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You searched for +publisher:"Youngstown State University" +contributor:("Rollin, Robert"). Showing records 1 – 4 of 4 total matches.

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Youngstown State University

1. Evick, Jason W. Chamber Symphony No.1(Evick)/ Symmetrical and Structural Features in Sonata No.2, Mvt.1, violin and piano.(Béla Bartók).

Degree: MM, Dana School of Music, 2008, Youngstown State University

 This thesis examines the musical language of the first movement of Béla Bartók's Sonata no. 2, for violin and piano (1922). Exploring the use of… (more)

Subjects/Keywords: Composition; Language; Music; B&233; la Bart&243; k; Sonata no. 2 for violin and piano; inversional symmetry

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APA (6th Edition):

Evick, J. W. (2008). Chamber Symphony No.1(Evick)/ Symmetrical and Structural Features in Sonata No.2, Mvt.1, violin and piano.(Béla Bartók). (Masters Thesis). Youngstown State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ysu1229115279

Chicago Manual of Style (16th Edition):

Evick, Jason W. “Chamber Symphony No.1(Evick)/ Symmetrical and Structural Features in Sonata No.2, Mvt.1, violin and piano.(Béla Bartók).” 2008. Masters Thesis, Youngstown State University. Accessed August 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1229115279.

MLA Handbook (7th Edition):

Evick, Jason W. “Chamber Symphony No.1(Evick)/ Symmetrical and Structural Features in Sonata No.2, Mvt.1, violin and piano.(Béla Bartók).” 2008. Web. 22 Aug 2019.

Vancouver:

Evick JW. Chamber Symphony No.1(Evick)/ Symmetrical and Structural Features in Sonata No.2, Mvt.1, violin and piano.(Béla Bartók). [Internet] [Masters thesis]. Youngstown State University; 2008. [cited 2019 Aug 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1229115279.

Council of Science Editors:

Evick JW. Chamber Symphony No.1(Evick)/ Symmetrical and Structural Features in Sonata No.2, Mvt.1, violin and piano.(Béla Bartók). [Masters Thesis]. Youngstown State University; 2008. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1229115279


Youngstown State University

2. Rosen, Nevin Brian. Part I The Seven Days of Creation For Narrator and String Orchestra Part II Shostakovich's Symphony No. 5, Movement 4: A Parametric Analysis.

Degree: MM, Dana School of Music, 2009, Youngstown State University

  Part One, "The Seven Days of Creation For Narrator and String Orchestra" depicts the seven days of creation as portrayed in the Bible. The… (more)

Subjects/Keywords: Music; creation; narrator; string orchestra; Shostakovich; symphony number five

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APA (6th Edition):

Rosen, N. B. (2009). Part I The Seven Days of Creation For Narrator and String Orchestra Part II Shostakovich's Symphony No. 5, Movement 4: A Parametric Analysis. (Masters Thesis). Youngstown State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ysu1253141186

Chicago Manual of Style (16th Edition):

Rosen, Nevin Brian. “Part I The Seven Days of Creation For Narrator and String Orchestra Part II Shostakovich's Symphony No. 5, Movement 4: A Parametric Analysis.” 2009. Masters Thesis, Youngstown State University. Accessed August 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1253141186.

MLA Handbook (7th Edition):

Rosen, Nevin Brian. “Part I The Seven Days of Creation For Narrator and String Orchestra Part II Shostakovich's Symphony No. 5, Movement 4: A Parametric Analysis.” 2009. Web. 22 Aug 2019.

Vancouver:

Rosen NB. Part I The Seven Days of Creation For Narrator and String Orchestra Part II Shostakovich's Symphony No. 5, Movement 4: A Parametric Analysis. [Internet] [Masters thesis]. Youngstown State University; 2009. [cited 2019 Aug 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1253141186.

Council of Science Editors:

Rosen NB. Part I The Seven Days of Creation For Narrator and String Orchestra Part II Shostakovich's Symphony No. 5, Movement 4: A Parametric Analysis. [Masters Thesis]. Youngstown State University; 2009. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1253141186


Youngstown State University

3. Webb, Timothy. Part I The Samson Suite for Chamber Orchestra. Part II The Provocative Prokofiev: Analysis of Moderato Movement Sonata for Flute and Piano in D Major, Opus 94.

