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You searched for subject:( 20th C Latin American Art). Showing records 1 – 30 of 71292 total matches.

[1] [2] [3] [4] [5] … [2377]

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Cornell University

1. Benezra, Karen. A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile .

Degree: 2013, Cornell University

 This dissertation studies the purported political radicalization of experimental art and design in the late 1960s and 1970s in Argentina, Mexico and Chile. Through the… (more)

Subjects/Keywords: avant-garde; conceptual art; 20th C. Latin American Art; Politics; Psychoanalysis

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Benezra, K. (2013). A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile . (Thesis). Cornell University. Retrieved from http://hdl.handle.net/1813/34287

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Benezra, Karen. “A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile .” 2013. Thesis, Cornell University. Accessed November 21, 2019. http://hdl.handle.net/1813/34287.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Benezra, Karen. “A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile .” 2013. Web. 21 Nov 2019.

Vancouver:

Benezra K. A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile . [Internet] [Thesis]. Cornell University; 2013. [cited 2019 Nov 21]. Available from: http://hdl.handle.net/1813/34287.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Benezra K. A Semblance Of Politics: The Dematerialization Of Art And Labor In Argentina, Mexico And Chile . [Thesis]. Cornell University; 2013. Available from: http://hdl.handle.net/1813/34287

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Illinois – Urbana-Champaign

2. González, Maria Del Mar. The politics of display: identity and state at the San Juan Print Biennial, 1970-1981.

Degree: PhD, 0250, 2013, University of Illinois – Urbana-Champaign

 This dissertation, The Politics of Display: Identity and State at the San Juan Print Biennial, 1970-1981, is the first comprehensive study of the Bienal de… (more)

Subjects/Keywords: art biennials; art and politics; graphic arts; Puerto Rican art; Latin American art; 20th century art; cultural policy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

González, M. D. M. (2013). The politics of display: identity and state at the San Juan Print Biennial, 1970-1981. (Doctoral Dissertation). University of Illinois – Urbana-Champaign. Retrieved from http://hdl.handle.net/2142/45612

Chicago Manual of Style (16th Edition):

González, Maria Del Mar. “The politics of display: identity and state at the San Juan Print Biennial, 1970-1981.” 2013. Doctoral Dissertation, University of Illinois – Urbana-Champaign. Accessed November 21, 2019. http://hdl.handle.net/2142/45612.

MLA Handbook (7th Edition):

González, Maria Del Mar. “The politics of display: identity and state at the San Juan Print Biennial, 1970-1981.” 2013. Web. 21 Nov 2019.

Vancouver:

González MDM. The politics of display: identity and state at the San Juan Print Biennial, 1970-1981. [Internet] [Doctoral dissertation]. University of Illinois – Urbana-Champaign; 2013. [cited 2019 Nov 21]. Available from: http://hdl.handle.net/2142/45612.

Council of Science Editors:

González MDM. The politics of display: identity and state at the San Juan Print Biennial, 1970-1981. [Doctoral Dissertation]. University of Illinois – Urbana-Champaign; 2013. Available from: http://hdl.handle.net/2142/45612


University of California – Riverside

3. Palacios, Addison. Minority Intellectualism in America: Lives, Literature, and Institutions.

Degree: English, 2018, University of California – Riverside

 This dissertation investigates the experiences of prominent, minority intellectuals in American culture. To add nuance to critical accounts of American intellectuals that define that subject(more)

Subjects/Keywords: American literature; Ethnic studies; Latin American literature; 20th C. American History; Academia; Intellectuals; Minority Intellectualism; The Novel; University

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APA (6th Edition):

Palacios, A. (2018). Minority Intellectualism in America: Lives, Literature, and Institutions. (Thesis). University of California – Riverside. Retrieved from http://www.escholarship.org/uc/item/9h4956gx

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Palacios, Addison. “Minority Intellectualism in America: Lives, Literature, and Institutions.” 2018. Thesis, University of California – Riverside. Accessed November 21, 2019. http://www.escholarship.org/uc/item/9h4956gx.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Palacios, Addison. “Minority Intellectualism in America: Lives, Literature, and Institutions.” 2018. Web. 21 Nov 2019.

Vancouver:

Palacios A. Minority Intellectualism in America: Lives, Literature, and Institutions. [Internet] [Thesis]. University of California – Riverside; 2018. [cited 2019 Nov 21]. Available from: http://www.escholarship.org/uc/item/9h4956gx.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Palacios A. Minority Intellectualism in America: Lives, Literature, and Institutions. [Thesis]. University of California – Riverside; 2018. Available from: http://www.escholarship.org/uc/item/9h4956gx

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Rochester

4. Rodriguez-Sarmiento, Victor Manuel (1959 - ); Crimp, Douglas. Cold War legacies otherwise : Latin American art and art history in colonial times.

Degree: PhD, 2009, University of Rochester

Art historians and social scientists have understood the political and cultural struggles in Latin America during the sixties and seventies as an expression of the… (more)

Subjects/Keywords: Latin America Cold War; Latin American art; Latin American art history

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rodriguez-Sarmiento, V. M. (. -. (2009). Cold War legacies otherwise : Latin American art and art history in colonial times. (Doctoral Dissertation). University of Rochester. Retrieved from http://hdl.handle.net/1802/7702

Chicago Manual of Style (16th Edition):

Rodriguez-Sarmiento, Victor Manuel (1959 -. “Cold War legacies otherwise : Latin American art and art history in colonial times.” 2009. Doctoral Dissertation, University of Rochester. Accessed November 21, 2019. http://hdl.handle.net/1802/7702.

