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1. Yang, Yu-Wen. Metrical Dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance.

Degree: DMA, College-Conservatory of Music: Piano, 2012, University of Cincinnati

 Ambiguity in Brahms’s music is often the result of discrepancies between notated and perceived meters. Music theorists have referred to these situations as metrical dissonances.… (more)

Subjects/Keywords: Music; Selected Piano Pieces by Johannes Brahms; Metrical Dissonance; Brahms's Op. 116, nos. 1, 5, and 7,; Brahms's Op. 117, no. 1, and Op. 118 no. 4.

…Op. 116, No. 1, mm. 123-137 41 3.6a Brahms Op. 116, No. 5, mm. 1-6 42 3.6b Brahms Op… …116, No. 5, a reduction of mm. 1-6 44 3.7 Brahms Op. 116, No. 5, mm. 1-4 44 3.8 Brahms… …No. 1, mm. 1-5 63 4.2 Brahms Op. 117, No. 1, B section, mm. 21-29 63 4.3 Brahms Op… …Op. 116, No. 1 33 3.2 Structure of Brahms Op. 116, No. 5 42 3.3 Structure of Brahms… …late piano pieces, specifically his Op. 116, Nos. 1, 5, and 7; Op. 117, No. 1; and Op. 118… 

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APA (6th Edition):

Yang, Y. (2012). Metrical Dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337102281

Chicago Manual of Style (16th Edition):

Yang, Yu-Wen. “Metrical Dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance.” 2012. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337102281.

MLA Handbook (7th Edition):

Yang, Yu-Wen. “Metrical Dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance.” 2012. Web. 22 Oct 2019.

Vancouver:

Yang Y. Metrical Dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance. [Internet] [Doctoral dissertation]. University of Cincinnati; 2012. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337102281.

Council of Science Editors:

Yang Y. Metrical Dissonance in Selected Piano Pieces by Johannes Brahms, with Implications for Performance. [Doctoral Dissertation]. University of Cincinnati; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337102281


University of South Carolina

2. Deypalan, Nové. An Analysis of Arnold Schoenberg's Orchestral Transcription of Johannes Brahms's Piano Quartet NO.1, OPUS 25.

Degree: DMA, School of Music, 2012, University of South Carolina

  Arnold Schoenberg wrote an orchestral transcription of Johannes Brahms's Piano Quartet No. 1 in G minor, opus 25. This dissertation determines discrepancies between Schoenberg's… (more)

Subjects/Keywords: Arts and Humanities; Music; Music Performance; Analysis; Brahms; Piano Quartet No. 1; Piano Quartet No. 1; G minor; Schoenberg; Transcription

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APA (6th Edition):

Deypalan, N. (2012). An Analysis of Arnold Schoenberg's Orchestral Transcription of Johannes Brahms's Piano Quartet NO.1, OPUS 25. (Doctoral Dissertation). University of South Carolina. Retrieved from https://scholarcommons.sc.edu/etd/1640

Chicago Manual of Style (16th Edition):

Deypalan, Nové. “An Analysis of Arnold Schoenberg's Orchestral Transcription of Johannes Brahms's Piano Quartet NO.1, OPUS 25.” 2012. Doctoral Dissertation, University of South Carolina. Accessed October 22, 2019. https://scholarcommons.sc.edu/etd/1640.

MLA Handbook (7th Edition):

Deypalan, Nové. “An Analysis of Arnold Schoenberg's Orchestral Transcription of Johannes Brahms's Piano Quartet NO.1, OPUS 25.” 2012. Web. 22 Oct 2019.

Vancouver:

Deypalan N. An Analysis of Arnold Schoenberg's Orchestral Transcription of Johannes Brahms's Piano Quartet NO.1, OPUS 25. [Internet] [Doctoral dissertation]. University of South Carolina; 2012. [cited 2019 Oct 22]. Available from: https://scholarcommons.sc.edu/etd/1640.

Council of Science Editors:

Deypalan N. An Analysis of Arnold Schoenberg's Orchestral Transcription of Johannes Brahms's Piano Quartet NO.1, OPUS 25. [Doctoral Dissertation]. University of South Carolina; 2012. Available from: https://scholarcommons.sc.edu/etd/1640

3. Kilburn, Katherine Margaret, Kilburn. Pedagogical Approaches to Conducting Gesture in Contemporary Music.

Degree: DMA, Contemporary Music, 2016, Bowling Green State University

 Conducting is non-verbal communication of musical ideas through the use of gestures made by the hands, arms, and body, as well as expressions made by… (more)

Subjects/Keywords: Music; Music; Conducting Gesture; Contemporary Music; Conducting Pedagogy; Kinesics; Grisey Partiels; Lutoslawski Chain 1

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APA (6th Edition):

Kilburn, Katherine Margaret, K. (2016). Pedagogical Approaches to Conducting Gesture in Contemporary Music. (Doctoral Dissertation). Bowling Green State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1466978207

Chicago Manual of Style (16th Edition):

Kilburn, Katherine Margaret, Kilburn. “Pedagogical Approaches to Conducting Gesture in Contemporary Music.” 2016. Doctoral Dissertation, Bowling Green State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1466978207.

