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You searched for publisher:"Royal College of Art". Showing records 1 – 30 of 112 total matches.

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1. Polmeer, Gareth. Motion to becoming : nature and the image in time.

Degree: PhD, 2015, Royal College of Art

 This research comprises interrelated elements of video works and a thesis. The philosophy and aesthetics of nature are explored through light and motion in the… (more)

Subjects/Keywords: W210 Graphic Design; W213 Visual Communication

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APA (6th Edition):

Polmeer, G. (2015). Motion to becoming : nature and the image in time. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1684/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655698

Chicago Manual of Style (16th Edition):

Polmeer, Gareth. “Motion to becoming : nature and the image in time.” 2015. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1684/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655698.

MLA Handbook (7th Edition):

Polmeer, Gareth. “Motion to becoming : nature and the image in time.” 2015. Web. 18 Jan 2019.

Vancouver:

Polmeer G. Motion to becoming : nature and the image in time. [Internet] [Doctoral dissertation]. Royal College of Art; 2015. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1684/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655698.

Council of Science Editors:

Polmeer G. Motion to becoming : nature and the image in time. [Doctoral Dissertation]. Royal College of Art; 2015. Available from: http://researchonline.rca.ac.uk/1684/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655698

2. Costello, Criodhna. The continuous view : practices of attraction in the moving image.

Degree: PhD, 2015, Royal College of Art

 This PhD project proposes the idea of ‘attractions’ as a tool for the critical analysis and reassessment of moving images. The term ‘attraction’ is not… (more)

Subjects/Keywords: W100 Fine Art; W640 Photography

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APA (6th Edition):

Costello, C. (2015). The continuous view : practices of attraction in the moving image. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1675/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655691

Chicago Manual of Style (16th Edition):

Costello, Criodhna. “The continuous view : practices of attraction in the moving image.” 2015. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1675/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655691.

MLA Handbook (7th Edition):

Costello, Criodhna. “The continuous view : practices of attraction in the moving image.” 2015. Web. 18 Jan 2019.

Vancouver:

Costello C. The continuous view : practices of attraction in the moving image. [Internet] [Doctoral dissertation]. Royal College of Art; 2015. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1675/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655691.

Council of Science Editors:

Costello C. The continuous view : practices of attraction in the moving image. [Doctoral Dissertation]. Royal College of Art; 2015. Available from: http://researchonline.rca.ac.uk/1675/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655691

3. Jones, Sarah. Moving slowly or not at all.

Degree: PhD, 2015, Royal College of Art

 A half of a brick is still a brick. Half a brick is a block. A building block, it is a thing of construction. Repeated,… (more)

Subjects/Keywords: W100 Fine Art; W120 Painting

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APA (6th Edition):

Jones, S. (2015). Moving slowly or not at all. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1679/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655695

Chicago Manual of Style (16th Edition):

Jones, Sarah. “Moving slowly or not at all.” 2015. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1679/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655695.

MLA Handbook (7th Edition):

Jones, Sarah. “Moving slowly or not at all.” 2015. Web. 18 Jan 2019.

Vancouver:

Jones S. Moving slowly or not at all. [Internet] [Doctoral dissertation]. Royal College of Art; 2015. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1679/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655695.

Council of Science Editors:

Jones S. Moving slowly or not at all. [Doctoral Dissertation]. Royal College of Art; 2015. Available from: http://researchonline.rca.ac.uk/1679/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655695

4. Jones, Michelle. Less than art - greater than trade : English couture and the Incorporated Society of London Fashion Designers in the 1930s and 1940s.

Degree: PhD, 2015, Royal College of Art

 This study examines the creation and professionalisation of a recognisable English couture industry in the mid-twentieth century and in particular the role designer collaboration played… (more)

Subjects/Keywords: W290 Design studies not elsewhere classified

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APA (6th Edition):

Jones, M. (2015). Less than art - greater than trade : English couture and the Incorporated Society of London Fashion Designers in the 1930s and 1940s. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1676/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655692

Chicago Manual of Style (16th Edition):

Jones, Michelle. “Less than art - greater than trade : English couture and the Incorporated Society of London Fashion Designers in the 1930s and 1940s.” 2015. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1676/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655692.

MLA Handbook (7th Edition):

Jones, Michelle. “Less than art - greater than trade : English couture and the Incorporated Society of London Fashion Designers in the 1930s and 1940s.” 2015. Web. 18 Jan 2019.

Vancouver:

Jones M. Less than art - greater than trade : English couture and the Incorporated Society of London Fashion Designers in the 1930s and 1940s. [Internet] [Doctoral dissertation]. Royal College of Art; 2015. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1676/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655692.

