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You searched for subject:( Avant garde art). Showing records 1 – 30 of 28531 total matches.

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1. Manigot, Vincent. Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde.

Degree: Docteur es, Arts, 2018, Sorbonne Paris Cité

Durant la première moitié du XXᵉ siècle, divers mouvements d’avant-garde occidentaux sont introduits au Japon et s’y développent dans un court intervalle de temps, menant… (more)

Subjects/Keywords: Art; Avant-Gardes; Art; Avant-Garde

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APA (6th Edition):

Manigot, V. (2018). Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde. (Doctoral Dissertation). Sorbonne Paris Cité. Retrieved from http://www.theses.fr/2018USPCF001

Chicago Manual of Style (16th Edition):

Manigot, Vincent. “Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde.” 2018. Doctoral Dissertation, Sorbonne Paris Cité. Accessed October 13, 2019. http://www.theses.fr/2018USPCF001.

MLA Handbook (7th Edition):

Manigot, Vincent. “Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde.” 2018. Web. 13 Oct 2019.

Vancouver:

Manigot V. Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde. [Internet] [Doctoral dissertation]. Sorbonne Paris Cité; 2018. [cited 2019 Oct 13]. Available from: http://www.theses.fr/2018USPCF001.

Council of Science Editors:

Manigot V. Universalité et surréalisme : le peintre Kitawaki Noboru (1901-1951) et les avant-gardes japonaises : Universality and Surrealism : the Painter Kitawaki Noboru (1901-1951) and the Japanese Avant-garde. [Doctoral Dissertation]. Sorbonne Paris Cité; 2018. Available from: http://www.theses.fr/2018USPCF001


Victoria University of Wellington

2. Sleigh, Thomasin. Neither Here nor There: The Writing of Wystan Curnow 1961-1984.

Degree: 2010, Victoria University of Wellington

 This thesis addresses the writing of Wystan Curnow from 1961 to 1984. Curnow has written a great deal throughout his life, and the challenge of… (more)

Subjects/Keywords: Art criticism; Poetry; Avant-garde

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APA (6th Edition):

Sleigh, T. (2010). Neither Here nor There: The Writing of Wystan Curnow 1961-1984. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/4480

Chicago Manual of Style (16th Edition):

Sleigh, Thomasin. “Neither Here nor There: The Writing of Wystan Curnow 1961-1984.” 2010. Masters Thesis, Victoria University of Wellington. Accessed October 13, 2019. http://hdl.handle.net/10063/4480.

MLA Handbook (7th Edition):

Sleigh, Thomasin. “Neither Here nor There: The Writing of Wystan Curnow 1961-1984.” 2010. Web. 13 Oct 2019.

Vancouver:

Sleigh T. Neither Here nor There: The Writing of Wystan Curnow 1961-1984. [Internet] [Masters thesis]. Victoria University of Wellington; 2010. [cited 2019 Oct 13]. Available from: http://hdl.handle.net/10063/4480.

Council of Science Editors:

Sleigh T. Neither Here nor There: The Writing of Wystan Curnow 1961-1984. [Masters Thesis]. Victoria University of Wellington; 2010. Available from: http://hdl.handle.net/10063/4480


University of Western Australia

3. O'Regan, Eve-Anne. Art, advertising and modernism : the transfiguration of the artist in the age of capitalism.

Degree: PhD, 2012, University of Western Australia

This dissertation analyses advertising as a "species of social communication" and "narrative" (Wick, 1988) that has been entwined with avant-garde art in a complex relationship… (more)

Subjects/Keywords: Advertising; Art; Avant-garde; Branding

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APA (6th Edition):

O'Regan, E. (2012). Art, advertising and modernism : the transfiguration of the artist in the age of capitalism. (Doctoral Dissertation). University of Western Australia. Retrieved from http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=34887&local_base=GEN01-INS01

Chicago Manual of Style (16th Edition):

O'Regan, Eve-Anne. “Art, advertising and modernism : the transfiguration of the artist in the age of capitalism.” 2012. Doctoral Dissertation, University of Western Australia. Accessed October 13, 2019. http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=34887&local_base=GEN01-INS01.

MLA Handbook (7th Edition):

O'Regan, Eve-Anne. “Art, advertising and modernism : the transfiguration of the artist in the age of capitalism.” 2012. Web. 13 Oct 2019.

Vancouver:

O'Regan E. Art, advertising and modernism : the transfiguration of the artist in the age of capitalism. [Internet] [Doctoral dissertation]. University of Western Australia; 2012. [cited 2019 Oct 13]. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=34887&local_base=GEN01-INS01.

Council of Science Editors:

O'Regan E. Art, advertising and modernism : the transfiguration of the artist in the age of capitalism. [Doctoral Dissertation]. University of Western Australia; 2012. Available from: http://repository.uwa.edu.au:80/R/?func=dbin-jump-full&object_id=34887&local_base=GEN01-INS01


Cornell University

4. Erber, Pedro. After The Politics Of Abstraction: Avant-Garde Art And Criticism In Japan And Brazil Circa 1960 .

Degree: 2009, Cornell University

 Displacement of the practices and radical theories of avant-garde art from the artistic centers and cultural capitals of North America and Europe to post-Occupation Japan… (more)

Subjects/Keywords: Avant-Garde Art and Criticism

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APA (6th Edition):

Erber, P. (2009). After The Politics Of Abstraction: Avant-Garde Art And Criticism In Japan And Brazil Circa 1960 . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/13838

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Erber, Pedro. “After The Politics Of Abstraction: Avant-Garde Art And Criticism In Japan And Brazil Circa 1960 .” 2009. Thesis, Cornell University. Accessed October 13, 2019. http://hdl.handle.net/1813/13838.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Erber, Pedro. “After The Politics Of Abstraction: Avant-Garde Art And Criticism In Japan And Brazil Circa 1960 .” 2009. Web. 13 Oct 2019.

