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You searched for publisher:("University of the Arts London"). Showing records 1 – 30 of 671 total matches.

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University of the Arts London

1. Dalal-Clayton, Anjalie. Coming into View: Black British Artists and Exhibition Cultures, 1976-2010.

Degree: 2015, University of the Arts London

 This study unitesthe burgeoning academic field of exhibition histories and the critiques of race-based exhibition practices that crystallised in Britain inthe 1980s and 1990s. It… (more)

Subjects/Keywords: History of Art

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APA (6th Edition):

Dalal-Clayton, A. (2015). Coming into View: Black British Artists and Exhibition Cultures, 1976-2010. (Thesis). University of the Arts London. Retrieved from http://researchonline.ljmu.ac.uk/id/eprint/4356/1/158180_Anjalie%20Dalal-Clayton%20-%20Final%20PhD%20Thesis%20-%202015-09-29.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dalal-Clayton, Anjalie. “Coming into View: Black British Artists and Exhibition Cultures, 1976-2010.” 2015. Thesis, University of the Arts London. Accessed September 18, 2020. http://researchonline.ljmu.ac.uk/id/eprint/4356/1/158180_Anjalie%20Dalal-Clayton%20-%20Final%20PhD%20Thesis%20-%202015-09-29.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dalal-Clayton, Anjalie. “Coming into View: Black British Artists and Exhibition Cultures, 1976-2010.” 2015. Web. 18 Sep 2020.

Vancouver:

Dalal-Clayton A. Coming into View: Black British Artists and Exhibition Cultures, 1976-2010. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2020 Sep 18]. Available from: http://researchonline.ljmu.ac.uk/id/eprint/4356/1/158180_Anjalie%20Dalal-Clayton%20-%20Final%20PhD%20Thesis%20-%202015-09-29.pdf.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dalal-Clayton A. Coming into View: Black British Artists and Exhibition Cultures, 1976-2010. [Thesis]. University of the Arts London; 2015. Available from: http://researchonline.ljmu.ac.uk/id/eprint/4356/1/158180_Anjalie%20Dalal-Clayton%20-%20Final%20PhD%20Thesis%20-%202015-09-29.pdf

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

2. Barker, Leon. Gestures in machine interaction.

Degree: PhD, 2011, University of the Arts London

 Vnencumbered-gesture-interaction (VGI) describes the use of unrestricted gestures in machine interaction. The development of such technology will enable users to interact with machines and virtual… (more)

Subjects/Keywords: Human-computer Interaction; Computer Vision

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Barker, L. (2011). Gestures in machine interaction. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/15579/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650303

Chicago Manual of Style (16th Edition):

Barker, Leon. “Gestures in machine interaction.” 2011. Doctoral Dissertation, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/15579/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650303.

MLA Handbook (7th Edition):

Barker, Leon. “Gestures in machine interaction.” 2011. Web. 18 Sep 2020.

Vancouver:

Barker L. Gestures in machine interaction. [Internet] [Doctoral dissertation]. University of the Arts London; 2011. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15579/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650303.

Council of Science Editors:

Barker L. Gestures in machine interaction. [Doctoral Dissertation]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15579/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650303


University of the Arts London

3. Eernstman, Natalia. Art as a source of learning for sustainable development : making meaning, multiple knowledges and navigating open-endedness.

Degree: PhD, 2016, University of the Arts London

 This research is a practice-based inquiry into the contribution of art to processes in which communities explore, design and proceed on sustainable ways forward. In… (more)

Subjects/Keywords: 781.49; Sound Arts & Design; Film & Sound Recording

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APA (6th Edition):

Eernstman, N. (2016). Art as a source of learning for sustainable development : making meaning, multiple knowledges and navigating open-endedness. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/9197/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683497

Chicago Manual of Style (16th Edition):

Eernstman, Natalia. “Art as a source of learning for sustainable development : making meaning, multiple knowledges and navigating open-endedness.” 2016. Doctoral Dissertation, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/9197/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683497.

MLA Handbook (7th Edition):

Eernstman, Natalia. “Art as a source of learning for sustainable development : making meaning, multiple knowledges and navigating open-endedness.” 2016. Web. 18 Sep 2020.

Vancouver:

Eernstman N. Art as a source of learning for sustainable development : making meaning, multiple knowledges and navigating open-endedness. [Internet] [Doctoral dissertation]. University of the Arts London; 2016. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/9197/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683497.