MLA Handbook (7th Edition):

Kilburn, Katherine Margaret, Kilburn. “Pedagogical Approaches to Conducting Gesture in Contemporary Music.” 2016. Web. 22 Oct 2019.

Vancouver:

Kilburn, Katherine Margaret K. Pedagogical Approaches to Conducting Gesture in Contemporary Music. [Internet] [Doctoral dissertation]. Bowling Green State University; 2016. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1466978207.

Council of Science Editors:

Kilburn, Katherine Margaret K. Pedagogical Approaches to Conducting Gesture in Contemporary Music. [Doctoral Dissertation]. Bowling Green State University; 2016. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1466978207


University of Miami

4. Tokuda, Takako. Grażyna Bacewicz and Social Realism: A Stylistic Comparison of Piano Sonatas Nos. 1 and 2.

Degree: DMA, Keyboard Performance (Music), 2016, University of Miami

 Grażyna Bacewicz is known as one of the most successful Polish female composers in the twentieth century. Although she is known mostly for her orchestral… (more)

Subjects/Keywords: Grażyna; Bacewicz; social realism; piano sonata No. 2; piano sonata no.1; polish female composer

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APA (6th Edition):

Tokuda, T. (2016). Grażyna Bacewicz and Social Realism: A Stylistic Comparison of Piano Sonatas Nos. 1 and 2. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1631

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Tokuda, Takako. “Grażyna Bacewicz and Social Realism: A Stylistic Comparison of Piano Sonatas Nos. 1 and 2.” 2016. Thesis, University of Miami. Accessed October 22, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1631.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Tokuda, Takako. “Grażyna Bacewicz and Social Realism: A Stylistic Comparison of Piano Sonatas Nos. 1 and 2.” 2016. Web. 22 Oct 2019.

Vancouver:

Tokuda T. Grażyna Bacewicz and Social Realism: A Stylistic Comparison of Piano Sonatas Nos. 1 and 2. [Internet] [Thesis]. University of Miami; 2016. [cited 2019 Oct 22]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1631.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Tokuda T. Grażyna Bacewicz and Social Realism: A Stylistic Comparison of Piano Sonatas Nos. 1 and 2. [Thesis]. University of Miami; 2016. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1631

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Cincinnati

5. Kang, Dong Hyun. Interpretation of Karol Szymanowski's Piano Music: Performer's Guide to Selected Piano Works: Prelude, Op. 1, No. 7, Variations in B-flat Minor, Op. 3, Masques, Op. 34, No. 1, "Sheherazade," and Mazurkas, Op. 50, Nos. 1 and 2.

Degree: DMA, College-Conservatory of Music: Piano, 2018, University of Cincinnati

 Karol Szymanowki (1882-1937) has long been neglected and underrated for political and musical reasons. This document will introduce the Polish composer Szymanowski and, above all,… (more)

Subjects/Keywords: Music; Karol Szymanowski; Interpretation of Piano Music; Prelude, Op 1, No 7; Variations in B flat Minor, Op 3; Masques, Op 34, No 1, Sheherazade; Mazurkas, Op 50, Nos 1 and 2

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APA (6th Edition):

Kang, D. H. (2018). Interpretation of Karol Szymanowski's Piano Music: Performer's Guide to Selected Piano Works: Prelude, Op. 1, No. 7, Variations in B-flat Minor, Op. 3, Masques, Op. 34, No. 1, "Sheherazade," and Mazurkas, Op. 50, Nos. 1 and 2. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535380993670665

Chicago Manual of Style (16th Edition):

Kang, Dong Hyun. “Interpretation of Karol Szymanowski's Piano Music: Performer's Guide to Selected Piano Works: Prelude, Op. 1, No. 7, Variations in B-flat Minor, Op. 3, Masques, Op. 34, No. 1, "Sheherazade," and Mazurkas, Op. 50, Nos. 1 and 2.” 2018. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535380993670665.