Vancouver:

Erber P. After The Politics Of Abstraction: Avant-Garde Art And Criticism In Japan And Brazil Circa 1960 . [Internet] [Thesis]. Cornell University; 2009. [cited 2019 Oct 13]. Available from: http://hdl.handle.net/1813/13838.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Erber P. After The Politics Of Abstraction: Avant-Garde Art And Criticism In Japan And Brazil Circa 1960 . [Thesis]. Cornell University; 2009. Available from: http://hdl.handle.net/1813/13838

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Notre Dame

5. Quinn Darlington. Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>.

Degree: MA, Art, Art History and Design, 2012, University of Notre Dame

  Carrie Stettheimer’s Dollhouse was created over the course of almost twenty years (from 1916-1935) and was inspired in part by the Stettheimers’ luxurious homes,… (more)

Subjects/Keywords: domesticity; avant-garde; art; femininity

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APA (6th Edition):

Darlington, Q. (2012). Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>. (Masters Thesis). University of Notre Dame. Retrieved from https://curate.nd.edu/show/n296ww74n5t

Chicago Manual of Style (16th Edition):

Darlington, Quinn. “Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>.” 2012. Masters Thesis, University of Notre Dame. Accessed October 13, 2019. https://curate.nd.edu/show/n296ww74n5t.

MLA Handbook (7th Edition):

Darlington, Quinn. “Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>.” 2012. Web. 13 Oct 2019.

Vancouver:

Darlington Q. Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>. [Internet] [Masters thesis]. University of Notre Dame; 2012. [cited 2019 Oct 13]. Available from: https://curate.nd.edu/show/n296ww74n5t.

Council of Science Editors:

Darlington Q. Modernism's Miniatures: Space and Gender in the Stettheimer Dollhouse and Duchamp's Boîte-en-Valise</h1>. [Masters Thesis]. University of Notre Dame; 2012. Available from: https://curate.nd.edu/show/n296ww74n5t


Columbia University

6. Silveri, Rachel. The Art of Living in the Historical Avant-Garde.

Degree: 2017, Columbia University

 This dissertation reexamines the art-into-life narrative of the historical avant-gardes through an analysis of a set of experimental life practices established by artists across Dada,… (more)

Subjects/Keywords: Art; Avant-garde (Aesthetics); Art and history

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APA (6th Edition):

Silveri, R. (2017). The Art of Living in the Historical Avant-Garde. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8XK8STK

Chicago Manual of Style (16th Edition):

Silveri, Rachel. “The Art of Living in the Historical Avant-Garde.” 2017. Doctoral Dissertation, Columbia University. Accessed October 13, 2019. https://doi.org/10.7916/D8XK8STK.

MLA Handbook (7th Edition):

Silveri, Rachel. “The Art of Living in the Historical Avant-Garde.” 2017. Web. 13 Oct 2019.

Vancouver:

Silveri R. The Art of Living in the Historical Avant-Garde. [Internet] [Doctoral dissertation]. Columbia University; 2017. [cited 2019 Oct 13]. Available from: https://doi.org/10.7916/D8XK8STK.

Council of Science Editors:

Silveri R. The Art of Living in the Historical Avant-Garde. [Doctoral Dissertation]. Columbia University; 2017. Available from: https://doi.org/10.7916/D8XK8STK


University of Rochester

7. Bouman, Margot (1962 - ). “A broken piece of an absent whole” : experimental video and its spaces of production and reception.

Degree: PhD, 2009, University of Rochester

 This dissertation, “‘A Broken Piece of an Absent Whole’: Experimental Video and its Spaces of Production and Reception” presumes that where video is found—as the… (more)

Subjects/Keywords: Contemporary art; Video art; Avant-garde; Television

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Bouman, M. (. -. ). (2009). “A broken piece of an absent whole” : experimental video and its spaces of production and reception. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/6783

Chicago Manual of Style (16th Edition):

Bouman, Margot (1962 - ). ““A broken piece of an absent whole” : experimental video and its spaces of production and reception.” 2009. Doctoral Dissertation, University of Rochester. Accessed October 13, 2019. http://hdl.handle.net/1802/6783.

MLA Handbook (7th Edition):

Bouman, Margot (1962 - ). ““A broken piece of an absent whole” : experimental video and its spaces of production and reception.” 2009. Web. 13 Oct 2019.

Vancouver:

Bouman M(-). “A broken piece of an absent whole” : experimental video and its spaces of production and reception. [Internet] [Doctoral dissertation]. University of Rochester; 2009. [cited 2019 Oct 13]. Available from: http://hdl.handle.net/1802/6783.

Council of Science Editors:

Bouman M(-). “A broken piece of an absent whole” : experimental video and its spaces of production and reception. [Doctoral Dissertation]. University of Rochester; 2009. Available from: http://hdl.handle.net/1802/6783


Université du Québec à Montréal

8. Legault, Jean-François. Manipulation de code et avant-garde : pour une littérature hackée.

Degree: 2012, Université du Québec à Montréal

 Dans le cyberespace, les distinctions entre les différentes acceptions du mot code deviennent poreuses : le code juridique cède le pas au code informatique dans… (more)

Subjects/Keywords: Avant-garde (Art); Code; Cyberespace; Hacker; Internet

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Legault, J. (2012). Manipulation de code et avant-garde : pour une littérature hackée. (Thesis). Université du Québec à Montréal. Retrieved from http://www.archipel.uqam.ca/5076/1/M12627.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Legault, Jean-François. “Manipulation de code et avant-garde : pour une littérature hackée.” 2012. Thesis, Université du Québec à Montréal. Accessed October 13, 2019. http://www.archipel.uqam.ca/5076/1/M12627.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Legault, Jean-François. “Manipulation de code et avant-garde : pour une littérature hackée.” 2012. Web. 13 Oct 2019.