Council of Science Editors:

Jones M. Less than art - greater than trade : English couture and the Incorporated Society of London Fashion Designers in the 1930s and 1940s. [Doctoral Dissertation]. Royal College of Art; 2015. Available from: http://researchonline.rca.ac.uk/1676/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655692

5. Shercliff, Emma. Articulating stitch : skilful hand-stitching as personal, social and cultural experience.

Degree: PhD, 2015, Royal College of Art

 This practice-led PhD research explores the nature of embodied knowledge acquired and practised through the rhythms and patterns of hand-stitching processes, such as embroidery, plain… (more)

Subjects/Keywords: W230 Clothing/Fashion Design; W231 Textile Design

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APA (6th Edition):

Shercliff, E. (2015). Articulating stitch : skilful hand-stitching as personal, social and cultural experience. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1693/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655703

Chicago Manual of Style (16th Edition):

Shercliff, Emma. “Articulating stitch : skilful hand-stitching as personal, social and cultural experience.” 2015. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1693/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655703.

MLA Handbook (7th Edition):

Shercliff, Emma. “Articulating stitch : skilful hand-stitching as personal, social and cultural experience.” 2015. Web. 18 Jan 2019.

Vancouver:

Shercliff E. Articulating stitch : skilful hand-stitching as personal, social and cultural experience. [Internet] [Doctoral dissertation]. Royal College of Art; 2015. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1693/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655703.

Council of Science Editors:

Shercliff E. Articulating stitch : skilful hand-stitching as personal, social and cultural experience. [Doctoral Dissertation]. Royal College of Art; 2015. Available from: http://researchonline.rca.ac.uk/1693/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655703

6. Jenkins, Jessica. Visual arts in the urban environment in the German Democratic Republic.

Degree: PhD, 2014, Royal College of Art

 Since the unification of East and West Germany in 1990, most of the urban fabric of the former East Germany has been altered beyond recognition… (more)

Subjects/Keywords: W990 Creative Arts and Design not elsewhere classified

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APA (6th Edition):

Jenkins, J. (2014). Visual arts in the urban environment in the German Democratic Republic. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1681/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655696

Chicago Manual of Style (16th Edition):

Jenkins, Jessica. “Visual arts in the urban environment in the German Democratic Republic.” 2014. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1681/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655696.

MLA Handbook (7th Edition):

Jenkins, Jessica. “Visual arts in the urban environment in the German Democratic Republic.” 2014. Web. 18 Jan 2019.

Vancouver:

Jenkins J. Visual arts in the urban environment in the German Democratic Republic. [Internet] [Doctoral dissertation]. Royal College of Art; 2014. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1681/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655696.

Council of Science Editors:

Jenkins J. Visual arts in the urban environment in the German Democratic Republic. [Doctoral Dissertation]. Royal College of Art; 2014. Available from: http://researchonline.rca.ac.uk/1681/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655696

7. Brown, Steve Royston. The physicality of print.

Degree: PhD, 2010, Royal College of Art

 Printmaking within the applied arts is an extremely diverse practice that can extend the concept of what a print can be. Rather than the dissemination… (more)

Subjects/Keywords: W140 Printmaking; W750 Clay and Stone Crafts

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APA (6th Edition):

Brown, S. R. (2010). The physicality of print. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1134/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.566845

Chicago Manual of Style (16th Edition):

Brown, Steve Royston. “The physicality of print.” 2010. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1134/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.566845.

MLA Handbook (7th Edition):

Brown, Steve Royston. “The physicality of print.” 2010. Web. 18 Jan 2019.

Vancouver:

Brown SR. The physicality of print. [Internet] [Doctoral dissertation]. Royal College of Art; 2010. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1134/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.566845.

Council of Science Editors:

Brown SR. The physicality of print. [Doctoral Dissertation]. Royal College of Art; 2010. Available from: http://researchonline.rca.ac.uk/1134/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.566845

8. Jean, Nils L. M. Digital debris of Internet Art : an allegorical and entropic resistance to the epistemology of search.

Degree: PhD, 2015, Royal College of Art

 This Ph.D., by thesis, proposes a speculative lens to read Internet Art via the concept of digital debris. In order to do so, the research… (more)

Subjects/Keywords: W100 Fine Art

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APA (6th Edition):

Jean, N. L. M. (2015). Digital debris of Internet Art : an allegorical and entropic resistance to the epistemology of search. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1707/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675610

Chicago Manual of Style (16th Edition):

Jean, Nils L M. “Digital debris of Internet Art : an allegorical and entropic resistance to the epistemology of search.” 2015. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1707/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675610.

MLA Handbook (7th Edition):

Jean, Nils L M. “Digital debris of Internet Art : an allegorical and entropic resistance to the epistemology of search.” 2015. Web. 18 Jan 2019.