Council of Science Editors:

Eernstman N. Art as a source of learning for sustainable development : making meaning, multiple knowledges and navigating open-endedness. [Doctoral Dissertation]. University of the Arts London; 2016. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/9197/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683497


University of the Arts London

4. Mullender, Rob. Silent light, luminous noise : photophonics, machines and the senses.

Degree: PhD, 2011, University of the Arts London

 This research takes the basic physical premise that sound can be synthesized using light, explores how this has historically been, and still is achieved, and… (more)

Subjects/Keywords: Fine Art; Sound Arts & Design

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APA (6th Edition):

Mullender, R. (2011). Silent light, luminous noise : photophonics, machines and the senses. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/15652/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650323

Chicago Manual of Style (16th Edition):

Mullender, Rob. “Silent light, luminous noise : photophonics, machines and the senses.” 2011. Doctoral Dissertation, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/15652/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650323.

MLA Handbook (7th Edition):

Mullender, Rob. “Silent light, luminous noise : photophonics, machines and the senses.” 2011. Web. 18 Sep 2020.

Vancouver:

Mullender R. Silent light, luminous noise : photophonics, machines and the senses. [Internet] [Doctoral dissertation]. University of the Arts London; 2011. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15652/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650323.

Council of Science Editors:

Mullender R. Silent light, luminous noise : photophonics, machines and the senses. [Doctoral Dissertation]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15652/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650323


University of the Arts London

5. Steinmetz, Martina. The modern woman's business suit : an investigation into incorporating freedom of movement in the block-pattern construction for soft-tailored mass-produced womenswear.

Degree: PhD, 2012, University of the Arts London

 This study is situated in the field of garment construction for mass-produced womenswear, as it is the repeatable and time and cost sufficient method of… (more)

Subjects/Keywords: Fashion Design (Womenswear); Clothing/Fashion Design

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APA (6th Edition):

Steinmetz, M. (2012). The modern woman's business suit : an investigation into incorporating freedom of movement in the block-pattern construction for soft-tailored mass-produced womenswear. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/15555/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650330

Chicago Manual of Style (16th Edition):

Steinmetz, Martina. “The modern woman's business suit : an investigation into incorporating freedom of movement in the block-pattern construction for soft-tailored mass-produced womenswear.” 2012. Doctoral Dissertation, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/15555/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650330.

MLA Handbook (7th Edition):

Steinmetz, Martina. “The modern woman's business suit : an investigation into incorporating freedom of movement in the block-pattern construction for soft-tailored mass-produced womenswear.” 2012. Web. 18 Sep 2020.

Vancouver:

Steinmetz M. The modern woman's business suit : an investigation into incorporating freedom of movement in the block-pattern construction for soft-tailored mass-produced womenswear. [Internet] [Doctoral dissertation]. University of the Arts London; 2012. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15555/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650330.

Council of Science Editors:

Steinmetz M. The modern woman's business suit : an investigation into incorporating freedom of movement in the block-pattern construction for soft-tailored mass-produced womenswear. [Doctoral Dissertation]. University of the Arts London; 2012. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15555/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650330


University of the Arts London

6. Kelland, Dean. Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice.

Degree: PhD, 2016, University of the Arts London

 This practice-based PhD has at its core six short films, made by and featuring the author (Dean Kelland), which take as their inspiration certain male… (more)

Subjects/Keywords: 791.45; Television studies; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Kelland, D. (2016). Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/9189/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683491

Chicago Manual of Style (16th Edition):

Kelland, Dean. “Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice.” 2016. Doctoral Dissertation, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/9189/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683491.

MLA Handbook (7th Edition):

Kelland, Dean. “Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice.” 2016. Web. 18 Sep 2020.

Vancouver:

Kelland D. Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice. [Internet] [Doctoral dissertation]. University of the Arts London; 2016. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/9189/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683491.

Council of Science Editors:

Kelland D. Flawed masculinities : 'rupturing' 1950s/60s/70s British TV sitcom via a performance-led interdisciplinary arts practice. [Doctoral Dissertation]. University of the Arts London; 2016. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/9189/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683491


University of the Arts London

7. Luther, Anne-Katrin. Collecting contemporary art : a visual analysis of a qualitative investigation into patterns of collecting and production.

Degree: PhD, 2016, University of the Arts London

 The dissertation presents a cultural analysis of contemporary art collecting and art production with an illustration of patterns that overlap in collecting and art production… (more)

Subjects/Keywords: 709.05; American Society and Culture studies

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APA (6th Edition):

Luther, A. (2016). Collecting contemporary art : a visual analysis of a qualitative investigation into patterns of collecting and production. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/9885/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.693307

Chicago Manual of Style (16th Edition):

Luther, Anne-Katrin. “Collecting contemporary art : a visual analysis of a qualitative investigation into patterns of collecting and production.” 2016. Doctoral Dissertation, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/9885/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.693307.