Vancouver:

Legault J. Manipulation de code et avant-garde : pour une littérature hackée. [Internet] [Thesis]. Université du Québec à Montréal; 2012. [cited 2019 Oct 13]. Available from: http://www.archipel.uqam.ca/5076/1/M12627.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Legault J. Manipulation de code et avant-garde : pour une littérature hackée. [Thesis]. Université du Québec à Montréal; 2012. Available from: http://www.archipel.uqam.ca/5076/1/M12627.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Edinburgh

9. Rothwell, Ian James Pirie. Images under control : pessimism, humour and stupidity in the digital age.

Degree: PhD, 2017, University of Edinburgh

 This thesis offers a periodization of the present according to which contemporary art and visual culture are understood to be symptomatic of an increasingly pervasive… (more)

Subjects/Keywords: 709; avant-garde; internet; contemporary art

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APA (6th Edition):

Rothwell, I. J. P. (2017). Images under control : pessimism, humour and stupidity in the digital age. (Doctoral Dissertation). University of Edinburgh. Retrieved from http://hdl.handle.net/1842/22974

Chicago Manual of Style (16th Edition):

Rothwell, Ian James Pirie. “Images under control : pessimism, humour and stupidity in the digital age.” 2017. Doctoral Dissertation, University of Edinburgh. Accessed October 13, 2019. http://hdl.handle.net/1842/22974.

MLA Handbook (7th Edition):

Rothwell, Ian James Pirie. “Images under control : pessimism, humour and stupidity in the digital age.” 2017. Web. 13 Oct 2019.

Vancouver:

Rothwell IJP. Images under control : pessimism, humour and stupidity in the digital age. [Internet] [Doctoral dissertation]. University of Edinburgh; 2017. [cited 2019 Oct 13]. Available from: http://hdl.handle.net/1842/22974.

Council of Science Editors:

Rothwell IJP. Images under control : pessimism, humour and stupidity in the digital age. [Doctoral Dissertation]. University of Edinburgh; 2017. Available from: http://hdl.handle.net/1842/22974


Université du Québec à Montréal

10. Legault, Jean-François. Manipulation de code et avant-garde : pour une littérature hackée.

Degree: 2012, Université du Québec à Montréal

 Dans le cyberespace, les distinctions entre les différentes acceptions du mot code deviennent poreuses : le code juridique cède le pas au code informatique dans… (more)

Subjects/Keywords: Avant-garde (Art); Code; Cyberespace; Hacker; Internet

Record DetailsSimilar RecordsGoogle PlusoneFacebookTwitterCiteULikeMendeleyreddit

APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Legault, J. (2012). Manipulation de code et avant-garde : pour une littérature hackée. (Thesis). Université du Québec à Montréal. Retrieved from http://archipel.uqam.ca/5076/1/M12627.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Legault, Jean-François. “Manipulation de code et avant-garde : pour une littérature hackée.” 2012. Thesis, Université du Québec à Montréal. Accessed October 13, 2019. http://archipel.uqam.ca/5076/1/M12627.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Legault, Jean-François. “Manipulation de code et avant-garde : pour une littérature hackée.” 2012. Web. 13 Oct 2019.

Vancouver:

Legault J. Manipulation de code et avant-garde : pour une littérature hackée. [Internet] [Thesis]. Université du Québec à Montréal; 2012. [cited 2019 Oct 13]. Available from: http://archipel.uqam.ca/5076/1/M12627.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Legault J. Manipulation de code et avant-garde : pour une littérature hackée. [Thesis]. Université du Québec à Montréal; 2012. Available from: http://archipel.uqam.ca/5076/1/M12627.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Newcastle

11. Chapman, Michael. Disfigured ground: architectures of Dada and surrealism.

Degree: PhD, 2011, University of Newcastle

Research Doctorate - Doctor of Philosophy (PhD)

In his 1974 work, Theory of the Avant-Garde, Peter Bürger developed a sociological argument that the practices of… (more)

Subjects/Keywords: avant-garde; architecture; surrealism; art theory

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APA (6th Edition):

Chapman, M. (2011). Disfigured ground: architectures of Dada and surrealism. (Doctoral Dissertation). University of Newcastle. Retrieved from http://hdl.handle.net/1959.13/919742

Chicago Manual of Style (16th Edition):

Chapman, Michael. “Disfigured ground: architectures of Dada and surrealism.” 2011. Doctoral Dissertation, University of Newcastle. Accessed October 13, 2019. http://hdl.handle.net/1959.13/919742.

MLA Handbook (7th Edition):

Chapman, Michael. “Disfigured ground: architectures of Dada and surrealism.” 2011. Web. 13 Oct 2019.

Vancouver:

Chapman M. Disfigured ground: architectures of Dada and surrealism. [Internet] [Doctoral dissertation]. University of Newcastle; 2011. [cited 2019 Oct 13]. Available from: http://hdl.handle.net/1959.13/919742.

Council of Science Editors:

Chapman M. Disfigured ground: architectures of Dada and surrealism. [Doctoral Dissertation]. University of Newcastle; 2011. Available from: http://hdl.handle.net/1959.13/919742


University of Southern California

12. Kase, Carlos. A cinema of anxiety: American experimental film in the realm of art (1965–75).

Degree: PhD, Cinema-Television (Critical Studies), 2009, University of Southern California

 Contrary to the dominant narratives of art history, experimental cinema once played a meaningful role in American art. The filmic works discussed in this dissertation… (more)

Subjects/Keywords: avant-garde film; experimental film; avant-garde cinema; experimental cinema; non-fiction film; art history

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kase, C. (2009). A cinema of anxiety: American experimental film in the realm of art (1965–75). (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/259865/rec/100

Chicago Manual of Style (16th Edition):

Kase, Carlos. “A cinema of anxiety: American experimental film in the realm of art (1965–75).” 2009. Doctoral Dissertation, University of Southern California. Accessed October 13, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/259865/rec/100.

MLA Handbook (7th Edition):

Kase, Carlos. “A cinema of anxiety: American experimental film in the realm of art (1965–75).” 2009. Web. 13 Oct 2019.

Vancouver:

Kase C. A cinema of anxiety: American experimental film in the realm of art (1965–75). [Internet] [Doctoral dissertation]. University of Southern California; 2009. [cited 2019 Oct 13]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/259865/rec/100.