MLA Handbook (7th Edition):

Kang, Dong Hyun. “Interpretation of Karol Szymanowski's Piano Music: Performer's Guide to Selected Piano Works: Prelude, Op. 1, No. 7, Variations in B-flat Minor, Op. 3, Masques, Op. 34, No. 1, "Sheherazade," and Mazurkas, Op. 50, Nos. 1 and 2.” 2018. Web. 22 Oct 2019.

Vancouver:

Kang DH. Interpretation of Karol Szymanowski's Piano Music: Performer's Guide to Selected Piano Works: Prelude, Op. 1, No. 7, Variations in B-flat Minor, Op. 3, Masques, Op. 34, No. 1, "Sheherazade," and Mazurkas, Op. 50, Nos. 1 and 2. [Internet] [Doctoral dissertation]. University of Cincinnati; 2018. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535380993670665.

Council of Science Editors:

Kang DH. Interpretation of Karol Szymanowski's Piano Music: Performer's Guide to Selected Piano Works: Prelude, Op. 1, No. 7, Variations in B-flat Minor, Op. 3, Masques, Op. 34, No. 1, "Sheherazade," and Mazurkas, Op. 50, Nos. 1 and 2. [Doctoral Dissertation]. University of Cincinnati; 2018. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535380993670665

6. So, Yuson. Piano Sonata No. 1 by Carl Vine; a Theoretical and Pianistic Study.

Degree: DMA, Music, 2013, University of Kansas

 Carl Vine was born in 1954 in Perth, Western Australia. He began his music studies when he was five years old with lessons on the… (more)

Subjects/Keywords: Music; Vine, Carl; Piano; Sonata no.1

…some sections. 5 Figure 1. Sections of the first movement of Carl Vine, Piano Sonata No.1… …4. Carl Vine, Piano Sonata No.1, mm. 50, 52. 9 Section 5, beginning at measure 55, Carl… …Example 5. Carl Vine, Piano Sonata No.1, m. 55. In section 6, there are constant sixteenth… …No.1, mm. 20-22. These have one thing in common. The meter of measures 24 to 49 is 5/4 and… …Example 35. Carl Vine, Piano Sonata No.1, mm. 5-7. From measures 1 to 12, all of the prime… 

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APA (6th Edition):

So, Y. (2013). Piano Sonata No. 1 by Carl Vine; a Theoretical and Pianistic Study. (Doctoral Dissertation). University of Kansas. Retrieved from http://hdl.handle.net/1808/12986

Chicago Manual of Style (16th Edition):

So, Yuson. “Piano Sonata No. 1 by Carl Vine; a Theoretical and Pianistic Study.” 2013. Doctoral Dissertation, University of Kansas. Accessed October 22, 2019. http://hdl.handle.net/1808/12986.

MLA Handbook (7th Edition):

So, Yuson. “Piano Sonata No. 1 by Carl Vine; a Theoretical and Pianistic Study.” 2013. Web. 22 Oct 2019.

Vancouver:

So Y. Piano Sonata No. 1 by Carl Vine; a Theoretical and Pianistic Study. [Internet] [Doctoral dissertation]. University of Kansas; 2013. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/1808/12986.

Council of Science Editors:

So Y. Piano Sonata No. 1 by Carl Vine; a Theoretical and Pianistic Study. [Doctoral Dissertation]. University of Kansas; 2013. Available from: http://hdl.handle.net/1808/12986


Louisiana State University

7. Iltcheva, Borislava A. Peter Christoskov's Twelve Caprices for Solo Violin, opus 1: a historical and theoretical analysis of the work and its connection to Bulgarian folk music.

Degree: DMA, Music, 2005, Louisiana State University

 This document is an analysis of Twelve Caprices for Solo Violin, op.1 by Peter Christoskov. The analysis concentrates on the theoretical and historical aspects of… (more)

Subjects/Keywords: caprices op. 1; bulgarian folk music; christoskov; bulgarian music

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APA (6th Edition):

Iltcheva, B. A. (2005). Peter Christoskov's Twelve Caprices for Solo Violin, opus 1: a historical and theoretical analysis of the work and its connection to Bulgarian folk music. (Doctoral Dissertation). Louisiana State University. Retrieved from etd-01202006-231121 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1805

Chicago Manual of Style (16th Edition):

Iltcheva, Borislava A. “Peter Christoskov's Twelve Caprices for Solo Violin, opus 1: a historical and theoretical analysis of the work and its connection to Bulgarian folk music.” 2005. Doctoral Dissertation, Louisiana State University. Accessed October 22, 2019. etd-01202006-231121 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1805.

