

Compositions include Sightings : for clarinet and marimba (ca. 14:00), Proboscis maximus : bass trombone solo (ca. 11:00), Pathways : for violin, ’cello and piano, Impulses : for marimba duet, and Gleaned from the wind : for chamber orchestra (ca. 13:00).

Subjects/Keywords: Berger, Steven, 1961- - Manuscripts - Facsimiles.; Music - Manuscripts - Facsimiles.; Clarinet and marimba music - Scores.; Bass trombone music.; Piano trios - Scores.; Marimba music (Marimbas (2)) - Scores.; Chamber-orchestra music - Scores.; Concert programs - British Columbia - Vancouver.

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Berger, S. (1992). Compositions [Instrumental music. Selections] . (Thesis). University of British Columbia. Retrieved from http://hdl.handle.net/2429/2425

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Berger, Steven. “Compositions [Instrumental music. Selections] .” 1992. Thesis, University of British Columbia. Accessed October 23, 2019. http://hdl.handle.net/2429/2425.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Berger, Steven. “Compositions [Instrumental music. Selections] .” 1992. Web. 23 Oct 2019.

Vancouver:

Berger S. Compositions [Instrumental music. Selections] . [Internet] [Thesis]. University of British Columbia; 1992. [cited 2019 Oct 23]. Available from: http://hdl.handle.net/2429/2425.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Berger S. Compositions [Instrumental music. Selections] . [Thesis]. University of British Columbia; 1992. Available from: http://hdl.handle.net/2429/2425

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Université Paris-Sorbonne – Paris IV

30. Bernard de Raymond, Louise. « Les quatuors à cordes « viennois » et « parisiens » d’Antoine Reicha : édition critique et étude stylistique » : Antoine Reicha’s “Vienna” and “Paris” String Quartets : Critical Edition and Stylistic Study.

Degree: Docteur es, Musicologie, 2013, Université Paris-Sorbonne – Paris IV

Les nombreux écrits théoriques d’Antoine Reicha sont bien connus de la musicologie, qui voit dans le théoricien un personnage central du XIXe siècle. Sa production… (more)

Subjects/Keywords: Antoine Reicha; Quatuor à cordes; XIXe siècle; Analyse; Style; Édition critique; Théorie; France; Anton Reicha; String Quartet; 19th Century; France; Chamber Music; Critical Edition; Theory; Analysis; Style; Aesthetic; 780

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bernard de Raymond, L. (2013). « Les quatuors à cordes « viennois » et « parisiens » d’Antoine Reicha : édition critique et étude stylistique » : Antoine Reicha’s “Vienna” and “Paris” String Quartets : Critical Edition and Stylistic Study. (Doctoral Dissertation). Université Paris-Sorbonne – Paris IV. Retrieved from http://www.theses.fr/2013PA040206

Chicago Manual of Style (16th Edition):

Bernard de Raymond, Louise. “« Les quatuors à cordes « viennois » et « parisiens » d’Antoine Reicha : édition critique et étude stylistique » : Antoine Reicha’s “Vienna” and “Paris” String Quartets : Critical Edition and Stylistic Study.” 2013. Doctoral Dissertation, Université Paris-Sorbonne – Paris IV. Accessed October 23, 2019. http://www.theses.fr/2013PA040206.

MLA Handbook (7th Edition):

Bernard de Raymond, Louise. “« Les quatuors à cordes « viennois » et « parisiens » d’Antoine Reicha : édition critique et étude stylistique » : Antoine Reicha’s “Vienna” and “Paris” String Quartets : Critical Edition and Stylistic Study.” 2013. Web. 23 Oct 2019.

Vancouver:

Bernard de Raymond L. « Les quatuors à cordes « viennois » et « parisiens » d’Antoine Reicha : édition critique et étude stylistique » : Antoine Reicha’s “Vienna” and “Paris” String Quartets : Critical Edition and Stylistic Study. [Internet] [Doctoral dissertation]. Université Paris-Sorbonne – Paris IV; 2013. [cited 2019 Oct 23]. Available from: http://www.theses.fr/2013PA040206.

Council of Science Editors:

Bernard de Raymond L. « Les quatuors à cordes « viennois » et « parisiens » d’Antoine Reicha : édition critique et étude stylistique » : Antoine Reicha’s “Vienna” and “Paris” String Quartets : Critical Edition and Stylistic Study. [Doctoral Dissertation]. Université Paris-Sorbonne – Paris IV; 2013. Available from: http://www.theses.fr/2013PA040206

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