Council of Science Editors:

Kase C. A cinema of anxiety: American experimental film in the realm of art (1965–75). [Doctoral Dissertation]. University of Southern California; 2009. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/259865/rec/100


Cornell University

13. Benezra, Karen. A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile .

Degree: 2013, Cornell University

 This dissertation studies the purported political radicalization of experimental art and design in the late 1960s and 1970s in Argentina, Mexico and Chile. Through the… (more)

Subjects/Keywords: avant-garde; conceptual art; 20th C. Latin American Art; Politics; Psychoanalysis

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APA (6th Edition):

Benezra, K. (2013). A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/34287

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Benezra, Karen. “A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile .” 2013. Thesis, Cornell University. Accessed October 13, 2019. http://hdl.handle.net/1813/34287.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Benezra, Karen. “A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile .” 2013. Web. 13 Oct 2019.

Vancouver:

Benezra K. A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile . [Internet] [Thesis]. Cornell University; 2013. [cited 2019 Oct 13]. Available from: http://hdl.handle.net/1813/34287.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Benezra K. A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile . [Thesis]. Cornell University; 2013. Available from: http://hdl.handle.net/1813/34287

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

14. Goutain, Pauline. Les mythologies matérielles de l'Art Brut (1945-1976) : dimensions, processus créateurs et matériaux à l'œuvre : Art Brut's material mythologies (1945-1976) : dimensions, materials and creative processes.

Degree: Docteur es, Histoire de l'art, 2017, Université Paris X – Nanterre

L'Art Brut est un concept inventé par le peintre français Jean Dubuffet en 1945 pour désigner des œuvres faites par des artistes non professionnels, autodidactes… (more)

Subjects/Keywords: Art Brut; Avant-Garde; Matériaux; Format; Création; Mythologie; Politique; Art Brut; Avant-Garde; Materiality; Dimension; Practice; Mythology; Politics

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APA (6th Edition):

Goutain, P. (2017). Les mythologies matérielles de l'Art Brut (1945-1976) : dimensions, processus créateurs et matériaux à l'œuvre : Art Brut's material mythologies (1945-1976) : dimensions, materials and creative processes. (Doctoral Dissertation). Université Paris X – Nanterre. Retrieved from http://www.theses.fr/2017PA100059

Chicago Manual of Style (16th Edition):

Goutain, Pauline. “Les mythologies matérielles de l'Art Brut (1945-1976) : dimensions, processus créateurs et matériaux à l'œuvre : Art Brut's material mythologies (1945-1976) : dimensions, materials and creative processes.” 2017. Doctoral Dissertation, Université Paris X – Nanterre. Accessed October 13, 2019. http://www.theses.fr/2017PA100059.

MLA Handbook (7th Edition):

Goutain, Pauline. “Les mythologies matérielles de l'Art Brut (1945-1976) : dimensions, processus créateurs et matériaux à l'œuvre : Art Brut's material mythologies (1945-1976) : dimensions, materials and creative processes.” 2017. Web. 13 Oct 2019.

Vancouver:

Goutain P. Les mythologies matérielles de l'Art Brut (1945-1976) : dimensions, processus créateurs et matériaux à l'œuvre : Art Brut's material mythologies (1945-1976) : dimensions, materials and creative processes. [Internet] [Doctoral dissertation]. Université Paris X – Nanterre; 2017. [cited 2019 Oct 13]. Available from: http://www.theses.fr/2017PA100059.

Council of Science Editors:

Goutain P. Les mythologies matérielles de l'Art Brut (1945-1976) : dimensions, processus créateurs et matériaux à l'œuvre : Art Brut's material mythologies (1945-1976) : dimensions, materials and creative processes. [Doctoral Dissertation]. Université Paris X – Nanterre; 2017. Available from: http://www.theses.fr/2017PA100059

15. Lau, Charlene Kay. Total Work of Fashion: Bernhard Willhelm and the Contemporary Avant-Garde.

Degree: PhD, Art History and Visual Culture, 2016, York University

 In fashion discourse, the term avant-garde is often applied to garments that fall outside of the mainstream fashion, whether experimental, conceptual or intellectual. However, such… (more)

Subjects/Keywords: Art history; Art; Art history; Avant-garde; Contemporary fashion; Contemporary art; Fashion; Avant-garde fashion; Fashion studies; Bernhard Willhelm; Jutta Kraus; Vanguard; Avant-garde studies; Art and fashion; Fashion and art; Avant-garde art

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APA (6th Edition):

Lau, C. K. (2016). Total Work of Fashion: Bernhard Willhelm and the Contemporary Avant-Garde. (Doctoral Dissertation). York University. Retrieved from http://hdl.handle.net/10315/32342

Chicago Manual of Style (16th Edition):

Lau, Charlene Kay. “Total Work of Fashion: Bernhard Willhelm and the Contemporary Avant-Garde.” 2016. Doctoral Dissertation, York University. Accessed October 13, 2019. http://hdl.handle.net/10315/32342.

MLA Handbook (7th Edition):

Lau, Charlene Kay. “Total Work of Fashion: Bernhard Willhelm and the Contemporary Avant-Garde.” 2016. Web. 13 Oct 2019.

Vancouver:

Lau CK. Total Work of Fashion: Bernhard Willhelm and the Contemporary Avant-Garde. [Internet] [Doctoral dissertation]. York University; 2016. [cited 2019 Oct 13]. Available from: http://hdl.handle.net/10315/32342.

