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You searched for +publisher:"Victoria University of Wellington" +contributor:("Robb, Hamish"). Showing records 1 – 6 of 6 total matches.

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Victoria University of Wellington

1. Gui, Zhong. Affective and musical understanding in piano chamber music pedagogy at the fundamental level.

Degree: 2019, Victoria University of Wellington

 Individual piano lessons have limitations for peer interaction and cooperation, which leads to insufficient stimulation for children to achieve affective and musical understanding. This paper… (more)

Subjects/Keywords: Piano; Chamber; Pedagogy

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APA (6th Edition):

Gui, Z. (2019). Affective and musical understanding in piano chamber music pedagogy at the fundamental level. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/8548

Chicago Manual of Style (16th Edition):

Gui, Zhong. “Affective and musical understanding in piano chamber music pedagogy at the fundamental level.” 2019. Masters Thesis, Victoria University of Wellington. Accessed July 15, 2020. http://hdl.handle.net/10063/8548.

MLA Handbook (7th Edition):

Gui, Zhong. “Affective and musical understanding in piano chamber music pedagogy at the fundamental level.” 2019. Web. 15 Jul 2020.

Vancouver:

Gui Z. Affective and musical understanding in piano chamber music pedagogy at the fundamental level. [Internet] [Masters thesis]. Victoria University of Wellington; 2019. [cited 2020 Jul 15]. Available from: http://hdl.handle.net/10063/8548.

Council of Science Editors:

Gui Z. Affective and musical understanding in piano chamber music pedagogy at the fundamental level. [Masters Thesis]. Victoria University of Wellington; 2019. Available from: http://hdl.handle.net/10063/8548


Victoria University of Wellington

2. Hughes, Eustacia Lynn Jocea. The Choreomusical Page-to-Stage Approach: Visual Representations of Musical Modernism Through the Works of Igor Stravinsky and George Balanchine.

Degree: 2017, Victoria University of Wellington

 The musical developments of the Modernist period provided a new understanding and approach to composition. These developments are also seen in ballet, branching into several… (more)

Subjects/Keywords: Modernism; Choreography; Page-to-stage

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APA (6th Edition):

Hughes, E. L. J. (2017). The Choreomusical Page-to-Stage Approach: Visual Representations of Musical Modernism Through the Works of Igor Stravinsky and George Balanchine. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/6579

Chicago Manual of Style (16th Edition):

Hughes, Eustacia Lynn Jocea. “The Choreomusical Page-to-Stage Approach: Visual Representations of Musical Modernism Through the Works of Igor Stravinsky and George Balanchine.” 2017. Masters Thesis, Victoria University of Wellington. Accessed July 15, 2020. http://hdl.handle.net/10063/6579.

MLA Handbook (7th Edition):

Hughes, Eustacia Lynn Jocea. “The Choreomusical Page-to-Stage Approach: Visual Representations of Musical Modernism Through the Works of Igor Stravinsky and George Balanchine.” 2017. Web. 15 Jul 2020.

Vancouver:

Hughes ELJ. The Choreomusical Page-to-Stage Approach: Visual Representations of Musical Modernism Through the Works of Igor Stravinsky and George Balanchine. [Internet] [Masters thesis]. Victoria University of Wellington; 2017. [cited 2020 Jul 15]. Available from: http://hdl.handle.net/10063/6579.

Council of Science Editors:

Hughes ELJ. The Choreomusical Page-to-Stage Approach: Visual Representations of Musical Modernism Through the Works of Igor Stravinsky and George Balanchine. [Masters Thesis]. Victoria University of Wellington; 2017. Available from: http://hdl.handle.net/10063/6579


Victoria University of Wellington

3. Wu, Qian. Exploring Josef Hofmann’s Recordings in My Pianistic Journey.

Degree: 2019, Victoria University of Wellington

 This exegesis studies Josef Hofmann’s pianistic intricacy and sophistication by surveying the minutiae and architectonics of his performances of Romantic and Classical piano compositions. The… (more)

Subjects/Keywords: Hofmann; Piano; Recording

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APA (6th Edition):

Wu, Q. (2019). Exploring Josef Hofmann’s Recordings in My Pianistic Journey. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/8571

Chicago Manual of Style (16th Edition):

Wu, Qian. “Exploring Josef Hofmann’s Recordings in My Pianistic Journey.” 2019. Masters Thesis, Victoria University of Wellington. Accessed July 15, 2020. http://hdl.handle.net/10063/8571.

MLA Handbook (7th Edition):

Wu, Qian. “Exploring Josef Hofmann’s Recordings in My Pianistic Journey.” 2019. Web. 15 Jul 2020.

Vancouver:

Wu Q. Exploring Josef Hofmann’s Recordings in My Pianistic Journey. [Internet] [Masters thesis]. Victoria University of Wellington; 2019. [cited 2020 Jul 15]. Available from: http://hdl.handle.net/10063/8571.