MLA Handbook (7th Edition):

Luther, Anne-Katrin. “Collecting contemporary art : a visual analysis of a qualitative investigation into patterns of collecting and production.” 2016. Web. 18 Sep 2020.

Vancouver:

Luther A. Collecting contemporary art : a visual analysis of a qualitative investigation into patterns of collecting and production. [Internet] [Doctoral dissertation]. University of the Arts London; 2016. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/9885/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.693307.

Council of Science Editors:

Luther A. Collecting contemporary art : a visual analysis of a qualitative investigation into patterns of collecting and production. [Doctoral Dissertation]. University of the Arts London; 2016. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/9885/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.693307


University of the Arts London

8. Grennan, Simon. Comic strips and the making of meaning : emotion, intersubjectivity and narrative drawing.

Degree: PhD, 2011, University of the Arts London

 This study argues that the experience of reading comics is comprehensible as a series of intersubjective relationships represented in physical form. Considering concepts of self-conciousness,… (more)

Subjects/Keywords: Visual Communication; Illustration

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APA (6th Edition):

Grennan, S. (2011). Comic strips and the making of meaning : emotion, intersubjectivity and narrative drawing. (Doctoral Dissertation). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/15575/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650318

Chicago Manual of Style (16th Edition):

Grennan, Simon. “Comic strips and the making of meaning : emotion, intersubjectivity and narrative drawing.” 2011. Doctoral Dissertation, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/15575/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650318.

MLA Handbook (7th Edition):

Grennan, Simon. “Comic strips and the making of meaning : emotion, intersubjectivity and narrative drawing.” 2011. Web. 18 Sep 2020.

Vancouver:

Grennan S. Comic strips and the making of meaning : emotion, intersubjectivity and narrative drawing. [Internet] [Doctoral dissertation]. University of the Arts London; 2011. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15575/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650318.

Council of Science Editors:

Grennan S. Comic strips and the making of meaning : emotion, intersubjectivity and narrative drawing. [Doctoral Dissertation]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15575/ ; https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650318


University of the Arts London

9. Rhodes, Sarah. The True Nature of Collaboration: what role does practice play in collaboration between designers and African craft producers?.

Degree: 2015, University of the Arts London

 The aim of this research is to examine the role of practice in collaboration between designers and African craft producers in order to develop a… (more)

Subjects/Keywords: Fashion Jewellery; Ceramics; International Business studies; Crafts

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APA (6th Edition):

Rhodes, S. (2015). The True Nature of Collaboration: what role does practice play in collaboration between designers and African craft producers?. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/8729/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rhodes, Sarah. “The True Nature of Collaboration: what role does practice play in collaboration between designers and African craft producers?.” 2015. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/8729/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rhodes, Sarah. “The True Nature of Collaboration: what role does practice play in collaboration between designers and African craft producers?.” 2015. Web. 18 Sep 2020.

Vancouver:

Rhodes S. The True Nature of Collaboration: what role does practice play in collaboration between designers and African craft producers?. [Internet] [Thesis]. University of the Arts London; 2015. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/8729/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rhodes S. The True Nature of Collaboration: what role does practice play in collaboration between designers and African craft producers?. [Thesis]. University of the Arts London; 2015. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/8729/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

10. Wick, Jodie. The Infrastructure of the Animation Industry in the East of England between 2009 & 2011.

Degree: 2016, University of the Arts London

 This research investigates how the animation industry in the UK is defined. It proposes a new framework for data collection to quantify the extent of… (more)

Subjects/Keywords: Animation Techniques; Creative Arts and Design not elsewhere classified

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Wick, J. (2016). The Infrastructure of the Animation Industry in the East of England between 2009 & 2011. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/12066/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Wick, Jodie. “The Infrastructure of the Animation Industry in the East of England between 2009 & 2011.” 2016. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/12066/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Wick, Jodie. “The Infrastructure of the Animation Industry in the East of England between 2009 & 2011.” 2016. Web. 18 Sep 2020.

Vancouver:

Wick J. The Infrastructure of the Animation Industry in the East of England between 2009 & 2011. [Internet] [Thesis]. University of the Arts London; 2016. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/12066/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Wick J. The Infrastructure of the Animation Industry in the East of England between 2009 & 2011. [Thesis]. University of the Arts London; 2016. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/12066/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

11. Robinson, Simon. Archipelagos of Interstitial Ground: A Filmic Investigation of the Thames Gateway’s Edgelands. How Can a Multimodal (Auto)ethnographic Methodology Be Deployed to Shape Geographic Imaginations of The Thames Gateway?.