MLA Handbook (7th Edition):

Rodriguez-Sarmiento, Victor Manuel (1959 -. “Cold War legacies otherwise : Latin American art and art history in colonial times.” 2009. Web. 21 Nov 2019.

Vancouver:

Rodriguez-Sarmiento VM(-. Cold War legacies otherwise : Latin American art and art history in colonial times. [Internet] [Doctoral dissertation]. University of Rochester; 2009. [cited 2019 Nov 21]. Available from: http://hdl.handle.net/1802/7702.

Council of Science Editors:

Rodriguez-Sarmiento VM(-. Cold War legacies otherwise : Latin American art and art history in colonial times. [Doctoral Dissertation]. University of Rochester; 2009. Available from: http://hdl.handle.net/1802/7702

5. Drien Fabregas, Marcela Alejandra. Caupolican| Shaping the Image of National Identity in Chilean Public Art.

Degree: 2011, State University of New York at Stony Brook

  <i>Caupolicán</i>, the statue created in the nineteenth century by the Chilean sculptor Nicanor Plaza, is considered one of the most popular works of Chilean… (more)

Subjects/Keywords: Art History; Latin American Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Drien Fabregas, M. A. (2011). Caupolican| Shaping the Image of National Identity in Chilean Public Art. (Thesis). State University of New York at Stony Brook. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1496844

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Drien Fabregas, Marcela Alejandra. “Caupolican| Shaping the Image of National Identity in Chilean Public Art.” 2011. Thesis, State University of New York at Stony Brook. Accessed November 21, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1496844.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Drien Fabregas, Marcela Alejandra. “Caupolican| Shaping the Image of National Identity in Chilean Public Art.” 2011. Web. 21 Nov 2019.

Vancouver:

Drien Fabregas MA. Caupolican| Shaping the Image of National Identity in Chilean Public Art. [Internet] [Thesis]. State University of New York at Stony Brook; 2011. [cited 2019 Nov 21]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1496844.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Drien Fabregas MA. Caupolican| Shaping the Image of National Identity in Chilean Public Art. [Thesis]. State University of New York at Stony Brook; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1496844

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

6. Brown, Michael A. Portraiture in New Spain, 1600-1800| Painters, Patrons and Politics in Viceregal Mexico.

Degree: 2011, New York University

  This dissertation charts some of the most significant events for the development of portrait-painting in New Spain in order to shed light on a… (more)

Subjects/Keywords: History, Latin American; Art History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brown, M. A. (2011). Portraiture in New Spain, 1600-1800| Painters, Patrons and Politics in Viceregal Mexico. (Thesis). New York University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3445271

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brown, Michael A. “Portraiture in New Spain, 1600-1800| Painters, Patrons and Politics in Viceregal Mexico.” 2011. Thesis, New York University. Accessed November 21, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3445271.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brown, Michael A. “Portraiture in New Spain, 1600-1800| Painters, Patrons and Politics in Viceregal Mexico.” 2011. Web. 21 Nov 2019.

Vancouver:

Brown MA. Portraiture in New Spain, 1600-1800| Painters, Patrons and Politics in Viceregal Mexico. [Internet] [Thesis]. New York University; 2011. [cited 2019 Nov 21]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3445271.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brown MA. Portraiture in New Spain, 1600-1800| Painters, Patrons and Politics in Viceregal Mexico. [Thesis]. New York University; 2011. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3445271

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

7. Brodsky, Estrellita Bograd. Latin American artists in postwar Paris| Jesus Rafael Soto and Julio Le Parc, 1950 – 1970.

Degree: 2009, New York University

  This dissertation presents an alternative model for interpreting the work of Jesús Rafael Soto (Venezuelan, 1923-2005) and Julio Le Parc (Argentine, b. 1928), the… (more)

Subjects/Keywords: History, Latin American; Art History

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APA (6th Edition):

Brodsky, E. B. (2009). Latin American artists in postwar Paris| Jesus Rafael Soto and Julio Le Parc, 1950 – 1970. (Thesis). New York University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3360462

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brodsky, Estrellita Bograd. “Latin American artists in postwar Paris| Jesus Rafael Soto and Julio Le Parc, 1950 – 1970.” 2009. Thesis, New York University. Accessed November 21, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3360462.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brodsky, Estrellita Bograd. “Latin American artists in postwar Paris| Jesus Rafael Soto and Julio Le Parc, 1950 – 1970.” 2009. Web. 21 Nov 2019.

Vancouver:

Brodsky EB. Latin American artists in postwar Paris| Jesus Rafael Soto and Julio Le Parc, 1950 – 1970. [Internet] [Thesis]. New York University; 2009. [cited 2019 Nov 21]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3360462.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brodsky EB. Latin American artists in postwar Paris| Jesus Rafael Soto and Julio Le Parc, 1950 – 1970. [Thesis]. New York University; 2009. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3360462

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

8. Scott, Gabriella Boschi. Dismantling cultural hierarchies| A prefiguration of Mexican postmodernism in Enrique Guzman's paintings.

Degree: 2014, The University of Texas at San Antonio

  This thesis argues that Mexican painter Enrique Guzmán is a central figure in the transition between the Ruptura movement and postmodernism. Construed by many… (more)

Subjects/Keywords: Art History; Latin American Studies

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APA (6th Edition):

Scott, G. B. (2014). Dismantling cultural hierarchies| A prefiguration of Mexican postmodernism in Enrique Guzman's paintings. (Thesis). The University of Texas at San Antonio. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1556588

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Scott, Gabriella Boschi. “Dismantling cultural hierarchies| A prefiguration of Mexican postmodernism in Enrique Guzman's paintings.” 2014. Thesis, The University of Texas at San Antonio. Accessed November 21, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1556588.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Scott, Gabriella Boschi. “Dismantling cultural hierarchies| A prefiguration of Mexican postmodernism in Enrique Guzman's paintings.” 2014. Web. 21 Nov 2019.