Council of Science Editors:

Lau CK. Total Work of Fashion: Bernhard Willhelm and the Contemporary Avant-Garde. [Doctoral Dissertation]. York University; 2016. Available from: http://hdl.handle.net/10315/32342


Universiteit Utrecht

16. Schumacher, R.W.G. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.

Degree: 2007, Universiteit Utrecht

 During the fortyone years of its existence the art magazine Museumjournaal (1955-1996) played a major role within the Netherlands artworld. Until the late seventies it… (more)

Subjects/Keywords: Letteren; Museumjournaal; art press; art magazines; art criticism; art theory; Neo-avant-garde

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APA (6th Edition):

Schumacher, R. W. G. (2007). Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. (Doctoral Dissertation). Universiteit Utrecht. Retrieved from http://dspace.library.uu.nl:8080/handle/1874/19081

Chicago Manual of Style (16th Edition):

Schumacher, R W G. “Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.” 2007. Doctoral Dissertation, Universiteit Utrecht. Accessed October 13, 2019. http://dspace.library.uu.nl:8080/handle/1874/19081.

MLA Handbook (7th Edition):

Schumacher, R W G. “Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973.” 2007. Web. 13 Oct 2019.

Vancouver:

Schumacher RWG. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. [Internet] [Doctoral dissertation]. Universiteit Utrecht; 2007. [cited 2019 Oct 13]. Available from: http://dspace.library.uu.nl:8080/handle/1874/19081.

Council of Science Editors:

Schumacher RWG. Museumjournaal en de ontvangst van de neo-avant-garde in Nederland 1961-1973. [Doctoral Dissertation]. Universiteit Utrecht; 2007. Available from: http://dspace.library.uu.nl:8080/handle/1874/19081


University of Alberta

17. Robertson, Fiona I. The anthropology of yonder: Russian Orthodox icons, Suprematism, and Russian Soul.

Degree: MA, Department of Anthropology, 2011, University of Alberta

 This study examines similarities between Russian Orthodox icons and Suprematist paintings, using an anthropological lens. Though their appearances and purposes differ, the two art traditions… (more)

Subjects/Keywords: anthropology; icon; art; Soul; Avant-garde; Suprematism; Russia

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APA (6th Edition):

Robertson, F. I. (2011). The anthropology of yonder: Russian Orthodox icons, Suprematism, and Russian Soul. (Masters Thesis). University of Alberta. Retrieved from https://era.library.ualberta.ca/files/qv33rx44m

Chicago Manual of Style (16th Edition):

Robertson, Fiona I. “The anthropology of yonder: Russian Orthodox icons, Suprematism, and Russian Soul.” 2011. Masters Thesis, University of Alberta. Accessed October 13, 2019. https://era.library.ualberta.ca/files/qv33rx44m.

MLA Handbook (7th Edition):

Robertson, Fiona I. “The anthropology of yonder: Russian Orthodox icons, Suprematism, and Russian Soul.” 2011. Web. 13 Oct 2019.

Vancouver:

Robertson FI. The anthropology of yonder: Russian Orthodox icons, Suprematism, and Russian Soul. [Internet] [Masters thesis]. University of Alberta; 2011. [cited 2019 Oct 13]. Available from: https://era.library.ualberta.ca/files/qv33rx44m.

Council of Science Editors:

Robertson FI. The anthropology of yonder: Russian Orthodox icons, Suprematism, and Russian Soul. [Masters Thesis]. University of Alberta; 2011. Available from: https://era.library.ualberta.ca/files/qv33rx44m


University of California – San Diego

18. Griffeath-Loeb, Brian. ...on a par with grass & twigs...

Degree: Music, 2013, University of California – San Diego

 ABSTRACT OF THE DISSERTATION...on a par with grass & twigs...byBrian Griffeath-LoebDoctor of Philosophy in MusicUniversity of California, San Diego, 2013Professor Rand Steiger, Chair "What in… (more)

Subjects/Keywords: Music; Art Music; avant-garde; Classical; Composition; Experimental; Modernism

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APA (6th Edition):

Griffeath-Loeb, B. (2013). ...on a par with grass & twigs... (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/052090sk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Griffeath-Loeb, Brian. “...on a par with grass & twigs...” 2013. Thesis, University of California – San Diego. Accessed October 13, 2019. http://www.escholarship.org/uc/item/052090sk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Griffeath-Loeb, Brian. “...on a par with grass & twigs...” 2013. Web. 13 Oct 2019.

Vancouver:

Griffeath-Loeb B. ...on a par with grass & twigs... [Internet] [Thesis]. University of California – San Diego; 2013. [cited 2019 Oct 13]. Available from: http://www.escholarship.org/uc/item/052090sk.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Griffeath-Loeb B. ...on a par with grass & twigs... [Thesis]. University of California – San Diego; 2013. Available from: http://www.escholarship.org/uc/item/052090sk

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Southern California

19. Kudriavtseva, Catherine I. The making of Kazimir Malevich's Black square.

Degree: PhD, Art History, 2010, University of Southern California

 This dissertation provides a historical and theoretical framework to the interpretative possibilities generated by Malevich’s Black Square. Focusing on the transformations of this work from… (more)

Subjects/Keywords: Malevich; Suprematism; art market; Unovis, Supremus; Russian avant-garde; historiography

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APA (6th Edition):

Kudriavtseva, C. I. (2010). The making of Kazimir Malevich's Black square. (Doctoral Dissertation). University of Southern California. Retrieved from http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/375461/rec/6962

Chicago Manual of Style (16th Edition):

Kudriavtseva, Catherine I. “The making of Kazimir Malevich's Black square.” 2010. Doctoral Dissertation, University of Southern California. Accessed October 13, 2019. http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/375461/rec/6962.

MLA Handbook (7th Edition):

Kudriavtseva, Catherine I. “The making of Kazimir Malevich's Black square.” 2010. Web. 13 Oct 2019.

Vancouver:

Kudriavtseva CI. The making of Kazimir Malevich's Black square. [Internet] [Doctoral dissertation]. University of Southern California; 2010. [cited 2019 Oct 13]. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/375461/rec/6962.

Council of Science Editors:

Kudriavtseva CI. The making of Kazimir Malevich's Black square. [Doctoral Dissertation]. University of Southern California; 2010. Available from: http://digitallibrary.usc.edu/cdm/compoundobject/collection/p15799coll127/id/375461/rec/6962

20. Callens, Anne-Céline. Création photographique publicitaire et industrie. Le cas des Editions Paul-Martial : Advertising photographic creation and industry. The case of the Editions Paul-Martial.