MLA Handbook (7th Edition):

Iltcheva, Borislava A. “Peter Christoskov's Twelve Caprices for Solo Violin, opus 1: a historical and theoretical analysis of the work and its connection to Bulgarian folk music.” 2005. Web. 22 Oct 2019.

Vancouver:

Iltcheva BA. Peter Christoskov's Twelve Caprices for Solo Violin, opus 1: a historical and theoretical analysis of the work and its connection to Bulgarian folk music. [Internet] [Doctoral dissertation]. Louisiana State University; 2005. [cited 2019 Oct 22]. Available from: etd-01202006-231121 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1805.

Council of Science Editors:

Iltcheva BA. Peter Christoskov's Twelve Caprices for Solo Violin, opus 1: a historical and theoretical analysis of the work and its connection to Bulgarian folk music. [Doctoral Dissertation]. Louisiana State University; 2005. Available from: etd-01202006-231121 ; https://digitalcommons.lsu.edu/gradschool_dissertations/1805

8. Yang, Hee Young. Hexameron (The Six Days of Creation) for Orchestra.

Degree: DMA, College-Conservatory of Music: Composition, 2013, University of Cincinnati

 The term Hexameron derives its name from the Greek roots hexa-, meaning "six", and (h)emer(a), meaning "day" and refers either to the six days of… (more)

Subjects/Keywords: Music; Orchestra; Creation; Genesis 1; program music

…E E F E 3 F E A E # E E D E C E E E E 5 A # A A A A A A Hn. 1, 3 A A… …E E F E A C E E 1 A B Cl. E E C E E C E E E 5 Bsn. C # A 17 Hn. 2, 4 A… …E E E E E E E E F 5 1 E D 5 E E E E E Bsn. A A A C. Bn. A A A A A A A A… …E E C E D C E D C E D 5 5 A Ob. E A E. Hn. B Cl. B. Cl. A 89 Hn. 1, 3… …EE 1 F E Tbn. 89 Perc. III F F 5 E E E E C E E C E E E E E C E E 5 F A 3… 

Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7

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APA (6th Edition):

Yang, H. Y. (2013). Hexameron (The Six Days of Creation) for Orchestra. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367937201

Chicago Manual of Style (16th Edition):

Yang, Hee Young. “Hexameron (The Six Days of Creation) for Orchestra.” 2013. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367937201.

MLA Handbook (7th Edition):

Yang, Hee Young. “Hexameron (The Six Days of Creation) for Orchestra.” 2013. Web. 22 Oct 2019.

Vancouver:

Yang HY. Hexameron (The Six Days of Creation) for Orchestra. [Internet] [Doctoral dissertation]. University of Cincinnati; 2013. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367937201.

Council of Science Editors:

Yang HY. Hexameron (The Six Days of Creation) for Orchestra. [Doctoral Dissertation]. University of Cincinnati; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367937201

9. Park, Ji Young. Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1.

Degree: DMA, Music, 2012, The Ohio State University

 There are several problems facing the pianist who wishes to study and/or perform Carl Vine’s Piano Concerto No. 1. Since the work is not widely… (more)

Subjects/Keywords: Music; Carl; Vine; Piano Concerto; No. 1

…xii Chapter 1. Introduction .1 2. Biographical background… …4 3. Carl Vine’s Piano Concerto No. 1 .. …..8 3.1 Brief Survey of Piano… …Concerto No. 1 ...8 3.2 Compositional Style …10 3.2.1 Texture… …Concerto No.1 Compared with His PianoSonatas . …. 22 4.1 Repeated Rhythmic… …Motive …..30 4.4 Tone Cluster .33 5. Instrumentation of… 

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APA (6th Edition):

Park, J. Y. (2012). Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1339566001

Chicago Manual of Style (16th Edition):

Park, Ji Young. “Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1.” 2012. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1339566001.

MLA Handbook (7th Edition):

Park, Ji Young. “Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1.” 2012. Web. 22 Oct 2019.

Vancouver:

Park JY. Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1. [Internet] [Doctoral dissertation]. The Ohio State University; 2012. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1339566001.

Council of Science Editors:

Park JY. Writing styles and Performance guidelines of Carl Vine’s Piano Concerto No. 1. [Doctoral Dissertation]. The Ohio State University; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1339566001


University of Miami

10. Nakatani, Masafumi. The Effect of the Developing Variation Technique on Brahms' Early Piano Solo Works in the Form of Theme and Variations.