Vancouver:

Jean NLM. Digital debris of Internet Art : an allegorical and entropic resistance to the epistemology of search. [Internet] [Doctoral dissertation]. Royal College of Art; 2015. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1707/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675610.

Council of Science Editors:

Jean NLM. Digital debris of Internet Art : an allegorical and entropic resistance to the epistemology of search. [Doctoral Dissertation]. Royal College of Art; 2015. Available from: http://researchonline.rca.ac.uk/1707/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675610

9. Auger, James. Why robot? : speculative design, the domestication of technology and the considered future.

Degree: PhD, 2012, Royal College of Art

 One of the enduring objects used to represent the technological future is the robot. This legacy means that its promise has the ability to evolve… (more)

Subjects/Keywords: 629.8; W200 Design studies

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APA (6th Edition):

Auger, J. (2012). Why robot? : speculative design, the domestication of technology and the considered future. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1660/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629606

Chicago Manual of Style (16th Edition):

Auger, James. “Why robot? : speculative design, the domestication of technology and the considered future.” 2012. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1660/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629606.

MLA Handbook (7th Edition):

Auger, James. “Why robot? : speculative design, the domestication of technology and the considered future.” 2012. Web. 18 Jan 2019.

Vancouver:

Auger J. Why robot? : speculative design, the domestication of technology and the considered future. [Internet] [Doctoral dissertation]. Royal College of Art; 2012. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1660/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629606.

Council of Science Editors:

Auger J. Why robot? : speculative design, the domestication of technology and the considered future. [Doctoral Dissertation]. Royal College of Art; 2012. Available from: http://researchonline.rca.ac.uk/1660/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629606

10. Song, Min Jeong. Mechanisms of in-betweenness : through visual experiences of glass.

Degree: PhD, 2014, Royal College of Art

 This practice-led project explores the idea of in-betweenness through the physical and metaphorical aspects of glass. The starting point of the research is that glass,… (more)

Subjects/Keywords: 748; W750 Clay and Stone Crafts

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APA (6th Edition):

Song, M. J. (2014). Mechanisms of in-betweenness : through visual experiences of glass. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1657/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629603

Chicago Manual of Style (16th Edition):

Song, Min Jeong. “Mechanisms of in-betweenness : through visual experiences of glass.” 2014. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1657/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629603.

MLA Handbook (7th Edition):

Song, Min Jeong. “Mechanisms of in-betweenness : through visual experiences of glass.” 2014. Web. 18 Jan 2019.

Vancouver:

Song MJ. Mechanisms of in-betweenness : through visual experiences of glass. [Internet] [Doctoral dissertation]. Royal College of Art; 2014. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1657/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629603.

Council of Science Editors:

Song MJ. Mechanisms of in-betweenness : through visual experiences of glass. [Doctoral Dissertation]. Royal College of Art; 2014. Available from: http://researchonline.rca.ac.uk/1657/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629603

11. Hijosa, Carmen. Piñatex : the design development of a new sustainable material.

Degree: PhD, 2015, Royal College of Art

 This is a research project by practice, which firstly develops a new material invention derived from natural fibres extracted from waste pineapple leaves; secondly it… (more)

Subjects/Keywords: 677; W231 Textile Design

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APA (6th Edition):

Hijosa, C. (2015). Piñatex : the design development of a new sustainable material. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1677/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655693

Chicago Manual of Style (16th Edition):

Hijosa, Carmen. “Piñatex : the design development of a new sustainable material.” 2015. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1677/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655693.

MLA Handbook (7th Edition):

Hijosa, Carmen. “Piñatex : the design development of a new sustainable material.” 2015. Web. 18 Jan 2019.

Vancouver:

Hijosa C. Piñatex : the design development of a new sustainable material. [Internet] [Doctoral dissertation]. Royal College of Art; 2015. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1677/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655693.

Council of Science Editors:

Hijosa C. Piñatex : the design development of a new sustainable material. [Doctoral Dissertation]. Royal College of Art; 2015. Available from: http://researchonline.rca.ac.uk/1677/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.655693

12. Lee, Yeseung. The ambiguity of seamlessness : the poetic function of making.

Degree: PhD, 2012, Royal College of Art

 This practice-led research examines the paradox of seamlessness in fashion, drawing on the similarities found between the process of making garments, the process of their… (more)

Subjects/Keywords: 677; W900 Others in Creative Arts and Design

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APA (6th Edition):

Lee, Y. (2012). The ambiguity of seamlessness : the poetic function of making. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1366/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577718

Chicago Manual of Style (16th Edition):

Lee, Yeseung. “The ambiguity of seamlessness : the poetic function of making.” 2012. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1366/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577718.

MLA Handbook (7th Edition):

Lee, Yeseung. “The ambiguity of seamlessness : the poetic function of making.” 2012. Web. 18 Jan 2019.