Vancouver:

Scott GB. Dismantling cultural hierarchies| A prefiguration of Mexican postmodernism in Enrique Guzman's paintings. [Internet] [Thesis]. The University of Texas at San Antonio; 2014. [cited 2019 Nov 21]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1556588.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Scott GB. Dismantling cultural hierarchies| A prefiguration of Mexican postmodernism in Enrique Guzman's paintings. [Thesis]. The University of Texas at San Antonio; 2014. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1556588

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

9. Rivas, Carlos Anilber. Fabricating History: The Codex Mendoza and Manuscript Production during the Founding of New Spain.

Degree: Art History, 2013, UCLA

 This thesis examines the historiography of the Codex Mendoza, one of the earliest surviving and most important manuscripts produced in Mexico after the conquest. In… (more)

Subjects/Keywords: Art history; Latin American history

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rivas, C. A. (2013). Fabricating History: The Codex Mendoza and Manuscript Production during the Founding of New Spain. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/9d63w9m0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rivas, Carlos Anilber. “Fabricating History: The Codex Mendoza and Manuscript Production during the Founding of New Spain.” 2013. Thesis, UCLA. Accessed November 21, 2019. http://www.escholarship.org/uc/item/9d63w9m0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rivas, Carlos Anilber. “Fabricating History: The Codex Mendoza and Manuscript Production during the Founding of New Spain.” 2013. Web. 21 Nov 2019.

Vancouver:

Rivas CA. Fabricating History: The Codex Mendoza and Manuscript Production during the Founding of New Spain. [Internet] [Thesis]. UCLA; 2013. [cited 2019 Nov 21]. Available from: http://www.escholarship.org/uc/item/9d63w9m0.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rivas CA. Fabricating History: The Codex Mendoza and Manuscript Production during the Founding of New Spain. [Thesis]. UCLA; 2013. Available from: http://www.escholarship.org/uc/item/9d63w9m0

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Baylor University

10. Witt, Amber L. La imagen de la nostalgia en la novela latinoamericana de mediados del siglo XX.

Degree: Spanish., 2011, Baylor University

 En base a un acercamiento ecléctico que percibe la literatura como una expresión simbólica de crítica social, en esta tesis se considera la nostalgia como… (more)

Subjects/Keywords: Latin American literature.; Nostalgia.; 20th century.

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APA (6th Edition):

Witt, A. L. (2011). La imagen de la nostalgia en la novela latinoamericana de mediados del siglo XX. (Thesis). Baylor University. Retrieved from http://hdl.handle.net/2104/8180

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Witt, Amber L. “La imagen de la nostalgia en la novela latinoamericana de mediados del siglo XX. ” 2011. Thesis, Baylor University. Accessed November 21, 2019. http://hdl.handle.net/2104/8180.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Witt, Amber L. “La imagen de la nostalgia en la novela latinoamericana de mediados del siglo XX. ” 2011. Web. 21 Nov 2019.

Vancouver:

Witt AL. La imagen de la nostalgia en la novela latinoamericana de mediados del siglo XX. [Internet] [Thesis]. Baylor University; 2011. [cited 2019 Nov 21]. Available from: http://hdl.handle.net/2104/8180.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Witt AL. La imagen de la nostalgia en la novela latinoamericana de mediados del siglo XX. [Thesis]. Baylor University; 2011. Available from: http://hdl.handle.net/2104/8180

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

11. Kluck, Marielos C. You are What You Read| Participation and Emancipation Problematized in Habacuc's Exposicion1.

Degree: 2017, California State University, Long Beach

  Conceptualized by Costa Rican artist Guillermo Vargas Jiménez (known as Habacuc), <i>Exposición1</i> [Exposition #1](or its more infamous moniker “starving dog art”)(2007) operates as a… (more)

Subjects/Keywords: Art criticism; Art history; Latin American studies

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APA (6th Edition):

Kluck, M. C. (2017). You are What You Read| Participation and Emancipation Problematized in Habacuc's Exposicion1. (Thesis). California State University, Long Beach. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10604666

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kluck, Marielos C. “You are What You Read| Participation and Emancipation Problematized in Habacuc's Exposicion1.” 2017. Thesis, California State University, Long Beach. Accessed November 21, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10604666.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kluck, Marielos C. “You are What You Read| Participation and Emancipation Problematized in Habacuc's Exposicion1.” 2017. Web. 21 Nov 2019.

Vancouver:

Kluck MC. You are What You Read| Participation and Emancipation Problematized in Habacuc's Exposicion1. [Internet] [Thesis]. California State University, Long Beach; 2017. [cited 2019 Nov 21]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10604666.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kluck MC. You are What You Read| Participation and Emancipation Problematized in Habacuc's Exposicion1. [Thesis]. California State University, Long Beach; 2017. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10604666

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


UCLA

12. McHugh, Julia Katarina. Dressing Andean Spaces: Textiles, Painting, and Architecture in the Colonial Imagination.

Degree: Art History, 2017, UCLA

 This dissertation addresses the striking preoccupation with textiles in colonial Peru. Both as luxury goods in domestic and sacred interiors and as a key focus… (more)

Subjects/Keywords: Art history; Latin American studies; Latin American history; Andes; Colonial art; Communication and the arts; Latin American art; Peru; Textiles

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

McHugh, J. K. (2017). Dressing Andean Spaces: Textiles, Painting, and Architecture in the Colonial Imagination. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/1xq304q1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

McHugh, Julia Katarina. “Dressing Andean Spaces: Textiles, Painting, and Architecture in the Colonial Imagination.” 2017. Thesis, UCLA. Accessed November 21, 2019. http://www.escholarship.org/uc/item/1xq304q1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

McHugh, Julia Katarina. “Dressing Andean Spaces: Textiles, Painting, and Architecture in the Colonial Imagination.” 2017. Web. 21 Nov 2019.