Degree: DMA, Keyboard Performance (Music), 2017, University of Miami

 The term, developing variation, was introduced by Arnold Schoenberg to describe one of the fundamental compositional principles of the western music in which the technique… (more)

Subjects/Keywords: developing variation; Brahms; Carl Dahlhaus; Walter Frisch; op. 21, no. 1, op. 21, no. 2, op. 9

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APA (6th Edition):

Nakatani, M. (2017). The Effect of the Developing Variation Technique on Brahms' Early Piano Solo Works in the Form of Theme and Variations. (Thesis). University of Miami. Retrieved from https://scholarlyrepository.miami.edu/oa_dissertations/1838

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Nakatani, Masafumi. “The Effect of the Developing Variation Technique on Brahms' Early Piano Solo Works in the Form of Theme and Variations.” 2017. Thesis, University of Miami. Accessed October 22, 2019. https://scholarlyrepository.miami.edu/oa_dissertations/1838.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Nakatani, Masafumi. “The Effect of the Developing Variation Technique on Brahms' Early Piano Solo Works in the Form of Theme and Variations.” 2017. Web. 22 Oct 2019.

Vancouver:

Nakatani M. The Effect of the Developing Variation Technique on Brahms' Early Piano Solo Works in the Form of Theme and Variations. [Internet] [Thesis]. University of Miami; 2017. [cited 2019 Oct 22]. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1838.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Nakatani M. The Effect of the Developing Variation Technique on Brahms' Early Piano Solo Works in the Form of Theme and Variations. [Thesis]. University of Miami; 2017. Available from: https://scholarlyrepository.miami.edu/oa_dissertations/1838

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of Texas – Austin

11. Gershman, Jeffrey David. "Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band.

Degree: DMA, Music, 2002, University of Texas – Austin

 John Corigliano is considered one of the most critically successful American composers of the past quarter century. He has received prestigious awards for both his… (more)

Subjects/Keywords: Corigliano, John, – 1938 – Symphonies, – no. 1; Tarantellas; Band music

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APA (6th Edition):

Gershman, J. D. (2002). "Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band. (Doctoral Dissertation). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/598

Chicago Manual of Style (16th Edition):

Gershman, Jeffrey David. “"Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band.” 2002. Doctoral Dissertation, University of Texas – Austin. Accessed October 22, 2019. http://hdl.handle.net/2152/598.

MLA Handbook (7th Edition):

Gershman, Jeffrey David. “"Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band.” 2002. Web. 22 Oct 2019.

Vancouver:

Gershman JD. "Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band. [Internet] [Doctoral dissertation]. University of Texas – Austin; 2002. [cited 2019 Oct 22]. Available from: http://hdl.handle.net/2152/598.

Council of Science Editors:

Gershman JD. "Tarantella" from Symphony No. 1 by John Corigliano: a transcription for band. [Doctoral Dissertation]. University of Texas – Austin; 2002. Available from: http://hdl.handle.net/2152/598

12. Chen, Wen-Mi. An Analysis of Sonata Form in Clarinet Concertos by Wolfgang Amadeus Mozart, Louis Spohr, and Carl Maria von Weber.

Degree: DMA, College-Conservatory of Music: Clarinet, 2012, University of Cincinnati

 Sonata Theory recognizes five types of sonatas based on their rotational designs. The first movement of most eighteenth-century concertos is classified as a Type 5(more)

Subjects/Keywords: Music; Sonata Theory; Type 5 sonata; Clarinet Concerto; Wolfgang Amadeus Mozart; Louis Spohr; Carl Maria von Weber

…Press, 2006). 1 Chapter I A Summary of Hepokoski and Darcy’s Sonata Theory—Type 5… …of Hepokoski and Darcy’s Type 5 Sonata. 7 Hepokoski and Darcy, 452-3. 4 Section 1… …synthesis Subtype F: Type 5 adaptation of the Type 1 Sonata; R2 proper may also be suppressed in… …mm. 1-11); R1:\TR1.1 (mm. 26-33); and R1:\C (mm. 38-47)… …89 Example 4.2 S1:\P1.1 (mm. 48-63) of Clarinet Concerto No. 1, Op. 73… 

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APA (6th Edition):

Chen, W. (2012). An Analysis of Sonata Form in Clarinet Concertos by Wolfgang Amadeus Mozart, Louis Spohr, and Carl Maria von Weber. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337363864

Chicago Manual of Style (16th Edition):

Chen, Wen-Mi. “An Analysis of Sonata Form in Clarinet Concertos by Wolfgang Amadeus Mozart, Louis Spohr, and Carl Maria von Weber.” 2012. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337363864.