Degree: 2017, University of the Arts London

 This thesis explores and documents the development of an adapted ethnographic methodology that is defined through its orientation towards the representation and production of landscape.… (more)

Subjects/Keywords: Photography

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APA (6th Edition):

Robinson, S. (2017). Archipelagos of Interstitial Ground: A Filmic Investigation of the Thames Gateway’s Edgelands. How Can a Multimodal (Auto)ethnographic Methodology Be Deployed to Shape Geographic Imaginations of The Thames Gateway?. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/13461/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Robinson, Simon. “Archipelagos of Interstitial Ground: A Filmic Investigation of the Thames Gateway’s Edgelands. How Can a Multimodal (Auto)ethnographic Methodology Be Deployed to Shape Geographic Imaginations of The Thames Gateway?.” 2017. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/13461/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Robinson, Simon. “Archipelagos of Interstitial Ground: A Filmic Investigation of the Thames Gateway’s Edgelands. How Can a Multimodal (Auto)ethnographic Methodology Be Deployed to Shape Geographic Imaginations of The Thames Gateway?.” 2017. Web. 18 Sep 2020.

Vancouver:

Robinson S. Archipelagos of Interstitial Ground: A Filmic Investigation of the Thames Gateway’s Edgelands. How Can a Multimodal (Auto)ethnographic Methodology Be Deployed to Shape Geographic Imaginations of The Thames Gateway?. [Internet] [Thesis]. University of the Arts London; 2017. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/13461/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Robinson S. Archipelagos of Interstitial Ground: A Filmic Investigation of the Thames Gateway’s Edgelands. How Can a Multimodal (Auto)ethnographic Methodology Be Deployed to Shape Geographic Imaginations of The Thames Gateway?. [Thesis]. University of the Arts London; 2017. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/13461/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

12. Gilmurray, Jonathan. Ecology and Environmentalism in Contemporary Sound Art.

Degree: 2018, University of the Arts London

 In recent years, ecological issues have grown to become some of the most significant sociopolitical concerns of our time – something which has been reflected… (more)

Subjects/Keywords: Ecology; Fine Art; Sound Arts & Design

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gilmurray, J. (2018). Ecology and Environmentalism in Contemporary Sound Art. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/13705/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gilmurray, Jonathan. “Ecology and Environmentalism in Contemporary Sound Art.” 2018. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/13705/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gilmurray, Jonathan. “Ecology and Environmentalism in Contemporary Sound Art.” 2018. Web. 18 Sep 2020.

Vancouver:

Gilmurray J. Ecology and Environmentalism in Contemporary Sound Art. [Internet] [Thesis]. University of the Arts London; 2018. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/13705/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gilmurray J. Ecology and Environmentalism in Contemporary Sound Art. [Thesis]. University of the Arts London; 2018. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/13705/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

13. Vaz, Maria Suzana Mendes da Silva. The Archaic Makes the Avant-garde. Experimental Practice and Primordial Image. Reading the Brazilian Post-neoconcrete and the Japanese Gutai Artists Through Mircea Eliade and Carl Gustav Jung.

Degree: 2012, University of the Arts London

 The Archaic Makes the Avant-Garde, Experimental Practice and Primordial Image is a research on the work, practice and creative process of the Brazilian Post-Neoconcrete artists… (more)

Subjects/Keywords: History of Art; Fine Art

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APA (6th Edition):

Vaz, M. S. M. d. S. (2012). The Archaic Makes the Avant-garde. Experimental Practice and Primordial Image. Reading the Brazilian Post-neoconcrete and the Japanese Gutai Artists Through Mircea Eliade and Carl Gustav Jung. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/15557/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Vaz, Maria Suzana Mendes da Silva. “The Archaic Makes the Avant-garde. Experimental Practice and Primordial Image. Reading the Brazilian Post-neoconcrete and the Japanese Gutai Artists Through Mircea Eliade and Carl Gustav Jung.” 2012. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/15557/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Vaz, Maria Suzana Mendes da Silva. “The Archaic Makes the Avant-garde. Experimental Practice and Primordial Image. Reading the Brazilian Post-neoconcrete and the Japanese Gutai Artists Through Mircea Eliade and Carl Gustav Jung.” 2012. Web. 18 Sep 2020.

Vancouver:

Vaz MSMdS. The Archaic Makes the Avant-garde. Experimental Practice and Primordial Image. Reading the Brazilian Post-neoconcrete and the Japanese Gutai Artists Through Mircea Eliade and Carl Gustav Jung. [Internet] [Thesis]. University of the Arts London; 2012. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15557/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Vaz MSMdS. The Archaic Makes the Avant-garde. Experimental Practice and Primordial Image. Reading the Brazilian Post-neoconcrete and the Japanese Gutai Artists Through Mircea Eliade and Carl Gustav Jung. [Thesis]. University of the Arts London; 2012. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15557/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

14. Surawska, Olga. Discovery in flux: informing design for experience of exploratory walking in changing urban landscapes.