Vancouver:

McHugh JK. Dressing Andean Spaces: Textiles, Painting, and Architecture in the Colonial Imagination. [Internet] [Thesis]. UCLA; 2017. [cited 2019 Nov 21]. Available from: http://www.escholarship.org/uc/item/1xq304q1.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

McHugh JK. Dressing Andean Spaces: Textiles, Painting, and Architecture in the Colonial Imagination. [Thesis]. UCLA; 2017. Available from: http://www.escholarship.org/uc/item/1xq304q1

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

13. Perez Gavilan, Ana Isabel. The Via Crucis in eighteenth-century New Spain| Innovative practices in the sanctuary of Jesus of Nazareth at Atotonilco, Guanajuato.

Degree: 2010, State University of New York at Binghamton

  This study focuses on the sanctuary of Jesus of Nazareth at Atotonilco (1740–1776), Guanajuato, in central Mexico, and its adjacent House for the performance… (more)

Subjects/Keywords: Religion, History of; History, Latin American; Art History; Latin American Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Perez Gavilan, A. I. (2010). The Via Crucis in eighteenth-century New Spain| Innovative practices in the sanctuary of Jesus of Nazareth at Atotonilco, Guanajuato. (Thesis). State University of New York at Binghamton. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3412038

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Perez Gavilan, Ana Isabel. “The Via Crucis in eighteenth-century New Spain| Innovative practices in the sanctuary of Jesus of Nazareth at Atotonilco, Guanajuato.” 2010. Thesis, State University of New York at Binghamton. Accessed November 21, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3412038.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Perez Gavilan, Ana Isabel. “The Via Crucis in eighteenth-century New Spain| Innovative practices in the sanctuary of Jesus of Nazareth at Atotonilco, Guanajuato.” 2010. Web. 21 Nov 2019.

Vancouver:

Perez Gavilan AI. The Via Crucis in eighteenth-century New Spain| Innovative practices in the sanctuary of Jesus of Nazareth at Atotonilco, Guanajuato. [Internet] [Thesis]. State University of New York at Binghamton; 2010. [cited 2019 Nov 21]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3412038.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Perez Gavilan AI. The Via Crucis in eighteenth-century New Spain| Innovative practices in the sanctuary of Jesus of Nazareth at Atotonilco, Guanajuato. [Thesis]. State University of New York at Binghamton; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3412038

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

14. Delgado Velazquez, Humberto. El centro del Centro: Ficción e ilusión en el Zócalo de la Ciudad de México.

Degree: PhD, 2017, Harvard University

 This study analyzes artistic and cultural productions that have contributed to the construction of Mexican national identity through references to the central national space with… (more)

Subjects/Keywords: Literature, Latin American; Art History; History, Latin American

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Delgado Velazquez, H. (2017). El centro del Centro: Ficción e ilusión en el Zócalo de la Ciudad de México. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:40046563

Chicago Manual of Style (16th Edition):

Delgado Velazquez, Humberto. “El centro del Centro: Ficción e ilusión en el Zócalo de la Ciudad de México.” 2017. Doctoral Dissertation, Harvard University. Accessed November 21, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:40046563.

MLA Handbook (7th Edition):

Delgado Velazquez, Humberto. “El centro del Centro: Ficción e ilusión en el Zócalo de la Ciudad de México.” 2017. Web. 21 Nov 2019.

Vancouver:

Delgado Velazquez H. El centro del Centro: Ficción e ilusión en el Zócalo de la Ciudad de México. [Internet] [Doctoral dissertation]. Harvard University; 2017. [cited 2019 Nov 21]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:40046563.

Council of Science Editors:

Delgado Velazquez H. El centro del Centro: Ficción e ilusión en el Zócalo de la Ciudad de México. [Doctoral Dissertation]. Harvard University; 2017. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:40046563


University of California – Berkeley

15. Stair, Jessica J. Indigenous Literacies in the Techialoyan Manuscripts of New Spain.

Degree: History of Art, 2018, University of California – Berkeley

 Though alphabetic script had become a prevailing communicative form for keeping records and recounting histories in New Spain by the turn of the seventeenth century,… (more)

Subjects/Keywords: Art history; Latin American studies; Latin American history; New Spain; Techialoyan

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Stair, J. J. (2018). Indigenous Literacies in the Techialoyan Manuscripts of New Spain. (Thesis). University of California – Berkeley. Retrieved from http://www.escholarship.org/uc/item/0p87f5zh

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Stair, Jessica J. “Indigenous Literacies in the Techialoyan Manuscripts of New Spain.” 2018. Thesis, University of California – Berkeley. Accessed November 21, 2019. http://www.escholarship.org/uc/item/0p87f5zh.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Stair, Jessica J. “Indigenous Literacies in the Techialoyan Manuscripts of New Spain.” 2018. Web. 21 Nov 2019.