MLA Handbook (7th Edition):

Chen, Wen-Mi. “An Analysis of Sonata Form in Clarinet Concertos by Wolfgang Amadeus Mozart, Louis Spohr, and Carl Maria von Weber.” 2012. Web. 22 Oct 2019.

Vancouver:

Chen W. An Analysis of Sonata Form in Clarinet Concertos by Wolfgang Amadeus Mozart, Louis Spohr, and Carl Maria von Weber. [Internet] [Doctoral dissertation]. University of Cincinnati; 2012. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337363864.

Council of Science Editors:

Chen W. An Analysis of Sonata Form in Clarinet Concertos by Wolfgang Amadeus Mozart, Louis Spohr, and Carl Maria von Weber. [Doctoral Dissertation]. University of Cincinnati; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337363864

13. Kim, Yun Jeong. Isang Yun's Violin Concerto No.1 (1981): A Fusion of Eastern and Western Styles, and the Influence of Taoism.

Degree: DMA, College-Conservatory of Music: Violin, 2013, University of Cincinnati

 When considering the music of Isang Yun (1917-1995), a well-known Korean-German composer, scholars have explored his music for its fusion of Eastern and Western styles.… (more)

Subjects/Keywords: Music; Isang Yun; Violin Concerto No 1; Taoism; Fusion

1 1. Yun’s Periodization . 5 Korean Period (1917–1955)… …BIBLIOGRAPHY ….. 64 vii LIST OF MUSICAL EXAMPLES Ex. 1 Isang Yun… …Concerto (1981), third movement, mm. 129–31 .. 24 Ex. 5 Isang Yun Violin… …violin and piano, mm. 1–4 …. 28 Ex. 11 Isang Yun, Gasa for violin and piano, mm… …11–13 ….….29 Ex. 12 J. S. Bach, Musical Offering, Ricercare, mm. 1–9… 

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APA (6th Edition):

Kim, Y. J. (2013). Isang Yun's Violin Concerto No.1 (1981): A Fusion of Eastern and Western Styles, and the Influence of Taoism. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1368086330

Chicago Manual of Style (16th Edition):

Kim, Yun Jeong. “Isang Yun's Violin Concerto No.1 (1981): A Fusion of Eastern and Western Styles, and the Influence of Taoism.” 2013. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1368086330.

MLA Handbook (7th Edition):

Kim, Yun Jeong. “Isang Yun's Violin Concerto No.1 (1981): A Fusion of Eastern and Western Styles, and the Influence of Taoism.” 2013. Web. 22 Oct 2019.

Vancouver:

Kim YJ. Isang Yun's Violin Concerto No.1 (1981): A Fusion of Eastern and Western Styles, and the Influence of Taoism. [Internet] [Doctoral dissertation]. University of Cincinnati; 2013. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1368086330.

Council of Science Editors:

Kim YJ. Isang Yun's Violin Concerto No.1 (1981): A Fusion of Eastern and Western Styles, and the Influence of Taoism. [Doctoral Dissertation]. University of Cincinnati; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1368086330

14. Phelps, Matthew. A Critical Edition of Amy Beach’s Mass In E-Flat Major for Chorus, Solo Quartet, and Orchestra.

Degree: DMA, College-Conservatory of Music: Conducting, Choral Emphasis, 2014, University of Cincinnati

 The Mass in E-Flat Major by Amy Beach was the first major choral and orchestral work to be premiered in the United States by an… (more)

Subjects/Keywords: Music; Mass in E Flat op 5; Amy Beach Mass; Amy Beach critical edition; American female composers; Romantic Choral Masses; Amy Beach choral

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APA (6th Edition):

Phelps, M. (2014). A Critical Edition of Amy Beach’s Mass In E-Flat Major for Chorus, Solo Quartet, and Orchestra. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397735032

Chicago Manual of Style (16th Edition):

Phelps, Matthew. “A Critical Edition of Amy Beach’s Mass In E-Flat Major for Chorus, Solo Quartet, and Orchestra.” 2014. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397735032.

MLA Handbook (7th Edition):

Phelps, Matthew. “A Critical Edition of Amy Beach’s Mass In E-Flat Major for Chorus, Solo Quartet, and Orchestra.” 2014. Web. 22 Oct 2019.

Vancouver:

Phelps M. A Critical Edition of Amy Beach’s Mass In E-Flat Major for Chorus, Solo Quartet, and Orchestra. [Internet] [Doctoral dissertation]. University of Cincinnati; 2014. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397735032.