Degree: 2019, University of the Arts London

 Contemporary European cities have been undergoing rapid spatial and social transition (United Nations 2014). Increasingly complex urban environments have been posing challenges to wayfinding —… (more)

Subjects/Keywords: Design Practice

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Surawska, O. (2019). Discovery in flux: informing design for experience of exploratory walking in changing urban landscapes. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/15558/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Surawska, Olga. “Discovery in flux: informing design for experience of exploratory walking in changing urban landscapes.” 2019. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/15558/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Surawska, Olga. “Discovery in flux: informing design for experience of exploratory walking in changing urban landscapes.” 2019. Web. 18 Sep 2020.

Vancouver:

Surawska O. Discovery in flux: informing design for experience of exploratory walking in changing urban landscapes. [Internet] [Thesis]. University of the Arts London; 2019. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15558/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Surawska O. Discovery in flux: informing design for experience of exploratory walking in changing urban landscapes. [Thesis]. University of the Arts London; 2019. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15558/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

15. Dover, Annabel. Florilegia, a fictional dialogue with the works of Anna Atkins: How does a fictional response to the works of Anna Atkins provide a new retelling of her work?.

Degree: 2019, University of the Arts London

 The botanical cyanotype albums of Anna Atkins have remained in The Royal Society, The Linnean Society, The British Library and the V&A since she donated… (more)

Subjects/Keywords: Fine Art

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APA (6th Edition):

Dover, A. (2019). Florilegia, a fictional dialogue with the works of Anna Atkins: How does a fictional response to the works of Anna Atkins provide a new retelling of her work?. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/15638/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Dover, Annabel. “Florilegia, a fictional dialogue with the works of Anna Atkins: How does a fictional response to the works of Anna Atkins provide a new retelling of her work?.” 2019. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/15638/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Dover, Annabel. “Florilegia, a fictional dialogue with the works of Anna Atkins: How does a fictional response to the works of Anna Atkins provide a new retelling of her work?.” 2019. Web. 18 Sep 2020.

Vancouver:

Dover A. Florilegia, a fictional dialogue with the works of Anna Atkins: How does a fictional response to the works of Anna Atkins provide a new retelling of her work?. [Internet] [Thesis]. University of the Arts London; 2019. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15638/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Dover A. Florilegia, a fictional dialogue with the works of Anna Atkins: How does a fictional response to the works of Anna Atkins provide a new retelling of her work?. [Thesis]. University of the Arts London; 2019. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/15638/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

16. Windle, Amanda. Territorial Violence and Design, 1950-2010: A Human-Computer Study of Personal Space and Chatbot Interaction.

Degree: 2011, University of the Arts London

 Personal space is a human’s imaginary system of precaution and an important concept for exploring territoriality, but between humans and technology because machinic agencies transfer,… (more)

Subjects/Keywords: Human-computer Interaction; Artificial Intelligence; Audio Technology; Sociology of Science and Technology; Anthropology; Fine Art; Design Practice; Interactive and Electronic Design; Sound Arts & Design; Film & Sound Recording; Imaginative Writing

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APA (6th Edition):

Windle, A. (2011). Territorial Violence and Design, 1950-2010: A Human-Computer Study of Personal Space and Chatbot Interaction. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/2785/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Windle, Amanda. “Territorial Violence and Design, 1950-2010: A Human-Computer Study of Personal Space and Chatbot Interaction.” 2011. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/2785/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Windle, Amanda. “Territorial Violence and Design, 1950-2010: A Human-Computer Study of Personal Space and Chatbot Interaction.” 2011. Web. 18 Sep 2020.

Vancouver:

Windle A. Territorial Violence and Design, 1950-2010: A Human-Computer Study of Personal Space and Chatbot Interaction. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/2785/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Windle A. Territorial Violence and Design, 1950-2010: A Human-Computer Study of Personal Space and Chatbot Interaction. [Thesis]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/2785/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

17. Hosea, Birgitta. Substitutive bodies and constructed actors: a practice-based investigation of animation as performance.

Degree: 2012, University of the Arts London

 The fundamental conceptualisation of what animation actually is has been changing in the face of material change to production and distribution methods since the introduction… (more)

Subjects/Keywords: Fine Art not elsewhere classified; Acting; Theatre studies; Moving Image Techniques; Animation Techniques; History of Cinematics

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hosea, B. (2012). Substitutive bodies and constructed actors: a practice-based investigation of animation as performance. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/3437/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hosea, Birgitta. “Substitutive bodies and constructed actors: a practice-based investigation of animation as performance.” 2012. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/3437/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hosea, Birgitta. “Substitutive bodies and constructed actors: a practice-based investigation of animation as performance.” 2012. Web. 18 Sep 2020.