Degree: Docteur es, Sciences de l'art, 2016, Lyon

Durant la période de prospérité des années 1920, avec l’accroissement de la consommation résultant de la seconde révolution industrielle, de nouvelles stratégies commerciales se mettent… (more)

Subjects/Keywords: Avant-garde artistique; Publicité; Industrie; Advertising photography; Industry; Art Edition

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APA (6th Edition):

Callens, A. (2016). Création photographique publicitaire et industrie. Le cas des Editions Paul-Martial : Advertising photographic creation and industry. The case of the Editions Paul-Martial. (Doctoral Dissertation). Lyon. Retrieved from http://www.theses.fr/2016LYSES031

Chicago Manual of Style (16th Edition):

Callens, Anne-Céline. “Création photographique publicitaire et industrie. Le cas des Editions Paul-Martial : Advertising photographic creation and industry. The case of the Editions Paul-Martial.” 2016. Doctoral Dissertation, Lyon. Accessed October 13, 2019. http://www.theses.fr/2016LYSES031.

MLA Handbook (7th Edition):

Callens, Anne-Céline. “Création photographique publicitaire et industrie. Le cas des Editions Paul-Martial : Advertising photographic creation and industry. The case of the Editions Paul-Martial.” 2016. Web. 13 Oct 2019.

Vancouver:

Callens A. Création photographique publicitaire et industrie. Le cas des Editions Paul-Martial : Advertising photographic creation and industry. The case of the Editions Paul-Martial. [Internet] [Doctoral dissertation]. Lyon; 2016. [cited 2019 Oct 13]. Available from: http://www.theses.fr/2016LYSES031.

Council of Science Editors:

Callens A. Création photographique publicitaire et industrie. Le cas des Editions Paul-Martial : Advertising photographic creation and industry. The case of the Editions Paul-Martial. [Doctoral Dissertation]. Lyon; 2016. Available from: http://www.theses.fr/2016LYSES031


Duke University

21. Jones, Zoe Marie. A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909-1914 .

Degree: 2011, Duke University

  ABSTRACT My dissertation studies the intersection of popular entertainment and the visual arts in Paris during the first decades of the twentieth century and… (more)

Subjects/Keywords: Art history; Avant-Garde; Bohemia; Dance; Dandyism; Futurism; Gino Severini

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APA (6th Edition):

Jones, Z. M. (2011). A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909-1914 . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/4995

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Jones, Zoe Marie. “A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909-1914 .” 2011. Thesis, Duke University. Accessed October 13, 2019. http://hdl.handle.net/10161/4995.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Jones, Zoe Marie. “A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909-1914 .” 2011. Web. 13 Oct 2019.

Vancouver:

Jones ZM. A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909-1914 . [Internet] [Thesis]. Duke University; 2011. [cited 2019 Oct 13]. Available from: http://hdl.handle.net/10161/4995.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Jones ZM. A Transnational Bohemia: Dandyism and the Dance in the Futurist Art of Gino Severini, 1909-1914 . [Thesis]. Duke University; 2011. Available from: http://hdl.handle.net/10161/4995

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Columbia University

22. Williams, Alena. Movement in Vision: Cinema, Aesthetics, and Modern German Culture, 1918-1933.

Degree: 2014, Columbia University

 This study addresses the intersection of the avant-garde and mass culture through a close reading of three singular works from the Weimar Republic in Germany.… (more)

Subjects/Keywords: Avant-garde (Aesthetics); Motion pictures; Art; German literature

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APA (6th Edition):

Williams, A. (2014). Movement in Vision: Cinema, Aesthetics, and Modern German Culture, 1918-1933. (Doctoral Dissertation). Columbia University. Retrieved from https://doi.org/10.7916/D8N29V45

Chicago Manual of Style (16th Edition):

Williams, Alena. “Movement in Vision: Cinema, Aesthetics, and Modern German Culture, 1918-1933.” 2014. Doctoral Dissertation, Columbia University. Accessed October 13, 2019. https://doi.org/10.7916/D8N29V45.

MLA Handbook (7th Edition):

Williams, Alena. “Movement in Vision: Cinema, Aesthetics, and Modern German Culture, 1918-1933.” 2014. Web. 13 Oct 2019.

Vancouver:

Williams A. Movement in Vision: Cinema, Aesthetics, and Modern German Culture, 1918-1933. [Internet] [Doctoral dissertation]. Columbia University; 2014. [cited 2019 Oct 13]. Available from: https://doi.org/10.7916/D8N29V45.

Council of Science Editors:

Williams A. Movement in Vision: Cinema, Aesthetics, and Modern German Culture, 1918-1933. [Doctoral Dissertation]. Columbia University; 2014. Available from: https://doi.org/10.7916/D8N29V45


University of New South Wales

23. Dorabialski, Kuba. News from elsewhere: a constellation of avant-garde cinemas and my place in It.

Degree: Art, 2017, University of New South Wales

 In the second half of the 1970s, two Francophone filmmakers each made a film which was to define a significant milestone in the histories of… (more)

Subjects/Keywords: Essay film; Experimental film; Avant garde; Video art

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APA (6th Edition):

Dorabialski, K. (2017). News from elsewhere: a constellation of avant-garde cinemas and my place in It. (Masters Thesis). University of New South Wales. Retrieved from http://handle.unsw.edu.au/1959.4/59506 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:48810/SOURCE01?view=true

Chicago Manual of Style (16th Edition):

Dorabialski, Kuba. “News from elsewhere: a constellation of avant-garde cinemas and my place in It.” 2017. Masters Thesis, University of New South Wales. Accessed October 13, 2019. http://handle.unsw.edu.au/1959.4/59506 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:48810/SOURCE01?view=true.

MLA Handbook (7th Edition):

Dorabialski, Kuba. “News from elsewhere: a constellation of avant-garde cinemas and my place in It.” 2017. Web. 13 Oct 2019.