Vancouver:

Stair JJ. Indigenous Literacies in the Techialoyan Manuscripts of New Spain. [Internet] [Thesis]. University of California – Berkeley; 2018. [cited 2019 Nov 21]. Available from: http://www.escholarship.org/uc/item/0p87f5zh.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Stair JJ. Indigenous Literacies in the Techialoyan Manuscripts of New Spain. [Thesis]. University of California – Berkeley; 2018. Available from: http://www.escholarship.org/uc/item/0p87f5zh

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Emory University

16. Brannen, Laura M. Latin American nationalist narratives in transition| Museums of Mexico, Guatemala, and Costa Rica.

Degree: 2008, Emory University

  The national museums of Mexico, Guatemala, and Costa Rica offer insight into Latin American initiatives for creating unified nations from diverse populations. Mexico has… (more)

Subjects/Keywords: History, Latin American; Art History; Museology

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brannen, L. M. (2008). Latin American nationalist narratives in transition| Museums of Mexico, Guatemala, and Costa Rica. (Thesis). Emory University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1452201

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brannen, Laura M. “Latin American nationalist narratives in transition| Museums of Mexico, Guatemala, and Costa Rica.” 2008. Thesis, Emory University. Accessed November 21, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1452201.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brannen, Laura M. “Latin American nationalist narratives in transition| Museums of Mexico, Guatemala, and Costa Rica.” 2008. Web. 21 Nov 2019.

Vancouver:

Brannen LM. Latin American nationalist narratives in transition| Museums of Mexico, Guatemala, and Costa Rica. [Internet] [Thesis]. Emory University; 2008. [cited 2019 Nov 21]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1452201.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brannen LM. Latin American nationalist narratives in transition| Museums of Mexico, Guatemala, and Costa Rica. [Thesis]. Emory University; 2008. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1452201

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

17. Viscoli, Miranda. The revolution of Maria Izquierdo| Constructs of gender and nation in the artist's female figures.

Degree: 2010, California State University, Long Beach

  This thesis explores how the Mexican painter María Izquierdo used the medium of painting to create an original and disruptive visual iconography that allows… (more)

Subjects/Keywords: History, Latin American; Art History; Women's Studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Viscoli, M. (2010). The revolution of Maria Izquierdo| Constructs of gender and nation in the artist's female figures. (Thesis). California State University, Long Beach. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=1481598

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Viscoli, Miranda. “The revolution of Maria Izquierdo| Constructs of gender and nation in the artist's female figures.” 2010. Thesis, California State University, Long Beach. Accessed November 21, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=1481598.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Viscoli, Miranda. “The revolution of Maria Izquierdo| Constructs of gender and nation in the artist's female figures.” 2010. Web. 21 Nov 2019.

Vancouver:

Viscoli M. The revolution of Maria Izquierdo| Constructs of gender and nation in the artist's female figures. [Internet] [Thesis]. California State University, Long Beach; 2010. [cited 2019 Nov 21]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1481598.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Viscoli M. The revolution of Maria Izquierdo| Constructs of gender and nation in the artist's female figures. [Thesis]. California State University, Long Beach; 2010. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=1481598

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Yale University

18. Brittenham, Claudia Lozoff. The Cacaxtla painting tradition| Art and identity in epiclassic Mexico.

Degree: 2008, Yale University

  During the tumultuous period between A.D. 650 and 950, artists at the Central Mexican city of Cacaxtla produced a series of murals that bear… (more)

Subjects/Keywords: Anthropology, Archaeology; History, Latin American; Art History

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Brittenham, C. L. (2008). The Cacaxtla painting tradition| Art and identity in epiclassic Mexico. (Thesis). Yale University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=3317260

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Brittenham, Claudia Lozoff. “The Cacaxtla painting tradition| Art and identity in epiclassic Mexico.” 2008. Thesis, Yale University. Accessed November 21, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=3317260.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Brittenham, Claudia Lozoff. “The Cacaxtla painting tradition| Art and identity in epiclassic Mexico.” 2008. Web. 21 Nov 2019.

Vancouver:

Brittenham CL. The Cacaxtla painting tradition| Art and identity in epiclassic Mexico. [Internet] [Thesis]. Yale University; 2008. [cited 2019 Nov 21]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3317260.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Brittenham CL. The Cacaxtla painting tradition| Art and identity in epiclassic Mexico. [Thesis]. Yale University; 2008. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=3317260

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of California – San Diego

19. Azarova, Mayya. Maya jade T-shape pendants within Mesoamerican wind-jewel tradition.

Degree: Anthropology, 2016, University of California – San Diego

 Jade is a general term for two distinct minerals – jadeite and nephrite. There is no evidence yet of nephrite exploitation by the ancient Maya,… (more)

Subjects/Keywords: Archaeology; Latin American studies; Art history

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Azarova, M. (2016). Maya jade T-shape pendants within Mesoamerican wind-jewel tradition. (Thesis). University of California – San Diego. Retrieved from http://www.escholarship.org/uc/item/7s96b4gh

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Azarova, Mayya. “Maya jade T-shape pendants within Mesoamerican wind-jewel tradition.” 2016. Thesis, University of California – San Diego. Accessed November 21, 2019. http://www.escholarship.org/uc/item/7s96b4gh.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Azarova, Mayya. “Maya jade T-shape pendants within Mesoamerican wind-jewel tradition.” 2016. Web. 21 Nov 2019.

Vancouver:

Azarova M. Maya jade T-shape pendants within Mesoamerican wind-jewel tradition. [Internet] [Thesis]. University of California – San Diego; 2016. [cited 2019 Nov 21]. Available from: http://www.escholarship.org/uc/item/7s96b4gh.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Azarova M. Maya jade T-shape pendants within Mesoamerican wind-jewel tradition. [Thesis]. University of California – San Diego; 2016. Available from: http://www.escholarship.org/uc/item/7s96b4gh

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

20. Seawright, Max. Bodies of Books: Literary Illustration in Twentieth Century Brazil.

Degree: 2017, Harvard University

This dissertation explores the nature and role of literary illustrations twentieth century Brazil, not just in relation to their companion texts, but also in what… (more)

Subjects/Keywords: Literature, Romance; Art History; History, Latin American

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Seawright, M. (2017). Bodies of Books: Literary Illustration in Twentieth Century Brazil. (Thesis). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:37945017

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Seawright, Max. “Bodies of Books: Literary Illustration in Twentieth Century Brazil.” 2017. Thesis, Harvard University. Accessed November 21, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:37945017.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Seawright, Max. “Bodies of Books: Literary Illustration in Twentieth Century Brazil.” 2017. Web. 21 Nov 2019.