Degree: MM, Dana School of Music, 2010, Youngstown State University

  PART I. Samson Suite. The Samson Suite is a four movement composition written for string chamber orchestra. The first movement, Samson at the Gates… (more)

Subjects/Keywords: Fine Arts; Music; Prokofiev's treatment of the seventh scale step; chromatic mediants; chromatic root shifts; harmonic significance of augmented triad; circumscription of multiple themes

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APA (6th Edition):

Webb, T. (2010). Part I The Samson Suite for Chamber Orchestra. Part II The Provocative Prokofiev: Analysis of Moderato Movement Sonata for Flute and Piano in D Major, Opus 94. (Masters Thesis). Youngstown State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ysu1280337287

Chicago Manual of Style (16th Edition):

Webb, Timothy. “Part I The Samson Suite for Chamber Orchestra. Part II The Provocative Prokofiev: Analysis of Moderato Movement Sonata for Flute and Piano in D Major, Opus 94.” 2010. Masters Thesis, Youngstown State University. Accessed August 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1280337287.

MLA Handbook (7th Edition):

Webb, Timothy. “Part I The Samson Suite for Chamber Orchestra. Part II The Provocative Prokofiev: Analysis of Moderato Movement Sonata for Flute and Piano in D Major, Opus 94.” 2010. Web. 22 Aug 2019.

Vancouver:

Webb T. Part I The Samson Suite for Chamber Orchestra. Part II The Provocative Prokofiev: Analysis of Moderato Movement Sonata for Flute and Piano in D Major, Opus 94. [Internet] [Masters thesis]. Youngstown State University; 2010. [cited 2019 Aug 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1280337287.

Council of Science Editors:

Webb T. Part I The Samson Suite for Chamber Orchestra. Part II The Provocative Prokofiev: Analysis of Moderato Movement Sonata for Flute and Piano in D Major, Opus 94. [Masters Thesis]. Youngstown State University; 2010. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1280337287

4. Zhu, Yanda. Part I. Christmas Impressions for String Orchestra. Part II. An Analysis of George Gershwin's Piano Solo Version of Rhapsody In Blue.

Degree: MM, Dana School of Music, 2013, Youngstown State University

 The thesis examines George Gershwin's piano solo version of Rhapsody In Blue. The aim is to discover how the American music spirit is reflected in… (more)

Subjects/Keywords: Music; George Gershwin; Rhapsody In Blue; Piano solo version

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APA (6th Edition):

Zhu, Y. (2013). Part I. Christmas Impressions for String Orchestra. Part II. An Analysis of George Gershwin's Piano Solo Version of Rhapsody In Blue. (Masters Thesis). Youngstown State University. Retrieved from http://rave.ohiolink.edu/etdc/view?acc_num=ysu1390514184

Chicago Manual of Style (16th Edition):

Zhu, Yanda. “Part I. Christmas Impressions for String Orchestra. Part II. An Analysis of George Gershwin's Piano Solo Version of Rhapsody In Blue.” 2013. Masters Thesis, Youngstown State University. Accessed August 22, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1390514184.

MLA Handbook (7th Edition):

Zhu, Yanda. “Part I. Christmas Impressions for String Orchestra. Part II. An Analysis of George Gershwin's Piano Solo Version of Rhapsody In Blue.” 2013. Web. 22 Aug 2019.

Vancouver:

Zhu Y. Part I. Christmas Impressions for String Orchestra. Part II. An Analysis of George Gershwin's Piano Solo Version of Rhapsody In Blue. [Internet] [Masters thesis]. Youngstown State University; 2013. [cited 2019 Aug 22]. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1390514184.

Council of Science Editors:

Zhu Y. Part I. Christmas Impressions for String Orchestra. Part II. An Analysis of George Gershwin's Piano Solo Version of Rhapsody In Blue. [Masters Thesis]. Youngstown State University; 2013. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ysu1390514184

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