Vancouver:

Lee Y. The ambiguity of seamlessness : the poetic function of making. [Internet] [Doctoral dissertation]. Royal College of Art; 2012. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1366/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577718.

Council of Science Editors:

Lee Y. The ambiguity of seamlessness : the poetic function of making. [Doctoral Dissertation]. Royal College of Art; 2012. Available from: http://researchonline.rca.ac.uk/1366/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577718

13. Kapelouzou, Iris Stavroula. Harming works of art : the challenges of contemporary conceptions of the artwork.

Degree: PhD, 2010, Royal College of Art

 The aim of this thesis is to consider the role of conservation in response to the theoretical and ethical challenges posed by contemporary art phenomena.… (more)

Subjects/Keywords: 700; W990 Creative Arts and Design not elsewhere classified

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APA (6th Edition):

Kapelouzou, I. S. (2010). Harming works of art : the challenges of contemporary conceptions of the artwork. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1629/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606516

Chicago Manual of Style (16th Edition):

Kapelouzou, Iris Stavroula. “Harming works of art : the challenges of contemporary conceptions of the artwork.” 2010. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1629/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606516.

MLA Handbook (7th Edition):

Kapelouzou, Iris Stavroula. “Harming works of art : the challenges of contemporary conceptions of the artwork.” 2010. Web. 18 Jan 2019.

Vancouver:

Kapelouzou IS. Harming works of art : the challenges of contemporary conceptions of the artwork. [Internet] [Doctoral dissertation]. Royal College of Art; 2010. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1629/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606516.

Council of Science Editors:

Kapelouzou IS. Harming works of art : the challenges of contemporary conceptions of the artwork. [Doctoral Dissertation]. Royal College of Art; 2010. Available from: http://researchonline.rca.ac.uk/1629/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606516

14. Rogerson, Cordelia. Preserving jewellery created from plastics and rubber : application of materials and interpretation of objects.

Degree: PhD, 2010, Royal College of Art

 The adoption of plastics and rubber to artist jewellers’ repertoire of materials in the late 1960s marks a significant and permanent alteration to the artist… (more)

Subjects/Keywords: 739.27; W160 Fine Art Conservation

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APA (6th Edition):

Rogerson, C. (2010). Preserving jewellery created from plastics and rubber : application of materials and interpretation of objects. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/338/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569073

Chicago Manual of Style (16th Edition):

Rogerson, Cordelia. “Preserving jewellery created from plastics and rubber : application of materials and interpretation of objects.” 2010. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/338/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569073.

MLA Handbook (7th Edition):

Rogerson, Cordelia. “Preserving jewellery created from plastics and rubber : application of materials and interpretation of objects.” 2010. Web. 18 Jan 2019.

Vancouver:

Rogerson C. Preserving jewellery created from plastics and rubber : application of materials and interpretation of objects. [Internet] [Doctoral dissertation]. Royal College of Art; 2010. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/338/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569073.

Council of Science Editors:

Rogerson C. Preserving jewellery created from plastics and rubber : application of materials and interpretation of objects. [Doctoral Dissertation]. Royal College of Art; 2010. Available from: http://researchonline.rca.ac.uk/338/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569073

15. Mulholland, Richard. 'From dreams and visions and things not known' : technique and process in David Smith's drawings.

Degree: PhD, 2010, Royal College of Art

 For the American sculptor, David Smith (1906–1965), drawing was a language to replace words. It was the subconscious immediacy of drawing that allowed formal concepts… (more)

Subjects/Keywords: 730.973; W160 Fine Art Conservation

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APA (6th Edition):

Mulholland, R. (2010). 'From dreams and visions and things not known' : technique and process in David Smith's drawings. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/433/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569074

Chicago Manual of Style (16th Edition):

Mulholland, Richard. “'From dreams and visions and things not known' : technique and process in David Smith's drawings.” 2010. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/433/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569074.

MLA Handbook (7th Edition):

Mulholland, Richard. “'From dreams and visions and things not known' : technique and process in David Smith's drawings.” 2010. Web. 18 Jan 2019.

Vancouver:

Mulholland R. 'From dreams and visions and things not known' : technique and process in David Smith's drawings. [Internet] [Doctoral dissertation]. Royal College of Art; 2010. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/433/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569074.

Council of Science Editors:

Mulholland R. 'From dreams and visions and things not known' : technique and process in David Smith's drawings. [Doctoral Dissertation]. Royal College of Art; 2010. Available from: http://researchonline.rca.ac.uk/433/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569074

16. Boos, Emmanuel. The poetics of glaze : ceramic surface and the perception of depth.

Degree: PhD, 2011, Royal College of Art

 This research by practice into the visual and aesthetic qualities of ceramic glaze investigates its ability to create an impression of depth. Because perspectival depth… (more)

Subjects/Keywords: 738.1; W751 Pottery

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APA (6th Edition):

Boos, E. (2011). The poetics of glaze : ceramic surface and the perception of depth. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1131/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569082

Chicago Manual of Style (16th Edition):

Boos, Emmanuel. “The poetics of glaze : ceramic surface and the perception of depth.” 2011. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1131/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569082.