Vancouver:

Hosea B. Substitutive bodies and constructed actors: a practice-based investigation of animation as performance. [Internet] [Thesis]. University of the Arts London; 2012. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/3437/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hosea B. Substitutive bodies and constructed actors: a practice-based investigation of animation as performance. [Thesis]. University of the Arts London; 2012. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/3437/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

18. Rowe, Lois. The address of spirituality in contemporary art.

Degree: 2011, University of the Arts London

 The thesis explores the use of religious themes and the notion of self-design in contemporary art practice. It argues that art today that addresses religion… (more)

Subjects/Keywords: Fine Art; Film & Sound Recording

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Rowe, L. (2011). The address of spirituality in contemporary art. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/4198/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Rowe, Lois. “The address of spirituality in contemporary art.” 2011. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/4198/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Rowe, Lois. “The address of spirituality in contemporary art.” 2011. Web. 18 Sep 2020.

Vancouver:

Rowe L. The address of spirituality in contemporary art. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/4198/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Rowe L. The address of spirituality in contemporary art. [Thesis]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/4198/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

19. Kirkham, Neil. Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative.

Degree: 2011, University of the Arts London

 In The Secret Museum: Pornography and Modern Culture, Walter Kendrick demonstrates that whilst the term pornography remains a battleground of ideas and representations, its origins… (more)

Subjects/Keywords: French Literature; Film & Video

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APA (6th Edition):

Kirkham, N. (2011). Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5137/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Kirkham, Neil. “Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative.” 2011. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5137/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Kirkham, Neil. “Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative.” 2011. Web. 18 Sep 2020.

Vancouver:

Kirkham N. Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5137/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Kirkham N. Simple pornographers? The Marquis de Sade and the evolution of the hard-core pornographic film narrative. [Thesis]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5137/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

20. Alfier, Dino. A Metaethical Study of Simone Weil’s Notion of Attention Through Critical Practical Analogy.

Degree: 2011, University of the Arts London

 This research provides an example of art practice employed within a metaethical framework by addressing Simone Weil‘s ethical notion of attention. In this thesis, 'metaethics‘… (more)

Subjects/Keywords: Drawing

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Alfier, D. (2011). A Metaethical Study of Simone Weil’s Notion of Attention Through Critical Practical Analogy. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5254/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Alfier, Dino. “A Metaethical Study of Simone Weil’s Notion of Attention Through Critical Practical Analogy.” 2011. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5254/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Alfier, Dino. “A Metaethical Study of Simone Weil’s Notion of Attention Through Critical Practical Analogy.” 2011. Web. 18 Sep 2020.

Vancouver:

Alfier D. A Metaethical Study of Simone Weil’s Notion of Attention Through Critical Practical Analogy. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5254/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Alfier D. A Metaethical Study of Simone Weil’s Notion of Attention Through Critical Practical Analogy. [Thesis]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5254/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

21. Adjani, Raphael Jay. Towards a deep ecology of art, technology and being - an ontological investigation with particular reference to the rock-cut edifices of Ellora, India, and Tadao Ando’s water temple.

Degree: 2011, University of the Arts London

 This practice-based thesis is an interrogation of ‘being’, one not centred on the human being. It concerns a being that manifests through dynamic inter-relation between… (more)

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APA (6th Edition):

Adjani, R. J. (2011). Towards a deep ecology of art, technology and being - an ontological investigation with particular reference to the rock-cut edifices of Ellora, India, and Tadao Ando’s water temple. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5452/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Adjani, Raphael Jay. “Towards a deep ecology of art, technology and being - an ontological investigation with particular reference to the rock-cut edifices of Ellora, India, and Tadao Ando’s water temple.” 2011. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5452/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Adjani, Raphael Jay. “Towards a deep ecology of art, technology and being - an ontological investigation with particular reference to the rock-cut edifices of Ellora, India, and Tadao Ando’s water temple.” 2011. Web. 18 Sep 2020.

Vancouver:

Adjani RJ. Towards a deep ecology of art, technology and being - an ontological investigation with particular reference to the rock-cut edifices of Ellora, India, and Tadao Ando’s water temple. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5452/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Adjani RJ. Towards a deep ecology of art, technology and being - an ontological investigation with particular reference to the rock-cut edifices of Ellora, India, and Tadao Ando’s water temple. [Thesis]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5452/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

22. Webster, Andy. Finding Fluid Form: A process aesthetic as a means to engage with the prevailing model of thinking in ecological art.

