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1. Graziano, Pedro Henrique Pereira [UNESP]. O Fantástico, o Maravilhoso e o Estranho na composição da figura do narrador em Castelli di rabbia, de Alessandro Baricco.

Degree: 2017, Universidade Estadual Paulista

The goal of this research is to clarify how the literary modes Fantastic, Wonderful and Strange, as defined by Ceserani (2006), are important for the composition and valorization of the figure of the narrator in contemporary society in Alessandro Baricco‘s Castelli di rabbia (1991). It‘s believed that the narrator in this work is the one took into consideration by Walter Benjamin (1996), which would be an almost extinct decadent figure due to the arrival of the modernity and the decline of collective experience. The Italian author of this work builds a narrative in which there are several smaller narratives that compose the novel. Each one of these smaller narratives happens inside of a fantastic universe, in which the above-quoted literary modes take place alternately. To study these literary modes, authors such as Furtado (1980), Ceserani (2006), Bessière (1974), and also some considerations of Todorov (1975), pioneering author in this field of study, will be taken into consideration. Each one of the smaller stories narrated have in common the fact that they approach a life goal of some character inside of an imaginary universe, in which the rules of our natural world no longer exist. All these goals are apparently impossible and unreachable, and, however, the characters insist on pursuing them. The goal of this research is to demonstrate how the yen of accomplishment of these goals and the fact that the characters never lose their faith build a strong dialogue with Walter Benjamin‘s conceptions about the narrator and modernity, given that each character narrates his story as well as the ancient ones that preceded this period, in which, according to Benjamin, the art of narrating is about to disappear. The objective of this study is to make explicit how Alessandro Baricco employs the literary modes Fantastic, Wonderful and Weird to revalorize the narrator, creating allegories based on an imaginary universe. In this universe, the characters narrate and share experiences, as well as the narrator defined by Walter Benjamin does. The allegories built have the goal of creating an association between the act of narrating and the act of resisting to the death of narrative and of literature as art, given that after the arrival of bourgeois modernity, literature in general starts to be sold as merchandise. Therefore, literature loses its advisable character, being an object through which it is possible to share experiences. This causes the loss of ancient literary values.

O objetivo desta pesquisa será de esclarecer como os modos literários Fantástico, Maravilhoso e Estranho, como os define Ceserani (2006), são importantes para a composição e valorização da figura do narrador na sociedade contemporânea, em Castelli di rabbia, de Alessandro Baricco (1991). Acredita-se que o narrador presente na obra corpus seja aquele sobre o qual fala Walter Benjamin (1996), que seria uma figura decadente e quase extinta devido ao advento da modernidade e ao declínio da experiência coletiva. O autor da…

Advisors/Committee Members: Ramos, Maria Celeste Tommasello [UNESP], Universidade Estadual Paulista (UNESP).

Subjects/Keywords: Alessandro Baricco; Castelli di Rabbia; Fantástico; Narrativa; Walter Benjamin

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APA (6th Edition):

Graziano, P. H. P. [. (2017). O Fantástico, o Maravilhoso e o Estranho na composição da figura do narrador em Castelli di rabbia, de Alessandro Baricco. (Thesis). Universidade Estadual Paulista. Retrieved from http://hdl.handle.net/11449/148975

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Chicago Manual of Style (16th Edition):

Graziano, Pedro Henrique Pereira [UNESP]. “O Fantástico, o Maravilhoso e o Estranho na composição da figura do narrador em Castelli di rabbia, de Alessandro Baricco.” 2017. Thesis, Universidade Estadual Paulista. Accessed July 23, 2017. http://hdl.handle.net/11449/148975.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

MLA Handbook (7th Edition):

Graziano, Pedro Henrique Pereira [UNESP]. “O Fantástico, o Maravilhoso e o Estranho na composição da figura do narrador em Castelli di rabbia, de Alessandro Baricco.” 2017. Web. 23 Jul 2017.

Vancouver:

Graziano PHP[. O Fantástico, o Maravilhoso e o Estranho na composição da figura do narrador em Castelli di rabbia, de Alessandro Baricco. [Internet] [Thesis]. Universidade Estadual Paulista; 2017. [cited 2017 Jul 23]. Available from: http://hdl.handle.net/11449/148975.

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

Council of Science Editors:

Graziano PHP[. O Fantástico, o Maravilhoso e o Estranho na composição da figura do narrador em Castelli di rabbia, de Alessandro Baricco. [Thesis]. Universidade Estadual Paulista; 2017. Available from: http://hdl.handle.net/11449/148975

Note: this citation may be lacking information needed for this citation format:
Not specified: Masters Thesis or Doctoral Dissertation

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