MLA Handbook (7th Edition):

Boos, Emmanuel. “The poetics of glaze : ceramic surface and the perception of depth.” 2011. Web. 18 Jan 2019.

Vancouver:

Boos E. The poetics of glaze : ceramic surface and the perception of depth. [Internet] [Doctoral dissertation]. Royal College of Art; 2011. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1131/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569082.

Council of Science Editors:

Boos E. The poetics of glaze : ceramic surface and the perception of depth. [Doctoral Dissertation]. Royal College of Art; 2011. Available from: http://researchonline.rca.ac.uk/1131/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569082

17. Brachlow, Heike. Shaping colour : density, light and form in solid glass sculpture.

Degree: PhD, 2012, Royal College of Art

 In transparent glass, colour occurs through the absorption of certain wavelengths of light, and transmission of other wavelengths. In thicker sections of glass, more light… (more)

Subjects/Keywords: 748; W770 Glass Crafts

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APA (6th Edition):

Brachlow, H. (2012). Shaping colour : density, light and form in solid glass sculpture. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1161/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569088

Chicago Manual of Style (16th Edition):

Brachlow, Heike. “Shaping colour : density, light and form in solid glass sculpture.” 2012. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1161/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569088.

MLA Handbook (7th Edition):

Brachlow, Heike. “Shaping colour : density, light and form in solid glass sculpture.” 2012. Web. 18 Jan 2019.

Vancouver:

Brachlow H. Shaping colour : density, light and form in solid glass sculpture. [Internet] [Doctoral dissertation]. Royal College of Art; 2012. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1161/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569088.

Council of Science Editors:

Brachlow H. Shaping colour : density, light and form in solid glass sculpture. [Doctoral Dissertation]. Royal College of Art; 2012. Available from: http://researchonline.rca.ac.uk/1161/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569088

18. Pedder-Smith, Rachel. The glow of significance : narrating stories using natural history specimens.

Degree: PhD, 2011, Royal College of Art

 The subject of this project is natural history specimens and the exploration of their qualities in visual artwork. The first part is a 533cm watercolour… (more)

Subjects/Keywords: 751.42; W990 Creative Arts and Design not elsewhere classified

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APA (6th Edition):

Pedder-Smith, R. (2011). The glow of significance : narrating stories using natural history specimens. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/430/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569080

Chicago Manual of Style (16th Edition):

Pedder-Smith, Rachel. “The glow of significance : narrating stories using natural history specimens.” 2011. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/430/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569080.

MLA Handbook (7th Edition):

Pedder-Smith, Rachel. “The glow of significance : narrating stories using natural history specimens.” 2011. Web. 18 Jan 2019.

Vancouver:

Pedder-Smith R. The glow of significance : narrating stories using natural history specimens. [Internet] [Doctoral dissertation]. Royal College of Art; 2011. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/430/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569080.

Council of Science Editors:

Pedder-Smith R. The glow of significance : narrating stories using natural history specimens. [Doctoral Dissertation]. Royal College of Art; 2011. Available from: http://researchonline.rca.ac.uk/430/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569080

19. Flintham, Matthew. Parallel landscapes : a spatial and critical study of militarised sites in the United Kingdom.

Degree: PhD, 2011, Royal College of Art

 There are currently 548 declared military facilities in the United Kingdom, located on 372,000 hectares of military-owned or used land. Collectively known as the defence… (more)

Subjects/Keywords: 719; L726 Cultural Geography

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APA (6th Edition):

Flintham, M. (2011). Parallel landscapes : a spatial and critical study of militarised sites in the United Kingdom. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/429/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569079

Chicago Manual of Style (16th Edition):

Flintham, Matthew. “Parallel landscapes : a spatial and critical study of militarised sites in the United Kingdom.” 2011. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/429/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569079.

MLA Handbook (7th Edition):

Flintham, Matthew. “Parallel landscapes : a spatial and critical study of militarised sites in the United Kingdom.” 2011. Web. 18 Jan 2019.

Vancouver:

Flintham M. Parallel landscapes : a spatial and critical study of militarised sites in the United Kingdom. [Internet] [Doctoral dissertation]. Royal College of Art; 2011. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/429/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569079.