Degree: 2012, University of the Arts London

 This thesis considers common approaches to eco-art practice and its established discourses. Through a critical review of the field it identifies problems in practice and… (more)

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APA (6th Edition):

Webster, A. (2012). Finding Fluid Form: A process aesthetic as a means to engage with the prevailing model of thinking in ecological art. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5453/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Webster, Andy. “Finding Fluid Form: A process aesthetic as a means to engage with the prevailing model of thinking in ecological art.” 2012. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5453/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Webster, Andy. “Finding Fluid Form: A process aesthetic as a means to engage with the prevailing model of thinking in ecological art.” 2012. Web. 18 Sep 2020.

Vancouver:

Webster A. Finding Fluid Form: A process aesthetic as a means to engage with the prevailing model of thinking in ecological art. [Internet] [Thesis]. University of the Arts London; 2012. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5453/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Webster A. Finding Fluid Form: A process aesthetic as a means to engage with the prevailing model of thinking in ecological art. [Thesis]. University of the Arts London; 2012. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5453/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

23. Foa, Maryclare. Sounding out: performance drawing in response to the outside environment.

Degree: 2011, University of the Arts London

 My enquiry focuses on how a drawing, when made in response to the outside environment, might be conditioned by that environment, and in turn how… (more)

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APA (6th Edition):

Foa, M. (2011). Sounding out: performance drawing in response to the outside environment. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5455/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Foa, Maryclare. “Sounding out: performance drawing in response to the outside environment.” 2011. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5455/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Foa, Maryclare. “Sounding out: performance drawing in response to the outside environment.” 2011. Web. 18 Sep 2020.

Vancouver:

Foa M. Sounding out: performance drawing in response to the outside environment. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5455/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Foa M. Sounding out: performance drawing in response to the outside environment. [Thesis]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5455/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

24. Barnes, Alison. Realising the geo/graphic landscape of the everyday: a practice led investigation into an interdisciplinary geo/graphic design process.

Degree: 2011, University of the Arts London

 This research proposes that the ‘geo/graphic’ design process—an original synthesis of cultural geographic and graphic design theory and practice—offers much to geographers and graphic designers… (more)

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APA (6th Edition):

Barnes, A. (2011). Realising the geo/graphic landscape of the everyday: a practice led investigation into an interdisciplinary geo/graphic design process. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5460/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Barnes, Alison. “Realising the geo/graphic landscape of the everyday: a practice led investigation into an interdisciplinary geo/graphic design process.” 2011. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5460/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Barnes, Alison. “Realising the geo/graphic landscape of the everyday: a practice led investigation into an interdisciplinary geo/graphic design process.” 2011. Web. 18 Sep 2020.

Vancouver:

Barnes A. Realising the geo/graphic landscape of the everyday: a practice led investigation into an interdisciplinary geo/graphic design process. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5460/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Barnes A. Realising the geo/graphic landscape of the everyday: a practice led investigation into an interdisciplinary geo/graphic design process. [Thesis]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5460/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

25. Ferreira da Rocha e Silva, Ana Beatriz. Spectacular architecture, identity crisis, cultural politics and the reinvention of the significance of museums of modern art.

Degree: 2011, University of the Arts London

 Much of the available literature on the impact of the architecture of museums of modern art has centred upon the 'spectacularity' of such structures and… (more)

Subjects/Keywords: Architectural Design Theory; Museum studies

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APA (6th Edition):

Ferreira da Rocha e Silva, A. B. (2011). Spectacular architecture, identity crisis, cultural politics and the reinvention of the significance of museums of modern art. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5645/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Ferreira da Rocha e Silva, Ana Beatriz. “Spectacular architecture, identity crisis, cultural politics and the reinvention of the significance of museums of modern art.” 2011. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5645/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Ferreira da Rocha e Silva, Ana Beatriz. “Spectacular architecture, identity crisis, cultural politics and the reinvention of the significance of museums of modern art.” 2011. Web. 18 Sep 2020.

Vancouver:

Ferreira da Rocha e Silva AB. Spectacular architecture, identity crisis, cultural politics and the reinvention of the significance of museums of modern art. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5645/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Ferreira da Rocha e Silva AB. Spectacular architecture, identity crisis, cultural politics and the reinvention of the significance of museums of modern art. [Thesis]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5645/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

26. Millett, Joanna. Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry.

Degree: 2013, University of the Arts London

 This thesis addresses temporal experience in moving image from the perspective of artists’ film and video and asks: "if material qualities are implicated in memory… (more)

Subjects/Keywords: Fine Art; Film & Video

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Millett, J. (2013). Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5649/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Millett, Joanna. “Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry.” 2013. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5649/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Millett, Joanna. “Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry.” 2013. Web. 18 Sep 2020.