Vancouver:

Seawright M. Bodies of Books: Literary Illustration in Twentieth Century Brazil. [Internet] [Thesis]. Harvard University; 2017. [cited 2019 Nov 21]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:37945017.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Seawright M. Bodies of Books: Literary Illustration in Twentieth Century Brazil. [Thesis]. Harvard University; 2017. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:37945017

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

21. Hole, Yukiko. The Art of David Lamelas| Constructions of Time.

Degree: 2019, California State University, Long Beach

  David Lamelas’s life-long research projects have included examinations of social phenomena. The artist takes interest in the dynamics of mass communication and media, urban… (more)

Subjects/Keywords: Art history; Latin American studies; Film studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hole, Y. (2019). The Art of David Lamelas| Constructions of Time. (Thesis). California State University, Long Beach. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10977417

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hole, Yukiko. “The Art of David Lamelas| Constructions of Time.” 2019. Thesis, California State University, Long Beach. Accessed November 21, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10977417.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hole, Yukiko. “The Art of David Lamelas| Constructions of Time.” 2019. Web. 21 Nov 2019.

Vancouver:

Hole Y. The Art of David Lamelas| Constructions of Time. [Internet] [Thesis]. California State University, Long Beach; 2019. [cited 2019 Nov 21]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10977417.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hole Y. The Art of David Lamelas| Constructions of Time. [Thesis]. California State University, Long Beach; 2019. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10977417

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Harvard University

22. Duarte Riascos, Jeronimo. Almost the Same but Not Quite - the Prosthetic Condition in Latin American Artistic Practices.

Degree: PhD, 2018, Harvard University

My dissertation studies works of art that simultaneously feature literary and visual components, and that were produced in Latin America after 1980. To approach them,… (more)

Subjects/Keywords: Literature, Latin American; Art History; Philosophy

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Duarte Riascos, J. (2018). Almost the Same but Not Quite - the Prosthetic Condition in Latin American Artistic Practices. (Doctoral Dissertation). Harvard University. Retrieved from http://nrs.harvard.edu/urn-3:HUL.InstRepos:39947200

Chicago Manual of Style (16th Edition):

Duarte Riascos, Jeronimo. “Almost the Same but Not Quite - the Prosthetic Condition in Latin American Artistic Practices.” 2018. Doctoral Dissertation, Harvard University. Accessed November 21, 2019. http://nrs.harvard.edu/urn-3:HUL.InstRepos:39947200.

MLA Handbook (7th Edition):

Duarte Riascos, Jeronimo. “Almost the Same but Not Quite - the Prosthetic Condition in Latin American Artistic Practices.” 2018. Web. 21 Nov 2019.

Vancouver:

Duarte Riascos J. Almost the Same but Not Quite - the Prosthetic Condition in Latin American Artistic Practices. [Internet] [Doctoral dissertation]. Harvard University; 2018. [cited 2019 Nov 21]. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:39947200.

Council of Science Editors:

Duarte Riascos J. Almost the Same but Not Quite - the Prosthetic Condition in Latin American Artistic Practices. [Doctoral Dissertation]. Harvard University; 2018. Available from: http://nrs.harvard.edu/urn-3:HUL.InstRepos:39947200


Oklahoma State University

23. Huffstetter, Olivia. From Sahagun to the Mainstream| Flawed Representations of Latin American Culture in Image and Text.

Degree: 2019, Oklahoma State University

  Early European travel literature was a prominent source from which information about the New World was presented to a general audience. Geographic regions situated… (more)

Subjects/Keywords: Art history; Latin American studies; Museum studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Huffstetter, O. (2019). From Sahagun to the Mainstream| Flawed Representations of Latin American Culture in Image and Text. (Thesis). Oklahoma State University. Retrieved from http://pqdtopen.proquest.com/#viewpdf?dispub=10808090

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Huffstetter, Olivia. “From Sahagun to the Mainstream| Flawed Representations of Latin American Culture in Image and Text.” 2019. Thesis, Oklahoma State University. Accessed November 21, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10808090.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Huffstetter, Olivia. “From Sahagun to the Mainstream| Flawed Representations of Latin American Culture in Image and Text.” 2019. Web. 21 Nov 2019.

Vancouver:

Huffstetter O. From Sahagun to the Mainstream| Flawed Representations of Latin American Culture in Image and Text. [Internet] [Thesis]. Oklahoma State University; 2019. [cited 2019 Nov 21]. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10808090.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Huffstetter O. From Sahagun to the Mainstream| Flawed Representations of Latin American Culture in Image and Text. [Thesis]. Oklahoma State University; 2019. Available from: http://pqdtopen.proquest.com/#viewpdf?dispub=10808090

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duke University

24. Suhey, Amanda Suhey. Documenting Chile: Visualizing Identity and the National Body from Dictatorship to Post-Dictatorship .