Council of Science Editors:

Flintham M. Parallel landscapes : a spatial and critical study of militarised sites in the United Kingdom. [Doctoral Dissertation]. Royal College of Art; 2011. Available from: http://researchonline.rca.ac.uk/429/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569079

20. Shaw, Benjamin. More than the sum of the parts : shared representations in collaborative design interaction.

Degree: PhD, 2007, Royal College of Art

 This dissertation presents an inquiry into the roles played by persistent, shared external representations in design collaboration. It advances an understanding of the active participation… (more)

Subjects/Keywords: 745.2; W240 Industrial/Product Design : W290 Design studies not elsewhere classified

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APA (6th Edition):

Shaw, B. (2007). More than the sum of the parts : shared representations in collaborative design interaction. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1362/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486062

Chicago Manual of Style (16th Edition):

Shaw, Benjamin. “More than the sum of the parts : shared representations in collaborative design interaction.” 2007. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1362/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486062.

MLA Handbook (7th Edition):

Shaw, Benjamin. “More than the sum of the parts : shared representations in collaborative design interaction.” 2007. Web. 18 Jan 2019.

Vancouver:

Shaw B. More than the sum of the parts : shared representations in collaborative design interaction. [Internet] [Doctoral dissertation]. Royal College of Art; 2007. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1362/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486062.

Council of Science Editors:

Shaw B. More than the sum of the parts : shared representations in collaborative design interaction. [Doctoral Dissertation]. Royal College of Art; 2007. Available from: http://researchonline.rca.ac.uk/1362/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486062

21. Schwab, Michael. Image automation : post-conceptual post photography and the deconstruction of the photographic image.

Degree: PhD, 2008, Royal College of Art

 This PhD thesis delivers an artistic research practice based on a deconstruction of the photographic image. Photography in post-photographic, digital culture has, due to changes… (more)

Subjects/Keywords: 770

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APA (6th Edition):

Schwab, M. (2008). Image automation : post-conceptual post photography and the deconstruction of the photographic image. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/309/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445575

Chicago Manual of Style (16th Edition):

Schwab, Michael. “Image automation : post-conceptual post photography and the deconstruction of the photographic image.” 2008. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/309/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445575.

MLA Handbook (7th Edition):

Schwab, Michael. “Image automation : post-conceptual post photography and the deconstruction of the photographic image.” 2008. Web. 18 Jan 2019.

Vancouver:

Schwab M. Image automation : post-conceptual post photography and the deconstruction of the photographic image. [Internet] [Doctoral dissertation]. Royal College of Art; 2008. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/309/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445575.

Council of Science Editors:

Schwab M. Image automation : post-conceptual post photography and the deconstruction of the photographic image. [Doctoral Dissertation]. Royal College of Art; 2008. Available from: http://researchonline.rca.ac.uk/309/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445575

22. Beier, Sofie. Typeface legibility : towards defining familiarity.

Degree: PhD, 2009, Royal College of Art

 The aim of the project is to investigate the influence of fa- miliarity on reading. Three new fonts were created in order to examine the… (more)

Subjects/Keywords: 708; W213 Visual Communication

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APA (6th Edition):

Beier, S. (2009). Typeface legibility : towards defining familiarity. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/957/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518611

Chicago Manual of Style (16th Edition):

Beier, Sofie. “Typeface legibility : towards defining familiarity.” 2009. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/957/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518611.

MLA Handbook (7th Edition):

Beier, Sofie. “Typeface legibility : towards defining familiarity.” 2009. Web. 18 Jan 2019.

Vancouver:

Beier S. Typeface legibility : towards defining familiarity. [Internet] [Doctoral dissertation]. Royal College of Art; 2009. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/957/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518611.

Council of Science Editors:

Beier S. Typeface legibility : towards defining familiarity. [Doctoral Dissertation]. Royal College of Art; 2009. Available from: http://researchonline.rca.ac.uk/957/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518611

23. Webster, Shelley. Stalking the illusion : space in glass.

Degree: PhD, 2013, Royal College of Art

 The visual system generates the perception of a world of meaningful three - dimensional objects from a stream of retinal signals – in the psychologist… (more)

Subjects/Keywords: W770 Glass Crafts

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Webster, S. (2013). Stalking the illusion : space in glass. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/2829/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.720621

Chicago Manual of Style (16th Edition):

Webster, Shelley. “Stalking the illusion : space in glass.” 2013. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/2829/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.720621.

MLA Handbook (7th Edition):

Webster, Shelley. “Stalking the illusion : space in glass.” 2013. Web. 18 Jan 2019.

Vancouver:

Webster S. Stalking the illusion : space in glass. [Internet] [Doctoral dissertation]. Royal College of Art; 2013. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/2829/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.720621.