Vancouver:

Millett J. Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry. [Internet] [Thesis]. University of the Arts London; 2013. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5649/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Millett J. Anticipated retrospection: manifesting pastness in moving image, an art practice enquiry. [Thesis]. University of the Arts London; 2013. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5649/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

27. Gravestock, Hannah. Drawing and re-drawing: working with the physicality of the performing body in costume design.

Degree: 2011, University of the Arts London

 How does the act of drawing enable the costume designer to design costumes that work effectively with the physicality of the performing body? This research… (more)

Subjects/Keywords: Costume for Performance; Drawing; Theatre studies

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Gravestock, H. (2011). Drawing and re-drawing: working with the physicality of the performing body in costume design. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5654/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Gravestock, Hannah. “Drawing and re-drawing: working with the physicality of the performing body in costume design.” 2011. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5654/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Gravestock, Hannah. “Drawing and re-drawing: working with the physicality of the performing body in costume design.” 2011. Web. 18 Sep 2020.

Vancouver:

Gravestock H. Drawing and re-drawing: working with the physicality of the performing body in costume design. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5654/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Gravestock H. Drawing and re-drawing: working with the physicality of the performing body in costume design. [Thesis]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5654/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

28. King, Julie. Colour forecasting: an investigation into how its development and use impacts on accuracy.

Degree: 2011, University of the Arts London

 Colour forecasting is a sector of trend forecasting which is arguably the most important link in the product development process, yet little is known about… (more)

Subjects/Keywords: Fashion History & Theory; Textile Design

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

King, J. (2011). Colour forecasting: an investigation into how its development and use impacts on accuracy. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5657/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

King, Julie. “Colour forecasting: an investigation into how its development and use impacts on accuracy.” 2011. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5657/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

King, Julie. “Colour forecasting: an investigation into how its development and use impacts on accuracy.” 2011. Web. 18 Sep 2020.

Vancouver:

King J. Colour forecasting: an investigation into how its development and use impacts on accuracy. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5657/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

King J. Colour forecasting: an investigation into how its development and use impacts on accuracy. [Thesis]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5657/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

29. Taylor, Damon. Design art furniture and the boundaries of function: communicative objects, performative things.

Degree: 2011, University of the Arts London

 Over the last two decades a category of artefact has appeared that has come to be termed 'design art': highly expressive furniture and domestic products… (more)

Subjects/Keywords: Design studies; Furniture Design

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Taylor, D. (2011). Design art furniture and the boundaries of function: communicative objects, performative things. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5658/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Taylor, Damon. “Design art furniture and the boundaries of function: communicative objects, performative things.” 2011. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5658/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Taylor, Damon. “Design art furniture and the boundaries of function: communicative objects, performative things.” 2011. Web. 18 Sep 2020.

Vancouver:

Taylor D. Design art furniture and the boundaries of function: communicative objects, performative things. [Internet] [Thesis]. University of the Arts London; 2011. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5658/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Taylor D. Design art furniture and the boundaries of function: communicative objects, performative things. [Thesis]. University of the Arts London; 2011. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5658/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation


University of the Arts London

30. Hewitt, Andy. Art and counter-publics in Third Way cultural policy.

Degree: 2012, University of the Arts London

 In the UK, over the past decade, the rhetoric of ‘Third Way’ governance informed cultural policy. The research sets out how the agenda for cultural… (more)

Subjects/Keywords: Social Policy; Creative Arts and Design not elsewhere classified

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Hewitt, A. (2012). Art and counter-publics in Third Way cultural policy. (Thesis). University of the Arts London. Retrieved from https://ualresearchonline.arts.ac.uk/id/eprint/5679/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Hewitt, Andy. “Art and counter-publics in Third Way cultural policy.” 2012. Thesis, University of the Arts London. Accessed September 18, 2020. https://ualresearchonline.arts.ac.uk/id/eprint/5679/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Hewitt, Andy. “Art and counter-publics in Third Way cultural policy.” 2012. Web. 18 Sep 2020.

Vancouver:

Hewitt A. Art and counter-publics in Third Way cultural policy. [Internet] [Thesis]. University of the Arts London; 2012. [cited 2020 Sep 18]. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5679/.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Hewitt A. Art and counter-publics in Third Way cultural policy. [Thesis]. University of the Arts London; 2012. Available from: https://ualresearchonline.arts.ac.uk/id/eprint/5679/

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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