Degree: 2016, Duke University

  I study three contemporary Chilean works of visual culture that appropriate and re-assemble visual material, discourse, and atmosphere from the bureaucracy of the military… (more)

Subjects/Keywords: Latin American studies; Art history; Latin American literature; art; bureaucracy; chile; dictatorship; identity; visual studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Suhey, A. S. (2016). Documenting Chile: Visualizing Identity and the National Body from Dictatorship to Post-Dictatorship . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/13415

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Suhey, Amanda Suhey. “Documenting Chile: Visualizing Identity and the National Body from Dictatorship to Post-Dictatorship .” 2016. Thesis, Duke University. Accessed November 21, 2019. http://hdl.handle.net/10161/13415.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Suhey, Amanda Suhey. “Documenting Chile: Visualizing Identity and the National Body from Dictatorship to Post-Dictatorship .” 2016. Web. 21 Nov 2019.

Vancouver:

Suhey AS. Documenting Chile: Visualizing Identity and the National Body from Dictatorship to Post-Dictatorship . [Internet] [Thesis]. Duke University; 2016. [cited 2019 Nov 21]. Available from: http://hdl.handle.net/10161/13415.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Suhey AS. Documenting Chile: Visualizing Identity and the National Body from Dictatorship to Post-Dictatorship . [Thesis]. Duke University; 2016. Available from: http://hdl.handle.net/10161/13415

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Duke University

25. Maroja, Camila Santoro. Framing Latin American Art: Artists, Critics, Institutions and the Configuration of a Regional Identity .

Degree: 2015, Duke University

  This dissertation investigates how non-academic agents (i.e. artists, curators, and institutions) helped construct the current canon of Latin American art. It takes as case… (more)

Subjects/Keywords: Art history; Latin American studies; History; Art Criticism; Brazilian Art; Canonization; Contemporary Art; Critical Theory; Latin American Art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Maroja, C. S. (2015). Framing Latin American Art: Artists, Critics, Institutions and the Configuration of a Regional Identity . (Thesis). Duke University. Retrieved from http://hdl.handle.net/10161/10514

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Maroja, Camila Santoro. “Framing Latin American Art: Artists, Critics, Institutions and the Configuration of a Regional Identity .” 2015. Thesis, Duke University. Accessed November 21, 2019. http://hdl.handle.net/10161/10514.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Maroja, Camila Santoro. “Framing Latin American Art: Artists, Critics, Institutions and the Configuration of a Regional Identity .” 2015. Web. 21 Nov 2019.

Vancouver:

Maroja CS. Framing Latin American Art: Artists, Critics, Institutions and the Configuration of a Regional Identity . [Internet] [Thesis]. Duke University; 2015. [cited 2019 Nov 21]. Available from: http://hdl.handle.net/10161/10514.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Maroja CS. Framing Latin American Art: Artists, Critics, Institutions and the Configuration of a Regional Identity . [Thesis]. Duke University; 2015. Available from: http://hdl.handle.net/10161/10514

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Louisville

26. Ratliff, Jamie L. Visualizing female agency : space and gender in contemporary women's art in Mexico.

Degree: PhD, 2012, University of Louisville

 This dissertation outlines a theoretical model for contextualizing contemporary women's art practice in Mexico within the profound socioeconomic and political events that have taken place… (more)

Subjects/Keywords: Feminist art; Contemporary Mexico; Mexican art; Latin American art; Gender; Feminism

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Ratliff, J. L. (2012). Visualizing female agency : space and gender in contemporary women's art in Mexico. (Doctoral Dissertation). University of Louisville. Retrieved from 10.18297/etd/1184 ; https://ir.library.louisville.edu/etd/1184

Chicago Manual of Style (16th Edition):

Ratliff, Jamie L. “Visualizing female agency : space and gender in contemporary women's art in Mexico.” 2012. Doctoral Dissertation, University of Louisville. Accessed November 21, 2019. 10.18297/etd/1184 ; https://ir.library.louisville.edu/etd/1184.

MLA Handbook (7th Edition):

Ratliff, Jamie L. “Visualizing female agency : space and gender in contemporary women's art in Mexico.” 2012. Web. 21 Nov 2019.

Vancouver:

Ratliff JL. Visualizing female agency : space and gender in contemporary women's art in Mexico. [Internet] [Doctoral dissertation]. University of Louisville; 2012. [cited 2019 Nov 21]. Available from: 10.18297/etd/1184 ; https://ir.library.louisville.edu/etd/1184.

Council of Science Editors:

Ratliff JL. Visualizing female agency : space and gender in contemporary women's art in Mexico. [Doctoral Dissertation]. University of Louisville; 2012. Available from: 10.18297/etd/1184 ; https://ir.library.louisville.edu/etd/1184


University of California – Santa Cruz

27. Hobart, Aubrey. Treasures and Splendors: Exhibiting Colonial Latin American Art in U.S. Museums, 1920-2020.

Degree: Visual Studies, 2018, University of California – Santa Cruz

 Over the last century, art museums in the United States have mounted dozens of exhibitions of Colonial Latin American art, but their reasons for doing… (more)

Subjects/Keywords: Art history; Latin American studies; Museum studies; colonial; Latin America; museum

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APA (6th Edition):

Hobart, A. (2018). Treasures and Splendors: Exhibiting Colonial Latin American Art in U.S. Museums, 1920-2020. (Thesis). University of California – Santa Cruz. Retrieved from http://www.escholarship.org/uc/item/8rv8774d

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hobart, Aubrey. “Treasures and Splendors: Exhibiting Colonial Latin American Art in U.S. Museums, 1920-2020.” 2018. Thesis, University of California – Santa Cruz. Accessed November 21, 2019. http://www.escholarship.org/uc/item/8rv8774d.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hobart, Aubrey. “Treasures and Splendors: Exhibiting Colonial Latin American Art in U.S. Museums, 1920-2020.” 2018. Web. 21 Nov 2019.