Council of Science Editors:

Webster S. Stalking the illusion : space in glass. [Doctoral Dissertation]. Royal College of Art; 2013. Available from: http://researchonline.rca.ac.uk/2829/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.720621

24. Karanika, Myrto. Exploring perceptual matters : a textile-based approach.

Degree: PhD, 2015, Royal College of Art

 This research takes a practice-based approach to exploring perceptual matters that often go unnoticed in the context of everyday lived experience. My approach focuses on… (more)

Subjects/Keywords: 677; C800 Psychology; J900 Others in Technology; W231 Textile Design

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Karanika, M. (2015). Exploring perceptual matters : a textile-based approach. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1792/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687294

Chicago Manual of Style (16th Edition):

Karanika, Myrto. “Exploring perceptual matters : a textile-based approach.” 2015. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1792/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687294.

MLA Handbook (7th Edition):

Karanika, Myrto. “Exploring perceptual matters : a textile-based approach.” 2015. Web. 18 Jan 2019.

Vancouver:

Karanika M. Exploring perceptual matters : a textile-based approach. [Internet] [Doctoral dissertation]. Royal College of Art; 2015. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1792/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687294.

Council of Science Editors:

Karanika M. Exploring perceptual matters : a textile-based approach. [Doctoral Dissertation]. Royal College of Art; 2015. Available from: http://researchonline.rca.ac.uk/1792/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687294

25. Wilson, Conor J. R. Writing_making : object as body, language and material.

Degree: PhD, 2016, Royal College of Art

 A turn away from language and the human mind as the dominant (or only) determinants of reality can be identified within many disciplines, including anthropology,… (more)

Subjects/Keywords: 745.6; V500 Philosophy; W270 Ceramics Design; W750 Clay and Stone Crafts; W770 Glass Crafts; W800 Imaginative Writing

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APA (6th Edition):

Wilson, C. J. R. (2016). Writing_making : object as body, language and material. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1764/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685319

Chicago Manual of Style (16th Edition):

Wilson, Conor J R. “Writing_making : object as body, language and material.” 2016. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1764/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685319.

MLA Handbook (7th Edition):

Wilson, Conor J R. “Writing_making : object as body, language and material.” 2016. Web. 18 Jan 2019.

Vancouver:

Wilson CJR. Writing_making : object as body, language and material. [Internet] [Doctoral dissertation]. Royal College of Art; 2016. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1764/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685319.

Council of Science Editors:

Wilson CJR. Writing_making : object as body, language and material. [Doctoral Dissertation]. Royal College of Art; 2016. Available from: http://researchonline.rca.ac.uk/1764/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.685319

26. Yoshimoto, Hideki. Pulse and rhythm : exploring the value of repetitive motion as an element of design.

Degree: PhD, 2015, Royal College of Art

 With this thesis I want to share my exploration of pulse and rhythm as elements of design. I locate my research on the meeting point… (more)

Subjects/Keywords: 745.2; W200 Design studies; W240 Industrial/Product Design

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APA (6th Edition):

Yoshimoto, H. (2015). Pulse and rhythm : exploring the value of repetitive motion as an element of design. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1708/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681026

Chicago Manual of Style (16th Edition):

Yoshimoto, Hideki. “Pulse and rhythm : exploring the value of repetitive motion as an element of design.” 2015. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1708/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681026.

MLA Handbook (7th Edition):

Yoshimoto, Hideki. “Pulse and rhythm : exploring the value of repetitive motion as an element of design.” 2015. Web. 18 Jan 2019.

Vancouver:

Yoshimoto H. Pulse and rhythm : exploring the value of repetitive motion as an element of design. [Internet] [Doctoral dissertation]. Royal College of Art; 2015. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1708/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681026.

Council of Science Editors:

Yoshimoto H. Pulse and rhythm : exploring the value of repetitive motion as an element of design. [Doctoral Dissertation]. Royal College of Art; 2015. Available from: http://researchonline.rca.ac.uk/1708/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681026

27. Rezende, Livia Lazzaro. The raw and the manufactured : Brazilian modernity and national identity as projected in international exhibitions (1862-1922).

Degree: PhD, 2010, Royal College of Art

 This thesis discusses nineteenth- and early twentieth-century representations of Brazil, with em-phasis on Brazilian national identity and the country’s engagement with modernity. It addresses these… (more)

Subjects/Keywords: 745.409; W290 Design studies not elsewhere classified

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APA (6th Edition):

Rezende, L. L. (2010). The raw and the manufactured : Brazilian modernity and national identity as projected in international exhibitions (1862-1922). (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1143/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569076

Chicago Manual of Style (16th Edition):

Rezende, Livia Lazzaro. “The raw and the manufactured : Brazilian modernity and national identity as projected in international exhibitions (1862-1922).” 2010. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1143/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569076.