Vancouver:

Dorabialski K. News from elsewhere: a constellation of avant-garde cinemas and my place in It. [Internet] [Masters thesis]. University of New South Wales; 2017. [cited 2019 Oct 13]. Available from: http://handle.unsw.edu.au/1959.4/59506 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:48810/SOURCE01?view=true.

Council of Science Editors:

Dorabialski K. News from elsewhere: a constellation of avant-garde cinemas and my place in It. [Masters Thesis]. University of New South Wales; 2017. Available from: http://handle.unsw.edu.au/1959.4/59506 ; https://unsworks.unsw.edu.au/fapi/datastream/unsworks:48810/SOURCE01?view=true


University of Cambridge

24. Willaman Baltaxe, Cinthia. From Cubism to Non-Objective Art: Sonia and Robert Delaunay's Exchange with Russian Artists .

Degree: 2019, University of Cambridge

 This dissertation examines the early history and development of Cubism, Orphism and Non-Objective art through the artistic exchange between Sonia and Robert Delaunay and Russian… (more)

Subjects/Keywords: Orphism; Non-Objective Art; Cubism; Russian Avant-Garde; Delaunay

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APA (6th Edition):

Willaman Baltaxe, C. (2019). From Cubism to Non-Objective Art: Sonia and Robert Delaunay's Exchange with Russian Artists . (Thesis). University of Cambridge. Retrieved from https://www.repository.cam.ac.uk/handle/1810/291334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Willaman Baltaxe, Cinthia. “From Cubism to Non-Objective Art: Sonia and Robert Delaunay's Exchange with Russian Artists .” 2019. Thesis, University of Cambridge. Accessed October 13, 2019. https://www.repository.cam.ac.uk/handle/1810/291334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Willaman Baltaxe, Cinthia. “From Cubism to Non-Objective Art: Sonia and Robert Delaunay's Exchange with Russian Artists .” 2019. Web. 13 Oct 2019.

Vancouver:

Willaman Baltaxe C. From Cubism to Non-Objective Art: Sonia and Robert Delaunay's Exchange with Russian Artists . [Internet] [Thesis]. University of Cambridge; 2019. [cited 2019 Oct 13]. Available from: https://www.repository.cam.ac.uk/handle/1810/291334.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Willaman Baltaxe C. From Cubism to Non-Objective Art: Sonia and Robert Delaunay's Exchange with Russian Artists . [Thesis]. University of Cambridge; 2019. Available from: https://www.repository.cam.ac.uk/handle/1810/291334

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

25. Bryzgel, Amy. New avant-gardes in Eastern Europe and Russia, 1987-1999.

Degree: PhD, Art History, 2008, Rutgers University

This dissertation examines the resurgence of avant-garde art in the work of three performance artists from different post-communist countries under the Soviet sphere of influence:… (more)

Subjects/Keywords: Avant-garde (Aesthetics); Modernism (Art)

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APA (6th Edition):

Bryzgel, A. (2008). New avant-gardes in Eastern Europe and Russia, 1987-1999. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17283

Chicago Manual of Style (16th Edition):

Bryzgel, Amy. “New avant-gardes in Eastern Europe and Russia, 1987-1999.” 2008. Doctoral Dissertation, Rutgers University. Accessed October 13, 2019. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17283.

MLA Handbook (7th Edition):

Bryzgel, Amy. “New avant-gardes in Eastern Europe and Russia, 1987-1999.” 2008. Web. 13 Oct 2019.

Vancouver:

Bryzgel A. New avant-gardes in Eastern Europe and Russia, 1987-1999. [Internet] [Doctoral dissertation]. Rutgers University; 2008. [cited 2019 Oct 13]. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17283.

Council of Science Editors:

Bryzgel A. New avant-gardes in Eastern Europe and Russia, 1987-1999. [Doctoral Dissertation]. Rutgers University; 2008. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17283


Florida Atlantic University

26. Henson, Jacob. Flotsam.

Degree: M.F.A., 2011, Florida Atlantic University

Summary: Flotsam is a collection of writing. Flotsam examines divisions of the self. Flotsam is made of fiction, nonfiction, and visual representations of both. Flotsam is made of the truth. Flotsam is made of lies. Flotsam is pretty. Flotsam is a beast.

Electronic reproduction. Boca Raton, Fla., 2011.

Subjects/Keywords: Symbolism in literature; Avant-garde (Aesthetics); Symbolism in art; Postmodernism

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APA (6th Edition):

Henson, J. (2011). Flotsam. (Masters Thesis). Florida Atlantic University. Retrieved from http://purl.flvc.org/FAU/3338856

Chicago Manual of Style (16th Edition):

Henson, Jacob. “Flotsam.” 2011. Masters Thesis, Florida Atlantic University. Accessed October 13, 2019. http://purl.flvc.org/FAU/3338856.

MLA Handbook (7th Edition):

Henson, Jacob. “Flotsam.” 2011. Web. 13 Oct 2019.

Vancouver:

Henson J. Flotsam. [Internet] [Masters thesis]. Florida Atlantic University; 2011. [cited 2019 Oct 13]. Available from: http://purl.flvc.org/FAU/3338856.

Council of Science Editors:

Henson J. Flotsam. [Masters Thesis]. Florida Atlantic University; 2011. Available from: http://purl.flvc.org/FAU/3338856


University of Michigan

27. Graber, Lauren A. Gruppe SPUR and Gruppe GEFLECHT: Art and Dissent in West Germany, 1957-1968.

Degree: PhD, History of Art, 2012, University of Michigan

 This dissertation investigates the diverse interventionist art practices of Gruppe SPUR and Gruppe GEFLECHT. The artists pushed the boundaries of freedom of expression and explored… (more)

Subjects/Keywords: Germany; Cold War; Collaborative Art; Avant-Garde; Art and Politics; Situationist International; Art History; Arts

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APA (6th Edition):

Graber, L. A. (2012). Gruppe SPUR and Gruppe GEFLECHT: Art and Dissent in West Germany, 1957-1968. (Doctoral Dissertation). University of Michigan. Retrieved from http://hdl.handle.net/2027.42/96176

Chicago Manual of Style (16th Edition):

Graber, Lauren A. “Gruppe SPUR and Gruppe GEFLECHT: Art and Dissent in West Germany, 1957-1968.” 2012. Doctoral Dissertation, University of Michigan. Accessed October 13, 2019. http://hdl.handle.net/2027.42/96176.