Council of Science Editors:

Wu Q. Exploring Josef Hofmann’s Recordings in My Pianistic Journey. [Masters Thesis]. Victoria University of Wellington; 2019. Available from: http://hdl.handle.net/10063/8571


Victoria University of Wellington

4. Jamieson Emms, Georgia. Is Romance Dead? Erich Korngold and the Romantic German Lied.

Degree: 2017, Victoria University of Wellington

 Far from being the operatic aria's less glamorous sister, the Romantic German Lied offers much dramatic scope for the classical performer. It has been described… (more)

Subjects/Keywords: Korngold; Romantic; Lieder

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APA (6th Edition):

Jamieson Emms, G. (2017). Is Romance Dead? Erich Korngold and the Romantic German Lied. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/6727

Chicago Manual of Style (16th Edition):

Jamieson Emms, Georgia. “Is Romance Dead? Erich Korngold and the Romantic German Lied.” 2017. Masters Thesis, Victoria University of Wellington. Accessed July 15, 2020. http://hdl.handle.net/10063/6727.

MLA Handbook (7th Edition):

Jamieson Emms, Georgia. “Is Romance Dead? Erich Korngold and the Romantic German Lied.” 2017. Web. 15 Jul 2020.

Vancouver:

Jamieson Emms G. Is Romance Dead? Erich Korngold and the Romantic German Lied. [Internet] [Masters thesis]. Victoria University of Wellington; 2017. [cited 2020 Jul 15]. Available from: http://hdl.handle.net/10063/6727.

Council of Science Editors:

Jamieson Emms G. Is Romance Dead? Erich Korngold and the Romantic German Lied. [Masters Thesis]. Victoria University of Wellington; 2017. Available from: http://hdl.handle.net/10063/6727


Victoria University of Wellington

5. Chin, Reuben. Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire.

Degree: 2017, Victoria University of Wellington

 To ascribe the word ‘virtuosity’ to a single and absolute definition is an impossible task. It is a term that is multifaceted in its meaning… (more)

Subjects/Keywords: Debussy; Rapsodie; Altissimo

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APA (6th Edition):

Chin, R. (2017). Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/6954

Chicago Manual of Style (16th Edition):

Chin, Reuben. “Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire.” 2017. Masters Thesis, Victoria University of Wellington. Accessed July 15, 2020. http://hdl.handle.net/10063/6954.

MLA Handbook (7th Edition):

Chin, Reuben. “Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire.” 2017. Web. 15 Jul 2020.

Vancouver:

Chin R. Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire. [Internet] [Masters thesis]. Victoria University of Wellington; 2017. [cited 2020 Jul 15]. Available from: http://hdl.handle.net/10063/6954.

Council of Science Editors:

Chin R. Saxophone Virtuosity: Manifestation and Effect in the Classical Saxophone Repertoire. [Masters Thesis]. Victoria University of Wellington; 2017. Available from: http://hdl.handle.net/10063/6954


Victoria University of Wellington

6. Jackson, Fleur. CHALLENGING THE WORK CONCEPT: METAPHOR, EMBODIMENT AND STRUCTURE IN MUSIC ANALYSIS.

Degree: 2018, Victoria University of Wellington

 Metaphorical depictions, embodied experiences, and by extension structures within the music, are distinct between performances of both the same works and across works of different… (more)

Subjects/Keywords: metaphor; embodiment; structure; violin performance; performance analysis

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APA · Chicago · MLA · Vancouver · CSE | Export to Zotero / EndNote / Reference Manager

APA (6th Edition):

Jackson, F. (2018). CHALLENGING THE WORK CONCEPT: METAPHOR, EMBODIMENT AND STRUCTURE IN MUSIC ANALYSIS. (Masters Thesis). Victoria University of Wellington. Retrieved from http://hdl.handle.net/10063/7892

Chicago Manual of Style (16th Edition):

Jackson, Fleur. “CHALLENGING THE WORK CONCEPT: METAPHOR, EMBODIMENT AND STRUCTURE IN MUSIC ANALYSIS.” 2018. Masters Thesis, Victoria University of Wellington. Accessed July 15, 2020. http://hdl.handle.net/10063/7892.

MLA Handbook (7th Edition):

Jackson, Fleur. “CHALLENGING THE WORK CONCEPT: METAPHOR, EMBODIMENT AND STRUCTURE IN MUSIC ANALYSIS.” 2018. Web. 15 Jul 2020.

Vancouver:

Jackson F. CHALLENGING THE WORK CONCEPT: METAPHOR, EMBODIMENT AND STRUCTURE IN MUSIC ANALYSIS. [Internet] [Masters thesis]. Victoria University of Wellington; 2018. [cited 2020 Jul 15]. Available from: http://hdl.handle.net/10063/7892.

Council of Science Editors:

Jackson F. CHALLENGING THE WORK CONCEPT: METAPHOR, EMBODIMENT AND STRUCTURE IN MUSIC ANALYSIS. [Masters Thesis]. Victoria University of Wellington; 2018. Available from: http://hdl.handle.net/10063/7892

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