Council of Science Editors:

Phelps M. A Critical Edition of Amy Beach’s Mass In E-Flat Major for Chorus, Solo Quartet, and Orchestra. [Doctoral Dissertation]. University of Cincinnati; 2014. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397735032

15. Yu, Suhnah. A Pedagogical Guide: Using Sassmannshaus’s Early Start on the Violin, Volumes 1 and 2 as a supplement to the Suzuki Violin School, Volume 1.

Degree: DMA, College-Conservatory of Music: Violin, 2012, University of Cincinnati

  The Suzuki method is one of the most popular methods for teaching the violin in the twentieth century. However, there are some problems that… (more)

Subjects/Keywords: Music Education; Violin pedagogy; Suzuki violin school vol. 1; Early start on the violin vol. 1; Violin lesson guide; Egon Sassmannshaus; Shinichi Suzuki

…guide to Suzuki’s entire method.1 In my teaching experience, I have found that I also needed… …outside sources to supplement the Suzuki method. 1 Charlene Wilson, Teaching Suzuki Cello: A… …In this document, I have isolated five specific techniques introduced in Volume 1 that… …Volume 1 and provide solutions using Sassmannshaus’s Early Start on the Violin, Volumes 1 and 2… …Princeton, NJ: Birch Tree Group, 1984), 5. 4 Much has been written about the Suzuki method… 

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APA (6th Edition):

Yu, S. (2012). A Pedagogical Guide: Using Sassmannshaus’s Early Start on the Violin, Volumes 1 and 2 as a supplement to the Suzuki Violin School, Volume 1. (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1342106257

Chicago Manual of Style (16th Edition):

Yu, Suhnah. “A Pedagogical Guide: Using Sassmannshaus’s Early Start on the Violin, Volumes 1 and 2 as a supplement to the Suzuki Violin School, Volume 1.” 2012. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1342106257.

MLA Handbook (7th Edition):

Yu, Suhnah. “A Pedagogical Guide: Using Sassmannshaus’s Early Start on the Violin, Volumes 1 and 2 as a supplement to the Suzuki Violin School, Volume 1.” 2012. Web. 22 Oct 2019.

Vancouver:

Yu S. A Pedagogical Guide: Using Sassmannshaus’s Early Start on the Violin, Volumes 1 and 2 as a supplement to the Suzuki Violin School, Volume 1. [Internet] [Doctoral dissertation]. University of Cincinnati; 2012. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1342106257.

Council of Science Editors:

Yu S. A Pedagogical Guide: Using Sassmannshaus’s Early Start on the Violin, Volumes 1 and 2 as a supplement to the Suzuki Violin School, Volume 1. [Doctoral Dissertation]. University of Cincinnati; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1342106257

16. Gertsenzon Fromm, Galit. Musical Expressions in Times of Uncertainty: A Study of Gideon Klein's Songs Opus 1 (1940).

Degree: DMA, College-Conservatory of Music: Piano, 2012, University of Cincinnati

  An important set of works by Gideon Klein, the Three Songs Opus 1 (1940) is the subject of my DMA document. Klein, a Czech-Jewish… (more)

Subjects/Keywords: Gideon klein; Songs Op. 1; Terezin; Piano; Galit Gertsenzon Fromm; Holocaust

…All the Musical Examples from Gideon Klein Songs, Op. 1 are reprinted by permission… …courtesy of Helvetic & Tempora Spol.S.R.O.Praha. Drei Lieder fur Hohe Stimme und Klavier, Op. 1… …what was on my mind: I wanted to present Gideon Klein’s music, especially the Songs, Op. 1 as… …such as the Holocaust, which shaped Klein’s composition of the Songs, Op. 1. I expect this… …composed the Songs, Op. 1. xi “Everyone has his own specific vocation or mission… 

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APA (6th Edition):

Gertsenzon Fromm, G. (2012). Musical Expressions in Times of Uncertainty: A Study of Gideon Klein's Songs Opus 1 (1940). (Doctoral Dissertation). University of Cincinnati. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337716177

Chicago Manual of Style (16th Edition):

Gertsenzon Fromm, Galit. “Musical Expressions in Times of Uncertainty: A Study of Gideon Klein's Songs Opus 1 (1940).” 2012. Doctoral Dissertation, University of Cincinnati. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337716177.

MLA Handbook (7th Edition):

Gertsenzon Fromm, Galit. “Musical Expressions in Times of Uncertainty: A Study of Gideon Klein's Songs Opus 1 (1940).” 2012. Web. 22 Oct 2019.