MLA Handbook (7th Edition):

Rezende, Livia Lazzaro. “The raw and the manufactured : Brazilian modernity and national identity as projected in international exhibitions (1862-1922).” 2010. Web. 18 Jan 2019.

Vancouver:

Rezende LL. The raw and the manufactured : Brazilian modernity and national identity as projected in international exhibitions (1862-1922). [Internet] [Doctoral dissertation]. Royal College of Art; 2010. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1143/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569076.

Council of Science Editors:

Rezende LL. The raw and the manufactured : Brazilian modernity and national identity as projected in international exhibitions (1862-1922). [Doctoral Dissertation]. Royal College of Art; 2010. Available from: http://researchonline.rca.ac.uk/1143/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.569076

28. Seo, Jimin. Jacquard weave for interior design : valuing arts and crafts through encoding emotion and information.

Degree: PhD, 2016, Royal College of Art

 This dissertation exists in relation to the exhibition of design practice at the RCA, November 7th 2014 (documented in photographs accompanying the text); it is… (more)

Subjects/Keywords: 677; W231 Textile Design; W700 Crafts; W710 Fabric and Leather Crafts

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APA (6th Edition):

Seo, J. (2016). Jacquard weave for interior design : valuing arts and crafts through encoding emotion and information. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1756/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683485

Chicago Manual of Style (16th Edition):

Seo, Jimin. “Jacquard weave for interior design : valuing arts and crafts through encoding emotion and information.” 2016. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1756/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683485.

MLA Handbook (7th Edition):

Seo, Jimin. “Jacquard weave for interior design : valuing arts and crafts through encoding emotion and information.” 2016. Web. 18 Jan 2019.

Vancouver:

Seo J. Jacquard weave for interior design : valuing arts and crafts through encoding emotion and information. [Internet] [Doctoral dissertation]. Royal College of Art; 2016. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1756/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683485.

Council of Science Editors:

Seo J. Jacquard weave for interior design : valuing arts and crafts through encoding emotion and information. [Doctoral Dissertation]. Royal College of Art; 2016. Available from: http://researchonline.rca.ac.uk/1756/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683485

29. Lamb, Roland. The seaboard : discreteness and continuity in musical interface design.

Degree: PhD, 2014, Royal College of Art

 The production of acoustic music bridges two senses - touch and hearing - by connecting physical movements, gestures, and tactile interactions with the creation of… (more)

Subjects/Keywords: 786.7; W200 Design studies

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APA (6th Edition):

Lamb, R. (2014). The seaboard : discreteness and continuity in musical interface design. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1648/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629599

Chicago Manual of Style (16th Edition):

Lamb, Roland. “The seaboard : discreteness and continuity in musical interface design.” 2014. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1648/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629599.

MLA Handbook (7th Edition):

Lamb, Roland. “The seaboard : discreteness and continuity in musical interface design.” 2014. Web. 18 Jan 2019.

Vancouver:

Lamb R. The seaboard : discreteness and continuity in musical interface design. [Internet] [Doctoral dissertation]. Royal College of Art; 2014. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1648/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629599.

Council of Science Editors:

Lamb R. The seaboard : discreteness and continuity in musical interface design. [Doctoral Dissertation]. Royal College of Art; 2014. Available from: http://researchonline.rca.ac.uk/1648/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629599

30. Peasnall, Eve. Painting backwards, or, How my fool encountered the melancholic.

Degree: PhD, 2013, Royal College of Art

 ‘Uncompanionable’ is the word Leo Steinberg used to describe the female figures in Pablo Picasso’s paintings of the early forties. This project demonstrates a series… (more)

Subjects/Keywords: 750; W120 Painting

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APA (6th Edition):

Peasnall, E. (2013). Painting backwards, or, How my fool encountered the melancholic. (Doctoral Dissertation). Royal College of Art. Retrieved from http://researchonline.rca.ac.uk/1650/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629601

Chicago Manual of Style (16th Edition):

Peasnall, Eve. “Painting backwards, or, How my fool encountered the melancholic.” 2013. Doctoral Dissertation, Royal College of Art. Accessed January 18, 2019. http://researchonline.rca.ac.uk/1650/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629601.

MLA Handbook (7th Edition):

Peasnall, Eve. “Painting backwards, or, How my fool encountered the melancholic.” 2013. Web. 18 Jan 2019.

Vancouver:

Peasnall E. Painting backwards, or, How my fool encountered the melancholic. [Internet] [Doctoral dissertation]. Royal College of Art; 2013. [cited 2019 Jan 18]. Available from: http://researchonline.rca.ac.uk/1650/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629601.

Council of Science Editors:

Peasnall E. Painting backwards, or, How my fool encountered the melancholic. [Doctoral Dissertation]. Royal College of Art; 2013. Available from: http://researchonline.rca.ac.uk/1650/ ; http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629601

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