Vancouver:

Hobart A. Treasures and Splendors: Exhibiting Colonial Latin American Art in U.S. Museums, 1920-2020. [Internet] [Thesis]. University of California – Santa Cruz; 2018. [cited 2019 Nov 21]. Available from: http://www.escholarship.org/uc/item/8rv8774d.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hobart A. Treasures and Splendors: Exhibiting Colonial Latin American Art in U.S. Museums, 1920-2020. [Thesis]. University of California – Santa Cruz; 2018. Available from: http://www.escholarship.org/uc/item/8rv8774d

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

28. Crousier, Elsa. Marta Traba ou l'art en écriture : recherches sur les dialogues entre littérature, critique d'art et arts plastiques dans l'oeuvre de Marta Traba : Marta Traba or the written art : researches on the dialogues between literature, art criticism and plastic arts in Marta Traba’s work.

Degree: Docteur es, Études ibériques et méditéranéennes, 2016, Lyon

Marta Traba (1923-1983), écrivaine et critique d’art argentino-colombienne, est principalement connue en Amérique latine pour ses écrits critiques, son engagement pour le développement de l’art(more)

Subjects/Keywords: Littérature latino-américaineXe siècle;

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Crousier, E. (2016). Marta Traba ou l'art en écriture : recherches sur les dialogues entre littérature, critique d'art et arts plastiques dans l'oeuvre de Marta Traba : Marta Traba or the written art : researches on the dialogues between literature, art criticism and plastic arts in Marta Traba’s work. (Doctoral Dissertation). Lyon. Retrieved from http://www.theses.fr/2016LYSE2125

Chicago Manual of Style (16th Edition):

Crousier, Elsa. “Marta Traba ou l'art en écriture : recherches sur les dialogues entre littérature, critique d'art et arts plastiques dans l'oeuvre de Marta Traba : Marta Traba or the written art : researches on the dialogues between literature, art criticism and plastic arts in Marta Traba’s work.” 2016. Doctoral Dissertation, Lyon. Accessed November 21, 2019. http://www.theses.fr/2016LYSE2125.

MLA Handbook (7th Edition):

Crousier, Elsa. “Marta Traba ou l'art en écriture : recherches sur les dialogues entre littérature, critique d'art et arts plastiques dans l'oeuvre de Marta Traba : Marta Traba or the written art : researches on the dialogues between literature, art criticism and plastic arts in Marta Traba’s work.” 2016. Web. 21 Nov 2019.

Vancouver:

Crousier E. Marta Traba ou l'art en écriture : recherches sur les dialogues entre littérature, critique d'art et arts plastiques dans l'oeuvre de Marta Traba : Marta Traba or the written art : researches on the dialogues between literature, art criticism and plastic arts in Marta Traba’s work. [Internet] [Doctoral dissertation]. Lyon; 2016. [cited 2019 Nov 21]. Available from: http://www.theses.fr/2016LYSE2125.

Council of Science Editors:

Crousier E. Marta Traba ou l'art en écriture : recherches sur les dialogues entre littérature, critique d'art et arts plastiques dans l'oeuvre de Marta Traba : Marta Traba or the written art : researches on the dialogues between literature, art criticism and plastic arts in Marta Traba’s work. [Doctoral Dissertation]. Lyon; 2016. Available from: http://www.theses.fr/2016LYSE2125


UCLA

29. Chavez, Yve. Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769.

Degree: Art History, 2017, UCLA

 This dissertation aims to place California Indian agency and artistry at the forefront of California mission art studies through close analysis of Chumash and Tongva… (more)

Subjects/Keywords: Art history; California Indian; California missions; decolonize; Latin American art; Native American art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Chavez, Y. (2017). Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769. (Thesis). UCLA. Retrieved from http://www.escholarship.org/uc/item/355609rf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Chavez, Yve. “Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769.” 2017. Thesis, UCLA. Accessed November 21, 2019. http://www.escholarship.org/uc/item/355609rf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Chavez, Yve. “Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769.” 2017. Web. 21 Nov 2019.

Vancouver:

Chavez Y. Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769. [Internet] [Thesis]. UCLA; 2017. [cited 2019 Nov 21]. Available from: http://www.escholarship.org/uc/item/355609rf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Chavez Y. Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769. [Thesis]. UCLA; 2017. Available from: http://www.escholarship.org/uc/item/355609rf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


Rutgers University

30. Gustafson, Donna. At home in the 60s: images of the home in American art, 1960-1975.

Degree: PhD, Art History, 2010, Rutgers University

This dissertation investigates the use of the image of the home as image and subject in American art between 1960 and 1975, drawing connections between… (more)

Subjects/Keywords: Art, American – 20th century – History and criticism; Home in art

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gustafson, D. (2010). At home in the 60s: images of the home in American art, 1960-1975. (Doctoral Dissertation). Rutgers University. Retrieved from http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052208

Chicago Manual of Style (16th Edition):

Gustafson, Donna. “At home in the 60s: images of the home in American art, 1960-1975.” 2010. Doctoral Dissertation, Rutgers University. Accessed November 21, 2019. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052208.

MLA Handbook (7th Edition):

Gustafson, Donna. “At home in the 60s: images of the home in American art, 1960-1975.” 2010. Web. 21 Nov 2019.

Vancouver:

Gustafson D. At home in the 60s: images of the home in American art, 1960-1975. [Internet] [Doctoral dissertation]. Rutgers University; 2010. [cited 2019 Nov 21]. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052208.

Council of Science Editors:

Gustafson D. At home in the 60s: images of the home in American art, 1960-1975. [Doctoral Dissertation]. Rutgers University; 2010. Available from: http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.000052208

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