Vancouver:

Gertsenzon Fromm G. Musical Expressions in Times of Uncertainty: A Study of Gideon Klein's Songs Opus 1 (1940). [Internet] [Doctoral dissertation]. University of Cincinnati; 2012. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337716177.

Council of Science Editors:

Gertsenzon Fromm G. Musical Expressions in Times of Uncertainty: A Study of Gideon Klein's Songs Opus 1 (1940). [Doctoral Dissertation]. University of Cincinnati; 2012. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337716177


Louisiana State University

17. Price, William Morris. An original composition, Symphony No. 1, Pollock and an analysis of the evolution of Frank Zappa's "Be-Bop Tango".

Degree: DMA, Music, 2003, Louisiana State University

 Part one of this dissertation is an original composition, Symphony No. 1, Pollock. It uses as a conceptual impetus the abstract expressionism of Jackson Pollock’s… (more)

Subjects/Keywords: be-bop tango; Zappa; Frank Zappa; orchestra; Pollock; symphony no. 1; bebop; tango; chamber orchestra; music theory; analysis; composition

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APA (6th Edition):

Price, W. M. (2003). An original composition, Symphony No. 1, Pollock and an analysis of the evolution of Frank Zappa's "Be-Bop Tango". (Doctoral Dissertation). Louisiana State University. Retrieved from etd-12092003-121423 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3644

Chicago Manual of Style (16th Edition):

Price, William Morris. “An original composition, Symphony No. 1, Pollock and an analysis of the evolution of Frank Zappa's "Be-Bop Tango".” 2003. Doctoral Dissertation, Louisiana State University. Accessed October 22, 2019. etd-12092003-121423 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3644.

MLA Handbook (7th Edition):

Price, William Morris. “An original composition, Symphony No. 1, Pollock and an analysis of the evolution of Frank Zappa's "Be-Bop Tango".” 2003. Web. 22 Oct 2019.

Vancouver:

Price WM. An original composition, Symphony No. 1, Pollock and an analysis of the evolution of Frank Zappa's "Be-Bop Tango". [Internet] [Doctoral dissertation]. Louisiana State University; 2003. [cited 2019 Oct 22]. Available from: etd-12092003-121423 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3644.

Council of Science Editors:

Price WM. An original composition, Symphony No. 1, Pollock and an analysis of the evolution of Frank Zappa's "Be-Bop Tango". [Doctoral Dissertation]. Louisiana State University; 2003. Available from: etd-12092003-121423 ; https://digitalcommons.lsu.edu/gradschool_dissertations/3644

18. Clark, Antoine Terrell. Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano: A Performance Edition with Commentary.

Degree: DMA, Music, 2009, The Ohio State University

  Late Baroque works for string instruments are presented in performing editions for clarinet and piano: Giuseppe Tartini, Sonata in G Minor for Violin, and… (more)

Subjects/Keywords: Music; Performing editions for clarinet and piano; Giuseppe Tartini, Sonata in G Minor for Violin, and Violoncello or Harpsichord, op.1, no. 10, &8220; Didone abbandonata&8221; Georg Philipp Telemann, Sonata in G Minor for Violin and Harpsichord

…PART II: THE EDITION OF THE WORKS Giuseppe Tartini, Sonata in G Minor, op.1, no. 10… …Philipp Telemann, Sonata in D Major, Twv 40:1 …...62 Marin Marais, Les Folies d’Espagne… …70 Johann Sebastian Bach, Suite No.1, BWV 1007 …...............87 Works Cited… …105 vii List of Illustrations 1. Ex. 1 …...12 viii PART… …I COMMENTARY 1 CHAPTER ONE Introduction Solo clarinet music barely existed during the… 

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APA (6th Edition):

Clark, A. T. (2009). Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano: A Performance Edition with Commentary. (Doctoral Dissertation). The Ohio State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=osu1243869380

Chicago Manual of Style (16th Edition):

Clark, Antoine Terrell. “Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano: A Performance Edition with Commentary.” 2009. Doctoral Dissertation, The Ohio State University. Accessed October 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243869380.

MLA Handbook (7th Edition):

Clark, Antoine Terrell. “Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano: A Performance Edition with Commentary.” 2009. Web. 22 Oct 2019.

Vancouver:

Clark AT. Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano: A Performance Edition with Commentary. [Internet] [Doctoral dissertation]. The Ohio State University; 2009. [cited 2019 Oct 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1243869380.

Council of Science Editors:

Clark AT. Five Late Baroque Works for String Instruments Transcribed for Clarinet and Piano: A Performance Edition with Commentary. [Doctoral Dissertation]. The Ohio State University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=osu1243869380

.