MLA Handbook (7th Edition):

Graber, Lauren A. “Gruppe SPUR and Gruppe GEFLECHT: Art and Dissent in West Germany, 1957-1968.” 2012. Web. 13 Oct 2019.

Vancouver:

Graber LA. Gruppe SPUR and Gruppe GEFLECHT: Art and Dissent in West Germany, 1957-1968. [Internet] [Doctoral dissertation]. University of Michigan; 2012. [cited 2019 Oct 13]. Available from: http://hdl.handle.net/2027.42/96176.

Council of Science Editors:

Graber LA. Gruppe SPUR and Gruppe GEFLECHT: Art and Dissent in West Germany, 1957-1968. [Doctoral Dissertation]. University of Michigan; 2012. Available from: http://hdl.handle.net/2027.42/96176


Georgia State University

28. Hunt, Laura A. From Performer to Petrushka: A Decade of Alexandra Exter's Work in Theater and Film.

Degree: MA, Art and Design, 2011, Georgia State University

  The subject of my thesis is Russian artist Alexandra Exter’s work in the performing arts, with a focus on her theatrical set and costume… (more)

Subjects/Keywords: Alexandra Exter; Russian art; Russian avant-garde; Constructivism; Russian Theater; Marionette; Art and Design

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APA (6th Edition):

Hunt, L. A. (2011). From Performer to Petrushka: A Decade of Alexandra Exter's Work in Theater and Film. (Thesis). Georgia State University. Retrieved from https://scholarworks.gsu.edu/art_design_theses/70

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hunt, Laura A. “From Performer to Petrushka: A Decade of Alexandra Exter's Work in Theater and Film.” 2011. Thesis, Georgia State University. Accessed October 13, 2019. https://scholarworks.gsu.edu/art_design_theses/70.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hunt, Laura A. “From Performer to Petrushka: A Decade of Alexandra Exter's Work in Theater and Film.” 2011. Web. 13 Oct 2019.

Vancouver:

Hunt LA. From Performer to Petrushka: A Decade of Alexandra Exter's Work in Theater and Film. [Internet] [Thesis]. Georgia State University; 2011. [cited 2019 Oct 13]. Available from: https://scholarworks.gsu.edu/art_design_theses/70.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hunt LA. From Performer to Petrushka: A Decade of Alexandra Exter's Work in Theater and Film. [Thesis]. Georgia State University; 2011. Available from: https://scholarworks.gsu.edu/art_design_theses/70

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

29. Ritter, Gabriel Richard. Beyond Surrealism: Kitawaki Noboru and the Avant-Garde During Wartime Japan, 1931-1951.

Degree: Art History, 2016, UCLA

 This dissertation traces the life and work of the artist Kitawaki Noboru (1901-1951), utilizing his story as a case study to explore issues related to… (more)

Subjects/Keywords: Art history; Asian history; Asian studies; Art; Avant-Garde; Japan; Japanese Surrealism; Kitawaki Noboru; Surrealism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ritter, G. R. (2016). Beyond Surrealism: Kitawaki Noboru and the Avant-Garde During Wartime Japan, 1931-1951. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/6qh1z17j

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ritter, Gabriel Richard. “Beyond Surrealism: Kitawaki Noboru and the Avant-Garde During Wartime Japan, 1931-1951.” 2016. Thesis, UCLA. Accessed October 13, 2019. http://www.escholarship.org/uc/item/6qh1z17j.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ritter, Gabriel Richard. “Beyond Surrealism: Kitawaki Noboru and the Avant-Garde During Wartime Japan, 1931-1951.” 2016. Web. 13 Oct 2019.

Vancouver:

Ritter GR. Beyond Surrealism: Kitawaki Noboru and the Avant-Garde During Wartime Japan, 1931-1951. [Internet] [Thesis]. UCLA; 2016. [cited 2019 Oct 13]. Available from: http://www.escholarship.org/uc/item/6qh1z17j.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ritter GR. Beyond Surrealism: Kitawaki Noboru and the Avant-Garde During Wartime Japan, 1931-1951. [Thesis]. UCLA; 2016. Available from: http://www.escholarship.org/uc/item/6qh1z17j

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

30. Harren, Natilee Omann. Objects Without Object: The Artwork in Flux, 1958-1969.

Degree: Art History, 2013, UCLA

 This dissertation examines the late-20th-century transformation of the art object through the practice of Fluxus, an international, neo-avant-garde artist collective founded in 1962 and centered… (more)

Subjects/Keywords: Art history; Art criticism; Multimedia; event score; Fluxus; intermedia; multiple; neo-avant-garde; post-medium

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Harren, N. O. (2013). Objects Without Object: The Artwork in Flux, 1958-1969. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/57q9d2m9

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Harren, Natilee Omann. “Objects Without Object: The Artwork in Flux, 1958-1969.” 2013. Thesis, UCLA. Accessed October 13, 2019. http://www.escholarship.org/uc/item/57q9d2m9.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Harren, Natilee Omann. “Objects Without Object: The Artwork in Flux, 1958-1969.” 2013. Web. 13 Oct 2019.

Vancouver:

Harren NO. Objects Without Object: The Artwork in Flux, 1958-1969. [Internet] [Thesis]. UCLA; 2013. [cited 2019 Oct 13]. Available from: http://www.escholarship.org/uc/item/57q9d2m9.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Harren NO. Objects Without Object: The Artwork in Flux, 1958-1969. [Thesis]. UCLA; 2013. Available from: http://www.escholarship.org/uc/item/57q9d2m9

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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